Luc-Bat! you say

In Vietnamese Luc-Bat is a sonnet form
consisting of six and eight syllable lines

First line starts with six syllables, next eight

A 14 line rhyme pattern -
a.b.b.c./ c.d.d.e/ e.f.f.g/ g.a.

born/ fall/ all/ lush
bush/ earth/ birth/ man
Pan/ scheme/ dream/ jest
crest/ dawn

Try it in the loo!

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Pacific Trash Vortex (Triple Tetractys)

The rules for writing a tetractys are as follows:
Line 1 is one syllable syllable
Segment of speech usually consisting of a vowel with or without accompanying
consonant sounds (e.g., a, I, out, too, cap, snap, check) . A syllabic consonant,
like the final n sound in button and widen, also constitutes a syllable.
line 2 is two syllables; line 3 is three syllables; line 4 is four syllables;
and line 5, is ten syllables.
The fourth and fifth lines may rhyme or rime, the most prominent of the
literary artifices used in versification. Although it was used in ancient East
Asian poetry, rhyme was practically unknown to the ancient Greeks and Romans.
But this is not mandatory.

Waste
Sea green
Wavering
In slimy traps
In woozy circles
Gushing at the deep water horizon


Melody still rooting in bluesy rock
Gloppy red icing
Crooked letters
Violet
Colored
Dream


Fish
Yellow
Flimsy boats
Lanky white man
Muzzy from the work
Cloudy indigo sky hanging round all.

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Divine Force (terza Rima Sonnet)

Prayer is the answer to a troubled heart,
Challenges meant to be overcome and solved,
Faith in God is the best way to make a start.

Splendour of sunshine around- a ball of gold!
Winds-cool or stormy reach their destination,
Warm sun and wind, engulfing all in their fold.

Water, the elixir makes no distinction,
Energy giver-Fire, also smothers,
Trees do not produce fruits in isolation.

Associations-complex and a bother.
Get caught in the labyrinth, never be freed,
Life’s lessons-through experience can gather.

Getting rid of contempt, prejudice and greed
Accepting Divine Will engenders a new breed.


(The Italian form Diaspora or Terza Rima is a of indefinite length, made up of numbers of three-line stanzas or tercets. The sonnet ends with a couplet linking back to the first stanza. The rhyme scheme is such that line 2 of each stanza rhymes with lines 1 and 3 of the following stanza, creating an interlocking pattern. In the final stanza, both lines rhyme with line 2 of the preceding tercet. The Terza Rima sonnet has the following rhyme scheme, .a.b.a...b.c.b...c.d.c...d.e.d...e.e.)

Hema Ravi,13.08.09

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I can and I will! !

Welsh Bardic form

Written in heptasyllabic (7 syllable) Quatrains

Line three cross rhymes with the central syllables of line four.
Lines one, two and four carry the main Rhyme

Rhyme pattern
XXXXXXa
XXXXXXa
XXXXXXb
XXXXb Xa

Example

There is no way I can know
Trials I must undergo.
This must be hidden from me
Lest I should be laid down low.

And see time as my mortal foe.
It is mete I should not know.
A mans future has to be
a deep mystery and so.

It was decreed long ago
No man is allowed to know
what his fate will come to be
in dire jeopardy or no.

The years will pass quick or slow.
Troubles come and troubles go
Insofar as I can see
Nobody is free to know.

I need no one to tell me so
We go where we have to go
Until we eventually
are allowed to see and know.

20-Dec-08
http: // blog.myspace.com/poeticpiers

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Transistors and Tubes

now women are like transistors
and men are just like tubes
and women can be like sisters
and men will act like boobs
men are simple, women complex
women see men as big red necks
men are simple
men are simple
men see women as sex objects

so now women are transistors
girls are multitasking
being smarter than the misters
thank you just for asking
women are true and love their man
loving him, as much as she can
women are true
women are true
it’s been this way since time began

here’s the reason, men are like tubes
they will forget her mind
talk to her heart but watch her boobs
thinking of her behind
men can’t devote their heart to one
they’ll run around and just have fun
men can’t devote
men can’t devote
I still love that son of a gun

Author notes

Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:

Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 syllables of line five /c

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Magic Locket

There's a wood nymph in my pocket
I keep her close to me
Around her neck a golden locket
For everyone to see
I know magic; and so does she
She stays close and watches me
I know magic
I know magic
The golden locket has a key

There's a wood nymph in my pocket
I only show a few
When the key goes in the sprocket
Just watch what it can do
I turn the key when it goes in
And then the room will start to spin
I turn the key
I turn the key
The magic starts and then I grin

There's a wood nymph in my pocket
She’ll never fly away
But she’s quick, just like a rocket
I saw her fly one day
The magic key will make me strong
I’ll rule the world, it won’t be long
The magic key
The magic key
So won’t you come and sing my song?


Author notes:

Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:

Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c

Meter: 8/6/8/6/8/8/4,4 refrain/8

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I'm no longer blind (Quatern poetry)

(A Quatern is a sixteen line French form composed of four quatrains. It is
similar to the Kyrielle and the Retourne. It has a refrain that is in a
different place in each quatrain. The first line of stanza one is the second
line of stanza two, third line of stanza three, and fouth line of stanza four.
A quatern has eight syllables per line. It does not have to be iambic or follow
a set rhyme scheme. line 1 line 2 line 3 line 4 line 5 line 6 (line 1) line 7
line 8 line 9 line 10 line 11 (line 1) line 12 line 13 line 14 line 15 line 16
(line 1)

Dear Lord, please have mercy on me,
You're always near my painful soul,
You are my focus and my goal,
In the falling rain I'm your tree.


Help me for I am a sinner.
Dear Lord, please have mercy on me.
'Cause I'm Your humble devotee,
Asking Christ to come for dinner.


Guard Thou with light this pain of mine.
I'm no longer blind I can see.
Dear Lord, please have mercy on me.
Your words through me will always shine.


Save me by Your grace, set me free.
Keep my way, truth and life in Christ.
And so I'll know that Thou exist.
Dear Lord, please have mercy on me.


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Dust to Dust We Go

DUST TO DUST WE GO

Dawn saw fame borne away to flame no more
Undone our time, light's boon, for dust bests fun -
Sun's one hour rhyme, - night's soon sure, rust rests run.
Torn core, aims shorn, waylays true name so poor.
Thorn store shames born day's plays, few claim crow - chore
Once spun power mimes fight, loon scores crust, jest done.
Dunce - shun tower chimes' rite, noon whores' lust, gest stun.
Unpure frame, worn, frays, pays - too tame, shows flaw.
Scorn pour, lame mourn, praise phase new, game grows bore,

Turns tunnel dower, limelight’s floor just crest dun.
Won shone flower rimes, trite croon caw bust, Quest? none!
End: forlorn blame gaze stays acclaim, slows roar.
Glory for soul, some say life sends gold key,
Or we poor, sole, dumb pray strife ends, goal flee.

28 April 2009 Acrostic Sonnet DUST TO DUST WE GO

robi03_1887_robi03_0000 AQS_CDZ

NOTES:
Rhyme ABBA ABBA ABBA CC

most syllables in A lines rhyme with corresponding syllables in other A lines
most syllables in B lines rhyme with corresponding syllables in other B lines
final couplet all syllables rhyme

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Bussokusekiku Japanese form

Bussokusekiku

6 lines
5 syllable, line one
7 syllables line two
5 syllables line three
7 syllables in the last three lines

Orientally
inspired I write poetry.
Exercise my brain
Look at things differently

If I can do it so can you

White chrysanthemum.
Signifying purity
One single blossom.
Typically Japanese
in its simplicity
Needs no explanation.

Savage warrior
who composes poetry.
Shows his softer side.
He must be a samurai.
A well trained brave fighting man
Writes beautifully of love.

28/10/2009
http: // blog.myspace.com/poeticpiers

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This Day What Future Will It Bring (Kyrielle Sonnet)

This day what future will it bring.
What songs will we finally sing?
Snow quietly gracing the ground.
There will then come a silent sound.

We will be skating on the pond
And ev'ry one will form a bond.
By crackling fire we'll gather round.
There will then be a silent sound.

No recipe will we follow
Flitting the night with the swallows.
We'll form a ring around, around.
There will then come a silent sound.

This day what future will it bring.
There will then come a silent sound.

- Ben Gieske, March 5,2008


*
A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet) . Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza) . Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme for a Kyrielle Sonnet would be: AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.

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Diversity for Friend Leslie

The sonnet form is capable
of being very flexible
It can be used to air your views
on almost anything at all.
From memories which you recall
to any subject you may choose.

Purists refuse to recognise
a sonnet form which in their eyes
is worthy of a total ban.
Because it differ from the form
which they insist must be the norm.
Petrarchan or Shakespearian.
Although they can stick to their views
I must refuse. I can’t agree

16/05/2009

http: // blog.myspace.com/poeticpiers

Jeffreys sonnet
Devised by Scott.J.Alcorn.

*syllables per line
Two sestets with a cross rhymed couplet.

Rhyme pattern

xxxxxxxA
xxxxxxxA
xxxxxxxBxxxxxxxC
xxxxxxxC
xxxxxxxB

xxxxbxx xD
xxxxxxxD
xxxxxxxE
xxxxxxxF
xxxxxxx F
xxxxxxxE

xxxxxxxG
xxxgxxxG

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Red Pencil

Red Pencil
R ed pencil with magic flair
E nrichment while in school
D ancing red marks are everywhere
Red pencil; teachers’ tool
Red pencil marks, to make it right
I studied hard with all my might
Red pencil marks
Red pencil marks
I passed the test to my delight

P encil red is the teachers’ tool
E dified magic wand
N ebulous to the Golden Rule
C lassroom and teacher bond
I want to teach, want to be free
L ife as a teacher, that’s for me
I want to teach
I want to teach
Some day I’ll teach, Form Poetry

Red pencil, with magic flair
I studied hard in school
I’m now a teacher; answered prayer
Red pencil is my tool
I’m a teacher, I live my dream
Teaching poetry to the extreme
I’m a teacher
I’m a teacher
And my red pencil is supreme


Author Notes:

Acrostic Trijan Refrain

Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:

Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
source: shadowpoetry.com

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War at Home

Ever since they took him away,
to fight that God forsaken war.
I daydream in our fields all day.
They took the man that I adore.

Gazing across the windswept grass
and waiting for the time to pass.
The memory of times before,
they took the man that I adore.

I know he’ll walk across that field
with battle wounds yet still unhealed.
My broken heart can take no more,
they took the man that I adore.

Ever since they took him away,
they took the man that I adore.


Author Notes:

Kyrielle Sonnet
A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet) . Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza) . Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme
for a Kyrielle Sonnet would be: AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.

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Alankar(Decor) -74

Abortion-(Virgilio-
It is a seven line unrhymed poem
there are 6 syllables each in the 1st,3rd, and 5th lines,
5 syllables each in the 2nd,4th and 6th lines, and 8 syllables
in the 7th and final line.)

Abortion

When it came to its mom
Born first was the bond
A blessed moment both felt
But whose curse was it
Soon to break open it-
Sleet of blood and flesh
In mute wailing'mamma, mamma'

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I am what I am

I am what I am

I try my best to show
So other people know
That I’m a gentleman.

Because I think it best
to differ from the rest.
I am not a macho man.

I am content to be
seen as ordinary.
Though I am a gentle man.

Balassi Stanza

13/05/2009

Http: // blog.my space.com/poeticpiers

Parameters
Three three line stanzas
Rhyme pattern
aab
ccb
ddb
first and second lines 6syllables
third line seven syllables

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Alankar(Decor) -76

Bhaji-(Chain Verse)

Chain Verse is composed in one of three ways:

1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.


2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.

3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.
----

2

Bhaji-(Chain Verse-6-5-6-5 syllables
With linking rhyme only)

I found a guava plant
Silent in a nook
Along my garden stroll
On a rainy day

Day was cool in showers
No wonder taste hyped
Picked some fresh guava leaves
Wishing for bhajis

Bhajis are many types
Of veggies and leaves
Can make tasty bhajis
Guava leaves too used

Used are gram and rice flours
With salt and chilli
Mixed in are leafy bits
And soda a dash

Dashing batter ready
When mixed with water
The center line Strung out
Dipped leaves get coated

Coated leaves then deep fried
Out from deep hot oil
Season's snack was ready
Why wait, munch said I

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Greenhouse Gas (Triolet)

The features of the Triolet are:
· 8 lines.
· Two rhymes.
· 5 of the 8 lines are repeated or refrain lines.
· First line repeats at the 4th and 7th lines.
· Second line repeats at the 8th line.
· Rhyme scheme (where an upper-case letter indicates the appearance of an identical line, while a lower-case letter indicates a rhyme with each line designated by the same lower-case or upper-case letter) :
A
B
a - Rhymes with 1st line.
A - Identical to 1st line.
a - Rhymes with 1st line.
b - Rhymes with 2nd line.
A - Identical to 1st line.
B - Identical to 2nd line.
***********************
Our blue marble is imperiled
Due to excessive CO2
Like being over a barrel.
Our blue marble is imperiled.
Greenhouse gas, it's our funeral
the solutions long overdue.
Our blue marble is imperiled
Due to excessive CO2.

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Real Strength (Octelle Form)

Bamboo tree, you are resilient
With the wind, so truly patient
Bending back with every blow
Swaying freely, strength to show
Although fierce may be the storm
It can never break your form
Bamboo tree, you are resilient
With the wind, so truly patient!

Cynthia Buhain Baello
11.22.12

**Octelle - poetry form of 8 lines
aa-bb-cc-aa rhyme scheme, 88-77-77-88 syllable
pattern, and uses personification & symbolism.
The first 2 lines are repeated as the last 2 lines.

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Expose (Octelle)

Are you the anodyne men seek -
Religion controlling the weak?
Masters of malevolence,
Hiding in Piety's pretense!
Your robes dipped Injustice's blood
Teaching vile men to play god!
Are you the anodyne men seek -
Religion controlling the weak?

'Each tree is recognized by its own fruit.' (Luke 6: 44)

cynthiabuhainbaello
11.28.12

*Octelle - poetry form of 8 lines
aa-bb-cc-aa rhyme scheme, 88-77-77-88 syllable
pattern, and uses personification & symbolism.
The first 2 lines are repeated as the last 2 lines.

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Sinking (Octelle)

Freedom, you're on a sinking ship
Blinded, tossed about, losing grip!
Enemies laugh, as you drown
With your flawed throne and false crown
Free yourself! Open your eyes!
Deceit has slipped through with lies
Freedom, you're on a sinking ship
Blinded, tossed about, losing grip!

'Ships sail on water, but if the water gets in slowly,
even a battleship will sink. Nations do not fall instantly,
they get corrupted inside very slowly.'


cynthiabuhainbaello11.28.12

*Octelle poem - 8 line poem with aa-bb-cc-aa rhyme scheme
and 88-77-77-88 syllable pattern. The first 2 lines are
repeated as the last 2 lines.

It uses personification & symbolism and it written in
a telling manner.

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Marshalline Sonnet

Encased, enlaced, embraced in newness
Enshrined, in time, these are the feelings
So hear a poem that’s filled with trueness
Forget the world and all its’ dealings
We want a feeling that is golden
So hear this form that was imparted
It differs from the forms of olden
And sings to those who are lighthearted
The ending of each line is mellow
The body of this poem's bolder
It puts a smile on every fellow
And girls will lend a softer shoulder
This is the form Mairi created
Just do what she has stipulated


------------
Author's Notes:
Marshalline Sonnet:
The Marshalline Sonnet form is created by: AP poet; Mairi bheag.
This is a wonderful form that allows us to use feminine words for end line rhymes.
9 syllables per line with the following meter:
iamb-iamb-iamb-amphibrach

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