This Day What Future Will It Bring (Kyrielle Sonnet)
This day what future will it bring.
What songs will we finally sing?
Snow quietly gracing the ground.
There will then come a silent sound.
We will be skating on the pond
And ev'ry one will form a bond.
By crackling fire we'll gather round.
There will then be a silent sound.
No recipe will we follow
Flitting the night with the swallows.
We'll form a ring around, around.
There will then come a silent sound.
This day what future will it bring.
There will then come a silent sound.
- Ben Gieske, March 5,2008
*
A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet) . Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza) . Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme for a Kyrielle Sonnet would be: AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.
poem by Ben Gieske
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Related quotes
War at Home
Ever since they took him away,
to fight that God forsaken war.
I daydream in our fields all day.
They took the man that I adore.
Gazing across the windswept grass
and waiting for the time to pass.
The memory of times before,
they took the man that I adore.
I know he’ll walk across that field
with battle wounds yet still unhealed.
My broken heart can take no more,
they took the man that I adore.
Ever since they took him away,
they took the man that I adore.
Author Notes:
Kyrielle Sonnet
A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet) . Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza) . Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme
for a Kyrielle Sonnet would be: AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.
poem by Amera Andersen
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Alankar(Decor) -67
Autumnal Sport(Equinox) -Kyrielle sonnet poem
a 14 line poem-3 quatrains and a couplet
syllabic,8 syllables per line.
rhyme scheme AabB ccbB ddbB AB or AbaB cbcB dbdB AB.
composed with a refrain in the last line of each stanza.
L1 is repeated as L13 and L4 is repeated as L8, L12 and L14.
composed with no prescribed pivot however those that I have read usually pivot between the 2nd and 3rd quatrains.
Autumnal Sport(Equinox)
His play has begun and he moves
Knowing of time to play her moves
They are apart in playing mood
Hide and seek in set somewhat good
Azure is hidden, the sun too
Hiding, the passing clouds to do
Clement earth is pleased in good mood
Hide and seek in set somewhat good
Their diction of laughing applause
Flora, fauna drizzle while toss
Them the guiding winds in sound mood
Hide and seek in set somewhat good
His play has begun and he moves
Hide and seek in set somewhat good
poem by Indira Renganathan
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Alankar(Decor) -69
Their Race Yet Not Over(Kyrielle Poem)
a narrative, it tells a story.
stanzaic, in quatrains.
syllabic, each line is 8 syllables. in iambic tetrameter.
written with a refrain in the 4th line of the quatrain.
rhyme scheme may vary. Quatrain options abaB, cbcB, dbdB
Their race yet not over with that
Else way tortoise as thought to race
To run, to swim in halves, to work-
Agreed the hare willing to race
Starting speeded with hare on land
Plodding slowed with tortoise to race
To help the river came on hand
Swam fast tortoise won first the race
Knowing not to swim the hare lost
Foolish was his challenge to race
Judging oneself the best way last
Is the way best to win the race
poem by Indira Renganathan
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I'm no longer blind (Quatern poetry)
(A Quatern is a sixteen line French form composed of four quatrains. It is
similar to the Kyrielle and the Retourne. It has a refrain that is in a
different place in each quatrain. The first line of stanza one is the second
line of stanza two, third line of stanza three, and fouth line of stanza four.
A quatern has eight syllables per line. It does not have to be iambic or follow
a set rhyme scheme. line 1 line 2 line 3 line 4 line 5 line 6 (line 1) line 7
line 8 line 9 line 10 line 11 (line 1) line 12 line 13 line 14 line 15 line 16
(line 1)
Dear Lord, please have mercy on me,
You're always near my painful soul,
You are my focus and my goal,
In the falling rain I'm your tree.
Help me for I am a sinner.
Dear Lord, please have mercy on me.
'Cause I'm Your humble devotee,
Asking Christ to come for dinner.
Guard Thou with light this pain of mine.
I'm no longer blind I can see.
Dear Lord, please have mercy on me.
Your words through me will always shine.
Save me by Your grace, set me free.
Keep my way, truth and life in Christ.
And so I'll know that Thou exist.
Dear Lord, please have mercy on me.
poem by Marieta Maglas
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Transistors and Tubes
now women are like transistors
and men are just like tubes
and women can be like sisters
and men will act like boobs
men are simple, women complex
women see men as big red necks
men are simple
men are simple
men see women as sex objects
so now women are transistors
girls are multitasking
being smarter than the misters
thank you just for asking
women are true and love their man
loving him, as much as she can
women are true
women are true
it’s been this way since time began
here’s the reason, men are like tubes
they will forget her mind
talk to her heart but watch her boobs
thinking of her behind
men can’t devote their heart to one
they’ll run around and just have fun
men can’t devote
men can’t devote
I still love that son of a gun
Author notes
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 syllables of line five /c
poem by Amera Andersen
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Magic Locket
There's a wood nymph in my pocket
I keep her close to me
Around her neck a golden locket
For everyone to see
I know magic; and so does she
She stays close and watches me
I know magic
I know magic
The golden locket has a key
There's a wood nymph in my pocket
I only show a few
When the key goes in the sprocket
Just watch what it can do
I turn the key when it goes in
And then the room will start to spin
I turn the key
I turn the key
The magic starts and then I grin
There's a wood nymph in my pocket
She’ll never fly away
But she’s quick, just like a rocket
I saw her fly one day
The magic key will make me strong
I’ll rule the world, it won’t be long
The magic key
The magic key
So won’t you come and sing my song?
Author notes:
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
poem by Amera Andersen
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Red Pencil
Red Pencil
R ed pencil with magic flair
E nrichment while in school
D ancing red marks are everywhere
Red pencil; teachers’ tool
Red pencil marks, to make it right
I studied hard with all my might
Red pencil marks
Red pencil marks
I passed the test to my delight
P encil red is the teachers’ tool
E dified magic wand
N ebulous to the Golden Rule
C lassroom and teacher bond
I want to teach, want to be free
L ife as a teacher, that’s for me
I want to teach
I want to teach
Some day I’ll teach, Form Poetry
Red pencil, with magic flair
I studied hard in school
I’m now a teacher; answered prayer
Red pencil is my tool
I’m a teacher, I live my dream
Teaching poetry to the extreme
I’m a teacher
I’m a teacher
And my red pencil is supreme
Author Notes:
Acrostic Trijan Refrain
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
source: shadowpoetry.com
poem by Amera Andersen
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Don't Tell THe World! (Sonnet)
This Sonnet is in the popular Petrarchan Form
I behold thy love as beautiful thing,
In my wrecked heart, a pleasure garden,
Thy revered love, a blooming Eden.
A daisy tuft seasoned by bright spring,
Surging in moments that defeats waiting,
I behold thy words as a jeweled crown,
On my worn pages of despicable frown.
And thy memory feeds my mind dying,
Daring couple disclose, but don’t you tell,
About memoirs many encased and kept,
Say not thy chronicle, sweet as daisy smell,
Buried, not unseen to thy eyes except
Reveal not, the guarded stash of our love,
Lest a rational world desires to know! ! !
IA NOTE: For those who find the format unfitting to a sonnet!
(Sonnet
only 14 lines long— and has a firmly fixed form. The sonnet works best for expressing strong emotion or intense feeling, firm purpose, or great seriousness. This form works best if you want to focus attention on a single thing—a particular idea, situation, emotion, problem, observation, etc. —the sonnet gets to its point quickly and efficiently, with beauty and charm of form or expression.
The Shakespearean (or English) sonnet and the Petrarchan (or Italian) sonnet are the two most prevalent versions of this form today.
A Shakespearean sonnet or English sonnet is written in one stanza composed of three rhymed quatrains (each making one point in a three-step argument) , followed by a rhyming couplet that summarizes the argument
A Petrarchan sonnet or Italian sonnet is composed of an octet followed by a sestet with a variable rhyme scheme. The octet presents the poem’s theme or problem, while the sestet offers a change or a resolution. In its traditional form, this sonnet never ends in a couplet.
Robert Frost was popular at Petrarchan form of sonnets.
sonnet’s formal requirements (14 lines of iambic pentameter with a specific rhyme scheme) , method (a strong focus on one subject) , and goals (persuasion, surprise, balance) ,
Ref: www.poetry.com/techniques/form of poetic expressions.
Thank You
poem by Seema Aarella
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Marshalline Sonnet
Encased, enlaced, embraced in newness
Enshrined, in time, these are the feelings
So hear a poem that’s filled with trueness
Forget the world and all its’ dealings
We want a feeling that is golden
So hear this form that was imparted
It differs from the forms of olden
And sings to those who are lighthearted
The ending of each line is mellow
The body of this poem's bolder
It puts a smile on every fellow
And girls will lend a softer shoulder
This is the form Mairi created
Just do what she has stipulated
------------
Author's Notes:
Marshalline Sonnet:
The Marshalline Sonnet form is created by: AP poet; Mairi bheag.
This is a wonderful form that allows us to use feminine words for end line rhymes.
9 syllables per line with the following meter:
iamb-iamb-iamb-amphibrach
poem by Amera Andersen
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Divine Force (terza Rima Sonnet)
Prayer is the answer to a troubled heart,
Challenges meant to be overcome and solved,
Faith in God is the best way to make a start.
Splendour of sunshine around- a ball of gold!
Winds-cool or stormy reach their destination,
Warm sun and wind, engulfing all in their fold.
Water, the elixir makes no distinction,
Energy giver-Fire, also smothers,
Trees do not produce fruits in isolation.
Associations-complex and a bother.
Get caught in the labyrinth, never be freed,
Life’s lessons-through experience can gather.
Getting rid of contempt, prejudice and greed
Accepting Divine Will engenders a new breed.
(The Italian form Diaspora or Terza Rima is a of indefinite length, made up of numbers of three-line stanzas or tercets. The sonnet ends with a couplet linking back to the first stanza. The rhyme scheme is such that line 2 of each stanza rhymes with lines 1 and 3 of the following stanza, creating an interlocking pattern. In the final stanza, both lines rhyme with line 2 of the preceding tercet. The Terza Rima sonnet has the following rhyme scheme, .a.b.a...b.c.b...c.d.c...d.e.d...e.e.)
Hema Ravi,13.08.09
You ask me to leave (Pantoum poetry)
The “pantun” is a Malaysian poetic form that was introduced to the West by French novelist, essayist, and poet, Victor Hugo (1802-1885) , hence the French spelling, “pantoum.” Westerners have taken creative liberties with the Malaysian form, which tends to follow a standard rhyme form of ABAB, where multiple, rather than single subjects, are introduced. While pantoums can have unlimited stanzas, you might want to begin with a 3-stanza poem until you get the hang of it:
Stanza 1: Line 1/Line 2/Line 3/Line 4
Stanza 2: Line 5 (repeat of line 2 in stanza 1) /Line 6 (new line) /Line 7 (repeat of line 4 in stanza 1) /
Line 8 (new line)
Stanza 3/Last Stanza (This is the format for the last stanza regardless of how many preceding stanzas exist) : Line 9 (line 2 of the previous stanza) /Line 10 (line 3 of the first stanza) /Line 11 (line 4 of the previous stanza) /Line 12 (line 1 of the first stanza)
And you ask me to leave all behind
Now when our moment in time is done
Going nowhere with nothing in mind
'Cause you're my world and my special one
Now when our moment in time is done
I love you like there's no end in sight
'Cause you're my world and my special one
You're still on my mind all day and night.
I love you like there's no end in sight
You're inside me filling my soul's space
You're still on my mind all day and night.
I feel still cuddled in your embrace
You're inside me filling my soul's space
Going nowhere with nothing in mind
I feel still cuddled in your embrace
And you ask me to leave it all behind
poem by Marieta Maglas
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Sonnet Minus One: A Jest [Acrostic on THIRTEEN LINES]
This is not a sonnet, can’t you tell? It
Has a line less than it should, for, hell, if
I am to be printed in this broadside,
Rules require the lines to number oddly.
This allows me eight lines at the first, but
Even though my rhyming is well-versed, as
Every critic knows the issue’s passed, that
Never will this poem be a classic.
Literati want their sonnets catholic
In the best King’s English Shakespeare hath, and
Not the three-legged race this thirteen-liner
Eggs the couplet-craving crowd unraveled:
So, I scorn to tread the road more traveled.
poem by Richard St. Clair
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Green Couplets 01 Lucid Cute Verse
The word ‘couplet' derives from the word ‘couple'— means one pair of anything. A couplet is the shortest and simplest form or type of poetry with a certain idea. It generally consists of single stanza of two lines of rhyming poetry that usually has the same meter. There is no hard and fast rule about length or rhythm.
As the shortest form of poetry couplets are green and attractive those proclaim Poems for Life.
Couplet— I
Orchid flower on the pot
Rainy summer not so hot
Couplet— II
Online romance chat is the key
Late night knows the honey-bee
Couplet— III
Moonbeam dropping dazzling night
Knocking the doors memories right.
Couplet— IV
Filipino cat in the dream
Crossing Ocean alone swims!
Couplet— V
Two leaves and a bud green leaf tea
Exploiting labors can we see?
Ashraful Musaddeq
poem by Ashraful Musaddeq
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Wife to Be (Petrarchan Sonnet)
I stroll along a fragrant country lane
With honeysuckle perfume on the air -
And feathered crooner's warble to revere -
Then cross a golden sea of flowing grain
In empathy - it seems to sense my pain
Of knowing all was done with my affair -
Her empty meaning now the solitaire
She cast away - betrothment all in vain.
But oceans team with many fish to catch
So I must up and hoist another sail
And seek the one that really waits for me,
For soon auspicious breezes will prevail
In guiding forth to find a truer match:
The one to take my hand as wife to be.
Copyright © Mark R Slaughter 2010
ma rriage
marriage marriage
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sonnet sonnet sonnet
sonnet sonnet
sonnet
poem by Mark R Slaughter
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Diversity for Friend Leslie
The sonnet form is capable
of being very flexible
It can be used to air your views
on almost anything at all.
From memories which you recall
to any subject you may choose.
Purists refuse to recognise
a sonnet form which in their eyes
is worthy of a total ban.
Because it differ from the form
which they insist must be the norm.
Petrarchan or Shakespearian.
Although they can stick to their views
I must refuse. I can’t agree
16/05/2009
http: // blog.myspace.com/poeticpiers
Jeffreys sonnet
Devised by Scott.J.Alcorn.
*syllables per line
Two sestets with a cross rhymed couplet.
Rhyme pattern
xxxxxxxA
xxxxxxxA
xxxxxxxBxxxxxxxC
xxxxxxxC
xxxxxxxB
xxxxbxx xD
xxxxxxxD
xxxxxxxE
xxxxxxxF
xxxxxxx F
xxxxxxxE
xxxxxxxG
xxxgxxxG
poem by Ivor Or Ivor.e Hogg
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In Pursuit Of The Sonnet
I cannot write a sonnet; it's too hard
To put such barriers around my brain
And thus I find my efforts often marred
Although I rephrase again and again
I cannot write a sonnet though I try
Through day and night, through winter, into spring
And even though I have no reason why
A ten-syllable line my thoughts won't bring.
But now I wonder just what is so great
About this 'iambic pentameter'?
And am almost resigned that it's my fate
That from the sonnet form I should defer
Yet, having spent so long in search of one
T'would be a shame if it should not be done
poem by SarahJane Platt
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In Search Of Aphrodite
A Sideline Sonnet
(letters on the left side of the poem make the 15th line, which is also written out in parenthesis at the end of the poem) This poem, instead of being displayed with either 12 lines on the left margin, with the 13th and 14th lines indented in modern format, or with the first 8 lines on the left margin, a line skipped and then the next 4 lines on the left margin with the couplet indented in the style most commonly used in the days of Shakespeare, will be posted in 4 line stanzas to make it easier to read the side line, which will be three 4 letter words, and one 2 letter word.
May I behold a girl this fair:
A girl whose presence makes a light;
Kindles a flame that burns so bright
Eclipses it the moon. With hair
Lost stars that from the heavens fall –
On falling do submit their glow,
Vile stars, on one I cannot know.
Enraptured though, I make the call.
While all my starving total seeks,
In endless hunger, for the dear
Temptation that, though hov'ring near,
Hears not my voice: yet not she speaks.
May I but see her, then will I
Entreat her, listen to my cry…
(make love with me)
poem by James Walter Orr
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Luc-Bat! you say
In Vietnamese Luc-Bat is a sonnet form
consisting of six and eight syllable lines
First line starts with six syllables, next eight
A 14 line rhyme pattern -
a.b.b.c./ c.d.d.e/ e.f.f.g/ g.a.
born/ fall/ all/ lush
bush/ earth/ birth/ man
Pan/ scheme/ dream/ jest
crest/ dawn
Try it in the loo!
poem by Michael Pruchnicki
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Room at the Inn
An eerie feeling on the road that night,
I was cold, tired and needed some sleep.
As the dark mist parted I could see the light,
so I cocked the wheel as I turned my Jeep.
“O yes I have room”, replied the inn keep
and from a small box, he handed me keys.
I was slow to decide but I needed sleep.
“Do you want it or not? ” - I replied; “please”.
I stepped in the room, felt weak in my knees,
as the door slammed shut the terror began.
The temperature dropped about ten degrees
I’m locked in a room with that awful man.
Why didn’t that sign say “No Vacancy”,
I thought to myself, as he strangled me.
Author notes
Spenserian sonnet
The Spenserian sonnet has a rhyme pattern of:
abab bcbc cdcd ee
Here, the 'abab' pattern sets up distinct four-line groups, each of which develops a specific idea; however, the overlapping a, b, c, and d rhymes form the first 12 lines into a single unit with a separated final couplet. The three quatrains then develop three distinct but closely related ideas, with a different idea (or commentary) in the couplet.
poem by Amera Andersen
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Squashing force (Diminished hexaverse poetry)
(A poem containing stanzas of 5 lines, then 4 lines, then 3 lines, then 2 lines, ending with one word. The syllables in each stanza correspond to the number of lines, i.e.5 in each line in the first stanza,4 in the second stanza and so on. This form may contain more than five stanzas.)
Caught in illusion
Left in agony
Being badly hurt
Victim of terror
With contorted face
Depredated
Walls closing in
Screams of anguish
Desperate howls
Squashing force
Frozen tears
Twisting thoughts
Nightmares
Bleeding
Death
poem by Marieta Maglas
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