Bussokusekiku Japanese form
Bussokusekiku
6 lines
5 syllable, line one
7 syllables line two
5 syllables line three
7 syllables in the last three lines
Orientally
inspired I write poetry.
Exercise my brain
Look at things differently
If I can do it so can you
White chrysanthemum.
Signifying purity
One single blossom.
Typically Japanese
in its simplicity
Needs no explanation.
Savage warrior
who composes poetry.
Shows his softer side.
He must be a samurai.
A well trained brave fighting man
Writes beautifully of love.
28/10/2009
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poem by Ivor Or Ivor.e Hogg
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Pacific Trash Vortex (Triple Tetractys)
The rules for writing a tetractys are as follows:
Line 1 is one syllable syllable
Segment of speech usually consisting of a vowel with or without accompanying
consonant sounds (e.g., a, I, out, too, cap, snap, check) . A syllabic consonant,
like the final n sound in button and widen, also constitutes a syllable.
line 2 is two syllables; line 3 is three syllables; line 4 is four syllables;
and line 5, is ten syllables.
The fourth and fifth lines may rhyme or rime, the most prominent of the
literary artifices used in versification. Although it was used in ancient East
Asian poetry, rhyme was practically unknown to the ancient Greeks and Romans.
But this is not mandatory.
Waste
Sea green
Wavering
In slimy traps
In woozy circles
Gushing at the deep water horizon
Melody still rooting in bluesy rock
Gloppy red icing
Crooked letters
Violet
Colored
Dream
Fish
Yellow
Flimsy boats
Lanky white man
Muzzy from the work
Cloudy indigo sky hanging round all.
poem by Marieta Maglas
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I am what I am
I am what I am
I try my best to show
So other people know
That I’m a gentleman.
Because I think it best
to differ from the rest.
I am not a macho man.
I am content to be
seen as ordinary.
Though I am a gentle man.
Balassi Stanza
13/05/2009
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Parameters
Three three line stanzas
Rhyme pattern
aab
ccb
ddb
first and second lines 6syllables
third line seven syllables
poem by Ivor Or Ivor.e Hogg
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Alankar(Decor) -74
Abortion-(Virgilio-
It is a seven line unrhymed poem
there are 6 syllables each in the 1st,3rd, and 5th lines,
5 syllables each in the 2nd,4th and 6th lines, and 8 syllables
in the 7th and final line.)
Abortion
When it came to its mom
Born first was the bond
A blessed moment both felt
But whose curse was it
Soon to break open it-
Sleet of blood and flesh
In mute wailing'mamma, mamma'
poem by Indira Renganathan
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Impossiblity (Irenga)
Glorious sunset,
the western sky ablaze with shades of red.
Nature’s artistry
beyond a mans ability
to emulate or imitate.
Nature’s artistry
beyond any mans ability
to emulate or imitate.
Although they still try.
Perfection beyond their grasp.
Natures artistry
beyond any mans ability
to emulate or imitate.
But driven by some inner need
they are convinced they can succeed.
First stanza
5 syllables
10 syllables
5 syllables
8syllables.
8syllables
Second stanza
repeat last three lines of first stanza
then
5 syllables
8 syllables.
Third stanza
Repeat
Last three lines of first stanza
Then
8 syllables
syllables
Japanese style poetry
no obligation to rhyme.
(22/07/2007)
poem by Ivor Or Ivor.e Hogg
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I can and I will! !
Welsh Bardic form
Written in heptasyllabic (7 syllable) Quatrains
Line three cross rhymes with the central syllables of line four.
Lines one, two and four carry the main Rhyme
Rhyme pattern
XXXXXXa
XXXXXXa
XXXXXXb
XXXXb Xa
Example
There is no way I can know
Trials I must undergo.
This must be hidden from me
Lest I should be laid down low.
And see time as my mortal foe.
It is mete I should not know.
A mans future has to be
a deep mystery and so.
It was decreed long ago
No man is allowed to know
what his fate will come to be
in dire jeopardy or no.
The years will pass quick or slow.
Troubles come and troubles go
Insofar as I can see
Nobody is free to know.
I need no one to tell me so
We go where we have to go
Until we eventually
are allowed to see and know.
20-Dec-08
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poem by Ivor Or Ivor.e Hogg
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It Came Into My Mind
it came into my mind what she started as a riddle.
syllables of life.
and of the seasons.
nine syllables for her till blooming till wilting
of the chrysanthemum, those which are not so white
against the snowy mountain of Fuji
two syllables for her brief stay in the woods
when she comes back as part of the wood itself
the twigs mourn for her
the leaves do not sing and the river stops flowing.
i ask myself, now that i have learned what syllables stand for.
how many syllables do i need to love you completely?
i have only one for you. The rest shall be my lies.
poem by Ric S. Bastasa
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Ode To Happiness
Ode to happiness
Joy cometh in the morning.
May only peace reign.
All our hope comes from above.
Wars shall truly cease,
When that which is perfect comes.
Rejoicing always
We shall overcome sin’s grasp,
When Heaven arrives!
The Earth will sing a new song.
Every knee shall then bend down!
A Choka Poem goes like this:
1st 3 lines = 5,7,5 syllables
2nd 3 lines = 7,5,7 syllables
Ending 2 lines = 7 syllables each
poem by Robert Edgar Burns
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Luc-Bat! you say
In Vietnamese Luc-Bat is a sonnet form
consisting of six and eight syllable lines
First line starts with six syllables, next eight
A 14 line rhyme pattern -
a.b.b.c./ c.d.d.e/ e.f.f.g/ g.a.
born/ fall/ all/ lush
bush/ earth/ birth/ man
Pan/ scheme/ dream/ jest
crest/ dawn
Try it in the loo!
poem by Michael Pruchnicki
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The Caterpillars
the caterpillars all climb
line per line to claim
the topmost leaf
of the tree
and when they arrive there
they find out
that there is nothing after all
to eat and be merry
like a race for votes in poetry
there is nothing there
just speak your mind
and think of all the metaphors
that jibe with your sadness
or your joys
and your happiness and bliss
if you have them
show them
tell them that all your syllables
know how to dance
and that all your words know how
to sing
no matter where you are
whatever the limitations be
show the color of your lines
let them smell the scent of your stanzas
you may even tell a story
they too need something to appease them
poem by Ric S. Bastasa
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Perfection for M Lady Allison
White chrysanthemum.
symbol of purity.
Perfect medium
chosen very carefully
by a man who knows
elegant simplicity.
His selection shows
his perspicacity.
The flower he chose
becomes the epitome
of his skill for all to see.
None can disagree
Artistry and modesty
On display apparently.
Choka sonnet
2-May-08
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poem by Ivor Or Ivor.e Hogg
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Transistors and Tubes
now women are like transistors
and men are just like tubes
and women can be like sisters
and men will act like boobs
men are simple, women complex
women see men as big red necks
men are simple
men are simple
men see women as sex objects
so now women are transistors
girls are multitasking
being smarter than the misters
thank you just for asking
women are true and love their man
loving him, as much as she can
women are true
women are true
it’s been this way since time began
here’s the reason, men are like tubes
they will forget her mind
talk to her heart but watch her boobs
thinking of her behind
men can’t devote their heart to one
they’ll run around and just have fun
men can’t devote
men can’t devote
I still love that son of a gun
Author notes
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 syllables of line five /c
poem by Amera Andersen
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Alankar(Decor) -76
Bhaji-(Chain Verse)
Chain Verse is composed in one of three ways:
1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.
2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.
3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.
----
2
Bhaji-(Chain Verse-6-5-6-5 syllables
With linking rhyme only)
I found a guava plant
Silent in a nook
Along my garden stroll
On a rainy day
Day was cool in showers
No wonder taste hyped
Picked some fresh guava leaves
Wishing for bhajis
Bhajis are many types
Of veggies and leaves
Can make tasty bhajis
Guava leaves too used
Used are gram and rice flours
With salt and chilli
Mixed in are leafy bits
And soda a dash
Dashing batter ready
When mixed with water
The center line Strung out
Dipped leaves get coated
Coated leaves then deep fried
Out from deep hot oil
Season's snack was ready
Why wait, munch said I
poem by Indira Renganathan
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In Fifteen Lines
1.when you write
2.a poem
3.in fifteen lines
4.i always look
5.forward
6.to the fifteenth line
7.the best line
8.lies there
9.and it will just be the line
10.i read
11.the last line
12.lasts
13.it is deigned
14.with dignity
15. condescendingly, a respect to the brevity of poetry
poem by Ric S. Bastasa
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366.in Fifteen Lines
1.when you write
2.a poem
3.in fifteen lines
4.i always look
5.forward
6.to the fifteenth line
7.the best line
8.lies there
9.and it will just be the line
10.i read
11.the last line
12.lasts
13.it is deigned
14.with dignity
15. condescendingly, a respect to the brevity of poetry
poem by Ric S. Bastasa
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I'm no longer blind (Quatern poetry)
(A Quatern is a sixteen line French form composed of four quatrains. It is
similar to the Kyrielle and the Retourne. It has a refrain that is in a
different place in each quatrain. The first line of stanza one is the second
line of stanza two, third line of stanza three, and fouth line of stanza four.
A quatern has eight syllables per line. It does not have to be iambic or follow
a set rhyme scheme. line 1 line 2 line 3 line 4 line 5 line 6 (line 1) line 7
line 8 line 9 line 10 line 11 (line 1) line 12 line 13 line 14 line 15 line 16
(line 1)
Dear Lord, please have mercy on me,
You're always near my painful soul,
You are my focus and my goal,
In the falling rain I'm your tree.
Help me for I am a sinner.
Dear Lord, please have mercy on me.
'Cause I'm Your humble devotee,
Asking Christ to come for dinner.
Guard Thou with light this pain of mine.
I'm no longer blind I can see.
Dear Lord, please have mercy on me.
Your words through me will always shine.
Save me by Your grace, set me free.
Keep my way, truth and life in Christ.
And so I'll know that Thou exist.
Dear Lord, please have mercy on me.
poem by Marieta Maglas
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The Poetry In The Heart Of Hazel
far in the hills of cancainap
she feels poetry like the winds of the mountain
like the forest trees
and she writes them line to line
each syllable keeps on dripping
like the raindrops from the
roof to her footsteps
i have read what she sends me
day by day through the internet
i could have told her that the metaphors
are still looking for her because she did not put them
i didn't. Finally i did not tell her. In her lines i have seen
how her heart is burning like the wildfires in the forest
and no kind of criticism has the right to put it off.
i know, perhaps after four summers, she and her metaphors
soon shall meet. And there will be a big feast.
A truce, perhaps between feeling and discipline.
Art is always a patient listener
and in such slow
touches and brushes it paints more beautifully
than the warm hands of reality.
poem by Ric S. Bastasa
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Why Do We Need Rules For Poetry?
Why do we need rules for poetry?
Let's make a Haiku with ten lines and one hundred syllables.
Let's make a limerick with ten lines, and not rhyme it.
Let's just do whatever the hell we want to do.
After all it's yourself that you want to express,
Do whatever the hell you want to.
You don't have to listen to anyone.
You don't have to follow rules.
After all you say it's acceptable now.
This is modern poetry,
I am not governed by archaic rules, put forth,
By men and women thousands of miles away,
Or in some foreign country.
I am me, I will do as I wish, and no rules apply to me.
Why do we need rules for poetry?
Beats me.
poem by Juan Olivarez
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Squashing force (Diminished hexaverse poetry)
(A poem containing stanzas of 5 lines, then 4 lines, then 3 lines, then 2 lines, ending with one word. The syllables in each stanza correspond to the number of lines, i.e.5 in each line in the first stanza,4 in the second stanza and so on. This form may contain more than five stanzas.)
Caught in illusion
Left in agony
Being badly hurt
Victim of terror
With contorted face
Depredated
Walls closing in
Screams of anguish
Desperate howls
Squashing force
Frozen tears
Twisting thoughts
Nightmares
Bleeding
Death
poem by Marieta Maglas
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Dust to Dust We Go
DUST TO DUST WE GO
Dawn saw fame borne away to flame no more
Undone our time, light's boon, for dust bests fun -
Sun's one hour rhyme, - night's soon sure, rust rests run.
Torn core, aims shorn, waylays true name so poor.
Thorn store shames born day's plays, few claim crow - chore
Once spun power mimes fight, loon scores crust, jest done.
Dunce - shun tower chimes' rite, noon whores' lust, gest stun.
Unpure frame, worn, frays, pays - too tame, shows flaw.
Scorn pour, lame mourn, praise phase new, game grows bore,
Turns tunnel dower, limelight’s floor just crest dun.
Won shone flower rimes, trite croon caw bust, Quest? none!
End: forlorn blame gaze stays acclaim, slows roar.
Glory for soul, some say life sends gold key,
Or we poor, sole, dumb pray strife ends, goal flee.
28 April 2009 Acrostic Sonnet DUST TO DUST WE GO
robi03_1887_robi03_0000 AQS_CDZ
NOTES:
Rhyme ABBA ABBA ABBA CC
most syllables in A lines rhyme with corresponding syllables in other A lines
most syllables in B lines rhyme with corresponding syllables in other B lines
final couplet all syllables rhyme
poem by Jonathan Robin
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Diversity for Friend Leslie
The sonnet form is capable
of being very flexible
It can be used to air your views
on almost anything at all.
From memories which you recall
to any subject you may choose.
Purists refuse to recognise
a sonnet form which in their eyes
is worthy of a total ban.
Because it differ from the form
which they insist must be the norm.
Petrarchan or Shakespearian.
Although they can stick to their views
I must refuse. I can’t agree
16/05/2009
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Jeffreys sonnet
Devised by Scott.J.Alcorn.
*syllables per line
Two sestets with a cross rhymed couplet.
Rhyme pattern
xxxxxxxA
xxxxxxxA
xxxxxxxBxxxxxxxC
xxxxxxxC
xxxxxxxB
xxxxbxx xD
xxxxxxxD
xxxxxxxE
xxxxxxxF
xxxxxxx F
xxxxxxxE
xxxxxxxG
xxxgxxxG
poem by Ivor Or Ivor.e Hogg
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