Marshalline Sonnet
Encased, enlaced, embraced in newness
Enshrined, in time, these are the feelings
So hear a poem that’s filled with trueness
Forget the world and all its’ dealings
We want a feeling that is golden
So hear this form that was imparted
It differs from the forms of olden
And sings to those who are lighthearted
The ending of each line is mellow
The body of this poem's bolder
It puts a smile on every fellow
And girls will lend a softer shoulder
This is the form Mairi created
Just do what she has stipulated
------------
Author's Notes:
Marshalline Sonnet:
The Marshalline Sonnet form is created by: AP poet; Mairi bheag.
This is a wonderful form that allows us to use feminine words for end line rhymes.
9 syllables per line with the following meter:
iamb-iamb-iamb-amphibrach
poem by Amera Andersen
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Related quotes
This Day What Future Will It Bring (Kyrielle Sonnet)
This day what future will it bring.
What songs will we finally sing?
Snow quietly gracing the ground.
There will then come a silent sound.
We will be skating on the pond
And ev'ry one will form a bond.
By crackling fire we'll gather round.
There will then be a silent sound.
No recipe will we follow
Flitting the night with the swallows.
We'll form a ring around, around.
There will then come a silent sound.
This day what future will it bring.
There will then come a silent sound.
- Ben Gieske, March 5,2008
*
A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet) . Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza) . Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme for a Kyrielle Sonnet would be: AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.
poem by Ben Gieske
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War at Home
Ever since they took him away,
to fight that God forsaken war.
I daydream in our fields all day.
They took the man that I adore.
Gazing across the windswept grass
and waiting for the time to pass.
The memory of times before,
they took the man that I adore.
I know he’ll walk across that field
with battle wounds yet still unhealed.
My broken heart can take no more,
they took the man that I adore.
Ever since they took him away,
they took the man that I adore.
Author Notes:
Kyrielle Sonnet
A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet) . Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza) . Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme
for a Kyrielle Sonnet would be: AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.
poem by Amera Andersen
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Magic Locket
There's a wood nymph in my pocket
I keep her close to me
Around her neck a golden locket
For everyone to see
I know magic; and so does she
She stays close and watches me
I know magic
I know magic
The golden locket has a key
There's a wood nymph in my pocket
I only show a few
When the key goes in the sprocket
Just watch what it can do
I turn the key when it goes in
And then the room will start to spin
I turn the key
I turn the key
The magic starts and then I grin
There's a wood nymph in my pocket
She’ll never fly away
But she’s quick, just like a rocket
I saw her fly one day
The magic key will make me strong
I’ll rule the world, it won’t be long
The magic key
The magic key
So won’t you come and sing my song?
Author notes:
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
poem by Amera Andersen
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Transistors and Tubes
now women are like transistors
and men are just like tubes
and women can be like sisters
and men will act like boobs
men are simple, women complex
women see men as big red necks
men are simple
men are simple
men see women as sex objects
so now women are transistors
girls are multitasking
being smarter than the misters
thank you just for asking
women are true and love their man
loving him, as much as she can
women are true
women are true
it’s been this way since time began
here’s the reason, men are like tubes
they will forget her mind
talk to her heart but watch her boobs
thinking of her behind
men can’t devote their heart to one
they’ll run around and just have fun
men can’t devote
men can’t devote
I still love that son of a gun
Author notes
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 syllables of line five /c
poem by Amera Andersen
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Red Pencil
Red Pencil
R ed pencil with magic flair
E nrichment while in school
D ancing red marks are everywhere
Red pencil; teachers’ tool
Red pencil marks, to make it right
I studied hard with all my might
Red pencil marks
Red pencil marks
I passed the test to my delight
P encil red is the teachers’ tool
E dified magic wand
N ebulous to the Golden Rule
C lassroom and teacher bond
I want to teach, want to be free
L ife as a teacher, that’s for me
I want to teach
I want to teach
Some day I’ll teach, Form Poetry
Red pencil, with magic flair
I studied hard in school
I’m now a teacher; answered prayer
Red pencil is my tool
I’m a teacher, I live my dream
Teaching poetry to the extreme
I’m a teacher
I’m a teacher
And my red pencil is supreme
Author Notes:
Acrostic Trijan Refrain
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
source: shadowpoetry.com
poem by Amera Andersen
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Diversity for Friend Leslie
The sonnet form is capable
of being very flexible
It can be used to air your views
on almost anything at all.
From memories which you recall
to any subject you may choose.
Purists refuse to recognise
a sonnet form which in their eyes
is worthy of a total ban.
Because it differ from the form
which they insist must be the norm.
Petrarchan or Shakespearian.
Although they can stick to their views
I must refuse. I can’t agree
16/05/2009
http: // blog.myspace.com/poeticpiers
Jeffreys sonnet
Devised by Scott.J.Alcorn.
*syllables per line
Two sestets with a cross rhymed couplet.
Rhyme pattern
xxxxxxxA
xxxxxxxA
xxxxxxxBxxxxxxxC
xxxxxxxC
xxxxxxxB
xxxxbxx xD
xxxxxxxD
xxxxxxxE
xxxxxxxF
xxxxxxx F
xxxxxxxE
xxxxxxxG
xxxgxxxG
poem by Ivor Or Ivor.e Hogg
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If I wrote in a sonnet form, I would be distorting. Or if I had some great new idea for line breaks and I used it in a poem, but it's really not right for that poem, but I wanted it, that would be distorting.
quote by Sharon Olds
Submitted by Lucian Velea
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Sonnet: Poetic Prudence
A fixed meter, fixed rhyme sequence
Are important in Sonnet writing- Yes;
Thus, structured poetry is rigid- hence,
How far the thoughts get penned down is a guess!
The chosen form must suit the writer’s needs;
The structure too reflects the poet’s tone;
Both rosaries and necklaces have beads!
A sonnet must not be a sculptured stone!
Yes, content is more important than form;
The words must flow in harmony aright;
A Sonnet’s structure ought to do no harm
To what the poet intended to write.
What poets say must get the preference;
The other things shall act like just a fence!
Copyright by Dr John Celes 2-4-2005
poem by John Celes
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You ask me to leave (Pantoum poetry)
The “pantun” is a Malaysian poetic form that was introduced to the West by French novelist, essayist, and poet, Victor Hugo (1802-1885) , hence the French spelling, “pantoum.” Westerners have taken creative liberties with the Malaysian form, which tends to follow a standard rhyme form of ABAB, where multiple, rather than single subjects, are introduced. While pantoums can have unlimited stanzas, you might want to begin with a 3-stanza poem until you get the hang of it:
Stanza 1: Line 1/Line 2/Line 3/Line 4
Stanza 2: Line 5 (repeat of line 2 in stanza 1) /Line 6 (new line) /Line 7 (repeat of line 4 in stanza 1) /
Line 8 (new line)
Stanza 3/Last Stanza (This is the format for the last stanza regardless of how many preceding stanzas exist) : Line 9 (line 2 of the previous stanza) /Line 10 (line 3 of the first stanza) /Line 11 (line 4 of the previous stanza) /Line 12 (line 1 of the first stanza)
And you ask me to leave all behind
Now when our moment in time is done
Going nowhere with nothing in mind
'Cause you're my world and my special one
Now when our moment in time is done
I love you like there's no end in sight
'Cause you're my world and my special one
You're still on my mind all day and night.
I love you like there's no end in sight
You're inside me filling my soul's space
You're still on my mind all day and night.
I feel still cuddled in your embrace
You're inside me filling my soul's space
Going nowhere with nothing in mind
I feel still cuddled in your embrace
And you ask me to leave it all behind
poem by Marieta Maglas
Submitted by Poetry Lover
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Spirit to Spirit
Spirit to Spirit
So many things have turned my spirit so.
Yet I do resist and yield to it yet.
Know that I give my strength for you to know.
Forget you? No, I shall never forget.
Left with my sandpaper dreams since you left.
Love lies in my spirit, for you my love.
Theft of your presence is not spirit theft.
Above all my dreams, I hold you above.
You now have returned, I knew it was you.
Waiting so long as my heart was waiting;
few have returned, yet you’re one of the few.
Aching for you as my soul was aching.
War takes so many; yet, you've beaten war.
Door of my spirit, come enter my door.
Author Notes:
Shadow Sonnet created by Amera M. Andersen may be written in any sonnet style. The Shadow takes place at the beginning and ending of each line as the words are identical.
14 lines
9 or 10 syllables per line
Should have a volta or pivit
Iambic pentameter is not necessary
poem by Amera Andersen
Submitted by Poetry Lover
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Luc-Bat! you say
In Vietnamese Luc-Bat is a sonnet form
consisting of six and eight syllable lines
First line starts with six syllables, next eight
A 14 line rhyme pattern -
a.b.b.c./ c.d.d.e/ e.f.f.g/ g.a.
born/ fall/ all/ lush
bush/ earth/ birth/ man
Pan/ scheme/ dream/ jest
crest/ dawn
Try it in the loo!
poem by Michael Pruchnicki
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Sonnet: Less of the Different?
(after Ashbery)
A sonnet's 'just more of the same'? Uh, no.
It's rather like less of the different.
There is no formula involved, you know.
True, syllables and lines and rhymes get spent
At predetermined intervals: mirage
Of order. Inside, sonnets are a mess
Of words, a slew of syntax, a barrage
Linguistically set off; are nonetheless
Provisionally impish-and as free
As freest verse to chat up any ear
Or signal any eye. The form, you see,
Is just a well mapped route from which to veer.
A sonnet is a disobedience
Of sounds, a flaunt of form, a tease of sense.
Hans Ostrom
poem by Hans Ostrom
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Don't Tell THe World! (Sonnet)
This Sonnet is in the popular Petrarchan Form
I behold thy love as beautiful thing,
In my wrecked heart, a pleasure garden,
Thy revered love, a blooming Eden.
A daisy tuft seasoned by bright spring,
Surging in moments that defeats waiting,
I behold thy words as a jeweled crown,
On my worn pages of despicable frown.
And thy memory feeds my mind dying,
Daring couple disclose, but don’t you tell,
About memoirs many encased and kept,
Say not thy chronicle, sweet as daisy smell,
Buried, not unseen to thy eyes except
Reveal not, the guarded stash of our love,
Lest a rational world desires to know! ! !
IA NOTE: For those who find the format unfitting to a sonnet!
(Sonnet
only 14 lines long— and has a firmly fixed form. The sonnet works best for expressing strong emotion or intense feeling, firm purpose, or great seriousness. This form works best if you want to focus attention on a single thing—a particular idea, situation, emotion, problem, observation, etc. —the sonnet gets to its point quickly and efficiently, with beauty and charm of form or expression.
The Shakespearean (or English) sonnet and the Petrarchan (or Italian) sonnet are the two most prevalent versions of this form today.
A Shakespearean sonnet or English sonnet is written in one stanza composed of three rhymed quatrains (each making one point in a three-step argument) , followed by a rhyming couplet that summarizes the argument
A Petrarchan sonnet or Italian sonnet is composed of an octet followed by a sestet with a variable rhyme scheme. The octet presents the poem’s theme or problem, while the sestet offers a change or a resolution. In its traditional form, this sonnet never ends in a couplet.
Robert Frost was popular at Petrarchan form of sonnets.
sonnet’s formal requirements (14 lines of iambic pentameter with a specific rhyme scheme) , method (a strong focus on one subject) , and goals (persuasion, surprise, balance) ,
Ref: www.poetry.com/techniques/form of poetic expressions.
Thank You
poem by Seema Aarella
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(LBB) Man Created the Poem
In the beginning Man created the poem
And it was good
In the end Man saw what he had done
What the poem had become and like poetry
He killed himself
Man saw the poem was without form,
And man said, let there be stanzas and man divided the words
And man saw the poem that it was good but could be better?
And then Man said let there be...
Meter
Verse
Rhythm
Rhyme
Cyn icism
Sarcasm
Subtleties
Innuendo
Imp lications
Alliteration
Repetition
Humor
Humor
Sadness
Sadness
Irony
And you still didn’t get it so
In the midst of what he had created
Man lost his way
Lost control of what he had made
And Said let there be competition
And from that last attempt to save a culture:
Pretentiousness
Arrogance
Ignorance
Flash and flare
Visuals
Over-over exaggeration
The same ol’ song and dance
Lies
Overused and abused
Superficial subject matter
In the end Man saw the poem, that it wasn’t good or bad
It
Just was…
Man saw the pome, that it was the same
Man saw the pome
It was the same
Man saw the next poem and it was the same
The same
The same
It was no longer extra ordinary, or different, just ordinary
Man saw what he had done
What the poem had become:
The most precious and vital form of human communication corrupted and made irrelevant due to human competition
poem by Emily K. Courtney
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The Poem That Is Not Good Enough
THE POEM THAT IS NOT GOOD ENOUGH
The poem that is not good enough
Awkwardly fumbles from line to line
Does not hear its own music
Has none.
Its words are larger than its feelings
Its Ideas overwhelm its words
It proclaims a Beauty it cannot reveal.
The poem that is not good enough
Pretends to be a poem
It has birds and flowers and trees and winds
which are names alone.
The Poem which is not good enough
does not touch the Heart
has little Soul
puts everyone to sleep before they finish
beginning it.
A Poem that is not good enough
Just does not Live
And who am I?
And what are you?
And why are we?
Writers and readers of Poems
Looking for our own lost Eternity.
poem by Shalom Freedman
Submitted by Poetry Lover
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The Poem That Is About To Be Written
THE POEM THAT IS ABOUT TO BE WRITTEN
The poem that is about to be written
Will form itself slowly,
Line by line,
Will make of itself a meaning
It does not know.
Will be beyond
All that it could have thought to be – beforehand.
The poem that is being written
Has no name,
No face,
No beauty,
No light,
It is just the poem that is coming to be in the silence,
Where I am alone with my own Seeming.
poem by Shalom Freedman
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In Pursuit Of The Sonnet
I cannot write a sonnet; it's too hard
To put such barriers around my brain
And thus I find my efforts often marred
Although I rephrase again and again
I cannot write a sonnet though I try
Through day and night, through winter, into spring
And even though I have no reason why
A ten-syllable line my thoughts won't bring.
But now I wonder just what is so great
About this 'iambic pentameter'?
And am almost resigned that it's my fate
That from the sonnet form I should defer
Yet, having spent so long in search of one
T'would be a shame if it should not be done
poem by SarahJane Platt
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I'm no longer blind (Quatern poetry)
(A Quatern is a sixteen line French form composed of four quatrains. It is
similar to the Kyrielle and the Retourne. It has a refrain that is in a
different place in each quatrain. The first line of stanza one is the second
line of stanza two, third line of stanza three, and fouth line of stanza four.
A quatern has eight syllables per line. It does not have to be iambic or follow
a set rhyme scheme. line 1 line 2 line 3 line 4 line 5 line 6 (line 1) line 7
line 8 line 9 line 10 line 11 (line 1) line 12 line 13 line 14 line 15 line 16
(line 1)
Dear Lord, please have mercy on me,
You're always near my painful soul,
You are my focus and my goal,
In the falling rain I'm your tree.
Help me for I am a sinner.
Dear Lord, please have mercy on me.
'Cause I'm Your humble devotee,
Asking Christ to come for dinner.
Guard Thou with light this pain of mine.
I'm no longer blind I can see.
Dear Lord, please have mercy on me.
Your words through me will always shine.
Save me by Your grace, set me free.
Keep my way, truth and life in Christ.
And so I'll know that Thou exist.
Dear Lord, please have mercy on me.
poem by Marieta Maglas
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Sing Aurora Sing
See the symphony of light o’er the sea.
Softly the agony resends softly.
Free rising orb setting harmony free.
Brightly absorb with a song so brightly.
Aurora light from morning aurora.
Song of the night is now operas' song.
Flora delight; like blossoms of flora.
Long is the sight with emotions so long.
Rising crescendo with morning rising.
Serene innuendo leaves mind serene.
Surprising opera; light surprising.
Pristine genera of human pristine.
So open your heart let the light sing so.
Know symphony light, and your mind will know.
Author Notes:
Shadow Sonnet with internal rhyme.
Shadow Sonnet created by Amera M. Andersen may be written in any sonnet style. The Shadow takes place at the beginning and ending of each line as the words are identical or homophonic.
14 lines
9 or 10 syllables per line
Should have a volta or pivit
Iambic pentameter is not necessary
poem by Amera Andersen
Submitted by Poetry Lover
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Poet-Me
I sat me down
my Poet Me
for discipline's tight regime,
hollowing out clear intent
for syntax, line breaks and such.
Meter, Rhyme and Rhythm too
joined the group.
We discussed Constructs
and Literati.
'Now, I am in charge here' Poet said.
'everyone of you has a role.
At my pen
you'll line up
while I align your countenances.
Every poem like an orchestra,
needs a conductor,
the welder of Word and Form,
the rest of you are instruments
to play my minor chords'
'Well' said Rhythm, 'nothing fits
without me.
I am the heart-beat,
the sail upon the sea;
I am the up and down
nothing moves without me.'
'No' said Rhyme, 'I am the
music line, the melody sublime.
My efforts elicit;
guide the listener ship.
I am the note's completion.
With my friend Meter
we are the helm of this ship'
The Reader said 'No I am the ultimate.
I'm the Consumer of the Trade.
Who prevails in all of this
is only for me to say.'
'All of you are undisciplined,
are nothing, ' said Cacophony
'I'm the proof of that.'
'Where would you all be
without me? ' Emotion, said
who could barely constrain himself,
'no emotion no feeling, no poetry.
That's my motto.'
'No me, no me, ' rang out
and everyone talked all the same
Me, Poet Me and I,
had lost control
of them.
Til' at the door the familiar knock;
the owner of the house returning.
Figure quite imposing,
came in
sat down
thumping on the table.
'Everyone quiet down and listen up
here is what we are doing.'
In minutes all the quarrelsome brethren
lined up picture perfect.
Each took his place
sang his best
in the final orchestral poem.
Each time it goes this way.
I tend to forget.
Poet Me, I and all the rest
exist only in Imagination's mind
flowing.
in this the best
of all possible
poetically inspired
word, meter, rhythm and
syntax-governed
poetic worlds.
poem by Lonnie Hicks
Submitted by Poetry Lover
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