I can and I will! !

Welsh Bardic form

Written in heptasyllabic (7 syllable) Quatrains

Line three cross rhymes with the central syllables of line four.
Lines one, two and four carry the main Rhyme

Rhyme pattern
XXXXXXa
XXXXXXa
XXXXXXb
XXXXb Xa

Example

There is no way I can know
Trials I must undergo.
This must be hidden from me
Lest I should be laid down low.

And see time as my mortal foe.
It is mete I should not know.
A mans future has to be
a deep mystery and so.

It was decreed long ago
No man is allowed to know
what his fate will come to be
in dire jeopardy or no.

The years will pass quick or slow.
Troubles come and troubles go
Insofar as I can see
Nobody is free to know.

I need no one to tell me so
We go where we have to go
Until we eventually
are allowed to see and know.

20-Dec-08
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I am what I am

I am what I am

I try my best to show
So other people know
That I’m a gentleman.

Because I think it best
to differ from the rest.
I am not a macho man.

I am content to be
seen as ordinary.
Though I am a gentle man.

Balassi Stanza

13/05/2009

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Parameters
Three three line stanzas
Rhyme pattern
aab
ccb
ddb
first and second lines 6syllables
third line seven syllables

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Bussokusekiku Japanese form

Bussokusekiku

6 lines
5 syllable, line one
7 syllables line two
5 syllables line three
7 syllables in the last three lines

Orientally
inspired I write poetry.
Exercise my brain
Look at things differently

If I can do it so can you

White chrysanthemum.
Signifying purity
One single blossom.
Typically Japanese
in its simplicity
Needs no explanation.

Savage warrior
who composes poetry.
Shows his softer side.
He must be a samurai.
A well trained brave fighting man
Writes beautifully of love.

28/10/2009
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Luc-Bat! you say

In Vietnamese Luc-Bat is a sonnet form
consisting of six and eight syllable lines

First line starts with six syllables, next eight

A 14 line rhyme pattern -
a.b.b.c./ c.d.d.e/ e.f.f.g/ g.a.

born/ fall/ all/ lush
bush/ earth/ birth/ man
Pan/ scheme/ dream/ jest
crest/ dawn

Try it in the loo!

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Alankar(Decor) -76

Bhaji-(Chain Verse)

Chain Verse is composed in one of three ways:

1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.


2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.

3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.
----

2

Bhaji-(Chain Verse-6-5-6-5 syllables
With linking rhyme only)

I found a guava plant
Silent in a nook
Along my garden stroll
On a rainy day

Day was cool in showers
No wonder taste hyped
Picked some fresh guava leaves
Wishing for bhajis

Bhajis are many types
Of veggies and leaves
Can make tasty bhajis
Guava leaves too used

Used are gram and rice flours
With salt and chilli
Mixed in are leafy bits
And soda a dash

Dashing batter ready
When mixed with water
The center line Strung out
Dipped leaves get coated

Coated leaves then deep fried
Out from deep hot oil
Season's snack was ready
Why wait, munch said I

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Diversity for Friend Leslie

The sonnet form is capable
of being very flexible
It can be used to air your views
on almost anything at all.
From memories which you recall
to any subject you may choose.

Purists refuse to recognise
a sonnet form which in their eyes
is worthy of a total ban.
Because it differ from the form
which they insist must be the norm.
Petrarchan or Shakespearian.
Although they can stick to their views
I must refuse. I can’t agree

16/05/2009

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Jeffreys sonnet
Devised by Scott.J.Alcorn.

*syllables per line
Two sestets with a cross rhymed couplet.

Rhyme pattern

xxxxxxxA
xxxxxxxA
xxxxxxxBxxxxxxxC
xxxxxxxC
xxxxxxxB

xxxxbxx xD
xxxxxxxD
xxxxxxxE
xxxxxxxF
xxxxxxx F
xxxxxxxE

xxxxxxxG
xxxgxxxG

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Pacific Trash Vortex (Triple Tetractys)

The rules for writing a tetractys are as follows:
Line 1 is one syllable syllable
Segment of speech usually consisting of a vowel with or without accompanying
consonant sounds (e.g., a, I, out, too, cap, snap, check) . A syllabic consonant,
like the final n sound in button and widen, also constitutes a syllable.
line 2 is two syllables; line 3 is three syllables; line 4 is four syllables;
and line 5, is ten syllables.
The fourth and fifth lines may rhyme or rime, the most prominent of the
literary artifices used in versification. Although it was used in ancient East
Asian poetry, rhyme was practically unknown to the ancient Greeks and Romans.
But this is not mandatory.

Waste
Sea green
Wavering
In slimy traps
In woozy circles
Gushing at the deep water horizon


Melody still rooting in bluesy rock
Gloppy red icing
Crooked letters
Violet
Colored
Dream


Fish
Yellow
Flimsy boats
Lanky white man
Muzzy from the work
Cloudy indigo sky hanging round all.

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Attaining Virtue

Attaining Virtue.

I climb up to the monastery
my sanctuary seeking Zen.
Find peace of mind again: I’m free
from all that troubles me. Until
I must descend the hill. Return
to where I earn my daily bread.
Where noise instead of quietness
begins to press. I can endure
of that I’m sure, my thoughts are pure.
I will not injure any man.
Because I’ve learned to tolerate,
accept my fate patiently.

27/07/2009
http: // blog.myspace.com/poeticpiers

Burmese style climbing rhyme

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Line By Line

Writing line by line
Can i capture the truth in rhyme
You tell me okay its fine
Whats fine my writings or the rhymes
Have you read enough this time
Rhyme line rhyme
Am i wasting my time
Do i even comprehend
The thoughts the static static
Inside my head
I send a piece to a friend
Or are they scared to offend
I need to know if its rubbish
Putting it out there to be published
Rhyme line verse
Do you speak the truth or were you coerced
So im taking you at your word
You have listened you heard
Line by line
Rhyme by rhyme
Can i be convicted of poetry crimes
For writing dribble
About nothing as long as it rhymes
Well thank you my friend
Here is another i am about to send
Read it and read it again
Maybe you can send on to a friend
Okay time to go
I have more pieces of dribble you know

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Alankar(Decor) -77

Here He Dwelleth(Chain Verse)


Chain Verse is composed in one of three ways:

1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.


2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.

3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.

2b

Here He Dwelleth (8-5-8-5 syllables
with linking and alternate rhymes
abab, cdcd, e.t.c)


'Woes have done intolerable
O'Lord please descend
Thee alone is responsible
This fate you to mend

Mend our lives o'divine mender
Our lives at your feet
Come o'lord ' pleaded man slender
Then spoke a voice sweet

Sweet from Nought, 'tell me o'my child
Which form you want me
Man or animal, mild or wild
Elements any? '

'Any form? ' man thought for a while
Knowing their foul tone
Chose not living beings hostile
But wished for stone

Stone, he carved hard created God
Thence forms more sculpted
Valorous with weapons to guard
Lighted life trusted

Trusted, God would sure come to bless
And that he be freed
Of slaying woes and killing stress
That way he waited

Waited lord too again asked man
From the Nought 'o' child
Tell, to what shall I hold on than
To conceal and hide'

'Hide not my Lord, here are my makes
Your choice my pleasure
Choose to be but in all my makes
Thee I shall treasure'

Treasured powers cloaked the idol
Thereon by prayers
Matins, litanies rose tidal
Joined all obeyers

Obeyers' way thus was one found
Gods and names many
Bathed with decor many profound
Bound He by any

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I'm no longer blind (Quatern poetry)

(A Quatern is a sixteen line French form composed of four quatrains. It is
similar to the Kyrielle and the Retourne. It has a refrain that is in a
different place in each quatrain. The first line of stanza one is the second
line of stanza two, third line of stanza three, and fouth line of stanza four.
A quatern has eight syllables per line. It does not have to be iambic or follow
a set rhyme scheme. line 1 line 2 line 3 line 4 line 5 line 6 (line 1) line 7
line 8 line 9 line 10 line 11 (line 1) line 12 line 13 line 14 line 15 line 16
(line 1)

Dear Lord, please have mercy on me,
You're always near my painful soul,
You are my focus and my goal,
In the falling rain I'm your tree.


Help me for I am a sinner.
Dear Lord, please have mercy on me.
'Cause I'm Your humble devotee,
Asking Christ to come for dinner.


Guard Thou with light this pain of mine.
I'm no longer blind I can see.
Dear Lord, please have mercy on me.
Your words through me will always shine.


Save me by Your grace, set me free.
Keep my way, truth and life in Christ.
And so I'll know that Thou exist.
Dear Lord, please have mercy on me.


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Greenhouse Gas (Triolet)

The features of the Triolet are:
· 8 lines.
· Two rhymes.
· 5 of the 8 lines are repeated or refrain lines.
· First line repeats at the 4th and 7th lines.
· Second line repeats at the 8th line.
· Rhyme scheme (where an upper-case letter indicates the appearance of an identical line, while a lower-case letter indicates a rhyme with each line designated by the same lower-case or upper-case letter) :
A
B
a - Rhymes with 1st line.
A - Identical to 1st line.
a - Rhymes with 1st line.
b - Rhymes with 2nd line.
A - Identical to 1st line.
B - Identical to 2nd line.
***********************
Our blue marble is imperiled
Due to excessive CO2
Like being over a barrel.
Our blue marble is imperiled.
Greenhouse gas, it's our funeral
the solutions long overdue.
Our blue marble is imperiled
Due to excessive CO2.

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Alankar(Decor) -79

Alankar(Decor) -58

Sail O'Soul Sail(Chain Verse)

Chain Verse is composed in one of three ways:

1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.


2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.

3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.


3
Sail O'Soul Sail

Once boarded why you fear o' soul
Just be watching where sails your mind
Aspiring to horizon-goal
All set on a smooth float by wind

All set on a smooth float by wind
On gentle waves across your sea
As you sail assailed by your mind
How those desires hit your heart free

How those desires hit your heart free
As of a choice in heaven's trade
That your mind is on aiming spree
In illumed dreamings in fate's shade

In illumed dreamings in fate's shade
While your sail is mid way caught up
How your sea baits in storming grade
And shocked you struggle to catch up

And shocked you struggle to catch up
For not yours but your mind's misdeed
Helpless you are jailed in lockup
Your vessel too shattered indeed

Your vessel too shattered indeed
Such is your sea of greed and lust
Such is the fate of your sea's heed
Wind too is feeling difficult

Wind too is feeling difficult
Now that the sea somewhat calms still
Wind settles in silenced cool mute
Atlast your vessel too nihil

Atlast your vessel too nihil
And sea gone in presence of Nought
You are freed atlast to your will
To board the next the way you're caught

sea-life, wind-breath, vessel-body.

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Preview for New Friend Amy

I had an imaginary friend.
Although she seemed quite real to me.
Someone on whom I could depend
always and absolutely.

As I grew up and made real friends
She faded out quite gradually
I must suppose as childhood ends
so does our youthful fantasy

I kept her picture in mind.
Albeit quite unconsciously
When in due course I tried to find
the ideal girl to marry me.

I found my child hood friend again.
No longer imaginary,
and I began to wonder then
if she too had imagined me.

Perhaps we were allowed to see
When in our childish innocence
what in the future was to be.
It seemed to us to make good sense.

We wed and raised a family
I still love her and she loves me.
We live together happily.
And on this subject we agree.

It was intended we should wed
as we would do eventually.
We were allowed to see ahead
as children do with clarity.

Before they’re taught it cannot be
by adults who have forgotten how
very clearly younger children see.
Because they only see the now..

The future is a mystery
that adults cannot penetrate.
Though children can quite easily
Perceive what is to be their future fate.

At least we two believe it’s true
Though other folk may disagree
What you believe is up to you
We may be wrong quite possibly.

14-Jan-09

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Why must I? for Cp Sharma

Why must I

The mist is lifting slowly. So
I can see the way ahead.
Although I’m not allowed to know
my future fate. I need not dread.

The Unknown hidden by the mist
evaporated by the sun.
I will go on I will persist
until my distant goal is won.

The quest embarked upon at birth
which will not end until I die.
My sojourn on the planet earth
but always I must question why.

I have no choice but journey on
No one can answer my question.

27/05/2009
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Qualified by experience for M 'lady Tara

The university of life
does not award fancy degrees.
Nor does it charge tuition fees.

Enrols you automatically
at birth involuntarily.
Provides the opportunity.

To learn by hard experience.
The lessons that you need to know.
The trials you must undergo.

The challenges you have to face.
Determine if you pass or fail.
What matters is that you prevail.

Pursue your dreams relentlessly.
Success or failure’s up to you
You will receive what you are due.

No more no less than what you’ve earned.
With life experience as your guide
you face the future qualified.

To over come the obstacles
which are imposed by circumstance.
At least you have a fighting chance.

Paper degrees don’t guarantee
that you can face adversity.
And win hands down defiantly.

Unlike life’s university.
Which teaches you what you can do
to overcome what troubles you.

06/08/2009
http: // blog.myspace.com/poeticpiers.

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Beyond Infinity

Welcome to my world, take my hand and see.
Come into my world, a world of mystery.
It’s a magical place where dark meets light,
shades of shadow grey, fading into night.

A world where everyone speaks in rhyme,
with laughing and dancing and bending time.
The place where dreams, become reality
and children rule with regal majesty.

Come into my world of tranquility,
where we warp time and stability.
So open your mind as you fantasize
and step in the mirror before your eyes.

A place where laughter is the only rule
and lessons are learned in paradox school.

Author notes

Sonnet
Sonnets are formal poems and consist of 14 lines (3 quatrains and a couplet) , traditionally written in iambic pentameter - that is, in lines ten syllables long, with accents falling on every second syllable.

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Who stands with me?

True poets write in meter.
Not because they think it’s neater
but because the flow is sweeter
When their words are read aloud
as they perform before the crowd.
Their poems pass the acid test.

Prose writers do not choose to rhyme.
They see it as a waste of time.
Although their word choice is sublime.
Without meter it is prose,
not poetry as they suppose.
Their definition I contest.

Poetic prose it’s plain to see.
Can not be classed as poetry.
I can accept you disagree.
I know I have a biased view
I think I am entitled to
Decide which one I like the best.

I choose meter every time
Preferably with lines that rhyme.
I find such poetry sublime.
Though I enjoy well written prose.
Each to his own I must suppose
So write the way that suits you best.

I am old fashioned I admit
and not one whit ashamed of it.
I do not find rules inhibit.
Free expression of my views
They merely mean I have to choose
the words that will express them best


Free form, free verse, poetic prose.
Are methods other writers chose
as being fit for their purpose.
To rebel against fixed form.
Which was regarded as the norm.
Just to be different from the rest.

But fashions change and now free form
Must be regarded as the norm.
I see no reason to conform.
I choose to write my poetry
In the old way that pleases me.
A lonely voice raised in protest.

The wheel of fate will slowly turn
Metered poetry will return
and well deserved plaudits earn.
I hope I live to see the day.
when classic poets can display.
That fixed forms can outshine the rest.

Monday,06 December 2010
http: // blog.myspace.com/poeticpiers

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Planning stage for Friend Konstantin

This garden is not as it should be. It’s sad to see
neglected now and over grown. It was once known
To house a rather special stone which stood alone.
Which is not where it used to be as you can see.
This garden suffers from neglect but I expect.
It can be made beautiful once more, we can restore
it to how it was to before. To be once more
A quiet pace to meditate, its not too late.
Despite its neglected state I cannot wait
to start the transformation.It must be done.
I’m happy to anticipate though I must wait.
Before I can contemplate the finished state
of my own haven in the sun. Not yet begun

Baroque sonnet
Alexandrine meter
6 metric feet or 12 syllables per line

Rhyme pattern
abba
cddc
eef
ggf
11/05/20 09

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Transistors and Tubes

now women are like transistors
and men are just like tubes
and women can be like sisters
and men will act like boobs
men are simple, women complex
women see men as big red necks
men are simple
men are simple
men see women as sex objects

so now women are transistors
girls are multitasking
being smarter than the misters
thank you just for asking
women are true and love their man
loving him, as much as she can
women are true
women are true
it’s been this way since time began

here’s the reason, men are like tubes
they will forget her mind
talk to her heart but watch her boobs
thinking of her behind
men can’t devote their heart to one
they’ll run around and just have fun
men can’t devote
men can’t devote
I still love that son of a gun

Author notes

Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:

Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 syllables of line five /c

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Magic Locket

There's a wood nymph in my pocket
I keep her close to me
Around her neck a golden locket
For everyone to see
I know magic; and so does she
She stays close and watches me
I know magic
I know magic
The golden locket has a key

There's a wood nymph in my pocket
I only show a few
When the key goes in the sprocket
Just watch what it can do
I turn the key when it goes in
And then the room will start to spin
I turn the key
I turn the key
The magic starts and then I grin

There's a wood nymph in my pocket
She’ll never fly away
But she’s quick, just like a rocket
I saw her fly one day
The magic key will make me strong
I’ll rule the world, it won’t be long
The magic key
The magic key
So won’t you come and sing my song?


Author notes:

Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:

Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c

Meter: 8/6/8/6/8/8/4,4 refrain/8

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