I am what I am
I am what I am
I try my best to show
So other people know
That I’m a gentleman.
Because I think it best
to differ from the rest.
I am not a macho man.
I am content to be
seen as ordinary.
Though I am a gentle man.
Balassi Stanza
13/05/2009
Http: // blog.my space.com/poeticpiers
Parameters
Three three line stanzas
Rhyme pattern
aab
ccb
ddb
first and second lines 6syllables
third line seven syllables
poem by Ivor Or Ivor.e Hogg
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Related quotes
Bussokusekiku Japanese form
Bussokusekiku
6 lines
5 syllable, line one
7 syllables line two
5 syllables line three
7 syllables in the last three lines
Orientally
inspired I write poetry.
Exercise my brain
Look at things differently
If I can do it so can you
White chrysanthemum.
Signifying purity
One single blossom.
Typically Japanese
in its simplicity
Needs no explanation.
Savage warrior
who composes poetry.
Shows his softer side.
He must be a samurai.
A well trained brave fighting man
Writes beautifully of love.
28/10/2009
http: // blog.myspace.com/poeticpiers
poem by Ivor Or Ivor.e Hogg
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Transistors and Tubes
now women are like transistors
and men are just like tubes
and women can be like sisters
and men will act like boobs
men are simple, women complex
women see men as big red necks
men are simple
men are simple
men see women as sex objects
so now women are transistors
girls are multitasking
being smarter than the misters
thank you just for asking
women are true and love their man
loving him, as much as she can
women are true
women are true
it’s been this way since time began
here’s the reason, men are like tubes
they will forget her mind
talk to her heart but watch her boobs
thinking of her behind
men can’t devote their heart to one
they’ll run around and just have fun
men can’t devote
men can’t devote
I still love that son of a gun
Author notes
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 syllables of line five /c
poem by Amera Andersen
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You ask me to leave (Pantoum poetry)
The “pantun” is a Malaysian poetic form that was introduced to the West by French novelist, essayist, and poet, Victor Hugo (1802-1885) , hence the French spelling, “pantoum.” Westerners have taken creative liberties with the Malaysian form, which tends to follow a standard rhyme form of ABAB, where multiple, rather than single subjects, are introduced. While pantoums can have unlimited stanzas, you might want to begin with a 3-stanza poem until you get the hang of it:
Stanza 1: Line 1/Line 2/Line 3/Line 4
Stanza 2: Line 5 (repeat of line 2 in stanza 1) /Line 6 (new line) /Line 7 (repeat of line 4 in stanza 1) /
Line 8 (new line)
Stanza 3/Last Stanza (This is the format for the last stanza regardless of how many preceding stanzas exist) : Line 9 (line 2 of the previous stanza) /Line 10 (line 3 of the first stanza) /Line 11 (line 4 of the previous stanza) /Line 12 (line 1 of the first stanza)
And you ask me to leave all behind
Now when our moment in time is done
Going nowhere with nothing in mind
'Cause you're my world and my special one
Now when our moment in time is done
I love you like there's no end in sight
'Cause you're my world and my special one
You're still on my mind all day and night.
I love you like there's no end in sight
You're inside me filling my soul's space
You're still on my mind all day and night.
I feel still cuddled in your embrace
You're inside me filling my soul's space
Going nowhere with nothing in mind
I feel still cuddled in your embrace
And you ask me to leave it all behind
poem by Marieta Maglas
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Squashing force (Diminished hexaverse poetry)
(A poem containing stanzas of 5 lines, then 4 lines, then 3 lines, then 2 lines, ending with one word. The syllables in each stanza correspond to the number of lines, i.e.5 in each line in the first stanza,4 in the second stanza and so on. This form may contain more than five stanzas.)
Caught in illusion
Left in agony
Being badly hurt
Victim of terror
With contorted face
Depredated
Walls closing in
Screams of anguish
Desperate howls
Squashing force
Frozen tears
Twisting thoughts
Nightmares
Bleeding
Death
poem by Marieta Maglas
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Magic Locket
There's a wood nymph in my pocket
I keep her close to me
Around her neck a golden locket
For everyone to see
I know magic; and so does she
She stays close and watches me
I know magic
I know magic
The golden locket has a key
There's a wood nymph in my pocket
I only show a few
When the key goes in the sprocket
Just watch what it can do
I turn the key when it goes in
And then the room will start to spin
I turn the key
I turn the key
The magic starts and then I grin
There's a wood nymph in my pocket
She’ll never fly away
But she’s quick, just like a rocket
I saw her fly one day
The magic key will make me strong
I’ll rule the world, it won’t be long
The magic key
The magic key
So won’t you come and sing my song?
Author notes:
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
poem by Amera Andersen
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I can and I will! !
Welsh Bardic form
Written in heptasyllabic (7 syllable) Quatrains
Line three cross rhymes with the central syllables of line four.
Lines one, two and four carry the main Rhyme
Rhyme pattern
XXXXXXa
XXXXXXa
XXXXXXb
XXXXb Xa
Example
There is no way I can know
Trials I must undergo.
This must be hidden from me
Lest I should be laid down low.
And see time as my mortal foe.
It is mete I should not know.
A mans future has to be
a deep mystery and so.
It was decreed long ago
No man is allowed to know
what his fate will come to be
in dire jeopardy or no.
The years will pass quick or slow.
Troubles come and troubles go
Insofar as I can see
Nobody is free to know.
I need no one to tell me so
We go where we have to go
Until we eventually
are allowed to see and know.
20-Dec-08
http: // blog.myspace.com/poeticpiers
poem by Ivor Or Ivor.e Hogg
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I'm no longer blind (Quatern poetry)
(A Quatern is a sixteen line French form composed of four quatrains. It is
similar to the Kyrielle and the Retourne. It has a refrain that is in a
different place in each quatrain. The first line of stanza one is the second
line of stanza two, third line of stanza three, and fouth line of stanza four.
A quatern has eight syllables per line. It does not have to be iambic or follow
a set rhyme scheme. line 1 line 2 line 3 line 4 line 5 line 6 (line 1) line 7
line 8 line 9 line 10 line 11 (line 1) line 12 line 13 line 14 line 15 line 16
(line 1)
Dear Lord, please have mercy on me,
You're always near my painful soul,
You are my focus and my goal,
In the falling rain I'm your tree.
Help me for I am a sinner.
Dear Lord, please have mercy on me.
'Cause I'm Your humble devotee,
Asking Christ to come for dinner.
Guard Thou with light this pain of mine.
I'm no longer blind I can see.
Dear Lord, please have mercy on me.
Your words through me will always shine.
Save me by Your grace, set me free.
Keep my way, truth and life in Christ.
And so I'll know that Thou exist.
Dear Lord, please have mercy on me.
poem by Marieta Maglas
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Diversity for Friend Leslie
The sonnet form is capable
of being very flexible
It can be used to air your views
on almost anything at all.
From memories which you recall
to any subject you may choose.
Purists refuse to recognise
a sonnet form which in their eyes
is worthy of a total ban.
Because it differ from the form
which they insist must be the norm.
Petrarchan or Shakespearian.
Although they can stick to their views
I must refuse. I can’t agree
16/05/2009
http: // blog.myspace.com/poeticpiers
Jeffreys sonnet
Devised by Scott.J.Alcorn.
*syllables per line
Two sestets with a cross rhymed couplet.
Rhyme pattern
xxxxxxxA
xxxxxxxA
xxxxxxxBxxxxxxxC
xxxxxxxC
xxxxxxxB
xxxxbxx xD
xxxxxxxD
xxxxxxxE
xxxxxxxF
xxxxxxx F
xxxxxxxE
xxxxxxxG
xxxgxxxG
poem by Ivor Or Ivor.e Hogg
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Moonlight Magic for friend Konstantin
Moonlight magic
cherry blossoms pink and white.
springtime beauty show.
satisfies my appetite..
a beautiful sight.
softly the breezes blow
thus creating tricks of light.
at night the moonlight
adds to my delight
the blossoms seem to glow.
it is my birthright
I can come and go.
I choose to visit by night.
to enjoy the sight.
wander to and fro
in ecstasies of delight.
night: my favourite
why, because I know
the cherry blossoms pink and white
will be bathed in silver light.
Tankanelle a form devised by Board Flak
Parameters
The first stanza 7/5/7 syllables
The next four stanzas 5/5/7 syllables
The final stanza is 5/5/7/7
The opening line is repeated as the first line of the closing couplet
poem by Ivor Or Ivor.e Hogg
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Divine Force (terza Rima Sonnet)
Prayer is the answer to a troubled heart,
Challenges meant to be overcome and solved,
Faith in God is the best way to make a start.
Splendour of sunshine around- a ball of gold!
Winds-cool or stormy reach their destination,
Warm sun and wind, engulfing all in their fold.
Water, the elixir makes no distinction,
Energy giver-Fire, also smothers,
Trees do not produce fruits in isolation.
Associations-complex and a bother.
Get caught in the labyrinth, never be freed,
Life’s lessons-through experience can gather.
Getting rid of contempt, prejudice and greed
Accepting Divine Will engenders a new breed.
(The Italian form Diaspora or Terza Rima is a of indefinite length, made up of numbers of three-line stanzas or tercets. The sonnet ends with a couplet linking back to the first stanza. The rhyme scheme is such that line 2 of each stanza rhymes with lines 1 and 3 of the following stanza, creating an interlocking pattern. In the final stanza, both lines rhyme with line 2 of the preceding tercet. The Terza Rima sonnet has the following rhyme scheme, .a.b.a...b.c.b...c.d.c...d.e.d...e.e.)
Hema Ravi,13.08.09
Red Pencil
Red Pencil
R ed pencil with magic flair
E nrichment while in school
D ancing red marks are everywhere
Red pencil; teachers’ tool
Red pencil marks, to make it right
I studied hard with all my might
Red pencil marks
Red pencil marks
I passed the test to my delight
P encil red is the teachers’ tool
E dified magic wand
N ebulous to the Golden Rule
C lassroom and teacher bond
I want to teach, want to be free
L ife as a teacher, that’s for me
I want to teach
I want to teach
Some day I’ll teach, Form Poetry
Red pencil, with magic flair
I studied hard in school
I’m now a teacher; answered prayer
Red pencil is my tool
I’m a teacher, I live my dream
Teaching poetry to the extreme
I’m a teacher
I’m a teacher
And my red pencil is supreme
Author Notes:
Acrostic Trijan Refrain
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
source: shadowpoetry.com
poem by Amera Andersen
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Alankar(Decor) -76
Bhaji-(Chain Verse)
Chain Verse is composed in one of three ways:
1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.
2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.
3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.
----
2
Bhaji-(Chain Verse-6-5-6-5 syllables
With linking rhyme only)
I found a guava plant
Silent in a nook
Along my garden stroll
On a rainy day
Day was cool in showers
No wonder taste hyped
Picked some fresh guava leaves
Wishing for bhajis
Bhajis are many types
Of veggies and leaves
Can make tasty bhajis
Guava leaves too used
Used are gram and rice flours
With salt and chilli
Mixed in are leafy bits
And soda a dash
Dashing batter ready
When mixed with water
The center line Strung out
Dipped leaves get coated
Coated leaves then deep fried
Out from deep hot oil
Season's snack was ready
Why wait, munch said I
poem by Indira Renganathan
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Planning stage for Friend Konstantin
This garden is not as it should be. It’s sad to see
neglected now and over grown. It was once known
To house a rather special stone which stood alone.
Which is not where it used to be as you can see.
This garden suffers from neglect but I expect.
It can be made beautiful once more, we can restore
it to how it was to before. To be once more
A quiet pace to meditate, its not too late.
Despite its neglected state I cannot wait
to start the transformation.It must be done.
I’m happy to anticipate though I must wait.
Before I can contemplate the finished state
of my own haven in the sun. Not yet begun
Baroque sonnet
Alexandrine meter
6 metric feet or 12 syllables per line
Rhyme pattern
abba
cddc
eef
ggf
11/05/20 09
http: // blog.my space.com/poeticpiers
poem by Ivor Or Ivor.e Hogg
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Impossiblity (Irenga)
Glorious sunset,
the western sky ablaze with shades of red.
Nature’s artistry
beyond a mans ability
to emulate or imitate.
Nature’s artistry
beyond any mans ability
to emulate or imitate.
Although they still try.
Perfection beyond their grasp.
Natures artistry
beyond any mans ability
to emulate or imitate.
But driven by some inner need
they are convinced they can succeed.
First stanza
5 syllables
10 syllables
5 syllables
8syllables.
8syllables
Second stanza
repeat last three lines of first stanza
then
5 syllables
8 syllables.
Third stanza
Repeat
Last three lines of first stanza
Then
8 syllables
syllables
Japanese style poetry
no obligation to rhyme.
(22/07/2007)
poem by Ivor Or Ivor.e Hogg
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Bleeding Rose
her beauty flourished watching her grow
but time has taken it’s toll
dead silence grows for the bleeding rose
yet a piece of her is left in my soul
a symbol of love that I should know
bleeding rose is just a blur
for the bleeding rose, dead silence grows
left in my soul is a piece of her
symbol of love where petals aglow
so time has passed as a blink
dead silence grows for the bleeding rose
gone is the rose as it makes me think
the sight of the rose breeds thoughts of you
knowing your soul is now dead
for the bleeding rose, dead silence grows
now you're gone as the rose was once red
Author notes:
ZaniLa Rhyme
The ZaniLa Rhyme, a form created by Laura Lamarca, consists 4 lines per stanza. The rhyme scheme for this form is abcb and a syllable count of 9/7/9/9 per stanza. Line 3 contains internal rhyme and is repeated in each odd numbered stanza. Even stanzas contain the same line but swapped. The ZaniLa Rhyme has a minimum of 3 stanzas and no maximum poem length.
poem by Amera Andersen
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Luc-Bat! you say
In Vietnamese Luc-Bat is a sonnet form
consisting of six and eight syllable lines
First line starts with six syllables, next eight
A 14 line rhyme pattern -
a.b.b.c./ c.d.d.e/ e.f.f.g/ g.a.
born/ fall/ all/ lush
bush/ earth/ birth/ man
Pan/ scheme/ dream/ jest
crest/ dawn
Try it in the loo!
poem by Michael Pruchnicki
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Earthbound Angel (a monotetra elegy)
'The monotetra consists of any number of stanzas of four lines each. Each stanza contains a monorhyme, so that the pattern of the stanzas would be “aaaa bbbb cccc” and so on… this is where the “mono” in the name of the form comes in. The “tetra” in the name of the form is because each line of each stanza is written in tetrameter... The other aspect of the monotetra is that the fourth line of each stanza is a repeating four-syllable phrase...' http: //forums.mosaicmusings.net/index.php? showtopic=253
Earthbound Angel
(an elegy for a lovely poet and friend)
An earthbound Angel's taken flight
her home's among the stars so bright
To hear her Siren song by night.
Look to the light, look to the light.
No longer will our Siren sing.
An earthbound Angel's taken wing
and in her flight did sadness bring
a painful sting, a painful sting.
In memory; her voice so frail
sings to the wind, a lovely tale.
An earthbound Angel's taken sail
on heaven's gale, on heaven's gale.
She sings of friends with heavy heart
with knowledge that we all must part.
Through soulful words; poetic art...
she did depart, she did depart.
©2008 Dawn Slanker
poem by Dawn Slanker
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The First Line Is Heard From Somewhere Else
The first line is heard from somewhere else
The second line builds on it
And the third and those after
Until another stanza begins
That says in an easier and more focused way
What the first stanza struggled for-
The poem ends when it ends
Not knowing always if it has ended-
For the poem must be rewritten line by line once again
And perhaps too within it it will fail in indecision
As the end often does.
The last line is heard from all the other lines
But sometimes I hear too much
And sometimes not enough
And often I do not know
If it is right
But there are times
When the last line brings all the other lines together
And the end is the one end there should be.
poem by Shalom Freedman
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Case Hardened for Joe Poewhit
A macho man must strut his stuff.
Because he lacks the sense to see
That any man who’s man enough
Can let his feelings show freely
Secure in his identity
He does not care what other say
about his masculinity.
He chooses to go his own way.
But macho men feel they must hide
behind a shield of bravado
But deep inside they’re terrified
that other people get to know.
Their attitude is self defence
their bravado is all pretence
Sunday,17 January 2010
http: // blog.myspace.com/poeticpiers.
poem by Ivor Or Ivor.e Hogg
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The Caterpillars
the caterpillars all climb
line per line to claim
the topmost leaf
of the tree
and when they arrive there
they find out
that there is nothing after all
to eat and be merry
like a race for votes in poetry
there is nothing there
just speak your mind
and think of all the metaphors
that jibe with your sadness
or your joys
and your happiness and bliss
if you have them
show them
tell them that all your syllables
know how to dance
and that all your words know how
to sing
no matter where you are
whatever the limitations be
show the color of your lines
let them smell the scent of your stanzas
you may even tell a story
they too need something to appease them
poem by Ric S. Bastasa
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