Impossiblity (Irenga)
Glorious sunset,
the western sky ablaze with shades of red.
Nature’s artistry
beyond a mans ability
to emulate or imitate.
Nature’s artistry
beyond any mans ability
to emulate or imitate.
Although they still try.
Perfection beyond their grasp.
Natures artistry
beyond any mans ability
to emulate or imitate.
But driven by some inner need
they are convinced they can succeed.
First stanza
5 syllables
10 syllables
5 syllables
8syllables.
8syllables
Second stanza
repeat last three lines of first stanza
then
5 syllables
8 syllables.
Third stanza
Repeat
Last three lines of first stanza
Then
8 syllables
syllables
Japanese style poetry
no obligation to rhyme.
(22/07/2007)
poem by Ivor Or Ivor.e Hogg
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Related quotes
Squashing force (Diminished hexaverse poetry)
(A poem containing stanzas of 5 lines, then 4 lines, then 3 lines, then 2 lines, ending with one word. The syllables in each stanza correspond to the number of lines, i.e.5 in each line in the first stanza,4 in the second stanza and so on. This form may contain more than five stanzas.)
Caught in illusion
Left in agony
Being badly hurt
Victim of terror
With contorted face
Depredated
Walls closing in
Screams of anguish
Desperate howls
Squashing force
Frozen tears
Twisting thoughts
Nightmares
Bleeding
Death
poem by Marieta Maglas
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Alankar(Decor) -76
Bhaji-(Chain Verse)
Chain Verse is composed in one of three ways:
1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.
2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.
3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.
----
2
Bhaji-(Chain Verse-6-5-6-5 syllables
With linking rhyme only)
I found a guava plant
Silent in a nook
Along my garden stroll
On a rainy day
Day was cool in showers
No wonder taste hyped
Picked some fresh guava leaves
Wishing for bhajis
Bhajis are many types
Of veggies and leaves
Can make tasty bhajis
Guava leaves too used
Used are gram and rice flours
With salt and chilli
Mixed in are leafy bits
And soda a dash
Dashing batter ready
When mixed with water
The center line Strung out
Dipped leaves get coated
Coated leaves then deep fried
Out from deep hot oil
Season's snack was ready
Why wait, munch said I
poem by Indira Renganathan
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Ode To Happiness
Ode to happiness
Joy cometh in the morning.
May only peace reign.
All our hope comes from above.
Wars shall truly cease,
When that which is perfect comes.
Rejoicing always
We shall overcome sin’s grasp,
When Heaven arrives!
The Earth will sing a new song.
Every knee shall then bend down!
A Choka Poem goes like this:
1st 3 lines = 5,7,5 syllables
2nd 3 lines = 7,5,7 syllables
Ending 2 lines = 7 syllables each
poem by Robert Edgar Burns
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Transistors and Tubes
now women are like transistors
and men are just like tubes
and women can be like sisters
and men will act like boobs
men are simple, women complex
women see men as big red necks
men are simple
men are simple
men see women as sex objects
so now women are transistors
girls are multitasking
being smarter than the misters
thank you just for asking
women are true and love their man
loving him, as much as she can
women are true
women are true
it’s been this way since time began
here’s the reason, men are like tubes
they will forget her mind
talk to her heart but watch her boobs
thinking of her behind
men can’t devote their heart to one
they’ll run around and just have fun
men can’t devote
men can’t devote
I still love that son of a gun
Author notes
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 syllables of line five /c
poem by Amera Andersen
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It Came Into My Mind
it came into my mind what she started as a riddle.
syllables of life.
and of the seasons.
nine syllables for her till blooming till wilting
of the chrysanthemum, those which are not so white
against the snowy mountain of Fuji
two syllables for her brief stay in the woods
when she comes back as part of the wood itself
the twigs mourn for her
the leaves do not sing and the river stops flowing.
i ask myself, now that i have learned what syllables stand for.
how many syllables do i need to love you completely?
i have only one for you. The rest shall be my lies.
poem by Ric S. Bastasa
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Bussokusekiku Japanese form
Bussokusekiku
6 lines
5 syllable, line one
7 syllables line two
5 syllables line three
7 syllables in the last three lines
Orientally
inspired I write poetry.
Exercise my brain
Look at things differently
If I can do it so can you
White chrysanthemum.
Signifying purity
One single blossom.
Typically Japanese
in its simplicity
Needs no explanation.
Savage warrior
who composes poetry.
Shows his softer side.
He must be a samurai.
A well trained brave fighting man
Writes beautifully of love.
28/10/2009
http: // blog.myspace.com/poeticpiers
poem by Ivor Or Ivor.e Hogg
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Alankar(Decor) -74
Abortion-(Virgilio-
It is a seven line unrhymed poem
there are 6 syllables each in the 1st,3rd, and 5th lines,
5 syllables each in the 2nd,4th and 6th lines, and 8 syllables
in the 7th and final line.)
Abortion
When it came to its mom
Born first was the bond
A blessed moment both felt
But whose curse was it
Soon to break open it-
Sleet of blood and flesh
In mute wailing'mamma, mamma'
poem by Indira Renganathan
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Alankar(Decor) -77
Here He Dwelleth(Chain Verse)
Chain Verse is composed in one of three ways:
1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.
2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.
3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.
2b
Here He Dwelleth (8-5-8-5 syllables
with linking and alternate rhymes
abab, cdcd, e.t.c)
'Woes have done intolerable
O'Lord please descend
Thee alone is responsible
This fate you to mend
Mend our lives o'divine mender
Our lives at your feet
Come o'lord ' pleaded man slender
Then spoke a voice sweet
Sweet from Nought, 'tell me o'my child
Which form you want me
Man or animal, mild or wild
Elements any? '
'Any form? ' man thought for a while
Knowing their foul tone
Chose not living beings hostile
But wished for stone
Stone, he carved hard created God
Thence forms more sculpted
Valorous with weapons to guard
Lighted life trusted
Trusted, God would sure come to bless
And that he be freed
Of slaying woes and killing stress
That way he waited
Waited lord too again asked man
From the Nought 'o' child
Tell, to what shall I hold on than
To conceal and hide'
'Hide not my Lord, here are my makes
Your choice my pleasure
Choose to be but in all my makes
Thee I shall treasure'
Treasured powers cloaked the idol
Thereon by prayers
Matins, litanies rose tidal
Joined all obeyers
Obeyers' way thus was one found
Gods and names many
Bathed with decor many profound
Bound He by any
poem by Indira Renganathan
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Moonlight Magic for friend Konstantin
Moonlight magic
cherry blossoms pink and white.
springtime beauty show.
satisfies my appetite..
a beautiful sight.
softly the breezes blow
thus creating tricks of light.
at night the moonlight
adds to my delight
the blossoms seem to glow.
it is my birthright
I can come and go.
I choose to visit by night.
to enjoy the sight.
wander to and fro
in ecstasies of delight.
night: my favourite
why, because I know
the cherry blossoms pink and white
will be bathed in silver light.
Tankanelle a form devised by Board Flak
Parameters
The first stanza 7/5/7 syllables
The next four stanzas 5/5/7 syllables
The final stanza is 5/5/7/7
The opening line is repeated as the first line of the closing couplet
poem by Ivor Or Ivor.e Hogg
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I'm no longer blind (Quatern poetry)
(A Quatern is a sixteen line French form composed of four quatrains. It is
similar to the Kyrielle and the Retourne. It has a refrain that is in a
different place in each quatrain. The first line of stanza one is the second
line of stanza two, third line of stanza three, and fouth line of stanza four.
A quatern has eight syllables per line. It does not have to be iambic or follow
a set rhyme scheme. line 1 line 2 line 3 line 4 line 5 line 6 (line 1) line 7
line 8 line 9 line 10 line 11 (line 1) line 12 line 13 line 14 line 15 line 16
(line 1)
Dear Lord, please have mercy on me,
You're always near my painful soul,
You are my focus and my goal,
In the falling rain I'm your tree.
Help me for I am a sinner.
Dear Lord, please have mercy on me.
'Cause I'm Your humble devotee,
Asking Christ to come for dinner.
Guard Thou with light this pain of mine.
I'm no longer blind I can see.
Dear Lord, please have mercy on me.
Your words through me will always shine.
Save me by Your grace, set me free.
Keep my way, truth and life in Christ.
And so I'll know that Thou exist.
Dear Lord, please have mercy on me.
poem by Marieta Maglas
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After Reading Sylvia Plath's Riddle In Nine Syllables
sylvia, the elephant is inside your
tummy, you have become a melon growing and crawling in tendrils
a ponderous house
a red fruit
you have eaten a bag of green apples
and rode a train without stopping
to an exit
sylvia, i may not understand the nine syllables
inside you
for i am a man without
these syllables
sylvia i put two syllables somewhere
and it grows into three just three
there was bleeding and i saw it
i took her to the hospital and she was put into a sleep
and she was finally made to appear
clean to me
she was numb and speechless to the window panes
there was frost
and there was that bird which flew away since then
from her forehead
now, sylvia look at me
i was the man who only had three syllables
look at me in this sentence
i am a comma, i am a period.
poem by Ric S. Bastasa
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I am what I am
I am what I am
I try my best to show
So other people know
That I’m a gentleman.
Because I think it best
to differ from the rest.
I am not a macho man.
I am content to be
seen as ordinary.
Though I am a gentle man.
Balassi Stanza
13/05/2009
Http: // blog.my space.com/poeticpiers
Parameters
Three three line stanzas
Rhyme pattern
aab
ccb
ddb
first and second lines 6syllables
third line seven syllables
poem by Ivor Or Ivor.e Hogg
Submitted by Poetry Lover
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Magic Locket
There's a wood nymph in my pocket
I keep her close to me
Around her neck a golden locket
For everyone to see
I know magic; and so does she
She stays close and watches me
I know magic
I know magic
The golden locket has a key
There's a wood nymph in my pocket
I only show a few
When the key goes in the sprocket
Just watch what it can do
I turn the key when it goes in
And then the room will start to spin
I turn the key
I turn the key
The magic starts and then I grin
There's a wood nymph in my pocket
She’ll never fly away
But she’s quick, just like a rocket
I saw her fly one day
The magic key will make me strong
I’ll rule the world, it won’t be long
The magic key
The magic key
So won’t you come and sing my song?
Author notes:
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
poem by Amera Andersen
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Alankar(Decor) -79
Alankar(Decor) -58
Sail O'Soul Sail(Chain Verse)
Chain Verse is composed in one of three ways:
1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.
2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.
3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.
3
Sail O'Soul Sail
Once boarded why you fear o' soul
Just be watching where sails your mind
Aspiring to horizon-goal
All set on a smooth float by wind
All set on a smooth float by wind
On gentle waves across your sea
As you sail assailed by your mind
How those desires hit your heart free
How those desires hit your heart free
As of a choice in heaven's trade
That your mind is on aiming spree
In illumed dreamings in fate's shade
In illumed dreamings in fate's shade
While your sail is mid way caught up
How your sea baits in storming grade
And shocked you struggle to catch up
And shocked you struggle to catch up
For not yours but your mind's misdeed
Helpless you are jailed in lockup
Your vessel too shattered indeed
Your vessel too shattered indeed
Such is your sea of greed and lust
Such is the fate of your sea's heed
Wind too is feeling difficult
Wind too is feeling difficult
Now that the sea somewhat calms still
Wind settles in silenced cool mute
Atlast your vessel too nihil
Atlast your vessel too nihil
And sea gone in presence of Nought
You are freed atlast to your will
To board the next the way you're caught
sea-life, wind-breath, vessel-body.
poem by Indira Renganathan
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Alankar(Decor) -103
Grumble(Quatern)
The Quatern is-
stanzaic, written in 4 quatrains.
syllabic, usually written in lines of 8 syllables.
rhymed at the poet's discretion.
Possible rhyme schemes are Axax xAxa axAx xaxA x being unrhymed
and the cap A being the refrain.
Or Aabb aAcc ddAa eeaA or any combination the poet chooses
as long as the refrain is in the proper position.
composed with a refrain that is repeated as
L1 of the first stanza
L2 of the second stanza
L3 of the third stanza
L4 of the fourth stanza
Grumble
Empty mind mine sounds only hush
Lonely bewildered in silence
I am to fill it with words lush
My musings are hunting for thoughts
Albeit heart yearns for poetry
Empty mind mine sounds only hush
I pat my brain quite brisk
So that floods of words lot in gush
Time does not seem to wait then rush
Brain is working fast-yet
Empty mind mine sounds only hush
Thought-hunt is busy running on
I don't like a random scribble
Perfect theme, proper words should push
That my poem is set right-still
Empty mind mine sounds only hush
poem by Indira Renganathan
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Red Pencil
Red Pencil
R ed pencil with magic flair
E nrichment while in school
D ancing red marks are everywhere
Red pencil; teachers’ tool
Red pencil marks, to make it right
I studied hard with all my might
Red pencil marks
Red pencil marks
I passed the test to my delight
P encil red is the teachers’ tool
E dified magic wand
N ebulous to the Golden Rule
C lassroom and teacher bond
I want to teach, want to be free
L ife as a teacher, that’s for me
I want to teach
I want to teach
Some day I’ll teach, Form Poetry
Red pencil, with magic flair
I studied hard in school
I’m now a teacher; answered prayer
Red pencil is my tool
I’m a teacher, I live my dream
Teaching poetry to the extreme
I’m a teacher
I’m a teacher
And my red pencil is supreme
Author Notes:
Acrostic Trijan Refrain
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
source: shadowpoetry.com
poem by Amera Andersen
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Pacific Trash Vortex (Triple Tetractys)
The rules for writing a tetractys are as follows:
Line 1 is one syllable syllable
Segment of speech usually consisting of a vowel with or without accompanying
consonant sounds (e.g., a, I, out, too, cap, snap, check) . A syllabic consonant,
like the final n sound in button and widen, also constitutes a syllable.
line 2 is two syllables; line 3 is three syllables; line 4 is four syllables;
and line 5, is ten syllables.
The fourth and fifth lines may rhyme or rime, the most prominent of the
literary artifices used in versification. Although it was used in ancient East
Asian poetry, rhyme was practically unknown to the ancient Greeks and Romans.
But this is not mandatory.
Waste
Sea green
Wavering
In slimy traps
In woozy circles
Gushing at the deep water horizon
Melody still rooting in bluesy rock
Gloppy red icing
Crooked letters
Violet
Colored
Dream
Fish
Yellow
Flimsy boats
Lanky white man
Muzzy from the work
Cloudy indigo sky hanging round all.
poem by Marieta Maglas
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Dust to Dust We Go
DUST TO DUST WE GO
Dawn saw fame borne away to flame no more
Undone our time, light's boon, for dust bests fun -
Sun's one hour rhyme, - night's soon sure, rust rests run.
Torn core, aims shorn, waylays true name so poor.
Thorn store shames born day's plays, few claim crow - chore
Once spun power mimes fight, loon scores crust, jest done.
Dunce - shun tower chimes' rite, noon whores' lust, gest stun.
Unpure frame, worn, frays, pays - too tame, shows flaw.
Scorn pour, lame mourn, praise phase new, game grows bore,
Turns tunnel dower, limelight’s floor just crest dun.
Won shone flower rimes, trite croon caw bust, Quest? none!
End: forlorn blame gaze stays acclaim, slows roar.
Glory for soul, some say life sends gold key,
Or we poor, sole, dumb pray strife ends, goal flee.
28 April 2009 Acrostic Sonnet DUST TO DUST WE GO
robi03_1887_robi03_0000 AQS_CDZ
NOTES:
Rhyme ABBA ABBA ABBA CC
most syllables in A lines rhyme with corresponding syllables in other A lines
most syllables in B lines rhyme with corresponding syllables in other B lines
final couplet all syllables rhyme
poem by Jonathan Robin
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You ask me to leave (Pantoum poetry)
The “pantun” is a Malaysian poetic form that was introduced to the West by French novelist, essayist, and poet, Victor Hugo (1802-1885) , hence the French spelling, “pantoum.” Westerners have taken creative liberties with the Malaysian form, which tends to follow a standard rhyme form of ABAB, where multiple, rather than single subjects, are introduced. While pantoums can have unlimited stanzas, you might want to begin with a 3-stanza poem until you get the hang of it:
Stanza 1: Line 1/Line 2/Line 3/Line 4
Stanza 2: Line 5 (repeat of line 2 in stanza 1) /Line 6 (new line) /Line 7 (repeat of line 4 in stanza 1) /
Line 8 (new line)
Stanza 3/Last Stanza (This is the format for the last stanza regardless of how many preceding stanzas exist) : Line 9 (line 2 of the previous stanza) /Line 10 (line 3 of the first stanza) /Line 11 (line 4 of the previous stanza) /Line 12 (line 1 of the first stanza)
And you ask me to leave all behind
Now when our moment in time is done
Going nowhere with nothing in mind
'Cause you're my world and my special one
Now when our moment in time is done
I love you like there's no end in sight
'Cause you're my world and my special one
You're still on my mind all day and night.
I love you like there's no end in sight
You're inside me filling my soul's space
You're still on my mind all day and night.
I feel still cuddled in your embrace
You're inside me filling my soul's space
Going nowhere with nothing in mind
I feel still cuddled in your embrace
And you ask me to leave it all behind
poem by Marieta Maglas
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The Poet As A Thief
the poet travels from one stanza
to another
he utters the syllables like he chews
a bubble gum and then he puts
air and makes those
films and rainbows in the air
like a thief he is amazed by all these wonders
he takes some and discards some
and slowly he builds his own
bubble on top of another
he sees his face constructed from their own
and he feels this elation
i am from you and you and you
and you cannot deny me too
poem by Ric S. Bastasa
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