Squashing force (Diminished hexaverse poetry)
(A poem containing stanzas of 5 lines, then 4 lines, then 3 lines, then 2 lines, ending with one word. The syllables in each stanza correspond to the number of lines, i.e.5 in each line in the first stanza,4 in the second stanza and so on. This form may contain more than five stanzas.)
Caught in illusion
Left in agony
Being badly hurt
Victim of terror
With contorted face
Depredated
Walls closing in
Screams of anguish
Desperate howls
Squashing force
Frozen tears
Twisting thoughts
Nightmares
Bleeding
Death
poem by Marieta Maglas

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Related quotes
There Have Been Many Opening Lines Tonight
THERE HAVE BEEN MANY OPENING LINES TONIGHT
There have been many opening lines tonight
But none has been followed by a convincing poem -
Why is this evening one of trying and failing?
Why can't I at least write one small poem
That seems to me worthwhile?
I am doing better now-
There is a stanza,
And perhaps these lines will be a stanza too.
I have two small awkward stanzas
When I finish this one
I will try to feel I have a poem.
Nothing I do tonight is good enough
Is it better to have a poor poem
Or none at all?
I answer by posting these lines.
poem by Shalom Freedman

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Transistors and Tubes
now women are like transistors
and men are just like tubes
and women can be like sisters
and men will act like boobs
men are simple, women complex
women see men as big red necks
men are simple
men are simple
men see women as sex objects
so now women are transistors
girls are multitasking
being smarter than the misters
thank you just for asking
women are true and love their man
loving him, as much as she can
women are true
women are true
it’s been this way since time began
here’s the reason, men are like tubes
they will forget her mind
talk to her heart but watch her boobs
thinking of her behind
men can’t devote their heart to one
they’ll run around and just have fun
men can’t devote
men can’t devote
I still love that son of a gun
Author notes
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 syllables of line five /c
poem by Amera Andersen

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Bleeding Rose
her beauty flourished watching her grow
but time has taken it’s toll
dead silence grows for the bleeding rose
yet a piece of her is left in my soul
a symbol of love that I should know
bleeding rose is just a blur
for the bleeding rose, dead silence grows
left in my soul is a piece of her
symbol of love where petals aglow
so time has passed as a blink
dead silence grows for the bleeding rose
gone is the rose as it makes me think
the sight of the rose breeds thoughts of you
knowing your soul is now dead
for the bleeding rose, dead silence grows
now you're gone as the rose was once red
Author notes:
ZaniLa Rhyme
The ZaniLa Rhyme, a form created by Laura Lamarca, consists 4 lines per stanza. The rhyme scheme for this form is abcb and a syllable count of 9/7/9/9 per stanza. Line 3 contains internal rhyme and is repeated in each odd numbered stanza. Even stanzas contain the same line but swapped. The ZaniLa Rhyme has a minimum of 3 stanzas and no maximum poem length.
poem by Amera Andersen

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Magic Locket
There's a wood nymph in my pocket
I keep her close to me
Around her neck a golden locket
For everyone to see
I know magic; and so does she
She stays close and watches me
I know magic
I know magic
The golden locket has a key
There's a wood nymph in my pocket
I only show a few
When the key goes in the sprocket
Just watch what it can do
I turn the key when it goes in
And then the room will start to spin
I turn the key
I turn the key
The magic starts and then I grin
There's a wood nymph in my pocket
She’ll never fly away
But she’s quick, just like a rocket
I saw her fly one day
The magic key will make me strong
I’ll rule the world, it won’t be long
The magic key
The magic key
So won’t you come and sing my song?
Author notes:
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
poem by Amera Andersen

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Impossiblity (Irenga)
Glorious sunset,
the western sky ablaze with shades of red.
Nature’s artistry
beyond a mans ability
to emulate or imitate.
Nature’s artistry
beyond any mans ability
to emulate or imitate.
Although they still try.
Perfection beyond their grasp.
Natures artistry
beyond any mans ability
to emulate or imitate.
But driven by some inner need
they are convinced they can succeed.
First stanza
5 syllables
10 syllables
5 syllables
8syllables.
8syllables
Second stanza
repeat last three lines of first stanza
then
5 syllables
8 syllables.
Third stanza
Repeat
Last three lines of first stanza
Then
8 syllables
syllables
Japanese style poetry
no obligation to rhyme.
(22/07/2007)
poem by Ivor Or Ivor.e Hogg

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The First Line Is Heard From Somewhere Else
The first line is heard from somewhere else
The second line builds on it
And the third and those after
Until another stanza begins
That says in an easier and more focused way
What the first stanza struggled for-
The poem ends when it ends
Not knowing always if it has ended-
For the poem must be rewritten line by line once again
And perhaps too within it it will fail in indecision
As the end often does.
The last line is heard from all the other lines
But sometimes I hear too much
And sometimes not enough
And often I do not know
If it is right
But there are times
When the last line brings all the other lines together
And the end is the one end there should be.
poem by Shalom Freedman

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Red Pencil
Red Pencil
R ed pencil with magic flair
E nrichment while in school
D ancing red marks are everywhere
Red pencil; teachers’ tool
Red pencil marks, to make it right
I studied hard with all my might
Red pencil marks
Red pencil marks
I passed the test to my delight
P encil red is the teachers’ tool
E dified magic wand
N ebulous to the Golden Rule
C lassroom and teacher bond
I want to teach, want to be free
L ife as a teacher, that’s for me
I want to teach
I want to teach
Some day I’ll teach, Form Poetry
Red pencil, with magic flair
I studied hard in school
I’m now a teacher; answered prayer
Red pencil is my tool
I’m a teacher, I live my dream
Teaching poetry to the extreme
I’m a teacher
I’m a teacher
And my red pencil is supreme
Author Notes:
Acrostic Trijan Refrain
Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
source: shadowpoetry.com
poem by Amera Andersen

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You ask me to leave (Pantoum poetry)
The “pantun” is a Malaysian poetic form that was introduced to the West by French novelist, essayist, and poet, Victor Hugo (1802-1885) , hence the French spelling, “pantoum.” Westerners have taken creative liberties with the Malaysian form, which tends to follow a standard rhyme form of ABAB, where multiple, rather than single subjects, are introduced. While pantoums can have unlimited stanzas, you might want to begin with a 3-stanza poem until you get the hang of it:
Stanza 1: Line 1/Line 2/Line 3/Line 4
Stanza 2: Line 5 (repeat of line 2 in stanza 1) /Line 6 (new line) /Line 7 (repeat of line 4 in stanza 1) /
Line 8 (new line)
Stanza 3/Last Stanza (This is the format for the last stanza regardless of how many preceding stanzas exist) : Line 9 (line 2 of the previous stanza) /Line 10 (line 3 of the first stanza) /Line 11 (line 4 of the previous stanza) /Line 12 (line 1 of the first stanza)
And you ask me to leave all behind
Now when our moment in time is done
Going nowhere with nothing in mind
'Cause you're my world and my special one
Now when our moment in time is done
I love you like there's no end in sight
'Cause you're my world and my special one
You're still on my mind all day and night.
I love you like there's no end in sight
You're inside me filling my soul's space
You're still on my mind all day and night.
I feel still cuddled in your embrace
You're inside me filling my soul's space
Going nowhere with nothing in mind
I feel still cuddled in your embrace
And you ask me to leave it all behind
poem by Marieta Maglas

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Divine Force (terza Rima Sonnet)
Prayer is the answer to a troubled heart,
Challenges meant to be overcome and solved,
Faith in God is the best way to make a start.
Splendour of sunshine around- a ball of gold!
Winds-cool or stormy reach their destination,
Warm sun and wind, engulfing all in their fold.
Water, the elixir makes no distinction,
Energy giver-Fire, also smothers,
Trees do not produce fruits in isolation.
Associations-complex and a bother.
Get caught in the labyrinth, never be freed,
Life’s lessons-through experience can gather.
Getting rid of contempt, prejudice and greed
Accepting Divine Will engenders a new breed.
(The Italian form Diaspora or Terza Rima is a of indefinite length, made up of numbers of three-line stanzas or tercets. The sonnet ends with a couplet linking back to the first stanza. The rhyme scheme is such that line 2 of each stanza rhymes with lines 1 and 3 of the following stanza, creating an interlocking pattern. In the final stanza, both lines rhyme with line 2 of the preceding tercet. The Terza Rima sonnet has the following rhyme scheme, .a.b.a...b.c.b...c.d.c...d.e.d...e.e.)
Hema Ravi,13.08.09
To The One Who Says She Is Reading My Poem
let us have a compromise,
after reading the first stanza
from my magic lines
i will give you
youth, and on the second stanza
i will hand you
beauty
on the third stanza i will promise
you fortune
on the fourth perhaps
intelligence
and on the fifth perhaps
fame,
i have this magic wand
given by fairy godmother
the one used
for Cinderilla and Snow white
and Rapunzel
and Shrek, and so on and so forth,
tonight then you must read my poem,
but don't you be disappointed,
it has only one word.
Fool.
poem by Ric S. Bastasa

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I am what I am
I am what I am
I try my best to show
So other people know
That I’m a gentleman.
Because I think it best
to differ from the rest.
I am not a macho man.
I am content to be
seen as ordinary.
Though I am a gentle man.
Balassi Stanza
13/05/2009
Http: // blog.my space.com/poeticpiers
Parameters
Three three line stanzas
Rhyme pattern
aab
ccb
ddb
first and second lines 6syllables
third line seven syllables
poem by Ivor Or Ivor.e Hogg

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Alankar(Decor) -76
Bhaji-(Chain Verse)
Chain Verse is composed in one of three ways:
1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.
2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.
3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.
----
2
Bhaji-(Chain Verse-6-5-6-5 syllables
With linking rhyme only)
I found a guava plant
Silent in a nook
Along my garden stroll
On a rainy day
Day was cool in showers
No wonder taste hyped
Picked some fresh guava leaves
Wishing for bhajis
Bhajis are many types
Of veggies and leaves
Can make tasty bhajis
Guava leaves too used
Used are gram and rice flours
With salt and chilli
Mixed in are leafy bits
And soda a dash
Dashing batter ready
When mixed with water
The center line Strung out
Dipped leaves get coated
Coated leaves then deep fried
Out from deep hot oil
Season's snack was ready
Why wait, munch said I
poem by Indira Renganathan

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Earthbound Angel (a monotetra elegy)
'The monotetra consists of any number of stanzas of four lines each. Each stanza contains a monorhyme, so that the pattern of the stanzas would be “aaaa bbbb cccc” and so on… this is where the “mono” in the name of the form comes in. The “tetra” in the name of the form is because each line of each stanza is written in tetrameter... The other aspect of the monotetra is that the fourth line of each stanza is a repeating four-syllable phrase...' http: //forums.mosaicmusings.net/index.php? showtopic=253
Earthbound Angel
(an elegy for a lovely poet and friend)
An earthbound Angel's taken flight
her home's among the stars so bright
To hear her Siren song by night.
Look to the light, look to the light.
No longer will our Siren sing.
An earthbound Angel's taken wing
and in her flight did sadness bring
a painful sting, a painful sting.
In memory; her voice so frail
sings to the wind, a lovely tale.
An earthbound Angel's taken sail
on heaven's gale, on heaven's gale.
She sings of friends with heavy heart
with knowledge that we all must part.
Through soulful words; poetic art...
she did depart, she did depart.
©2008 Dawn Slanker
poem by Dawn Slanker

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Sensitive Selfless Scribe's Shorthand Script Successfully Shows Superb Syllabic Stanza Susurration
Kindly refer to Notes
-------
SENSITIVE SELFLESS SCRIBE'S SHORTHAND SCRIPT SUCCESSFULLY SHOWS SUPERB SYLLABIC STANZA SUSURRATION
Stanza stanza swift succeeding
seldom static, subtly speeding
serried series, saccharinic,
sentences scarce schizophrenic.
Sentences scarce schizophrenic,
salvos sparkle, sagenitic,
succulent succession seeding
stanza stanza swift succeeding.
Stanza stanza swift succeeding
serenade sauteed spoonfeeding
special scansion ‘S’ syllabic,
sentences scarce schizophrenic.
Sentences scarce schizophrenic
solo solves sound stream, strabismic
seeker sees successful screeding
stanza stanza swift succeeding.
Stanza stanza swift succeeding.
syntax sense spurns stale subbreeding
shedding sorrow syphilitic,
sentences scarce schizophrenic.
Sentences scarce schizophrenic,
salvoes sparkle sagenitic,
selfless scribe’s script seldom skeeding,
stanza stanza swift succeeding.
Stanza stanza swift succeeding
scatter satire chickenfeeding
subharmonic synchronistic
sentences scarce schizophrenic.
Sentences scarce schizophrenic,
sagely swirl substantives scenic
steadfastly serene crossbreeding
stanza stanza swift succeeding.
Stanza stanza swift succeeding,
sinless scintillating reading,
sotto voce suave systemic
sentences scarce schizophrenic.
Sentences scarce schizophrenic,
supercalifragilistic,
startle settled spirits' creeds in
stanza stanza swift succeeding.
Stanza stanza swift succeeding
smoothly slur, spin sans seaweeding,
scenario shows scientific
sentences scarce schizophrenic.
Sentences scarce schizophrenic
supercede stale soporific
stories sot. Spot skill still seeding
stanza stanza swift succeeding.
Author notes
Rotha Mór an tSaoil (The Wheel of Life)
Form Tammy Knott
Four quatrain stanzas of octasyllabic lines with two alternating refrain lines. The first and last line of the first stanza are repeated alternating in all subsequent stanzas. Refrain line two begins the final stanza and refrain line one ends the final stanza. The rhyme scheme is a/a/b/b format to follow through the whole poem.
Lines
Syllables and Refrains
1 x-x-x-x-x-x-x-a1
2 x-x-x-x-x-x-x-a
3 x-x-x-x-x-x-x-b
4 x-x-x-x-x-x-x-b2
1 x-x-x-x-x-x-x-b2
2 x-x-x-x-x-x-x-b
3x-x-x-x-x-x-x-a
4x-x-x-x-x -x-x-a1
-------------
vocabulary
scarce... in the sense of scarcely
saccharinic... sweet
sparkle sagenitic... sparkling like a rutile quartz such as tourmaline
strabismic... abnormal alignment of one or both eyes
spoonfeed... ▸ verb: teach without challenging the students ('This professor spoonfeeds his students')
▸ verb: feed with a spoon
subbreeding subbreed (n.) A race or strain differing in certain characters from the parent breed; an incipient i.e. imperfectly formed breed. metaphorically in this context poorly written
spin sans seaweeding,
Spin refers both to the form Wheel of Life, and also to the slant of information and its speed. Sans - without. Seaweeding metaphorically spreading seaweed tends to clog stanzas' ship of state_meant to speed towards final conclusion
subharmonic... frequency below the fundamental frequency of an oscillator in a ratio of 1 / x.
synchronistic... relation that exists when things occur at the same time
supersede verb: take the place or move into the position of n.b.
usage Supercede has occurred as a spelling variant of supersede since the 17th century, and it is common in current published writing.
Soporific adjective: sleep inducing
adjective: inducing mental lethargy
poem by Jonathan Robin

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Ode To Happiness
Ode to happiness
Joy cometh in the morning.
May only peace reign.
All our hope comes from above.
Wars shall truly cease,
When that which is perfect comes.
Rejoicing always
We shall overcome sin’s grasp,
When Heaven arrives!
The Earth will sing a new song.
Every knee shall then bend down!
A Choka Poem goes like this:
1st 3 lines = 5,7,5 syllables
2nd 3 lines = 7,5,7 syllables
Ending 2 lines = 7 syllables each
poem by Robert Edgar Burns

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Alankar(Decor) -79
Alankar(Decor) -58
Sail O'Soul Sail(Chain Verse)
Chain Verse is composed in one of three ways:
1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.
2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.
3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.
3
Sail O'Soul Sail
Once boarded why you fear o' soul
Just be watching where sails your mind
Aspiring to horizon-goal
All set on a smooth float by wind
All set on a smooth float by wind
On gentle waves across your sea
As you sail assailed by your mind
How those desires hit your heart free
How those desires hit your heart free
As of a choice in heaven's trade
That your mind is on aiming spree
In illumed dreamings in fate's shade
In illumed dreamings in fate's shade
While your sail is mid way caught up
How your sea baits in storming grade
And shocked you struggle to catch up
And shocked you struggle to catch up
For not yours but your mind's misdeed
Helpless you are jailed in lockup
Your vessel too shattered indeed
Your vessel too shattered indeed
Such is your sea of greed and lust
Such is the fate of your sea's heed
Wind too is feeling difficult
Wind too is feeling difficult
Now that the sea somewhat calms still
Wind settles in silenced cool mute
Atlast your vessel too nihil
Atlast your vessel too nihil
And sea gone in presence of Nought
You are freed atlast to your will
To board the next the way you're caught
sea-life, wind-breath, vessel-body.
poem by Indira Renganathan

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Deux Parallele
Two parallel lines, two parallel lines
why can't they intertwine?
Osculating endlessly in an oblivious dream
Protracting incessantly, continuing as they seem
Arduoulsy crisscrossing, but they try not
Restless, unfortunate and strange-they intersect-a lot
Abhorrent, one line was assentient
Lines that shouldn't have met-but with Fate's consent
Languishing now, they converge-supposedly inexorable
Envisaging an unbounded union, then one line fumbles
Lines- these two lines now distorted and twisted
Lonely and longing, their common point, now ill-fated
Inelastic, these two lines- concurrent and disentangled
Nevermore will these two lines meet and form the Angle
Excogitating now, these two lines, victims of fate
Saved...these two lines be, once parallel, intersecting, can only wait
poem by Pete Zaesar Galula

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Alankar(Decor) -77
Here He Dwelleth(Chain Verse)
Chain Verse is composed in one of three ways:
1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.
2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.
3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.
2b
Here He Dwelleth (8-5-8-5 syllables
with linking and alternate rhymes
abab, cdcd, e.t.c)
'Woes have done intolerable
O'Lord please descend
Thee alone is responsible
This fate you to mend
Mend our lives o'divine mender
Our lives at your feet
Come o'lord ' pleaded man slender
Then spoke a voice sweet
Sweet from Nought, 'tell me o'my child
Which form you want me
Man or animal, mild or wild
Elements any? '
'Any form? ' man thought for a while
Knowing their foul tone
Chose not living beings hostile
But wished for stone
Stone, he carved hard created God
Thence forms more sculpted
Valorous with weapons to guard
Lighted life trusted
Trusted, God would sure come to bless
And that he be freed
Of slaying woes and killing stress
That way he waited
Waited lord too again asked man
From the Nought 'o' child
Tell, to what shall I hold on than
To conceal and hide'
'Hide not my Lord, here are my makes
Your choice my pleasure
Choose to be but in all my makes
Thee I shall treasure'
Treasured powers cloaked the idol
Thereon by prayers
Matins, litanies rose tidal
Joined all obeyers
Obeyers' way thus was one found
Gods and names many
Bathed with decor many profound
Bound He by any
poem by Indira Renganathan

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In Search Of Aphrodite
A Sideline Sonnet
(letters on the left side of the poem make the 15th line, which is also written out in parenthesis at the end of the poem) This poem, instead of being displayed with either 12 lines on the left margin, with the 13th and 14th lines indented in modern format, or with the first 8 lines on the left margin, a line skipped and then the next 4 lines on the left margin with the couplet indented in the style most commonly used in the days of Shakespeare, will be posted in 4 line stanzas to make it easier to read the side line, which will be three 4 letter words, and one 2 letter word.
May I behold a girl this fair:
A girl whose presence makes a light;
Kindles a flame that burns so bright
Eclipses it the moon. With hair
Lost stars that from the heavens fall –
On falling do submit their glow,
Vile stars, on one I cannot know.
Enraptured though, I make the call.
While all my starving total seeks,
In endless hunger, for the dear
Temptation that, though hov'ring near,
Hears not my voice: yet not she speaks.
May I but see her, then will I
Entreat her, listen to my cry…
(make love with me)
poem by James Walter Orr

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This Day What Future Will It Bring (Kyrielle Sonnet)
This day what future will it bring.
What songs will we finally sing?
Snow quietly gracing the ground.
There will then come a silent sound.
We will be skating on the pond
And ev'ry one will form a bond.
By crackling fire we'll gather round.
There will then be a silent sound.
No recipe will we follow
Flitting the night with the swallows.
We'll form a ring around, around.
There will then come a silent sound.
This day what future will it bring.
There will then come a silent sound.
- Ben Gieske, March 5,2008
*
A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet) . Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza) . Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme for a Kyrielle Sonnet would be: AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.
poem by Ben Gieske

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