To Mr. Addison on His Opera of Rosamond
______ Ne fortè pudori
Sit tibi Musa lyræ solers, & cantor Apollo.
The Opera first Italian masters taught,
Enrich'd with songs, but innocent of thought;
Britannia's learned theatre disdains
Melodious trifles, and enervate strains;
And blushes, on her injur'd stage to see
Nonsense well-tun'd, and sweet stupidity.
No charms are wanting to thy artful song,
Soft as Corelli, and as Virgil strong.
From Words so sweet new grace the notes receive,
And Music borrows helps, she us'd to give.
Thy style hath match'd what ancient Romans knew,
Thy flowing numbers far excel the new.
Their cadence in such easy sound convey'd,
The height of thought may seem superfluous aid;
Yet in such charms the noble thoughts abound,
That needless seem the sweets of easy sound.
Landscapes how gay the bowery grotto yields,
Which thought creates, and lavish fancy builds!
What art can trace the visionary scenes,
The flowery groves, and everlasting greens,
The babbling sounds that mimic echo plays,
The fairy shade, and its eternal maze?
Nature and Art in all their charms combin'd,
And all Elysium to one view confin'd!
No further could imagination roam,
Till Vanbrugh fram'd, and Marlborough rais'd the dome.
Ten thousand pangs my anxious bosom tear,
When drown'd in tears I see th' imploring fair;
When bards less soft the moving words supply,
A seeming justice dooms the nymph to die;
But here she begs, nor can she beg in vain
(In dirges thus expiring swans complain);
Each verse so swells expressive of her woes,
And every tear in lines so mournful flows;
We, spite of fame, her fate revers'd believe,
O'erlook her crimes, and think she ought to live.
Let joy salute fair Rosamonda's shade,
And wreaths of myrtle crown the lovely maid.
While now perhaps with Dido's ghost she roves,
And hears and tells the story of their loves,
Alike they mourn, alike they bless their fate,
Since Love, which made them wretched, makes them great.
Nor longer that relentless doom bemoan,
Which gain'd a Virgil, and an Addison.
Accept, great monarch of the British lays,
The tribute song an humble subject pays.
So tries the artless lark her early flight,
And soars, to hail the god of verse and light.
Unrivall'd, as unmatch'd, be still thy fame,
And thy own laurels shade thy envy'd name:
Thy name, the boast of all the tuneful quire,
Shall tremble on the strings of every lyre;
While the charm'd reader with thythought complies,
Feels corresponding joys or sorrows rise,
And views thy Rosamond with Henry's eyes.
poem by Thomas Tickell
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Upon The Death Of, Mr. Addison; Inscrib'd To The Earl Of Warwick
If yet, my Lord, your Sorrows find relief,
And a short Pause succeeds your weighty Grief;
With Candour this unwelcome Verse peruse,
The last kind Office of a grateful Muse:
Nor needs the grateful Muse to court thy Ear,
Which sheds for Addison a pious Tear;
And jointly sorrows, with pathetick Rage,
The greatest Genius of the greatest Age;
Whom Rival--wits with Veneration name,
And the foul Lips of Party durst not blame.
What secret Curse attends the Poet--line?
How have the Muses urg'd the Wrath divine?
Say, holy Sires, is Poetry a Crime?
Or whence these Judgments on the Sons of Rhime?
Why are the noblest Spirits snatch'd away
In their full Blaze of intellectual Day?
While Crowds of worthless Drones are left behind,
Grown white with Years, the Lumber of Mankind,
That loll, fat Canons, in some lazy Stall,
Or thoughtless sleep within a College Wall?
To its full Length they stretch the mortal Span,
Nor lose a Moment of the Age of Man;
But dully dreaming out their vital Store,
Drop ripe into their Graves, and are no more.
Scarce have our tender Sorrows ceas'd to flow
For courtly Garth, and soft--complaining Rowe;
Like Ovid witty one; in one conspire
Otway's prevailing Art, and Lucan's Fire:
Both these together drain'd our lavish Eyes;
Will not two Poets in a Year suffice?
Shall twelve short Months an Age's Woes ingross,
And Addison compleat the Nation's Loss.
Who then in manly Numbers shall record
The future, glorious Deeds of Brunswick's Sword?
Who now correct the Follies of the Age,
Or give new Lustre to the British Stage?
With Foreign Stores enrich his native Land,
Or deign to youthful Bards his willing Hand?
Great as he was, the Monarch of the Bays,
Plac'd far above the reach of mortal Praise;
In every Thought tho' Wit Divine appear,
Yet aw'd by modest dread and cautions Fear,
Seldom (too seldom!) did he put it forth,
Still most ambitious to conceal his Worth;
Stunn'd with applauding Crowds, he check'd his Flight,
And, wearied with Admirers, fear'd to write;
In his own Praise he felt a painful Shame,
And blush'd at the Abundance of his Fame.
So the fair Virgin with Confusion hears
Her Charms extol'd, and shuts her tortur'd Ears;
From the Encomiums of the Youth she flies,
And strives to hide the Lustre of her Eyes.
From this great Master of poetick Art,
Ye num'rous Bards that swarm in ev'ry Part,
And with laborious Nonsense load the Press,
Learn to contemplate more, and scribble less:
Learn, from this great Example, to command
Your Thirst of Fame, and stop an itching Hand:
Think not that Wit in bulky Volumes lies,
(Alas what witless Volumes daily rise.)
Oft is it wanting in a thousand Lines,
And often in a single Couplet shines.
While others on a part of Learning dwell,
Proud in one single Science to excel;
And as the scatter'd Stars adorn the Sky,
In diff'rent Arts their diff'rent Talents try;
Nor aim at more; great Addison alone
No Branch of human Knowledge left unknown;
But like the Sun inimitably bright,
Shone with collected Rays, the source of Light;
In Verse or Prose, with more than mortal Art,
He struck the Passions, and he warm'd the Heart:
Various, but still unrival'd, was his Song,
Now soft like Ovid, now like Virgil strong:
For ev'ry Theme his Genius was the same,
And each new Piece still added to his Fame.
But whither is this Boast of Britain fled?
Lies the great Author of our Glory dead?
Shall we, tormenting Thought! expect in vain,
A second Cato or a new Campain?
Why did not gracious Heav'n prolong his Date,
And shield him from the Rage of envious Fate?
Why did th' Almighty trust this common Good,
To the frail Elements of Flesh and Blood;
Expos'd to Ills, and subject to Decay,
The feeble, short--liv'd Creature of a Day?
Why was his Life not boundless as his Mind,
To bless the future Ages of Man kind?
But Heav'n to punish our repeated Crimes,
Call'd him from Earth to breathe in happier Climes:
For now in the gay mansions of the Skies
(If there the promis'd Land of Glory lies)
With kindred Bards that liv'd in earliest Days,
The rev'rend Fathers of harmonious Lays,
He joyns his tuneful Voice, his Lyre he strings,
And Maro listens whilst his Rival sings;
Great Somers fixes on his well known Face,
And Cato greets him with a stern Embrace.
poem by Nicholas Amhurst
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To Mr. Addison on His Tragedy of Cato
Too long hath love engross'd Britannia's stage,
And sunk to softness all our tragic rage:
By that alone did empires fall or rise,
And fate depended on a fair-one's eyes:
The sweet infection, mixt with dangerous art,
Debas'd our manhood, while it sooth'd the heart.
You scorn to raise a grief thyself must blame,
Nor from our weakness steal a vulgar fame:
A patriot's fall may justly melt the mind,
And tears flow nobly, shed for all mankind.
How do our souls with generous pleasure glow!
Our hearts exulting, while our eyes o'erflow,
When thy firm hero stands beneath the weight
Of all his sufferings venerably great;
Rome's poor remains still sheltering by his side,
With conscious virtue, and becoming pride!
The aged oak thus rears his head in air,
His sap exhausted, and his branches bare;
'Midst storms and earthquakes, he maintains his state,
Fixt deep in earth, and fasten'd by his weight
His naked boughs still lend the shepherds aid,
And his old trunk projects an awful shade.
Amidst the joys triumphant peace bestows,
Our patriots sadden at his glorious woes;
Awhile they let the world's great business wait,
Anxious for Rome, and sigh for Cato's fate.
Here taught how ancient heroes rose to fame,
Our Britons crowd, and catch the Roman flame,
Where states and senates well might lend an ear,
And kings and priests without a blush appear.
France boasts no more, but, fearful to engage,
Now first pays homage to her rival's stage,
Hastes to learn thee, and learning shall submit
Alike to British arms, and British wit:
No more she'll wonder, forc'd to do us right,
Who think like Romans, could like Romans fight.
Thy Oxford smiles this glorious work to see,
And fondly triumphs in a son like thee.
The senates, consuls, and the gods of Rome,
Like old acquaintance at their native home,
In thee we find: each deed, each word exprest,
And every thought that swell'd a Roman breast,
We trace each hint that could thy soul inspire
With Virgil's judgement, and with Lucan's fire;
We know thy worth, and, give us leave to boast,
We most admire, because we know thee most.
poem by Thomas Tickell
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Sonnet VIII: Why, Through Each Aching Vein
Why, through each aching vein, with lazy pace
Thus steals the languid fountain of my heart,
While, from its source, each wild convulsive start
Tears the scorch'd roses from my burning face?
In vain, O Lesbian Vales! your charms I trace;
Vain is the poet's theme, the sculptor's art;
No more the Lyre its magic can impart,
Though wak'd to sound, with more than mortal grace!
Go, tuneful maids, go bid my Phaon prove
That passion mocks the empty boast of fame;
Tell him no joys are sweet, but joys of love,
Melting the soul, and thrilling all the frame!
Oh! may th'ecstatic thought in bosom move,
And sighs of rapture, fan the blush of shame!
poem by Mary Darby Robinson
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Sappho to Phaon (Ovid Heroid XV)
Say, lovely youth, that dost my heart command,
Can Phaon's eyes forget his Sappho's hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,
The Lute neglected, and the Lyric muse;
Love taught my tears in adder notes to flow,
And tun'd my heart to Elegies of woe,
I burn, I burn, as when thro' ripen'd corn
By driving winds the spreading flames are borne!
Phaon to Aetna's scorching fields retires,
While I consume with more than Aetna's fires!
No more my soul a charm in music finds,
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please,
Love enters there, and I'm my own disease.
No more the Lesbian dames my passion move,
Once the dear objects of my guilty love;
All other loves are lost in only thine,
Ah youth ungrateful to a flame like mine!
Whom would not all those blooming charms surprize,
Those heav'nly looks, and dear deluding eyes?
The harp and bow would you like Phoebus bear,
A brighter Phoebus Phaon might appear;
Would you with ivy wreath your flowing hair,
Not Bacchus' self with Phaon could compare:
Yet Phoebus lov'd, and Bacchus felt the flame,
One Daphne warm'd, and one the Cretan dame,
Nymphs that in verse no more could rival me,
That ev'n those Gods contend in charms with thee.
The Muses teach me all their softest lays,
And the wide world resounds with Sappho's praise.
Tho' great Alcaeus more sublimely sings,
And strikes with bolder rage the sounding strings,
No less renown attends the moving lyre,
Which Venus tunes, and all her loves inspire;
To me what nature has in charms deny'd,
Is well by wit's more lasting flames supply'd.
Tho' short my stature, yet my name extends
To heav'n itself, and earth's remotest ends.
Brown as I am, an Ethiopian dame
Inspir'd young Perseus with a gen'rous flame;
Turtles and doves of diff'ring hues unite,
And glossy jet is pair'd with shining white.
If to no charms thou wilt thy heart resign,
But such as merit, such as equal thine,
By none, alas! by none thou canst be mov'd,
Phaon alone by Phaon must be lov'd!
Yet once thy Sappho could thy cares employ,
Once in her arms you center'd all your joy:
No time the dear remembrance can remove,
For oh! how vast a memory has love!
My music, then, you could for ever hear,
And all my words were music to your ear;
You stopp'd with kisses my enchanting tongue,
And found my kisses sweeter than my song.
In all I pleas'd, but most in what was best;
And the last joy was dearer than the rest.
Then with each word, each glance, each motion fir'd,
You still enjoy'd, and yet you still desir'd,
'Till all dissolving in the trance we lay,
And in tumultuous raptures died away.
The fair Sicilians now thy soul inflame;
Why was I born, ye Gods, a Lesbian dame?
But ah beware, Sicilian nymphs! nor boast
That wand'ring heart which I so lately lost;
Nor be with all those tempting words abus'd,
Those tempting words were all to Sappho us'd.
And you that rule Sicilia's happy plains,
Have pity, Venus, on your Poet's pains!
Shall fortune still in one sad tenor run,
And still increase the woes so soon begun?
Inur'd to sorrow from my tender years,
My parent's ashes drank my early tears:
My brother next, neglecting wealth and fame,
Ignobly burn'd in a destructive flame:
An infant daughter late my griefs increas'd,
And all a mother's cares distract my breast.
Alas, what more could fate itself impose,
But thee, the last and greatest of my woes?
No more my robes in waving purple flow,
Nor on my hand the sparkling di'monds glow;
No more my locks in ringlets curl'd diffuse
The costly sweetness of Arabian dews,
Nor braids of gold the varied tresses bind,
That fly disorder'd with the wanton wind,
For whom should Sappho use such arts as these?
He's gone, whom only she desir'd to please!
Cupid's light darts my tender bosom move,
Still is there cause for Sappho still to love:
So from my birth the Sisters fix'd my doom,
And gave to Venus all my life to come;
Or while my Muse in melting notes complains,
My yielding heart keeps measure to my strains.
By charms like thine which all my soul have won,
Who might not - ah! who would not be undone?
For those Aurora Cephalus might scorn,
And with fresh blushes paint the conscious morn.
For those might Cynthia lengthen Phaon's sleep,
And bit Endymion nightly tend his sheep.
Venus for those had rapt thee to the skies,
But Mars on thee might look with Venus' eyes.
O scarce a youth, yet scarce a tender boy!
O useful time for lovers to employ!
Pride of thy age, and glory of thy race,
Come to these arms, and melt in this embrace!
The vows you never will return, receive;
And take at least the love you will not give.
See, while I write, my words are lost in tears;
The less my sense, the more my love appears.
Sure 'twas not much to bid one kind adieu,
(At least to feign was never hard to you)
Farewell, my Lesbian love, you might have said,
Or coldly thus, Farewell, oh Lesbian maid!
No tear did you, no parting kiss receive,
Nor knew I then how much I was to grieve.
No lover's gift your Sappho could confer,
And wrongs and woes were all you left with her.
No charge I gave you, and no charge could give,
But this, Be mindful of our loves, and live.
Now by the Nine, those pow'rs ador'd by me,
And Love, the God that ever waits on thee,
When first I heard (from whom I hardly knew)
That you were fled, and all my joys with you,
Like some sad statue, speechless, pale I stood,
Grief chill'd my breast, and stopp'd my freezing blood;
No sigh to rise, no tear had powr to flow,
Fix'd in a stupid lethargy of woe:
But when its way th' impetuous passion found,
I rend my tresses, and my breast I wound,
I rave, then weep, I curse, and then complain,
Now swell to rage, no melt in tears again.
Not fiercer pangs distract the mournful dame,
Whose first-born infant feeds the fun'ral flame.
My scornful brother with a smile appears,
Insults my woes, and triumphs in my tears;
His hated image ever haunts my eyes,
And why this grief? thy daughter lives, he cries.
Stung with my Love, and furious with despair,
All torn my garments, and my bosom bare,
My woes, thy crimes, I to the world proclaim;
Such inconsistent things are love and shame!
'Tis thou art all my care and my delight,
My daily longing, and my dream by night:
Oh night more pleasing than the brightest day,
When fancy gives what absence takes away,
And, dress'd in all its visionary charms,
Restores my fair deserter to my arms!
Then round your neck in wanton wreaths I twine,
Then you, methinks, as fondly circle mine:
A thousand tender words I hear and speak;
A thousand melting kisses give, and take:
Then fiercer joys, I blush to mention these,
Yet while I blush, confess how much they please.
But when, with day, the sweet delusions fly,
And all things wake to life and joy, but I,
As if once more forsaken, I complain,
And close my eyes to dream of you again;
Then frantic rise, and like some Fury rove
Thro' lonely plains, and thro' the silent grove,
As if the silent grove, and lonely plains,
That knew my pleasures, could relieve my pains.
I view the Grotto, once the scene of love,
The rocks around, the hanging roofs above,
That charm'd me more, with native moss o'ergrown,
Than Phyrgian marble, or the Parian stone.
I find the shades that veil'd our joys before;
But, Phaon gone, those shades delight no more.
Here the press'd herbs with bending tops betray
Where oft entwin'd in am'rous folds we lay;
I kiss that earth which once was press'd by you,
And all with tears the with'ring herbs bedew.
For thee the fading trees appear to mourn,
And birds defer their songs till thy return;
Night shades the grove,s and all in silence lie,
All but the mournful Philomel and I:
With mournful Philomel I join my strain,
Of Tereus she, of Phaeon I complain.
A spring there is, whose silver waters show,
Clear as a glass, the shining sands below:
A flow'ry Lotos spreads its arms above,
Shades all the banks, and seems itself a grove;
Eternal greens the mossy margin grace,
Watch'd by the sylvan Genius of the place.
Here as I lay, and swell'd with tears the flood,
Before my sight a wat'ry Virgin stood:
She stood and cry'd, 'O you that love in vain!
'Fly hence, and seek the fair Leucadian main;
'There stands a rock, from whose impending steep
'Apollo's fane surveys the rolling deep;
'There injur'd lovers, leaping from above,
'Their flames extinguish, and forget to love.
'Deucalion once, with hopeless fury burn'd,
'In vain he lov'd, relentless Pyrrha scorn'd;
'But when from hence he plung'd into the main,
'Deucalion scorn'd, and Pyrrha lov'd in vain.
Haste, Sappho, haste, from high Leucadia throw
'Thy wretched weight, nor dread the deeps below!'
She spoke, and vanish'd with the voice - I rise,
And silent tears fall trickling from my eyes.
I go, ye Nymphs! those rocks and seas to prove;
How much I fear, but ah, how much I love!
I go, ye Nymphs! where furious love inspires;
Let female fears submit to female fires.
To rocks and seas I fly from Phaon's hate,
And hope from seas and rocks a milder fate.
Ye gentle gales, beneath my body blow,
And softly lay me on the waves below!
And thou, kind Love, my sinking limbs sustain,
Spread thy soft wings, and waft me o'er the main,
Nor let a Lover's death the guiltless flood profane!
On Phoebus' shrine my harp I'll then bestow,
And this Inscription shall be plac'd below.
'Here she who sung, to him that did inspire,
'Sappho to Phoebus consecrates her Lyre;
'What suits with Sappho, Phoebus, suits with thee;
The Gift, the giver, and the God agree.'
But why, alas, relentless youth, ah why
To distant seas must tender Sappho fly?
Thy charms than those may far more pow'rful be,
And Phoebus' self is less a God to me.
Ah! canst thou doom me to the rocks and sea,
O far more faithless and more hard than they?
Ah! canst thou rather see this tender breast
Dash'd on these rocks than to thy bosom prest?
This breast which once, in vain! you lik'd so well;
Where Loves play'd, and where the Muses dwell.
Alas! the Muses now no more inspire,
Untun'd my lute, and silent is my lyre,
My languid numbers have forgot to flow,
And fancy sinks beneath a weight of woe.
Ye Lesbian virgins, and ye Lesbian dames,
Themes of my verse, and objects of my flames,
No more your groves with my glad songs shall ring,
No more these hands shall touch the trembling string:
My Phaon's fled, and I those arts resign
(Wretch that I am, to call that Phaon mine!)
Return, fair youth, return, and bring along
Joy to my soul, and vigour to my song:
Absent from thee, the Poet's flame expires;
But ah! how fiercely burn the Lover's fires!
Gods! can no pray'rs, no sighs, no numbers move
One savage heart, or teach it how to love?
The winds my pray'rs, my sighs, my numbers bear,
The flying winds have lost them all in air!
Oh when, alas! shall more auspicious gales
To these fond eyes restore thy welcome sails?
If you return - ah why these long delays?
Poor Sappho dies while careless Phaon stays.
O launch thy bark, secure of prosp'rous gales;
Cupid for thee shall spread the swelling gales;
I you will fly - (yet ah! what cause can be,
Too cruel youth, that you should fly from me?)
If not from Phaon I must hope for ease,
Ah let me seek it from the raging seas:
To raging seas unpity'd I'll remove,
And either cease to live or cease to love!
poem by Alexander Pope
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To a Lady, with Some Coloured Patterns of Flowers
Madam,-
Though rude the draughts, though artless seem the lines,
From one unskill'd in verse, or in designs;
Oft has good-nature been the fool's defence,
And honest meaning gilded want of sense.
Fear not, though flowers and beauty grace my lay,
To praise one fair, another shall decay.
No lily, bright with painted foliage, here,
Shall only languish, when Selinda's near:
A fate reversed no smiling rose shall know,
Nor with reflected lustre doubly glow.
Praises which languish when applied to you,
Where flattering schemes seem obviously true.
Yet sure your sex is near to flowers allied,
Alike in softness, and alike in pride:
Foes to retreat, and ever fond to shine,
Both rush to danger, and the shades decline;
Exposed, the short-lived pageants of a day,
To painted flies or glittering fops a prey:
Changed with each wind, nor one short day the same,
Each clouded sky affects their tender frame.
In glaring Chloe's man-like taste and mien,
Are the gross splendours of the tulip seen:
Distant they strike, inelegantly gay,
To the near view no pleasing charms display.
To form the nymph, a vulgar wit must join,
As coarser soils will most the flower refine.
Ophelia's beauties let the jasmine paint,
Too faintly soft, too nicely elegant.
Around with seeming sanctity endued,
The passion-flower may best express the prude.
Like the gay rose, too rigid Silvia shines,
While, like its guardian thorn, her virtue joins.
Happy the nymph from all their failures free!
Happy the nymph in whom their charms agree!
Faint these productions, till you bid disclose,
The pink new splendours, and fresh tints the rose:
And yet condemn not trivial draughts like these,
Form'd to improve, and make even trifles please.
A power like yours minuter beauties warms,
And yet can blast the most aspiring charms:
Thus, at the rays whence other objects shine,
The taper sickens, and its flames decline.
When by your art the purple violet lives,
And the pale lily sprightlier charms receives;
Garters to me shall glow inferior far,
And with less pleasing lustre shine the star.
Let serious triflers, fond of wealth or fame,
On toils like these bestow too soft a name;
Each gentler art with wise indifference view,
And scorn one trifle, millions to pursue:
More artful I their specious schemes deride
Fond to please you, by you in these employed;
A nobler task, or more sublime desire,
Ambition ne'er could form, nor pride inspire.
The sweets of tranquil life and rural ease
Amuse securely, nor less justly please.
Where gentle pleasure shows her milder power,
Or blooms in fruit, or sparkles in the flower;
Smiles in the groves, the raptured poet's theme;
Flows in the brook, his Naiad of the stream;
Dawns, with each happier stroke the pencil gives,
And, in each livelier image, smiling lives;
Is heard, when Silvia strikes the warbling strings,
Selinda speaks, or Philomela sings:
Breathes with the morn; attends, propitious maid,
The evening ramble, and the noon-day glade
Some visionary fair she cheats our view,
Then only vigorous when she seems like you.
Yet Nature some for sprightlier joys design'd,
For brighter scenes, with nicer care, refined.
When the gay jewel radiant streams supplies,
And vivid brilliants meet your brighter eyes;
When dress and pomp around the fancy play,
By fortune's dazzling beauties borne away;
When theatres for you the scenes forego,
And the box bows obsequiously low:
How dull the plan which indolence has drawn,
The mossy grotto, or the flowery lawn!
Though roseate scents in every wind exhale,
And sylvan warblers charm in every pale.
Of these be hers the choice whom all approve;
And whom but those who envy, all must love:
By nature modell'd, by experience taught,
To know and pity every female fault:
Pleased even to hear her sex's virtues shown,
And blind to none's perfections but her own:
Whilst, humble fair! of these too few she knows,
Yet owns too many for the world's repose;
From wit's wild petulance serenely free,
Yet blest in all that nature can decree.
Not like a fire, which, whilst it burns, alarms;
A modest flame, that gently shines and warms:
Whose mind, in every light, can charms display,
With wisdom serious, and with humour gay;
Just as her eyes in each bright posture warm,
And fiercely strike, or languishingly charm:
Such are your honours-mention'd to your cost,
Those least can hear them, who deserve them most:
Yet ah! forgive-the less inventive muse,
If e'er she sing, a copious theme must choose.
poem by William Shenstone
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An Account Of The Greatest English Poets
Since, dearest Harry, you will needs request
A short account of all the Muse possest,
That, down from Chaucer's days to Dryden's Times,
Have spent their Noble Rage in British Rhimes;
Without more Preface, wrote in Formal length,
To speak the Undertakers want of strength,
I'll try to make they're sev'ral Beauties known,
And show their Verses worth, tho' not my Own.
Long had our dull Fore-Fathers slept Supine,
Nor felt the Raptures of the Tuneful Nine;
Till Chaucer first, the merry Bard, arose;
And many a Story told in Rhime and Prose.
But Age has Rusted what the Poet writ,
Worn out his Language, and obscur'd his Wit:
In vain he jests in his unpolish'd strain,
And tries to make his Readers laugh in vain.
Old Spencer next, warm'd with Poetick Rage,
In Antick Tales amus'd a Barb'rous Age;
An Age that yet uncultivate and Rude,
Where-e'er the Poet's Fancy led, pursu'd
Through pathless Fields, and unfrequented Floods,
To Dens of Dragons and Enchanted Woods.
But now the Mystick Tale, that pleas'd of Yore,
Can Charm an understanding Age no more;
The long-spun Allegories fulsom grow,
While the dull Moral lies too plain below.
We view well-pleas'd at distance all the sights
Of Arms and Palfreys, Battle's, Fields, and Fights,
And Damsels in Distress, and Courteous Knights.
But when we look too near, the Shades decay,
And all the pleasing Lan-skip fades away.
Great Cowley then (a mighty Genius) wrote;
O'er-run with Wit, and lavish of his Thought:
His Turns too closely on the Reader press;
He more had pleas'd us, had he pleas'd us less.
One glitt'ring Thought no sooner strikes our Eyes
With silent wonder, but new wonders rise.
As in the Milky way a shining White,
O'er-flows the Heav'ns, with one continu'd Light;
That not a single Star can shew his Rays,
Whilst joyntly all promote the Common-Blaze.
Pardon, Great Poet, that I dare to name
Th' unnumber'd Beauties of thy Verse with blame;
Thy fault is only Wit in its Excess,
But Wit like thine in any shape will please.
What Muse but thine cou'd equal Hints inspire,
And fit the Deep-Mouth'd Pindar to thy Lyre:
Pindar, whom others in a Labour'd strain
And forc'd Expression, imitate in vain?
Well-pleas'd in thee he Soars with new delight,
And Plays in more unbounded Verse, and takes a nobler flight.
Blest Man! whose spotless Life and Charming Lays
Employ'd the Tuneful Prelate in thy Praise:
Blest Man! who now shall be for ever known
In Sprat's successful Labours and thy own.
But Milton next, with high and haughty stalks,
Unfetter'd in Majestic Numbers walks;
No vulgar Heroe can his Muse ingage;
Nor Earth's wide Scene confine his hallow'd Rage.
See! see, he upward Springs, and Tow'ring high,
Spurns the dull Province of Mortality;
Shakes Heav'ns Eternal Throne with dire Alarms,
And sets the Almighty Thunderer in Arms.
What-e'er his Pen describes I more then see,
Whilst ev'ry Verse array'd in Majesty,
Bold, and sublime, my whole attention draws,
And seems above the Criticks nicer Laws.
How are you struck with Terrour and Delight,
When Angel with Arch-Angel Cope's in Fight!
When Great Messiah's out-spread Banner shines,
How does the Chariot Rattel in his Lines!
What sounds of Brazen Wheels, what Thunder, scare,
And stun the Reader with the Din of War!
With Fear my Spirits and my Blood retire,
To see the Seraphs sunk in Clouds of Fire;
But when, with eager steps, from hence I rise,
And view the first gay Scenes of Paradise;
What Tongue, what words of Rapture, can express
A Vision so profuse of pleasantness.
Oh had the Poet ne'er profan'd his Pen,
To varnish o'er the Guilt of Faithless Men,
His other works might have deserv'd applause!
But now the Language can't support the Cause;
While the clean Current, tho' serene and bright,
Betray's a bottom odious to the sight.
But now my Muse, a softer strain rehearse.
Turn every Line with Art, and smooth thy Verse;
The Courtly Waller next commands thy Lays:
Muse Tune thy Verse, with Art, to Waller's Praise.
While tender Airs and lovely Dames inspire
Soft melting Thoughts, and propagate Desire;
So long shall Waller's strains our Passion move,
And Sacharissa's Beauties kindle Love.
Thy Verse, Harmonious Bard, and flatt'ring Song,
Can make the Vanquish'd Great, the Coward strong.
Thy Verse can show ev'n Cromwell's innocence,
And Compliment the Storms that bore him hence.
Oh had thy Muse not come an Age too soon,
But seen Great Nassaw on the British Throne!
How had his Triumphs glitter'd in thy Page,
And warm'd Thee to a more Exalted Rage!
What Scenes of Death and Horrour had we viewd,
And how had Boine's wide Current Reek'd in Blood!
Or if Maria's Charms thou wou'dst rehearse,
In smoother Numbers and a softer Verse,
Thy Pen had well describ'd her Graceful Air,
And Gloriana wou'd have seem'd more Fair.
Nor must Roscommon pass neglected by,
That makes ev'n Rules a noble Poetry:
Rules who's deep Sense and Heav'nly Numbers show
The best of Critticks, and of Poets too.
Nor Denham must we e'er forget thy Strains,
While Cooper's Hill commands the neighb'ring Plains.
But see where artful Dryden next appears,
Grown old in Rhime, but Charming ev'n in Years.
Great Dryden next! whose Tuneful Muse affords
The sweetest Numbers, and the fittest words.
Whether in Comick sounds or Tragick Airs
She form's her voice, she moves our Smiles or Tears.
If Satire or Heroick Strains she writes,
Her Heroe pleases, and her Satire Bites.
From her no harsh, unartful Numbers fall,
She wears all Dresses, and she Charms in all:
How might we fear our English Poetry,
That long has flourish'd, shou'd decay with Thee;
Did not the Muses other Hope appear,
Harmonious Congreve, and forbid our Fear.
Congreve! whose Fancies unexhausted Store
Has given already much, and promis'd more.
Congreve shall still preserve thy Fame alive
And Dryden's Muse shall in his Friend survive.
I'm tir'd with Rhiming, and wou'd fain give o'er,
But Justice still demands one Labour more:
The Noble Montague remains unnam'd,
For Wit, for Humour, and for Judgment fam'd;
To Dorset he directs his Artful Muse,
In numbers such as Dorset's self might use.
How negligently Graceful he unrein's
His Verse, and writes in loose Familiar strains;
How Nassau's Godlike Acts adorn his Lines,
And all the Heroe in full Glory Shines.
We see his Army set in just Array,
And Boine's Di'd Waves run purple to the Sea.
Nor Simois chok'd with men, and Arms, and Blood;
Nor rapid Xanthus' celebrated Flood:
Shall longer be the Poet's highest Themes.
Tho' Gods and Heroes fought, Promiscuous in they're streams.
But now, to Nassau's secret Councils rais'd,
He Aids the Heroe, whom before he Prais'd.
I've done, at length, and now, Dear Friend, receive
The last poor Present that my Muse can give.
I leave the Arts of Poetry and Verse
To them that practise 'em with more success.
Of greater Truths I'll now prepare to tell,
And so at once, Dear Friend and Muse, Farewell.
poem by Joseph Addison
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To The Nightingale
O nightingale, best poet of the grove,
That plaintive strain can ne'er belong to thee,
Blessed in the full possession of thy love:
O lend that strain, sweet Nighingale, to me!
'Tis mine, alas! to mourn a wretched fate:
I love a maid who all my bosom charms,
Yet lose my days without this lovely mate;
Inhuman fortune keeps her from my arms.
You happy birds! by nature's simple laws
Lead your soft lives, sustained by nature's fare;
You dwell wherever roving fancy draws,
And love and song is all your pleasing care:
But we, vain slaves of interest and of pride,
Dare not be blessed, lest envious tongues should blame;
And hence, in vain I languish for my bride!
O mourn with me, sweet bird, my hapless flame.
poem by James Thomson
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Ode X: To Thomas Edwards, Esquire: On The Late Edition Of Mr. Pope's Work
I.
Believe me, Edwards, to restrain
The licence of a railer's tongue
Is what but seldom men obtain
By sense or wit, by prose or song:
A task for more Herculean powers,
Nor suited to the sacred hours
Of leisure in the Muse's bowers.
II.
In bowers where laurel weds with palm,
The Muse, the blameless queen, resides:
Fair fame attends, and wisdom calm
Her eloquence harmonious guides:
While, shut for ever from her gate,
Oft trying, still repining, wait
Fierce envy and calumnious hate.
III.
Who then from her delightful bounds
Would step one moment forth to heed
What impotent and savage sounds
From their unhappy mouths proceed?
No: rather Spenser's lyre again
Prepare, and let thy pious strain
For Pope's dishonor'd shade complain.
IV.
Tell how displeas'd was every bard,
When lately in the Elysian grove
They of his Muse's guardian heard,
His delegate to fame above;
And what with one accord they said
Of wit in drooping age misled,
And Warburton's officious aid:
V.
How Virgil mourn'd the sordid fate
To that melodious lyre assign'd
Beneath a tutor who so late
With Midas and his rout combin'd
By spiteful clamor to confound
That very lyre's enchanting sound,
Though listening realms admir'd around:
VI.
How Horace own'd he thought the fire
Of his friend Pope's satiric line
Did farther fuel scarce require
From such a militant divine:
How Milton scorn'd the sophist vain
Who durst approach his hallow'd strain
With unwash'd hands and lips profane.
VII.
Then Shakespear debonnair and mild
Brought that strange comment forth to view;
Conceits more deep, he said and smil'd,
Than his own fools or madmen knew:
But thank'd a generous friend above,
Who did with free adventurous love
Such pageants from his tomb remove.
VIII.
And if to Pope, in equal need,
The same kind office thou would'st pay,
Then, Edwards, all the band decreed
That future bards with frequent lay
Should call on thy auspicious name,
From each absurd intruder's claim
To keep inviolate their fame.
poem by Mark Akenside
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A Poem For The Birth-Day Of The Right Honble The Lady Catharine Tufton
'Tis fit SERENA shou'd be sung.
High-born SERENA, Fair and Young,
Shou'd be of ev'ry Muse and Voice
The pleasing, and applauded Choice.
But as the Meanest of the Show
Do First in all Processions go:
So, let my Steps pursue that Swain
The humblest of th' inspired Train;
Whose well-meant Verse did just appear,
To lead on the preceding Year:
So let my Pen, the next in Fame,
Now wait on fair SERENA's Name;
The second Tribute gladly pay,
And hail this blest returning Day.
But let it not attempt to raise
Or rightly speak SERENA's Praise:
Since with more ease we might declare
How Great her Predecessors were;
How Great that more distinguish'd Peer,
To whom she owes her Being here;
In whom our Britain lets us see
What once they were, and still shou'd be;
As, when the earliest Race was drown'd,
Some Patterns, from amongst them found,
Were kept to shew succeeding Times
Their Excellence without their Crimes:
More easily we might express
What Vertues do her Mother dress;
What does her Form and Mind adorn,
Of whom th' engaging Nymph was born;
What Piety, what generous Love,
Does the enlarged Bosom move
Of Her, whose Fav'rite she appears,
Who more than as a Niece endears.
Such full Perfections obvious lie,
And strike, at first, a Poet's Eye.
Deep Lines of Honour all can hit,
Or mark out a superior Wit;
Consummate Goodness all can show,
And where such Graces shine below:
But the more tender Strokes to trace,
T' express the Promise of a Face,
When but the Dawnings of the Mind
We from the Air unripen'd find;
Which alt'ring, as new Moments rise,
The Pen or Pencil's Art defies;
When Flesh and Blood in Youth appears,
Polish'd like what our Marble wears;
Fresh as that Shade of op'ning Green,
Which first upon our Groves is seen;
Enliven'd by a harmless Fire,
And brighten'd by each gay Desire;
These nicer Touches wou'd demand
A Cowley's or a Waller's Hand,
T'explain, with undisputed Art,
What 'tis affects th'enlighten'd Heart,
When ev'ry darker Thought gives way,
Whilst blooming Beauty we survey;
To shew how All, that's soft and sweet,
Does in the fair SERENA meet;
To tell us, with a sure Presage,
The Charms of her maturer Age.
When Hothfeild shall (as heretofore {4}
From its far-sought and virtuous Store
It Families of great Renown
Did with illustrious Hymens crown)
When Hothfeild shall such Treasure know,
As fair SERENA to bestow:
Then shou'd some Muse of loftier Wing
The Triumphs of that Season sing;
Describe the Pains, the Hopes, the Fears
Of noble Youths, th'ambitious Cares
Of Fathers, the long-fram'd Design,
To add such Splendour to their Line,
Whilst all shall strive for such a Bride
So Educated, and Ally'd.
poem by Anne Kingsmill Finch
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Julia to Ovid
Written at Twelve Years of Age, in imitation of Ovid's Epistles.
Are love and pow'r incapable to meet?
And must they all be wretched who are great?
Enslav'd by titles, and by forms confin'd,
For wretched victims to the state design'd.
What rural maid, that my sad fortune knows,
Would quit her cottage to embrace my woes?
Would be this cursed sacrifice to pow'r,
This wretched daughter of Rome's emperour?
When sick with sighs to absent Ovid given,
I tire with vows the unrelenting Heaven,
Drown'd in my tears, and with my sorrows pale,
What then do all my kindred gods avail?
Let proud Augustus the whole world subdue,
be mine to place all happiness in you;
With nobler pride I can on throes look down,
Can court your love and can despise a crown, --
O Love! thou pleasure never dearly bought!
Whose joys exceed the very lover's thought;
Of that soft passion, when you teach the art,
In gentle sounds it steals into the heart;
With such sweet magic does the soul surprise,
'Tis only taught us better by your eyes.
O Ovid! first of the inspired train,
To Heaven I speak in that enchanting strain,
So sweet a voice can never plead in vain.
Apollo will protect his favourite son,
And all the little Loves unto thy succour run.
The Loves and Muses in thy prayer shall join,
And all their wishes and their vows be thine;
Some god will soften my hard Father's breast,
And work a miracle to make thee blest.
* * * * * * * *
* * * * * * * *
Hard as this is, I even could this bear,
But greater ills than what I feel, I fear.
My fame -- my Ovid -- both for ever fled,
what greater evil is there left to dread!
Yes, there is one . . . . . . . . . . .
Avert it, Gods, who do my sorrows see!
Avert it, thou, who art a god to me!
When back to Rome your wishing eyes are cast,
And on the lessening towers you gaze your last --
When fancy shall recal unto your view
The pleasures now for ever lost to you,
The shining court, and all the thousand ways
To melt the nights and pass the happy days --
Will you not sigh, and hate the wretched maid,
Whose fatal love your safety has betray'd?
Say that from me your banishment does come,
And curse the eyes that have expell'd you Rome?
Those eyes, which now are weeping for your woes,
The sleep of death shall then for ever close.
poem by Lady Mary Wortley Montagu
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The Emigrant
FAREWELL, ah, happy shades! ah, scenes belov'd,
Of infant sports and bright unclouded hours!
Where oft in childhood's happy days I rov'd,
Thro' forest-walks, and wild secluded bow'rs!
Far from your woods, and sweet romantic glades,
A wand'ring emigrant I'm doom'd to roam,
Yet oft will memory, ling'ring in your shades,
Recal the dear, regretted charms of home!
Her magic pencil oft shall fondly trace
The mournful pictures of departed joy;
To ev'ry image give a pensive grace,
Which time may soften—but can ne'er destroy.
Ah! scenes belov'd! again delightful spring
In vernal beauty decks your smiling vales;
With balmy odour scents the zephyr's wing,
And wafts from heav'n the soft Favonian gales.
With transport once, to hail her blest return,
I tun'd my artless reed, my numbers wild,
Then all was new in life's bewitching morn,
And hope—ah, fair enchantress! gaily smil'd.
Oh! then, what airy visions of delight,
Beguil'd my youthful heart in ev'ry grove;
Deluding fancy pictur'd to my sight
The fairy-land of happiness and love!
But now, for me in vain the flow'rs expand,
And leaves unfolding, dress the woods anew;
I go, a wanderer, to some distant land,
And bid my native hills—a last adieu!
Farewell the hermit-cell, the lov'd retreat,
The cottage mantled o'er with clustering vine;
Where mild content had found a tranquil seat,
And peace and calm domestic joys were mine.
Dear, lovely scenes! how oft, at dawn of day,
My pipe has wak'd your mountain-echoes sound;
How oft at evening's hour I lov'd to stray,
Beside the river's bank, with osiers crown'd.
Ye woodland-streams, ye peaceful, happy shades,
Oft on your charms will pensive memory dwell;
Ah, native vales! ah, sweet embow'ring glades,
Scenes of my early youth!—a last farewell!
poem by Felicia Dorothea Hemans
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To Maecenas
MAECENAS, you, beneath the myrtle shade,
Read o'er what poets sung, and shepherds play'd.
What felt those poets but you feel the same?
Does not your soul possess the sacred flame?
Their noble strains your equal genius shares
In softer language, and diviner airs.
While Homer paints, lo! circumfus'd in air,
Celestial Gods in mortal forms appear;
Swift as they move hear each recess rebound,
Heav'n quakes, earth trembles, and the shores resound.
Great Sire of verse, before my mortal eyes,
The lightnings blaze across the vaulted skies,
And, as the thunder shakes the heav'nly plains,
A deep felt horror thrills through all my veins.
When gentler strains demand thy graceful song,
The length'ning line moves languishing along.
When great Patroclus courts Achilles' aid,
The grateful tribute of my tears is paid;
Prone on the shore he feels the pangs of love,
And stern Pelides tend'rest passions move.
Great Maro's strain in heav'nly numbers flows,
The Nine inspire, and all the bosom glows.
O could I rival thine and Virgil's page,
Or claim the Muses with the Mantuan Sage;
Soon the same beauties should my mind adorn,
And the same ardors in my soul should burn:
Then should my song in bolder notes arise,
And all my numbers pleasingly surprise;
But here I sit, and mourn a grov'ling mind,
That fain would mount, and ride upon the wind.
Not you, my friend, these plaintive strains become,
Not you, whose bosom is the Muses home;
When they from tow'ring Helicon retire,
They fan in you the bright immortal fire,
But I less happy, cannot raise the song,
The fault'ring music dies upon my tongue.
The happier Terence* all the choir inspir'd,
His soul replenish'd, and his bosom fir'd;
But say, ye Muses, why this partial grace,
To one alone of Afric's sable race;
From age to age transmitting thus his name
With the finest glory in the rolls of fame?
Thy virtues, great Maecenas! shall be sung
In praise of him, from whom those virtues sprung:
While blooming wreaths around thy temples spread,
I'll snatch a laurel from thine honour'd head,
While you indulgent smile upon the deed.
*He was an African by birth.
As long as Thames in streams majestic flows,
Or Naiads in their oozy beds repose
While Phoebus reigns above the starry train
While bright Aurora purples o'er the main,
So long, great Sir, the muse thy praise shall sing,
So long thy praise shal' make Parnassus ring:
Then grant, Maecenas, thy paternal rays,
Hear me propitious, and defend my lays.
poem by Phillis Wheatley
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Mock Panegyric on a Young Friend
In measured verse I'll now rehearse
The charms of lovely Anna:
And, first, her mind is unconfined
Like any vast savannah.
Ontario's lake may fitly speak
Her fancy's ample bound:
Its circuit may, on strict survey
Five hundred miles be found.
Her wit descends on foes and friends
Like famed Niagara's fall;
And travellers gaze in wild amaze,
And listen, one and all.
Her judgment sound, thick, black, profound,
Like transatlantic groves,
Dispenses aid, and friendly shade
To all that in it roves.
If thus her mind to be defined
America exhausts,
And all that's grand in that great land
In similes it costs --
Oh how can I her person try
To image and portray?
How paint the face, the form how trace,
In which those virtues lay?
Another world must be unfurled,
Another language known,
Ere tongue or sound can publish round
Her charms of flesh and bone.
poem by Jane Austen
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To the Earl of Warwick, on the Death of Mr. Addison
If, dumb too long, the drooping Muse hath stay'd,
And left her debt to Addison unpaid;
Blame not her silence, Warwick, but bemoan,
And judge, oh judge, my bosom by your own.
What mourner ever felt poetic fires!
Slow comes the verse that real woe inspires:
Grief unaffected suits but ill with art,
Or flowing numbers with a bleeding heart.
Can I forget the dismal night, that gave
My soul's best part for ever to the grave!
How silent did his old companions tread,
By midnight lamps, the mansions of the dead,
Through breathing statues then unheeded things
Through rows of warriors, and through walks of kings!
What awe did the slow solemn knell inspire;
The pealing organ, and the pausing choir;
The duties by the lawn-rob'd prelate pay'd,
And the last words that dust to dust convey'd!
While speechless o'er thy closing grave we bend,
Accept these tears, thou dear departed friend.
Oh gone forever, take this long adieu;
And sleep in peace, next thy lov'd Montagu!
To strew fresh laurels let the task be mine,
A frequent pilgrim, at thy sacred shrine;
Mine with true sighs thy absence to bemoan,
And grave with faithful epitaphs thy stone.
If e'er from me thy lov'd memorial part,
May shame afflict this alienated heart;
Of thee forgetful if I form a song,
My lyre be broken, and untun'd my tongue,
My griefs be doubled, from thy image free,
And mirth a torment, unchastis'd by thee.
Oft let me range the gloomy aisles alone,
(Sad luxury! to vulgar minds unknown)
Along the walls where speaking marbles show
What worthies form the hallow'd mould below:
Proud names, who once the reins of empire held;
In arms who triumph'd; or in arts excell'd;
Chiefs, grac'd with scars, and prodigal of blood;
Stern patriots, who for sacred freedom stood;
Just men, by whom impartial laws were given;
And saints, who taught, and led, the way to Heaven.
Ne'er to these chambers, where the mighty rest,
Since their foundation, came a nobler guest;
Nor e'er was to the bowers of bliss convey'd
A fairer spirit, or more welcome shade.
In what new region, to the just assign'd,
What new employments please th' unbodied mind?
A winged Virtue, through th' ethereal sky,
From world to world unwearied does he fly?
Or curious trace the long laborious maze
Of Heaven's decrees, where wond'ring angels gaze?
Does he delight to hear bold Seraphs tell
How Michael battled, and the Dragon fell;
Or, mix'd with milder Cherubim, to glow
In hymns of love, not ill essay'd below?
Or dost thou warn poor mortals left behind,
A task well-suited to thy gentle mind?
Oh, if sometimes thy spotless form descend,
To me thy aid, thou guardian Genius, lend!
When rage misguides me, or when fear alarms,
When pain distresses, or when pleasure charms,
In silent whisperings purer thoughts impart,
And turn from ill a frail and feeble heart;
Lead through the paths thy virtue trod before,
Till bliss shall join, nor death can part us more.
That awful form (which, so ye Heavens decree,
Must still be lov'd and still deplor'd by me),
In nightly visions seldom fails to rise,
Or, rous'd by fancy, meets my waking eyes.
If business calls, or crowded courts invite,
Th' unblemish'd statesman seems to strike my sight;
If in the stage I seek to soothe my care,
I meet his soul, which breathes in Cato there;
If pensive to the rural shades I rove,
His shape o'ertakes me in the lonely grove;
'Twas there of just and good he reason'd strong,
Clear'd some great truth, or rais'd some serious song;
There patient show'd us the wise course to steer,
A candid censor, and a friend severe;
There taught us how to live; and (oh! too high
The price for knowledge) taught us how to die.
Thou Hill, whose brow the antique structures grace,
Rear'd by bold chiefs of Warwick's noble race,
Why, once so lov'd, whene'er thy bower appears,
O'er my dim eyeballs glance the sudden tears!
How sweet were once thy prospects fresh and fair,
Thy sloping walks, and unpolluted air!
How sweet the glooms beneath thy aged trees,
90 Thy noon-tide shadow, and thy evening breeze!
His image thy forsaken bowers restore;
Thy walks and airy prospects charm no more;
No more the summer in thy glooms allay'd,
Thy evening breezes, and thy noon-day shade.
From other ills, however fortune frown'd;
Some refuge in the Muse's art I found;
Reluctant now I touch the trembling string,
Bereft of him, who taught me how to sing;
And these sad accents, murmur'd o'er his urn,
Betray that absence they attempt to mourn.
Oh! must I then (now fresh my bosom bleeds,
And Craggs in death to Addison succeeds)
The verse, begun to one lost friend, prolong,
And weep a second in th' unfinish'd song!
These works divine, which, on his death-bed laid,
To thee, O Craggs, th' expiring sage convey'd,
Great, but ill-omen'd monument of fame,
Nor he surviv'd to give, nor thou to claim.
Swift after him thy social spirit flies,
And close to his, how soon! thy coffin lies.
Blest pair! whose union future bards shall tell
In future tongues: each other's boast! farewell,
Farewell! whom join'd in fame, in friendship tried,
No chance could sever, nor the grave divide.
poem by Thomas Tickell
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Song
Not the soft sighs of vernal gales,
The fragrance of the flowery vales,
The murmurs of the crystal rill,
The vocal grove, the verdant hill;
Not all their charms, though all unite,
Can touch my bosom with delight.
Not all the gems on India's shore,
Not all Peru's unbounded store,
Not all the power, nor all the fame,
That heroes, kings, or poets claim;
Nor knowledge which the learn'd approve,
To form one wish my soul can move.
Yet Nature's charms allure my eyes,
And knowledge, wealth, and fame I prize;
Fame, wealth, and knowledge I obtain,
Nor seek I Nature's charms in vain;
In lovely Stella all combine,
And, lovely Stella! thou art mine.
poem by Samuel Johnson
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Lines to Him Who Will Understand Them
THOU art no more my bosom's FRIEND;
Here must the sweet delusion end,
That charm'd my senses many a year,
Thro' smiling summers, winters drear.
O, FRIENDSHIP! am I doom'd to find
Thou art a phantom of the mind?
A glitt'ring shade, an empty name,
An air-born vision's vap'rish flame?
And yet, the dear DECEIT so long
Has wak'd to joy my matin song,
Has bid my tears forget to flow,
Chas'd ev'ry pain, soothed ev'ry woe;
That TRUTH, unwelcome to my ear,
Swells the deep sigh, recalls the tear,
Gives to the sense the keenest smart,
Checks the warm pulses of the Heart,
Darkens my FATE and steals away
Each gleam of joy thro' life's sad day.
BRITAIN, FAREWELL! I quit thy shore,
My native Country charms no more;
No guide to mark the toilsome road;
No destin'd clime; no fix'd abode;
Alone and sad, ordain'd to trace
The vast expanse of endless space;
To view, upon the mountain's height,
Thro' varied shades of glimm'ring light,
The distant landscape fade away
In the last gleam of parting day:
Or, on the quiv'ring lucid stream,
To watch the pale moon's silv'ry beam;
Or when, in sad and plaintive strains
The mournful PHILOMEL complains,
In dulcet notes bewails her fate,
And murmurs for her absent mate;
Inspir'd by SYMPATHY divine,
I'll weep her woesFOR THEY ARE MINE.
Driven by my FATE, where'er I go
O'er burning plains, o'er hills of snow,
Or on the bosom of the wave,
The howling tempest doom'd to brave,
Where'er my lonely course I bend,
Thy image shall my steps attend;
Each object I am doom'd to see,
Shall bid remem'brance PICTURE THEE.
Yes; I shall view thee in each FLOW'R,
That changes with the transient hour:
Thy wand'ring Fancy I shall find
Borne on the wings of every WIND:
Thy wild impetuous passions trace
O'er the white wave's tempestuous space:
In every changing season prove
An emblem of thy wav'ring LOVE.
Torn from my country, friends, and you,
The World lies open to my view;
New objects shall my mind engage;
I will explore th' HISTORIC page;
Sweet POETRY shall soothe my soul;
PHILOSOPHY each pang controul:
The MUSE I'll seek, her lambent fire
My soul's quick senses shall inspire;
With finer nerves my heart shall beat,
Touch'd by Heaven's own PROMETHEAN heat;
ITALIA'S gales shall bear my song
In soft-link'd notes her woods among;
Upon the blue hill's misty side,
Thro' trackless desarts waste and wide,
O'er craggy rocks, whose torrents flow
Upon the silver sands below.
Sweet Land of MELODY ! 'tis thine
The softest passions to refine;
Thy myrtle groves, thy melting strains,
Shall harmonize and soothe my pains,
Nor will I cast one thought behind,
On foes relentless, FRIENDS unkind;
I feel, I feel their poison'd dart
Pierce the life-nerve within my heart;
'Tis mingled with the vital heat,
That bids my throbbing pulses beat;
Soon shall that vital heat be o'er,
Those throbbing pulses beat no more!
No, I will breathe the spicy gale;
Plunge the clear stream, new health exhale;
O'er my pale cheek diffuse the rose,
And drink OBLIVION to my woes.
poem by Mary Darby Robinson
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To Miss --,
{On her playing upon the harpsichord in
a room hung with flower-pieces of her own painting}.
When Stella strikes the tuneful string
In scenes of imitated Spring,
Where beauty lavishes her powers
On beds of never-fading flowers,
And pleasure propagates around
Each charm of modulated sound;
Ah! think not in the dangerous hour,
The nymph fictitious as the flower;
But shun, rash youth, the gay alcove,
Nor tempt the snares of wily love.
When charms thus press on every sense,
What thought of flight or of defence?
Deceitful hope, and vain desire,
For ever flutter o'er her lyre,
Delighting as the youth draws nigh,
To point the glances of her eye,
And forming with unerring art
New chains to hold the captive heart.
But on those regions of delight,
Might truth intrude with daring flight,
Could Stella, sprightly, fair, and young,
One moment hear the moral song,
Instruction with her flowers might spring,
And wisdom warble from her string.
Mark when from thousand mingled dyes
Thou seest one pleasing form arise,
How active light and thoughtful shade,
In greater scenes each other aid;
Mark when the different notes agree
In friendly contrariety,
How passion's well-accorded strife
Gives all the harmony of life.
Thy pictures shall thy conduct frame,
Consistent still, though not the same;
Thy music teach the nobler art,
To tune the regulated heart.
poem by Samuel Johnson
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Ode to the Nightingale
SWEET BIRD OF SORROW! why complain
In such soft melody of Song,
That ECHO, am'rous of thy Strain,
The ling'ring cadence doth prolong?
Ah! tell me, tell me, why,
Thy dulcet Notes ascend the sky.
Or on the filmy vapours glide
Along the misty moutain's side?
And wherefore dost Thou love to dwell,
In the dark wood and moss-grown cell,
Beside the willow-margin'd stream
Why dost Thou court wan Cynthia's beam?
Sweet Songstressif thy wayward fate
Hath robb'd Thee of thy bosom's mate,
Oh, think not thy heart-piercing moan
Evap'rates on the breezy air,
Or that the plaintive Song of Care
Steals from THY Widow'd Breast alone.
Oft have I heard thy mournful Tale,
On the high Cliff, that o'er the Vale
Hangs its dark brow, whose awful shade
Spreads a deep gloom along the glade:
Led by its sound, I've wander'd far,
Till crimson evening's flaming Star
On Heav'n's vast dome refulgent hung,
And round ethereal vapours flung;
And oft I've sought th'HYGEIAN MAID,
In rosy dimply smiles array'd,
Till forc'd with every HOPE to part,
Resistless Pain subdued my Heart.
Oh then, far o'er the restless deep
Forlorn my poignant pangs I bore,
Alone in foreign realms to weep,
Where ENVY's voice could taunt no more.
I hop'd, by mingling with the gay,
To snatch the veil of Grief away;
To break Affliction's pond'rous chain;
VAIN was the Hopein vain I sought
The placid hour of careless thought,
Where Fashion wing'd her light career,
And sportive Pleasure danc'd along,
Oft have I shunn'd the blithsome throng,
To hide th'involuntary tear,
For e'en where rapt'rous transports glow,
From the full Heart the conscious tear will flow,
When to my downy couch remov'd,
FANCY recall'd my wearied mind
To scenes of FRIENDSHIP left behind,
Scenes still regretted, still belov'd!
Ah, then I felt the pangs of Grief,
Grasp my warm Heart, and mock relief;
My burning lids Sleep's balm defied,
And on my fev'rish lip imperfect murmurs died.
Restless and sadI sought once more
A calm retreat on BRITAIN's shore;
Deceitful HOPE, e'en there I found
That soothing FRIENDSHIP's specious name
Was but a short-liv'd empty sound,
And LOVE a false delusive flame.
Then come, Sweet BIRD, and with thy strain,
Steal from my breast the thorn of pain;
Blest solace of my lonely hours,
In craggy caves and silent bow'rs,
When HAPPY Mortals seek repose,
By Night's pale lamp we'll chaunt our woes,
And, as her chilling tears diffuse
O'er the white thorn their silv'ry dews,
I'll with the lucid boughts entwine
A weeping Wreath, which round my Head
Shall by the waning Cresent shine,
And light us to our leafy bed,
But ah! nor leafy beds nor bow'rs
Fring'd with soft MAY's enamell'd flow'rs,
Nor pearly leaves, nor Cynthia's beams,
Nor smiling Pleasure's shad'wy dreams,
Sweet BIRD, not e'en THY melting Strains
Can calm the Heart, where TYRANT SORROW REIGNS.
poem by Mary Darby Robinson
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Elegy, Written In The Year 1758
Still, shall unthinking man substantial deem
The forms that fleet through life's deceitful dream?
On clouds, where Fancy's beam amusive plays,
Shall heedless Hope the towering fabric raise?
Till at Death's touch the fairy visions fly,
And real scenes rush dismal on the eye;
And from Elysium's balmy slumber torn
The startled soul awakes, to think and mourn.
O ye, whose hours in jocund train advance,
Whose spirits to the song of gladness dance,
Who flowery vales in endless view survey
Glittering in beams of visionary day;
O, yet while Fate delays th' impending wo,
Be roused to thought, anticipate the blow;
Lest, like the lightning's glance, the sudden ill
Flash to confound, and penetrate to kill;
Lest, thus encompass'd with funereal gloom,
Like me, ye bend o'er some untimely tomb,
Pour your wild ravings in Night's frighted ear,
And half pronounce Heavens sacred doom severe.
Wise, beauteous, good! O every grace combined,
That charms the eye, or captivates the mind!
Fair as the floweret opening on the morn,
Whose leaves bright drops of liquid pearl adorn!
Sweet, as the downy-pinion'd gale, that roves
To gather fragrance in Arabian groves!
Mild, as the strains, that, at the close of day
Warbling remote, along the vales decay! -
Yet, why with these compared? What tints so fine
What sweetness, mildness, can be match'd with thine?
Why roam abroad? Since still, to fancy's eyes,
I see, I see thy lovely form arise.
Still let me gaze, and every care beguile,
Gaze on that cheek, where all the Graces smile;
That soul-expressing eye, benignly bright,
Where meekness beams ineffable delight;
That brow, where Wisdom sits enthroned serene,
Each feature forms, and dignifies the mien:
Still let me listen, while her words impart
The sweet effusions of the blameless heart,
Till all my soul, each tumult charm'd away,
Yields, gently led, to Virtue's easy sway.
By thee inspired, O Virtue, age is young,
And music warbles from the faltering tongue:
Thy ray creative cheers the clouded brow,
And decks the faded cheek with rosy glow,
Brightens the joyless aspect, and supplies
Pure heavenly lustre to the languid eyes;
But when Youth's living bloom reflects thy beams,
Resistless on the view the glory streams,
Love, Wonder, Joy, alternately alarm,
And Beauty dazzles with angelic charm.
Ah whither fled! - ye dear illusions stay -
Lo, pale and silent lies the lovely clay.
How are the roses on that cheek decay'd,
Which late the purple light of youth display'd!
Health on her form each sprightly grace bestow'd;
With life and thought each speaking feature glow'd -
Fair was the flower, and soft the vernal sky;
Elate with hope, we deem'd no tempest nigh;
When lo, a whirlwind's instantaneous gust
Left all its beauties withering in the dust.
All cold the hand, that soothed Wo's weary head!
And quench'd the eye, the pitying tear that shed!
And mute the voice, whose pleasing accents stole,
Infusing balm, into the rankled soul!
O Death, why arm with cruelty thy power,
And spare the idle weed, yet lop the flower!
Why fly thy shafts in lawless error driven!
Is Virtue then no more the care of Heaven! --
But peace, bold thought! be still my bursting heart!
We, not Eliza , felt the fatal dart.
'Scaped the dark dungeon does the slave complain,
Nor bless the hand that broke the galling chain?
Say, pines not Virtue for the lingering morn,
On this dark wild condemn'd to roam forlorn?
Where Reason's meteor-rays, with sickly glow,
O'er the dun gloom a dreadful glimmering flow?
Disclosing dubious to th' affrighted eye
O'erwhelming mountains tottering from on high,
Black billowy seas in storm perpetual toss'd,
And weary ways in wildering labyrinths lost.
O happy stroke that bursts the bonds of clay,
Darts through the rending gloom the blaze of day,
And wings the soul with boundless flight to soar,
Where dangers threat, and fears alarm no more.
Transporting thought! here let me wipe away
The tear of grief, and wake a bolder lay.
But ah! the swimming eye o'erflows anew,
Nor check the sacred drops to pity due;
Lo, where in speechless, hopeless anguish, bend
O'er her loved dust, the Parent, Brother, Friend!
How vain the hope of man! - But cease thy strain,
Nor Sorrow's dread solemnly profane;
Mix'd with yon drooping Mourners, on her bier
In silence shed the sympathetic tear.
poem by James Beattie
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Love and Music. Written at Oxford, When Young
Shall Love alone for ever claim
An universal right to fame,
An undisputed sway?
Or has not Music equal charms,
To fill the breast with strange alarms,
And make the world obey?
The Thracian bard, as poets tell,
Could mitigate the powers of hell,
Even Pluto's nicer ear:
His arts, no more than Love's, we find
To deities or men confined,
Drew brutes in crowds to hear.
Whatever favourite passion reign'd,
The poet still his right maintain'd
O'er all that ranged the plain:
The fiercer tyrants could assuage,
Or fire the timorous into rage,
Whene'er he changed the strain.
In milder lays the bard began;
Soft notes through every finger ran,
And echoing charm'd the place:
See! fawning lions gaze around,
And, taught to quit their savage sound,
Assume a gentler grace.
When Cymon view'd the fair one's charms,
Her ruby lips, and snowy arms,
And told her beauties o'er:
When Love reform'd his awkward tone,
And made each clownish gesture known,
It show'd but equal power.
The bard now tries a sprightlier sound,
When all the feather'd race around
Perceived the varied strains;
The soaring lark the note pursues;
The timorous dove around him coos,
And Philomel complains.
An equal power of Love I've seen,
Incite the deer to scour the green,
And chase his barking foe.
Sometimes has Love, with greater might,
To challenge-nay-sometimes-to fight,
Provoked the enamour'd beau.
When Silvia treads the smiling plain,
How glows the heart of every swain,
By pleasing tumults tost!
When Handel's solemn accents roll,
Each breast is fired, each raptured soul
In sweet confusion lost.
If she her melting glances dart,
Or he his dying airs impart,
Our spirits sink away.
Enough, enough! dear nymph, give o'er;
And thou, great artist! urge no more
Thy unresisted sway.
Thus Love or Sound affects the mind:
But when their various powers are join'd,
Fly, daring mortal, fly!
For when Selinda's charms appear,
And I her tuneful accents hear-
I burn, I faint, I die!
poem by William Shenstone
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