An Account Of The Greatest English Poets
Since, dearest Harry, you will needs request
A short account of all the Muse possest,
That, down from Chaucer's days to Dryden's Times,
Have spent their Noble Rage in British Rhimes;
Without more Preface, wrote in Formal length,
To speak the Undertakers want of strength,
I'll try to make they're sev'ral Beauties known,
And show their Verses worth, tho' not my Own.
Long had our dull Fore-Fathers slept Supine,
Nor felt the Raptures of the Tuneful Nine;
Till Chaucer first, the merry Bard, arose;
And many a Story told in Rhime and Prose.
But Age has Rusted what the Poet writ,
Worn out his Language, and obscur'd his Wit:
In vain he jests in his unpolish'd strain,
And tries to make his Readers laugh in vain.
Old Spencer next, warm'd with Poetick Rage,
In Antick Tales amus'd a Barb'rous Age;
An Age that yet uncultivate and Rude,
Where-e'er the Poet's Fancy led, pursu'd
Through pathless Fields, and unfrequented Floods,
To Dens of Dragons and Enchanted Woods.
But now the Mystick Tale, that pleas'd of Yore,
Can Charm an understanding Age no more;
The long-spun Allegories fulsom grow,
While the dull Moral lies too plain below.
We view well-pleas'd at distance all the sights
Of Arms and Palfreys, Battle's, Fields, and Fights,
And Damsels in Distress, and Courteous Knights.
But when we look too near, the Shades decay,
And all the pleasing Lan-skip fades away.
Great Cowley then (a mighty Genius) wrote;
O'er-run with Wit, and lavish of his Thought:
His Turns too closely on the Reader press;
He more had pleas'd us, had he pleas'd us less.
One glitt'ring Thought no sooner strikes our Eyes
With silent wonder, but new wonders rise.
As in the Milky way a shining White,
O'er-flows the Heav'ns, with one continu'd Light;
That not a single Star can shew his Rays,
Whilst joyntly all promote the Common-Blaze.
Pardon, Great Poet, that I dare to name
Th' unnumber'd Beauties of thy Verse with blame;
Thy fault is only Wit in its Excess,
But Wit like thine in any shape will please.
What Muse but thine cou'd equal Hints inspire,
And fit the Deep-Mouth'd Pindar to thy Lyre:
Pindar, whom others in a Labour'd strain
And forc'd Expression, imitate in vain?
Well-pleas'd in thee he Soars with new delight,
And Plays in more unbounded Verse, and takes a nobler flight.
Blest Man! whose spotless Life and Charming Lays
Employ'd the Tuneful Prelate in thy Praise:
Blest Man! who now shall be for ever known
In Sprat's successful Labours and thy own.
But Milton next, with high and haughty stalks,
Unfetter'd in Majestic Numbers walks;
No vulgar Heroe can his Muse ingage;
Nor Earth's wide Scene confine his hallow'd Rage.
See! see, he upward Springs, and Tow'ring high,
Spurns the dull Province of Mortality;
Shakes Heav'ns Eternal Throne with dire Alarms,
And sets the Almighty Thunderer in Arms.
What-e'er his Pen describes I more then see,
Whilst ev'ry Verse array'd in Majesty,
Bold, and sublime, my whole attention draws,
And seems above the Criticks nicer Laws.
How are you struck with Terrour and Delight,
When Angel with Arch-Angel Cope's in Fight!
When Great Messiah's out-spread Banner shines,
How does the Chariot Rattel in his Lines!
What sounds of Brazen Wheels, what Thunder, scare,
And stun the Reader with the Din of War!
With Fear my Spirits and my Blood retire,
To see the Seraphs sunk in Clouds of Fire;
But when, with eager steps, from hence I rise,
And view the first gay Scenes of Paradise;
What Tongue, what words of Rapture, can express
A Vision so profuse of pleasantness.
Oh had the Poet ne'er profan'd his Pen,
To varnish o'er the Guilt of Faithless Men,
His other works might have deserv'd applause!
But now the Language can't support the Cause;
While the clean Current, tho' serene and bright,
Betray's a bottom odious to the sight.
But now my Muse, a softer strain rehearse.
Turn every Line with Art, and smooth thy Verse;
The Courtly Waller next commands thy Lays:
Muse Tune thy Verse, with Art, to Waller's Praise.
While tender Airs and lovely Dames inspire
Soft melting Thoughts, and propagate Desire;
So long shall Waller's strains our Passion move,
And Sacharissa's Beauties kindle Love.
Thy Verse, Harmonious Bard, and flatt'ring Song,
Can make the Vanquish'd Great, the Coward strong.
Thy Verse can show ev'n Cromwell's innocence,
And Compliment the Storms that bore him hence.
Oh had thy Muse not come an Age too soon,
But seen Great Nassaw on the British Throne!
How had his Triumphs glitter'd in thy Page,
And warm'd Thee to a more Exalted Rage!
What Scenes of Death and Horrour had we viewd,
And how had Boine's wide Current Reek'd in Blood!
Or if Maria's Charms thou wou'dst rehearse,
In smoother Numbers and a softer Verse,
Thy Pen had well describ'd her Graceful Air,
And Gloriana wou'd have seem'd more Fair.
Nor must Roscommon pass neglected by,
That makes ev'n Rules a noble Poetry:
Rules who's deep Sense and Heav'nly Numbers show
The best of Critticks, and of Poets too.
Nor Denham must we e'er forget thy Strains,
While Cooper's Hill commands the neighb'ring Plains.
But see where artful Dryden next appears,
Grown old in Rhime, but Charming ev'n in Years.
Great Dryden next! whose Tuneful Muse affords
The sweetest Numbers, and the fittest words.
Whether in Comick sounds or Tragick Airs
She form's her voice, she moves our Smiles or Tears.
If Satire or Heroick Strains she writes,
Her Heroe pleases, and her Satire Bites.
From her no harsh, unartful Numbers fall,
She wears all Dresses, and she Charms in all:
How might we fear our English Poetry,
That long has flourish'd, shou'd decay with Thee;
Did not the Muses other Hope appear,
Harmonious Congreve, and forbid our Fear.
Congreve! whose Fancies unexhausted Store
Has given already much, and promis'd more.
Congreve shall still preserve thy Fame alive
And Dryden's Muse shall in his Friend survive.
I'm tir'd with Rhiming, and wou'd fain give o'er,
But Justice still demands one Labour more:
The Noble Montague remains unnam'd,
For Wit, for Humour, and for Judgment fam'd;
To Dorset he directs his Artful Muse,
In numbers such as Dorset's self might use.
How negligently Graceful he unrein's
His Verse, and writes in loose Familiar strains;
How Nassau's Godlike Acts adorn his Lines,
And all the Heroe in full Glory Shines.
We see his Army set in just Array,
And Boine's Di'd Waves run purple to the Sea.
Nor Simois chok'd with men, and Arms, and Blood;
Nor rapid Xanthus' celebrated Flood:
Shall longer be the Poet's highest Themes.
Tho' Gods and Heroes fought, Promiscuous in they're streams.
But now, to Nassau's secret Councils rais'd,
He Aids the Heroe, whom before he Prais'd.
I've done, at length, and now, Dear Friend, receive
The last poor Present that my Muse can give.
I leave the Arts of Poetry and Verse
To them that practise 'em with more success.
Of greater Truths I'll now prepare to tell,
And so at once, Dear Friend and Muse, Farewell.
poem by Joseph Addison
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To Maecenas
MAECENAS, you, beneath the myrtle shade,
Read o'er what poets sung, and shepherds play'd.
What felt those poets but you feel the same?
Does not your soul possess the sacred flame?
Their noble strains your equal genius shares
In softer language, and diviner airs.
While Homer paints, lo! circumfus'd in air,
Celestial Gods in mortal forms appear;
Swift as they move hear each recess rebound,
Heav'n quakes, earth trembles, and the shores resound.
Great Sire of verse, before my mortal eyes,
The lightnings blaze across the vaulted skies,
And, as the thunder shakes the heav'nly plains,
A deep felt horror thrills through all my veins.
When gentler strains demand thy graceful song,
The length'ning line moves languishing along.
When great Patroclus courts Achilles' aid,
The grateful tribute of my tears is paid;
Prone on the shore he feels the pangs of love,
And stern Pelides tend'rest passions move.
Great Maro's strain in heav'nly numbers flows,
The Nine inspire, and all the bosom glows.
O could I rival thine and Virgil's page,
Or claim the Muses with the Mantuan Sage;
Soon the same beauties should my mind adorn,
And the same ardors in my soul should burn:
Then should my song in bolder notes arise,
And all my numbers pleasingly surprise;
But here I sit, and mourn a grov'ling mind,
That fain would mount, and ride upon the wind.
Not you, my friend, these plaintive strains become,
Not you, whose bosom is the Muses home;
When they from tow'ring Helicon retire,
They fan in you the bright immortal fire,
But I less happy, cannot raise the song,
The fault'ring music dies upon my tongue.
The happier Terence* all the choir inspir'd,
His soul replenish'd, and his bosom fir'd;
But say, ye Muses, why this partial grace,
To one alone of Afric's sable race;
From age to age transmitting thus his name
With the finest glory in the rolls of fame?
Thy virtues, great Maecenas! shall be sung
In praise of him, from whom those virtues sprung:
While blooming wreaths around thy temples spread,
I'll snatch a laurel from thine honour'd head,
While you indulgent smile upon the deed.
*He was an African by birth.
As long as Thames in streams majestic flows,
Or Naiads in their oozy beds repose
While Phoebus reigns above the starry train
While bright Aurora purples o'er the main,
So long, great Sir, the muse thy praise shall sing,
So long thy praise shal' make Parnassus ring:
Then grant, Maecenas, thy paternal rays,
Hear me propitious, and defend my lays.
poem by Phillis Wheatley
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To My Lord Colrane
In Answer to his Complemental Verses sent me under the Name of CLEANOR.
Long my dull Muse in heavy slumbers lay,
Indulging Sloth, and to soft Ease gave way,
Her Fill of Rest resolving to enjoy,
Or fancying little worthy her employ.
When Noble Cleanors obliging Strains
Her, the neglected Lyre to tune, constrains.
Confus'd at first, she rais'd her drowsie Head,
Ponder'd a while, then pleas'd, forsook her Bed.
Survey'd each Line with Fancy richly fraught,
Re-read, and then revolv'd them in her Thought.
And can it be? she said, and can it be?
That 'mong the Great Ones I a Poet see?
The Great Ones? who their Ill-spent time devide,
'Twixt dang'rous Politicks, and formal Pride,
Destructive Vice, expensive Vanity,
In worse Ways yet, if Worse there any be:
Leave to Inferiours the despised Arts,
Let their Retainers be the Men of Parts.
But here with Wonder and with Joy I find,
I'th' Noble Born, a no less Noble Mind;
One, who on Ancestors, does not rely
For Fame, in Merit, as in Title, high!
The Severe Godess thus approv'd the Laies:
Yet too much pleas'd, alas, with her own Praise.
But to vain Pride, My Muse, cease to give place,
Virgils immortal Numbers once did grace
A Smother'd Gnat: by high Applause is shown,
If undeserv'd, the Praisers worth alone:
Nor that you should believ'r, is't always meant,
'Tis often for Instruction only sent,
To praise men to Amendment, and display,
By its Perfection, where their Weakness lay.
This Use of these Applauding Numbers make
Them for Example, not Encomium, take.
poem by Anne Killigrew
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On the Death of E. Waller, Esq.
How, to thy Sacred Memory, shall I bring
(Worthy thy Fame) a grateful Offering?
I, who by Toils of Sickness, am become
Almost as near as thou art to a Tomb?
While every soft, and every tender Strain
Is ruffl'd, and ill-natur'd grown with Pain.
But, at thy Name, my languisht Muse revives,
And a new Spark in the dull Ashes strives.
I hear thy tuneful Verse, thy Song Divine;
And am lnspir'd by every charming Line.
But, Oh! –––––––––
What Inspiration, at the second hand,
Can an Immortal Elegic Command?
Unless, Me Pious Offerings, mine should be
Made Sacred, being Consecrate to thee.
Eternal, as thy own Almighty Verse,
Should be those Trophies that adom thy Hearse.
The Thought Illustrious, and the Fancy Young;
The Wit Sublime, the Judgment Fine, and Strong;
Soft, as thy Notes to Sacharissa sung.
Whilst mine, like Transitory Flowers, decay,
That come to deck thy Tomb a short-liv'd Day.
Such Tributes are, like Tenures, only fit
To shew from whom we hold our Right to Wit.
Hafl, wondrous Bard, whose Heav'n-born Genius first
My Infant Muse, and Blooming Fancy Nurst.
With thy soft Food of Love I first began,
Then fed on nobler Panegyrick Strain,
Numbers Seraphic! and, at every View,
My Soul extended, and much larger grew:
Where e're I Read, new Raptures seiz'd my Blood;
Methought I heard the Language of a God.
Long did the untun'd World in Ignorance stray,
Producing nothing that was Great and Gay,
Till taught, by thee, the true Poetick way.
Rough were the Tracts before, Dull, and Obscure;
Nor Pleasure, nor Instruction could procure.
Their thoughtless Labour could no Passion move;
Sure, in that Age, the Poets knew not Love:
That Charming God, like Apparitions, then
Was only talk'd on, but ne're seen by Men:
Darkness was o're the Muses Land displaid,
And even the Chosen Tribe unguided straid.
Till, by thee rescu'd from th' Egyptian Night,
They now look up, and view the God of Light,
That taught them how to Love, and how to Write;
And to Enhance the Blessing which Heav'n lent,
When for our great Instructor thou wert sent.
Large was thy Life, but yet thy Glories more;
And, like the Sun, did still dispense thy Power,
Producing somthing wondrous every hour:
And, in thy Circulary Course, didst see
The very Life and Death of Poetry.
Thou saw'st the Generous Nine neglected lie,
None listning to their Heav'nly Harmony;
The World being grown to that low Ebb of Sense,
To disesteem the noblest Excellence;
And no Encouragement to Phophets shewn,
Who in past Ages got so great Renown.
Though Fortune Elevated thee above
Its scanty Gratitude, or fickle Love;
Yet, fallen with the World, untir'd by Age,
Scorning th'unthinking Crowd, thou quit'st the Stage.
poem by Aphra Behn
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Love, The Soul Of Poetry
WHen first Alexis did in Verse delight,
His Muse in Low, but Graceful Numbers walk't,
And now and then a little Proudly stalk't;
But never aim'd at any noble Flight:
The Herds, the Groves, the gentle purling Streams,
Adorn'd his Song, and were his highest Theams.
But Love these Thoughts, like Mists, did soon disperse,
Enlarg'd his Fancy, and set free his Muse,
Biding him more Illustrious Subjects choose;
The Acts of Gods, and God-like Men reherse.
From thence new Raptures did his Breast inspire,
His scarce Warm-Heart converted was to Fire.
Th' exalted Poet rais'd by this new Flame,
With Vigor flys, where late he crept along,
And Acts Divine, in a Diviner Song,
Commits to the eternal Trompe of Fame.
And thus Alexis does prove Love to be,
As the Worlds Soul, the Soul of Poetry.
poem by Anne Killigrew
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To S. M. A Young African Painter, On Seeing His Works
TO show the lab'ring bosom's deep intent,
And thought in living characters to paint,
When first thy pencil did those beauties give,
And breathing figures learnt from thee to live,
How did those prospects give my soul delight,
A new creation rushing on my sight?
Still, wond'rous youth! each noble path pursue,
On deathless glories fix thine ardent view:
Still may the painter's and the poet's fire
To aid thy pencil, and thy verse conspire!
And may the charms of each seraphic theme
Conduct thy footsteps to immortal fame!
High to the blissful wonders of the skies
Elate thy soul, and raise thy wishful eyes.
Thrice happy, when exalted to survey
That splendid city, crown'd with endless day,
Whose twice six gates on radiant hinges ring:
Celestial Salem blooms in endless spring.
Calm and serene thy moments glide along,
And may the muse inspire each future song!
Still, with the sweets of contemplation bless'd,
May peace with balmy wings your soul invest!
But when these shades of time are chas'd away,
And darkness ends in everlasting day,
On what seraphic pinions shall we move,
And view the landscapes in the realms above?
There shall thy tongue in heav'nly murmurs flow,
And there my muse with heav'nly transport glow:
No more to tell of Damon's tender sighs,
Or rising radiance of Aurora's eyes,
For nobler themes demand a nobler strain,
And purer language on th' ethereal plain.
Cease, gentle muse! the solemn gloom of night
Now seals the fair creation from my sight.
poem by Phillis Wheatley
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To Mr. Dryden
How long, great Poet, shall thy sacred lays
Provoke our wonder, and transcend our praise?
Can eneither injuries of time, or age,
Damp thy poetic heat, and quench thy rage?
No so thy Ovid in his exile wrote,
Grief chill'd his breast,and check'd his rising thought:
Pensive and sad, his drooping Muse betrays
The Roman genius in its last decays.
Prevailing warmth has still thy mind possest,
And second youth is kindled in thy breast;
Thou mak'st the beauties of the Romans known,
And England boasts of riches not her own;
Thy lines have heighten'd Virgil's majesty,
And Horace wonders at himself in thee.
Thou teachest Persius to inform our isle
In smoother numbers, and a clearer style;
And Juvenal, instructed in thy page,
Edges his satire, and improves his rage,
Thy copy casts a fairer light on all,
And still out-shines, the bright original.
Now Ovid boasts th' advanage of thy song,
And tells his story in the British tongue;
Thy charming verse, and fair translations, show
How thy own laurel first began to grow:
How wild Lycaon, chang'd by angry gods,
And frighted at himself, ran howling through the woods.
O may'st thou still the noble talk prolong,
Nor age, nor sickness, interrupt thy song:
Then may we wondering read, how human limbs
Have water'd kingdoms, and dissolv'd in streams;
Of those rich fruits that on the fertile mold
Turn'd yellow by degrees, and ripen'd into gold:
How some in feathers, or a ragged hide,
Have liv'd a second life, and different natures try'd.
Then will thy Ovid, thus transform'd, reveal
A nobler change than he himself can tell.
poem by Joseph Addison
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Sonnet 38:
How can my muse want subject to invent,
While thou dost breathe, that pour'st into my verse
Thine own sweet argument, too excellent
For every vulgar paper to rehearse?
O! give thy self the thanks, if aught in me
Worthy perusal stand against thy sight;
For who's so dumb that cannot write to thee,
When thou thy self dost give invention light?
Be thou the tenth Muse, ten times more in worth
Than those old nine which rhymers invocate;
And he that calls on thee, let him bring forth
Eternal numbers to outlive long date.
If my slight muse do please these curious days,
The pain be mine, but thine shall be the praise.
poem by William Shakespeare
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Sonnet 38: How can my Muse want subject to invent
How can my Muse want subject to invent
While thou dost breathe, that pour'st into my verse
Thine own sweet argument, too excellent
For every vulgar paper to rehearse?
O, give thyself the thanks, if aught in me
Worthy perusal stand against thy sight,
For who's so dumb that cannot write to thee,
When thou thyself dost give invention light?
Be thou the tenth Muse, ten times more in worth
Than those old nine which rhymers invocate;
And he that calls on thee, let him bring forth
Eternal numbers to outlive long date.
If my slight Muse do please these curious days,
The pain be mine, but thine shall be the praise.
poem by William Shakespeare
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A Poem To His Magesty, Presented To The Lord Keeper. To The Right Hon. Sir John Somers, Lord Keeper
If yet your thoughts are loose from state affairs,
Nor feel the burden of a kingdom's cares;
If yet your time and actions are your own;
Receive the present of a Muse unknown:
A Must that, in adventurous numbers, sings
The rout of armies,a nd the fall of Kings,
Britain advanc'd, and Europe's peace restor'd,
By Somers' counsels, and by Nassau's sword.
To you, my Lord, these daring thoughts belong
Who help'd to raise the subject of my song;
To you the hero of my verse reveals
His great designs, to you in council tells
His inmost thoughts, determining the doom
Of towns unstorm'd, and battles yet to come.
And well could you, in your immortal strains,
Describe His conduct, and reward his pains:
But, since the state has all your cares ingross'd
And poetry in higher thoughts is lost,
Attend to what a lesser Muse indites,,
Pardon her faults, and countenance her flights.
On you, my Lord, with anxious fear I wait,
And from your judgment must expect my fate,
Who, free from vulgar passions, are above
Degrading envy, or misguided love:
If you, well pleas'd, shall smile upon my lays,
Secure of fame, my voice I'll boldly raise,
For next to what you write, is what you praise.
poem by Joseph Addison
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The Critick and the Writer of Fables
Weary, at last, of the Pindarick way,
Thro' which advent'rously the Muse wou'd stray;
To Fable I descend with soft Delight,
Pleas'd to Translate, or easily Endite:
Whilst aery Fictions hastily repair
To fill my Page, and rid my Thoughts of Care,
As they to Birds and Beasts new Gifts impart,
And Teach, as Poets shou'd, whilst they Divert.
But here, the Critick bids me check this Vein.
Fable, he crys, tho' grown th' affected Strain,
But dies, as it was born, without Regard or Pain.
Whilst of his Aim the lazy Trifler fails,
Who seeks to purchase Fame by childish Tales.
Then, let my Verse, once more attempt the Skies,
The easily persuaded Poet cries,
Since meaner Works you Men of Taste despise.
The Walls of Troy shall be our loftier Stage,
Our mighty Theme the fierce Achilles Rage.
The Strength of Hector, and Ulysses Arts
Shall boast such Language, to adorn their Parts,
As neither Hobbes, nor Chapman cou'd bestow,
Or did from Congreve, or from Dryden flow.
Amidst her Towers, the dedicated Horse
Shall be receiv'd, big with destructive Force;
Till Men shall say, when Flames have brought her down.
" Troy is no more, and Ilium was a Town.
Is this the way to please the Men of Taste,
The Interrupter cries, this old Bombast?
I'm sick of Troy, and in as great a Fright,
When some dull Pedant wou'd her Wars recite,
As was soft Paris, when compell'd to Fight.
To Shades and Springs shall we awhile repair,
The Muse demands, and in that milder Air
Describe some gentle Swain's unhappy Smart
Whose folded Arms still press upon his Heart,
And deeper drive the too far enter'd Dart?
Whilst Phillis with a careless pleasure reigns
The Joy, the Grief, the Envy of the Plains;
Heightens the Beauty of the verdant Woods,
And softens all the Murmurs of the Floods.
Oh! stun me not with these insipid Dreams,
Th' Eternal Hush, the Lullaby of Streams.
Which still, he cries, their even Measures keep,
Till both the Writers, and the Readers sleep.
But urge thy Pen, if thou wouldst move our Thoughts,
To shew us private, or the publick Faults.
Display the Times, High-Church or Low provoke;
We'll praise the Weapon, as we like the Stroke,
And warmly sympathizing with the Spite
Apply to Thousands, what of One you write.
Then, must that single Stream the Town supply,
The harmless Fable-writer do's reply,
And all the Rest of Helicon be dry ?
And when so many choice Productions swarm,
Must only Satire keep your Fancies warm?
Whilst even there, you praise with such Reserve,
As if you'd in the midst of Plenty starve,
Tho' ne'er so liberally we Authors carve.
Happy the Men, whom we divert with Ease,
Whom Opera's and Panegyricks please.
poem by Anne Kingsmill Finch
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Upon The Death Of, Mr. Addison; Inscrib'd To The Earl Of Warwick
If yet, my Lord, your Sorrows find relief,
And a short Pause succeeds your weighty Grief;
With Candour this unwelcome Verse peruse,
The last kind Office of a grateful Muse:
Nor needs the grateful Muse to court thy Ear,
Which sheds for Addison a pious Tear;
And jointly sorrows, with pathetick Rage,
The greatest Genius of the greatest Age;
Whom Rival--wits with Veneration name,
And the foul Lips of Party durst not blame.
What secret Curse attends the Poet--line?
How have the Muses urg'd the Wrath divine?
Say, holy Sires, is Poetry a Crime?
Or whence these Judgments on the Sons of Rhime?
Why are the noblest Spirits snatch'd away
In their full Blaze of intellectual Day?
While Crowds of worthless Drones are left behind,
Grown white with Years, the Lumber of Mankind,
That loll, fat Canons, in some lazy Stall,
Or thoughtless sleep within a College Wall?
To its full Length they stretch the mortal Span,
Nor lose a Moment of the Age of Man;
But dully dreaming out their vital Store,
Drop ripe into their Graves, and are no more.
Scarce have our tender Sorrows ceas'd to flow
For courtly Garth, and soft--complaining Rowe;
Like Ovid witty one; in one conspire
Otway's prevailing Art, and Lucan's Fire:
Both these together drain'd our lavish Eyes;
Will not two Poets in a Year suffice?
Shall twelve short Months an Age's Woes ingross,
And Addison compleat the Nation's Loss.
Who then in manly Numbers shall record
The future, glorious Deeds of Brunswick's Sword?
Who now correct the Follies of the Age,
Or give new Lustre to the British Stage?
With Foreign Stores enrich his native Land,
Or deign to youthful Bards his willing Hand?
Great as he was, the Monarch of the Bays,
Plac'd far above the reach of mortal Praise;
In every Thought tho' Wit Divine appear,
Yet aw'd by modest dread and cautions Fear,
Seldom (too seldom!) did he put it forth,
Still most ambitious to conceal his Worth;
Stunn'd with applauding Crowds, he check'd his Flight,
And, wearied with Admirers, fear'd to write;
In his own Praise he felt a painful Shame,
And blush'd at the Abundance of his Fame.
So the fair Virgin with Confusion hears
Her Charms extol'd, and shuts her tortur'd Ears;
From the Encomiums of the Youth she flies,
And strives to hide the Lustre of her Eyes.
From this great Master of poetick Art,
Ye num'rous Bards that swarm in ev'ry Part,
And with laborious Nonsense load the Press,
Learn to contemplate more, and scribble less:
Learn, from this great Example, to command
Your Thirst of Fame, and stop an itching Hand:
Think not that Wit in bulky Volumes lies,
(Alas what witless Volumes daily rise.)
Oft is it wanting in a thousand Lines,
And often in a single Couplet shines.
While others on a part of Learning dwell,
Proud in one single Science to excel;
And as the scatter'd Stars adorn the Sky,
In diff'rent Arts their diff'rent Talents try;
Nor aim at more; great Addison alone
No Branch of human Knowledge left unknown;
But like the Sun inimitably bright,
Shone with collected Rays, the source of Light;
In Verse or Prose, with more than mortal Art,
He struck the Passions, and he warm'd the Heart:
Various, but still unrival'd, was his Song,
Now soft like Ovid, now like Virgil strong:
For ev'ry Theme his Genius was the same,
And each new Piece still added to his Fame.
But whither is this Boast of Britain fled?
Lies the great Author of our Glory dead?
Shall we, tormenting Thought! expect in vain,
A second Cato or a new Campain?
Why did not gracious Heav'n prolong his Date,
And shield him from the Rage of envious Fate?
Why did th' Almighty trust this common Good,
To the frail Elements of Flesh and Blood;
Expos'd to Ills, and subject to Decay,
The feeble, short--liv'd Creature of a Day?
Why was his Life not boundless as his Mind,
To bless the future Ages of Man kind?
But Heav'n to punish our repeated Crimes,
Call'd him from Earth to breathe in happier Climes:
For now in the gay mansions of the Skies
(If there the promis'd Land of Glory lies)
With kindred Bards that liv'd in earliest Days,
The rev'rend Fathers of harmonious Lays,
He joyns his tuneful Voice, his Lyre he strings,
And Maro listens whilst his Rival sings;
Great Somers fixes on his well known Face,
And Cato greets him with a stern Embrace.
poem by Nicholas Amhurst
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A Poem For The Birth-Day Of The Right Honble The Lady Catharine Tufton
'Tis fit SERENA shou'd be sung.
High-born SERENA, Fair and Young,
Shou'd be of ev'ry Muse and Voice
The pleasing, and applauded Choice.
But as the Meanest of the Show
Do First in all Processions go:
So, let my Steps pursue that Swain
The humblest of th' inspired Train;
Whose well-meant Verse did just appear,
To lead on the preceding Year:
So let my Pen, the next in Fame,
Now wait on fair SERENA's Name;
The second Tribute gladly pay,
And hail this blest returning Day.
But let it not attempt to raise
Or rightly speak SERENA's Praise:
Since with more ease we might declare
How Great her Predecessors were;
How Great that more distinguish'd Peer,
To whom she owes her Being here;
In whom our Britain lets us see
What once they were, and still shou'd be;
As, when the earliest Race was drown'd,
Some Patterns, from amongst them found,
Were kept to shew succeeding Times
Their Excellence without their Crimes:
More easily we might express
What Vertues do her Mother dress;
What does her Form and Mind adorn,
Of whom th' engaging Nymph was born;
What Piety, what generous Love,
Does the enlarged Bosom move
Of Her, whose Fav'rite she appears,
Who more than as a Niece endears.
Such full Perfections obvious lie,
And strike, at first, a Poet's Eye.
Deep Lines of Honour all can hit,
Or mark out a superior Wit;
Consummate Goodness all can show,
And where such Graces shine below:
But the more tender Strokes to trace,
T' express the Promise of a Face,
When but the Dawnings of the Mind
We from the Air unripen'd find;
Which alt'ring, as new Moments rise,
The Pen or Pencil's Art defies;
When Flesh and Blood in Youth appears,
Polish'd like what our Marble wears;
Fresh as that Shade of op'ning Green,
Which first upon our Groves is seen;
Enliven'd by a harmless Fire,
And brighten'd by each gay Desire;
These nicer Touches wou'd demand
A Cowley's or a Waller's Hand,
T'explain, with undisputed Art,
What 'tis affects th'enlighten'd Heart,
When ev'ry darker Thought gives way,
Whilst blooming Beauty we survey;
To shew how All, that's soft and sweet,
Does in the fair SERENA meet;
To tell us, with a sure Presage,
The Charms of her maturer Age.
When Hothfeild shall (as heretofore {4}
From its far-sought and virtuous Store
It Families of great Renown
Did with illustrious Hymens crown)
When Hothfeild shall such Treasure know,
As fair SERENA to bestow:
Then shou'd some Muse of loftier Wing
The Triumphs of that Season sing;
Describe the Pains, the Hopes, the Fears
Of noble Youths, th'ambitious Cares
Of Fathers, the long-fram'd Design,
To add such Splendour to their Line,
Whilst all shall strive for such a Bride
So Educated, and Ally'd.
poem by Anne Kingsmill Finch
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Of English Verse
Poets may boast, as safely vain,
Their works shall with the world remain;
Both, bound together, live or die,
The verses and the prophecy.
But who can hope his lines should long
Last in a daily changing tongue?
While they are new, envy prevails;
And as that dies, our language fails.
When architects have done their part,
The matter may betray their art;
Time, if we use ill-chosen stone,
Soon brings a well-built palace down.
Poets that lasting marble seek
Must carve in Latin or in Greek;
We write in sand, our language grows,
And, like the tide, our work o'erflows.
Chaucer his sense can only boast,
The glory of his numbers lost!
Years have defaced his matchless strain,
And yet he did not sing in vain.
The beauties which adorned that age,
The shining subjects of his rage,
Hoping they should immortal prove,
Rewarded with success his love.
This was the generous poet's scope,
And all an English pen can hope,
To make the fair approve his flame,
That can so far extend their fame.
Verse, thus designed, has no ill fate
If it arrive but at the date
Of fading beauty; if it prove
But as long-lived as present love.
poem by Edmund Waller
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Davideis: A Sacred Poem Of The Troubles Of David (excerpt)
BOOK I (excerpt)
I sing the man who Judah's sceptre bore
In that right hand which held the crook before;
Who from best poet, best of kings did grow;
The two chief gifts Heav'n could on man bestow.
Much danger first, much toil did he sustain,
Whilst Saul and Hell cross'd his strong fate in vain.
Nor did his crown less painful work afford;
Less exercise his patience, or his sword;
So long her conqueror fortunes spite pursued;
Till with unwearied virtue he subdued
All homebred malice, and all foreign boasts;
Their strength was armies, his the Lord of Hosts.
Thou, who didst David's royal stem adorn,
And gav'st him birth from whom thy self wast born;
Who didst in triumph at death's court appear,
And slew'st him with thy nails, thy cross and spear,
Whilst Hell's black tyrant trembled to behold,
The glorious light he forfeited of old;
Who Heav'ns glad burden now, and justest pride,
Sit'st high enthron'd next thy great Father's side,
(Where hallowed flames help to adorn that head
Which once the blushing thorns environed,
Till crimson drops of precious blood hung down
Like rubies to enrich thine humble crown.)
Even thou my breast with such blest rage inspire,
As mov'd the tuneful strings of David's lyre,
Guide my bold steps with thine old travelling flame,
In these untrodden paths to sacred fame;
Lo, with pure hands thy heav'enly fires to take,
My well-chang'd Muse I a chaste vestal make!
From earth's vain joys, and love's soft witchcraft free,
I consecrate my Magdalene to thee!
Lo, this great work, a temple to thy praise,
On polish'd pillars of strong verse I raise!
A temple, where if thou vouchsafe to dwell,
It Solomon's, and Herod's shall excel.
Too long the Muses-land have heathen bin;
Their gods too long were devils, and virtues sin;
But thou, Eternal Word, has call'd forth me
Th' apostle, to convert that world to thee;
T' unbind the charms that in slight fables lie,
And teach that truth is purest poesy.
...
poem by Abraham Cowley
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To A Lady Who Commanded Me To Send Her An Account In Verse
How I succeed, you kindly ask;
Yet set me on a grievous Task,
When you oblige me to rehearse,
The Censures past upon my Verse.
Tho' I with Pleasure may relate,
That many, truly good, and great,
With candid Eye my Lines survey,
And smile upon the artless Lay;
To those with grateful Heart I bend --
But your Commands I must attend.
SERVILLA cries, I hate a Wit;
Women should to their Fate submit,
Should in the Needle take Delight;
'Tis out of Character to write:
She may succeed among the Men;
They tell me, Swift subscribes for Ten;
And some say, Dorset does the same;
But she shall never have my Name:
Her Poetry has cost me dear;
When Lady Carteret was here,
The Widow Gordon got my Guinea;
For which I own myself a Ninny.
OLIVIA loses oft at Play;
So will not throw her Gold away.
Thus Silvia, of the haughty Tribe:
She never ask'd me to subscribe,
Nor ever wrote a Line on me,
I was no Theme for Poetry!
She rightly judg'd; I have no Taste --
For Womens Poetry, at least.
Then Fulvia made this sage Reply;
(And look'd with self--sufficient Eye
I oft have said, and say again,
Verses are only writ by Men;
I know a Woman cannot write;
I do not say this out of Spite;
Nor shall be thought, by those who know me,
To envy one so much below me.
SABINA, fam'd in Wisdom's School,
Allows I write--but am a Fool:
``What!--must our Sons be form'd by Rhyme?
``A fine Way to employ one's Time!''
ALBINO has no gold to waste,
Far gone in the Italian Taste:
He vows he must subscribe this Year,
To keep dear Carestini here;
Not from a narrow Party View;
He doats on Senesino too;
By Turns their Int'rest he'll espouse;
He's for the public Good, he vows;
A gen'rous Ardor fires his Breast.
Hail, Britain, in such Patriots blest!
Says Belvidera, Since a Wit
Or Friend or Foe alike will hit,
Deliver me from Wits, I say;
Grant Heav'n, they ne'er may cross my Way!
Besides, I oft have heard it hinted,
Her Poems never will be printed:
Her Sickness is a Feint, no doubt,
To keep her Book from coming out.
Of Wit, says Celia, I'll acquit her;
Then archly fell into a Titter.
A Female Bard! Pulvillio cries;
'Tis possible she may be wise;
But I could never find it yet,
Tho' oft in Company we met:
She talks just in the common Way:
Sure Wits their Talents should display;
Their Language surely should be bright,
Before they should pretend to write:
I'll ne'er subscribe for Books, says he;
'Fore Gad, it looks like Pedantry.
High--born Belinda loves to blame;
On Criticism founds her Fame:
When--e'er she thinks a Fault she spies
How Pleasure sparkles in her Eyes!
Call it not Poetry, she says;
No -- Call it Rhyming, if you please:
Her Numbers might adorn a Ring,
Or serve along the Streets to sing:
Stella and Flavia's well enough;
What else I saw, was stupid Stuff;
Nor Love nor Satire in her Lays,
Insipid! neither pain nor please:
I promis'd once to patronize her;
But on Reflection, I was wiser:
Yet I subscrib'd among the rest;
I love to carry on a Jest.
BELINDA thus her Anger shows,
Nor tells the World, from whence it flows:
With more Success to wound my Lays,
She gilds the Dart with other Praise:
To her own Breast I leave the Fair
Convinc'd I stand acquitted there.
AMANDA, your Commands, you see,
Tho' grievous, are obey'd by me.
What my Friends told me had been said,
Just as it came into my Head,
No matter for the Place or Time,
To shew your Pow'r, I tag with Rhyme.
Now let some News salute your Ear,
Tho' I have weary'd you, I fear:
Know, --- has Vengeance vow'd,
And in the Furies Temple bow'd:
He but suspends his Wrath, he says,
Till he can criticise my Lays.
Malice, thy Rancour I expect,
And shall return it--with Neglect:
Go on, display your treasur'd Rage;
Invectives shall not blot my Page:
What real Faults you note, I'll mend:
Proceed, your Efforts I attend;
Taught early, Dryden, by thy Song,
They ne'er forgive, who do the Wrong.
Now to the Muse I bid Adieu;
Nor rail at her, as Poets do:
Protected by the Good and Great,
I'll not repine, but bless my Fate.
You, Madam, who your Sex adorn,
Who Malice and Detraction scorn,
Who with superior Sense are bless'd,
Of ev'ry real Worth possess'd;
With Eye indulgent view my Lays:
You know to blame, but love to praise:
You know my Faults, and know beside,
I want not to be mortify'd.
One Merit I presume to boast,
And dare to plead but one at most:
The Muse I never have debas'd;
My Lays are innocent at least;
Were ever ardently design'd
To mend and to enlarge the Mind.
This must be own'd a virtuous Aim.
The Praise of Wit--let others claim.
poem by Mary Barber
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On the Death of Mr. Crashaw
Poet and Saint! to thee alone are given
The two most sacred names of earth and heaven,
The hard and rarest union which can be
Next that of godhead with humanity.
Long did the Muses banish'd slaves abide,
And built vain pyramids to mortal pride;
Like Moses thou (though spells and charms withstand)
Hast brought them nobly home back to their Holy Land.
Ah wretched we, poets of earth! but thou
Wert living the same poet which thou'rt now.
Whilst angels sing to thee their airs divine,
And joy in an applause so great as thine,
Equal society with them to hold,
Thou need'st not make new songs, but say the old.
And they (kind spirits!) shall all rejoice to see
How little less than they exalted man may be.
Still the old heathen gods in numbers dwell,
The heavenliest thing on earth still keeps up Hell.
Nor have we yet quite purg'd the Christian land;
Still idols here like calves at Bethel stand.
And though Pan's death long since all oracles broke,
Yet still in rhyme the fiend Apollo spoke:
Nay with the worst of heathen dotage we
(Vain men!) the monster Woman deify;
Find stars, and tie our fates there in a face,
And Paradise in them by whom we lost it, place.
What different faults corrupt our Muses thus
Wanton as girls, as old wives fabulous!
Thy spotless Muse, like Mary, did contain
The boundless Godhead; she did well disdain
That her eternal verse employ'd should be
On a less subject than eternity;
And for a sacred mistress scorn'd to take
But her whom God himself scorn'd not his spouse to make.
It (in a kind) her miracle did do;
A fruitful mother was, and virgin too.
How well, blest swan, did fate contrive thy death;
And make thee render up thy tuneful breath
In thy great mistress' arms! thou most divine
And richest offering of Loretto's shrine!
Where like some holy sacrifice t' expire
A fever burns thee, and Love lights the fire.
Angels (they say) brought the fam'd chapel there,
And bore the sacred load in triumph through the air.
'Tis surer much they brought thee there, and they,
And thou, their charge, went singing all the way.
Pardon, my Mother Church, if I consent
That angels led him when from thee he went,
For even in error sure no danger is
When join'd with so much piety as his.
Ah, mighty God, with shame I speak't, and grief,
Ah that our greatest faults were in belief!
And our weak reason were even weaker yet,
Rather than thus our wills too strong for it.
His faith perhaps in some nice tenents might
Be wrong; his life, I'm sure, was in the right.
And I myself a Catholic will be,
So far at least, great saint, to pray to thee.
Hail, bard triumphant! and some care bestow
On us, the poets militant below!
Oppos'd by our old enemy, adverse chance,
Attack'd by envy, and by ignorance,
Enchain'd by beauty, tortured by desires,
Expos'd by tyrant Love to savage beasts and fires.
Thou from low earth in nobler flames didst rise,
And like Elijah, mount alive the skies.
Elisha-like (but with a wish much less,
More fit thy greatness, and my littleness)
Lo here I beg (I whom thou once didst prove
So humble to esteem, so good to love)
Not that thy spirit might on me doubled be,
I ask but half thy mighty spirit for me;
And when my Muse soars with so strong a wing,
'Twill learn of things divine, and first of thee to sing.
poem by Abraham Cowley
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On The Death Of A Youn Gentleman
WHO taught thee conflict with the pow'rs of night,
To vanquish satan in the fields of light?
Who strung thy feeble arms with might unknown,
How great thy conquest, and how bright thy crown!
War with each princedom, throne, and pow'r is o'er,
The scene is ended to return no more.
O could my muse thy seat on high behold,
How deckt with laurel, how enrich'd with gold!
O could she hear what praise thine harp employs,
How sweet thine anthems, how divine thy joys!
What heav'nly grandeur should exalt her strain!
What holy raptures in her numbers reign!
To sooth the troubles of the mind to peace,
To still the tumult of life's tossing seas,
To ease the anguish of the parents heart,
What shall my sympathizing verse impart?
Where is the balm to heal so deep a wound?
Where shall a sov'reign remedy be found?
Look, gracious Spirit, from thine heav'nly bow'r,
And thy full joys into their bosoms pour;
The raging tempest of their grief control,
And spread the dawn of glory through the soul,
To eye the path the saint departed trod,
And trace him to the bosom of his God.
poem by Phillis Wheatley
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An Epistle to Mr. Southerne
Bold is the Muse to leave her humble Cell,
And sing to thee, who know'st to sing so well:
Thee! who to Britain still preserv'st the Crown,
And mak'st her rival Athens in Renown.
Cou'd Sophocles behold in mournful State,
The weeping Graces on Imoinda wait;
Or hear thy Isabella's moving Moan,
Distress'd and lost for Vices not her own;
If Envy cou'd permit, he'd sure agree
To write by Nature were to copy thee:
So full, so fair thy Images are shown,
He by thy Pencil might improve his own.
There was an Age, (its Memory will last!)
Before Italian Airs debauch'd our Taste;
In which the sable Muse with Hopes and Fears,
Fill'd every Breast, and ev'ry Eye with Tears.
But where's that Art, which all our Passions rais'd,
And mov'd the Springs of Nature as it pleas'd?
Our Poets only practise on the Pit,
With florid Lines, and trifling Turns of Wit.
Howe'er 'tis well the present Times can boast,
The Race of Charles's Reign not wholly lost.
Thy Scenes, immortal in their Worth, shall stand
Among the chosen Classics of our Land:
And whilst our Sons are by Tradition taught,
How Barry spoke what Thou and Otway wrote,
They'll think it praise to relish, and repeat,
And own thy Works inimitably great.
Shakespear, the Genius of our Isle, whose Mind
(The universal Mirror of Mankind)
Express'd all Images, enrich'd the Stage,
But sometimes stoop'd to please a barb'rous Age.
When his immortal Bays began to grow,
Rude was the Language, and the Humour low.
He, like the God of Day, was always bright,
But rolling in its Course, his Orb of Light
Was sully'd, and obscur'd, tho' soaring high,
With Spots contracted from the nether Sky.
But whither is th' adventrous Muse betray'd?
Forgive her Rashness, venerable Shade! 50
May Spring with Purple Flow'rs perfume thy Urn,
And Avon with his Greens thy Grave adorn:
Be all thy Faults, whatever Faults there be,
Imputed to the Times, and not to thee.
Some Scions shot from this immortal Root,
Their tops much lower, and less fair the Fruit.
Johnson, the Tribute of my Verse might claim,
Had he not strove to blemish Shakespear's Name.
But, like the radiant Twins that gild the Sphere,
Fletcher and Beaumont next in Pomp appear:
The first a fruitful Vine, in bloomy Pride,
Had been by Superfluity destroy'd;
But that his Friend, judiciously severe,
Prun'd the luxuriant Boughs with artful Care:
On various sounding Harps the Muses play'd,
And sung, and quaff'd their Nectar in the Shade.
Few Moderns in the Lists with these may stand,
For in those Days were Giants in the Land:
Suffice it now by Lineal Right to claim,
And bow with Filial Awe to Shakespear's Fame;
The second Honours are a glorious Name.
Achilles dead, they found no equal Lord,
To wear his Armour, and to wield his Sword.
An Age most odious and accurs'd ensu'd,
Discolour'd with a pious Monarch's Blood:
Whose Fall when first the Tragick Virgin saw,
She fled, and left her Province to the Law.
Her Merry Sister still persu'd the Game,
Her Garb was alter'd, but her Gifts the same.
She first reform'd the Muscles of her Face,
And learnt the solemn Scrue, for Signs of Grace;
Then circumcis'd her Locks, and form'd her Tone,
By humming to a Tabor, and a Drone:
Her Eyes she disciplin'd precisely right,
Both when to wink, and how to turn the white;
Thus banish'd from the Stage, she gravely next
Assum'd a Cloak, and quibbl'd o'er a Text.
But when by Miracles of Mercy shown,
Much-suff'ring Charles regain'd his Father's Throne;
When Peace and Plenty overflow'd the Land,
She strait pull'd off her Sattin Cap, and Band:
Bade Wycherly be bold in her Defence,
With pointed Wit, and Energy of Sense:
Etherege and Sidley join'd him in her Cause,
And all deserv'd, and all receiv'd Applause.
Restor'd with less Success, the Tragic Muse,
Had quite forgot her Style by long Disuse:
She taught her Maximins to rant in Rhime,
Mistaking ratling Nonsense for sublime;
'Till witty Buckingham reform'd her Taste,
1 And sneering sham'd her into Sense at last.
But now relaps'd, she dwindles to a Song,
And weakly warbles on an Eunuch's Tongue;
And with her Minstrelsie may still remain,
'Till Southerne court her to be great again.
Perhaps the Beauties of thy Spartan Dame,
Who (long defrauded of the publick Fame)
Shall, with superior Majesty avow'd,
Shine like a Goddess breaking from a Cloud,
Once more may re-instate her on the Stage,
Her Action graceful, and divine her Rage.
Arts have their Empires, and, like other States,
Their Rise and Fall are govern'd by the Fates.
They, when their Period's measur'd out by Time,
Transplant their Laurels to another Clime.
The Grecian Muse once fill'd with loud Alarms,
The Court of Heav'n, and clad the Gods in Arms:
The Trumpet silent, humbly she essay'd
The Doric Reed, and sung beneath the Shade;
Extoll'd a frugal Life, and taught the Swains
T' observe the Seasons, and manure the Plains:
Sometimes in warbled Hymns she pay'd her Vow,
Or wove Olympic Wreaths for Theron's Brow;
Sometimes on flow'ry Beds she lay supine,
And gave her Thoughts a Loose to Love and Wine;
Or in her sable Stole, and Buskins dress'd,
Shew'd Vice enthron'd, and virtuous Kings oppress'd.
The Nymph still fair, however past her Bloom,
From Greece at length was led in Chains to Rome:
Whilst Wars abroad, and civil Discord reign'd,
Silent the beauteous Captive long remain'd:
That Interval employ'd her timely Care,
To Study, and refine the Language there.
She views with Anguish on the Roman Stage
The Grecian Beauties weep, the Warriors rage:
But most those Scenes delight th' immortal Maid,
Which Scipio had revis'd, and Roscius Play'd.
Thence to the Pleadings of the Gown she goes,
(For Themis then cou'd speak in polish'd Prose.)
Charm'd at the Bar, amid th' attentive Throng
She bless'd the Syren-Pow'r of Tully's Tongue.
But when, Octavius, thy successful Sword
Was sheath'd, and universal Peace restor'd;
Fond of a Monarch, to the Court she came,
And chose a num'rous Choir to chant his Fame.
First from the green Retreats, and lowly Plains,
Her Virgil soar'd sublime in Epic Strains:
His Theme so glorious, and his Flight so true,
She with Mæonian Garlands grac'd his Brow.
Taught Horace then to touch the Lesbian Lyre,
And Sappho's Sweetness join'd with Pindar's Fire.
By Cæsar's Bounty all the tuneful Train
Enjoy'd, and sung of Saturn's golden Reign:
No Genius then was left to live on Praise,
Or curs'd the barren Ornament of Bays;
On all her Sons he cast a kind Regard,
Nor could they write so fast as he reward.
The Muse, industrious to record his Name
In the bright Annals of eternal Fame,
Profuse of Favours lavish'd all her Store,
And for one Reign made many Ages poor.
Now from the rugged North, unnumber'd Swarms
Invade the Latian Coasts with barb'rous Arms;
A Race unpolish'd, but inur'd to Toil,
Rough as their Heav'n, and barren as their Soil:
These Locusts ev'ry springing Art destroy'd,
And soft Humanity before them dy'd.
Picture no more maintain'd the doubtful Strife
With Nature's Scenes, nor gave the Canvas Life;
Nor Sculpture exercis'd her Skill, beneath
Her forming Hand to make the Marble breathe:
Struck with Despair, they stood devoid of Thought,
Less lively than the Works themselves had wrought.
On those Twin-Sisters such Disasters came,
Tho' Colours and Proportions are the same
In ev'ry Age, and Clime; their Beauties known
To ev'ry Language, and confin'd by none.
But Fate less Freedom to the Muse affords,
And checks her Genius with the Choice of Words:
To paint her Thoughts the Diction must be found
Of easy Grandeur, and harmonious Sound.
Thus when she rais'd her Voice divinely great,
To sing the Founder of the Roman State;
The Language was adapted to the Song;
Sweet and sublime, with native Beauty strong.
But when the Goths insulting Troops appear'd,
Such Dissonance the trembling Virgin hear'd!
Chang'd to a Swan, from Tyber's troubled Streams
She wing'd her Flight, and sought the silver Thames.
Long in the melancholy Grove she stay'd,
And taught the pensive Druids in the Shade;
In solemn and instructive Notes they sung,
From whence the beauteous Frame of Nature sprung;
Who polish'd all the radiant Orbs above,
And in bright Order made the Planets move;
Whence Thunders roar, and frightful Meteors fly,
And Comets roll unbounded thro' the Sky:
Who wing'd the Winds, and gave the Streams to flow,
And rais'd the Rocks, and spread the Lawns below
Whence the gay Spring exults in flow'ry Pride,
And Autumn with the bleeding Grape is dy'd;
Whence Summer Suns imbrown the lab'ring Swains
And shiv'ring Winter pines in icy Chains:
And prais'd the Pow'r supream, nor dar'd advance
So vain a Theory as that of Chance.
But in this Isle she found the Nymphs so fair,
She chang'd her Hand, and chose a softer Air,
And Love and Beauty next became her Care.
Greece, her lov'd Countrey, only cou'd afford
A Venus and a Helen to record;
A thousand radiant Nymphs she here beheld,
Who match'd the Goddess, and the Queen excell'd.
T' immortalize their Loves she long essay'd,
But still the Tongue her gen'rous Toil betray'd,
Chaucer had All that Beauty cou'd inspire,
And Surry's Numbers glow'd with warm Desire:
Both now are priz'd by few, unknown to most,
Because the Thoughts are in the Language lost;
Ev'n Spencer's Pearls in muddy Waters lie,
Yet soon their Beams attract the Diver's Eye.
Rich was their Imag'ry, 'till Time defac'd
The curious Works: but Waller came at last.
Waller, the Muse with heav'nly Verse supplies,
Smooth as the Fair, and sparkling as their Eyes;
``All but the Nymph, that shou'd redress his Wrong,
``Attend his Passion, and approve his Song.
But when this Orpheus sunk, and hoary Age
Suppress'd the Lover's and the Poet's Rage;
To Granville his melodious Lute she gave,
Granville, whose faithful Verse is Beauty's Slave:
Accept this Gift, my fav'rite Youth! she cry'd,
To sound a brighter Theme, and sing of Hyde;
Hyde's, and thy lovely Myra's Praise proclaim,
And match Carlisle's, and Sacharissa's Fame.
O! wou'd he now forsake the Myrtle Grove,
And sing of Arms, as late he sung of Love!
His Colours, and his Hand alone shou'd paint
In Britain's Queen, the Warrior and the Saint;
In whom conspire, to form her truly great,
Wisdom with Pow'r, and Piety with State.
Whilst from her Throne the Streams of Justice flow,
Strong and serene, to bless the Land below;
O'er distant Realms her dreaded Thunders roll,
And the wild Rage of Tyranny controul.
Her Pow'r to quell, and Pity to redress,
The Maese, the Danube, and the Rhine confess;
Whence bleeding Iber hopes, around his Head
To see fresh Olive spring, and Plenty spread:
And whilst they sound their great Deliv'rer's Fame,
The Sein retires, and sickens at her Name.
O Granville! all these glorious Scenes display,
Instruct succeeding Monarchs how to sway;
And make her Memory rever'd by all,
When Triumphs are forgot, and mould'ring Arches fall.
Pardon me, Friend! I own my Muse too free,
To write so long on such a Theme to thee:
To play the Critic here - with equal Right
Bid her pretend to teach Argyle to fight:
Instruct th' unerring Sun to guide the Year,
And Harley by what Schemes he ought to steer.
Give Harcourt Eloquence t' adorn the Seal,
Maxims of State to Leeds, to Beaufort Zeal.
Try to correct what Orrery shall write,
And make harmonious St. John more Polite.
Teach Law to Isla for the Crown's Support,
And Jersey how to serve, and grace a Court:
Dictate soft warbling Airs to Sheffield's Hand,
When Venus and her Loves around him stand:
In sage Debates to Rochester impart
A searching Head, and ever faithful Heart:
Make Talbot's finish'd Virtue more compleat,
High without Pride, and amiably great;
Where Nature all her Pow'rs with Fortune join'd,
At once to please, and benefit Mankind.
When Cares were to my blooming Youth unknown,
My Fancy free, and all my Hours my own;
I lov'd along the Laureat Grove to stray,
The Paths were pleasant, and the Prospect gay:
But now my Genius sinks, and hardly knows
To make a Couplet tinkle in the Close.
Yet when you next to Medway shall repair,
And quit the Town to breathe a purer Air;
Retiring from the Crowd, to steal the Sweets
Of easy Life in Twysden's calm Retreats;
(As Terence to his Lælius lov'd to come,
And in Campania scorn'd the Pomp of Rome.)
Where Lambard, form'd for Business, and to please
By sharing, will improve your Happiness;
In both their Souls imperial Reason sways,
In both the Patriot, and the Friend displays;
Be lov'd, and prais'd by all, who merit Love and Praise.
With bright Ideas there inspir'd anew,
By them excited, and inform'd by you,
I may with happier Skill essay to sing
Sublimer Notes, and strike a bolder String.
Languid and dull, when absent from her Cave,
No Oracles of old the Sybil gave;
But when beneath her sacred Shrine she stood,
Her Fury soon confess'd the coming God;
Her Breast began to heave, her Eyes to roul,
And wond'rous Visions fill'd her labouring Soul.
poem by Elijah Fenton
Submitted by Poetry Lover
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Terse Verse
Terse little verse, gold from beauties purse
In my soul thou so give
And on its worth my life I live
Terse little verse, gold from beauties purse
Love is a morsel of thine treasure
In one ounce is my immense pleasure
Terse little verse, gold from beauties purse
Sing like a muse
and in poetry fuse
my soul into verse from beauties purse
poem by Kevin Michael Murphy
Submitted by Poetry Lover
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English Bards and Scotch Reviewers (excerpt)
Time was, ere yet in these degenerate days
Ignoble themes obtain'd mistaken praise,
When sense and wit with poesy allied,
No fabl'd graces, flourish'd side by side;
From the same fount their inspiration drew,
And, rear'd by taste, bloom'd fairer as they grew.
Then, in this happy isle, a Pope's pure strain
Sought the rapt soul to charm, nor sought in vain;
A polish'd nation's praise aspir'd to claim,
And rais'd the people's, as the poet's fame.
Like him great Dryden pour'd the tide of song,
In stream less smooth, indeed, yet doubly strong.
Then Congreve's scenes could cheer, or Otway's melt--
For nature then an English audience felt.
But why these names, or greater still, retrace,
When all to feebler bards resign their place?
Yet to such times our lingering looks are cast,
When taste and reason with those times are past.
Now look around, and turn each trifling page,
Survey the precious works that please the age;
This truth at least let satire's self allow,
No dearth of bards can be complain'd of now.
The loaded press beneath her labour groans,
And printers' devils shake their weary bones;
While Southey's epics cram the creaking shelves,
And Little's lyrics shine in hot-press'd twelves.
Thus saith the Preacher: "Nought beneath the sun
Is new"; yet still from change to change we run:
What varied wonders tempt us as they pass!
The cow-pox, tractors, galvanism and gas,
In turns appear, to make the vulgar stare,
Till the swoln bubble bursts--and all is air!
Nor less new schools of Poetry arise,
Where dull pretenders grapple for the prize:
O'er taste awhile these pseudo-bards prevail;
Each country book-club bows the knee to Baal,
And, hurling lawful genius from the throne,
Erects a shrine and idol of its own;
Some leaden calf--but whom it matters not,
From soaring Southey down to grovelling Stott.
Behold! in various throngs the scribbling crew,
For notice eager, pass in long review:
Each spurs his jaded Pegasus apace,
And rhyme and blank maintain an equal race;
Sonnets on sonnets crowd, and ode on ode;
And tales of terror jostle on the road;
Immeasurable measures move along;
For simpering folly loves a varied song,
To strange mysterious dulness still the friend,
Admires the strain she cannot comprehend.
Thus Lays of Minstrels--may they be the last!--
On half-strung harps whine mournful to the blast.
While mountain spirits prate to river sprites,
That dames may listen to the sound at nights;
And goblin brats, of Gilpin Horner's brood,
Decoy young border-nobles through the wood,
And skip at every step, Lord knows how high,
And frighten foolish babes, the Lord knows why;
While high-born ladies in their magic cell,
Forbidding knights to read who cannot spell,
Despatch a courier to a wizard's grave,
And fight with honest men to shield a knave.
Next view in state, proud prancing on his roan,
The golden-crested haughty Marmion,
Now forging scrolls, now foremost in the fight,
Not quite a felon, yet but half a knight,
The gibbet or the field prepar'd to grace;
A mighty mixture of the great and base.
And think'st thou, Scott! by vain conceit perchance,
On public taste to foist thy stale romance,
Though Murray with his Miller may combine
To yield thy muse just half-a-crown per line?
No! when the sons of song descend to trade,
Their bays are sear, their former laurels fade.
Let such forego the poet's sacred name,
Who rack their brains for lucre, not for fame:
Still for stern Mammon may they toil in vain!
And sadly gaze on gold they cannot gain!
Such be their meed, such still the just reward
Of prostituted muse and hireling bard!
For this we spurn Apollo's venal son,
And bid a long "good night to Marmion."
These are the themes that claim our plaudits now;
These are the bards to whom the muse must bow;
While Milton, Dryden, Pope, alike forgot,
Resign their hallow'd bays to Walter Scott.
The time has been, when yet the muse was young,
When Homer swept the lyre, and Maro sung,
An epic scarce ten centuries could claim,
While awe-struck nations hail'd the magic name;
The work of each immortal bard appears
The single wonder of a thousand years.
Empires have moulder'd from the face of earth,
Tongues have expir'd with those who gave them birth,
Without the glory such a strain can give,
As even in ruin bids the language live.
Not so with us, though minor bards, content
On one great work a life of labour spent:
With eagle pinion soaring to the skies,
Behold the ballad-monger Southey rise!
To him let Camoëns, Milton, Tasso yield,
Whose annual strains, like armies, take the field.
First in the ranks see Joan of Arc advance,
The scourge of England and the boast of France!
Though burnt by wicked Bedford for a witch,
Behold her statue plac'd in glory's niche;
Her fetters burst, and just releas'd from prison,
A virgin phoenix from her ashes risen.
Next see tremendous Thalaba come on,
Arabia's monstrous, wild and wondrous son:
Domdaniel's dread destroyer, who o'erthrew
More mad magicians than the world e'er knew.
Immortal hero! all thy foes o'ercome,
For ever reign--the rival of Tom Thumb!
Since startled metre fled before thy face,
Well wert thou doom'd the last of all thy race!
Well might triumphant genii bear thee hence,
Illustrious conqueror of common sense!
Now, last and greatest, Madoc spreads his sails,
Cacique in Mexico, and prince in Wales;
Tells us strange tales, as other travellers do,
More old than Mandeville's, and not so true.
Oh Southey! Southey! cease thy varied song!
A bard may chant too often and too long:
As thou art strong in verse, in mercy, spare!
A fourth, alas! were more than we could bear.
But if, in spite of all the world can say,
Thou still wilt verseward plod thy weary way;
If still in Berkley ballads most uncivil,
Thou wilt devote old women to the devil,
The babe unborn thy dread intent may rue:
"God help thee," Southey, and thy readers too.
Next comes the dull disciple of thy school,
That mild apostate from poetic rule,
The simple Wordsworth, framer of a lay
As soft as evening in his favourite May,
Who warns his friend "to shake off toil and trouble,
And quit his books, for fear of growing double";
Who, both by precept and example, shows
That prose is verse, and verse is merely prose;
Convincing all, by demonstration plain,
Poetic souls delight in prose insane;
And Christmas stories tortur'd into rhyme
Contain the essence of the true sublime.
Thus, when he tells the tale of Betty Foy,
The idiot mother of "an idiot boy";
A moon-struck, silly lad, who lost his way,
And, like his bard, confounded night with day;
So close on each pathetic part he dwells,
And each adventure so sublimely tells,
That all who view the "idiot in his glory"
Conceive the bard the hero of the story.
Shall gentle Coleridge pass unnotic'd here,
To turgid ode and tumid stanza dear?
Though themes of innocence amuse him best,
Yet still obscurity's a welcome guest.
If Inspiration should her aid refuse
To him who takes a pixy for a muse,
Yet none in lofty numbers can surpass
The bard who soars to elegize an ass.
So well the subject suits his noble mind,
He brays the laureat of the long-ear'd kind.