Love and Music. Written at Oxford, When Young
Shall Love alone for ever claim
An universal right to fame,
An undisputed sway?
Or has not Music equal charms,
To fill the breast with strange alarms,
And make the world obey?
The Thracian bard, as poets tell,
Could mitigate the powers of hell,
Even Pluto's nicer ear:
His arts, no more than Love's, we find
To deities or men confined,
Drew brutes in crowds to hear.
Whatever favourite passion reign'd,
The poet still his right maintain'd
O'er all that ranged the plain:
The fiercer tyrants could assuage,
Or fire the timorous into rage,
Whene'er he changed the strain.
In milder lays the bard began;
Soft notes through every finger ran,
And echoing charm'd the place:
See! fawning lions gaze around,
And, taught to quit their savage sound,
Assume a gentler grace.
When Cymon view'd the fair one's charms,
Her ruby lips, and snowy arms,
And told her beauties o'er:
When Love reform'd his awkward tone,
And made each clownish gesture known,
It show'd but equal power.
The bard now tries a sprightlier sound,
When all the feather'd race around
Perceived the varied strains;
The soaring lark the note pursues;
The timorous dove around him coos,
And Philomel complains.
An equal power of Love I've seen,
Incite the deer to scour the green,
And chase his barking foe.
Sometimes has Love, with greater might,
To challenge-nay-sometimes-to fight,
Provoked the enamour'd beau.
When Silvia treads the smiling plain,
How glows the heart of every swain,
By pleasing tumults tost!
When Handel's solemn accents roll,
Each breast is fired, each raptured soul
In sweet confusion lost.
If she her melting glances dart,
Or he his dying airs impart,
Our spirits sink away.
Enough, enough! dear nymph, give o'er;
And thou, great artist! urge no more
Thy unresisted sway.
Thus Love or Sound affects the mind:
But when their various powers are join'd,
Fly, daring mortal, fly!
For when Selinda's charms appear,
And I her tuneful accents hear-
I burn, I faint, I die!
poem by William Shenstone
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To Delia
Me to whatever state the gods assign,
Believe, my love, whatever state be mine,
Ne'er shall my breast one anxious sorrow know,
Ne'er shall my heart confess a real woe,
If to thy share heaven's choicest blessings fall,
As thou hast virtue to deserve them all.
Yet vain, alas! that idle hope would be
That builds on happiness remote from thee.
Oh! may thy charms, whate'er our fate decrees,
Please, as they must, but let them only please--
Not like the sun with equal influence shine,
Nor warm with transport any heart but mine.
Ye who from wealth the ill-grounded title boast
To claim whatever beauty charms you most;
Ye sons of fortune, who consult alone
Her parents' will, regardless of her own,
Know that a love like ours, a generous flame,
No wealth can purchase, and no power reclaim.
The soul's affection can be only given
Free, unextorted, as the grace of heaven.
Is there whose faithful bosom can endure
Pangs fierce as mine, nor ever hope a cure?
Who sighs in absence of the dear-loved maid?
Nor summons once indifference to his aid?
Who can, like me, the nice resentment prove,
The thousand soft disquietudes of love;
The trivial strifes that cause a real pain;
The real bliss when reconciled again?
Let him alone dispute the real prize,
And read his sentence in my Delia's eyes;
There shall he read all gentleness and truth,
But not himself, the dear distinguished youth;
Pity for him perhaps they may express--
Pity, that will but heighten his distress.
But, wretched rival! he must sigh to see
The sprightlier rays of love directed all to me.
And thou, dear antidote of every pain
Which fortune can inflict, or love ordain,
Since early love has taught thee to despise
What the world's worthless votaries only prize,
Believe, my love! no less the generous god
Rules in my breast, his ever blest abode;
There has he driven each gross desire away,
Directing every wish and every thought to thee!
Then can I ever leave my Delia's arms,
A slave, devoted to inferior charms?
Can e'er my soul her reason so disgrace?
For what blest minister of heavenly race
Would quit that heaven to find a happier place?
poem by William Cowper
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To a Lady, with Some Coloured Patterns of Flowers
Madam,-
Though rude the draughts, though artless seem the lines,
From one unskill'd in verse, or in designs;
Oft has good-nature been the fool's defence,
And honest meaning gilded want of sense.
Fear not, though flowers and beauty grace my lay,
To praise one fair, another shall decay.
No lily, bright with painted foliage, here,
Shall only languish, when Selinda's near:
A fate reversed no smiling rose shall know,
Nor with reflected lustre doubly glow.
Praises which languish when applied to you,
Where flattering schemes seem obviously true.
Yet sure your sex is near to flowers allied,
Alike in softness, and alike in pride:
Foes to retreat, and ever fond to shine,
Both rush to danger, and the shades decline;
Exposed, the short-lived pageants of a day,
To painted flies or glittering fops a prey:
Changed with each wind, nor one short day the same,
Each clouded sky affects their tender frame.
In glaring Chloe's man-like taste and mien,
Are the gross splendours of the tulip seen:
Distant they strike, inelegantly gay,
To the near view no pleasing charms display.
To form the nymph, a vulgar wit must join,
As coarser soils will most the flower refine.
Ophelia's beauties let the jasmine paint,
Too faintly soft, too nicely elegant.
Around with seeming sanctity endued,
The passion-flower may best express the prude.
Like the gay rose, too rigid Silvia shines,
While, like its guardian thorn, her virtue joins.
Happy the nymph from all their failures free!
Happy the nymph in whom their charms agree!
Faint these productions, till you bid disclose,
The pink new splendours, and fresh tints the rose:
And yet condemn not trivial draughts like these,
Form'd to improve, and make even trifles please.
A power like yours minuter beauties warms,
And yet can blast the most aspiring charms:
Thus, at the rays whence other objects shine,
The taper sickens, and its flames decline.
When by your art the purple violet lives,
And the pale lily sprightlier charms receives;
Garters to me shall glow inferior far,
And with less pleasing lustre shine the star.
Let serious triflers, fond of wealth or fame,
On toils like these bestow too soft a name;
Each gentler art with wise indifference view,
And scorn one trifle, millions to pursue:
More artful I their specious schemes deride
Fond to please you, by you in these employed;
A nobler task, or more sublime desire,
Ambition ne'er could form, nor pride inspire.
The sweets of tranquil life and rural ease
Amuse securely, nor less justly please.
Where gentle pleasure shows her milder power,
Or blooms in fruit, or sparkles in the flower;
Smiles in the groves, the raptured poet's theme;
Flows in the brook, his Naiad of the stream;
Dawns, with each happier stroke the pencil gives,
And, in each livelier image, smiling lives;
Is heard, when Silvia strikes the warbling strings,
Selinda speaks, or Philomela sings:
Breathes with the morn; attends, propitious maid,
The evening ramble, and the noon-day glade
Some visionary fair she cheats our view,
Then only vigorous when she seems like you.
Yet Nature some for sprightlier joys design'd,
For brighter scenes, with nicer care, refined.
When the gay jewel radiant streams supplies,
And vivid brilliants meet your brighter eyes;
When dress and pomp around the fancy play,
By fortune's dazzling beauties borne away;
When theatres for you the scenes forego,
And the box bows obsequiously low:
How dull the plan which indolence has drawn,
The mossy grotto, or the flowery lawn!
Though roseate scents in every wind exhale,
And sylvan warblers charm in every pale.
Of these be hers the choice whom all approve;
And whom but those who envy, all must love:
By nature modell'd, by experience taught,
To know and pity every female fault:
Pleased even to hear her sex's virtues shown,
And blind to none's perfections but her own:
Whilst, humble fair! of these too few she knows,
Yet owns too many for the world's repose;
From wit's wild petulance serenely free,
Yet blest in all that nature can decree.
Not like a fire, which, whilst it burns, alarms;
A modest flame, that gently shines and warms:
Whose mind, in every light, can charms display,
With wisdom serious, and with humour gay;
Just as her eyes in each bright posture warm,
And fiercely strike, or languishingly charm:
Such are your honours-mention'd to your cost,
Those least can hear them, who deserve them most:
Yet ah! forgive-the less inventive muse,
If e'er she sing, a copious theme must choose.
poem by William Shenstone
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Songs Set To Music: 15. Set By Mr. De Fesch
Farewell, Amynta, we must part;
The charm has lost its power
Which held so fast my captived heart
Until this fatal hour.
Hadst thou not thus my love abused,
And used me ne'er so ill,
Thy cruelty I had excused,
And I had loved thee still.
But know, my soul disdain'd thy sway,
And scorns thy charms and thee,
To which each fluttering coxcomb may
As welcome be as me.
Think in what perfect bliss you reign'd,
How loved before thy fall,
And now, alas! how much disdain'd
By me, and scorn'd by all.
Yet thinking of each happy hour,
Which I with thee have spent,
So robs my rage of all its power,
That I almost relent.
But pride will never let me bow;
No more thy charms can move;
Yet thou art worth my pity now,
Because thou hadst my love.
poem by Matthew Prior
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The Enjoyment
Come my Laura, come my love;
Come my tender turtle-dove;
Let me from this host retire,
To languish in a softer fire,
How the waving elms invite us!
How the rosy bowers delight us!
How their am'rous foldings twine,
To imitate thy arms and mine!
See these snowy lilies blowing,
With the blushing roses glowing,
Silently the soul inspire,
To kindle at thy lover's fire:
See these springing violets rise,
Animated by thy eyes;
Lavishly their charms they spread,
To make a soft enamelled bed;
And like this downy swelling breast,
They rise, and languish to be pressed.
But O thou happy, happy grove,
Sacred to the God of love,
With the thickest umbrage shade us,
Let no piercing rays invade us:
Let no light but Beauty's charm us,
Let no heat but Beauty's warm us;
Make our artificial light,
Close and sweet as our delight.
And now, my dear, no longer coy,
Let us give a thought to joy!
Then, closely lay thy lips to mine,
And let our souls and bodies join:
Let me suck thy balmy breath,
And fainting, glory in my death.
Take me dying to thy arms,
Ah me! I die with pleasing pain,
O kindle me to life again.
And now, my brighter Queen of Love,
I'll confess the stronger Jove.
O happiest transport, dearest blessing,
Sweetest-rapture past expressing!
Who can tell the thrilling pleasure,
When the nymph resigns her treasure!
When she melts in ripen'd blisses,
Breathing out her soul in kisses!
When in Paradise she lies,
And rolls her pretty dying eyes:
While the Snake with softer strains,
Sweetly stings her tickling veins!
She pants, she sighs, she heaves her charms,
And locks her vig'rous lover in her arms.
poem by William Pattison
Submitted by Veronica Serbanoiu
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An Ode To Mr. Howard
Dear Howard, from the soft assaults of love
Poets and painters never are secure;
Can I untouch'd the fair one's passions move,
Or thou draw beauty, and not feel its power?
To great Appelles when young Ammon brought
The darling idol of his captive heart;
And the pleased nymph with kind attention sat,
To have her charms recorded by his art:
The amorous master own'd her potent eyes:
Sigh'd when he look'd, and trembled as he drew:
Each flowing line confirm'd his first surprise,
And, as the piece advanced, the passion grew.
While Philip's son, while Venus' son, was near,
What different tortures does his bosom feel?
Great was the rival, and the god severe:
Nor could he hide his flame, nor durst reveal.
The prince, renown'd in bounty as in arms,
With pity saw the ill-conceal'd distress;
Quitted his title to Campaspe's charms,
And gave the fair one to the friend's embrace.
Thus the more beauteous Cloe sat to thee,
Good Howard, emulous of the Grecian art:
But happy thou, from Cupid's arrow free,
And flames that pierced thy predecessor's heart!
Had thy poor breast received an equal pain;
Had I been vested with the monarch's power;
Thou must have sigh'd, unlucky youth, in vain;
Nor from my bounty hadst thou found a cure.
Though, to convince thee that the friend did feel
A kind concern for thy ill-fated care,
I would have sooth'd thy flame I could not heal;
Given thee the world; though I withheld the fair.
poem by Matthew Prior
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There Are Sounds of Mirth
There are sounds of mirth in the night-air ringing,
And lamps from every casement shown;
While voices blithe within are singing,
That seem to say "Come," in every tone.
Ah! once how light, in Life's young season,
My heart had leap'd at that sweet lay;
Nor paused to ask of greybeard Reason
Should I the syren call obey.
And, see -- the lamps still livelier glitter,
The syren lips more fondly sound;
No, seek, ye nymphs, some victim fitter
To sink in your rosy bondage bound.
Shall a bard,whom not the world in arms,
Could bend to tyranny's rude countroul,
Thus quail, at sight of woman's charms,
And yield to a smile his freeborn soul?
Thus sung the sage, while, slyly stealing,
The nymphs their fetters around him cast,
And -- their laughing eyes, the while, concealing --
Led Freedom's Bard their slave at last.
For the Poet's heart, still prone to loving,
Was like that rock of the Druid race,
Which the gentlest touch at once set moving,
But all earth's power couldn't cast from its base.
poem by Thomas Moore
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Stanzas to Love
TELL ME, LOVE, when I rove o'er some far distant plain,
Shall I cherish the passion that dwells in my breast?
Or will ABSENCE subdue the keen rigours of pain,
And the swift wing of TIME bring the balsam of rest?
Shall the image of HIM I was born to adore,
Inshrin'd in my bosom my idol still prove?
Or seduced by caprice shall fine feeling no more,
With the incense of TRUTH gem the altar of LOVE?
When I view the deep tint of the dew-dropping Rose,
Where the bee sits enamour'd its nectar to sip;
Then, ah say, will not memory fondly disclose
The softer vermilion that glow'd on HIS lip?
Will the SUN when he rolls in his chariot of fire,
So dazzle my mind with the glare of his rays,
That my senses one moment shall cease to admire
The more perfect refulgence that beam'd in HIS lays?
When the shadows of twilight steal over the plain,
And the NIGHTINGALE pours its lorn plaint in the grove,
Ah! will not the fondness that thrills thro' the strain,
Then recall to my mind HIS dear accents of Love!
When I gaze on the STARS that bespangle the sky,
Ah! will not their mildness some pity inspire;
Like the soul-touching softness that beam'd in HIS eye,
When the tear of REGRET chill'd the flame of DESIRE?
Then spare, thou dear Urchin, thou soother of pain,
Oh! spare the sweet PICTURE engrav'd on my heart;
As a record of LOVE let it ever remain;
My bosom thy tablet thy pencil A DART.
poem by Mary Darby Robinson
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To Miss Hickman, Playing the Spinet
Bright Stella, form'd for universal reign,
Too well you know to keep the slaves you gain;
When in your eyes resistless lightnings play,
Awed into love our conquer'd hearts obey,
And yield reluctant to despotic sway;
But when your music soothes the raging pain,
We bid propitious heaven prolong your reign,
We bless the tyrant, and we hug the chain.
When old Timotheus struck the vocal string,
Ambition's fury fired the Grecian king:
Unbounded projects labouring in his mind,
He pants for room in one poor world confined.
Thus waked to rage by music's dreadful power,
He bids the sword destroy, the flame devour.
Had Stella's gentle touches moved the lyre,
Soon had the monarch felt the nobler fire:
No more delighted with destructive war,
Ambitious only now to please the fair;
Resign'd his thirst of empire to her charms,
And found a thousand worlds in Stella's arms.
poem by Samuel Johnson
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Epilogue to Mary Queen of Scots
What could luxurious woman wish for more,
To fix her joys, or to extend her pow'r?
Their every wish was in this Mary seen,
Gay, witty, youthful, beauteous, and a queen.
Vain, useless blessings with ill-conduct join'd!
Light as the air, and fleeting as the wind.
Whatever poets write, and lovers vow,
Beauty, what poor omnipotence hast thou!
Queen Bess had wisdom, council, power, and laws;
How few espous'd a wretched beauty's cause!
Learn thence, ye fair, more solid charms to prize;
Contemn the idle flatt'rers of your eyes.
The brightest object shines but while 'tis new:
That influence lessens by familiar view.
Monarchs and beauties rule with equal sway,
All strive to serve, and glory to obey;
Alike unpitied when depos'd they grow --
Men mock the idol of their former vow.
Two great examples have been shown today,
To what sure ruin passion does betray;
What long repentance to short joys is due;
When reason rules, what glory must ensue.
If you will love, love like Eliza then;
Love for amusement, like those traitors, men.
Think that the pastime of a leisure hour
She favour'd oft -- but never shar'd her pow'r.
The traveller by desert wolves pursu'd,
If by his heart the savage foe's subdued,
The world will still the noble act applaud,
Though victory was gain'd by needful fraud.
Such is, my tender sex, our helpless case;
And such the barbarous heart, hid by the begging face;
By passion fir'd, and not withheld by shame,
They cruel hunters are, we trembling game.
Trust me, dear ladies (For I know 'em well),
They burn to triumph, and they sigh to tell:
Cruel to them that yield, cullies to them that sell.
Believe me, 'tis by far the wiser course,
Superior art should meet superior force:
Hear, but be faithful to your int'rest still:
Secure your hearts -- then fool with whom you will.
poem by Lady Mary Wortley Montagu
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To Lady Firebrace
At length must Suffolk beauties shine in vain,
So long renown'd in B-n's deathless strain?
Thy charms at least, fair Firebrace, might inspire
Some zealous bard to wake the sleeping lyre:
For such thy beauteous mind and lovely face,
Thou seem'st at once, bright nymph, a
Muse and Grace
.
poem by Samuel Johnson
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Comparison
'Tis by comparison we know
On every object to bestow
Its proper share of praise
Did each alike perfection bear,
What beauty, though divinely fair,
Could admiration raise?
Amidst the lucid bands of night,
See! Hesperus, serenely bright,
Adorns the distant skies:
But languishes amidst the blaze
Of sprightly Sol's meridian rays,-
Or Silvia's brighter eyes.
Whene'er the nightingale complains,
I like the melancholy strains,
And praise the tuneful bird:
But vainly might she strain her throat,
Vainly exalt each swelling note,
Should Silvia's voice be heard.
When, on the violet's purple bed,
Supine I rest my weary head,
The fragrant pillow charms:
Yet soon such languid bliss I'd fly,
Would Silvia but the loss supply,
And take me to her arms.
The alabaster's wondrous white,
The marble's polish strikes my sight,
When Silvia is not seen:
But ah! how faint that white is grown,
How rough appears the polish'd stone,
Compared with Silvia's mien!
The rose, that o'er the Cyprian plains,
With flowers enamell'd, blooming reigns,
With undisputed power,
Placed near her cheek's celestial red
(Its purple lost, its lustre fled),
Delights the sense no more.
poem by William Shenstone
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Ode on St. Cecilia's Day
I.
Descend ye Nine! descend and sing;
The breathing instruments inspire,
Wake into voice each silent string,
And sweep the sounding lyre!
In a sadly-pleasing strain
Let the warbling lute complain:
Let the loud trumpet sound,
'Till the roofs all around
The shrill echo's rebound:
While in more lengthen'd notes and slow,
The deep, majestic, solemn organs blow.
Hark! the numbers, soft and clear,
Gently steal upon the ear;
Now louder, and yet louder rise,
And fill with spreading sounds the skies;
Exulting in triumph now swell the bold notes,
In broken air, trembling, the wild music floats;
'Till, by degrees, remote and small,
The strains decay,
And melt away,
In a dying, dying fall.
II.
By Music, minds an equal temper know,
Nor swell too high, nor sink too low.
If in the breast tumultuous joys arise,
Music her soft, assuasive voice applies;
Or when the soul is press'd with cares,
Exalts her in enlivening airs.
Warriors she fires with animated sounds;
Pours balm into the bleeding lover's wounds:
Melancholy lifts her head,
Morpheus rouzes from his bed,
Sloth unfolds her arms and wakes,
List'ning Envy drops her snakes;
Intestine war no more our Passions wage,
And giddy Factions hear away their rage.
III.
But when our Country's cause provokes to Arms,
How martial music ev'ry bosom warms!
So when the first bold vessel dar'd the seas,
High on the stern the Thracian rais'd his strain,
While Argo saw her kindred trees
Descend from Pelion to the main.
Transported demi-gods stood round,
And men grew heroes at the sound,
Enflam'd with glory's charms:
Each chief his sev'nfold shield display'd,
And half unsheath'd the shining blade:
And seas, and rocks, and skies rebound
To arms, to arms, to arms!
IV.
But when thro' all th'infernal bounds
Which flaming Phlegeton surrounds,
Love, strong as Death, the Poet led
To the pale nations of the dead,
What sounds were heard,
What scenes appear'd,
O'er all the dreary coasts!
Dreadful gleams,
Dismal screams,
Fires that glow,
Shrieks of woe,
Sullen moans,
Hollow groans,
And cries of tortur'd ghosts!
But hark! he strikes the golden lyre;
And see! the tortur'd ghosts respire,
See, shady forms advance!
Thy stone, O Sysiphus, stands still,
Ixion rests upon his wheel,
And the pale spectres dance!
The Furies sink upon their iron beds,
And snakes uncurl'd hang list'ning round their heads.
V.
By the streams that ever flow,
By the fragrant winds that blow
O'er th' Elysian flow'rs,
By those happy souls who dwell
In yellow meads of Asphodel,
Or Amaranthine bow'rs,
By the hero's armed shades,
Glitt'ring thro' the gloomy glades,
By the youths that dy'd for love,
Wand'ring in the myrtle grove,
Restore, restore Eurydice to life;
Oh take the husband, or return the wife!
He sung, and hell consented
To hear the Poet's pray'r;
Stern Proserpine relented,
And gave him back the fair.
Thus song could prevail
O'er death and o'er hell,
A conquest how hard and how glorious?
Tho' fate had fast bound her
With Styx nine times round her,
Yet music and love were victorious.
VI.
But soon, too soon, the lover turns his eyes:
Again she falls, again she dies, she dies!
How wilt thou now the fatal sisters move?
No crime was thine, if 'tis no crime to love.
Now under hanging mountains,
Beside the falls of fountains,
Or where Hebrus wanders,
Rolling in Maeanders,
All alone,
Unheard, unknown,
He makes his moan;
And calls her ghost,
For ever, ever, ever lost!
Now with Furies surrounded,
Despairing, confounded,
He trembles, he glows,
Amidst Rhodope's snows:
See, wild as the winds, o'er the desart he flies;
Hark! Haemus resounds with the Bacchanals cries -
- Ah see, he dies!
Yet ev'n in death Eurydice he sung,
Eurydice still trembled on his tongue,
Eurydice the woods,
Eurydice the floods,
Eurydice the rocks, and hollow mountains rung.
VII.
Music the fiercest grief can charm,
And fate's severest rage disarm:
Music can soften pain to ease,
And make despair and madness please:
Our joys below it can improve,
And antedate the bliss above.
This the divine Cecilia found,
And to her Maker's praise confin'd the sound.
When the full organ joins the tuneful quire,
Th'immortal pow'rs incline their ear;
Borne on the swelling notes our souls aspire,
While solemn airs improve the sacred fire;
And Angels lean from heav'n to hear.
Of Orpheus now no more let Poets tell,
To bright Cecilia greater pow'r is giv'n;
His numbers rais'd a shade from hell,
Hers lift the soul to heav'n.
poem by Alexander Pope
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Sonnet VIII: Why, Through Each Aching Vein
Why, through each aching vein, with lazy pace
Thus steals the languid fountain of my heart,
While, from its source, each wild convulsive start
Tears the scorch'd roses from my burning face?
In vain, O Lesbian Vales! your charms I trace;
Vain is the poet's theme, the sculptor's art;
No more the Lyre its magic can impart,
Though wak'd to sound, with more than mortal grace!
Go, tuneful maids, go bid my Phaon prove
That passion mocks the empty boast of fame;
Tell him no joys are sweet, but joys of love,
Melting the soul, and thrilling all the frame!
Oh! may th'ecstatic thought in bosom move,
And sighs of rapture, fan the blush of shame!
poem by Mary Darby Robinson
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Hidden Charms
Her lips are sweet
Her legs are big
Her looks can make you
Dance the jig
Her touch is so soft
Her heart is so warm
What knocks me out
Is your hidden charms
Her voice is so soft
Her love is so true
I think about her
Thats all I do
Shes weak and wanton
In my arms
What moves me darling
Is your hidden charms
When I hold you
In my arms
Brings out all of your
Hidden charms
Her kiss is so pure
As the morning dew
A real gone love
Is exciting too
Her eyes that talk
They say cmon
What kills me baby
Is your hidden charms
When I hold you
In my arms
Brings out all of your
Hidden charms
song performed by by Elvis Costello
Submitted by Lucian Velea
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Ode. Supposed To Be Written On The Marriage Of A Friend
Thou magic lyre, whose fascinating sound
Seduced the savage monsters from their cave,
Drew rocks and trees, and forms uncouth around,
And bade wild Hebrus hush his listening wave;
No more thy undulating warblings flow
O'er Thracian wilds of everlasting snow!
Awake to sweeter sounds, thou magic lyre,
And paint a lover's bliss -- a lover's pain!
Far nobler triumphs now thy notes inspire,
For see, Eurydice attends thy strain;
Her smile, a prize beyond the conjuror's aim,
Superior to the cancelled breath of fame.
From her sweet brow to chase the gloom of care,
To check the tear that dims the beaming eye,
To bid her heart the rising sigh forbear,
And flush her orient cheek with brighter joy,
In that dear breast soft sympathy to move,
And touch the springs of rapture and of love.
Ah me! how long bewildered and astray,
Lost and benighted, did my footsteps rove,
Till sent by heaven to cheer my pathless ray,
A star arose -- the radiant star of love.
The God propitious joined our willing hands,
And Hymen wreathed us in his rosy bands.
Yet not the beaming eye, or placid brow,
Or golden tresses, hid the subtle dart;
To charms superior far than those I bow,
And nobler worth enslaves my vanquished heart;
The beauty, elegance, and grace combined,
Which beam transcendent from that angel mind.
While vulgar passions, meteors of a day,
Expire before the chilling blasts of age,
Our holy flame with pure and steady ray,
Its glooms shall brighten, and its pangs assuage;
By virtue (sacred vestal) fed, shall shine,
And warm our fainting souls with energy divine.
poem by William Cowper
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To Miss --,
{On her playing upon the harpsichord in
a room hung with flower-pieces of her own painting}.
When Stella strikes the tuneful string
In scenes of imitated Spring,
Where beauty lavishes her powers
On beds of never-fading flowers,
And pleasure propagates around
Each charm of modulated sound;
Ah! think not in the dangerous hour,
The nymph fictitious as the flower;
But shun, rash youth, the gay alcove,
Nor tempt the snares of wily love.
When charms thus press on every sense,
What thought of flight or of defence?
Deceitful hope, and vain desire,
For ever flutter o'er her lyre,
Delighting as the youth draws nigh,
To point the glances of her eye,
And forming with unerring art
New chains to hold the captive heart.
But on those regions of delight,
Might truth intrude with daring flight,
Could Stella, sprightly, fair, and young,
One moment hear the moral song,
Instruction with her flowers might spring,
And wisdom warble from her string.
Mark when from thousand mingled dyes
Thou seest one pleasing form arise,
How active light and thoughtful shade,
In greater scenes each other aid;
Mark when the different notes agree
In friendly contrariety,
How passion's well-accorded strife
Gives all the harmony of life.
Thy pictures shall thy conduct frame,
Consistent still, though not the same;
Thy music teach the nobler art,
To tune the regulated heart.
poem by Samuel Johnson
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The Rat-Catcher
I AM the bard known far and wide,
The travell'd rat-catcher beside;
A man most needful to this town,
So glorious through its old renown.
However many rats I see,
How many weasels there may be,
I cleanse the place from ev'ry one,
All needs must helter-skelter run.
Sometimes the bard so full of cheer
As a child-catcher will appear,
Who e'en the wildest captive brings,
Whene'er his golden tales he sings.
However proud each boy in heart,
However much the maidens start,
I bid the chords sweet music make,
And all must follow in my wake.
Sometimes the skillful bard ye view
In the form of maiden-catcher too;
For he no city enters e'er,
Without effecting wonders there.
However coy may be each maid,
However the women seem afraid,
Yet all will love-sick be ere long
To sound of magic lute and song.
poem by Johann Wolfgang von Goethe
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From Anacreon
I wish to tune my quivering lyre
To deed of fame and notes of fire;
To echo, from its rising swell,
How heroes fought and nations fell,
When Atreus' sons advanced to war,
Or Tyrian Cadmus roved afar;
But still, to martial strains unknown,
My lyre recurs to love alone.
Fired with the hope of future fame,
I seek some nobler hero's name;
The dying chords are strung anew,
To war, to war, my harp is due.
With glowing strings, the epic strain
To Jove's great son I raise again;
Alcides and his glorious deeds,
Beneath whose arm the Hydra bleeds.
All, all in vain; my wayward lyre
Wakes silver notes of soft desire.
Adieu, ye chiefs renown'd in arms!
Adieu the clang of war's alarms!
To other deeds my soul is strung,
And sweeter notes shall now be sung;
My harp shall all its powers reveal,
To tell the tale my heart must feel;
Love, Love alone, my lyre shall claim,
In songs of bliss and sighs of flame.
On The Silence Of A Young Lady
ON ACCOUNT OF THE IMAGINARY FLIGHT OF HER SUITOR.
Oh, heartless dove! mount in the skies,
Spread thy soft wing upon the gale,
Or on thy sacred pinions rise,
Nor brood with silence in the vale.
Breathe on the air thy plaintive note,
Which oft has filled the lonesome grove,
And Iet thy melting ditty float--
The dirge of long lamented love.
Coo softly to the silent ear,
And make the floods of grief to roll;
And cause by love the sleeping tear,
To wake with sorrow from the soul
Is it the loss of pleasures past
Which makes thee droop thy sounding wing?
Does winter's rough, inclement blast
Forbid thy tragic voice to sing?
Is it because the Fragrant breeze
Along the sky forbears to flow--
Nor whispers low amidst the trees,
Whilst all the vallies frown below?
Why should a frown thy soul alarm,
And tear thy pleasures from thy breast?
Or veil the smiles of every charm,
And rob thee of thy peaceful rest.
Perhaps thy sleeping love may wake,
And hear thy penitential tone;
And suffer not thy heart to break,
Nor let a princess grieve alone.
Perhaps his pity may return,
With equal feeling from the heart,
And breast with breast together burn,
Never--no, never more to part.
Never, till death's resistless blow,
Whose call the dearest must obey--
In twain together then may go,
And thus together dwell for aye.
Say to the suitor, Come away,
Nor break the knot which love has tied--
Nor to the world thy trust betray,
And fly forever from thy bride.
poem by George Moses Horton
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A Parody Of Donec Gratus Eram In A dialogue Between M--- & His Wife
He. When first my Biddy love profest
My rapture ran so high
Not Gentle S---s fondly prest
To beautious G---s panting breast
Was half so blest as I
She. When first my bard you taught my name
To sound in Song divine
Not S---s exalted fame
Tho S---s a P--- aim
I wishd instead of mine
He. But now the Muse thy late delight
You See thy rival prove
For night & day & day & night
To write & read & read & write
Is all ye life I love
She Forlorn yet senceless of ye pain
I to the Mirrour fly
Survey my self am Justly vain
And but I know my self again
For that dear face coud dy
He. But shoud thy Bard no longer pore
Wilt thou forsake thy glass
If I admire my works no more
Wilt thou to court thy shade give o're
And all be as it was
She Since none but we our rivals are
And none the lovers too
Be fond or void of am'rous care
I fond or vain of being fair
Yet both are ever true.
poem by Thomas Parnell
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