Sonnet VIII: Why, Through Each Aching Vein
Why, through each aching vein, with lazy pace
Thus steals the languid fountain of my heart,
While, from its source, each wild convulsive start
Tears the scorch'd roses from my burning face?
In vain, O Lesbian Vales! your charms I trace;
Vain is the poet's theme, the sculptor's art;
No more the Lyre its magic can impart,
Though wak'd to sound, with more than mortal grace!
Go, tuneful maids, go bid my Phaon prove
That passion mocks the empty boast of fame;
Tell him no joys are sweet, but joys of love,
Melting the soul, and thrilling all the frame!
Oh! may th'ecstatic thought in bosom move,
And sighs of rapture, fan the blush of shame!
poem by Mary Darby Robinson
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Sonnet XVII: Love Steals Unheeded
Love steals unheeded o'er the tranquil mind,
As Summer breezes fan the sleeping main,
Slow through each fibre creeps the subtle pain,
'Till closely round the yielding bosom twin'd.
Vain is the hope the magic to unbind,
The potent mischief riots in the brain,
Grasps ev'ry thought, and burns in ev'ry vein,
'Till in the heart the Tyrant lives enshrin'd.
Oh! Victor strong! bending the vanquish'd frame;
Sweet is the thraldom that thou bid'st us prove!
And sacred is the tear thy victims claim,
For blest are those whom sighs of sorrow move!
Then nymphs beware how ye profane my name,
Nor blame my weakness, till like me ye love!
poem by Mary Darby Robinson
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Song
Not the soft sighs of vernal gales,
The fragrance of the flowery vales,
The murmurs of the crystal rill,
The vocal grove, the verdant hill;
Not all their charms, though all unite,
Can touch my bosom with delight.
Not all the gems on India's shore,
Not all Peru's unbounded store,
Not all the power, nor all the fame,
That heroes, kings, or poets claim;
Nor knowledge which the learn'd approve,
To form one wish my soul can move.
Yet Nature's charms allure my eyes,
And knowledge, wealth, and fame I prize;
Fame, wealth, and knowledge I obtain,
Nor seek I Nature's charms in vain;
In lovely Stella all combine,
And, lovely Stella! thou art mine.
poem by Samuel Johnson
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Sappho - A Monodrama
Argument.
To leap from the promontory of LEUCADIA was believed by the Greeks to be
a remedy for hopeless love, if the self-devoted victim escaped with
life. Artemisia lost her life in the dangerous experiment: and Sappho is
said thus to have perished, in attempting to cure her passion for Phaon.
SAPPHO
(Scene the promontory of Leucadia.)
This is the spot:--'tis here Tradition says
That hopeless Love from this high towering rock
Leaps headlong to Oblivion or to Death.
Oh 'tis a giddy height! my dizzy head
Swims at the precipice--'tis death to fall!
Lie still, thou coward heart! this is no time
To shake with thy strong throbs the frame convuls'd.
To die,--to be at rest--oh pleasant thought!
Perchance to leap and live; the soul all still,
And the wild tempest of the passions husht
In one deep calm; the heart, no more diseas'd
By the quick ague fits of hope and fear,
Quietly cold!
Presiding Powers look down!
In vain to you I pour'd my earnest prayers,
In vain I sung your praises: chiefly thou
VENUS! ungrateful Goddess, whom my lyre
Hymn'd with such full devotion! Lesbian groves,
Witness how often at the languid hour
Of summer twilight, to the melting song
Ye gave your choral echoes! Grecian Maids
Who hear with downcast look and flushing cheek
That lay of love bear witness! and ye Youths,
Who hang enraptur'd on the empassion'd strain
Gazing with eloquent eye, even till the heart
Sinks in the deep delirium! and ye too
Shall witness, unborn Ages! to that song
Of warmest zeal; ah witness ye, how hard,
Her fate who hymn'd the votive hymn in vain!
Ungrateful Goddess! I have hung my lute
In yonder holy pile: my hand no more
Shall wake the melodies that fail'd to move
The heart of Phaon--yet when Rumour tells
How from Leucadia Sappho hurl'd her down
A self-devoted victim--he may melt
Too late in pity, obstinate to love.
Oh haunt his midnight dreams, black NEMESIS!
Whom, self-conceiving in the inmost depths
Of CHAOS, blackest NIGHT long-labouring bore,
When the stern DESTINIES, her elder brood.
And shapeless DEATH, from that more monstrous birth
Leapt shuddering! haunt his slumbers, Nemesis,
Scorch with the fires of Phlegethon his heart,
Till helpless, hopeless, heaven-abandon'd wretch
He too shall seek beneath the unfathom'd deep
To hide him from thy fury.
How the sea
Far distant glitters as the sun-beams smile,
And gayly wanton o'er its heaving breast
Phoebus shines forth, nor wears one cloud to mourn
His votary's sorrows! God of Day shine on--
By Man despis'd, forsaken by the Gods,
I supplicate no more.
How many a day,
O pleasant Lesbos! in thy secret streams
Delighted have I plung'd, from the hot sun
Screen'd by the o'er-arching groves delightful shade,
And pillowed on the waters: now the waves
Shall chill me to repose.
Tremendous height!
Scarce to the brink will these rebellious limbs
Support me. Hark! how the rude deep below
Roars round the rugged base, as if it called
Its long-reluctant victim! I will come.
One leap, and all is over! The deep rest
Of Death, or tranquil Apathy's dead calm
Welcome alike to me. Away vain fears!
Phaon is cold, and why should Sappho live?
Phaon is cold, or with some fairer one--
Thought worse than death!
(She throws herself from the precipice.)
poem by Robert Southey
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Ode to Reflection
O THOU, whose sober precepts can controul
The wild impatience of the troubled soul,
Sweet Nymph serene ! whose all-consoling pow'r
Awakes to calm delight the ling'ring hour;
O hear thy suppliant's ardent pray'r !
Chase from my pensive mind corroding care,
Steal thro' the heated pulses of the brain,
Charm sorrow to reposeand lull the throb of pain.
O, tell me, what are life's best joys?
Are they not visions that decay,
Sweet honey'd poisons, gilded toys,
Vain glitt'ring baubles of a day?
O say what shadow do they leave behind,
Save the sad vacuum of the sated mind?
Borne on the eagle wings of Fame,
MAN soars above calm Reason's sway,
"Vaulting AMBITION" mocks each tender claim,
Plucks the dear bonds of social life away;
As o'er the vanquish'd slave she wields her spear,
COMPASSION turns aside---REFLECTlON drops a tear.
Behold the wretch, whose sordid heart,
Steep'd in Content's oblivious balm,
Secure in Luxury's bewitching calm,
Repels pale Mis'ry's touch, and mocks Affliction's smart;
Unmov'd he marks the bitter tear,
In vain the plaints of woe his thoughts assail,
The bashful mourner's pitious tale
Nor melts his flinty soul, nor vibrates on his ear,
O blest REFLECTION ! let thy magic pow'r
Awake his torpid sense, his slumb'ring thought,
Tel1 him ADVERSITY'S unpitied hour
A brighter lesson gives, than Stoics taught:
Tell him that WEALTH no blessing can impart
So sweet as PITY'S tearthat bathes the wounded Heart.
Go tell the vain, the insolent, and fair,
That life's best days are only days of care;
That BEAUTY, flutt'ring like a painted fly,
Owes to the spring of youth its rarest die;
When Winter comes, its charms shall fade away,
And the poor insect wither in decay:
Go bid the giddy phantom learn from thee,
That VIRTUE only braves mortality.
Then come, REFLECTION, soft-ey'd maid!
I know thee, and I prize thy charms;
Come, in thy gentlest smiles array'd,
And I will press thee in my eager arms:
Keep from my aching heart the "fiend DESPAIR,"
Pluck from my brow her THORN, and plant the OLIVE there.
poem by Mary Darby Robinson
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Sonnet XXXIV: Venus! To Thee
Venus! to thee, the Lesbian Muse shall sing,
The song, which Myttellenian youths admir'd,
when Echo, am'rous of the strain inspir'd,
Bade the wild rocks with madd'ning plaudits ring!
Attend my pray'r! O! Queen of rapture! bring
To these fond arms, he, whom my soul has fir'd;
From these fond arms remov'd; yet, still desir'd,
Though love, exulting, spreads his varying wing!
Oh! source of ev'ry joy! of ev'ry care
Blest Venus! Goddess of the zone divine!
To Phaon's bosom, Phaon's victim bear;
So shall her warmest, tend'rest vows be thine!
For Venus, Sappho shall a wreath prepare,
And Love be crown'd, immortal as the Nine!
poem by Mary Darby Robinson
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Sonnet XVIII: Why Art Thou Chang'd?
Why art thou chang'd? O Phaon! tell me why?
Love flies reproach, when passion feels decay;
Or, I would paint the raptures of that day,
When, in sweet converse, mingling sigh with sigh,
I mark'd the graceful languor of thine eye
As on a shady bank entranc'd we lay:
O! Eyes! whose beamy radiance stole away
As stars fade trembling from the burning sky!
Why art thou chang'd? dear source of all my woes!
Though dark my bosom's tint, through ev'ry vein
A ruby tide of purest lustre flows,
Warm'd by thy love, or chill'd by thy disdain;
And yet no bliss this sensate Being knows;
Ah! why is rapture so allied to pain?
poem by Mary Darby Robinson
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Sonnet IV: Why, When I Gaze
Why, when I gaze on Phaon's beauteous eyes,
Why does each thought in wild disorder stray?
Why does each fainting faculty decay,
And my chill'd breast in throbbing tumults rise?
Mute, on the ground my Lyre neglected lies,
The Muse forgot, and lost the melting lay;
My down-cast looks, my faultering lips betray,
That stung by hopeless passion,--Sappho dies!
Now, on a bank of Cypress let me rest;
Come, tuneful maids, ye pupils of my care,
Come, with your dulcet numbers soothe my breast;
And, as the soft vibrations float on air,
Let pity waft my spirit to the blest,
To mock the barb'rous triumphs of despair!
poem by Mary Darby Robinson
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Three Songs
LOVE, thou art best of Human Joys,
Our chiefest Happiness below;
All other Pleasures are but Toys,
Musick without Thee is but Noise,
And Beauty but an empty Show.
Heav'n, who knew best what Man wou'd move,
And raise his Thoughts above the Brute;
Said, Let him Be, and let him Love;
That must alone his Soul improve,
Howe'er Philosophers dispute.
II
Quickly, Delia, Learn my Passion,
Lose not Pleasure, to be Proud;
Courtship draws on Observation,
And the Whispers of the Croud.
Soon or late you'll hear a Lover,
Nor by Time his Truth can prove;
Ages won't a Heart discover,
Trust, and so secure my Love
III
'TIS strange, this Heart within my breast,
Reason opposing, and her Pow'rs,
Cannot one gentle Moment rest,
Unless it knows what's done in Yours.
In vain I ask it of your Eyes,
Which subt'ly would my Fears controul;
For Art has taught them to disguise,
Which Nature made t' explain the Soul.
In vain that Sound, your Voice affords,
Flatters sometimes my easy Mind;
But of too vast Extent are Words
In them the Jewel Truth to find.
Then let my fond Enquiries cease,
And so let all my Troubles end:
For, sure, that Heart shall ne'er know Peace,
Which on Anothers do's depend.
poem by Anne Kingsmill Finch
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The Picture Of Sappho
I.
THOU! whose impassion'd face
The Painter loves to trace,
Theme of the Sculptor's art and Poet's story--
How many a wand'ring thought
Thy loveliness hath brought,
Warming the heart with its imagined glory!
II.
Yet, was it History's truth,
That tale of wasted youth,
Of endless grief, and Love forsaken pining?
What wert thou, thou whose woe
The old traditions show
With Fame's cold light around thee vainly shining?
III.
Didst thou indeed sit there
In languid lone despair--
Thy harp neglected by thee idly lying--
Thy soft and earnest gaze
Watching the lingering rays
In the far west, where summer-day was dying--
IV.
While with low rustling wings,
Among the quivering strings
The murmuring breeze faint melody was making,
As though it wooed thy hand
To strike with new command,
Or mourn'd with thee because thy heart was breaking?
V.
Didst thou, as day by day
Roll'd heavily away,
And left thee anxious, nerveless, and dejected,
Wandering thro' bowers beloved--
Roving where he had roved--
Yearn for his presence, as for one expected?
VI.
Didst thou, with fond wild eyes
Fix'd on the starry skies,
Wait feverishly for each new day to waken--
Trusting some glorious morn
Might witness his return,
Unwilling to believe thyself forsaken?
VII.
And when conviction came,
Chilling that heart of flame,
Didst thou, O saddest of earth's grieving daughters !
From the Leucadian steep
Dash, with a desperate leap,
And hide thyself within the whelming waters?
VIII.
Yea, in their hollow breast
Thy heart at length found rest!
The ever-moving waves above thee closing--
The winds, whose ruffling sigh
Swept the blue waters by,
Disturb'd thee not!--thou wert in peace reposing!
IX.
Such is the tale they tell!
Vain was thy beauty's spell--
Vain all the praise thy song could still inspire--
Though many a happy band
Rung with less skilful hand
The borrowed love-notes of thy echoing lyre.
X.
FAME, to thy breaking heart
No comfort could impart,
In vain thy brow the laurel wreath was wearing;
One grief and one alone
Could bow thy bright head down--
Thou wert a WOMAN, and wert left despairing!
poem by Caroline Elizabeth Sarah Norton
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To Cordelia
JULY, 1740.
From pompous life's dull masquerade,
From Pride's pursuits, and Passion's war,
Far, my Cordelia, very far,
To thee and me may Heaven assign
The silent pleasures of the shade,
The joys of peace, unenvied, though divine!
Safe in the calm embowering grove,
As thy own lovely brow serene;
Behold the world's fantastic scene!
What low pursuits employ the great,
What tinsel things their wishes move,
The forms of Fashion, and the toys of State.
In vain are all Contentment's charms,
Her placid mien, her cheerful eye;
For look, Cordelia, how they fly!
Allur'd by Power, Applause, or Gain,
They fly her kind protecting arms;
Ah, blind to pleasure, and in love with pain!
Turn and indulge a fairer view,
Smile on the joys which here conspire;
O joys harmonious as my lyre!
O prospect of enchanting things,
As ever slumbering poet knew,
When Love and Fancy wrapt him in their wings!
Here, no rude storm of Passion blows,
But Sports, and Smiles, and Virtues play,
Cheer'd by Affection's purest ray;
The air still breathes Contentment's balm,
And the clear stream of Pleasure flows
For ever active, yet for ever calm.
poem by Mark Akenside
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To Caroline
Think'st thou I saw thy beauteous eyes,
Suffus'd in tears, implore to stay;
And heard unmov'd thy plenteous sighs,
Which said far more than words can say?
Though keen the grief thy tears exprest,
When love and hope lay both o'erthrown;
Yet still, my girl, this bleeding breast
Throbb'd, with deep sorrow, as thine own.
But, when our cheeks with anguish glow'd,
When thy sweet lips were join'd to mine;
The tears that from my eyelids flow'd
Were lost in those which fell from thine.
Thou could'st not feel my burning cheek,
Thy gushing tears had quench'd its flame,
And, as thy tongue essay'd to speak,
In sighs alone it breath'd my name.
And yet, my girl, we weep in vain,
In vain our fate in sighs deplore;
Remembrance only can remain,
But that, will make us weep the more.
Again, thou best belov'd, adieu!
Ah! if thou canst, o'ercome regret,
Nor let thy mind past joys review,
Our only hope is, to forget!
To a Beautiful Quaker
Sweet girl! though only once we met,
That meeting I shall ne'er forget;
And though we may ne'er meet again,
Rememberance will thy form retain.
I would not say, "I love", but still
My senses struggle with my will:
In vain, to drive thee from my breast,
My thoughts are more and more represt;
In vain I check the rising sighs,
Another to the last replies:
Perhaps this is not love, but yet
Our meeting I can ne'er forget.
What though we never silence broke,
Our eyes a sweeter language spoke;
The tongue in flattering falsehood deals,
And tells a tale it never feels:
Deceit the guilty lips impart,
And hush the mandates of the heart;
But soul's interpreters, the eyes,
Spurns such restraint, and scorn disguise.
As thus our glances oft conversed,
And all our bosoms felt rehearsed,
No spirit, from within, reproved us,
Say rather, "'twas the spirit moved us."
Though what they utter'd I repress,
Yet I conceive thou'lt partly guess;
For as on thee my memory ponders,
Perchance to me thine also wanders,
This, for myself, at least, I'll say,
Thy form appears through night, through day;
Awake, with it my fancy teems;
In sleep, it smiles in fleeting dreams;
The vision charms the hours away,
And bids me curse Aurora's ray
For breaking slumbers of delight
Which make me wish for endless night.
Since, oh! whate'er my future fate,
Shall joy or woe my steps await,
Tempted by love, by storms beset,
Thine image I can ne'er forget.
Alas! again no more we meet,
No more our former looks repeat;
Then let me breathe this parting prayer,
The dictate of my bosom's care:
"May Heaven so guard my lovely quaker,
That anguish never can o'ertake her;
That peace and virture ne'er forsake her
But bliss be aye her heart's partaker!
Oh! may the happy mortal fated
To be, by dearest ties, related,
For her each hour new joys discover,
And lose the husband in the lover!
May that fair bosom never know
What 'tis to feel the restless woe
Which stings the soul, whith vain regret,
Of him who never can forget!"
poem by Byron (1806)
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Hymn 140
A living and a dead faith. Collected from several scriptures.
Mistaken souls, that dream of heav'n,
And make their empty boast
Of inward joys, and sins forgiv'n,
While they are slaves to lust!
Vain are our fancies, airy flights,
If faith be cold and dead;
None but a living power unites
To Christ the living head.
'Tis faith that changes all the heart;
'Tis faith that works by love;
That bids all sinful joys depart,
And lifts the thoughts above.
'Tis faith that conquers earth and hell
By a celestial power;
This is the grace that shall prevail
In the decisive hour.
[Faith must obey her Father's will,
As well as trust his grace;
A pard'ning God is jealous still
For his own holiness.]
When from the curse he sets us free,
He makes our natures clean;
Nor would he send his Son to be
The minister of sin.
[His Spirit purifies our frame,
And seals our peace with God;
Jesus and his salvation came
By water and by blood.]
poem by Isaac Watts
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The Maiden's Lament
The clouds fast gather,
The forest-oaks roar--
A maiden is sitting
Beside the green shore,--
The billows are breaking with might, with might,
And she sighs aloud in the darkling night,
Her eyelid heavy with weeping.
"My heart's dead within me,
The world is a void;
To the wish it gives nothing,
Each hope is destroyed.
I have tasted the fulness of bliss below
I have lived, I have loved,--Thy child, oh take now,
Thou Holy One, into Thy keeping!"
"In vain is thy sorrow,
In vain thy tears fall,
For the dead from their slumbers
They ne'er can recall;
Yet if aught can pour comfort and balm in thy heart,
Now that love its sweet pleasures no more can impart,
Speak thy wish, and thou granted shalt find it!"
"Though in vain is my sorrow,
Though in vain my tears fall,--
Though the dead from their slumbers
They ne'er can recall,
Yet no balm is so sweet to the desolate heart,
When love its soft pleasures no more can impart,
As the torments that love leaves behind it!"
poem by Friedrich Schiller
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Rhomboidal Dirge
Ah me!
Am I the swain
That late from sorrow free
Did all the cares on earth disdain?
And still untouched, as at some safer games,
Played with the burning coals of love, and beauty's flames?
Was't I could dive, and sound each passion's secret depth at will?
And from those huge o'erwhelmings rise, by help of reason still?
And am I now, O heavens! for trying this in vain,
So sunk that I shall never rise again?
Then let despair set sorrow's string,
For strains that doleful be;
And I will sing,
Ah me!
But why,
O fatal time,
Dost thou constrain that I
Should perish in my youth's sweet prime?
I, but awhile ago, (you cruel powers!)
In spite of fortune, cropped contentment's sweetest flowers,
And yet unscornèd, serve a gentle nymph, the fairest she,
That ever was beloved of man, or eyes did ever see!
Yea, one whose tender heart would rue for my distress;
Yet I, poor I! must perish ne'ertheless.
And (which much more augments my care)
Unmoanèd I must die,
And no man e'er
Know why.
Thy leave,
My dying song,
Yet take, ere grief bereave
The breath which I enjoy too long,
Tell thou that fair one this: my soul prefers
Her love above my life; and that I died her's:
And let him be, for evermore, to her remembrance dear,
Who loved the very thought of her whilst he remained here.
And now farewell! thou place of my unhappy birth,
Where once I breathed the sweetest air on earth;
Since me my wonted joys forsake,
And all my trust deceive;
Of all I take
My leave.
Farewell!
Sweet groves, to you!
You hills, that highest dwell;
And all you humble vales, adieu!
You wanton brooks, and solitary rocks,
My dear companions all! and you, my tender flocks!
Farewell my pipe, and all those pleasing songs, whose moving strains
Delighted once the fairest nymphs that dance upon the plains!
You discontents, whose deep and over-deadly smart
Have, without pity, broke the truest heart.
Sighs, tears, and every sad annoy,
That erst did with me dwell,
And all other joys,
Farewell!
Adieu!
Fair shepherdesses!
Let garlands of sad yew
Adorn your dainty golden tresses.
I, that loved you, and often with my quill,
Made music that delighted fountain, grove, and hill;
I, whom you loved so, and with a sweet and chaste embrace.
Yea, with a thousand rather favours, would vouchsafe to grace,
I now must leave you all alone, of love to plain;
And never pipe, nor never sing again!
I must, for evermore, be gone;
And therefore bid I you,
And every one,
Adieu!
I die!
For, oh! I feel
Death's horrors drawing nigh,
And all this frame of nature reel.
My hopeless heart, despairing of relief,
Sinks underneath the heavy weight of saddest grief;
Which hath so ruthless torn, so racked, so tortured every vein,
All comfort comes too late to have it ever cured again.
My swimming head begins to dance death's giddy round;
A shuddering chillness doth each sense confound;
Benumbed is my cold sweating brow
A dimness shuts my eye.
And now, oh! now,
I die!
poem by George Wither
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Hymn 165
Unfruitfulness, ignorance, and unsanctified affections.
Long have I sat beneath the sound
Of thy salvation, Lord;
But still how weak my faith is found,
And knowledge of thy word!
Oft I frequent thy holy place,
And hear almost in vain;
How small a portion of thy grace
My memory can retain!
[My dear Almighty, and my God,
How little art thou known
By all the judgments of thy rod,
And blessings of thy throne!]
How cold and feeble is my love!
How negligent my fear!
How low my hope of joys above!
How few affections there!
Great God! thy sovereign power impart
To give thy word success;
Write thy salvation in my heart,
And make me learn thy grace.
[Show my forgetful feet the way
That leads to joys on high;
There knowledge grows without decay,
And love shall never die.]
poem by Isaac Watts
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Amalia
Angel-fair, Walhalla's charms displaying,
Fairer than all mortal youths was he;
Mild his look, as May-day sunbeams straying
Gently o'er the blue and glassy sea.
And his kisses!--what ecstatic feeling!
Like two flames that lovingly entwine,
Like the harp's soft tones together stealing
Into one sweet harmony divine,--
Soul and soul embraced, commingled, blended,
Lips and cheeks with trembling passion burned,
Heaven and earth, in pristine chaos ended,
Round the blissful lovers madly turn'd.
He is gone--and, ah! with bitter anguish
Vainly now I breathe my mournful sighs;
He is gone--in hopeless grief I languish
Earthly joys I ne'er again can prize!
poem by Friedrich Schiller
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Address To Music
OH thou! whose soft, bewitching lyre,
Can lull the sting of pain to rest;
Oh thou! whose warbling notes inspire,
The pensive muse with visions blest;
Sweet music! let thy melting airs
Enhance my joys, and sooth my cares!
Is there enchantment in thy voice,
Thy dulcet harp, thy moving measure;
To bid the mournful mind rejoice,
To raise the fairy form of pleasure?
Yes, heav'nly maid! a charm is thine,
A magic art, a spell divine!
Sweet music! when thy notes we hear,
Some dear remembrance oft they bring,
Of friends belov'd, no longer near,
And days that flew on rapture's wing;
Hours of delight that long are past,
And dreams of joy, too bright to last!
And oft 'tis thine the soul to fire,
With glory's animating flame,
Bid valor's noble sons aspire
To win th' immortal wreath of fame
Thine too, the soft, expressive tones,
That pity, tender pity owns!
Oh harmony! celestial pow'r!
Thou syren of the melting soul!
In sorrow's reign, in pleasure's hour,
My heart shall own thy blest control;
And ever let thy moving airs,
Enhance my joys and sooth my cares!
poem by Felicia Dorothea Hemans
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To Mr. Addison on His Opera of Rosamond
______ Ne fortè pudori
Sit tibi Musa lyræ solers, & cantor Apollo.
The Opera first Italian masters taught,
Enrich'd with songs, but innocent of thought;
Britannia's learned theatre disdains
Melodious trifles, and enervate strains;
And blushes, on her injur'd stage to see
Nonsense well-tun'd, and sweet stupidity.
No charms are wanting to thy artful song,
Soft as Corelli, and as Virgil strong.
From Words so sweet new grace the notes receive,
And Music borrows helps, she us'd to give.
Thy style hath match'd what ancient Romans knew,
Thy flowing numbers far excel the new.
Their cadence in such easy sound convey'd,
The height of thought may seem superfluous aid;
Yet in such charms the noble thoughts abound,
That needless seem the sweets of easy sound.
Landscapes how gay the bowery grotto yields,
Which thought creates, and lavish fancy builds!
What art can trace the visionary scenes,
The flowery groves, and everlasting greens,
The babbling sounds that mimic echo plays,
The fairy shade, and its eternal maze?
Nature and Art in all their charms combin'd,
And all Elysium to one view confin'd!
No further could imagination roam,
Till Vanbrugh fram'd, and Marlborough rais'd the dome.
Ten thousand pangs my anxious bosom tear,
When drown'd in tears I see th' imploring fair;
When bards less soft the moving words supply,
A seeming justice dooms the nymph to die;
But here she begs, nor can she beg in vain
(In dirges thus expiring swans complain);
Each verse so swells expressive of her woes,
And every tear in lines so mournful flows;
We, spite of fame, her fate revers'd believe,
O'erlook her crimes, and think she ought to live.
Let joy salute fair Rosamonda's shade,
And wreaths of myrtle crown the lovely maid.
While now perhaps with Dido's ghost she roves,
And hears and tells the story of their loves,
Alike they mourn, alike they bless their fate,
Since Love, which made them wretched, makes them great.
Nor longer that relentless doom bemoan,
Which gain'd a Virgil, and an Addison.
Accept, great monarch of the British lays,
The tribute song an humble subject pays.
So tries the artless lark her early flight,
And soars, to hail the god of verse and light.
Unrivall'd, as unmatch'd, be still thy fame,
And thy own laurels shade thy envy'd name:
Thy name, the boast of all the tuneful quire,
Shall tremble on the strings of every lyre;
While the charm'd reader with thythought complies,
Feels corresponding joys or sorrows rise,
And views thy Rosamond with Henry's eyes.
poem by Thomas Tickell
Submitted by Poetry Lover
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Time And Love
Time flies. The swift hours hurry by
And speed us on to untried ways;
New seasons ripen, perish, die,
And yet love stays.
The old, old love – like sweet at first,
At last like bitter wine –
I know not if it blest or curst,
Thy life and mine.
Time flies. In vain our prayers, our tears,
We cannot tempt him to delays;
Down to the past he bears the years,
And yet love stays.
Through changing task and varying dream
We hear the same refrain,
As one can hear a plaintive theme
Run through each strain.
Time flies. He steals out pulsing youth,
He robs us of our care-free days,
He takes away our trust and truth,
And yet love stays.
O Time! take love! When love is vain,
When all its best joys die –
When only its regrets remain –
Let love, too, fly.
poem by Ella Wheeler Wilcox
Submitted by Poetry Lover
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