
To Miss --,
{On her playing upon the harpsichord in
a room hung with flower-pieces of her own painting}.
When Stella strikes the tuneful string
In scenes of imitated Spring,
Where beauty lavishes her powers
On beds of never-fading flowers,
And pleasure propagates around
Each charm of modulated sound;
Ah! think not in the dangerous hour,
The nymph fictitious as the flower;
But shun, rash youth, the gay alcove,
Nor tempt the snares of wily love.
When charms thus press on every sense,
What thought of flight or of defence?
Deceitful hope, and vain desire,
For ever flutter o'er her lyre,
Delighting as the youth draws nigh,
To point the glances of her eye,
And forming with unerring art
New chains to hold the captive heart.
But on those regions of delight,
Might truth intrude with daring flight,
Could Stella, sprightly, fair, and young,
One moment hear the moral song,
Instruction with her flowers might spring,
And wisdom warble from her string.
Mark when from thousand mingled dyes
Thou seest one pleasing form arise,
How active light and thoughtful shade,
In greater scenes each other aid;
Mark when the different notes agree
In friendly contrariety,
How passion's well-accorded strife
Gives all the harmony of life.
Thy pictures shall thy conduct frame,
Consistent still, though not the same;
Thy music teach the nobler art,
To tune the regulated heart.
poem by Samuel Johnson

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To Miss Hickman, Playing the Spinet
Bright Stella, form'd for universal reign,
Too well you know to keep the slaves you gain;
When in your eyes resistless lightnings play,
Awed into love our conquer'd hearts obey,
And yield reluctant to despotic sway;
But when your music soothes the raging pain,
We bid propitious heaven prolong your reign,
We bless the tyrant, and we hug the chain.
When old Timotheus struck the vocal string,
Ambition's fury fired the Grecian king:
Unbounded projects labouring in his mind,
He pants for room in one poor world confined.
Thus waked to rage by music's dreadful power,
He bids the sword destroy, the flame devour.
Had Stella's gentle touches moved the lyre,
Soon had the monarch felt the nobler fire:
No more delighted with destructive war,
Ambitious only now to please the fair;
Resign'd his thirst of empire to her charms,
And found a thousand worlds in Stella's arms.
poem by Samuel Johnson

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One Of Twain
One of twain, twin-born with flowers that waken,
Now hath passed from sense of sun and rain:
Wind from off the flower-crowned branch hath shaken
One of twain.
One twin flower must pass, and one remain:
One, the word said soothly, shall be taken,
And another left: can death refrain?
Two years since was love's light song mistaken,
Blessing then both blossoms, half in vain?
Night outspeeding light hath overtaken
One of twain.
Night and light? O thou of heart unwary,
Love, what knowest thou here at all aright,
Lured, abused, misled as men by fairy
Night and light?
Haply, where thine eyes behold but night,
Soft as o'er her babe the smile of Mary
Light breaks flowerwise into new-born sight.
What though night of light to thee be chary?
What though stars of hope like flowers take flight?
Seest thou all things here, where all see vary
Night and light?
poem by Algernon Charles Swinburne

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These Little Ones
'What of the garden I gave?'
God said to me;
'Hast thou been diligent to foster and save
The life of flower and tree?
How have the roses thriven,
The lilies I have given,
The pretty scented miracles that Spring
And Summer come to bring?
'My garden is fair and dear,'
I said to God;
'From thorns and nettles I have kept it clear.
Green-trimmed its sod.
The rose is red and bright,
The lily a live delight;
I have not lost a flower of all the flowers
That blessed my hours.'
'What of the child I gave?'
God said to me;
'The little, little one I died to save
And gave in trust to thee?
How have the flowers grown
That in its soul were sown,
The lovely living miracles of youth
And hope and joy and truth?'
'The child's face is all white,'
I said to God;
'It cries for cold and hunger in the night:
Its little feet have trod
The pavement muddy and cold.
It has no flowers to hold,
And in its soul the flowers you set are dead.'
'Thou fool!' God said.
poem by Edith Nesbit

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Amoret
If rightly tuneful bards decide,
If it be fix'd in Love's decrees,
That Beauty ought not to be tried
But by its native power to please,
Then tell me, youths and lovers, tell—
What fair can Amoret excel?
Behold that bright unsullied smile,
And wisdom speaking in her mien:
Yet—she so artless all the while,
So little studious to be seen—
We naught but instant gladness know,
Nor think to whom the gift we owe.
But neither music, nor the powers
Of youth and mirth and frolic cheer,
Add half the sunshine to the hours,
Or make life's prospect half so clear,
As memory brings it to the eye
From scenes where Amoret was by.
This, sure, is Beauty's happiest part;
This gives the most unbounded sway;
This shall enchant the subject heart
When rose and lily fade away;
And she be still, in spite of Time,
Sweet Amoret in all her prime.
poem by Mark Akenside

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Ode VI: Hymn To Cheerfulness
How thick the shades of evening close!
How pale the sky with weight of snows!
Haste, light the tapers, urge the fire,
And bid the joyless day retire.
—Alas, in vain i try within
To brighten the dejected scene,
While rouz'd by grief these fiery pains
Tear the frail texture of my veins;
While winter's voice, that storms around,
And yon deep death-bell's groaning sound
Renew my mind's oppressive gloom,
Till starting horror shakes the room.
Is there in nature no kind power
To sooth affliction's lonely hour?
To blunt the edge of dire disease,
And teach these wintry shades to please?
Come, Cheerfulness, triumphant fair,
Shine through the hovering cloud of care:
O sweet of language, mild of mien,
O virtue's friend and pleasure's queen,
Asswage the flames that burn my breast,
Compose my jarring thoughts to rest;
And while thy gracious gifts i feel,
My song shall all thy praise reveal.
As once ('twas in Astræa's reign)
The vernal powers renew'd their train,
It happen'd that immortal Love
Was ranging through the spheres above,
And downward hither cast his eye
The year's returning pomp to spy.
He saw the radiant god of day,
Waft in his car the rosy May;
The fragrant Airs and genial Hours
Were shedding round him dews and flowers;
Before his wheels Aurora pass'd,
And Hesper's golden lamp was last.
But, fairest of the blooming throng,
When Health majestic mov'd along,
Delighted to survey below
The joys which from her presence flow,
While earth enliven'd hears her voice,
And swains, and flocks, and fields rejoice;
Then mighty Love her charms confess'd,
And soon his vows inclin'd her breast,
And, known from that auspicious morn,
The pleasing Cheerfulness was born.
Thou, Cheerfulness, by heaven design'd
To sway the movements of the mind,
Whatever fretful passion springs,
Whatever wayward fortune brings
To disarrange the power within,
And strain the musical machine;
Thou, Goddess, thy attempering hand
Doth each discordant string command,
Refines the soft, and swells the strong;
And, joining nature's general song,
Through many a varying tone unfolds
The harmony of human souls.
Fair guardian of domestic life,
Kind banisher of homebred strife,
Nor sullen lip, nor taunting eye
Deforms the scene where thou art by:
No sickening husband damns the hour
Which bound his joys to female power;
No pining mother weeps the cares
Which parents waste on thankless heirs:
The officious daughters pleas'd attend;
The brother adds the name of friend:
By thee with flowers their board is crown'd,
With songs from thee their walks resound;
And morn with welcome lustre shines,
And evening unperceiv'd declines.
Is there a youth, whose anxious heart
Labors with love's unpitied smart?
Though now he stray by rills and bowers,
And weeping waste the lonely hours,
Or if the nymph her audience deign,
Debase the story of his pain
With slavish looks, discolor'd eyes,
And accents faltering into sighs;
Yet thou, auspicious power, with ease
Can'st yield him happier arts to please,
Inform his mien with manlier charms,
Instruct his tongue with nobler arms,
With more commanding passion move,
And teach the dignity of love.
Friend to the Muse and all her train,
For thee i court the Muse again:
The Muse for thee may well exert
Her pomp, her charms, her fondest art,
Who owes to thee that pleasing sway
Which earth and peopled heaven obey.
Let melancholy's plaintive tongue
Repeat what later bards have sung;
But thine was Homer's ancient might,
And thine victorious Pindar's flight:
Thy hand each Lesbian wreathe attir'd:
Thy lip Sicilian reeds inspir'd:
Thy spirit lent the glad perfume
Whence yet the flowers of Teos bloom;
Whence yet from Tibur's Sabine vale
Delicious blows the inlivening gale,
While Horace calls thy sportive choir,
Heroes and nymphs, around his lyre.
But see where yonder pensive sage
(A prey perhaps to fortune's rage,
Perhaps by tender griefs oppress'd,
Or glooms congenial to his breast)
Retires in desart scenes to dwell,
And bids the joyless world farewell.
Alone he treads the autumnal shade,
Alone beneath the mountain laid
He sees the nightly damps ascend,
And gathering storms aloft impend;
He hears the neighbouring surges roll,
And raging thunders shake the pole:
Then, struck by every object round,
And stunn'd by every horrid sound,
He asks a clue for nature's ways;
But evil haunts him through the maze:
He sees ten thousand demons rise
To wield the empire of the skies,
And chance and fate assume the rod,
And malice blot the throne of God.
—O thou, whose pleasing power i sing,
Thy lenient influence hither bring;
Compose the storm, dispell the gloom,
Till nature wear her wonted bloom,
Till fields and shades their sweets exhale,
And music swell each opening gale:
Then o'er his breast thy softness pour,
And let him learn the timely hour
To trace the world's benignant laws,
And judge of that presiding cause
Who founds on discord beauty's reign,
Converts to pleasure every pain,
Subdues each hostile form to rest,
And bids the universe be bless'd.
O thou, whose pleasing power i sing,
If right i touch the votive string,
If equal praise i yield thy name,
Still govern thou thy poet's flame;
Still with the Muse my bosom share,
And sooth to peace intruding care.
But most exert thy pleasing power
On friendship's consecrated hour;
And while my Sophron points the road
To godlike wisdom's calm abode,
Or warm in freedom's ancient cause
Traceth the source of Albion's laws,
Add thou o'er all the generous toil
The light of thy unclouded smile.
But, if by fortune's stubborn sway
From him and friendship torn away,
I court the Muse's healing spell
For griefs that still with absence dwell,
Do thou conduct my fancy's dreams
To such indulgent placid themes,
As just the struggling breast may cheer
And just suspend the starting tear,
Yet leave that sacred sense of woe
Which none but friends and lovers know.
poem by Mark Akenside

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The Youth By The Brook
Beside the brook the boy reclined
And wove his flowery wreath,
And to the waves the wreath consigned--
The waves that danced beneath.
"So fleet mine hours," he sighed, "away
Like waves that restless flow:
And so my flowers of youth decay
Like those that float below."
"Ask not why I, alone on earth,
Am sad in life's young time;
To all the rest are hope and mirth
When spring renews its prime.
Alas! the music Nature makes,
In thousand songs of gladness--
While charming all around me, wakes
My heavy heart to sadness."
"Ah! vain to me the joys that break
From spring, voluptuous are;
For only one 't is mine to seek--
The near, yet ever far!
I stretch my arms, that shadow-shape
In fond embrace to hold;
Still doth the shade the clasp escape--
The heart is unconsoled!"
"Come forth, fair friend, come forth below,
And leave thy lofty hall,
The fairest flowers the spring can know
In thy dear lap shall fall!
Clear glides the brook in silver rolled,
Sweet carols fill the air;
The meanest hut hath space to hold
A happy loving pair!"
poem by Friedrich Schiller

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Yesterday's Flower
Yesterday's Flower
sunshine falls on potent flowers
like the nectar of youth's love
' blooms in emerald green ', held captive rose buds
dance to the music of the wind
life at first soft and sweet subtle
a whisper behind the floral scene
we're short lived as the fragrance arose
for the intoxication of seasons past
the celebration of flower's spring
worn thin life's very stem
dew drops hang so sparkling clear
and the musk of a honeysuckle nights
caress the moment and kiss good-by
youth the bloom of a new flower
now spent and broken
and the Fall winds weep!
' We are like a lovely flower, fragrant and firm until
the season of our lives take the lively parts slowly.'
For death waits for no one!
poem by Myrtle Thomas

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Ode XI: On Love, To A Friend
I.
No, foolish youth—To virtuous fame
If now thy early hopes be vow'd,
If true ambition's nobler flame
Command thy footsteps from the croud,
Lean not to love's inchanting snare;
His songs, his words, his looks beware,
Nor join his votaries, the young and fair.
II.
By thought, by dangers, and by toils,
The wreath of just renown is worn;
Nor will ambition's awful spoils
The flowery pomp of ease adorn:
But love unbends the force of thought;
By love unmanly fears are taught;
And love's reward with gaudy sloth is bought.
III.
Yet thou hast read in tuneful lays,
And heard from many a zealous breast,
The pleasing tale of beauty's praise
In wisdom's lofty language dress'd;
Of beauty powerful to impart
Each finer sense, each comelier art,
And sooth and polish man's ungentle heart.
IV.
If then, from love's deceit secure,
Thus far alone thy wishes tend,
Go; see the white-wing'd evening hour
On Delia's vernal walk descend:
Go, while the golden light serene,
The grove, the lawn, the soften'd scene
Becomes the presence of the rural queen.
V.
Attend, while that harmonious tongue
Each bosom, each desire commands:
Apollo's lute by Hermes strung
And touch'd by chaste Minerva's hands,
Attend. I feel a force divine,
O Delia, win my thoughts to thine;
That half the color of thy life is mine.
VI.
Yet conscious of the dangerous charm,
Soon would i turn my steps away;
Nor oft provoke the lovely harm,
Nor lull my reason's watchful sway.
But thou, my friend—i hear thy sighs:
Alass, i read thy downcast eyes;
And thy tongue falters; and thy color flies.
VII.
So soon again to meet the fair?
So pensive all this absent hour?
—O yet, unlucky youth, beware,
While yet to think is in thy power.
In vain with friendship's flattering name
Thy passion veils its inward shame;
Friendship, the treacherous fuel of thy flame!
VIII.
Once, I remember, new to love,
And dreading his tyrannic chain,
I sought a gentle maid to prove
What peaceful joys in friendship reign:
Whence we forsooth might safely stand,
And pitying view the lovesick band,
And mock the winged boy's malicious hand.
IX.
Thus frequent pass'd the cloudless day,
To smiles and sweet discourse resign'd;
While i exulted to survey
One generous woman's real mind:
Till friendship soon my languid breast
Each night with unknown cares possess'd,
Dash'd my coy slumbers, or my dreams distress'd.
X.
Fool that i was—And now, even now
While thus i preach the Stoic strain,
Unless i shun Olympia's view,
An hour unsays it all again.
O friend!—when love directs her eyes
To pierce where every passion lies,
Where is the firm, the cautious, or the wise?
poem by Mark Akenside

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Stella And Flavia.
Stella and Flavia, ev'ry Hour,
Unnumber'd Hearts surprize:
In Stella's Soul lies all her Pow'r,
And Flavia's, in her Eyes.
More boundless Flavia's Conquests are,
And Stella's more confin'd:
All can discern a Face that's fair,
But few a lovely Mind.
Stella, like Britain's Monarch, reigns
O'er cultivated Lands;
Like Eastern Tyrants, Flavia deigns
To rule o'er barren Sands.
Then boast, fair Flavia, boast your Face,
Your Beauty's only Store:
Your Charms will ev'ry Day decrease,
Each Day gives Stella more.
poem by Mary Barber

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Ode VIII: If Rightly Tuneful Bards Decide
I.
If rightly tuneful bards decide,
If it be fix'd in love's decrees,
That beauty ought not to be tried
But by its native power to please,
Then tell me, youths and lovers, tell,
What fair can Amoret excell?
II.
Behold that bright unsullied smile,
And wisdom speaking in her mien:
Yet (she so artless all the while,
So little studious to be seen)
We nought but instant gladness know,
Nor think to whom the gift we owe.
III.
But neither music, nor the powers
Of youth and mirth and frolick cheer,
Add half that sunshine to the hours,
Or make life's prospect half so clear,
As memory brings it to the eye
From scenes where Amoret was by.
IV.
Yet not a satirist could there
Or fault or indiscretion find;
Nor any prouder sage declare
One virtue, pictur'd in his mind,
Whose form with lovelier colours glows
Than Amoret's demeanor shows.
V.
This sure is beauty's happiest part:
This gives the most unbounded sway:
This shall inchant the subject heart
When rose and lily fade away;
And she be still, in spite of time,
Sweet Amoret in all her prime.
poem by Mark Akenside

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A Song Of Success
Ho! we were strong, we were swift, we were brave.
Youth was a challenge, and Life was a fight.
All that was best in us gladly we gave,
Sprang from the rally, and leapt for the height.
Smiling is Love in a foam of Spring flowers:
Harden our hearts to him -- on let us press!
Oh, what a triumph and pride shall be ours!
See where it beacons, the star of success!
Cares seem to crowd on us -- so much to do;
New fields to conquer, and time's on the wing.
Grey hairs are showing, a wrinkle or two;
Somehow our footstep is losing its spring.
Pleasure's forsaken us, Love ceased to smile;
Youth has been funeralled; Age travels fast.
Sometimes we wonder: is it worth while?
There! we have gained to the summit at last.
Aye, we have triumphed! Now must we haste,
Revel in victory . . . why! what is wrong?
Life's choicest vintage is flat to the taste --
Are we too late? Have we laboured too long?
Wealth, power, fame we hold . . . ah! but the truth:
Would we not give this vain glory of ours
For one mad, glad year of glorious youth,
Life in the Springtide, and Love in the flowers.
poem by Robert William Service

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Pleasures Of Imagination, The
BOOK I
With what attractive charms this goodly frame
Of Nature touches the consenting hearts
Of mortal men; and what the pleasing stores
Which beauteous imitation thence derives
To deck the poet's, or the painter's toil;
My verse unfolds. Attend, ye gentle pow'rs
Of musical delight! and while I sing
Your gifts, your honours, dance around my strain.
Thou, smiling queen of every tuneful breast,
Indulgent Fancy! from the fruitful banks
Of Avon, whence thy rosy fingers cull
Fresh flowers and dews to sprinkle on the turf
Where Shakspeare lies, be present: and with thee
Let Fiction come, upon her vagrant wings
Wafting ten thousand colours through the air,
Which, by the glances of her magic eye,
She blends and shifts at will, through countless forms,
Her wild creation. Goddess of the lyre,
Which rules the accents of the moving sphere,
Wilt thou, eternal Harmony! descend
And join this festive train? for with thee comes
The guide, the guardian of their lovely sports,
Majestic Truth; and where Truth deigns to come,
Her sister Liberty will not be far.
Be present all ye genii, who conduct
The wandering footsteps of the youthful bard,
New to your springs and shades: who touch his ear
With finer sounds: who heighten to his eye
The bloom of Nature, and before him turn
The gayest, happiest attitude of things.
...
Or shall I mention, where celestial Truth
Her awful light discloses, to bestow
A more majestic pomp on Beauty's frame?
For man loves knowledge, and the beams of Truth
More welcome touch his understanding's eye,
Than all the blandishments of sound his ear,
Than all of taste his tongue. Nor ever yet
The melting rainbow's vernal-tinctur'd hues
To me have shone so pleasing, as when first
The hand of Science pointed out the path
In which the sun-beams gleaming from the west
Fall on the watery cloud, whose darksome veil
Involves the orient; and that trickling shower
Piercing through every crystalline convex
Of clustering dew-drops to their flight oppos'd,
Recoil at length where concave all behind
The internal surface on each glassy orb
Repeals their forward passage into air;
That thence direct they seek the radiant goal
From which their course began; and, as they strike
In different lines the gazer's obvious eye,
Assume a different lustre, through the brede
Of colours changing from the splendid rose
To the pale violet's dejected hue.
poem by Mark Akenside

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The Pleasures Of Imagination
BOOK I
With what attractive charms this goodly frame
Of Nature touches the consenting hearts
Of mortal men; and what the pleasing stores
Which beauteous imitation thence derives
To deck the poet's, or the painter's toil;
My verse unfolds. Attend, ye gentle pow'rs
Of musical delight! and while I sing
Your gifts, your honours, dance around my strain.
Thou, smiling queen of every tuneful breast,
Indulgent Fancy! from the fruitful banks
Of Avon, whence thy rosy fingers cull
Fresh flowers and dews to sprinkle on the turf
Where Shakspeare lies, be present: and with thee
Let Fiction come, upon her vagrant wings
Wafting ten thousand colours through the air,
Which, by the glances of her magic eye,
She blends and shifts at will, through countless forms,
Her wild creation. Goddess of the lyre,
Which rules the accents of the moving sphere,
Wilt thou, eternal Harmony! descend
And join this festive train? for with thee comes
The guide, the guardian of their lovely sports,
Majestic Truth; and where Truth deigns to come,
Her sister Liberty will not be far.
Be present all ye genii, who conduct
The wandering footsteps of the youthful bard,
New to your springs and shades: who touch his ear
With finer sounds: who heighten to his eye
The bloom of Nature, and before him turn
The gayest, happiest attitude of things.
...
Or shall I mention, where celestial Truth
Her awful light discloses, to bestow
A more majestic pomp on Beauty's frame?
For man loves knowledge, and the beams of Truth
More welcome touch his understanding's eye,
Than all the blandishments of sound his ear,
Than all of taste his tongue. Nor ever yet
The melting rainbow's vernal-tinctur'd hues
To me have shone so pleasing, as when first
The hand of Science pointed out the path
In which the sun-beams gleaming from the west
Fall on the watery cloud, whose darksome veil
Involves the orient; and that trickling shower
Piercing through every crystalline convex
Of clustering dew-drops to their flight oppos'd,
Recoil at length where concave all behind
The internal surface on each glassy orb
Repeals their forward passage into air;
That thence direct they seek the radiant goal
From which their course began; and, as they strike
In different lines the gazer's obvious eye,
Assume a different lustre, through the brede
Of colours changing from the splendid rose
To the pale violet's dejected hue.
poem by Mark Akenside

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Sonnet I: Love Enthroned
I marked all kindred Powers the heart finds fair:—
Truth, with awed lips; and Hope, with eyes upcast;
And Fame, whose loud wings fan the ashen Past
To signal-fires, Oblivion's flight to scare;
And Youth, with still some single golden hair
Unto his shoulder clinging, since the last
Embrace wherein two sweet arms held him fast;
And Life, still wreathing flowers for Death to wear.
Love's throne was not with these; but far above
All passionate wind of welcome and farewell
He sat in breathless bowers they dream not of;
Though Truth foreknow Love's heart, and Hope foretell,
And Fame be for Love's sake desirable,
And Youth be dear, and Life be sweet to Love.
poem by Dante Gabriel Rossetti

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A Song For St. Cecilia's Day, At Oxford
I.
Cecilia, whose exalted hymns
With joy and wonder fill the blest,
In choirs of warbling seraphims
Known and distinguish'd fom the rest;
Attend, harmonious saint, and see
Thy vocal sons of harmony;
Attend, harmonious saint, and hear our prayers;
Enliven all our earthly airs,
and, as thou sing'st thy God, teach us to sing of thee:
Tune every string and every tongue,
Be thou the Muse and subject of our song.
II.
Let all Cecilia's praise proclaim,
Enploy the echo in her name.
Hark how the flutes and trumpets raise,
At bright Cecilia's name, their lays;
The organ labours in her praise.
Cecilia's name does all our numbers grace,
From every voice the tuneful accents fly,
In soaring trebles now it rises high,
And now it sinks, and dwells upon the base.
Cecilia's name through all the notes we sing,
The work of every skilful tongue
The sound of every trembling string,
The sound and triumph of our song.
III.
For ever consecrate the day,
To music and Cecilia;
Music, the greatest good that mortals know,
And all of heaven we have below.
Music can noble hints impart,
Engender fury, kindle love;
With unsuspected eloquence can move,
And manage all the man with secret art.
When Orpheus strikes the trembling lyre
The streams stand still, the stones admire;
The listening savages advance,
The world and lamb around him trip
The bears in aukward measures leap,
And tigers mingle in the dance
The moving woods attended as he played
And Rhodope was left without a shade.
IV.
Music religious heats inspires,
It wakes the soul, and lifts it high,
And wings it with sublime desires,
And fits it to bespeak the Deity.
Th' Almighty listens to a tuneful tongue,
And seems well-pleas'd and courted with a song.
Soft moving sounds and heavenly airs
Give forece to every word, and recommend our prayers
When time itself shall be no more,
And all things in confusion hurl'd,
Music shall then exert its power,
And sound survive the ruins of the world:
Then saints and angels shall agree
In one eternal jubilee:
All heaven shall echo with their hymns divine,
And God himself with pleasure see
The whole creation in a chorus join.
C H O R U S.
Consecrate the place and day,
To music and Cecilia Let no rough winds approach, nor dare
Invade the hallow'd bounds,
Nor rudely shake the tuneful air,
Nor spoil the fleeting sounds.
Nor mournful sigh nor groan be heard,
But gladness dwell on every tongue;
Whilst all, with voice and strings prepar'd,
Keep u; the loud harmonious song.
And imitate the blest above,
In joy, and harmony, and love.
poem by Joseph Addison

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Sonnet 106: Oh Absent Presence
Oh absent presence, Stella is not here;
False flattering Hope, that with so fair a face
Bare me in hand, that in this orphan place,
Stella, I say my Stella, should appear:
What sayest thou now? Where is that dainty cheer
Thou toldst mine eyes should help their famish'd case?
But thou art gone, now that self felt disgrace
Doth make me most to wish my comfort near.
But here I do store of fair ladies meet,
Who may with charm of conversation sweet
Make in my heavy mold new thought to grow:
Sure they prevail as much with me as he
That bade his friend, but then new maim'd, to be
Merry with him, and not think of his woe.
poem by Philip Sidney

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Rainbows Painting This Very Day
I dance with you with clouds to twinkle thru,
We surrender to the rainbows painting this very day
Waltzing o'er tree tops green against the bluest blue, `
Darting here darting there not a moment for to stay.
We hung around still, to form our wings waiting for our dance
Butterflies in love we flutter wings changing with the wind,
Resting on a golden leaf for love our only chance
We stand for life's beauty never can rescind.
Natures brush bestowed its glory for us just to show
Spring is nigh and you know in just a passing glance
That it's a pleasure just to make your eyes brighten with a glow
So remember for the sunshine spring we will always do a flutter dance!
poem by Ken e Hall

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Ode III: To The Cuckow
I.
O rustic herald of the spring,
At length in yonder woody vale
Fast by the brook I hear thee sing;
And, studious of thy homely tale,
Amid the vespers of the grove,
Amid the chaunting choir of love,
Thy sage responses hail.
II.
The time has been when I have frown'd
To hear thy voice the woods invade;
And while thy solemn accent drown'd
Some sweeter poet of the shade,
Thus, thought I, thus the sons of care
Some constant youth or generous fair
With dull advice upbraid.
III.
I said, 'While Philomela's song
'Proclaims the passion of the grove,
'It ill beseems a cuckow's tongue
'Her charming language to reprove'—
Alas, how much a lover's ear
Hates all the sober truth to hear,
The sober truth of love!
IV.
When hearts are in each other bless'd,
When nought but lofty faith can rule
The nymph's and swain's consenting breast,
How cuckow-like in Cupid's school,
With store of grave prudential saws
On fortune's power and custom's laws,
Appears each friendly fool!
V.
Yet think betimes, ye gentle train
Whom love and hope and fancy sway,
Who every harsher care disdain,
Who by the morning judge the day,
Think that, in April's fairest hours,
To warbling shades and painted flowers
The cuckow joins his lay.
poem by Mark Akenside

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The Butterfly (The Mirror Sestet Poetry)
Delight adorns butterfly’s fluttering wings in flight,
Flight is his beauty for anemones to delight.
Wing flitters freely and his fragile moods can swing,
Swing dances he teaches the white flowers with his wing.
Breeze finds him out among the blooming buckeye red trees,
Trees push his innocent virgin spirit in the breeze.
Dance nurtures the flower to put her into deep trance,
Trance is his way to gather pollen for her life dance.
Dreams fiery rise in crimson, when the flower gleams,
Gleams of dawn in the east are his love powerful dreams.
Charms are her powers to spread fragrances in his arms
Arms are his wings when he flies to search for other charms.
poem by Marieta Maglas

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Eight Years Old
SUN, whom the faltering snow-cloud fears,
Rise, let the time of year be May,
Speak now the word that April hears,
Let March have all his royal way;
Bid all spring raise in winter’s ears
All tunes her children hear or play,
Because the crown of eight glad years
On one bright head is set to-day.
II.
What matters cloud or sun to-day
To him who wears the wreath of years
So many, and all like flowers at play
With wind and sunshine, while his ears
Hear only song on every way?
More sweet than spring triumphant hears
Ring through the revel-rout of May
Are these, the notes that winter fears.
III.
Strong-hearted winter knows and fears
The music made of love at play,
Or haply loves the tune he hears
From hearts fulfilled with flowering May,
Whose molten music thaws his ears
Late frozen, deaf but yesterday
To sounds of dying and dawning years,
Now quickened on his deathward way.
IV.
For deathward now lies winter’s way
Down the green vestibule of years
That each year brightens day by day
With flower and shower till hope scarce fears
And fear grows wholly hope of May.
But we—the music in our ears
Made of love’s pulses as they play
The heart alone that makes it hears.
V.
The heart it is that plays and hears
High salutation of to-day.
Tongue falters, hand shrinks back, song fears
Its own unworthiness to play
Fit music for those eight sweet years,
Or sing their blithe accomplished way.
No song quite worth a young child’s ears
Broke ever even from birds in May.
VI.
There beats not in the heart of May,
When summer hopes and springtide fears,
There falls not from the height of day,
When sunlight speaks and silence hears,
So sweet a psalm as children play
And sing, each hour of all their years,
Each moment of their lovely way,
And know not how it thrills our ears.
VII.
Ah child, what are we, that our ears
Should hear you singing on your way,
Should have this happiness? The years
Whose hurrying wings about us play
Are not like yours, whose flower-time fears
Nought worse than sunlit showers in May,
Being sinless as the spring, that hears
Her own heart praise her every day.
VIII.
Yet we too triumph in the day
That bare, to entrance our eyes and ears,
To lighten daylight, and to play
Such notes as darkness knows and fears,
The child whose face illumes our way,
Whose voice lifts up the heart that hears,
Whose hand is as the hand of May
To bring us flowers from eight full years.
poem by Algernon Charles Swinburne

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