Ode X: To Thomas Edwards, Esquire: On The Late Edition Of Mr. Pope's Work
I.
Believe me, Edwards, to restrain
The licence of a railer's tongue
Is what but seldom men obtain
By sense or wit, by prose or song:
A task for more Herculean powers,
Nor suited to the sacred hours
Of leisure in the Muse's bowers.
II.
In bowers where laurel weds with palm,
The Muse, the blameless queen, resides:
Fair fame attends, and wisdom calm
Her eloquence harmonious guides:
While, shut for ever from her gate,
Oft trying, still repining, wait
Fierce envy and calumnious hate.
III.
Who then from her delightful bounds
Would step one moment forth to heed
What impotent and savage sounds
From their unhappy mouths proceed?
No: rather Spenser's lyre again
Prepare, and let thy pious strain
For Pope's dishonor'd shade complain.
IV.
Tell how displeas'd was every bard,
When lately in the Elysian grove
They of his Muse's guardian heard,
His delegate to fame above;
And what with one accord they said
Of wit in drooping age misled,
And Warburton's officious aid:
V.
How Virgil mourn'd the sordid fate
To that melodious lyre assign'd
Beneath a tutor who so late
With Midas and his rout combin'd
By spiteful clamor to confound
That very lyre's enchanting sound,
Though listening realms admir'd around:
VI.
How Horace own'd he thought the fire
Of his friend Pope's satiric line
Did farther fuel scarce require
From such a militant divine:
How Milton scorn'd the sophist vain
Who durst approach his hallow'd strain
With unwash'd hands and lips profane.
VII.
Then Shakespear debonnair and mild
Brought that strange comment forth to view;
Conceits more deep, he said and smil'd,
Than his own fools or madmen knew:
But thank'd a generous friend above,
Who did with free adventurous love
Such pageants from his tomb remove.
VIII.
And if to Pope, in equal need,
The same kind office thou would'st pay,
Then, Edwards, all the band decreed
That future bards with frequent lay
Should call on thy auspicious name,
From each absurd intruder's claim
To keep inviolate their fame.
poem by Mark Akenside
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Ode X: To The Muse
I.
Queen of my songs, harmonious maid,
Ah why hast thou withdrawn thy aid?
Ah why forsaken thus my breast
With inauspicious damps oppress'd?
Where is the dread prophetic heat,
With which my bosom wont to beat?
Where all the bright mysterious dreams
Of haunted groves and tuneful streams,
That woo'd my genius to divinest themes?
II.
Say, goddess, can the festal board,
Or young Olympia's form ador'd;
Say, can the pomp of promis'd fame
Relume thy faint, thy dying flame?
Or have melodious airs the power
To give one free, poetic hour?
Or, from amid the Elysian train,
The soul of Milton shall i gain,
To win thee back with some celestial strain?
III.
O powerful strain! o sacred soul!
His numbers every sense controul:
And now again my bosom burns;
The Muse, the Muse herself returns.
Such on the banks of Tyne, confess'd,
I hail'd the fair immortal guest,
When first she seal'd me for her own,
Made all her blissful treasures known,
And bade me swear to follow Her alone.
poem by Mark Akenside
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From Anacreon
I wish to tune my quivering lyre
To deed of fame and notes of fire;
To echo, from its rising swell,
How heroes fought and nations fell,
When Atreus' sons advanced to war,
Or Tyrian Cadmus roved afar;
But still, to martial strains unknown,
My lyre recurs to love alone.
Fired with the hope of future fame,
I seek some nobler hero's name;
The dying chords are strung anew,
To war, to war, my harp is due.
With glowing strings, the epic strain
To Jove's great son I raise again;
Alcides and his glorious deeds,
Beneath whose arm the Hydra bleeds.
All, all in vain; my wayward lyre
Wakes silver notes of soft desire.
Adieu, ye chiefs renown'd in arms!
Adieu the clang of war's alarms!
To other deeds my soul is strung,
And sweeter notes shall now be sung;
My harp shall all its powers reveal,
To tell the tale my heart must feel;
Love, Love alone, my lyre shall claim,
In songs of bliss and sighs of flame.
Cantata. Set By Mons. Galliard
Recit.
Beneath a verdant laurel's ample shade
His lyre to mournful numbers strung,
Horace, immortal bard supinely laid,
To Venus thus address'd the song;
Ten thousand little loves around,
Listening dwelt on every sound.
Ariet.
Potent Venus, bid thy son
Sound no more his dire alarms:
Youth on silent wings is flown;
Graver years come rolling on,
Spare my age unfit for arms:
Safe and humble let me rest,
From all amorous care released.
Potent Venus, bid thy son
Sound no more his dire alarms.
Recit.
Yet, Venus, why do I each morn prepare
The fragrant wreath for Cloe's hair?
Why, why do I all day lament and sigh,
Unless the beauteous maid be nigh?
And why all night pursue her in my dreams
Through flowery meads and crystal streams?
Recit.
Thus sung the bard, and thus the goddess spoke:
Submissive bow to Love's imperious yoke;
Every state and every age
Shall own my rule and fear my rage:
Compell'd by me, thy Muse shall prove
That all the world was born to love.
Ariet.
Bid thy destined lyre discover
Soft desire and gentle pain:
Often praise, and always love her;
Through her ear her heart obtain.
Verse shall please and sight shall move her,
Cupid does with Phoebus reign.
poem by Matthew Prior
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To His Royal Highness The Prince Of Wales
While secret-leaguing nations frown around,
Ready to pour the long-expected storm;
While she, who wont the restless Gaul to bound,
Britannia, drooping, grows an empty form;
While on our vitals selfish parties prey,
And deep corruption eats our soul away;
Yet in the Goddess of the Main appears
A gleam of joy, gay-flushing every grace,
As she the cordial voice of millions hears,
Rejoicing, zealous, o'er thy rising race:
Straight her rekindling eyes resume their fire,
The Virtues smile, the Muses tune the lyre.
But more enchanting than the Muse's song,
United Britons thy dear offspring hail;
The city triumphs through her glowing throng,
The shepherd tells his transport to the dale;
The sons of roughest toil forget their pain,
And the glad sailor cheers the midnight main.
Can aught from fair Augusta's gentle blood,
And thine, thou friend of liberty! be born;
Can aught save what is lovely, generous, good;
What will, at once, defend us, and adorn?
From thence, prophetic joy! new Edwards eyes,
New Henries, Annas, and Elizas rise.
May fate my fond devoted days extend,
To sing the promised glories of thy reign!
What though, by years depressed, my muse might bend,
My heart will teach her still a nobler strain:
How, with recovered Britain, will she soar,
When France insults, and Spain shall rob no more.
poem by James Thomson
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To Lady Firebrace
At length must Suffolk beauties shine in vain,
So long renown'd in B-n's deathless strain?
Thy charms at least, fair Firebrace, might inspire
Some zealous bard to wake the sleeping lyre:
For such thy beauteous mind and lovely face,
Thou seem'st at once, bright nymph, a
Muse and Grace
.
poem by Samuel Johnson
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Ode IV: To The Honourable Charles Townshend In The Country
I. 1.
How oft shall i survey
This humble roof, the lawn, the greenwood shade,
The vale with sheaves o'erspread,
The glassy brook, the flocks which round thee stray?
When will thy cheerful mind
Of these have utter'd all her dear esteem?
Or, tell me, dost thou deem
No more to join in glory's toilsome race,
But here content imbrace
That happy leisure which thou had'st resign'd?
I. 2.
Alas, ye happy hours,
When books and youthful sport the soul could share,
Ere one ambitious care
Of civil life had aw'd her simpler powers;
Oft as your winged train
Revisit here my friend in white array,
Oh fail not to display
Each fairer scene where I perchance had part,
That so his generous heart
The abode of even friendship may remain.
I. 3.
For not imprudent of my loss to come,
I saw from contemplation's quiet cell
His feet ascending to another home
Where public praise and envied greatness dwell.
But shall we therefore, o my lyre
Reprove ambition's best desire?
Extinguish glory's flame?
Far other was the task injoin'd
When to my hand thy strings were first assign'd:
Far other faith belongs to friendship's honor'd name.
II. 1.
Thee, Townshend, not the arms
Of slumbering ease, nor pleasure's rosy chain,
Were destin'd to detain:
No, nor bright science, nor the Muse's charms.
For them high heaven prepares
Their proper votaries, an humbler band:
And ne'er would Spenser's hand
Have deign'd to strike the warbling Tuscan shell,
Nor Harrington to tell
What habit an immortal city wears,
II. 2.
Had this been born to shield
The cause which Cromwell's impious hand betray'd,
Or that, like Vere, display'd
His redcross banner o'er the Belgian field.
Yet where the will divine
Hath shut those loftiest paths, it next remains,
With reason clad in strains
Of harmony, selected minds to inspire,
And virtue's living fire
To feed and eternize in hearts like thine.
II. 3.
For never shall the herd, whom envy sways,
So quell my purpose or my tongue controul,
That I should fear illustrious worth to praise,
Because it's master's friendship mov'd my soul.
Yet, if this undissembling strain
Should now perhaps thine ear detain
With any pleasing sound,
Remember thou that righteous fame
From hoary age a strict account will claim
Of each auspicious palm with which thy youth was crown'd.
III. 1.
Nor obvious is the way
Where heaven expects thee, nor the traveller leads,
Through flowers or fragrant meads,
Or groves that hark to Philomela's lay.
The impartial laws of fate
To nobler virtues wed severer cares.
Is there a man who shares
The summit next where heavenly natures dwell?
Ask him (for he can tell)
What storms beat round that rough laborious height.
III. 2.
Ye heroes, who of old
Did generous England freedom's throne ordain;
From Alfred's parent reign
To Nassau, great deliverer, wise and bold;
I know your perils hard,
Your wounds, your painful marches, wintry seas,
The night estrang'd from ease,
The day by cowardice and falsehood vex'd,
The head with doubt perplex'd,
The indignant heart disdaining the reward
III. 3.
Which envy hardly grants. But, o renown,
O praise from judging heaven and virtuous men,
If thus they purchas'd thy divinest crown,
Say, who shall hesitate? or who complain?
And now they sit on thrones above:
And when among the gods they move
Before the sovran mind,
'Lo, these,' he saith, 'lo, these are they
'Who to the laws of mine eternal sway
'From violence and fear asserted human kind.'
IV. 1.
Thus honor'd while the train
Of legislators in his presence dwell;
If I may aught foretell,
The statesman shall the second palm obtain.
For dreadful deeds of arms
Let vulgar bards, with undiscerning praise,
More glittering trophies raise:
But wisest heaven what deeds may chiefly move
To favor and to love?
What, save wide blessings, or averted harms?
IV. 2.
Nor to the imbattled field
Shall these achievements of the peaceful gown
The green immortal crown
Of valor, or the songs of conquest, yield.
Not Fairfax wildly bold,
While bare of crest he hew'd his fatal way,
Through Nasesby's firm array,
To heavier dangers did his breast oppose
Than Pym's free virtue chose,
When the proud force of Strafford he controul'd.
IV. 3.
But what is man at enmity with truth?
What were the fruits of Wentworth's copious mind
When (blighted all the promise of his youth)
The patriot in a tyrant's league had join'd?
Let Ireland's loud-lamenting plains,
Let Tyne's and Humber's trampled swain
Let menac'd London tell
How impious guile made wisdom base;
How generous zeal to cruel rage gave place;
And how unbless'd he liv'd and how dishonor'd fell.
V. 1.
Thence never hath the Muse
Around his tomb Pierian roses flung:
Nor shall one poet's tongue
His name for music's pleasing labor chuse.
And sure, when nature kind
Hath deck'd some favor'd breast above the throng,
That man with grievous wrong
Affronts and wounds his genius, if he bends
To guilt's ignoble ends
The functions of his ill-submitting mind.
V. 2.
For worthy of the wise
Nothing can seem but virtue; nor earth yield
Their fame an equal field,
Save where impartial freedom gives the prize.
There Somers fix'd his name,
Inroll'd the next to William. there shall Time
To every wondering clime
Point out that Somers, who from faction's croud,
The slanderous and the loud,
Could fair assent and modest reverence claim.
V. 3.
Nor aught did laws or social arts acquire,
Nor this majestic weal of Albion's land
Did aught accomplish, or to aught aspire,
Without his guidance, his superior hand.
And rightly shall the Muse's care
Wreaths like her own for him prepare,
Whose mind's inamor'd aim
Could forms of civil beauty draw
Sublime as ever sage or poet saw,
Yet still to life's rude scene the proud ideas tame.
VI. 1.
Let none profane be near!
The Muse was never foreign to his breast:
On power's grave seat confess'd,
Still to her voice he bent a lover's ear.
And if the blessed know
Their ancient cares, even now the unfading groves,
Where haply Milton roves
With Spenser, hear the inchanted echos round
Through farthest heaven resound
Wise Somers, guardian of their fame below.
VI. 2.
He knew, the patriot knew,
That letters and the Muses powerful art
Exalt the ingenuous heart,
And brighten every form of just and true.
They lend a nobler sway
To civil wisdom, than corruption's lure
Could ever yet procure:
They too from envy's pale malignant light
Conduct her forth to sight
Cloath'd in the fairest colors of the day.
VI. 3.
O Townshend, thus may Time, the judge severe,
Instruct my happy tongue of thee to tell:
And when i speak of one to freedom dear
For planning wisely and for acting well,
Of one whom glory loves to own,
Who still by liberal means alone
Hath liberal ends pursu'd;
Then, for the guerdon of my lay,
'This man with faithful friendship,' will i say,
'From youth to honor'd age my arts and me hath view'd.'
poem by Mark Akenside
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Upon The Saying That My Verses Were Made By Another
Next Heaven my Vows to thee (O Sacred Muse!)
I offer'd up, nor didst thou them refuse.
O Queen of Verse, said I, if thou'lt inspire,
And warm my Soul with thy Poetique Fire,
No Love of Gold shall share with thee my Heart,
Or yet Ambition in my Brest have Part,
More Rich, more Noble I will ever hold
The Muses Laurel, than a Crown of Gold.
An Undivided Sacrifice I'le lay
Upon thine Altar, Soul and Body pay;
Thou shalt my Pleasure, my Employment be,
My All I'le make a Holocaust to thee.
The Deity that ever does attend
Prayers so sincere, to mine did condescend.
I writ, and the Judicious prais'd my Pen:
Could any doubt Insuing Glory then?
What pleasing Raptures fill'd my Ravisht Sense?
How strong, how Sweet, Fame, was thy Influence?
And thine, False Hope, that to my flatter'd sight
Didst Glories represent so Near, and Bright?
By thee deceiv'd, methought, each Verdant Tree,
Apollos transform'd Daphne seem'd to be;
And ev'ry fresher Branch, and ev'ry Bow
Appear'd as Garlands to empale my Brow.
The Learn'd in Love say, Thus the Winged Boy
Does first approach, drest up in welcome Joy;
At first he to the Cheated Lovers sight
Nought represents, but Rapture and Delight,
Alluring Hopes, Soft Fears, which stronger bind
Their Hearts, than when they more assurance find.
Embolden'd thus, to Fame I did commit,
(By some few hands) my most Unlucky Wit.
But, ah, the sad effects that from it came!
What ought t'have brought me Honour, brought me shame!
Like Esops Painted Jay I seem'd to all,
Adorn'd in Plumes, I not my own could call:
Rifl'd like her, each one my Feathers tore,
And, as they thought, unto the Owner bore.
My Laurels thus an Others Brow adorn'd,
My Numbers they Admir'd, but Me they scorn'd:
An others Brow, that had so rich a store
Of Sacred Wreaths, that circled it before;
Where mine quite lost, (like a small stream that ran
Into a Vast and Boundless Ocean)
Was swallow'd up, with what it joyn'd and drown'd,
And that Abiss yet no Accession found.
Orinda, (Albions and her Sexes Grace)
Ow'd not her Glory to a Beauteous Face,
It was her Radiant Soul that shon With-in,
Which struck a Lustre through her Outward Skin;
That did her Lips and Cheeks with Roses dy,
Advanc't her Height, and Sparkled in her Eye.
Nor did her Sex at all obstruct her Fame,
But higher 'mong the Stars it fixt her Name;
What she did write, not only all allow'd,
But ev'ry Laurel, to her Laurel, bow'd!
Th' Envious Age, only to Me alone,
Will not allow, what I do write, my Own,
But let 'em Rage, and 'gainst a Maide Conspire,
So Deathless Numbers from my Tuneful Lyre
Do ever flow; so Phebus I by thee
Divinely Inspired and possest may be;
I willingly accept Cassandras Fate,
To speak the Truth, although believ'd too late.
poem by Anne Killigrew
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Fame
As recorded by david bowie
Fame, makes a man take things over.
Fame, let's him lose, hard to swallow.
Fame, puts you there where things are hollow.
Fame.
Fame,
It's not your brain, it's just a flame,
That burns your change to keep you insane.
Fame.
Fame, what you like is in the limo.
Fame, what you get is no tomorrow.
Fame, what you need you have to borrow.
Fame.
Fame,
Now it's mine, it's just his line
To bind your time it drives you to crime.
Fame.
Is it any wonder
I reject you first?
Fame, fame, fame, fame.
Is it any wonder
You are too cool to fool?
Fame.
Fame,
Bully for you,
Chilly for me,
Got to get a raincheck on pain.
Fame.
Fame, fame, fame, fame, fame, fame, fame, fame, fame, fame,
Fame, fame, fame, fame, fame, fame, fame, fame, fame, fame,
Fame, fame, fame, - fame.
What's your name?
(fame, fame)
(fame, fame)
song performed by by Yoko Ono
Submitted by Lucian Velea
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Fame
As recorded by david bowie
Fame, makes a man take things over.
Fame, let's him lose, hard to swallow.
Fame, puts you there where things are hollow.
Fame.
Fame,
It's not your brain, it's just a flame,
That burns your change to keep you insane.
Fame.
Fame, what you like is in the limo.
Fame, what you get is no tomorrow.
Fame, what you need you have to borrow.
Fame.
Fame,
Now it's mine, it's just his line
To bind your time it drives you to crime.
Fame.
Is it any wonder
I reject you first?
Fame, fame, fame, fame.
Is it any wonder
You are too cool to fool?
Fame.
Fame,
Bully for you,
Chilly for me,
Got to get a raincheck on pain.
Fame.
Fame, fame, fame, fame, fame, fame, fame, fame, fame, fame,
Fame, fame, fame, fame, fame, fame, fame, fame, fame, fame,
Fame, fame, fame, - fame.
What's your name?
(fame, fame)
(fame, fame)
song performed by by Yoko Ono
Submitted by Lucian Velea
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Sonnet XIX. To Mr. Haley,
On receiving some elegant lines from him.
FOR me the Muse a simple band design'd
Of 'idle' flowers that bloom the woods among,
Which, with the cypress and the willow join'd,
A garland form'd as artless as my song.
And little dared I hope its transient hours
So long would last; composed of buds so brief;
Till Hayley's hand among the vagrant flowers,
Threw from his verdant crown a deathless leaf.
For high in Fame's bright fane has Judgment placed
The laurel wreath Serena's poet won,
Which, woven with myrtles by the hands of Taste,
The Muse decreed for this her favourite son.
And those immortal leaves his temples shade,
Whose fair, eternal verdure--shall not fade!
poem by Charlotte Smith
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Ode VI: To William Hall, Esquire: With The Works Of Chaulieu
I.
Attend to Chaulieu's wanton lyre;
While, fluent as the sky-lark sings
When first the morn allures it's wings,
The epicure his theme pursues:
And tell me if, among the choir
Whose music charms the banks of Seine,
So full, so free, so rich a strain
E'er dictated the warbling Muse?
II.
Yet, Hall, while thy judicious ear
Admires the well-dissembled art
That can such harmony impart
To the lame pace of Gallic rhymes;
While wit from affectation clear,
Bright images, and passions true,
Recall to thy assenting view
The envied bards of nobler times;
III.
Say, is not oft his doctrine wrong?
This priest of pleasure, who aspires
To lead us to her sacred fires,
Knows he the ritual of her shrine?
Say (her sweet influence to thy song
So may the goddess still afford)
Doth she consent to be ador'd
With shameless love and frantic wine?
IV.
Nor Cato, nor Chrysippus here
Need we in high indignant phrase
From their Elysian quiet raise;
But pleasure's oracle alone
Consult; attentive, not severe.
O pleasure, we blaspheme not thee;
Nor emulate the rigid knee
Which bends but at the Stoic throne.
V.
We own had fate to man assign'd
Nor sense, nor wish but what obey
Or Venus soft or Bacchus gay,
Then might our bard's voluptuous creed
Most aptly govern human kind:
Unless perchance what he hath sung
Of tortur'd joints and nerves unstrung,
Some wrangling heretic should plead.
VI.
But now with all these proud desires
For dauntless truth and and honest fame;
With that strong master of our frame,
The inexorable judge within,
What can be done? Alas, ye fires
Of love; alas, ye rosy smiles,
Ye nectar'd cups from happier soils,
—Ye have no bribe his grace to win.
poem by Mark Akenside
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Ode to Della Crusca
ENLIGHTEN'D Patron of the sacred Lyre?
Whose ever-varying, ever-witching song
Revibrates on the heart
With magic thrilling touch,
Till ev'ry nerve with quiv'ring throb divine,
In madd'ning tumults, owns thy wondrous pow'r;
For well thy dulcet notes
Can wind the mazy song,
In labyrinth of wild fantastic form;
Or with empassion'd pathos woo the soul
With sounds more sweetly mild,
Than SAPPHO's plaint forlorn,
When bending o'er the wave she sung her woes,
While pitying ECHO hover'd o'er the deep,
Till in their coral caves,
The tuneful NEREIDES wept.
AH! whither art thou flown? where pours thy song?
The model and the pride of British bards!
Sweet STAR of FANCY's orb,
"O, tell me, tell me, where?"
Say, dost thou waste it on the viewless air
That bears it to the confines of high Heav'n?
Or does it court the meed
Of proud pre-eminence?
Or steals it o'er the glitt'ring Sapphire wave,
Calming the tempest with its silver sounds?
Or does it charm to love
The fond believing maid?
Or does it hover o'er the ALPINE steep,
Or softly breathing under myrtle shades,
With SYMPATHY divine,
Solace the child of woe?
Where'er thou art, Oh! let thy gentle strain
Again with magic pow'r delight mine ear,
Untutor'd in the spells,
And mysteries of song.
Then, on the margin of the deep I'll muse,
And bless the rocking bark ordain'd to bear
My sad heart o'er the wave,
From this ungrateful isle;
When the wan queen of night, with languid eye,
Peeps o'er the mountain's head, or thro' the vale
Illumes the glassy brook,
Or dew-besprinkled heath,
Or with her crystal lamp, directs the feet
Of the benighted TRAV'LLER, cold, and sad,
Thro' the long forest drear,
And pathless labyrinth,
To the poor PEASANT's hospitable cot,
For ever open to the wretch forlorn;
O, then I'll think on THEE,
And iterate thy strain,
And chaunt thy matchless numbers o'er and o'er,
And I will court the sullen ear of night,
To bear the rapt'rous sound,
On her dark shad'wy wing,
To where encircled by the sacred NINE,
Thy LYRE awakes the never-dying song!
Now, BARD admir'd, farwel!
The white sail flutters loud,
The gaudy streamers lengthen in the gale,
Far from my native shore I bend my way;
Yet, as my aching eye
Shall view the less'ning cliff,
'Till its stupendous head shall scarce appear
Above the surface of the swelling deep;
I'll snatch a ray of hope,
For HOPE's the lamp divine
That lights and vivifies the fainting soul,
With extacies beyond the pow'rs of song!
That ere I reach those banks
Where the loud TIBER flows,
Or milder ARNO slowly steals along,
To the soft music of the summer breeze,
The wafting wing of TIME
May bear this last ADIEU,
This wild untutor'd picture of the heart,
To HIM, whose magic verse INSPIR'D THE STRAIN.
poem by Mary Darby Robinson
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Written on the Day that Mr Leigh Hunt Left Prison
What though, for showing truth to flattered state,
Kind Hunt was shut in prison, yet has he,
In his immortal spirit, been as free
As the sky-searching lark, and as elate.
Minion of grandeur! think you he did wait?
Think you he nought but prison-walls did see,
Till, so unwilling, thou unturnedst the key?
Ah, no! far happier, nobler was his fate!
In Spenser's halls he strayed, and bowers fair,
Culling enchanted flowers; and he flew
With daring Milton through the fields of air:
To regions of his own his genius true
Took happy flights. Who shall his fame impair
When thou art dead, and all thy wretched crew?
poem by John Keats
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Sonnet III. Written On The Day That Mr. Leigh Hunt Left Prison
What though, for showing truth to flatter'd state,
Kind Hunt was shut in prison, yet has he,
In his immortal spirit, been as free
As the sky-searching lark, and as elate.
Minion of grandeur! think you he did wait?
Think you he nought but prison-walls did see,
Till, so unwilling, thou unturn'dst the key?
Ah, no! far happier, nobler was his fate!
In Spenser's halls he stray'd, and bowers fair,
Culling enchanted flowers; and he flew
With daring Milton through the fields of air:
To regions of his own his genius true
Took happy flights. Who shall his fame impair
When thou art dead, and all thy wretched crew?
poem by John Keats
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To Edward Clodd
Friend, in whose friendship I am twice well-starred,
A debt not time may cancel is your due;
For was it not your praise that earliest drew,
On me obscure, that chivalrous regard,
Ev'n his, who, knowing fame's first steep how hard,
With generous lips no faltering clarion blew,
Bidding men hearken to a lyre by few
Heeded, nor grudge the bay to one more bard?
Bitter the task, year by inglorious year,
Of suitor at the world's reluctant ear.
One cannot sing for ever, like a bird,
For sole delight of singing! Him his mate
Suffices, listening with a heart elate;
Nor more his joy, if all the rapt heav'n heard.
poem by William Watson
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Ode XIII: On Lyric Poetry
I. 1.
Once more I join the Thespian choir,
And taste the inspiring fount again:
O parent of the Grecian lyre,
Admit me to thy powerful strain—
And lo, with ease my step invades
The pathless vale and opening shades,
Till now I spy her verdant seat;
And now at large i drink the sound,
While these her offspring, listening round,
By turns her melody repeat.
I. 2.
I see Anacreon smile and sing,
His silver tresses breathe perfume;
His cheek displays a second spring
Of roses taught by wine to bloom.
Away, deceitful cares, away,
And let me listen to his lay;
Let me the wanton pomp injoy,
While in smooth dance the light-wing'd Hours
Lead round his lyre it's patron powers,
Kind laughter and convivial joy.
I. 3.
Broke from the fetters of his native land,
Devoting shame and vengeance to her lords,
With louder impulse and a threatening hand
The Lesbian patriot smites the sounding chords:
Ye wretches, ye perfidious train,
Ye curs'd of gods and freeborn men,
Ye murderers of the laws,
Though now ye glory in your lust,
Though now ye tread the feeble neck in dust,
Yet Time and righteous Jove will judge your dreadful cause.
II. 1.
But lo, to Sappho's melting airs
Descends the radiant queen of love:
She smiles, and asks what fonder cares
Her suppliant's plaintive measures move:
Why is my faithful maid distress'd?
Who, Sappho, wounds thy tender breast?
Say, flies he?—Soon he shall pursue:
Shuns he thy gifts—He soon shall give:
Slights he thy sorrows?—He shall grieve,
And soon to all thy wishes bow.
II. 2.
But, o Melpomene, for whom
Awakes thy golden shell again?
What mortal breath shall e'er presume
To echo that unbounded strain?
Majestic in the frown of years,
Behold, the man of Thebes appears:
For some there are, whose mighty frame
The hand of Jove at birth indow'd
With hopes that mock the gazing crowd;
As eagles drink the noontide flame,
II. 3.
While the dim raven beats her weary wings,
And clamours far below.—Propitious Muse,
While I so late unlock thy purer springs,
And breathe whate'er thy ancient airs infuse,
Wilt thou for Albion's sons around
(Ne'er had'st thou audience more renown'd)
Thy charming arts imploy,
As when the winds from shore to shore
Through Greece thy lyre's persuasive language bore,
Till towns and isles and seas return'd the vocal joy?
III. 1.
Yet then did pleasure's lawless throng,
Oft rushing forth in loose attire,
Thy virgin dance, thy graceful song
Pollute with impious revels dire.
O fair, o chaste, thy echoing shade
May no soul discord here invade:
Nor let thy strings one accent move,
Except what earth's untroubled ear
'Mid all her social tribes may hear,
And heaven's unerring throne approve.
III. 2.
Queen of the lyre, in thy retreat
The fairest flowers of Pindus glow;
The vine aspires to crown thy seat,
And myrtles round thy laurel grow.
Thy strings adapt their varied strain
To every pleasure, every pain,
Which mortal tribes were born to prove;
And strait our passions rise or fall,
As at the wind's imperious call
The ocean swells, the billows move.
III. 3.
When midnight listens o'er the slumbering earth,
Let me, o Muse, thy solemn whispers hear:
When morning sends her fragrant breezes forth,
With airy murmurs touch my opening ear.
And ever watchful at thy side,
Let wisdom's awful suffrage guide
The tenor of thy lay:
To her of old by Jove was given
To judge the various deeds of earth and heaven;
'Twas thine by gentle arts to win us to her sway.
IV. 1.
Oft as, to well-earn'd ease resign'd,
I quit the maze where science toils,
Do thou refresh my yielding mind
With all thy gay, delusive spoils.
But, o indulgent, come not nigh
The busy steps, the jealous eye
Of wealthy care or gainful age;
Whose barren souls thy joys disdain,
And hold as foes to reason's reign
Whome'er thy lovely works engage.
IV. 2.
When friendship and when letter'd mirth
Haply partake my simple board,
Then let thy blameless hand call forth
The music of the Teian chord.
Or if invok'd at softer hours,
O! seek with me the happy bowers
That hear Olympia's gentle tongue;
To beauty link'd with virtue's train,
To love devoid of jealous pain,
There let the Sapphic lute be strung.
IV. 3.
But when from envy and from death to claim
A hero bleeding for his native land;
When to throw incense on the vestal flame
Of liberty my genius gives command,
Nor Theban voice nor Lesbian lyre
From thee, o Muse, do I require;
While my presaging mind,
Conscious of powers she never knew,
Astonish'd grasps at things beyond her view,
Nor by another's fate submits to be confin'd.
poem by Mark Akenside
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To Mr. Addison on His Opera of Rosamond
______ Ne fortè pudori
Sit tibi Musa lyræ solers, & cantor Apollo.
The Opera first Italian masters taught,
Enrich'd with songs, but innocent of thought;
Britannia's learned theatre disdains
Melodious trifles, and enervate strains;
And blushes, on her injur'd stage to see
Nonsense well-tun'd, and sweet stupidity.
No charms are wanting to thy artful song,
Soft as Corelli, and as Virgil strong.
From Words so sweet new grace the notes receive,
And Music borrows helps, she us'd to give.
Thy style hath match'd what ancient Romans knew,
Thy flowing numbers far excel the new.
Their cadence in such easy sound convey'd,
The height of thought may seem superfluous aid;
Yet in such charms the noble thoughts abound,
That needless seem the sweets of easy sound.
Landscapes how gay the bowery grotto yields,
Which thought creates, and lavish fancy builds!
What art can trace the visionary scenes,
The flowery groves, and everlasting greens,
The babbling sounds that mimic echo plays,
The fairy shade, and its eternal maze?
Nature and Art in all their charms combin'd,
And all Elysium to one view confin'd!
No further could imagination roam,
Till Vanbrugh fram'd, and Marlborough rais'd the dome.
Ten thousand pangs my anxious bosom tear,
When drown'd in tears I see th' imploring fair;
When bards less soft the moving words supply,
A seeming justice dooms the nymph to die;
But here she begs, nor can she beg in vain
(In dirges thus expiring swans complain);
Each verse so swells expressive of her woes,
And every tear in lines so mournful flows;
We, spite of fame, her fate revers'd believe,
O'erlook her crimes, and think she ought to live.
Let joy salute fair Rosamonda's shade,
And wreaths of myrtle crown the lovely maid.
While now perhaps with Dido's ghost she roves,
And hears and tells the story of their loves,
Alike they mourn, alike they bless their fate,
Since Love, which made them wretched, makes them great.
Nor longer that relentless doom bemoan,
Which gain'd a Virgil, and an Addison.
Accept, great monarch of the British lays,
The tribute song an humble subject pays.
So tries the artless lark her early flight,
And soars, to hail the god of verse and light.
Unrivall'd, as unmatch'd, be still thy fame,
And thy own laurels shade thy envy'd name:
Thy name, the boast of all the tuneful quire,
Shall tremble on the strings of every lyre;
While the charm'd reader with thythought complies,
Feels corresponding joys or sorrows rise,
And views thy Rosamond with Henry's eyes.
poem by Thomas Tickell
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Lines Written in Windsor Forest
All hail, once pleasing, once inspiring shade!
Scene of my youthful loves and happier hours!
Where the kind Muses met me as I stray'd,
And gently press'd my hand, and said 'Be ours!-
Take all thou e'er shalt have, a constant Muse:
At Court thou may'st be liked, but nothing gain:
Stock thou may'st buy and sell, but always lose,
And love the brightest eyes, but love in vain.'
poem by Alexander Pope
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English Bards and Scotch Reviewers (excerpt)
Time was, ere yet in these degenerate days
Ignoble themes obtain'd mistaken praise,
When sense and wit with poesy allied,
No fabl'd graces, flourish'd side by side;
From the same fount their inspiration drew,
And, rear'd by taste, bloom'd fairer as they grew.
Then, in this happy isle, a Pope's pure strain
Sought the rapt soul to charm, nor sought in vain;
A polish'd nation's praise aspir'd to claim,
And rais'd the people's, as the poet's fame.
Like him great Dryden pour'd the tide of song,
In stream less smooth, indeed, yet doubly strong.
Then Congreve's scenes could cheer, or Otway's melt--
For nature then an English audience felt.
But why these names, or greater still, retrace,
When all to feebler bards resign their place?
Yet to such times our lingering looks are cast,
When taste and reason with those times are past.
Now look around, and turn each trifling page,
Survey the precious works that please the age;
This truth at least let satire's self allow,
No dearth of bards can be complain'd of now.
The loaded press beneath her labour groans,
And printers' devils shake their weary bones;
While Southey's epics cram the creaking shelves,
And Little's lyrics shine in hot-press'd twelves.
Thus saith the Preacher: "Nought beneath the sun
Is new"; yet still from change to change we run:
What varied wonders tempt us as they pass!
The cow-pox, tractors, galvanism and gas,
In turns appear, to make the vulgar stare,
Till the swoln bubble bursts--and all is air!
Nor less new schools of Poetry arise,
Where dull pretenders grapple for the prize:
O'er taste awhile these pseudo-bards prevail;
Each country book-club bows the knee to Baal,
And, hurling lawful genius from the throne,
Erects a shrine and idol of its own;
Some leaden calf--but whom it matters not,
From soaring Southey down to grovelling Stott.
Behold! in various throngs the scribbling crew,
For notice eager, pass in long review:
Each spurs his jaded Pegasus apace,
And rhyme and blank maintain an equal race;
Sonnets on sonnets crowd, and ode on ode;
And tales of terror jostle on the road;
Immeasurable measures move along;
For simpering folly loves a varied song,
To strange mysterious dulness still the friend,
Admires the strain she cannot comprehend.
Thus Lays of Minstrels--may they be the last!--
On half-strung harps whine mournful to the blast.
While mountain spirits prate to river sprites,
That dames may listen to the sound at nights;
And goblin brats, of Gilpin Horner's brood,
Decoy young border-nobles through the wood,
And skip at every step, Lord knows how high,
And frighten foolish babes, the Lord knows why;
While high-born ladies in their magic cell,
Forbidding knights to read who cannot spell,
Despatch a courier to a wizard's grave,
And fight with honest men to shield a knave.
Next view in state, proud prancing on his roan,
The golden-crested haughty Marmion,
Now forging scrolls, now foremost in the fight,
Not quite a felon, yet but half a knight,
The gibbet or the field prepar'd to grace;
A mighty mixture of the great and base.
And think'st thou, Scott! by vain conceit perchance,
On public taste to foist thy stale romance,
Though Murray with his Miller may combine
To yield thy muse just half-a-crown per line?
No! when the sons of song descend to trade,
Their bays are sear, their former laurels fade.
Let such forego the poet's sacred name,
Who rack their brains for lucre, not for fame:
Still for stern Mammon may they toil in vain!
And sadly gaze on gold they cannot gain!
Such be their meed, such still the just reward
Of prostituted muse and hireling bard!
For this we spurn Apollo's venal son,
And bid a long "good night to Marmion."
These are the themes that claim our plaudits now;
These are the bards to whom the muse must bow;
While Milton, Dryden, Pope, alike forgot,
Resign their hallow'd bays to Walter Scott.
The time has been, when yet the muse was young,
When Homer swept the lyre, and Maro sung,
An epic scarce ten centuries could claim,
While awe-struck nations hail'd the magic name;
The work of each immortal bard appears
The single wonder of a thousand years.
Empires have moulder'd from the face of earth,
Tongues have expir'd with those who gave them birth,
Without the glory such a strain can give,
As even in ruin bids the language live.
Not so with us, though minor bards, content
On one great work a life of labour spent:
With eagle pinion soaring to the skies,
Behold the ballad-monger Southey rise!
To him let Camoëns, Milton, Tasso yield,
Whose annual strains, like armies, take the field.
First in the ranks see Joan of Arc advance,
The scourge of England and the boast of France!
Though burnt by wicked Bedford for a witch,
Behold her statue plac'd in glory's niche;
Her fetters burst, and just releas'd from prison,
A virgin phoenix from her ashes risen.
Next see tremendous Thalaba come on,
Arabia's monstrous, wild and wondrous son:
Domdaniel's dread destroyer, who o'erthrew
More mad magicians than the world e'er knew.
Immortal hero! all thy foes o'ercome,
For ever reign--the rival of Tom Thumb!
Since startled metre fled before thy face,
Well wert thou doom'd the last of all thy race!
Well might triumphant genii bear thee hence,
Illustrious conqueror of common sense!
Now, last and greatest, Madoc spreads his sails,
Cacique in Mexico, and prince in Wales;
Tells us strange tales, as other travellers do,
More old than Mandeville's, and not so true.
Oh Southey! Southey! cease thy varied song!
A bard may chant too often and too long:
As thou art strong in verse, in mercy, spare!
A fourth, alas! were more than we could bear.
But if, in spite of all the world can say,
Thou still wilt verseward plod thy weary way;
If still in Berkley ballads most uncivil,
Thou wilt devote old women to the devil,
The babe unborn thy dread intent may rue:
"God help thee," Southey, and thy readers too.
Next comes the dull disciple of thy school,
That mild apostate from poetic rule,
The simple Wordsworth, framer of a lay
As soft as evening in his favourite May,
Who warns his friend "to shake off toil and trouble,
And quit his books, for fear of growing double";
Who, both by precept and example, shows
That prose is verse, and verse is merely prose;
Convincing all, by demonstration plain,
Poetic souls delight in prose insane;
And Christmas stories tortur'd into rhyme
Contain the essence of the true sublime.
Thus, when he tells the tale of Betty Foy,
The idiot mother of "an idiot boy";
A moon-struck, silly lad, who lost his way,
And, like his bard, confounded night with day;
So close on each pathetic part he dwells,
And each adventure so sublimely tells,
That all who view the "idiot in his glory"
Conceive the bard the hero of the story.
Shall gentle Coleridge pass unnotic'd here,
To turgid ode and tumid stanza dear?
Though themes of innocence amuse him best,
Yet still obscurity's a welcome guest.
If Inspiration should her aid refuse
To him who takes a pixy for a muse,
Yet none in lofty numbers can surpass
The bard who soars to elegize an ass.
So well the subject suits his noble mind,
He brays the laureat of the long-ear'd kind.
To John Milton
_'From his honoured friend, William Davenant'_
Poet of mighty power, I fain
Would court the muse that honoured thee,
And, like Elisha's spirit, gain
A part of thy intensity;
And share the mantle which she flung
Around thee, when thy lyre was strung.
Though faction's scorn at first did shun
With coldness thy inspired song,
Though clouds of malice passed thy sun,
They could not hide it long;
Its brightness soon exhaled away
Dank night, and gained eternal day.
The critics' wrath did darkly frown
Upon thy muse's mighty lay;
But blasts that break the blossom down
Do only stir the bay;
And thine shall flourish, green and long,
With the eternity of song.
Thy genius saw, in quiet mood,
Gilt fashion's follies pass thee by,
And, like the monarch of the wood,
Towered oer it to the sky,
Where thou couldst sing of other spheres,
And feel the fame of future years.
Though bitter sneers and stinging scorns
Did throng the muse's dangerous way,
Thy powers were past such little thorns,
They gave thee no dismay;
The scoffer's insult passed thee by,
Thou smild'st and mad'st him no reply.
Envy will gnaw its heart away
To see thy genius gather root;
And as its flowers their sweets display
Scorn's malice shall be mute;
Hornets that summer warmed to fly,
Shall at the death of summer die.
Though friendly praise hath but its hour.
And little praise with thee hath been;
The bay may lose its summer flower,
But still its leaves are green;
And thine, whose buds are on the shoot,
Shall only fade to change to fruit.
Fame lives not in the breath of words,
In public praises' hue and cry;
The music of these summer birds
Is silent in a winter sky,
When thine shall live and flourish on,
Oer wrecks where crowds of fames are gone.
The ivy shuns the city wall,
When busy clamorous crowds intrude,
And climbs the desolated hall
In silent solitude;
The time-worn arch, the fallen dome,
Are roots for its eternal home.
The bard his glory neer receives
Where summer's common flowers are seen,
But winter finds it when she leaves
The laurel only green;
And time from that eternal tree,
Shall weave a wreath to honour thee;
A sunny wreath for poets meet,
From Helicon's immortal soil,
Where sacred Time with pilgrim feet
Walks forth to worship, not to spoil,
A wreath which Fame creates and bears,
And deathless genius only heirs.
Nought but thy ashes shall expire;
Thy genius, at thy obsequies,
Shall kindle up its living fire
And light the muse's skies;
Ay, it shall rise, and shine, and be
A sun in song's posterity.
poem by John Clare
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