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The Authors: A Satire

Bright Arts, abus'd, like Gems, receive their Flaws;
Physick has Quacks, and Quirks obscure the Laws.
Fables to shade Historic Truths combine,
And the dark Sophist dims the Text Divine.
The Art of Reasoning in Religion's Cause,
By Superstition's Taint a Blindness draws.
The Art of Thinking Free (Man's noblest Aim!)
Turns, in Half-thinking Souls, his equal Shame.
Colours, ill-mingled, coarse, and lifeless grow!
Violins squeak, when Scrapers work the Bow!
Distortion deadens Action's temper'd Fire!
Belab'ring Poetasters thrum the Lyre!
Gesture shuns Strut, and Elocution, Cant!
Passion lies murder'd by unmeaning Rant!
Wit we debase, if Ribaldry we praise,
And Satire fades, when Slander wears the Bays.

YOU, to whose Scrolls a just Neglect is shewn,
Whose Names, tho' printed oft, remain unknown;
I war not with the Weak, if wanting Fame,
The Proud, and Prosp'rous Trifler is my Game.
With usual Wit, unfelt while you assail,
Remark unanswer'd, and unheeded Rail!
Or heeded, know I can your Censure prize,
For a Fool's Praise is Censure from the Wise;
If then my Labour your kind Malice draws,
Censure from you is from the Wise Applause.

YOU, who delineate strong our Lust of Fame,
These mimic Lays your kind Protection claim!
My Frown, like your's, would to Improvement tend,
You but assume the Foe, to act the Friend.
Pleasing, yet wounding, you our Faults rehearse,
Strong are your Thoughts! Inchanting rolls your Verse!
Deep, clear, and sounding! decent, yet sincere;
In Praise impartial, without Spleen severe.

'HOLD, Criticks cry-Erroneous are your Lays,
'Your Field was Satire, your Pursuit is Praise.'
True, you Profound!-I praise, but yet I sneer;
You're dark to Beauties, if to Errors clear!
Know my Lampoon's in Panegyric seen,
For just Applause turns Satire on your Spleen.

SHALL Ignorance and Insult claim my Rage?
Then with the World a gen'ral War I wage!
No-to some Follies Satire scorns to bend,
And Worth (or press'd, or prosp'rous) I commend.

FIRST, let me view what noxious Nonsense reigns,
While yet I loiter on Prosaic Plains;
If Pens impartial active Annals trace,
Others, with secret Hist'ry, Truth deface:
Views and Reviews, and wild Memoirs appear,
And Slander darkens each recorded Year.
Each Prince's Death to Poison they apply,
No Royal Mortals sure by Nature die.
Fav'rites or Kindred artful Deaths create,
A Father, Brother, Son, or Wife is Fate.
In a past Reign was form'd a secret League,
Some Ring, or Letter, now reveals th' Intrigue:
A certain Earl a certain Queen enjoys,
A certain Subject Fair her Peace destroys;
The jealous Queen a vengeful Art assumes,
And scents her Rival's Gloves with dire Perfumes:
Queens, with their Ladies, work unseemly things,
And Boys grow Dukes, when Catamites to Kings.
A lying Monk on Miracles refines,
And Vengeance glares from violated Shrines.

THUS Slander o'er the Dead-One's Fame prevails,
And easy Minds imbibe Romantic Tales:
Thus from feign'd Facts a false Reflection flows,
And by Tradition Superstition grows.

NEXT, Pamphleteers a Trade licentious drive,
Like wrangling Lawyers, they by Discord thrive.
If Hancock proves Cold Water's Virtue clear,
His Rival prints a Treatise on Warm Beer.
If next Inoculation's Art spreads wide,
(An Art, that mitigates Infection's Tide)
Loud Pamphleteers 'gainst Innovation cry,
Let Nature work - 'Tis natural to die.

IF Heav'n-born Wisdom, gazing Nature thro',
Thro' Nature's Optics forms Religion's View,
Priestcraft opposes Demonstration's Aid,
And with dark Myst'ry dignifies her Trade.

IF Ruin rushes o'er a Statesman's Sway,
Scribblers, like Worms, on tainted Grandeur prey
While a poor Felon waits th' impending Stroke,
Voracious Scribes, like hov'ring Ravens, croak.
In their dark Quills a dreary Insult lies,
Th' Offence lives recent, tho' th' Offender dies;
In his last Words they suck his parting Breath,
And gorge on his loath'd Memory after Death.

WRETCHES, like these, no Satire wou'd chastise,
But Follies here to ruthless Insult rise;
Distinguish'd Insult taints a Nation's Fame,
And various Vice deserves a various Shame.

PAMPHLETS I leave-sublime my Fancy grows!
No more she sweeps the humble Vale of Prose.
Now I trace swift the Muse's airy Clime,
The Dance of Numbers, and the Change of Rhime!
In measur'd Rounds Imagination swims,
And the Brain whirls with new, surprizing Whims!
Poets are mad! 'tis granted:-So are you,
Grave Critics, who those Lunatics pursue:
You labour Comments, dry on Classic Lays,
Partial alike in Censure, and in Praise;
Where most abstruse, you most assert they shine,
Where Homer raves, his Allegory's fine!
But if a Modern with an Ancient vies,
Spirit grows Phrensy, to a Wit so wise.

PHLEGM without Fire, your flat Encomiums bear,
When you declaim, a Mark revers'd you wear;
If not inspir'd, at least possess'd you seem,
You boil with Choler, and dismiss your Phlegm.
None unprefer'd, in Parliament more loud!
No worn-out Fair more peevish, or more proud!
No City-Dame, when to the Birth-Night drawn,
More vain of Gems!-(some Female Courtier's Pawn!)
Proud as a Judge, when Equity's a Trade,
Or Lord, whose Guilt was with a Title paid.

MARK cautious Cinna mimic Poesy's Flame,
Coarse are his Colours, and obscure his Aim!
Cinna, thy Genius weds not with the Muse;
No longer then thy well-known Parts misuse!
Cinna, thus doctor'd, stifles all he writ,
But sneers malignant at another's Wit.
Some beauteous Piece applauded, He replies,
The Sun has Spots, and a wish'd Error spies.

SO some warm Lass grows pregnant e'er she marries,
Takes Physic, and for Honour's sake miscarries;
Jealous of Praise, pale Envy taints her Lip,
And her Tongue tattles of each Virgin's Trip.

THEOCRITUS's Ape, dry, proud, and vain,
Shews the stiff Quaker for the simple Swain.
In Tragic Scenes, how soft he moves Distress?
His Lamb-like Princess in the Pure-one's Dress:
Plain in Expression, and in Passion tame,
Propriety of Words is all his Aim.

SCRIBLERS grow fast-One, who gains least Applause,
(His Works reprinting) a Subscription draws.
Ape of an Ape! How is the Species grown?
Inferior Apes this Ape a Viceroy own!
O'er a learn'd Tribe, He Grand Dictator plays,
And points young Wits new Models in his Lays.
Flat Odes, Epistles, and Translations rise,
And a new Preface words it with the Wise!
Art is School Trash-Horace and Pope are Fool
Sonnets and Madrigals require no Rules.
Milton runs rough-Here plainer Lays allure!
Nor Low, nor Grand, nor Simple, nor Impure.

A Love-sick Youth, who sighs about Eighteen,
Whines in Blank Verse, and tries a Tragic Scene.
One Poet, damn'd, turns Critick, storms in Prose;
His railing Pamphlet his wrong'd Merit shows.
A trading Bard salutes the Lord in Place,
Whom he insults with Satire, in Disgrace.
One, jocund, sings Birth-Days, and Nuptial Rites:
One, of the Dead, a doleful Dirge recites,
Dull as deep Bells, that toll the Fun'ral's Time,
Or drowzy Echoes from the Bell-Man's Rhime.

A cast-off Dame, who of Intrigues can judge,
Writes Scandal in Romance-A Printer's Drudge!
Flush'd with Success, for Stage-Renown she pants,
And melts, and swells, and pens luxurious Rants.

BUT while her Muse a sulph'rous Flame displays,
Glows strong with Lust, or burns with Envy's Blaze!
While some black Fiend, that hugs the haggar'd Shrew,
Hangs his collected Horrors on her Brow!
Clio, descending Angels sweep thy Lyre,
Prompt thy soft Lays, and breathe Seraphic Fire.
Tears fall, Sighs rise, obedient to thy Strains,
And the Blood dances in the mazy Veins!
Crown'd with the Palm, Bays, Myrtle, and the Vine;
Love, Pity, Friendship, Music, Wit, and Wine,
In social Spirits, lead thy Hours along,
Thou Life of Loveliness, thou Soul of Song!

A Blade whose Life a Turn of Humour takes,
Cocks smart, trims fine, treats Harlots, scours with Rakes!
When his drain'd Purse no new Expence supplies,
Fond Madam frowns, each dear Companion flies!
Duns clamour, Bailiffs lurk, and Clothes decay,
Coin ebbs, he must recruit-He writes a Play.
'Bold Task! a Play?-Mark our young Bard proceed!
'A Play?-Your Wits in Want are Wits indeed.'
Here the Punk's Jokes are for Politeness wrote,
Some inconsistent Novel forms a Plot.
In the Gallant, his own wise Conduct glares!
Smut is sheer Wit!-Each Prank a Merit wears!
Bright Youth! He steals, to make the Piece entire,
A Cuckold, Beau, pert Footman, and a Squire.

WHEN Bards thus patch up Plays from various Scraps,
They dream of crouded Houses! thundring Claps!
False Hope! Poets are poor, and Fortune's blind,
Actors are saucy-or the Town's unkind.

BUT why should Satire war with ill Success?
Why should I add Affliction to Distress?
'Tis bold t' assail proud Vice with stinging Lays!
'Tis bolder yet, to give wrong'd Merit Praise!
Few dare accuse what stately Wits defend!
Few dare against the gen'ral Vogue commend!

JOHNNY's fine Works at Court obtain Renown!
Aaron writes Trash-He ne'er collogues the Town.
How Grand the Verse which My Lord's Feats declares.
Rude are Lampoons, that lash My Lady's Airs.
How arch the Wit, when Her Grace deigns a Laugh
Dull is the Satire on the Duke's white Staff.
Oh, You Polite! Your Smiles are Fame's sweet Road;
We praise, subscribe, or damn-because the Mode.

JOHNNY no more reflects a shining Page,
From that bright Genius, that has charm'd the Age!
More conscious now, his single Worth he rates!
Verses are made, like Med'cines, by Receipts.
Soft Phrases he collects-to scan, to chime,
Reads deep, and weighs vast Lexicons of Rhyme.
Hints from Fontaine, some smart Design compleat;
The Whim is pretty, and the Language neat.
Tho' smart, neat, pretty; yet ev'n Courtiers own,
It glitters not with Pope-aside 'tis thrown.

JOHNNY, who fosters next his Patron's Wit,
Strikes out a Play, with Thought, and Spirit writ!
To first-rank Beaus our artful Bard applies,
One writes to charm the Fair, and One the Wise.
Beaus fly the Fame, yet secret Talents know,
And read, revise, and ev'n Co-Authors grow;
And now anew th' inverted Work they frame,
New Thoughts they hatch!-But Johnny holds the Name.
So fruitful Madams, their Amours unknown,
Bear private Babes, which, born, their Midwives own.
At Grand Assemblies, Play and Bard appear,
Cabals are form'd, our Johnny's Debts to clear;
'Tis read, prais'd, acted!-Now the Poet's Trap!
Beaus heed your Scenes! You know your Cues to clap.

THUS thro' nine Nights loud Party-Praises roar,
Then die away at once, to noise no more.
In vain such Authors hope substantial Fame,
Such Praise must usher in a sequent Shame.
To the next Age, the present proves disgrac'd,
With the mean Wits we priz'd, it ranks our Taste;
But thro' a third, not ev'n their Shame they boast,
Their Names, their Works, and Shame alike are lost.

CALL you these Witlings a Poetic Brood?
Are Pies and Daws the Songsters of the Wood?
For Wit, not Nonsense, first was form'd the Stage,
Not to infect, but to refine the Age!
Here soften'd Virtue Rigours's Frown declines!
Precept, enforc'd by just Example, shines!
In each rais'd Tear a gen'rous Meaning flows!
In each pleas'd Smile a fair Instruction grows!
When we strike Nature, and improve the Mind,
Those deathless Works a sweet Remembrance find;
No chearless Merit unrewarded toils,
Still Compton lives, and still a Dorset smiles:
Some Noble Spirits still adorn the Great,
Still shines Argyle with ev'ry Grace of State;
Wisdom and Bounty sweet on Rutland sit,
And Howard's the lovely Patroness of Wit.

BUT say, whence liberal Arts thus feel Decay?
Why melt their Charms, like Fairy Towers, away?
Not Ignorance, oppos'd, their Strength impairs,
They break, they perish by intestine Jars.
Artists on Artists scoul with jealous Eyes,
And Envy Emulation's place supplies.
With Envy's Influence the dark Bosom's fraught,
But Emulation brightens ev'ry Thought!
Pale Envy pines, if Excellence aspires,
And most she slanders what she most admires;
Charm'd Emulation can, with Transport, gaze,
Yet wou'd outsoar the Worth, she loves to praise.

THUS thou, our Universal Passion's Foe,
Canst thy own Height, by praising Others, show.
Young well may Pope's and Congreve's Charms admire,
Young glows distinguish'd with an equal Fire:
So strong thy Learning, Wit, and Friendship shine,
What Praise true Merit claims, is justly thine.

poem by Richard Savage
Submitted by Poetry Lover
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An Account Of The Greatest English Poets

Since, dearest Harry, you will needs request
A short account of all the Muse possest,
That, down from Chaucer's days to Dryden's Times,
Have spent their Noble Rage in British Rhimes;
Without more Preface, wrote in Formal length,
To speak the Undertakers want of strength,
I'll try to make they're sev'ral Beauties known,
And show their Verses worth, tho' not my Own.

Long had our dull Fore-Fathers slept Supine,
Nor felt the Raptures of the Tuneful Nine;
Till Chaucer first, the merry Bard, arose;
And many a Story told in Rhime and Prose.
But Age has Rusted what the Poet writ,
Worn out his Language, and obscur'd his Wit:
In vain he jests in his unpolish'd strain,
And tries to make his Readers laugh in vain.

Old Spencer next, warm'd with Poetick Rage,
In Antick Tales amus'd a Barb'rous Age;
An Age that yet uncultivate and Rude,
Where-e'er the Poet's Fancy led, pursu'd
Through pathless Fields, and unfrequented Floods,
To Dens of Dragons and Enchanted Woods.
But now the Mystick Tale, that pleas'd of Yore,
Can Charm an understanding Age no more;
The long-spun Allegories fulsom grow,
While the dull Moral lies too plain below.
We view well-pleas'd at distance all the sights
Of Arms and Palfreys, Battle's, Fields, and Fights,
And Damsels in Distress, and Courteous Knights.
But when we look too near, the Shades decay,
And all the pleasing Lan-skip fades away.

Great Cowley then (a mighty Genius) wrote;
O'er-run with Wit, and lavish of his Thought:
His Turns too closely on the Reader press;
He more had pleas'd us, had he pleas'd us less.
One glitt'ring Thought no sooner strikes our Eyes
With silent wonder, but new wonders rise.
As in the Milky way a shining White,
O'er-flows the Heav'ns, with one continu'd Light;
That not a single Star can shew his Rays,
Whilst joyntly all promote the Common-Blaze.
Pardon, Great Poet, that I dare to name
Th' unnumber'd Beauties of thy Verse with blame;
Thy fault is only Wit in its Excess,
But Wit like thine in any shape will please.
What Muse but thine cou'd equal Hints inspire,
And fit the Deep-Mouth'd Pindar to thy Lyre:
Pindar, whom others in a Labour'd strain
And forc'd Expression, imitate in vain?
Well-pleas'd in thee he Soars with new delight,
And Plays in more unbounded Verse, and takes a nobler flight.

Blest Man! whose spotless Life and Charming Lays
Employ'd the Tuneful Prelate in thy Praise:
Blest Man! who now shall be for ever known
In Sprat's successful Labours and thy own.

But Milton next, with high and haughty stalks,
Unfetter'd in Majestic Numbers walks;
No vulgar Heroe can his Muse ingage;
Nor Earth's wide Scene confine his hallow'd Rage.
See! see, he upward Springs, and Tow'ring high,
Spurns the dull Province of Mortality;
Shakes Heav'ns Eternal Throne with dire Alarms,
And sets the Almighty Thunderer in Arms.
What-e'er his Pen describes I more then see,
Whilst ev'ry Verse array'd in Majesty,
Bold, and sublime, my whole attention draws,
And seems above the Criticks nicer Laws.
How are you struck with Terrour and Delight,
When Angel with Arch-Angel Cope's in Fight!
When Great Messiah's out-spread Banner shines,
How does the Chariot Rattel in his Lines!
What sounds of Brazen Wheels, what Thunder, scare,
And stun the Reader with the Din of War!
With Fear my Spirits and my Blood retire,
To see the Seraphs sunk in Clouds of Fire;
But when, with eager steps, from hence I rise,
And view the first gay Scenes of Paradise;
What Tongue, what words of Rapture, can express
A Vision so profuse of pleasantness.
Oh had the Poet ne'er profan'd his Pen,
To varnish o'er the Guilt of Faithless Men,
His other works might have deserv'd applause!
But now the Language can't support the Cause;
While the clean Current, tho' serene and bright,
Betray's a bottom odious to the sight.

But now my Muse, a softer strain rehearse.
Turn every Line with Art, and smooth thy Verse;
The Courtly Waller next commands thy Lays:
Muse Tune thy Verse, with Art, to Waller's Praise.
While tender Airs and lovely Dames inspire
Soft melting Thoughts, and propagate Desire;
So long shall Waller's strains our Passion move,
And Sacharissa's Beauties kindle Love.
Thy Verse, Harmonious Bard, and flatt'ring Song,
Can make the Vanquish'd Great, the Coward strong.
Thy Verse can show ev'n Cromwell's innocence,
And Compliment the Storms that bore him hence.
Oh had thy Muse not come an Age too soon,
But seen Great Nassaw on the British Throne!
How had his Triumphs glitter'd in thy Page,
And warm'd Thee to a more Exalted Rage!
What Scenes of Death and Horrour had we viewd,
And how had Boine's wide Current Reek'd in Blood!
Or if Maria's Charms thou wou'dst rehearse,
In smoother Numbers and a softer Verse,
Thy Pen had well describ'd her Graceful Air,
And Gloriana wou'd have seem'd more Fair.

Nor must Roscommon pass neglected by,
That makes ev'n Rules a noble Poetry:
Rules who's deep Sense and Heav'nly Numbers show
The best of Critticks, and of Poets too.
Nor Denham must we e'er forget thy Strains,
While Cooper's Hill commands the neighb'ring Plains.

But see where artful Dryden next appears,
Grown old in Rhime, but Charming ev'n in Years.
Great Dryden next! whose Tuneful Muse affords
The sweetest Numbers, and the fittest words.
Whether in Comick sounds or Tragick Airs
She form's her voice, she moves our Smiles or Tears.
If Satire or Heroick Strains she writes,
Her Heroe pleases, and her Satire Bites.
From her no harsh, unartful Numbers fall,
She wears all Dresses, and she Charms in all:
How might we fear our English Poetry,
That long has flourish'd, shou'd decay with Thee;
Did not the Muses other Hope appear,
Harmonious Congreve, and forbid our Fear.
Congreve! whose Fancies unexhausted Store
Has given already much, and promis'd more.
Congreve shall still preserve thy Fame alive
And Dryden's Muse shall in his Friend survive.

I'm tir'd with Rhiming, and wou'd fain give o'er,
But Justice still demands one Labour more:
The Noble Montague remains unnam'd,
For Wit, for Humour, and for Judgment fam'd;
To Dorset he directs his Artful Muse,
In numbers such as Dorset's self might use.
How negligently Graceful he unrein's
His Verse, and writes in loose Familiar strains;
How Nassau's Godlike Acts adorn his Lines,
And all the Heroe in full Glory Shines.
We see his Army set in just Array,
And Boine's Di'd Waves run purple to the Sea.
Nor Simois chok'd with men, and Arms, and Blood;
Nor rapid Xanthus' celebrated Flood:
Shall longer be the Poet's highest Themes.
Tho' Gods and Heroes fought, Promiscuous in they're streams.
But now, to Nassau's secret Councils rais'd,
He Aids the Heroe, whom before he Prais'd.

I've done, at length, and now, Dear Friend, receive
The last poor Present that my Muse can give.
I leave the Arts of Poetry and Verse
To them that practise 'em with more success.
Of greater Truths I'll now prepare to tell,
And so at once, Dear Friend and Muse, Farewell.

poem by Joseph Addison
Submitted by Poetry Lover
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To A Lady Who Commanded Me To Send Her An Account In Verse

How I succeed, you kindly ask;
Yet set me on a grievous Task,
When you oblige me to rehearse,
The Censures past upon my Verse.

Tho' I with Pleasure may relate,
That many, truly good, and great,
With candid Eye my Lines survey,
And smile upon the artless Lay;
To those with grateful Heart I bend --
But your Commands I must attend.

SERVILLA cries, I hate a Wit;
Women should to their Fate submit,
Should in the Needle take Delight;
'Tis out of Character to write:
She may succeed among the Men;
They tell me, Swift subscribes for Ten;
And some say, Dorset does the same;
But she shall never have my Name:
Her Poetry has cost me dear;
When Lady Carteret was here,
The Widow Gordon got my Guinea;
For which I own myself a Ninny.

OLIVIA loses oft at Play;
So will not throw her Gold away.

Thus Silvia, of the haughty Tribe:
She never ask'd me to subscribe,
Nor ever wrote a Line on me,
I was no Theme for Poetry!
She rightly judg'd; I have no Taste --
For Womens Poetry, at least.

Then Fulvia made this sage Reply;
(And look'd with self--sufficient Eye
I oft have said, and say again,
Verses are only writ by Men;
I know a Woman cannot write;
I do not say this out of Spite;
Nor shall be thought, by those who know me,
To envy one so much below me.

SABINA, fam'd in Wisdom's School,
Allows I write--but am a Fool:
``What!--must our Sons be form'd by Rhyme?
``A fine Way to employ one's Time!''

ALBINO has no gold to waste,
Far gone in the Italian Taste:
He vows he must subscribe this Year,
To keep dear Carestini here;
Not from a narrow Party View;
He doats on Senesino too;
By Turns their Int'rest he'll espouse;
He's for the public Good, he vows;
A gen'rous Ardor fires his Breast.
Hail, Britain, in such Patriots blest!

Says Belvidera, Since a Wit
Or Friend or Foe alike will hit,
Deliver me from Wits, I say;
Grant Heav'n, they ne'er may cross my Way!
Besides, I oft have heard it hinted,
Her Poems never will be printed:
Her Sickness is a Feint, no doubt,
To keep her Book from coming out.

Of Wit, says Celia, I'll acquit her;
Then archly fell into a Titter.

A Female Bard! Pulvillio cries;
'Tis possible she may be wise;
But I could never find it yet,
Tho' oft in Company we met:
She talks just in the common Way:
Sure Wits their Talents should display;
Their Language surely should be bright,
Before they should pretend to write:
I'll ne'er subscribe for Books, says he;
'Fore Gad, it looks like Pedantry.

High--born Belinda loves to blame;
On Criticism founds her Fame:
When--e'er she thinks a Fault she spies
How Pleasure sparkles in her Eyes!
Call it not Poetry, she says;
No -- Call it Rhyming, if you please:
Her Numbers might adorn a Ring,
Or serve along the Streets to sing:
Stella and Flavia's well enough;
What else I saw, was stupid Stuff;
Nor Love nor Satire in her Lays,
Insipid! neither pain nor please:
I promis'd once to patronize her;
But on Reflection, I was wiser:
Yet I subscrib'd among the rest;
I love to carry on a Jest.

BELINDA thus her Anger shows,
Nor tells the World, from whence it flows:
With more Success to wound my Lays,
She gilds the Dart with other Praise:
To her own Breast I leave the Fair
Convinc'd I stand acquitted there.

AMANDA, your Commands, you see,
Tho' grievous, are obey'd by me.
What my Friends told me had been said,
Just as it came into my Head,
No matter for the Place or Time,
To shew your Pow'r, I tag with Rhyme.

Now let some News salute your Ear,
Tho' I have weary'd you, I fear:
Know, --- has Vengeance vow'd,
And in the Furies Temple bow'd:
He but suspends his Wrath, he says,
Till he can criticise my Lays.
Malice, thy Rancour I expect,
And shall return it--with Neglect:
Go on, display your treasur'd Rage;
Invectives shall not blot my Page:
What real Faults you note, I'll mend:
Proceed, your Efforts I attend;
Taught early, Dryden, by thy Song,
They ne'er forgive, who do the Wrong.

Now to the Muse I bid Adieu;
Nor rail at her, as Poets do:
Protected by the Good and Great,
I'll not repine, but bless my Fate.

You, Madam, who your Sex adorn,
Who Malice and Detraction scorn,
Who with superior Sense are bless'd,
Of ev'ry real Worth possess'd;
With Eye indulgent view my Lays:
You know to blame, but love to praise:
You know my Faults, and know beside,
I want not to be mortify'd.
One Merit I presume to boast,
And dare to plead but one at most:
The Muse I never have debas'd;
My Lays are innocent at least;
Were ever ardently design'd
To mend and to enlarge the Mind.
This must be own'd a virtuous Aim.
The Praise of Wit--let others claim.

poem by Mary Barber
Submitted by Poetry Lover
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To Mrs. Ward. By The Same.

O thou, my beauteous, ever tender Friend,
Thou, on whom all my worldly Joys depend,
Accept these Numbers; and with Pleasure hear
Unstudy'd Truth, which few, alas! can bear;
While conscious Virtue takes the Muse's Part,
Glows on thy Cheek, and warms thy gen'rous Heart.

Let Birth--day Suits be thoughtless Celias Cire;
And Rows of Di'monds recommend the Fair;
While gazing Crouds around the Pageant press,
Charm'd with her Pride, and Luxury of Dress:
Far other Joys thy just Ambition move,
To cherish and reward a Husband's Love;
To slight vain Titles, in Retreat to shine,
Shun public Praise, and call a Poet thine.
And know, ye Fair, a Poet can supply,
What Wealth, and Pow'r, and Equipage deny.
When the vain Bus'ness of your Lives is o'er,
And the Glass frightens, whom it charm'd before;
When not a Trace remains of what you were,
And not a Compliment salutes your Ear;
Without one Virtue, to redeem Respect,
Without one Beauty, to sorbid Neglect;
With Tears unpity'd, you may then lament
The gloomy Setting of a Life mis--spent;
Nor Delia's Choice with witty Malice blame,
Who gave up Show for Happiness and Fame.

O! If the Muse, not uninspir'd, divine,
Thy bright Example shall for ever shine;
Teach the wise Virgin, where to fix her Choice,
And weigh no Marriage by the common Voice;
To yield with Dignity, reject with Grace;
Nor tire the Lover with a tedious Chace:
With Ease to conquer, and with Ease retain,
Brighten Prosperity, or soften Pain:
Know Woman's Glory, and her proper End;
Live to her Husband, Family, and Friend:
Thro' varying Life her various Virtues prove,
Honour her Portion here, and Bliss above.

Say, What Persuasion, or what Arts of mine,
Could gain a Passage to a Soul like thine?
Where Female Softness, Strength of Reason meet,
A piercing Judgment, and a Wit discrect;
Where ev'ry Passion, ev'ry Duty, knows
Its proper Bounds, and not unlicens'd flows.
Say, for thou know'st, my ever ablest Guide,
(One doubtful Act remains unjustify'd)
On Me, on Me, thy choicest Favours fell;
Could You so err, or I deserve so well?
Instruct me thou the happy Art to steer,
And still with Modesty thy Conduct clear;
So in thy Praises may the World agree;
Nor load with Vanity the Muse and Me.

With Song still usher'd shall the Morn arise,
That shew'd thee first, all--charming, to my Eyes:
I gaz'd with Rapture, yet chastiz'd with Awe:
So the First Man descending Angels saw.
Speaking, or silent, O! secure to charm,
To win with Wisdom, or with Beauty warm:
The Graces unobserv'd, with easy Care,
Form thy soft Accents, and compose thy Air.
I saw, and heard; nor heard, nor saw, unmov'd,
Unknowing, or I durst not know, I lov'd.
What thence I suffer'd, let high Heav'n declare,
Pitying my Grief, propitious to my Pray'r.
Heav'n try'd my Passion, and pronounc'd it true:
Hence I embolden'd, and hence softer You.
Yet oft with--held, and falt'ring oft with Pain,
My Tongue half utters, what my Eyes explain,
Nor prone to flatter, nor to Virtue blind;
Not void of Knowledge, and to learn inclin'd;
Nor sprung from noble, nor ungen'rous Blood;
Boasting a Father honest, wise, and good;
Such long observ'd, and by long Converse shown,
My Temper, Manners, and my Failings known:
You trust my Vows, and pity Love sincere;
Haste to relieve, and smile away my Fear;
Give all you can, and all the rest forsake,
The noblest Sacrifice, that Love could make!
Of what Avail the Use of Wealth to Thee?
Or what the Blessing, if unshar'd with Me?
O doubly honour'd by the grateful Mind,
For what you bring, and what you leave behind!

Is there a Man in Science not unread,
In simple Neatness elegantly bred,
Of what or Health or Nature asks, possess'd,
Receiv'd by all, and by his Friends caress'd,
False and insidious can the Fair pursue,
And look on Beauty with a Miser's View?
Taught by the Muse such abject Souls to hate,
And hope sweet Converse from the Marriage--State,
I place my Triumphs in a matchless Wife,
Nor seek superfluous Vanities of Life:
Thus, unobnoxious to Detraction's Aim,
Nor base Suspicion can attaint my Fame.

Degen'rate Thought! Let sland'rous Tongues assail;
Spread all their Poison, all their Rage prevail;
So gracious Heav'n restore thee, to enjoy
What Love could leave, but Wisdom could employ.

Mean--while my Delia manifests her Worth;
The Loss of Riches calls her Prudence forth:
Behold her now with Dignity descend;
And low, but necessary, Cares attend;
Chearful, what Fortune not allows, resign;
And, harder still, her Charities confine:
But Heav'n in secret sees the kind Intent,
Each Act of Pity, or of Bounty, meant;
Heav'n sees in secret; but in open Day
Will crown thy Merit, and thy Praise display.
Tho' small thy Store, not Millions could suffice,
To furnish all thy lib'ral Thought supplies.
How oft thy lov'd Sapphira melts thy Breast,
Obscur'd her Worth, her Genius half depress'd!
How oft thy Fancy helps Old--Age along!
Or hears the Widow's, and the Orphau's Song!
Now visionary Temples rise around;
And half thy Empire, GEORGE, is sacred Ground.

From Thee, my Delia, from thy watchful Care,
My Little lasts; my Little, Friends can share:
Nor Debts distract, nor Usuries devour;
Poor if I am, within my Fortune poor.
Smile on, my Fair, tho' cautious, void of Fear,
Wise to shun Sorrows, or prepar'd to bear.
Who copies Thee, shall never fail to find,
'Midst Clouds and Storms, the Sun--shine of the Mind:
For Piety (whatever Ill impends)
Omniscience guides, Omnipotence defends.

Bless'd in Retirement, Competence, and Love,
Below all Envy, and all Vice above,
Crown'd with Content, I only burn to show,
(Hopeless to recompense) how much I owe.
O born with Genius, and with Learning fill'd,
In ev'ry Rule of happy Writings skill'd;
Whom Beauties strike, false Ornaments offend;
Who weigh with Care each Author's Scope and End;
Know why Pope slackens, or augments his Fire;
And oft, where others damn, the most admire;
(So shallow Wits, with bolder Folly, blame,
From Parts, the faultless Universal Frame:
But Newton's Genius could the Whole explore,
See All was good, and Wisdom's Hand adore.)
This Verse (you know me free from faulty Pride)
Or kindly authorize, or kindly hide:
Approve; and Fame shall sanctify my Lays:
Suppress; yet Love my grateful Labour pays.

poem by Mary Barber
Submitted by Poetry Lover
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To Mr. Pope

To praise, and still with just respect to praise
A Bard triumphant in immortal bays,
The Learn'd to show, the Sensible commend,
Yet still preserve the province of the Friend,
What life, what vigour must the lines require?
What Music tune them, what affection fire?

O might thy Genius in my bosom shine!
Thou should'st not fail of numbers worthy thine;
The brightest Ancients might at once agree,
To sing within my lays, and sing of thee.

Horace himself wou'd own thou dost excell
In candid arts to play the Critic well.
Ovid himself might wish to sing the Dame,
Whom Windsor-Forest sees a gliding stream:
On silver feet, with annual Osier crown'd,
She runs for ever thro' Poetic ground.

How flame the glories of Belinda's Hair,
Made by thy Muse the envy of the Fair?
Less shone the tresses Ægypt's Princess wore,
Which sweet Callimachus so sung before.
Here courtly trifles set the world at odds;
Belles war with Beaus, and Whims descend for Gods.
The new Machines, in names of ridicule,
Mock the grave frenzy of the Chimick fool.
But know, ye fair, a point conceal'd with art,
The Sylphs and Gnomes are but a woman's heart.
The Graces stand in sight; a Satyr-train,
Peeps o'er their head, and laughs behind the scene.

In Fame's fair Temple o'er the boldest wits,
Inshrin'd on high, the sacred Virgil sits,
And sits in measures, such as Virgil's Muse,
To place thee near him, might be fond to chuse.
How might he tune th' alternate reed with thee,
Perhaps a Strephon thou, a Daphnis he;
While some old Damon, o'er the vulgar wise,
Thinks he deserves, and thou deserv'st the Prize.
Rapt with the thought, my fancy seeks the plains,
And turns me shepherd while I hear the strains.
Indulgent nurse of ev'ry tender gale,
Parent of flowrets, old Arcadia hail!
Here in the cool my limbs at ease I spread,
Here let thy Poplars whisper o'er my head!
Still slide thy waters soft among the trees,
Thy Aspins quiver in a breathing breeze!
Smile, all ye valleys, in eternal spring,
Be hush'd, ye winds! while Pope and Virgil sing.

In English lays, and all sublimely great,
Thy Homer warms with all his ancient heat;
He shines in Council, thunders in the fight,
And flames with ev'ry sense of great delight.
Long has that Poet reign'd, and long unknown,
Like Monarchs sparkling on a distant throne;
In all the majesty of Greek retir'd,
Himself unknown, his mighty name admir'd;
His language failing, wrapt him round with night;
Thine, rais'd by thee, recalls the work to light.
So wealthy Mines, that ages long before
Fed the large realms around with golden Oar,
When choak'd by sinking banks, no more appear,
And shepherds only say, The mines were here:
Should some rich youth (if nature warm his heart,
And all his projects stand inform'd with art)
Here clear the caves, there ope the leading vein;
The mines detected flame with gold again.

How vast, how copious are thy new designs!
How ev'ry Music varies in thy lines!
Still, as I read, I feel my bosom beat,
And rise in raptures by another's heat.
Thus in the wood, when summer dress'd the days,
When Windsor lent us tuneful hours of ease,
Our ears the lark, the thrush, the turtle blest,
And Philomela sweetest o'er the rest:
The shades resound with song—O softly tread,
While a whole season warbles round my head.

This to my friend—and when a friend inspires,
My silent harp its master's hand requires,
Shakes off the dust, and makes these rocks resound;
For fortune plac'd me in unfertile ground.
Far from the joys that with my soul agree,
From wit, from learning—very far from thee.
Here moss-grown trees expand the smallest leaf;
Here half an Acre's corn is half a sheaf;
Here hills with naked heads the tempest meet,
Rocks at their sides, and torrents at their feet;
Or lazy lakes, unconscious of a flood,
Whose dull, brown Naiads ever sleep in mud.
Yet here Content can dwell, and learned ease,
A Friend delight me, and an Author please;
Ev'n here I sing, when Pope supplies the theme,
Shew my own love, tho' not increase his fame.

poem by Thomas Parnell
Submitted by Poetry Lover
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To The Right Hon. Mr. Dodington

Long, Dodington, in debt, I long have sought
To ease the burden of my graceful thought:
And now a poet's gratitude you see:
Grant him two favours, and he'll ask for three:
For whose the present glory, or the gain?
You give protection, I a worthless strain.
You love and feel the poet's sacred flame,
And know the basis of a solid fame;
Though prone to like, yet cautious to commend,
You read with all the malice of a friend;
Nor favour my attempts that way alone,
But, more to raise my verse, conceal your own.
An ill-tim'd modesty! turn ages o'er,
When wanted Britain bright examples more?
Her learning, and her genius too, decays;
And dark and cold are her declining days;
As if men now were of another cast,
They meanly live on alms of ages past,
Men still are men; and they who boldly dare,
Shall triumph o'er the sons of cold despair;
Or, if they fail, they justly still take place
Of such who run in debt for their disgrace;
Who borrow much, then fairly make it known,
And damn it with improvements of their own.
We bring some new materials, and what's old
New cast with care, and in no borrow'd mould;
Late times the verse may read, if these refuse;
And from sour critics vindicate the Muse.
'Your work is long', the critics cry. 'Tis true,
And lengthens still, to take in fools like you:
Shorten my labour, if its length you blame:
For, grow but wise, you rob me of my game;
As haunted hags, who, while the dogs pursue,
Renounce their four legs, and start up on two.

Like the bold bird upon the banks of Nile
That picks the teeth of the dire crocodile,
Will I enjoy (dread feast!) the critic's rage,
And with the fell destroyer feed my page.
For what ambitious fools are more to blame,
Than those who thunder in the critic's name?
Good authors damn'd, have their revenge in this,
To see what wretches gain the praise they miss.

Balbutius, muffled in his sable cloak,
Like an old Druid from his hollow oak,
As ravens solemn, and as boding, cries,
'Ten thousand worlds for the three unities!'
Ye doctors sage, who through Parnassus teach,
Or quit the tub, or practise what you preach.

One judges as the weather dictates; right
The poem is at noon, and wrong at night:
Another judges by a surer gage,
An author's principles, or parentage;
Since his great ancestors in Flanders fell,
The poem doubtless must be written well.
Another judges by the writer's look;
Another judges, for he bought the book:
Some judge, their knack of judging wrong to keep;
Some judge, because it is too soon to sleep.
Thus all will judge, and with one single aim,
To gain themselves, not give the writer, fame.
The very best ambitiously advise,
Half to serve you, and half to pass for wise.

Critics on verse, as squibs on triumphs wait,
Proclaim the glory, and augment the state;
Hot, envious, noisy, proud, the scribbling fry
Burn, hiss, and bounce, waste paper, stink, and die.
Rail on, my friends! what more my verse can crown
Than Compton's smile, and your obliging frown?

Not all on books their criticism waste:
The genius of a dish some justly taste,
And eat their way to fame; with anxious thought
The salmon is refus'd, the turbot bought.
Impatient art rebukes the sun's delay
And bids December yield the fruits of May;
Their various cares in one great point combine
The business of their lives, that is--to dine.
Half of their precious day they give the feast;
And to a kind digestion spare the rest.
Apicius, here, the taster of the town,
Feeds twice a week, to settle their renown.

These worthies of the palate guard with care
The sacred annals of their bills of fare;
In those choice books their panegyrics read,
And scorn the creatures that for hunger feed.
If man by feeding well commences great,
Much more the worm to whom that man is meat.

To glory some advance a lying claim,
Thieves of renown, and pilferers of fame:
Their front supplies what their ambition lacks;
They know a thousand lords, behind their backs.
Cottil is apt to wink upon a peer,
When turn'd away, with a familiar leer;
And Harvey's eyes, unmercifully keen,
Have murdered fops, by whom she ne'er was seen.
Niger adopts stray libels; wisely prone,
To cover shame still greater than his own.
Bathyllus, in the winter of threescore,
Belies his innocence, and keeps a ----.
Absence of mind Brabantio turns to fame,
Learns to mistake, nor knows his brother's name;
Has words and thoughts in nice disorder set,
And takes a memorandum to forget.
Thus vain, not knowing what adorns or blots
Men forge the patents that create them sots.

As love of pleasure into pain betrays,
So most grow infamous through love of praise.
But whence for praise can such an ardour rise,
When those, who bring that incense, we despise?
For such the vanity of great and small,
Contempt goes round, and all men laugh at all.
Nor can even satire blame them; for 'tis true,
They have most ample cause for what they do
O fruitful Britain! doubtless thou wast meant
A nurse of fools, to stock the continent.
Though Phoebus and the Nine for ever mow,
Rank folly underneath the scythe will grow
The plenteous harvest calls me forward still,
Till I surpass in length my lawyer's bill;
A Welsh descent, which well-paid heralds damn;
Or, longer still, a Dutchman's epigram.
When, cloy'd, in fury I throw down my pen,
In comes a coxcomb, and I write again.

See Tityrus, with merriment possest,
Is burst with laughter, ere he hears the jest:
What need he stay? for when the jest is o'er,
His teeth will be no whiter than before.
Is there of thee, ye fair! so great a dearth,
That you need purchase monkeys for your mirth!

Some, vain of paintings, bid the world admire;
Of houses some; nay, houses that they hire:
Some (perfect wisdom!) of a beauteous wife;
And boast, like Cordeliers, a scourge for life.

Sometimes, through pride, the sexes change their airs;
My lord has vapours, and my lady swears;
Then, stranger still! on turning of the wind,
My lord wears breeches, and my lady's kind.

To show the strength, and infamy of pride,
By all 'tis follow'd, and by all denied.
What numbers are there, which at once pursue,
Praise, and the glory to contemn it, too?
Vincenna knows self-praise betrays to shame,
And therefore lays a stratagem for fame;
Makes his approach in modesty's disguise,
To win applause; and takes it by surprise.
'To err,' says he, 'in small things, is my fate.'
You know your answer, 'he's exact in great'.
'My style', says he, 'is rude and full of faults.'
'But oh! what sense! what energy of thoughts!'
That he wants algebra, he must confess;
'But not a soul to give our arms success'.
'Ah! that's an hit indeed,' Vincenna cries;
'But who in heat of blood was ever wise?
I own 'twas wrong, when thousands called me back
To make that hopeless, ill-advised attack;
All say, 'twas madness; nor dare I deny;
Sure never fool so well deserved to die.'
Could this deceive in others to be free,
It ne'er, Vincenna, could deceive in thee!
Whose conduct is a comment to thy tongue,
So clear, the dullest cannot take thee wrong.
Thou on one sleeve wilt thy revenues wear;
And haunt the court, without a prospect there.
Are these expedients for renown? Confess
Thy little self, that I may scorn thee less.

Be wise, Vincenna, and the court forsake;
Our fortunes there, nor thou, nor I, shall make.
Even men of merit, ere their point they gain,
In hardy service make a long campaign;
Most manfully besiege the patron's gate,
And oft repulsed, as oft attack the great
With painful art, and application warm.
And take, at last, some little place by storm;
Enough to keep two shoes on Sunday clean,
And starve upon discreetly, in Sheer-Lane.
Already this thy fortune can afford;
Then starve without the favour of my lord.
'Tis true, great fortunes some great men confer,
But often, even in doing right, they err:
From caprice, not from choice, their favours come:
They give, but think it toil to know to whom:
The man that's nearest, yawning, they advance:
'Tis inhumanity to bless by chance.
If merit sues, and greatness is so loth
To break its downy trance, I pity both.

Behold the masquerade's fantastic scene!
The Legislature join'd with Drury-Lane!
When Britain calls, th' embroider'd patriots run,
And serve their country--if the dance is done.
'Are we not then allow'd to be polite?'
Yes, doubtless; but first set your notions right.
Worth, of politeness is the needful ground;
Where that is wanting, this can ne'er be found.
Triflers not even in trifles can excel;
'Tis solid bodies only polish well.

Great, chosen prophet! for these latter days,
To turn a willing world from righteous ways!
Well, Heydegger, dost thou thy master serve;
Well has he seen his servant should not starve,
Thou to his name hast splendid temples raised
In various forms of worship seen him prais'd,
Gaudy devotion, like a Roman, shown,
And sung sweet anthems in a tongue unknown.
Inferior offerings to thy god of vice
Are duly paid, in fiddles, cards, and dice;
Thy sacrifice supreme, an hundred maids!
That solemn rite of midnight masquerades!

Though bold these truths, thou, Muse, with truths like these,
Wilt none offend, whom 'tis a praise to please;
Let others flatter to be flatter'd, thou
Like just tribunals, bend an awful brow.
How terrible it were to common-sense,
To write a satire, which gave none offence!
And, since from life I take the draughts you see.
If men dislike them, do they censure me?
The fool, and knave, 'tis glorious to offend,
And Godlike an attempt the world to mend,
The world, where lucky throws to blockheads fall,
Knaves know the game, and honest men pay all.
How hard for real worth to gain its price!
A man shall make his fortune in a trice,
If blest with pliant, though but slender, sense,
Feign'd modesty, and real impudence:
A supple knee, smooth tongue, an easy grace.
A curse within, a smile upon his face;
A beauteous sister, or convenient wife,
Are prizes in the lottery of life;
Genius and Virtue they will soon defeat,
And lodge you in the bosom of the great.
To merit, is but to provide a pain
For men's refusing what you ought to gain.

May, Dodington, this maxim fail in you,
Whom my presaging thoughts already view
By Walpole's conduct fired, and friendship grac'd,
Still higher in your Prince's favour plac'd:
And lending, here, those awful councils aid,
Which you, abroad, with such success obey'd!
Bear this from one, who holds your friendship dear;
What most we wish, with ease we fancy near.

poem by Edward Young
Submitted by Poetry Lover
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Upon The Death Of, Mr. Addison; Inscrib'd To The Earl Of Warwick

If yet, my Lord, your Sorrows find relief,
And a short Pause succeeds your weighty Grief;
With Candour this unwelcome Verse peruse,
The last kind Office of a grateful Muse:
Nor needs the grateful Muse to court thy Ear,
Which sheds for Addison a pious Tear;
And jointly sorrows, with pathetick Rage,
The greatest Genius of the greatest Age;
Whom Rival--wits with Veneration name,
And the foul Lips of Party durst not blame.

What secret Curse attends the Poet--line?
How have the Muses urg'd the Wrath divine?
Say, holy Sires, is Poetry a Crime?
Or whence these Judgments on the Sons of Rhime?
Why are the noblest Spirits snatch'd away
In their full Blaze of intellectual Day?
While Crowds of worthless Drones are left behind,
Grown white with Years, the Lumber of Mankind,
That loll, fat Canons, in some lazy Stall,
Or thoughtless sleep within a College Wall?
To its full Length they stretch the mortal Span,
Nor lose a Moment of the Age of Man;
But dully dreaming out their vital Store,
Drop ripe into their Graves, and are no more.

Scarce have our tender Sorrows ceas'd to flow
For courtly Garth, and soft--complaining Rowe;
Like Ovid witty one; in one conspire
Otway's prevailing Art, and Lucan's Fire:
Both these together drain'd our lavish Eyes;
Will not two Poets in a Year suffice?
Shall twelve short Months an Age's Woes ingross,
And Addison compleat the Nation's Loss.

Who then in manly Numbers shall record
The future, glorious Deeds of Brunswick's Sword?
Who now correct the Follies of the Age,
Or give new Lustre to the British Stage?
With Foreign Stores enrich his native Land,
Or deign to youthful Bards his willing Hand?

Great as he was, the Monarch of the Bays,
Plac'd far above the reach of mortal Praise;
In every Thought tho' Wit Divine appear,
Yet aw'd by modest dread and cautions Fear,
Seldom (too seldom!) did he put it forth,
Still most ambitious to conceal his Worth;
Stunn'd with applauding Crowds, he check'd his Flight,
And, wearied with Admirers, fear'd to write;
In his own Praise he felt a painful Shame,
And blush'd at the Abundance of his Fame.

So the fair Virgin with Confusion hears
Her Charms extol'd, and shuts her tortur'd Ears;
From the Encomiums of the Youth she flies,
And strives to hide the Lustre of her Eyes.

From this great Master of poetick Art,
Ye num'rous Bards that swarm in ev'ry Part,
And with laborious Nonsense load the Press,
Learn to contemplate more, and scribble less:
Learn, from this great Example, to command
Your Thirst of Fame, and stop an itching Hand:
Think not that Wit in bulky Volumes lies,
(Alas what witless Volumes daily rise.)
Oft is it wanting in a thousand Lines,
And often in a single Couplet shines.

While others on a part of Learning dwell,
Proud in one single Science to excel;
And as the scatter'd Stars adorn the Sky,
In diff'rent Arts their diff'rent Talents try;
Nor aim at more; great Addison alone
No Branch of human Knowledge left unknown;
But like the Sun inimitably bright,
Shone with collected Rays, the source of Light;
In Verse or Prose, with more than mortal Art,
He struck the Passions, and he warm'd the Heart:
Various, but still unrival'd, was his Song,
Now soft like Ovid, now like Virgil strong:
For ev'ry Theme his Genius was the same,
And each new Piece still added to his Fame.

But whither is this Boast of Britain fled?
Lies the great Author of our Glory dead?
Shall we, tormenting Thought! expect in vain,
A second Cato or a new Campain?
Why did not gracious Heav'n prolong his Date,
And shield him from the Rage of envious Fate?
Why did th' Almighty trust this common Good,
To the frail Elements of Flesh and Blood;
Expos'd to Ills, and subject to Decay,
The feeble, short--liv'd Creature of a Day?
Why was his Life not boundless as his Mind,
To bless the future Ages of Man kind?

But Heav'n to punish our repeated Crimes,
Call'd him from Earth to breathe in happier Climes:
For now in the gay mansions of the Skies
(If there the promis'd Land of Glory lies)
With kindred Bards that liv'd in earliest Days,
The rev'rend Fathers of harmonious Lays,
He joyns his tuneful Voice, his Lyre he strings,
And Maro listens whilst his Rival sings;
Great Somers fixes on his well known Face,
And Cato greets him with a stern Embrace.

poem by Nicholas Amhurst
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Drury-lane Prologue Spoken by Mr. Garrick

1 When Learning's triumph o'er her barb'rous foes
2 First rear'd the stage, immortal Shakespear rose;
3 Each change of many-colour'd life he drew,
4 Exhausted worlds, and then imagin'd new:
5 Existence saw him spurn her bounded reign,
6 And panting Time toil'd after him in vain:
7 His pow'rful strokes presiding Truth impress'd,
8 And unresisted Passion storm'd the breast.

9 Then Jonson came, instructed from the school,
10 To please in method, and invent by rule;
11 His studious patience, and laborious art,
12 By regular approach essay'd the heart;
13 Cold Approbation gave the ling'ring bays,
14 For those who durst not censure, scarce could praise.
15 A mortal born he met the general doom,
16 But left, like Egypt's kings, a lasting tomb.

17 The Wits of Charles found easier ways to fame,
18 Nor wish'd for Jonson's art, or Shakespear's flame,
19 Themselves they studied, as they felt, they writ,
20 Intrigue was plot, obscenity was wit.
21 Vice always found a sympathetic friend;
22 They pleas'd their age, and did not aim to mend.
23 Yet bards like these aspir'd to lasting praise,
24 And proudly hop'd to pimp in future days.
25 Their cause was gen'ral, their supports were strong,
26 Their slaves were willing, and their reign was long;
27 Till Shame regain'd the post that Sense betray'd,
28 And Virtue call'd Oblivion to her aid.

29 Then crush'd by rules, and weaken'd as refin'd,
30 For years the pow'r of tragedy declin'd;
31 From bard, to bard, the frigid caution crept,
32 Till Declamation roar'd, while Passion slept.
33 Yet still did Virtue deign the stage to tread,
34 Philosophy remain'd, though Nature fled.
35 But forc'd at length her ancient reign to quit,
36 She saw great Faustus lay the ghost of wit:
37 Exulting Folly hail'd the joyful day,
38 And pantomime, and song, confirm'd her sway.

39 But who the coming changes can presage,
40 And mark the future periods of the stage?--

41 Perhaps if skill could distant times explore,
42 New Behns, new Durfoys, yet remain in store.
43 Perhaps, where Lear has rav'd, and Hamlet died,
44 On flying cars new sorcerers may ride.
45 Perhaps, for who can guess th' effects of chance?
46 Here Hunt may box, or Mahomet may dance.

47 Hard is his lot, that here by Fortune plac'd,
48 Must watch the wild vicissitudes of taste;
49 With ev'ry meteor of caprice must play,
50 And chase the new-blown bubbles of the day.
51 Ah! let not censure term our fate our choice,
52 The stage but echoes back the public voice.
53 The drama's laws the drama's patrons give,
54 For we that live to please, must please to live.

55 Then prompt no more the follies you decry,
56 As tyrants doom their tools of guilt to die;
57 'Tis yours this night to bid the reign commence
58 Of rescu'd Nature, and reviving Sense;
59 To chase the charms of Sound, the pomp of Show,
60 For useful Mirth, and salutary Woe;
61 Bid scenic Virtue form the rising age,
62 And Truth diffuse her radiance from the stage.

poem by Samuel Johnson
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To Maecenas

MAECENAS, you, beneath the myrtle shade,
Read o'er what poets sung, and shepherds play'd.
What felt those poets but you feel the same?
Does not your soul possess the sacred flame?
Their noble strains your equal genius shares
In softer language, and diviner airs.
While Homer paints, lo! circumfus'd in air,
Celestial Gods in mortal forms appear;
Swift as they move hear each recess rebound,
Heav'n quakes, earth trembles, and the shores resound.
Great Sire of verse, before my mortal eyes,
The lightnings blaze across the vaulted skies,
And, as the thunder shakes the heav'nly plains,
A deep felt horror thrills through all my veins.
When gentler strains demand thy graceful song,
The length'ning line moves languishing along.
When great Patroclus courts Achilles' aid,
The grateful tribute of my tears is paid;
Prone on the shore he feels the pangs of love,
And stern Pelides tend'rest passions move.
Great Maro's strain in heav'nly numbers flows,
The Nine inspire, and all the bosom glows.
O could I rival thine and Virgil's page,
Or claim the Muses with the Mantuan Sage;
Soon the same beauties should my mind adorn,
And the same ardors in my soul should burn:
Then should my song in bolder notes arise,
And all my numbers pleasingly surprise;
But here I sit, and mourn a grov'ling mind,
That fain would mount, and ride upon the wind.
Not you, my friend, these plaintive strains become,
Not you, whose bosom is the Muses home;
When they from tow'ring Helicon retire,
They fan in you the bright immortal fire,
But I less happy, cannot raise the song,
The fault'ring music dies upon my tongue.
The happier Terence* all the choir inspir'd,
His soul replenish'd, and his bosom fir'd;
But say, ye Muses, why this partial grace,
To one alone of Afric's sable race;
From age to age transmitting thus his name
With the finest glory in the rolls of fame?
Thy virtues, great Maecenas! shall be sung
In praise of him, from whom those virtues sprung:
While blooming wreaths around thy temples spread,
I'll snatch a laurel from thine honour'd head,
While you indulgent smile upon the deed.

*He was an African by birth.

As long as Thames in streams majestic flows,
Or Naiads in their oozy beds repose
While Phoebus reigns above the starry train
While bright Aurora purples o'er the main,
So long, great Sir, the muse thy praise shall sing,
So long thy praise shal' make Parnassus ring:
Then grant, Maecenas, thy paternal rays,
Hear me propitious, and defend my lays.

poem by Phillis Wheatley
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To My Lord Colrane

In Answer to his Complemental Verses sent me under the Name of CLEANOR.

Long my dull Muse in heavy slumbers lay,
Indulging Sloth, and to soft Ease gave way,
Her Fill of Rest resolving to enjoy,
Or fancying little worthy her employ.
When Noble Cleanors obliging Strains
Her, the neglected Lyre to tune, constrains.
Confus'd at first, she rais'd her drowsie Head,
Ponder'd a while, then pleas'd, forsook her Bed.
Survey'd each Line with Fancy richly fraught,
Re-read, and then revolv'd them in her Thought.

And can it be? she said, and can it be?
That 'mong the Great Ones I a Poet see?
The Great Ones? who their Ill-spent time devide,
'Twixt dang'rous Politicks, and formal Pride,
Destructive Vice, expensive Vanity,
In worse Ways yet, if Worse there any be:
Leave to Inferiours the despised Arts,
Let their Retainers be the Men of Parts.
But here with Wonder and with Joy I find,
I'th' Noble Born, a no less Noble Mind;
One, who on Ancestors, does not rely
For Fame, in Merit, as in Title, high!

The Severe Godess thus approv'd the Laies:
Yet too much pleas'd, alas, with her own Praise.
But to vain Pride, My Muse, cease to give place,
Virgils immortal Numbers once did grace
A Smother'd Gnat: by high Applause is shown,
If undeserv'd, the Praisers worth alone:
Nor that you should believ'r, is't always meant,
'Tis often for Instruction only sent,
To praise men to Amendment, and display,
By its Perfection, where their Weakness lay.
This Use of these Applauding Numbers make
Them for Example, not Encomium, take.

poem by Anne Killigrew
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Elegy to the Memory of David Garrick, Esq.

DEAR SHADE OF HIM, who grac'd the mimick scene,
And charm'd attention with resistless pow'r;
Whose wond'rous art, whose fascinating mien,
Gave glowing rapture to the short-liv'd hour!

Accept the mournful verse, the ling'ring sigh,
The tear that faithful Mem'ry stays to shed;
The SACRED TEAR, that from Reflection's eye,
Drops on the ashes of the sainted dead.

Lov'd by the grave, and courted by the young,
In social comforts eminently blest;
All hearts rever'd the precepts of thy tongue,
And Envy's self thy eloquence confess'd.

Who could like thee the soul's wild tumults paint,
Or wake the torpid ear with lenient art?
Touch the nice sense with pity's dulcet plaint,
Or soothe the sorrows of the breaking heart?

Who can forget thy penetrating eye,
The sweet bewitching smile, th' empassion'd look?
The clear deep whisper, the persuasive sigh,
The feeling tear that Nature's language spoke?

Rich in each treasure bounteous Heaven could lend,
For private worth distinguish'd and approv'd,
The pride of WISDOM,­VIRTUE's darling friend,
By MANSFIELD honor'd­and by CAMDEN lov'd!

The courtier's cringe, the flatt'rer's abject smile,
The subtle arts of well-dissembled praise,
Thy soul abhorr'd;­above the gloss of guile,
Truth lead thy steps, and Friendship crown'd thy days.

Oft in thy HAMPTON's dark embow'ring shade
The POET's hand shall sweep the trembling string;
While the proud tribute §to thy mem'ry paid,
The voice of GENIUS on the gale shall fling.

Yes, SHERIDAN! thy soft melodious verse
Still vibrates on a nation's polish'd ear;
Fondly it hover'd o'er the sable hearse,
Hush'd the loud plaint, and triumph'd in a tear.

In life united by congenial minds,
Dear to the MUSE, to sacred friendship true;
Around her darling's urn a wreath SHE binds,
A deathless wreath­immortaliz'd by YOU!

But say, dear shade, is kindred mem'ry flown?
Has widow'd love at length forgot to weep?
That no kind verse, or monumental stone,
Marks the lone spot where thy cold relics sleep!

Dear to a nation, grateful to thy muse,
That nation's tears upon thy grave shall flow,
For who the gentle tribute can refuse,
Which thy fine feeling gave to fancied woe?

Thou who, by many an anxious toilsome hour,
Reap'd the bright harvest of luxuriant Fame,
Who snatch'd from dark oblivion's barb'rous pow'r
The radiant glories of a SHAKSPERE's name!

Rembrance oft shall paint the mournful scene
Where the slow fun'ral spread its length'ning gloom,
Where the deep murmur, and dejected mien,
In artless sorrow linger'd round thy tomb.

And tho' no laurel'd bust, or labour'd line,
Shall bid the passing stranger stay to weep;
Thy SHAKSPERE's hand shall point the hallow'd shrine,
And Britain's genius with thy ashes sleep.

Then rest in peace, O ever sacred shade!
Your kindred souls exulting FAME shall join;
And the same wreath thy hand for SHAKSPERE made,
Gemm'd with her tears about THY GRAVE SHALL TWINE.

poem by Mary Darby Robinson
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A Portrait

Tell me, ye prim adepts in Scandal’s school,
Who rail by precept, and detract by rule,
Lives there no character, so tried, so known,
So deck’d with grace, and so unlike your own,
That even you assist her fame to raise,
Approve by envy, and by silence praise!
Attend!—a model shall attract your view—
Daughters of calumny, I summon you!
You shall decide if this a portrait prove,
Or fond creation of the Muse and Love.
Attend, ye virgin critics, shrewd and sage,
Ye matron censors of this childish age,
Whose peering eye and wrinkled front declare
A fix’d antipathy to young and fair;
By cunning, cautious; or by nature, cold,—
In maiden madness, virulently bold;—
Attend, ye skill’d to coin the precious tale,
Creating proof, where innuendos fail!
Whose practised memories, cruelly exact,
Omit no circumstance, except the fact!—
Attend, all ye who boast,—or old or young,—
The living libel of a slanderous tongue!
So shall my theme, as far contrasted be,
As saints by fiends or hymns by calumny.
Come, gentle Amoret (for ’neath that name
In worthier verse is sung thy beauty’s fame),
Come—for but thee who seeks the Muse? and while
Celestial blushes check thy conscious smile.
With timid grace and hesitating eye,
The perfect model which I boast supply:—
Vain Muse! couldst thou the humblest sketch create
Of her, or slightest charm couldst imitate—
Could thy blest strain in kindred colours trace
The faintest wonder of her form and face—
Poets would study the immortal line,
And Reynolds own his art subdued by thine;
That art, which well might added lustre give
To nature’s best and heaven’s superlative:
On Granby’s cheek might bid new glories rise.
Or point a purer beam from Devon’s eyes!
Hard is the task to shape that beauty’s praise,
Whose judgment scorns the homage flattery pays?
But praising Amoret we cannot err,
No tongue o’ervalues Heaven, or flatters her!
Yet she by fate’s perverseness—she alone
Would doubt our truth, nor deem such praise her own!
Adorning fashion, unadorn’d by dress,
Simple from taste, and not from carelessness;
Discreet in gesture, in deportment mild,
Not stiff with prudence, nor uncouthly wild:
No state has Amoret; no studied mien;
She frowns no goddess, and she moves no queen,
The softer charm that in her manner lies
Is framed to captivate, yet not surprise;
It justly suits the expression of her face,—
’Tis less than dignity, and more than grace!
On her pure cheek the native hue is such,
That, form’d by Heaven to be admired so much,
The hand divine, with a less partial care,
Might well have fix’d a fainter crimson there,
And bade the gentle inmate of her breast—
Inshrined Modesty—supply the rest.
But who the peril of her lips shall paint?
Strip them of smiles—still, still all words are faint!
But moving Love himself appears to teach
Their action, though denied to rule her speech;
And thou who seest her speak, and dost not hear,
Mourn not her distant accents ’scape thine ear;
Viewing those lips, thou still may’st make pretence
To judge of what she says, and swear ’tis sense:
Clothed with such grace, with such expression fraught,
They move in meaning, and they pause in thought!
But dost thou farther watch, with charm’d surprise,
The mild irresolution of her eyes,
Curious to mark how frequent they repose,
In brief eclipse and momentary close—
Ah! seest thou not an ambush’d Cupid there,
Too tim’rous of his charge, with jealous care
Veils and unveils those beams of heavenly light,
Too full, too fatal else, for mortal sight?
Nor yet, such pleasing vengeance fond to meet,
In pard’ning dimples hope a safe retreat.
What though her peaceful breast should ne’er allow
Subduing frowns to arm her altered brow,
By Love, I swear, and by his gentle wiles,
More fatal still the mercy of her smiles!
Thus lovely, thus adorn’d, possessing all
Of bright or fair that can to woman fall,
The height of vanity might well be thought
Prerogative in her, and Nature’s fault.
Yet gentle Amoret, in mind supreme
As well as charms, rejects the vainer theme;
And, half mistrustful of her beauty’s store,
She barbs with wit those darts too keen before:—
Read in all knowledge that her sex should reach,
Though Greville, or the Muse, should deign to teach,
Fond to improve, nor timorous to discern
How far it is a woman’s grace to learn;
In Millar’s dialect she would not prove
Apollo’s priestess, but Apollo’s love,
Graced by those signs which truth delights to own,
The timid blush, and mild submitted tone:
Whate’er she says, though sense appear throughout,
Displays the tender hue of female doubt;
Deck’d with that charm, how lovely wit appears,
How graceful science, when that robe she wears!
Such too her talents, and her bent of mind,
As speak a sprightly heart by thought refined:
A taste for mirth, by contemplation school’d,
A turn for ridicule, by candour ruled,
A scorn of folly, which she tries to hide;
An awe of talent, which she owns with pride!
Peace, idle Muse! no more thy strain prolong,
But yield a theme, thy warmest praises wrong;
Just to her merit, though thou canst not raise
Thy feeble verse, behold th’ acknowledged praise
Has spread conviction through the envious train,
And cast a fatal gloom o’er Scandal’s reign!
And lo! each pallid hag, with blister’d tongue,
Mutters assent to all thy zeal has sung--
Owns all the colours just--the outline true;
Thee my inspirer, and my model--CREWE!

poem by Richard Brinsley Sheridan
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An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.

'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,
Their generation's so equivocal;
To tell them would a hundred tongues required,
Or one vain Wit's, that might a hundred tire.

But you who seek to give and merit fame,
And justly bear a Critic's noble name,
Be sure yourself and your own reach to know,
How far your Genius, Taste, and Learning go,
Launch not beyond your depth, but be discreet,
And mark that point where Sense and Dulness meet.

Nature to all things fix'd the limits fit,
And wisely curb'd proud man's pretending wit.
As on the land while here the ocean gains,
In other parts it leaves wide sandy plains;
Thus in the soul while Memory prevails,
The solid power of Understanding fails;
Where beams of warm Imagination play,
The Memory's soft figures melt away.
One Science only will one genius fit;
So vast is Art, so narrow human wit:
Now only bounded to peculiar arts,
But oft in those confin'd to single parts.
Like Kings we lose the conquests gain'd before,
By vain ambition still to make them more:
Each might his sev'ral province well command,
Would all but stoop to what they understand.

First follow Nature, and your judgment frame
By her just standard, which is still the same;
Unerring Nature, still divinely bright,
One clear, unchanged, and universal light,
Life, force, and beauty must to all impart,
At once the source, and end, and test of Art.
Art from that fund each just supply provides,
Works without show, and without pomp presides.
In some fair body thus th'informing soul
With spirits feeds, with vigour fills the whole;
Each motion guides, and every nerve sustains,
Itself unseen, but in th' effects remains.
Some, to whom Heav'n in wit has been profuse,
Want as much more to turn it to its use;
For Wit and Judgment often are at strife
Tho' meant each other's aid, like man and wife.
'Tis more to guide than spur the Muse's steed,
Restrain his fury than provoke his speed:
The winged courser, like a gen'rous horse,
Shows most true mettel when you check his course.

Those rules of old, discover'd, not devised,
Are Nature still, but Nature methodized;
Nature, like Liberty, is but restrain'd
By the same laws which first herself ordain'd.

Hear how learn'd Greece her useful rules indites
When to repress and when indulge our flights:
High on Parnassus' top her sons she show'd,
And pointed out those arduous paths they trod;
Held from afar, aloft, th'immortal prize,
And urged the rest by equal steps to rise.
Just precepts thus from great examples giv'n,
She drew from them what they derived from Heav'n.
The gen'rous Critic fann'd the poet's fire,
And taught the world with reason to admire.
Then Criticism the Muse's handmaid prov'd,
To dress her charms, and make her more belov'd:
But following Wits from that intention stray'd:
Who could not win the mistress woo'd the maid;
Against the Poets their own arms they turn'd,
Sure to hate most the men from whom they learn'd.
So modern 'pothecaries taught the art
By doctors' bills to play the doctor's part,
Bold in the practice of mistaken rules,
Prescribe, apply, and call their masters fools.
Some on the leaves of ancient authors prey;
Nor time nor moths e'er spoil'd so much as they;
Some drily plain, without invention's aid,
Write dull receipts how poems may be made;
These leave the sense their learning to display,
And those explain the meaning quite away.

You then whose judgment the right course would steer,
Know well each ancient's proper character;
His fable, subject, scope in every page;
Religion, country, genius of his age:
Without all these at once before your eyes,
Cavil you may, but never criticise.
Be Homer's works your study and delight,
Read them by day, and meditate by night;
Thence form your judgment, thence your maxims bring,
And trace the Muses upward to their spring.
Still with itself compared, his text peruse;
And let your comment be the Mantuan Muse.

When first young Maro in his boundless mind
A work t'outlast immortal Rome design'd,
Perhaps he seem'd above the critic's law,
And but from Nature's fountains scorn'd to draw;
But when t'examine ev'ry part he came,
Nature and Homer were, he found, the same.
Convinced, amazed, he checks the bold design,
And rules as strict his labour'd work confine
As if the Stagyrite o'erlook'd each line.
Learn hence for ancient rules a just esteem;
To copy Nature is to copy them.

Some beauties yet no precepts can declare,
For there's a happiness as well as care.
Music resembles poetry; in each
Are nameless graces which no methods teach,
And which a master-hand alone can reach.
If, where the rules not far enough extend,
(Since rules were made but to promote their end)
Some lucky license answer to the full
Th'intent proposed, that license is a rule.
Thus Pegasus, a nearer way to take,
May boldly deviate from the common track.
Great Wits sometimes may gloriously offend,
And rise to faults true Critics dare not mend;
From vulgar bounds with brave disorder part,
And snatch a grace beyond the reach of Art,
Which, without passing thro' the judgment, gains
The heart, and all its end at once attains.
In prospects thus some objects please our eyes,
Which out of Nature's common order rise,
The shapeless rock, or hanging precipice.
But tho' the ancients thus their rules invade,
(As Kings dispense with laws themselves have made)
Moderns, beware! or if you must offend
Against the precept, ne'er transgress its end;
Let it be seldom, and compell'd by need;
And have at least their precedent to plead;
The Critic else proceeds without remorse,
Seizes your fame, and puts his laws in force.

I know there are to whose presumptuous thoughts
Those freer beauties, ev'n in them, seem faults.
Some figures monstrous and misshaped appear,
Consider'd singly, or beheld too near,
Which, but proportion'd to their light or place,
Due distance reconciles to form and grace.
A prudent chief not always must display
His powers in equal ranks and fair array,
But with th'occasion and the place comply,
Conceal his force, nay, seem sometimes to fly.
Those oft are stratagems which errors seem,
Nor is it Homer nods, but we that dream.

Still green with bays each ancient altar stands
Above the reach of sacrilegious hands,
Secure from flames, from Envy's fiercer rage,
Destructive war, and all-involving Age.
See from each clime the learn'd their incense bring!
Hear in all tongues consenting Paeans ring!
In praise so just let ev'ry voice be join'd,
And fill the gen'ral chorus of mankind.
Hail, Bards triumphant! born in happier days,
Immortal heirs of universal praise!
Whose honours with increase of ages grow,
As streams roll down, enlarging as they flow;
Nations unborn your mighty names shall sound,
And worlds applaud that must not yet be found!
O may some spark of your celestial fire
The last, the meanest of your sons inspire,
(That on weak wings, from far, pursues your flights,
Glows while he reads, but trembles as he writes)
To teach vain Wits a science little known,
T'admire superior sense, and doubt their own.

Part II

Causes hindering a true judgement. Pride. Imperfect learning. Judging by parts, and not by the whole. Critics in wit, language, and versification only. Being too hard to please, or too apt to admire. Partiality--too much love to a sect--to the ancients or moderns. Prejudice or prevention. Singularity. Inconstancy. Party spirit. Envy. Against envy, and in praise of good-nature. When severity is chiefly to be used by critics.

Of all the causes which conspire to blind
Man's erring judgment, and misguide the mind,
What the weak head with strongest bias rules,
Is Pride, the never failing vice of fools.
Whatever Nature has in worth denied
She gives in large recruits of needful Pride:
For as in bodies, thus in souls, we find
What wants in blood and spirits swell'd with wind:
Pride, where Wit fails, steps in to our deference,
And fills up all the mighty void of Sense:
If once right Reason drives that cloud away,
Truth breaks upon us with resistless day.
Trust not yourself; but your defects to know,
Make use of ev'ry friend--and ev'ry foe.

A little learning is a dangerous thing;
Drink deep, or taste not the Pierian spring:
There shallow draughts intoxicate the brain,
And drinking largely sobers us again.
Fired at first sight with what the Muse imparts,
In fearless youth we tempt the heights of arts,
While from the bounded level of our mind
Short views we take, nor see the lengths behind:
Bur more advanc'd, behold with strange surprise
New distant scenes of endliess science rise!
So pleas'd at first the tow'ring Alps we try,
Mount o'er the vales, and seem to tread the sky;
Th'eternal snows appear already past,
And the first clouds and mountains seem the last:
But those attain'd, we tremble to survey
The growing labours of the lengthen'd way;
Th'increasing prospect tires our wand'ring eyes,
Hills peep o'er hills, and Alps on Alps arise!

A perfect judge will read each work of wit
With the same spirit that its author writ;
Survey the whole, not seek slight faults to find
Where Nature moves, and Rapture warms the mind:
Nor lose, for that malignant dull delight,
The gen'rous pleasure to be charm'd with wit.
But in such lays as neither ebb nor flow,
Correctly cold, and regularly low,
That shunning faults one quiet tenor keep,
We cannot blame indeed--but we may sleep.
In Wit, as Nature, what affects our hearts
Is not th'exactness of peculiar parts;
'Tis not a lip or eye we beauty call,
But the joint force and full result of all.
Thus when we view some well proportion'd dome,
(The world's just wonder, and ev'n thine, O Rome!)
No single parts unequally surprise,
All comes united to th'admiring eyes;
No monstrous height, or breadth, or length, appear;
The whole at once is bold and regular.

Whoever thinks a faultless piece to see,
Thinks what n'er was, nor is, nor e'er shall be.
In every work regard the writer's end,
Since none can compass more than they intend;
And if the means be just, the conduct true,
Applause, in spite of trivial faults, is due.
As men of breeding, sometimes men of wit,
T'avoid great errors must the less commit;
Neglect the rules each verbal critic lays,
For not to know some trifles is a praise.
Most critics, fond of some subservient art,
Still make the whole depend upon a part:
They talk of Principles, but Notions prize,
And all to one lov'd folly sacrifice.

Once on a time La Mancha's Knight, they say,
A certain bard encount'ring on the way,
Discours'd in terms as just, with looks as sage,
As e'er could Dennis, of the Grecian State;
Concluding all were desperate sots and fools
Who durst depart from Aristotle's rules.
Our author, happy in a judge so nice,
Produced his play, and begged the knight's advice;
Made him observe the Subject and the Plot,
The Manners, Passions, Unities; what not?
All which exact to rule were brought about,
Were but a combat in the lists left out.
``What! leave the combat out?'' exclaims the knight.
``Yes, or we must renounce the Stagyrite.''
``Not so, by Heaven!, (he answers in a rage)
Knights, squires, and steeds must enter on the stage.''
``So vast a throng the stage can n'er contain.''
``Then build a new, or act it in a plain.''

Thus critics of less judgement than caprice,
Curious, not knowing, not exact, but nice,
Form short ideas, and offend the Arts
(As most in Manners), by a love to parts.

Some to Conceit alone their taste confine,
And glitt'ring thoughts struck out at every line;
Pleas'd with a work where nothing's just or fit,
One glaring chaos and wild heap of wit.
Poets, like painters, thus unskill'd to trace
The naked nature and the living grace,
With gold and jewels cover every part,
And hide with ornaments their want of Art.
True Wit is Nature to advantage dress'd,
What oft was thought, but ne'er so well express'd;
Something whose truth convinced at sight we find,
That give us back the image of our mind.
As shades more sweetly recommend the light,
So modest plainness sets of sprightly wit:
For works may have more wit than does them good,
As bodies perish thro' excess of blood.

Others for language all their care express,
And value books, as women men, for dress:
Their praise is still--the Style is excellent;
The Sense they humbly take upon content.
Words are like leaves; and where they most abound,
Much fruit of sense beneath is rarely found.
False eloquence, like the prismatic glass,
Its gaudy colours spreads on every place;
The face of Nature we no more survey,
All glares alike, without distinction gay;
But true expression, like th'unchanging sun,
Clears and improves whate'er it shines upon;
It gilds all objects, but it alters none.
Expression is the dress of thought, and still
Appears more decent as more suitable.
A vile Conceit in pompous words express'd
Is like a clown in regal purple dress'd:
For diff'rent styles with diff'rent subjects sort,
As sev'ral garbs with country, town, and court.
Some by old words to fame have made pretence,
Ancients in phrase, mere moderns in their sense;
Such labour'd nothings, in so strange a style,
Amaze th'unlearned, and make the learned smile;
Unlucky as Fungoso in the play,
These sparks with awkward vanity display
What the fine gentleman wore yesterday;
And but so mimic ancient wits at best,
As apes our grandsires in their doublets drest.
In words as fashions the same rule will hold,
Alike fantastic if too new or old:
Be not the first by whom the new are tried,
Nor yet the last to lay the old aside.

But most by Numbers judge a poet's song,
And smooth or rough with them is right or wrong.
In the bright Muse tho' thousand charms conspire,
Her voice is all these tuneful fools admire;
Who haunt Parnassus but to please their ear,
Not mend their minds; as some to church repair,
Not for the doctrine, but the music there.
These equal syllables alone require,
Tho' oft the ear the open vowels tire,
While expletives their feeble aid to join,
And ten low words oft creep in one dull line:
While they ring round the same unvaried chimes,
With sure returns of still expected rhymes;
Where'er you find ``the cooling western breeze,''
In the next line, it ``whispers thro' the trees;''
If crystal streams ``with pleasing murmurs creep,''
The reader's threaten'd (not in vain) with ``sleep;''
Then, at the last and only couplet, fraught
With some unmeaning thing they call a thought,
A needless Alexandrine ends the song,
That, like a wounded snake, drags its slow length along.
Leave such to tune their own dull rhymes, and know
What's roundly smooth, or languishingly slow;
And praise the easy vigour of a line
Where Denham's strength and Waller's sweetness join.
True ease in writing comes from Art, not Chance,
As those move easiest who have learn'd to dance.
'Tis not enough no harshness gives offence;
The sound must seem an echo to the sense.
Soft is the strain when Zephyr gently blows,
And the smooth stream in smoother numbers flows;
But when loud surges lash the sounding shore,
The hoarse rough verse should like the torrent roar.
When Ajax strives some rock's vast weight to throw,
The line, too, labours, and the words move slow:
Not so when swift Camilla scours the plain,
Flies o'er th' unbending corn, and skims along the main.
Hear how Timotheus' varied lays surprise,
And bid alternate passions fall and rise!
While at each change the son of Libyan Jove
Now burns with glory, and then melts with love;
Now his fierce eyes with sparkling fury glow,
Now sighs steal out, and tears begin to flow:
Persians and Greeks like turns of nature found,
And the world's Victor stood subdued by sound!
The power of music all our hearts allow,
And what Timotheus was is Dryden now.

Avoid extremes, and shun the fault of such
Who still are pleas'd too little or too much.
At ev'ry trifle scorn to take offence;
That always shows great pride or little sense:
Those heads, as stomachs, are not sure the best
Which nauseate all, and nothing can digest.
Yet let not each gay turn thy rapture move;
For fools admire, but men of sense approve:
As things seem large which we thro' mist descry,
Dulness is ever apt to magnify.

Some foreign writers, some our own despise;
The ancients only, or the moderns prize.
Thus Wit, like Faith, by each man is applied
To one small sect, and all are damn'd beside.
Meanly they seek the blessing to confine,
And force that sun but on a part to shine,
Which not alone the southern wit sublimes,
But ripens spirits in cold northern climes;
Which from the first has shone on ages past,
Enligths the present, and shall warm the last;
Tho' each may feel increases and decays,
And see now clearer and now darker days,
Regard not then if wit be old or new,
But blame the False and value still the True.

Some ne'er advance a judgment of their own,
But catch the spreading notion of the town;
They reason and conclude by precedent,
And own stale nonsense which they ne'er invent.
Some judge of authors' names, not works, and then
Nor praise nor blame the writings, but the men.
Of all this servile herd, the worst is he
That in proud dulness joins with quality;
A constant critic at the great man's board,
To fetch and carry nonsense for my lord.
What woful stuff this madrigal would be
In some starv'd hackney sonneteer or me!
But let a lord once own the happy lines,
How the Wit brightens! how the Style refines!
Before his sacred name flies every fault,
And each exalted stanza teems with thought!

The vulgar thus thro' imitation err,
As oft the learn'd by being singular;
So much they scorn the crowd, that if the throng
By chance go right, they purposely go wrong.
So schismatics the plain believers quit,
And are but damn'd for having too much wit.
Some praise at morning what they blame at night,
But always think the last opinion right.
A Muse by these is like a mistress used,
This hour she's idolized, the next abused;
While their weak heads, like towns unfortified,
'Twixt sense and nonsense daily change their side.
Ask them the cause; they're wiser still they say;
And still to-morrow's wiser than to-day.
We think our fathers fools, so wise we grow;
Our wiser sons no doubt will think us so.
Once shool-divines this zealous isle o'erspread;
Who knew most sentences was deepest read.
Faith, Gospel, all seem'd made to be disputed,
And none has sense enough to be confuted.
Scotists and Thomists now in peace remain
Amidst their kindred cobwebs in Ducklane.
If Faith itself has diff'rent dresses worn,
What wonder modes in Wit should take their turn?
Oft, leaving what is natural and fit,
The current Folly proves the ready Wit;
And authors think their reputation safe,
Which lives as long as fools are pleas'd to laugh.

Some, valuing those of their own side or mind,
Still make themselves the measure of mankind:
Fondly we think we honour merit then,
When we but praise ourselves in other men.
Parties in wit attend on those of state,
And public faction doubles private hate.
Pride, Malice, Folly, against Dryden rose,
In various shapes of parsons, critics, beaux:
But sense survived when merry jests were past;
For rising merit will bouy up at last.
Might he return and bless once more our eyes,
New Blackmores and new Milbournes must arise.
Nay, should great Homer lift his awful head,
Zoilus again would start up from the dead.
Envy will Merit as its shade pursue,
But like a shadow proves the substance true;
For envied Wit, like Sol eclips'd, makes known
Th'opposing body's grossness, not its own.
When first that sun too powerful beams displays,
It draws up vapours which obscure its rays;
But ev'n those clouds at last adorn its way,
Reflect new glories, and augment the day.

Be thou the first true merit to befriend;
His praise is lost who stays till all commend.
Short is the date, alas! of modern rhymes,
And 'tis but just to let them live betimes.
No longer now that Golden Age appears,
When partiarch wits survived a thousand years:
Now length of fame (our second life) is lost,
And bare threescore is all ev'n that can boast:
Our sons their fathers' failing language see,
And such as Chaucer is shall Dryden be.
So when the faithful pencil has design'd
Some bright idea of the master's mind,
Where a new world leaps out at his command,
And ready Nature waits upon his hand;
When the ripe colours soften and unite,
And sweetly melt into just shade and light;
When mellowing years their full perfection give,
And each bold figure just begins to live,
The treach'rous colours the fair art betray,
And all the bright creations fades away!

Unhappy Wit, like most mistaken things,
Atones not for that envy which it brings:
In youth alone its empty praise we boast,
But soon the sort-lived vanity is lost;
Like some fair flower the early Spring supplies,
That gaily blooms, but ev'n in blooming dies.
What is this Wit, which must our cares employ?
The owner's wife that other men enjoy;
Then most our trouble still when most admired,
And still the more we give, the more required;
Whose fame with pains we guard, but lose with ease,
Sure some to vex, but never all to please,
'Tis what the vicious fear, the virtuous shun;
By fools 'tis hated, and by knaves undone!

If Wit so much from Ignorance undergo,
Ah, let not Learning too commence its foe!
Of old those met rewards who could excel,
And such were prais'd who but endevour'd well;
Tho' triumphs were to gen'rals only due,
Crowns were reserv'd to grace the soldiers too.
Now they who reach Parnassus' lofty crown
Employ their pains to spurn some others down;
And while self-love each jealous writer rules,
Contending wits become the sport of fools;
But still the worst with most regret commend,
For each ill author is as bad a friend.
To what base ends, and by what abject ways,
Are mortals urged thro' sacred lust of praise!
Ah, ne'er so dire a thirst of glory boast,
Nor in the critic let the man be lost!
Good nature and good sense must ever join;
To err is human, to forgive divine.

But if in noble minds some dregs remain,
Not yet purged off, of spleen and sour disdain,
Discharge that rage on more provoking crimes,
Nor fear a dearth on these flagitious times.
No pardon vile obscenity should find,
Tho' Wit and Art conspire to move your mind;
But dulness with obscenity must prove
As shameful sure as impotence in love.
In the fat age of pleasure, wealth, and ease
Sprung the rank weed, and thrived with large increase:
When love was all in easy monarch's care,
Seldom at council, never in a war;
Jilts ruled the state, and statesmen farces writ;
Nay wits had pensions, and young lords had wit;
The Fair sat panting at a courtier's play,
And not a mask went unimprov'd away;
The modest fan was lifted up no more,
And virgins smil'd at what they blush'd before.
The following license of a foreign reign
Did all the dregs of bold Socinus drain;
Then unbelieving priests reform'd the nation,
And taught more pleasant methods of salvation;
Where Heav'n's free subjects might their rights dispute,
Lest God himself should seem too absolute;
Pulpits their sacred satire learn'd to spare,
And vice admired to find a flatt'rer there!
Encouraged thus, Wit's Titans braved the skies,
And the press groan'd with licens'd blasphemies.
These monsters, Critics! with your darts engage,
Here point your thunder, and exhaust your rage!
Yet shun their fault, who, scandalously nice,
Will needs mistake an author into vice:
All seems infected that th'infected spy,
As all looks yellow to the jaundic'd eye.

Part III

Rules for the conduct and manners in a Critic. Candour. Modesty. Good breeding. Sincerity and freedom of advice. When one's counsel is to be restrained. Character of an incorrigible poet. And of an impertinent critic. Character of a good critic. The history of criticism, and characters of the best critics; Aristotle. Horace. Dionysius. Petronius. Quintiallian. Longinus. Of the decay of Criticism, and its revival. Erasmus. Vida. Boileau. Lord Roscommon, etc. Conclusion.

Learn then what morals Critics ought to show,
For 'tis but half a judge's task to know.
T'is not enough Taste, Judgment, Learning join;
In all you speak let Truth and Candour shine;
That not alone what to your Sense is due
All may allow, but seek your friendship too.

Be silent always when you doubt your Sense,
And speak, tho' sure, with seeming diffidence.
Some positive persisting fops we know,
Who if once wrong will needs be always so;
But you with pleasure own your errors past,
And make each day a critique on the last.

'Tis not enough your counsel still be true;
Blunt truths more mischief than nice falsehoods do.
Men must be taught as if you taught them not,
And things unknown proposed as things forgot.
Without good breeding truth is disapprov'd;
That only makes superior Sense belov'd.

Be niggards of advice on no pretence,
For the worst avarice is that of Sense.
With mean complacence ne'er betray your trust,
Nor be so civil as to prove unjust.
Fear not the anger of the wise to raise;
Those best can bear reproof who merit praise.

'Twere well might critics still this freedom take,
But Appius reddens at each word you speak,
And stares tremendous, with a threat'ning eye,
Like some fierce tyrant in old tapestry.
Fear most to tax an honourable fool,
Whose right it is, uncensured to be dull:
Such without Wit, are poets when they please,
As without Learning they can take degrees.
Leave dangerous truths to unsuccessful satires,
And flattery to fulsome dedicators;
Whom when the praise, the world believes no more
Than when they promise to give scribbling o'er.
'Tis best sometimes your censure to restrain,
And charitably let the dull be vain;
Your silence there is better than your spite,
For who can rail so long as they can write?
Still humming on their drowsy course they keep,
And lash'd so long, like tops, are lash'd asleep.
False steps but help them to renew the race,
As, after stumbling, jades will mend their pace.
What crowds of these, impenitently bold,
In sounds and jingling syllables grown old,
Still run on poets, in a raging vein,
Ev'n to the the dregs and squeezings of the brain,
Strain out the last dull droppings of their sense,
And rhyme with all the rage of impotence!

Such shameless bards we have; and yet 'tis true
There are as mad abandon'd critics too.
The bookful blockhead ignorantly read,
With loads of learned lumber in his head,
With his own tongue still edifies his ears,
And always list'ning to himself appears.
All books he reads, and all he reads assails,
From Dryden's Fables down to Durfey's Tales.
With him most authors steal their works, or buy;
Garth did not write his own Dispensary.
Name a new play, and he's the poet's friend;
Nay, show'd his faults--but when would poets mend?
No place so sacred from such fops is barr'd,
Nor is Paul's church more safe than Paul's churchyard:
Nay, fly to altars; there they'll talk you dead;
For fools rush in where angels fear t tread.
Distrustful sense with modest caution speaks,
It still looks home, and short excursions makes;
But rattling nonsense in full volleys breaks
And never shock'd, and never turn'd aside,
Bursts out, resistless, with a thund'ring tide.

But where's the man who counsel can bestow,
Still pleas'd to teach, and yet not proud to know?
Unbiass'd or by favour or by spite;
Not dully prepossess'd nor blindly right;
Tho' learn'd, well bred, and tho' well bred sincere;
Modestly bold, and humanly severe;
Who to a friend his faults can freely show,
And gladly praise the merit of a foe;
Bless'd with a taste exact, yet unconfin'd,
A knowledge both of books and humankind;
Gen'rous converse; a soul exempt from pride;
And love to praise, with reason on his side?
Such once were critics; such the happy few
Athens and Rome in better ages knew.
The mighty Stagyrite first left the shore,
Spread all his sails, and durst the deeps explore;
He steer'd securely, and discover'd far,
Led by the light of the Maeonian star.
Poets, a race long unconfin'd and free,
Still fond and proud of savage liberty,
Receiv'd his laws, and stood convinc'd 'twas fit
Who conquer'd Nature should preside o'er Wit.

Horace still charms with graceful negligence,
And without method talks us into sense;
Will, like a friend, familiarly convey
The truest notions in the easiest way.
He who, supreme in judgment as in wit,
Might boldly censure as he boldly writ,
Yet judg'd with coolness, though he sung with fire;
His precepts teach but what his works inspire.
Our critics take a contrary extreme,
They judge with fury, but they write with phlegm;
Nor suffers Horace more in wrong translations
By Wits, than Critics in as wrong quotations.
See Dionysius Homer's thoughts refine,
And call new beauties forth from ev'ry line!
Fancy and art in gay Petronius please,
The Scholar's learning with the courtier's ease.

In grave Quintilian's copious work we find
The justest rules and clearest method join'd.
Thus useful arms in magazines we place,
All ranged in order, and disposed with grace;
But less to please the eye than arm the hand,
Still fit for use, and ready at command.

Thee, bold Longinus! all the Nine inspire,
And bless their critic with a poet's fire:
An ardent judge, who, zealous in his trust,
With warmth gives sentence, yet is always just;
Whose own example strengthens all his laws,
And is himself that great sublime he draws.

Thus long succeeding critics justly reign'd,
License repress'd, and useful laws ordain'd:
Learning and Rome alike in empire grew,
And arts still follow'd where her eagles flew;
From the same foes at last both felt their doom,
And the same age saw learning fall and Rome.
With tyranny then superstition join'd,
As that the body, this enslaved the mind;
Much was believ'd, but little understood,
And to be dull was construed to be good;
A second deluge learning thus o'errun,
And the monks finish'd what the Goths begun.

At length Erasmus, that great injur'd name,
(The glory of the priesthood and the shame!)
Stemm'd the wild torrent of a barb'rous age,
And drove those holy Vandals off the stage.

But see! each Muse in Leo's golden days
Starts from her trance, and trims her wither'd bays.
Rome's ancient genius, o'er its ruins spread,
Shakes off the dust, and rears his rev'rend head.
Then sculpture and her sister arts revive;
Stones leap'd to form, and rocks began to live;
With sweeter notes each rising temple rung;
A Raphael painted and a Vida sung;
Immortal Vida! on whose honour'd brow
The poet's bays and critics ivy grow:
Cremona now shall ever boast they name,
As next in place to Mantua, next in fame!

But soon by impious arms from Latium chased,
Their ancient bounds the banish'd Muses pass'd;
Thence arts o'er all the northern world advance,
But critic learning flourish'd most in France;
The rules a nation born to serve obeys,
And Boileau still in right of Horace sways.
But we, brave Britons, foreign laws despised,
And kept unconquer'd and uncivilized;
Fierce for the liberties of wit, and bold,
We still defied the Romans, as of old.
Yet some there were, among the sounder few
Of those who less presumed and better knew,
Who durst assert the juster ancient cause,
And here restor'd WIt's fundamental laws.
Such was the Muse whose rules and practice tell
``Nature's chief masterpiece is writing well.''
Such was Roscommon, not more learn'd than good,
With manners gen'rous as his noble blood;
To him the wit of Greece and Rome was known,
And every author's merit but his own.
Such late was Walsh--the Muse's judge and friend,
Who justly knew to blame or to commend;
To failings mild but zealous for desert,
The clearest head, and the sincerest heart.
This humble praise, lamented Shade! receive;
This praise at least a grateful Muse may give:
The Muse whose early voice you taught to sing,
Prescribed her heights, and pruned her tender wing,
(Her guide now lost), no more attempts to rise,
But in low numbers short excursions tries;
Content if hence th'unlearn'd their wants may view,
The learn'd reflect on what before they knew;
Careless of censure, nor too fond of fame;
Still pleas'd to praise, yet not afraid to blame;
Averse alike to flatter or offend;
Not free from faults, nor yet too vain to mend.

poem by Alexander Pope
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To Ladies Of A Certain Age

Ye ancient Maids, who ne'er must prove
The early joys of youth and love,
Whose names grim Fate (to whom 'twas given,
When marriages were made in heaven)
Survey'd with unrelenting scowl,
And struck them from the muster-roll;
Or set you by, in dismal sort,
For wintry bachelors to court;
Or doom'd to lead your faded lives,
Heirs to the joys of former wives;
Attend! nor fear in state forlorn,
To shun the pointing hand of scorn,
Attend, if lonely age you dread,
And wish to please, or wish to wed.

When beauties lose their gay appearance,
And lovers fall from perseverance,
When eyes grow dim and charms decay,
And all your roses fade away,
First know yourselves; lay by those airs,
Which well might suit your former years,
Nor ape in vain the childish mien,
And airy follies of sixteen.

We pardon faults in youth's gay flow,
While beauty prompts the cheek to glow,
While every glance has power to warm,
And every turn displays a charm,
Nor view a spot in that fair face,
Which smiles inimitable grace.

But who, unmoved with scorn, can see
The grey coquette's affected glee,
Her ambuscading tricks of art
To catch the beau's unthinking heart,
To check th' assuming fopling's vows,
The bridling frown of wrinkled brows;
Those haughty airs of face and mind,
Departed beauty leaves behind.

Nor let your sullen temper show
Spleen louring on the envious brow,
The jealous glance of rival rage,
The sourness and the rust of age.
With graceful ease, avoid to wear
The gloom of disappointed care:
And oh, avoid the sland'rous tongue,
By malice tuned, with venom hung,
That blast of virtue and of fame,
That herald to the court of shame;
Less dire the croaking raven's throat,
Though death's dire omens swell the note.

Contented tread the vale of years,
Devoid of malice, guilt and fears;
Let soft good humour, mildly gay,
Gild the calm evening of your day,
And virtue, cheerful and serene,
In every word and act be seen.
Virtue alone with lasting grace,
Embalms the beauties of the face,
Instructs the speaking eye to glow,
Illumes the cheek and smooths the brow,
Bids every look the heart engage,
Nor fears the wane of wasting age.

Nor think these charms of face and air,
The eye so bright, the form so fair,
This light that on the surface plays,
Each coxcomb fluttering round its blaze,
Whose spell enchants the wits of beaux,
The only charms, that heaven bestows.
Within the mind a glory lies,
O'erlook'd and dim to vulgar eyes;
Immortal charms, the source of love,
Which time and lengthen'd years improve,
Which beam, with still increasing power,
Serene to life's declining hour;
Then rise, released from earthly cares,
To heaven, and shine above the stars.

Thus might I still these thoughts pursue,
The counsel wise, and good, and true,
In rhymes well meant and serious lay,
While through the verse in sad array,
Grave truths in moral garb succeed:
Yet who would mend, for who would read?

But when the force of precept fails,
A sad example oft prevails.
Beyond the rules a sage exhibits,
Thieves heed the arguments of gibbets,
And for a villain's quick conversion,
A pillory can outpreach a parson.

To thee, Eliza, first of all,
But with no friendly voice I call.
Advance with all thine airs sublime,
Thou remnant left of ancient time!
Poor mimic of thy former days,
Vain shade of beauty, once in blaze!
We view thee, must'ring forth to arms
The veteran relics of thy charms;
The artful leer, the rolling eye,
The trip genteel, the heaving sigh,
The labour'd smile, of force too weak,
Low dimpling in th' autumnal cheek,
The sad, funereal frown, that still
Survives its power to wound or kill;
Or from thy looks, with desperate rage,
Chafing the sallow hue of age,
And cursing dire with rueful faces,
The repartees of looking-glasses.

Now at tea-table take thy station,
Those shambles vile of reputation,
Where butcher'd characters and stale
Are day by day exposed for sale:
Then raise the floodgates of thy tongue,
And be the peal of scandal rung;
While malice tunes thy voice to rail,
And whispering demons prompt the tale--
Yet hold thy hand, restrain thy passion,
Thou cankerworm of reputation;
Bid slander, rage and envy cease,
For one short interval of peace;
Let other's faults and crimes alone,
Survey thyself and view thine own;
Search the dark caverns of thy mind,
Or turn thine eyes and look behind:
For there to meet thy trembling view,
With ghastly form and grisly hue,
And shrivel'd hand, that lifts sublime
The wasting glass and scythe of Time,
A phantom stands: his name is Age;
Ill-nature following as his page.
While bitter taunts and scoffs and jeers,
And vexing cares and torturing fears,
Contempt that lifts the haughty eye,
And unblest solitude are nigh;
While conscious pride no more sustains,
Nor art conceals thine inward pains,
And haggard vengeance haunts thy name,
And guilt consigns thee o'er to shame,
Avenging furies round thee wait,
And e'en thy foes bewail thy fate.

But see, with gentler looks and air,
Sophia comes. Ye youths beware!
Her fancy paints her still in prime,
Nor sees the moving hand of time;
To all her imperfections blind,
Hears lovers sigh in every wind,
And thinks her fully ripen'd charms,
Like Helen's, set the world in arms.

Oh, save it but from ridicule,
How blest the state, to be a fool!
The bedlam-king in triumph shares
The bliss of crowns, without the cares;
He views with pride-elated mind,
His robe of tatters trail behind;
With strutting mien and lofty eye,
He lifts his crabtree sceptre high;
Of king's prerogative he raves,
And rules in realms of fancied slaves.

In her soft brain, with madness warm,
Thus airy throngs of lovers swarm.
She takes her glass; before her eyes
Imaginary beauties rise;
Stranger till now, a vivid ray
Illumes each glance and beams like day;
Till furbish'd every charm anew,
An angel steps abroad to view;
She swells her pride, assumes her power,
And bids the vassal world adore.

Indulge thy dream. The pictured joy
No ruder breath should dare destroy;
No tongue should hint, the lover's mind
Was ne'er of virtuoso-kind,
Through all antiquity to roam
For what much fairer springs at home.
No wish should blast thy proud design;
The bliss of vanity be thine.
But while the subject world obey,
Obsequious to thy sovereign sway,
Thy foes so feeble and so few,
With slander what hadst thou to do?
What demon bade thine anger rise?
What demon glibb'd thy tongue with lies?
What demon urged thee to provoke
Avenging satire's deadly stroke?

Go, sink unnoticed and unseen,
Forgot, as though thou ne'er hadst been.
Oblivion's long projected shade
In clouds hangs dismal o'er thy head.
Fill the short circle of thy day,
Then fade from all the world away;
Nor leave one fainting trace behind,
Of all that flutter'd once and shined;
The vapoury meteor's dancing light
Deep sunk and quench'd in endless night

poem by John Trumbull
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To Mr. Addison on His Opera of Rosamond

______ Ne fortè pudori
Sit tibi Musa lyræ solers, & cantor Apollo.

The Opera first Italian masters taught,
Enrich'd with songs, but innocent of thought;
Britannia's learned theatre disdains
Melodious trifles, and enervate strains;
And blushes, on her injur'd stage to see
Nonsense well-tun'd, and sweet stupidity.
No charms are wanting to thy artful song,
Soft as Corelli, and as Virgil strong.
From Words so sweet new grace the notes receive,
And Music borrows helps, she us'd to give.

Thy style hath match'd what ancient Romans knew,
Thy flowing numbers far excel the new.
Their cadence in such easy sound convey'd,
The height of thought may seem superfluous aid;
Yet in such charms the noble thoughts abound,
That needless seem the sweets of easy sound.
Landscapes how gay the bowery grotto yields,
Which thought creates, and lavish fancy builds!
What art can trace the visionary scenes,
The flowery groves, and everlasting greens,

The babbling sounds that mimic echo plays,
The fairy shade, and its eternal maze?
Nature and Art in all their charms combin'd,
And all Elysium to one view confin'd!
No further could imagination roam,
Till Vanbrugh fram'd, and Marlborough rais'd the dome.
Ten thousand pangs my anxious bosom tear,
When drown'd in tears I see th' imploring fair;
When bards less soft the moving words supply,
A seeming justice dooms the nymph to die;

But here she begs, nor can she beg in vain
(In dirges thus expiring swans complain);
Each verse so swells expressive of her woes,
And every tear in lines so mournful flows;
We, spite of fame, her fate revers'd believe,
O'erlook her crimes, and think she ought to live.
Let joy salute fair Rosamonda's shade,
And wreaths of myrtle crown the lovely maid.
While now perhaps with Dido's ghost she roves,
And hears and tells the story of their loves,

Alike they mourn, alike they bless their fate,
Since Love, which made them wretched, makes them great.
Nor longer that relentless doom bemoan,
Which gain'd a Virgil, and an Addison.
Accept, great monarch of the British lays,
The tribute song an humble subject pays.
So tries the artless lark her early flight,
And soars, to hail the god of verse and light.
Unrivall'd, as unmatch'd, be still thy fame,
And thy own laurels shade thy envy'd name:

Thy name, the boast of all the tuneful quire,
Shall tremble on the strings of every lyre;
While the charm'd reader with thythought complies,
Feels corresponding joys or sorrows rise,
And views thy Rosamond with Henry's eyes.

poem by Thomas Tickell
Submitted by Poetry Lover
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English Bards and Scotch Reviewers (excerpt)

Time was, ere yet in these degenerate days
Ignoble themes obtain'd mistaken praise,
When sense and wit with poesy allied,
No fabl'd graces, flourish'd side by side;
From the same fount their inspiration drew,
And, rear'd by taste, bloom'd fairer as they grew.
Then, in this happy isle, a Pope's pure strain
Sought the rapt soul to charm, nor sought in vain;
A polish'd nation's praise aspir'd to claim,
And rais'd the people's, as the poet's fame.
Like him great Dryden pour'd the tide of song,
In stream less smooth, indeed, yet doubly strong.
Then Congreve's scenes could cheer, or Otway's melt--
For nature then an English audience felt.
But why these names, or greater still, retrace,
When all to feebler bards resign their place?
Yet to such times our lingering looks are cast,
When taste and reason with those times are past.
Now look around, and turn each trifling page,
Survey the precious works that please the age;
This truth at least let satire's self allow,
No dearth of bards can be complain'd of now.
The loaded press beneath her labour groans,
And printers' devils shake their weary bones;
While Southey's epics cram the creaking shelves,
And Little's lyrics shine in hot-press'd twelves.
Thus saith the Preacher: "Nought beneath the sun
Is new"; yet still from change to change we run:
What varied wonders tempt us as they pass!
The cow-pox, tractors, galvanism and gas,
In turns appear, to make the vulgar stare,
Till the swoln bubble bursts--and all is air!
Nor less new schools of Poetry arise,
Where dull pretenders grapple for the prize:
O'er taste awhile these pseudo-bards prevail;
Each country book-club bows the knee to Baal,
And, hurling lawful genius from the throne,
Erects a shrine and idol of its own;
Some leaden calf--but whom it matters not,
From soaring Southey down to grovelling Stott.

Behold! in various throngs the scribbling crew,
For notice eager, pass in long review:
Each spurs his jaded Pegasus apace,
And rhyme and blank maintain an equal race;
Sonnets on sonnets crowd, and ode on ode;
And tales of terror jostle on the road;
Immeasurable measures move along;
For simpering folly loves a varied song,
To strange mysterious dulness still the friend,
Admires the strain she cannot comprehend.
Thus Lays of Minstrels--may they be the last!--
On half-strung harps whine mournful to the blast.
While mountain spirits prate to river sprites,
That dames may listen to the sound at nights;
And goblin brats, of Gilpin Horner's brood,
Decoy young border-nobles through the wood,
And skip at every step, Lord knows how high,
And frighten foolish babes, the Lord knows why;
While high-born ladies in their magic cell,
Forbidding knights to read who cannot spell,
Despatch a courier to a wizard's grave,
And fight with honest men to shield a knave.

Next view in state, proud prancing on his roan,
The golden-crested haughty Marmion,
Now forging scrolls, now foremost in the fight,
Not quite a felon, yet but half a knight,
The gibbet or the field prepar'd to grace;
A mighty mixture of the great and base.
And think'st thou, Scott! by vain conceit perchance,
On public taste to foist thy stale romance,
Though Murray with his Miller may combine
To yield thy muse just half-a-crown per line?
No! when the sons of song descend to trade,
Their bays are sear, their former laurels fade.
Let such forego the poet's sacred name,
Who rack their brains for lucre, not for fame:
Still for stern Mammon may they toil in vain!
And sadly gaze on gold they cannot gain!
Such be their meed, such still the just reward
Of prostituted muse and hireling bard!
For this we spurn Apollo's venal son,
And bid a long "good night to Marmion."

These are the themes that claim our plaudits now;
These are the bards to whom the muse must bow;
While Milton, Dryden, Pope, alike forgot,
Resign their hallow'd bays to Walter Scott.

The time has been, when yet the muse was young,
When Homer swept the lyre, and Maro sung,
An epic scarce ten centuries could claim,
While awe-struck nations hail'd the magic name;
The work of each immortal bard appears
The single wonder of a thousand years.
Empires have moulder'd from the face of earth,
Tongues have expir'd with those who gave them birth,
Without the glory such a strain can give,
As even in ruin bids the language live.
Not so with us, though minor bards, content
On one great work a life of labour spent:
With eagle pinion soaring to the skies,
Behold the ballad-monger Southey rise!
To him let Camoëns, Milton, Tasso yield,
Whose annual strains, like armies, take the field.
First in the ranks see Joan of Arc advance,
The scourge of England and the boast of France!
Though burnt by wicked Bedford for a witch,
Behold her statue plac'd in glory's niche;
Her fetters burst, and just releas'd from prison,
A virgin phoenix from her ashes risen.
Next see tremendous Thalaba come on,
Arabia's monstrous, wild and wondrous son:
Domdaniel's dread destroyer, who o'erthrew
More mad magicians than the world e'er knew.
Immortal hero! all thy foes o'ercome,
For ever reign--the rival of Tom Thumb!
Since startled metre fled before thy face,
Well wert thou doom'd the last of all thy race!
Well might triumphant genii bear thee hence,
Illustrious conqueror of common sense!
Now, last and greatest, Madoc spreads his sails,
Cacique in Mexico, and prince in Wales;
Tells us strange tales, as other travellers do,
More old than Mandeville's, and not so true.
Oh Southey! Southey! cease thy varied song!
A bard may chant too often and too long:
As thou art strong in verse, in mercy, spare!
A fourth, alas! were more than we could bear.
But if, in spite of all the world can say,
Thou still wilt verseward plod thy weary way;
If still in Berkley ballads most uncivil,
Thou wilt devote old women to the devil,
The babe unborn thy dread intent may rue:
"God help thee," Southey, and thy readers too.

Next comes the dull disciple of thy school,
That mild apostate from poetic rule,
The simple Wordsworth, framer of a lay
As soft as evening in his favourite May,
Who warns his friend "to shake off toil and trouble,
And quit his books, for fear of growing double";
Who, both by precept and example, shows
That prose is verse, and verse is merely prose;
Convincing all, by demonstration plain,
Poetic souls delight in prose insane;
And Christmas stories tortur'd into rhyme
Contain the essence of the true sublime.
Thus, when he tells the tale of Betty Foy,
The idiot mother of "an idiot boy";
A moon-struck, silly lad, who lost his way,
And, like his bard, confounded night with day;
So close on each pathetic part he dwells,
And each adventure so sublimely tells,
That all who view the "idiot in his glory"
Conceive the bard the hero of the story.

Shall gentle Coleridge pass unnotic'd here,
To turgid ode and tumid stanza dear?
Though themes of innocence amuse him best,
Yet still obscurity's a welcome guest.
If Inspiration should her aid refuse
To him who takes a pixy for a muse,
Yet none in lofty numbers can surpass
The bard who soars to elegize an ass.
So well the subject suits his noble mind,
He brays the laureat of the long-ear'd kind.

poem by Byron
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The Journey

Some of my friends (for friends I must suppose
All, who, not daring to appear my foes,
Feign great good-will, and not more full of spite
Than full of craft, under false colours fight)
Some of my friends (so lavishly I print)
As more in sorrow than in anger, hint
(Tho' that indeed will scarce admit a doubt)
That I shall run my stock of genius out,
My no great stock, and, publishing so fast,
Must needs become a bankrupt at the last.
Recover'd from the vanity of youth,
I feel, alas! this melancholy truth,
Thanks to each cordial, each advising friend,
And am, if not too late, resolv'd to mend,
Resolv'd to give some respite to my pen,
Apply myself once more to books and men,
View what is present, what is past review,
And my old stock exhausted, lay in new.
For twice six moons (let winds, turn'd porters, bear
This oath to Heav'n), for twice six moons, I swear,
No Muse shall tempt me with her siren lay,
Nor draw me from Improvement's thorny way;
Verse I abjure, nor will forgive that friend,
Who in my hearing shall a rhyme commend.
It cannot be--Whether I will, or no,
Such as they are, my thoughts in measure flow.
Convinc'd, determin'd, I in prose begin,
But ere I write one sentence, verse creeps in,
And taints me thro' and thro': by this good light,
In verse I talk by day, I dream by night;
If now and then I curse, my curses chime,
Nor can I pray, unless I pray in rhyme,
E'en now I err, in spite of common-sense,
And my confession doubles my offence.
Here is no lie, no gall, no art, no force;
Mean are the words, and such as come of course,
The subject not less simple than the lay;
A plain, unlabour'd Journey of a day.
Far from me now be ev'ry tuneful Maid,
I neither ask, nor can receive their aid.
Pegasus turn'd into a common hack,
Alone I jog, and keep the beaten track,
Nor would I have the Sisters of the Hill
Behold their bard in such a dishabille.
Absent, but only absent for a time,
Let them caress some dearer son of rhyme;
Let them, as far as decency permits,
Without suspicion, play the fool with wits,
'Gainst fools be guarded; 'tis a certain rule,
Wits are false things, there's danger in a fool.
Let them, tho' modest, Gray more modest woo;
Let them with Mason bleat, and bray, and coo;
Let them with Franklin, proud of some small Greek,
Make Sophocles disguis'd, in English speak;
Let them with Glover o'er Medea doze;
Let them with Dodsley wail Cleone's woes,
Whilst he, fine feeling creature, all in tears,
Melts, as they melt, and weeps with weeping peers;
Let them with simple Whitehead, taught to creep
Silent and soft, lay Fontenelle asleep;
Let them with Browne contrive, to vulgar trick,
To cure the dead, and make the living sick;
Let them in charity to Murphy give
Some old French piece, that he may steal and live;
Let them with antic Foote subscriptions get,
And advertise a Summer-house of Wit.
Thus, or in any better way they please,
With these great men, or with great men like these,
Let them their appetite for laughter feed;
I on my Journey all alone proceed.
If fashionable grown, and fond of pow'r,
With hum'rous Scots let them disport their hour:
Let them dance, fairy-like, round Ossian's tomb;
Let them forge lies, and histories for Hume;
Let them with Home, the very prince of verse,
Make something like a Tragedy in Erse;
Under dark Allegory's flimsy veil
Let them with Ogilvie spin out a tale
Of rueful length; Let them plain things obscure,
Debase what's truly rich, and what is poor
Make poorer still by jargon most uncouth;
With ev'ry pert, prim prettiness of youth
Born of false Taste, with Fancy (like a child
Not knowing what it cries for) running wild,
With bloated style, by affectation taught,
With much false colouring, and little thought,
With phrases strange, and dialect decreed
By reason never to have pass'd the Tweed,
With words which Nature meant each other's foe,
Forc'd to compound whether they will or no;
With such materials let them, if they will,
To prove at once their pleasantry and skill,
Build up a bard to war 'gainst Common-Sense,
By way of compliment to Providence;
Let them with Armstrong, taking leave of Sense,
Read musty lectures on Benevolence,
Or con the pages of his gaping Day,
Where all his former fame was thrown away,
Where all but barren labour was forgot,
And the vain stiffness of a letter'd Scot;
Let them with Armstrong pass the term of light,
But not one hour of darkness; when the night
Suspends this mortal coil, when Memory wakes,
When for our past misdoings Conscience takes
A deep revenge, when by Reflection led,
She draws his curtain, and looks Comfort dead,
Let ev'ry Muse be gone; in vain he turns
And tries to pray for sleep; an Etna burns,
A more than Etna in his coward breast,
And Guilt, with vengeance arm'd, forbids him rest:
Tho' soft as plumage from young zephyr's wing,
His couch seems hard, and no relief can bring.
Ingratitude hath planted daggers there,
No good man can deserve, no brave man bear.
Thus, or in any better way they please,
With these great men, or with great men like these,
Let them their appetite for laughter feed
I on my Journey all alone proceed.

poem by Charles Churchill
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Psalm 148 Paraphrased

Universal praise to God.

Loud hallelujahs to the Lord,
From distant worlds where creatures dwell;
Let heav'n begin the solemn word,
And sound it dreadful down to hell.

The Lord, how absolute he reigns!
Let every angel bend the knee;
Sing of his love in heav'nly strains,
And speak how fierce his terrors be.

High on a throne his glories dwell,
An awful throne of shining bliss;
Fly through the world, O sun! and tell
How dark thy beams compared to his.

Awake, ye tempests, and his fame
In sounds of dreadful praise declare;
And the sweet whisper of his name
Fill every gentler breeze of air.

Let clouds, and winds, and waves agree
To join their praise with blazing fire;
Let the firm earth and rolling sea
In this eternal song conspire.

Ye flowery plains, proclaim his skill;
Valleys, lie low before his eye;
And let his praise from every hill
Rise tuneful to the neighb'ring sky.

Ye stubborn oaks, and stately pines,
Bend your high branches and adore:
Praise him, ye beasts, in diff'rent strains;
The lamb must bleat, the lion roar.

Birds, ye must make his praise your theme;
Nature demands a song from you;
While the dumb fish that cut the stream
Leap up, and mean his praises too.

Mortals, can you refrain your tongue,
When nature all around you sings?
O for a shout from old and young,
From humble swains and lofty kings!

Wide as his vast dominion lies
Make the Creator's name be known;
Loud as his thunder shout his praise,
And sound it lofty as his throne.

Jehovah! 'tis a glorious word:
O may it dwell on every tongue!
But saints, who best have known the Lord,
Are bound to raise the noblest song.

Speak of the wonders of that love
Which Gabriel plays on every chord:
From all below, and all above,
Loud hallelujahs to the Lord!

poem by Isaac Watts
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On The Report Of A Monument To Be Erected In Westminster Abbey, To The Memory Of A Late Author (Churchill)

Bufo, begone! with thee may Faction's fire,
That hatch'd thy salamander-fame, expire.
Fame, dirty idol of the brainless crowd,
What half-made moon-calf can mistake for good!
Since shared by knaves of high and low degree;
Cromwell and Cataline: Guido Faux, and thee.
By nature uninspired, untaught by art;
With not one thought that breathes the feeling heart,
With not one offering vow'd to Virtue's shrine,
With not one pure unprostituted line;
Alike debauch'd in body, soul, and lays;—
For pension'd censure, and for pension'd praise,
For ribaldry, for libels, lewdness, lies,
For blasphemy of all the good and wise:
Coarse violence in coarser doggrel writ,
Which bawling blackguards spell'd, and took for wit:
For conscience, honour, slighted, spurn'd, o'erthrown:—
Lo! Bufo shines the minion of renown.
Is this the land that boasts a Milton's fire,
And magic Spenser's wildly warbling lyre?
The land that owns the omnipotence of song,
When Shakspeare whirls the throbbing heart along?
The land, where Pope, with energy divine,
In one strong blaze bade wit and fancy shine:
Whose verse, by truth in virtue's triumph born,
Gave knaves to infamy, and fools to scorn;
Yet pure in manners, and in thought refined,
Whose life and lays adorn'd and bless'd mankind?
Is this the land, where Gray's unlabour'd art
Soothes, melts, alarms, and ravishes the heart:
While the lone wanderer's sweet complainings flow
In simple majesty of manly woe:
Or while, sublime, on eagle pinion driven,
He soars Pindaric heights, and sails the waste of Heaven?
Is this the land, o'er Shenstone's recent urn,
Where all the Loves and gentler Graces mourn?
And where, to crown the hoary bard of night1,
The Muses and the Virtues all unite?
Is this the land where Akenside displays
The bold yet temperate flame of ancient days?
Like the rapt sage2, in genius as in theme,
Whose hallow'd strain renown'd Illyssus' stream:
Or him, the indignant bard3, whose patriot ire,
Sublime in vengeance, smote the dreadful lyre:
For truth, for liberty, for virtue warm,
Whose mighty song unnerved a tyrant's arm,
Hush'd the rude roar of discord, rage, and lust,
And spurn'd licentious demagogues to dust.
Is this the queen of realms? the glorious isle,
Britannia, blest in Heaven's indulgent smile?
Guardian of truth, and patroness of art,
Nurse of the undaunted soul, and generous heart!
Where, from a base unthankful world exiled,
Freedom exults to roam the careless wild:
Where taste to science every charm supplies,
And genius soars unbounded to the skies?
And shall a Bufo's most polluted name
Stain her bright tablet of untainted fame?
Shall his disgraceful name with theirs be join'd,
Who wish'd and wrought the welfare of their kind?
His name, accurst, who, leagued with——4 and Hell,
Labour'd to rouse, with rude and murderous yell,
Discord the fiend, to toss rebellion's brand,
To whelm in rage and woe a guiltless land:
To frustrate wisdom's, virtue's noblest plan,
And triumph in the miseries of man.
Drivelling and dull, when crawls the reptile Muse,
Swoln from the sty, and rankling from the stews,
With envy, spleen, and pestilence replete,
And gorged with dust she lick'd from Treason's feet:
Who once, like Satan, raised to Heaven her sight,
But turn'd abhorrent from the hated light:—
O'er such a Muse shall wreaths of glory bloom?
No—shame and execration be her doom.
Hard-fated Bufo, could not dulness save
Thy soul from sin, from infamy thy grave?
Blackmore and Quarles, those blockheads of renown,
Lavish'd their ink, but never harm'd the town.
Though this, thy brother in discordant song,
Harass'd the ear, and cramp'd the labouring tongue:
And that, like thee, taught staggering prose to stand,
And limp on stilts of rhyme around the land.
Harmless they dozed a scribbling life away,
And yawning nations own'd the innoxious lay,
But from thy graceless, rude, and beastly brain,
What fury breathed the incendiary strain?
Did hate to vice exasperate thy style?
No—Bufo match'd the vilest of the vile.
Yet blazon'd was his verse with Virtue's name—
Thus prudes look down to hide their want of shame:
Thus hypocrites to truth, and fools to sense,
And fops to taste, have sometimes made pretence:
Thus thieves and gamesters swear by honour's laws:
Thus pension-hunters bawl 'their country's cause:'
Thus furious Teague for moderation raved,
And own'd his soul to liberty enslaved.
Nor yet, though thousand cits admire thy rage,
Though less of fool than felon marks thy page:
Nor yet, though here and there one lonely spark
Of wit half brightens through the involving dark,
To show the gloom more hideous for the foil,
But not repay the drudging reader's toil;
(For who for one poor pearl of clouded ray
Through Alpine dunghills delves his desperate way?
Did genius to thy verse such bane impart?
No. 'Twas the demon of thy venom'd heart,
(Thy heart with rancour's quintessence endued).
And the blind zeal of a misjudging crowd.
Thus from rank soil a poison'd mushroom sprung,
Nursling obscene of mildew and of dung:
By Heaven design'd on its own native spot
Harmless to enlarge its bloated bulk, and rot.
But gluttony the abortive nuisance saw;
It roused his ravenous, undiscerning maw:
Gulp'd down the tasteless throat, the mess abhorr'd
Shot fiery influence round the maddening board.
O had thy verse been impotent as dull,
Nor spoke the rancorous heart, but lumpish scull;
Had mobs distinguish'd, they who howl'd thy fame,
The icicle from the pure diamond's flame,
From fancy's soul thy gross imbruted sense,
From dauntless truth thy shameless insolence,
From elegance confusion's monstrous mass,
And from the lion's spoils the skulking ass,
From rapture's strain the drawling doggrel line,
From warbling seraphim the grunting swine;
With gluttons, dunces, rakes, thy name had slept,
Nor o'er her sullied fame Britannia wept:
Nor had the Muse, with honest zeal possess'd,
To avenge her country, by thy name disgraced,
Raised this bold strain for virtue, truth, mankind,
And thy fell shade to infamy resign'd.
When frailty leads astray the soul sincere,
Let mercy shed the soft and manly tear.
When to the grave descends the sensual sot,
Unnamed, unnoticed, let his carrion rot.
When paltry rogues, by stealth, deceit, or force,
Hazard their necks, ambitious of your purse:
For such the hangman wreaths his trusty gin,
And let the gallows expiate their sin.
But when a ruffian, whose portentous crimes,
Like plagues and earthquakes terrify the times,
Triumphs through life, from legal judgment free,
For Hell may hatch what law could ne'er foresee:
Sacred from vengeance shall his memory rest?—
Judas, though dead, though damn'd, we still detest.

poem by James Beattie
Submitted by Poetry Lover
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Verses Addressed to the Imitator of the First Satire of the Second Book Of Horace

In two large columns on thy motley page
Where Roman wit is strip'd with English rage;
Where ribaldry to satire makes pretence,
And modern scandal rolls with ancient sense:
Whilst on one side we see how Horace thought,
And on the other how he never wrote;
Who can believe, who view the bad, the good,
That the dull copyist better understood
That spirit he pretends to imitate,
Than heretofore that Greek he did translate?
Thine is just such an image of his pen,
As thou thyself art of the sons of men,
Where our own species in burlesque we trace,
A sign-post likeness of the human race,
That is at once resemblance and disgrace.
Horace can laugh, is delicate, is clear,
You only coarsely rail, or darkly sneer;
His style is elegant, his diction pure,
Whilst none thy crabbed numbers can endure;
Hard as thy heart, and as thy birth obscure.
If he has thorns, they all on roses grow;
Thine like thistles, and mean brambles show;
With this exception, that, though rank the soil,
Weeds as they are, they seem produc'd by toil.
Satire should, like a polish'd razor, keen,
Wound with a touch, that's scarcely felt or seen:
Thine is an oyster-knife, that hacks and hews;
The rage, but not the talent to abuse;
And is in hate, what love is in the stews.
'Tis the gross lust of hate, that still annoys,
Without distinction, as gross love enjoys:
Neither to folly, nor to vice confin'd,
The object of thy spleen is humankind:
It preys on all who yield, or who resist:
To thee 'tis provocation to exist.

But if thou seest a great and generous heart,
Thy bow is doubly bent to force a dart.
Nor dignity nor innocence is spar'd,
Nor age, nor sex, nor thrones, nor graves, rever'd.
Nor only justice vainly we demand,
But even benefits can't rein thy hand;
To this or that alike in vain we trust,
Nor find thee less ungrateful than unjust.
Not even youth and beauty can control
The universal rancour of thy soul;
Charms that might soften superstition's rage,
Might humble pride, or thaw the ice of age.
But how should'st thou by beauty's force be mov'd,
No more for loving made than to be lov'd?
It was the equity of righteous Heav'n,
That such a soul to such a form was giv'n;
And shows the uniformity of fate,
That one so odious should be born to hate.
When God created thee, one would believe
He said the same as to the snake of Eve;
To human race antipathy declare,
'Twixt them and thee be everlasting war.
But oh! the sequel of the sentence dread,
And whilst you bruise their heel, beware your head.
Nor think thy weakness shall be thy defence,
The female scold's protection in offence.
Sure 'tis as fair to beat who cannot fight,
As 'tis to libel those who cannot write.
And if thou draw'st thy pen to aid the law,
Others a cudgel, or a rod, may draw.
If none with vengeance yet thy crimes pursue,
Or give thy manifold affronts their due;
If limbs unbroken, skin without a stain,
Unwhipt, unblanketed, unkick'd, unslain,
That wretched little carcase you retain,
The reason is, not that the world wants eyes,
But thou'rt so mean, they see, and they despise:
When fretful porcupine, with ranc'rous will,
From mounted back shoots forth a harmless quill,
Cool the spectators stand; and all the while
Upon the angry little monster smile.
Thus 'tis with thee: -- while impotently safe,
You strike unwounding, we unhurt can laugh.
Who but must laugh, this bully when he sees,
A puny insect shiv'ring at a breeze?
One over-match'd by every blast of wind,
Insulting and provoking all mankind.
Is this the thing to keep mankind in awe,
To make those tremble who escape the law?
Is this the ridicule to live so long,
The deathless satire and immortal song?
No: like the self-blown praise, thy scandal flies;
And, as we're told of wasps, it stings and dies.
If none do yet return th'intended blow,
You all your safety to your dulness owe:
But whilst that armour thy poor corse defends,
'Twill make thy readers few, as are thy friends:
Those, who thy nature loath'd, yet lov'd thy art,
Who lik'd thy head, and yet abhorr'd thy heart:
Chose thee to read, but never to converse,
And scorn'd in prose him whom they priz'd in verse
Ev'n they shall now their partial error see,
Shall shun thy writings like thy company;
And to thy books shall ope their eyes no more
Than to thy person they would do their door.
Nor thou the justice of the world disown,
That leaves thee thus an outcast and alone;
For though in law to murder be to kill,
In equity the murder's in the will:
Then whilst with coward-hand you stab a name,
And try at least t'assassinate our fame,
Like the first bold assassin's be thy lot,
Ne'er be thy guilt forgiven, or forgot;
But, as thou hat'st be hated by mankind,
And with the emblem of thy crooked mind
Mark'd on thy back, like Cain by God's own hand,
Wander, like him, accursed through the land.

poem by Lady Mary Wortley Montagu
Submitted by Poetry Lover
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Couplets on Wit

I

But our Great Turks in wit must reign alone
And ill can bear a Brother on the Throne.

II

Wit is like faith by such warm Fools profest
Who to be saved by one, must damn the rest.

III

Some who grow dull religious strait commence
And gain in morals what they lose in sence.

IV

Wits starve as useless to a Common weal
While Fools have places purely for their Zea.

V

Now wits gain praise by copying other wits
As one Hog lives on what another sh---.

VI

Wou'd you your writings to some Palates fit
Purged all you verses from the sin of wit
For authors now are so conceited grown
They praise no works but what are like their own.

poem by Alexander Pope
Submitted by Poetry Lover
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