To A Lady Who Commanded Me To Send Her An Account In Verse
How I succeed, you kindly ask;
Yet set me on a grievous Task,
When you oblige me to rehearse,
The Censures past upon my Verse.
Tho' I with Pleasure may relate,
That many, truly good, and great,
With candid Eye my Lines survey,
And smile upon the artless Lay;
To those with grateful Heart I bend --
But your Commands I must attend.
SERVILLA cries, I hate a Wit;
Women should to their Fate submit,
Should in the Needle take Delight;
'Tis out of Character to write:
She may succeed among the Men;
They tell me, Swift subscribes for Ten;
And some say, Dorset does the same;
But she shall never have my Name:
Her Poetry has cost me dear;
When Lady Carteret was here,
The Widow Gordon got my Guinea;
For which I own myself a Ninny.
OLIVIA loses oft at Play;
So will not throw her Gold away.
Thus Silvia, of the haughty Tribe:
She never ask'd me to subscribe,
Nor ever wrote a Line on me,
I was no Theme for Poetry!
She rightly judg'd; I have no Taste --
For Womens Poetry, at least.
Then Fulvia made this sage Reply;
(And look'd with self--sufficient Eye
I oft have said, and say again,
Verses are only writ by Men;
I know a Woman cannot write;
I do not say this out of Spite;
Nor shall be thought, by those who know me,
To envy one so much below me.
SABINA, fam'd in Wisdom's School,
Allows I write--but am a Fool:
``What!--must our Sons be form'd by Rhyme?
``A fine Way to employ one's Time!''
ALBINO has no gold to waste,
Far gone in the Italian Taste:
He vows he must subscribe this Year,
To keep dear Carestini here;
Not from a narrow Party View;
He doats on Senesino too;
By Turns their Int'rest he'll espouse;
He's for the public Good, he vows;
A gen'rous Ardor fires his Breast.
Hail, Britain, in such Patriots blest!
Says Belvidera, Since a Wit
Or Friend or Foe alike will hit,
Deliver me from Wits, I say;
Grant Heav'n, they ne'er may cross my Way!
Besides, I oft have heard it hinted,
Her Poems never will be printed:
Her Sickness is a Feint, no doubt,
To keep her Book from coming out.
Of Wit, says Celia, I'll acquit her;
Then archly fell into a Titter.
A Female Bard! Pulvillio cries;
'Tis possible she may be wise;
But I could never find it yet,
Tho' oft in Company we met:
She talks just in the common Way:
Sure Wits their Talents should display;
Their Language surely should be bright,
Before they should pretend to write:
I'll ne'er subscribe for Books, says he;
'Fore Gad, it looks like Pedantry.
High--born Belinda loves to blame;
On Criticism founds her Fame:
When--e'er she thinks a Fault she spies
How Pleasure sparkles in her Eyes!
Call it not Poetry, she says;
No -- Call it Rhyming, if you please:
Her Numbers might adorn a Ring,
Or serve along the Streets to sing:
Stella and Flavia's well enough;
What else I saw, was stupid Stuff;
Nor Love nor Satire in her Lays,
Insipid! neither pain nor please:
I promis'd once to patronize her;
But on Reflection, I was wiser:
Yet I subscrib'd among the rest;
I love to carry on a Jest.
BELINDA thus her Anger shows,
Nor tells the World, from whence it flows:
With more Success to wound my Lays,
She gilds the Dart with other Praise:
To her own Breast I leave the Fair
Convinc'd I stand acquitted there.
AMANDA, your Commands, you see,
Tho' grievous, are obey'd by me.
What my Friends told me had been said,
Just as it came into my Head,
No matter for the Place or Time,
To shew your Pow'r, I tag with Rhyme.
Now let some News salute your Ear,
Tho' I have weary'd you, I fear:
Know, --- has Vengeance vow'd,
And in the Furies Temple bow'd:
He but suspends his Wrath, he says,
Till he can criticise my Lays.
Malice, thy Rancour I expect,
And shall return it--with Neglect:
Go on, display your treasur'd Rage;
Invectives shall not blot my Page:
What real Faults you note, I'll mend:
Proceed, your Efforts I attend;
Taught early, Dryden, by thy Song,
They ne'er forgive, who do the Wrong.
Now to the Muse I bid Adieu;
Nor rail at her, as Poets do:
Protected by the Good and Great,
I'll not repine, but bless my Fate.
You, Madam, who your Sex adorn,
Who Malice and Detraction scorn,
Who with superior Sense are bless'd,
Of ev'ry real Worth possess'd;
With Eye indulgent view my Lays:
You know to blame, but love to praise:
You know my Faults, and know beside,
I want not to be mortify'd.
One Merit I presume to boast,
And dare to plead but one at most:
The Muse I never have debas'd;
My Lays are innocent at least;
Were ever ardently design'd
To mend and to enlarge the Mind.
This must be own'd a virtuous Aim.
The Praise of Wit--let others claim.
poem by Mary Barber
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Related quotes
A Poem To His Magesty, Presented To The Lord Keeper. To The Right Hon. Sir John Somers, Lord Keeper
If yet your thoughts are loose from state affairs,
Nor feel the burden of a kingdom's cares;
If yet your time and actions are your own;
Receive the present of a Muse unknown:
A Must that, in adventurous numbers, sings
The rout of armies,a nd the fall of Kings,
Britain advanc'd, and Europe's peace restor'd,
By Somers' counsels, and by Nassau's sword.
To you, my Lord, these daring thoughts belong
Who help'd to raise the subject of my song;
To you the hero of my verse reveals
His great designs, to you in council tells
His inmost thoughts, determining the doom
Of towns unstorm'd, and battles yet to come.
And well could you, in your immortal strains,
Describe His conduct, and reward his pains:
But, since the state has all your cares ingross'd
And poetry in higher thoughts is lost,
Attend to what a lesser Muse indites,,
Pardon her faults, and countenance her flights.
On you, my Lord, with anxious fear I wait,
And from your judgment must expect my fate,
Who, free from vulgar passions, are above
Degrading envy, or misguided love:
If you, well pleas'd, shall smile upon my lays,
Secure of fame, my voice I'll boldly raise,
For next to what you write, is what you praise.
poem by Joseph Addison
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An Account Of The Greatest English Poets
Since, dearest Harry, you will needs request
A short account of all the Muse possest,
That, down from Chaucer's days to Dryden's Times,
Have spent their Noble Rage in British Rhimes;
Without more Preface, wrote in Formal length,
To speak the Undertakers want of strength,
I'll try to make they're sev'ral Beauties known,
And show their Verses worth, tho' not my Own.
Long had our dull Fore-Fathers slept Supine,
Nor felt the Raptures of the Tuneful Nine;
Till Chaucer first, the merry Bard, arose;
And many a Story told in Rhime and Prose.
But Age has Rusted what the Poet writ,
Worn out his Language, and obscur'd his Wit:
In vain he jests in his unpolish'd strain,
And tries to make his Readers laugh in vain.
Old Spencer next, warm'd with Poetick Rage,
In Antick Tales amus'd a Barb'rous Age;
An Age that yet uncultivate and Rude,
Where-e'er the Poet's Fancy led, pursu'd
Through pathless Fields, and unfrequented Floods,
To Dens of Dragons and Enchanted Woods.
But now the Mystick Tale, that pleas'd of Yore,
Can Charm an understanding Age no more;
The long-spun Allegories fulsom grow,
While the dull Moral lies too plain below.
We view well-pleas'd at distance all the sights
Of Arms and Palfreys, Battle's, Fields, and Fights,
And Damsels in Distress, and Courteous Knights.
But when we look too near, the Shades decay,
And all the pleasing Lan-skip fades away.
Great Cowley then (a mighty Genius) wrote;
O'er-run with Wit, and lavish of his Thought:
His Turns too closely on the Reader press;
He more had pleas'd us, had he pleas'd us less.
One glitt'ring Thought no sooner strikes our Eyes
With silent wonder, but new wonders rise.
As in the Milky way a shining White,
O'er-flows the Heav'ns, with one continu'd Light;
That not a single Star can shew his Rays,
Whilst joyntly all promote the Common-Blaze.
Pardon, Great Poet, that I dare to name
Th' unnumber'd Beauties of thy Verse with blame;
Thy fault is only Wit in its Excess,
But Wit like thine in any shape will please.
What Muse but thine cou'd equal Hints inspire,
And fit the Deep-Mouth'd Pindar to thy Lyre:
Pindar, whom others in a Labour'd strain
And forc'd Expression, imitate in vain?
Well-pleas'd in thee he Soars with new delight,
And Plays in more unbounded Verse, and takes a nobler flight.
Blest Man! whose spotless Life and Charming Lays
Employ'd the Tuneful Prelate in thy Praise:
Blest Man! who now shall be for ever known
In Sprat's successful Labours and thy own.
But Milton next, with high and haughty stalks,
Unfetter'd in Majestic Numbers walks;
No vulgar Heroe can his Muse ingage;
Nor Earth's wide Scene confine his hallow'd Rage.
See! see, he upward Springs, and Tow'ring high,
Spurns the dull Province of Mortality;
Shakes Heav'ns Eternal Throne with dire Alarms,
And sets the Almighty Thunderer in Arms.
What-e'er his Pen describes I more then see,
Whilst ev'ry Verse array'd in Majesty,
Bold, and sublime, my whole attention draws,
And seems above the Criticks nicer Laws.
How are you struck with Terrour and Delight,
When Angel with Arch-Angel Cope's in Fight!
When Great Messiah's out-spread Banner shines,
How does the Chariot Rattel in his Lines!
What sounds of Brazen Wheels, what Thunder, scare,
And stun the Reader with the Din of War!
With Fear my Spirits and my Blood retire,
To see the Seraphs sunk in Clouds of Fire;
But when, with eager steps, from hence I rise,
And view the first gay Scenes of Paradise;
What Tongue, what words of Rapture, can express
A Vision so profuse of pleasantness.
Oh had the Poet ne'er profan'd his Pen,
To varnish o'er the Guilt of Faithless Men,
His other works might have deserv'd applause!
But now the Language can't support the Cause;
While the clean Current, tho' serene and bright,
Betray's a bottom odious to the sight.
But now my Muse, a softer strain rehearse.
Turn every Line with Art, and smooth thy Verse;
The Courtly Waller next commands thy Lays:
Muse Tune thy Verse, with Art, to Waller's Praise.
While tender Airs and lovely Dames inspire
Soft melting Thoughts, and propagate Desire;
So long shall Waller's strains our Passion move,
And Sacharissa's Beauties kindle Love.
Thy Verse, Harmonious Bard, and flatt'ring Song,
Can make the Vanquish'd Great, the Coward strong.
Thy Verse can show ev'n Cromwell's innocence,
And Compliment the Storms that bore him hence.
Oh had thy Muse not come an Age too soon,
But seen Great Nassaw on the British Throne!
How had his Triumphs glitter'd in thy Page,
And warm'd Thee to a more Exalted Rage!
What Scenes of Death and Horrour had we viewd,
And how had Boine's wide Current Reek'd in Blood!
Or if Maria's Charms thou wou'dst rehearse,
In smoother Numbers and a softer Verse,
Thy Pen had well describ'd her Graceful Air,
And Gloriana wou'd have seem'd more Fair.
Nor must Roscommon pass neglected by,
That makes ev'n Rules a noble Poetry:
Rules who's deep Sense and Heav'nly Numbers show
The best of Critticks, and of Poets too.
Nor Denham must we e'er forget thy Strains,
While Cooper's Hill commands the neighb'ring Plains.
But see where artful Dryden next appears,
Grown old in Rhime, but Charming ev'n in Years.
Great Dryden next! whose Tuneful Muse affords
The sweetest Numbers, and the fittest words.
Whether in Comick sounds or Tragick Airs
She form's her voice, she moves our Smiles or Tears.
If Satire or Heroick Strains she writes,
Her Heroe pleases, and her Satire Bites.
From her no harsh, unartful Numbers fall,
She wears all Dresses, and she Charms in all:
How might we fear our English Poetry,
That long has flourish'd, shou'd decay with Thee;
Did not the Muses other Hope appear,
Harmonious Congreve, and forbid our Fear.
Congreve! whose Fancies unexhausted Store
Has given already much, and promis'd more.
Congreve shall still preserve thy Fame alive
And Dryden's Muse shall in his Friend survive.
I'm tir'd with Rhiming, and wou'd fain give o'er,
But Justice still demands one Labour more:
The Noble Montague remains unnam'd,
For Wit, for Humour, and for Judgment fam'd;
To Dorset he directs his Artful Muse,
In numbers such as Dorset's self might use.
How negligently Graceful he unrein's
His Verse, and writes in loose Familiar strains;
How Nassau's Godlike Acts adorn his Lines,
And all the Heroe in full Glory Shines.
We see his Army set in just Array,
And Boine's Di'd Waves run purple to the Sea.
Nor Simois chok'd with men, and Arms, and Blood;
Nor rapid Xanthus' celebrated Flood:
Shall longer be the Poet's highest Themes.
Tho' Gods and Heroes fought, Promiscuous in they're streams.
But now, to Nassau's secret Councils rais'd,
He Aids the Heroe, whom before he Prais'd.
I've done, at length, and now, Dear Friend, receive
The last poor Present that my Muse can give.
I leave the Arts of Poetry and Verse
To them that practise 'em with more success.
Of greater Truths I'll now prepare to tell,
And so at once, Dear Friend and Muse, Farewell.
poem by Joseph Addison
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Poetry! ! Poetry! ! Poetry! !
Poetry! ! Poetry! ! Poetry! !
Why are we addicted to Poetry?
We Poets who write,
All day or all night,
That Poetry! ! Poetry! ! Poetry! !
There’s scarce a moment in time,
That thoughts don’t find words in rhyme,
To put into verse,
Whether better or worse,
In that Poetry! ! Poetry! ! Poetry! !
Why do we write all these Verses?
We must have better things to do,
But whatever we try,
And I don’t know why,
We write Poem upon Poem for you.
It’s funny how my style has changed,
It’s a Limerick today I’ve composed,
It wasn’t meant to be,
But it is ~ you can see,
Just Poetry! ! Poetry! ! Poetry! !
© Yisroel Yonatan Goldman [JGthepoet] - 26 January 2006
poem by Jonathan Goldman a.k.a JGthepoet
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Written For My Son, To Mr. Barry;
Since Phoebus makes your Verse divine,
Since the God glows in ev'ry Line;
Why should you think, but I, with Ease,
Might write my native, artless Lays?
My Mother told me many a Time,
That Double--dealing was a Crime:
Alas! and is it only so,
In us, whose Birth and Fortune's low?
For you, tho' nobly born, descend
To injure, yet appear a Friend;
And seem to make my Praise your Aim,
With more Success to wound my Fame.
So your Apollo's Priests, of old,
(As by his Poets we are told)
With glorious Wreaths the Victim drest;
Then plung'd the Poniard in his Breast.
poem by Mary Barber
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Most Of The So Called Literary Experts
Most of the so called literary experts are dismissive of rhyme
They say 'tis the poetry of a long gone time
Yet the poets that they laud the poems they do write
Cannot be put to music and are hard to read and recite
The rhymer of today is not looked on as a poet
Or is not seen as one worthy of literary note
By the so called literary experts with literary degrees
Though their judgement on what is or is not poetry not everyone does please
They never will convince the old style rhyme buff
To him or her well written rhyme is not throw away stuff
In well written rhyme are the words to a song
And good rhyming poetry to music belong
Yet the degreed literary experts who on poetry like to have their say
Dismiss rhyming poets and their poetry as of yesterday.
poem by Francis Duggan
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Neath The Shandy And The Light
Away with your poetry and sing a song instead to me, make it real of love and lust, can you perform or turn to dust? Have you ever felt the spice, when the women you love, can turn and smite, and do you know of that great pain, will if you can, then write again.
Be ashamed and write you cried, or am I talking to a man beside, a man so tough he cannot cry, but can write of shite, behind words and hide.
Have you walked out in the streets and cried to strangers you have yet to meet, or are your rhymes just in your mind, you wish for love and wish for time’s, a women’s scorn is an awful dread, I kid you not, you wish for death. For once they hate you and say to go, go sing your song to Allen Poe.
Men are weak and women strong go see it written by poet or in song, they destroy when lust has gone, find the Spartans, and hear their lonesome song.
Women are great and you know its true; they get rid of a fool, a fool like you, you think you own them with your mighty thrust, but the jokes on you, is love like lust?
A women hold’s you through the night, it’s pure and simple like morning light, but do we hold that cherished orb, or do we abscond to a distant whore, she may be a drink, or a horse to bet, the nights great heat we scorn obsessed, no real man will ever heed these lines, for men are men and lost in time.
When a women say’s you are the one, she will hold you and you know it’s done, her beating heart for you alone, will defend your weakness, defend your home, but if you let that beating heart, be alone each night and after dark, she will conjure and she shall plan, you shall cry alone and not be a man, until in the pub and with your brothers, shall say, don’t worry you will find another, and herein lays the path of men, who cry to mothers, moving in again.
poem by Fergus Michael Condron
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To A Gentleman, Who Had Abus'd Waller.
I grieve to think that Waller's blam'd,
Waller, so long, so justly, fam'd.
Then own your Verses writ in Haste,
Or I shall say, you've lost your Taste.
Perhaps your loyal Heart disdains
A Poet, who could take such Pains,
To tune his sweet, immortal Lays
To an usurping Tyrant's Praise:
And, where you hate the Man, I see,
You never like his Poetry.
The Truth of this your Verse discovers;
So you abus'd the Conscious Lovers.
Tho' in your Principles you glory,
The Muses are nor Whig nor Tory:
So from your Sentence they appeal,
Nor will be judg'd by Party Zeal.
Whene'er a Poet's to be try'd,
Let Pope hereafter be your Guide.
``Survey the Whole, nor seek slight Faults to find,
``Where Nature moves, and Rapture warms the Mind.
poem by Mary Barber
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Poems to Mulgrave and Scroope
Deare Friend.
I heare this Towne does soe abound,
With sawcy Censurers, that faults are found,
With what of late wee (in Poetique Rage)
Bestowing, threw away on the dull Age;
But (howsoe're Envy, their Spleen may raise,
To Robb my Brow, of the deserved Bays)
Their thanks at least I merit since through me,
They are Partakers of your Poetry;
And this is all, I'll say in my defence,
T'obtaine one Line, of your well worded Sense
I'd be content t'have writ the Brittish Prince.
I'm none of those who thinke themselves inspir'd,
Nor write with the vaine hopes to be admir'd;
But from a Rule (I have upon long tryall)
T'avoyd with care, all sort of self denyall.
Which way soe're desire and fancy leade
(Contemning Fame) that Path I boldly tread;
And if exposeing what I take for Witt,
To my deare self, a Pleasure I beget,
Noe matter tho' the Censring Crittique fret.
Those whom my Muse displeases, are at strife
With equall Spleene, against my Course of life,
The least delight of which, I'd not forgoe,
For all the flatt'ring Praise, Man can bestow.
If I designd to please the way were then,
To mend my Manners, rather than my Pen;
The first's unnaturall, therefore unfit,
And for the Second, I despair of it,
Since Grace, is not soe hard to get as Witt.
Perhaps ill Verses, ought to be confin'd,
In meere good Breeding, like unsav'ry Wind;
Were Reading forc'd, I shou'd be apt to thinke
Men might noe more write scurvily, than stinke:
But 'tis your choyce, whether you'll Read, or noe,
If likewise of your smelling it were soe,
I'd Fart just as I write, for my owne ease,
Nor shou'd you be concern'd, unlesse you please:
I'll owne, that you write better than I doe,
But I have as much need to write, as you.
What though the Excrement of my dull Braine,
Runns in a harsh, insipid Straine,
Whilst your rich Head, eases it self of Witt?
Must none but Civet-Catts, have leave to shit?
In all I write, shou'd Sense, and Witt, and Rhyme
Faile me at once, yet something soe Sublime,
Shall stamp my Poem, that the World may see,
It cou'd have beene produc'd, by none but me.
And that's my end, for Man, can wish noe more,
Then soe to write, as none ere writ before.
Yet why am I noe Poet, of the tymes?
I have Allusions, Similies and Rhymes,
And Witt, or else 'tis hard that I alone,
Of the whole Race of Mankind, shou'd have none.
Unequally, the Partiall Hand of Heav'n,
Has all but this one only Blessing giv'n;
The World appeares like a great Family,
Whose Lord opprest with Pride, and Poverty,
(That to a few, great Plenty he may show)
Is faine to starve the Num'rous Traine below:
Just soe seemes Providence, as poor and vaine,
Keeping more Creatures, than it can maintaine.
Here 'tis profuse, and there it meanly saves,
And for One Prince, it makes Ten Thousand Slaves:
In Witt alone, it has beene Magnificent,
Of which, soe just a share, to each is sent
That the most Avaricious are content.
For none e're thought, (the due Division's such),
His owne too little, or his Friends too much.
Yet most Men shew, or find great want of Witt,
Writeing themselves, or Judging what is writ:
But I, who am of sprightly Vigour full
Looke on Mankind, as Envious, and dull.
Borne to my self, my self I like alone,
And must conclude my Judgment good, or none.
(For shou'd my Sense be nought, how cou'd I know,
Whether another Man's, were good, or noe?)
Thus, I resolve of my owne Poetry,
That 'tis the best, and there's a Fame for me.
If then I'm happy, what does it advance,
Whether to merit due, or Arrogance?
Oh! but the World will take offence thereby,
Why then the World, shall suffer for't, not I.
Did e're this sawcy World, and I agree?
To let it have its Beastly will on me?
Why shou'd my Prostituted Sense, be drawne,
To ev'ry Rule, their musty Customes spawne?
But Men, will Censure you; Tis Two to one
When e're they Censure, they'll be in the wrong.
There's not a thing on Earth, that I can name
Soe foolish, and soe false, as Common Fame.
It calls the Courtier Knave, the plaine Man rude,
Haughty the grave, and the delightfull Lewd.
Impertinent the briske, Morosse the sad,
Meane the Familiar, the Reserv'd one Mad.
Poor helplesse Woman, is not favour'd more
She's a slye Hipocryte, or Publique Whore.
Then who the Devill, wou'd give this -- to be free
From th'Innocent Reproach of Infamy?
These things consider'd, make me (in despight
Of idle Rumour,) keepe at home, and write.
poem by Lord John Wilmot
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On A Famed Poet
Forgive me if his greatness I cannot seem to note
His poems never rhyme but he is a famed poet
By literary experts considered to be knowledgeable and wise
And for his poems he has won many a prize.
Though poetry is not very popular today
The poet of the poetry lovers the experts do say
In University literary magazines students his verses read
And they all agree he's a fine poet indeed.
Of poets and poetry I must confess so little I know
My favourites old rhymers from ages ago
On the poetry I do not like most experts agree
That it is well written and quite good poetry.
Forgive me if the worth in his verse I can't see
His non rhyming poetry does nothing for me
Of reading blank verse I do quickly grow tired
My truth is by such stuff I do not feel inspired.
The experts on his poetry great interest show
And his stature as a poet only seems to grow
Of him great things are written and great things we hear
And good luck to him on his literary career.
poem by Francis Duggan
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A Not a Poem Poem
A Not a Poem Poem
I will not write a poem
For I am not a poet
I cannot makes things rhyme
I’ve tried for quite some time
So will I write a poem?
NO!
I can’t write poetry
I’ve tried to all my life
Once, I tried to write a poem
About a husband and his wife
It sounded really silly
So I crumbled it up into a ball
That’s why I decided
That I couldn’t write poetry at all
Am I gonna write a poem?
NO!
Well, I’ll try to write a poem
But it will be really bad
It will be absolutely lousy
It will be completely horrible
It won’t be up to snuff
People will say, “Who wrote this stuff? ”
Will my poem be good?
NO!
Can I write a poem?
NO!
Will I write a poem?
NO!
Well, what do you know! ? !
I wrote a poem!
And it’s a pretty good poem, too!
I guess I can write poetry if I try
The next time I’m asked to write a poem,
Will I say no?
NO!
Good Poets and Bad Poets
Some poets get awards and think they are good poets.
Some poets never get awards and think they are bad poets.
Some poets think they are good poets only in their own mind
Some poets think they are bad poets in somebody's else mind.
Some poets think they are good poets in somebody else mind.
Some poets think others think they are good poets but they don't in their hearts.
Some poets think they are good poets in their hearts but not in anyone else's mind.
All are insecure, except those who get security from the opinions of others and that, alas, doesn't last and isn't real.
Some poets have left the entire scene and live only in their mind.
Some poets take criticism and don't mind.
Some poets avoid criticism and do mind.
Some poets write poetry to get love.
Some poets love to write poetry.
Some poets are ahead of their time, in their mind
Some poets spend a lifetime feeling like failures in their mind
Some poets live only after they die.
Some poets have much to say but can't articulate
Some poets retreat, believing others don't understand
So which one of these am I?
I guess I am all of these and none of these
and no matter what my description
I intend to keep doing what I do:
Write. Right
poem by Lonnie Hicks
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The Critick and the Writer of Fables
Weary, at last, of the Pindarick way,
Thro' which advent'rously the Muse wou'd stray;
To Fable I descend with soft Delight,
Pleas'd to Translate, or easily Endite:
Whilst aery Fictions hastily repair
To fill my Page, and rid my Thoughts of Care,
As they to Birds and Beasts new Gifts impart,
And Teach, as Poets shou'd, whilst they Divert.
But here, the Critick bids me check this Vein.
Fable, he crys, tho' grown th' affected Strain,
But dies, as it was born, without Regard or Pain.
Whilst of his Aim the lazy Trifler fails,
Who seeks to purchase Fame by childish Tales.
Then, let my Verse, once more attempt the Skies,
The easily persuaded Poet cries,
Since meaner Works you Men of Taste despise.
The Walls of Troy shall be our loftier Stage,
Our mighty Theme the fierce Achilles Rage.
The Strength of Hector, and Ulysses Arts
Shall boast such Language, to adorn their Parts,
As neither Hobbes, nor Chapman cou'd bestow,
Or did from Congreve, or from Dryden flow.
Amidst her Towers, the dedicated Horse
Shall be receiv'd, big with destructive Force;
Till Men shall say, when Flames have brought her down.
" Troy is no more, and Ilium was a Town.
Is this the way to please the Men of Taste,
The Interrupter cries, this old Bombast?
I'm sick of Troy, and in as great a Fright,
When some dull Pedant wou'd her Wars recite,
As was soft Paris, when compell'd to Fight.
To Shades and Springs shall we awhile repair,
The Muse demands, and in that milder Air
Describe some gentle Swain's unhappy Smart
Whose folded Arms still press upon his Heart,
And deeper drive the too far enter'd Dart?
Whilst Phillis with a careless pleasure reigns
The Joy, the Grief, the Envy of the Plains;
Heightens the Beauty of the verdant Woods,
And softens all the Murmurs of the Floods.
Oh! stun me not with these insipid Dreams,
Th' Eternal Hush, the Lullaby of Streams.
Which still, he cries, their even Measures keep,
Till both the Writers, and the Readers sleep.
But urge thy Pen, if thou wouldst move our Thoughts,
To shew us private, or the publick Faults.
Display the Times, High-Church or Low provoke;
We'll praise the Weapon, as we like the Stroke,
And warmly sympathizing with the Spite
Apply to Thousands, what of One you write.
Then, must that single Stream the Town supply,
The harmless Fable-writer do's reply,
And all the Rest of Helicon be dry ?
And when so many choice Productions swarm,
Must only Satire keep your Fancies warm?
Whilst even there, you praise with such Reserve,
As if you'd in the midst of Plenty starve,
Tho' ne'er so liberally we Authors carve.
Happy the Men, whom we divert with Ease,
Whom Opera's and Panegyricks please.
poem by Anne Kingsmill Finch
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A True Tale
A mother, who vast Pleasure finds
In modelling her Childrens Minds;
With whom, in exquisite Delight,
She passes many a Winter Night;
Mingles in ev'ry Play, to find
What Byass Nature gave the Mind;
Resolving thence to take her Aim,
To guide them to the Realms of Fame;
And wisely make those Realms their Way
To Regions of eternal Day;
Each boist'rous Passion to controul,
And early humanize the Soul;
In simple Tales, beside the Fire,
The noblest Notions would inspire:
Her Children, conscious of her Care,
Transported, hung around her Chair.
Of Scripture--Heroes she would tell,
Whose Names they lisp'd, ere they could spell:
The Mother then, delighted, smiles;
And shews the Story on the Tiles.
At other Times, her Themes would be
The Sages of Antiquity;
Who left immortal Names behind,
By proving Blessings to their Kind.
Again, she takes another Scope,
And tells of Addison, and Pope.
Studious to let her Children know
The various Turns of Things below;--
How Virtue here was oft oppress'd,
To shine more glorious with the Bless'd;
Told Tully's and the Gracchi's Doom,
The Patriots, and the Pride of Rome.
Then bless'd the Drapier's happier Fate,
Who sav'd, and lives to guard the State.
Some Comedies gave great Delight,
And entertain'd them many a Night:
Others could no Admittance find,
Forbid, as Poison to the Mind:
Those Authors Wit and Sense, said she,
But heighten their Impiety.
This happy Mother met, one Day,
The Book of Fables, writ by Gay;
And told her Children, Here's a Treasure,
A Fund of Wisdom, and of Pleasure!
Such Morals, and so finely writ;
Such Decency, good Sense, and Wit!
Well has the Poet found the Art,
To raise the Mind, and mend the Heart.
Her fav'rite Son the Volume seiz'd;
And, as he read, seem'd highly pleas'd;
Made such Reflections ev'ry Page;
The Mother thought above his Age;
Delighted read, but scarce was able
To finish the concluding Fable.
What ails my Child? the Mother cries:
Whose Sorrows now have fill'd your Eyes?
O dear Mamma, can he want Friends,
Who writes for such exalted Ends?
O base, degen'rate human Kind!
Had I a Fortune to my Mind,
Should Gay complain? But now, alas!
Thro' what a World am I to pass?
Where Friendship is an empty Name,
And Merit scarcely paid in Fame?
Resolv'd to lull his Woes to Rest,
She tells him, He should hope the best:
This has been yet Gay's Case, I own;
But now his Merit's amply known.
Content that tender Heart of thine:
He'll be the Care of Caroline.
Who thus instructs the royal Race,
Must have a Pension, or a Place.
Mamma, if you were Queen, says he,
And such a Book were writ for me,
I find 'tis so much to your Taste,
That Gay would keep his Coach at least.
My Son, what you suppose, is true:
I see its Excellence in you.
Poets who write to mend the Mind,
A royal Recompence should find.
But I am barr'd by Fortune's Frowns,
From the best Privilege of Crowns;
The glorious, godlike Pow'r to bless,
And raise up Merit in Distress.
But, dear Mamma, I long to know,
Were you the Queen, what you'd bestow.
What I'd bestow, says she, my Dear?
At least, a thousand Pounds a Year.
poem by Mary Barber
Submitted by Poetry Lover
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To Mrs. Ward. By The Same.
O thou, my beauteous, ever tender Friend,
Thou, on whom all my worldly Joys depend,
Accept these Numbers; and with Pleasure hear
Unstudy'd Truth, which few, alas! can bear;
While conscious Virtue takes the Muse's Part,
Glows on thy Cheek, and warms thy gen'rous Heart.
Let Birth--day Suits be thoughtless Celias Cire;
And Rows of Di'monds recommend the Fair;
While gazing Crouds around the Pageant press,
Charm'd with her Pride, and Luxury of Dress:
Far other Joys thy just Ambition move,
To cherish and reward a Husband's Love;
To slight vain Titles, in Retreat to shine,
Shun public Praise, and call a Poet thine.
And know, ye Fair, a Poet can supply,
What Wealth, and Pow'r, and Equipage deny.
When the vain Bus'ness of your Lives is o'er,
And the Glass frightens, whom it charm'd before;
When not a Trace remains of what you were,
And not a Compliment salutes your Ear;
Without one Virtue, to redeem Respect,
Without one Beauty, to sorbid Neglect;
With Tears unpity'd, you may then lament
The gloomy Setting of a Life mis--spent;
Nor Delia's Choice with witty Malice blame,
Who gave up Show for Happiness and Fame.
O! If the Muse, not uninspir'd, divine,
Thy bright Example shall for ever shine;
Teach the wise Virgin, where to fix her Choice,
And weigh no Marriage by the common Voice;
To yield with Dignity, reject with Grace;
Nor tire the Lover with a tedious Chace:
With Ease to conquer, and with Ease retain,
Brighten Prosperity, or soften Pain:
Know Woman's Glory, and her proper End;
Live to her Husband, Family, and Friend:
Thro' varying Life her various Virtues prove,
Honour her Portion here, and Bliss above.
Say, What Persuasion, or what Arts of mine,
Could gain a Passage to a Soul like thine?
Where Female Softness, Strength of Reason meet,
A piercing Judgment, and a Wit discrect;
Where ev'ry Passion, ev'ry Duty, knows
Its proper Bounds, and not unlicens'd flows.
Say, for thou know'st, my ever ablest Guide,
(One doubtful Act remains unjustify'd)
On Me, on Me, thy choicest Favours fell;
Could You so err, or I deserve so well?
Instruct me thou the happy Art to steer,
And still with Modesty thy Conduct clear;
So in thy Praises may the World agree;
Nor load with Vanity the Muse and Me.
With Song still usher'd shall the Morn arise,
That shew'd thee first, all--charming, to my Eyes:
I gaz'd with Rapture, yet chastiz'd with Awe:
So the First Man descending Angels saw.
Speaking, or silent, O! secure to charm,
To win with Wisdom, or with Beauty warm:
The Graces unobserv'd, with easy Care,
Form thy soft Accents, and compose thy Air.
I saw, and heard; nor heard, nor saw, unmov'd,
Unknowing, or I durst not know, I lov'd.
What thence I suffer'd, let high Heav'n declare,
Pitying my Grief, propitious to my Pray'r.
Heav'n try'd my Passion, and pronounc'd it true:
Hence I embolden'd, and hence softer You.
Yet oft with--held, and falt'ring oft with Pain,
My Tongue half utters, what my Eyes explain,
Nor prone to flatter, nor to Virtue blind;
Not void of Knowledge, and to learn inclin'd;
Nor sprung from noble, nor ungen'rous Blood;
Boasting a Father honest, wise, and good;
Such long observ'd, and by long Converse shown,
My Temper, Manners, and my Failings known:
You trust my Vows, and pity Love sincere;
Haste to relieve, and smile away my Fear;
Give all you can, and all the rest forsake,
The noblest Sacrifice, that Love could make!
Of what Avail the Use of Wealth to Thee?
Or what the Blessing, if unshar'd with Me?
O doubly honour'd by the grateful Mind,
For what you bring, and what you leave behind!
Is there a Man in Science not unread,
In simple Neatness elegantly bred,
Of what or Health or Nature asks, possess'd,
Receiv'd by all, and by his Friends caress'd,
False and insidious can the Fair pursue,
And look on Beauty with a Miser's View?
Taught by the Muse such abject Souls to hate,
And hope sweet Converse from the Marriage--State,
I place my Triumphs in a matchless Wife,
Nor seek superfluous Vanities of Life:
Thus, unobnoxious to Detraction's Aim,
Nor base Suspicion can attaint my Fame.
Degen'rate Thought! Let sland'rous Tongues assail;
Spread all their Poison, all their Rage prevail;
So gracious Heav'n restore thee, to enjoy
What Love could leave, but Wisdom could employ.
Mean--while my Delia manifests her Worth;
The Loss of Riches calls her Prudence forth:
Behold her now with Dignity descend;
And low, but necessary, Cares attend;
Chearful, what Fortune not allows, resign;
And, harder still, her Charities confine:
But Heav'n in secret sees the kind Intent,
Each Act of Pity, or of Bounty, meant;
Heav'n sees in secret; but in open Day
Will crown thy Merit, and thy Praise display.
Tho' small thy Store, not Millions could suffice,
To furnish all thy lib'ral Thought supplies.
How oft thy lov'd Sapphira melts thy Breast,
Obscur'd her Worth, her Genius half depress'd!
How oft thy Fancy helps Old--Age along!
Or hears the Widow's, and the Orphau's Song!
Now visionary Temples rise around;
And half thy Empire, GEORGE, is sacred Ground.
From Thee, my Delia, from thy watchful Care,
My Little lasts; my Little, Friends can share:
Nor Debts distract, nor Usuries devour;
Poor if I am, within my Fortune poor.
Smile on, my Fair, tho' cautious, void of Fear,
Wise to shun Sorrows, or prepar'd to bear.
Who copies Thee, shall never fail to find,
'Midst Clouds and Storms, the Sun--shine of the Mind:
For Piety (whatever Ill impends)
Omniscience guides, Omnipotence defends.
Bless'd in Retirement, Competence, and Love,
Below all Envy, and all Vice above,
Crown'd with Content, I only burn to show,
(Hopeless to recompense) how much I owe.
O born with Genius, and with Learning fill'd,
In ev'ry Rule of happy Writings skill'd;
Whom Beauties strike, false Ornaments offend;
Who weigh with Care each Author's Scope and End;
Know why Pope slackens, or augments his Fire;
And oft, where others damn, the most admire;
(So shallow Wits, with bolder Folly, blame,
From Parts, the faultless Universal Frame:
But Newton's Genius could the Whole explore,
See All was good, and Wisdom's Hand adore.)
This Verse (you know me free from faulty Pride)
Or kindly authorize, or kindly hide:
Approve; and Fame shall sanctify my Lays:
Suppress; yet Love my grateful Labour pays.
poem by Mary Barber
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An Apology Written For My Son To The Reverend Mr. Sampson,
With Joy your Summons we obey,
And come to celebrate this Day.
Yet I, alas! despair to please;
For you require exalted Lays:
And, let me write whate'er I will,
You'll think my Verse deficient still;
Altho' the Task I now decline,
Asks no Assistance from the Nine;
For Nature, better far than Art,
Can paint the honest, grateful Heart.
Heav'n knows how much I rack'd my Head,
(For beaten Paths I scorn to tread)
To tell the Vice--Roy something new,
Who graciously distinguish'd you;
Who had your Merit in his Eye,
When Prelates often pass'd it by.
What Blessings must the People share,
Where Virtue is the Ruler's Care!
Some Lines I wrote; which seem'd so fine,
My Mother cry'd, ``They can't be thine:
(Alas! there needs but little Care
In Sons, to please a Mother's Ear)
``Maro might own such Lines as these,
``Nor with more Elegance could praise:
``This is the true poetic Fire:
``But such a Subject must inspire:
``What beauteous Images are here!
``Constantia help'd you now, I fear:
``It must be so; you are not able--
Then I by Chance upon the Table
The Birth of manly Virtue spy'd;
So threw my useless Pen aside.
And set my Verses in a Flame,
Nor dar'd to touch the hallow'd Theme:
For there the God his Pow'r displays,
And leaves no Room for mortal Praise.
poem by Mary Barber
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Dawn Of Reasoning Interconnected Mind
At the traditional age of consent,
I found a great undeniable love
for poetry as I strove to make sense
of this world with its nightmare,
of ignored unresolved problems.
I never had the chance to write,
most of my thoughts, down in
poetry. To reflect my reactions
to the events of my era. Life did
not allow time for contemplation.
It is my ardent hope that economic
circumstances or perhaps a more
focused determination; will allow
you to succeed in writing out more
poems of vital importance than I did.
I wrote when time allowed maybe
one in ten of my poems and often
the easiest. While years passed by
sometimes with nothing but work.
The gap in thought record haunts.
Ignore constant discouraging critic.
Your success now is mine your failure
mine. Therefore keep focused and let
at least some of your poetry, address
real issues. And write write write now!
You are in a time and place that requires
strong young poets from within. Past great
American poets would be devastating with
words writ in this era. I am not American,
you must be our voice from within, voice
proclaim and publish your insight! Pray or
meditate as you will and write that which
I lacking your knowledge cannot. The words
will come because the age topics demands it.
We are united in poetry and desire to express
difficult thoughts and concepts, hopefully to
be a voice of positive change! Tools are at
your finger tips, I never had contact with other
poets, in an electronic interconnected web of
minds, at the dawn of righteous determination.
poem by Terence George Craddock
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Isn't Poetry Great?
Poetry is great
poetry is fun
you can write
about anything
under the Sun.
It can be cathartic
and can save your day
you can write how you feel
if your unsure what to say.
Poetry can be serious
and can make you weep
but some poetry is boring
and can send you off to sleep.
But as long as you have a go
and you enjoy what you do
that's all that really matters
when you write a verse or two.
So long live poetry I say
may it always be here
but I've got to end this one
as my muse has run out, oh dear!
poem by Kevin Halls
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Who stands with me?
True poets write in meter.
Not because they think it’s neater
but because the flow is sweeter
When their words are read aloud
as they perform before the crowd.
Their poems pass the acid test.
Prose writers do not choose to rhyme.
They see it as a waste of time.
Although their word choice is sublime.
Without meter it is prose,
not poetry as they suppose.
Their definition I contest.
Poetic prose it’s plain to see.
Can not be classed as poetry.
I can accept you disagree.
I know I have a biased view
I think I am entitled to
Decide which one I like the best.
I choose meter every time
Preferably with lines that rhyme.
I find such poetry sublime.
Though I enjoy well written prose.
Each to his own I must suppose
So write the way that suits you best.
I am old fashioned I admit
and not one whit ashamed of it.
I do not find rules inhibit.
Free expression of my views
They merely mean I have to choose
the words that will express them best
Free form, free verse, poetic prose.
Are methods other writers chose
as being fit for their purpose.
To rebel against fixed form.
Which was regarded as the norm.
Just to be different from the rest.
But fashions change and now free form
Must be regarded as the norm.
I see no reason to conform.
I choose to write my poetry
In the old way that pleases me.
A lonely voice raised in protest.
The wheel of fate will slowly turn
Metered poetry will return
and well deserved plaudits earn.
I hope I live to see the day.
when classic poets can display.
That fixed forms can outshine the rest.
Monday,06 December 2010
http: // blog.myspace.com/poeticpiers
poem by Ivor Or Ivor.e Hogg
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A Letter To The Same Person
Sure of Success, to You I boldly write,
Whilst Love do's ev'ry tender Line endite;
Love, who is justly President of Verse,
Which all his Servants write, or else rehearse.
Phoebus (howe'er mistaken Poets dream)
Ne'er us'd a Verse, till Love became his Theme.
To his stray'd Son, still as his Passion rose,
He rais'd his hasty Voice in clam'rous Prose:
But when in Daphne he wou'd Love inspire,
He woo'd in Verse, set to his silver Lyre.
The Trojan Prince did pow'rful Numbers join
To sing of War; but Love was the Design:
And sleeping Troy again in Flames was drest,
To light the Fires in pitying Dido's Breast.
Love without Poetry's refining Aid
Is a dull Bargain, and but coarsely made;
Nor e'er cou'd Poetry successful prove,
Or touch the Soul, but when the Sense was Love.
Oh! cou'd they both in Absence now impart
Skill to my Hand, but to describe my Heart;
Then shou'd you see impatient of your Stay
Soft Hopes contend with Fears of sad Delay;
Love in a thousand fond Endearments there,
And lively Images of You appear.
But since the Thoughts of a Poetick Mind
Will never be to Syllables confin'd;
And whilst to fix what is conceiv'd, we try,
The purer Parts evaporate and dye:
You must perform what they want force to do,
And think what your ARDELIA thinks of you.
poem by Anne Kingsmill Finch
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To Maecenas
MAECENAS, you, beneath the myrtle shade,
Read o'er what poets sung, and shepherds play'd.
What felt those poets but you feel the same?
Does not your soul possess the sacred flame?
Their noble strains your equal genius shares
In softer language, and diviner airs.
While Homer paints, lo! circumfus'd in air,
Celestial Gods in mortal forms appear;
Swift as they move hear each recess rebound,
Heav'n quakes, earth trembles, and the shores resound.
Great Sire of verse, before my mortal eyes,
The lightnings blaze across the vaulted skies,
And, as the thunder shakes the heav'nly plains,
A deep felt horror thrills through all my veins.
When gentler strains demand thy graceful song,
The length'ning line moves languishing along.
When great Patroclus courts Achilles' aid,
The grateful tribute of my tears is paid;
Prone on the shore he feels the pangs of love,
And stern Pelides tend'rest passions move.
Great Maro's strain in heav'nly numbers flows,
The Nine inspire, and all the bosom glows.
O could I rival thine and Virgil's page,
Or claim the Muses with the Mantuan Sage;
Soon the same beauties should my mind adorn,
And the same ardors in my soul should burn:
Then should my song in bolder notes arise,
And all my numbers pleasingly surprise;
But here I sit, and mourn a grov'ling mind,
That fain would mount, and ride upon the wind.
Not you, my friend, these plaintive strains become,
Not you, whose bosom is the Muses home;
When they from tow'ring Helicon retire,
They fan in you the bright immortal fire,
But I less happy, cannot raise the song,
The fault'ring music dies upon my tongue.
The happier Terence* all the choir inspir'd,
His soul replenish'd, and his bosom fir'd;
But say, ye Muses, why this partial grace,
To one alone of Afric's sable race;
From age to age transmitting thus his name
With the finest glory in the rolls of fame?
Thy virtues, great Maecenas! shall be sung
In praise of him, from whom those virtues sprung:
While blooming wreaths around thy temples spread,
I'll snatch a laurel from thine honour'd head,
While you indulgent smile upon the deed.
*He was an African by birth.
As long as Thames in streams majestic flows,
Or Naiads in their oozy beds repose
While Phoebus reigns above the starry train
While bright Aurora purples o'er the main,
So long, great Sir, the muse thy praise shall sing,
So long thy praise shal' make Parnassus ring:
Then grant, Maecenas, thy paternal rays,
Hear me propitious, and defend my lays.
poem by Phillis Wheatley
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