John Dryden

Alexander's Feast; Or, The Power Of Music

'Twas at the royal feast for Persia won
By Philip's warlike son—
Aloft in awful state
The godlike hero sate
On his imperial throne;
His valiant peers were placed around,
Their brows with roses and with myrtles bound
(So should desert in arms be crowned);
The lovely Thais by his side
Sate like a blooming eastern bride
In flower of youth and beauty's pride:—
Happy, happy, happy pair!
None but the brave
None but the brave
None but the brave deserves the fair!

Timotheus placed on high
Amid the tuneful quire
With flying fingers touched the lyre;
The trembling notes ascend the sky
And heavenly joys inspire.
The song began from Jove
Who left his blissful seats above—
Such is the power of mighty love!
A dragon's fiery form belied the god
Sublime on radiant spires he rode
When he to fair Olympia prest,
And while he sought her snowy breast,
Then round her slender waist he curled,
And stamped an image of himself, a sovereign of the world.
- The listening crowd admire the lofty sound!
A present deity! they shout around:
A present deity! the vaulted roofs rebound!
With ravished ears
The monarch hears,
Assumes the god,
Affects to nod,
And seems to shake the spheres.

The praise of Bacchus then the sweet musician sung,
Of Bacchus ever fair and ever young:
The jolly god in triumph comes!
Sound the trumpets, beat the drums!
Flushed with a purple grace
He shows his honest face:
Now give the hautboys breath; he comes, he comes!
Bacchus, ever fair and young,
Drinking joys did first ordain;
Bacchus' blessings are a treasure,
Drinking is the soldier's pleasure:
Rich the treasure,
Sweet the pleasure,
Sweet is pleasure after pain.

Soothed with the sound, the king grew vain;
Fought all his battles o'er again,
And thrice he routed all his foes, and thrice he slew the slain.
The master saw the madness rise,
His glowing cheeks, his ardent eyes;
And while he Heaven and Earth defied
Changed his hand and checked his pride.
He chose a mournful Muse
Soft pity to infuse:
He sung Darius great and good,
By too severe a fate
Fallen, fallen, fallen, fallen,
Fallen from his high estate,
And weltering in his blood;
Deserted, at his utmost need,
By those his former bounty fed;
On the bare earth exposed he lies
With not a friend to close his eyes.
- With downcast looks the joyless victor sate,
Revolving in his altered soul
The various turns of Chance below;
And now and then a sigh he stole,
And tears began to flow.

The mighty master smiled to see
That love was in the next degree;
'Twas but a kindred-sound to move,
For pity melts the mind to love.
Softly sweet, in Lydian measures
Soon he soothed his soul to pleasures.
War, he sung, is toil and trouble,
Honour but an empty bubble;
Never ending, still beginning,
Fighting still, and still destroying;
If the world be worth thy winning,
Think, O think, it worth enjoying:
Lovely Thais sits beside thee,
Take the good the gods provide thee!
- The many rend the skies with loud applause;
So Love was crowned, but Music won the cause.
The prince, unable to conceal his pain,
Gazed on the fair
Who caused his care,
And sighed and looked, sighed and looked,
Sighed and looked, and sighed again:
At length with love and wine at once opprest
The vanquished victor sunk upon her breast.

Now strike the golden lyre again:
A louder yet, and yet a louder strain!
Break his bands of sleep asunder

And rouse him like a rattling peal of thunder.
Hark, hark! the horrid sound
Has raised up his head:
As awaked from the dead
And amazed he stares around.
Revenge, revenge, Timotheus cries,
See the Furies arisel
See the snakes that they rear
How they hiss in their hair,
And the sparkles that flash from their eyes!
Behold a ghastly band,
Each a torch in his hand!
Those are Grecian ghosts, that in battle were slain
And unburied remain
Inglorious on the plain:
Give the vengeance due
To the valiant crew!
Behold how they toss their torches on high,
How they point to the Persian abodes
And glittering temples of their hostile gods.
- The princes applaud with a furious joy:
And the King seized a flambeau with zeal to destroy;
Thais led the way
To light him to his prey,
And like another Helen, fired another Troy!

- Thus, long ago,
Ere heaving bellows learned to blow,
While organs yet were mute,
Timotheus, to his breathing flute
And sounding lyre,
Could swell the soul to rage, or kindle soft desire.
At last divine Cecilia came,
Inventress of the vocal frame;
The sweet enthusiast from her sacred store
Enlarged the former narrow bounds,
And added length to solemn sounds,
With Nature's mother-wit, and arts unknown before.
- Let old Timotheus yield the prize
Or both divide the crown;
He raised a mortal to the skies;
She drew an angel down!

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Byron

The Eve Of Waterloo

There was a sound of revelry by night,
And Belgium's capital had gathered then
Her beauty and her chivalry, and bright
The lamps shone o'er fair women and brave men.
A thousand hearts beat happily; and when
Music arose with its voluptuous swell,
Soft eyes looked love to eyes which spake again,
And all went merry as a marriage bell;
But hush! hark! a deep sound strikes like a rising knell!


Did ye not hear it? - No; 'twas but the wind,
Or the car rattling o'er the stony street;
On with the dance! let joy be unconfined;
No sleep till morn, when youth and pleasure meet
To chase the glowing hours with flying feet.
But hark! - that heavy sound breaks in once more,
As if the clouds its echo would repeat;
And nearer, clearer, deadlier than before;
Arm! arm! it is - it is - the cannon's opening roar!


Within a windowed niche of that high hall
Sate Brunswick's fated chieftain; he did hear
That sound the first amidst the festival,
And caught its tone with death's prophetic ear;
And when they smiled because he deemed it near,
His heart more truly knew that peal too well
Which stretched his father on a bloody bier,
And roused the vengeance blood alone could quell;
He rushed into the field, and, foremost fighting, fell.


Ah! then and there was hurrying to and fro,
And gathering tears, and tremblings of distress,
And cheeks all pale, which, but an hour ago,
Blushed at the praise of their own loveliness.
And there were sudden partings, such as press
The life from out young hearts, and choking sighs
Which ne'er might be repeated; who would guess
If ever more should meet those mutual eyes,
Since upon night so sweet such awful morn could rise!


And there was mounting in hot haste; the steed,
The mustering squadron, and the clattering car,
Went pouring forward with impetuous speed,
And swiftly forming in the ranks of war;
And the deep thunder, peal on peal afar;
And near, the beat of the alarming drum
Roused up the soldier ere the morning star;
While thronged the citizens with terror dumb,
Or whispering, with white lips - 'The foe! they come! they come!'

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Alexander Pope

Ode on St. Cecilia's Day

I.
Descend ye Nine! descend and sing;
The breathing instruments inspire,
Wake into voice each silent string,
And sweep the sounding lyre!
In a sadly-pleasing strain
Let the warbling lute complain:
Let the loud trumpet sound,
'Till the roofs all around
The shrill echo's rebound:
While in more lengthen'd notes and slow,
The deep, majestic, solemn organs blow.
Hark! the numbers, soft and clear,
Gently steal upon the ear;
Now louder, and yet louder rise,
And fill with spreading sounds the skies;
Exulting in triumph now swell the bold notes,
In broken air, trembling, the wild music floats;
'Till, by degrees, remote and small,
The strains decay,
And melt away,
In a dying, dying fall.

II.
By Music, minds an equal temper know,
Nor swell too high, nor sink too low.
If in the breast tumultuous joys arise,
Music her soft, assuasive voice applies;
Or when the soul is press'd with cares,
Exalts her in enlivening airs.
Warriors she fires with animated sounds;
Pours balm into the bleeding lover's wounds:
Melancholy lifts her head,
Morpheus rouzes from his bed,
Sloth unfolds her arms and wakes,
List'ning Envy drops her snakes;
Intestine war no more our Passions wage,
And giddy Factions hear away their rage.

III.
But when our Country's cause provokes to Arms,
How martial music ev'ry bosom warms!
So when the first bold vessel dar'd the seas,
High on the stern the Thracian rais'd his strain,
While Argo saw her kindred trees
Descend from Pelion to the main.
Transported demi-gods stood round,
And men grew heroes at the sound,
Enflam'd with glory's charms:
Each chief his sev'nfold shield display'd,
And half unsheath'd the shining blade:
And seas, and rocks, and skies rebound
To arms, to arms, to arms!

IV.
But when thro' all th'infernal bounds
Which flaming Phlegeton surrounds,
Love, strong as Death, the Poet led
To the pale nations of the dead,
What sounds were heard,
What scenes appear'd,
O'er all the dreary coasts!
Dreadful gleams,
Dismal screams,
Fires that glow,
Shrieks of woe,
Sullen moans,
Hollow groans,
And cries of tortur'd ghosts!
But hark! he strikes the golden lyre;
And see! the tortur'd ghosts respire,
See, shady forms advance!
Thy stone, O Sysiphus, stands still,
Ixion rests upon his wheel,
And the pale spectres dance!
The Furies sink upon their iron beds,
And snakes uncurl'd hang list'ning round their heads.

V.
By the streams that ever flow,
By the fragrant winds that blow
O'er th' Elysian flow'rs,
By those happy souls who dwell
In yellow meads of Asphodel,
Or Amaranthine bow'rs,
By the hero's armed shades,
Glitt'ring thro' the gloomy glades,
By the youths that dy'd for love,
Wand'ring in the myrtle grove,
Restore, restore Eurydice to life;
Oh take the husband, or return the wife!
He sung, and hell consented
To hear the Poet's pray'r;
Stern Proserpine relented,
And gave him back the fair.
Thus song could prevail
O'er death and o'er hell,
A conquest how hard and how glorious?
Tho' fate had fast bound her
With Styx nine times round her,
Yet music and love were victorious.

VI.
But soon, too soon, the lover turns his eyes:
Again she falls, again she dies, she dies!
How wilt thou now the fatal sisters move?
No crime was thine, if 'tis no crime to love.
Now under hanging mountains,
Beside the falls of fountains,
Or where Hebrus wanders,
Rolling in Maeanders,
All alone,
Unheard, unknown,
He makes his moan;
And calls her ghost,
For ever, ever, ever lost!
Now with Furies surrounded,
Despairing, confounded,
He trembles, he glows,
Amidst Rhodope's snows:
See, wild as the winds, o'er the desart he flies;
Hark! Haemus resounds with the Bacchanals cries -
- Ah see, he dies!
Yet ev'n in death Eurydice he sung,
Eurydice still trembled on his tongue,
Eurydice the woods,
Eurydice the floods,
Eurydice the rocks, and hollow mountains rung.

VII.
Music the fiercest grief can charm,
And fate's severest rage disarm:
Music can soften pain to ease,
And make despair and madness please:
Our joys below it can improve,
And antedate the bliss above.
This the divine Cecilia found,
And to her Maker's praise confin'd the sound.
When the full organ joins the tuneful quire,
Th'immortal pow'rs incline their ear;
Borne on the swelling notes our souls aspire,
While solemn airs improve the sacred fire;
And Angels lean from heav'n to hear.
Of Orpheus now no more let Poets tell,
To bright Cecilia greater pow'r is giv'n;
His numbers rais'd a shade from hell,
Hers lift the soul to heav'n.

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Joseph Addison

A Song For St. Cecilia's Day, At Oxford

I.
Cecilia, whose exalted hymns
With joy and wonder fill the blest,
In choirs of warbling seraphims
Known and distinguish'd fom the rest;
Attend, harmonious saint, and see
Thy vocal sons of harmony;
Attend, harmonious saint, and hear our prayers;
Enliven all our earthly airs,
and, as thou sing'st thy God, teach us to sing of thee:
Tune every string and every tongue,
Be thou the Muse and subject of our song.

II.
Let all Cecilia's praise proclaim,
Enploy the echo in her name.
Hark how the flutes and trumpets raise,
At bright Cecilia's name, their lays;
The organ labours in her praise.
Cecilia's name does all our numbers grace,
From every voice the tuneful accents fly,
In soaring trebles now it rises high,
And now it sinks, and dwells upon the base.
Cecilia's name through all the notes we sing,
The work of every skilful tongue
The sound of every trembling string,
The sound and triumph of our song.

III.
For ever consecrate the day,
To music and Cecilia;
Music, the greatest good that mortals know,
And all of heaven we have below.
Music can noble hints impart,
Engender fury, kindle love;
With unsuspected eloquence can move,
And manage all the man with secret art.
When Orpheus strikes the trembling lyre
The streams stand still, the stones admire;
The listening savages advance,
The world and lamb around him trip
The bears in aukward measures leap,
And tigers mingle in the dance
The moving woods attended as he played
And Rhodope was left without a shade.

IV.
Music religious heats inspires,
It wakes the soul, and lifts it high,
And wings it with sublime desires,
And fits it to bespeak the Deity.
Th' Almighty listens to a tuneful tongue,
And seems well-pleas'd and courted with a song.
Soft moving sounds and heavenly airs
Give forece to every word, and recommend our prayers
When time itself shall be no more,
And all things in confusion hurl'd,
Music shall then exert its power,
And sound survive the ruins of the world:
Then saints and angels shall agree
In one eternal jubilee:
All heaven shall echo with their hymns divine,
And God himself with pleasure see
The whole creation in a chorus join.

C H O R U S.
Consecrate the place and day,
To music and Cecilia Let no rough winds approach, nor dare
Invade the hallow'd bounds,
Nor rudely shake the tuneful air,
Nor spoil the fleeting sounds.
Nor mournful sigh nor groan be heard,
But gladness dwell on every tongue;
Whilst all, with voice and strings prepar'd,
Keep u; the loud harmonious song.
And imitate the blest above,
In joy, and harmony, and love.

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The Passions

An Ode for Music

When Music, heavenly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Thronged around her magic cell,
Exulting, trembling, raging, fainting,
Possest beyond the Muse's painting:
By turns they felt the glowing mind
Disturbed, delighted, raised, refined;
Till once, 'tis said, when all were fired,
Filled with fury, rapt, inspired,
From the supporting myrtles round
They snatched her instruments of sound,
And, as they oft had heard apart
Sweet lessons of her forceful art,
Each (for Madness ruled the hour)
Would prove his own expressive power.

First Fear his hand, its skill to try,
Amid the chords bewildered laid,
And back recoiled, he knew not why,
E'en at the sound himself had made.

Next Anger rushed, his eyes on fire,
In lightnings owned his secret stings:
In one rude clash he struck the lyre,
And swept with hurried hand the strings.

With woful measures wan Despair
Low sullen sounds his grief beguiled;
A solemn, strange, and mingled air,
'Twas sad by fits, by starts 'twas wild.

But thou, O Hope, with eyes so fair,
What was thy delighted measure?
Still it whispered promised pleasure,
And bade the lovely scenes at distance hail!
Still would her touch the strain prolong;
And from the rocks, the woods, the vale,
She called on Echo still, through all the song,
And, where her sweetest theme she chose,
A soft responsive voice was heard at every close;
And Hope enchanted smiled, and waved her golden hair.
And longer had she sung;—but, with a frown,
Revenge impatient rose:
He threw his blood-stained sword in thunder down;
And, with a withering look,
The war-denouncing trumpet took,
And blew a blast so loud and dread,
Were ne'er prophetic sounds so full of woe!
And ever and anon he beat
The doubling drum with furious heat;
And though sometimes each dreary pause between
Dejected Pity, at his side,
Her soul-subduing voice applied,
Yet still he kept his wild unaltered mien,
While each strained ball of sight seemed bursting from his head.
Thy numbers, Jealousy, to nought were fixed:
Sad proof of thy distressful state!
Of differing themes the veering song was mixed;
And now it courted Love, now raving called on Hate.
With eyes up-raised, as one inspired,
Pale Melancholy sat retired;
And from her wild sequestered seat,
In notes, by distance made more sweet,
Poured through the mellow horn her pensive soul;
And, dashing soft from rocks around,
Bubbling runnels joined the sound;
Through glades and glooms the mingled measure stole,
Or, o'er some haunted stream, with fond delay,
Round an holy calm diffusing,
Love of Peace, and lonely musing,
In hollow murmurs died away.
But Oh! how altered was its sprightlier tone
When Cheerfulness, a nymph of healthiest hue,
Her bow across her shoulder flung,
Her buskins gemmed with morning dew,
Blew an inspiring air that dale and thicket rung
The hunter's call, to Faun and Dryad known!
The oak-crowned Sisters, and their chaste-eyed Queen,
Satyrs and Sylvan Boys, were seen
Peeping from forth their alleys green:
Brown Exercise rejoiced to hear;
And Sport leapt up, and seized his beechen spear.
Last came Joy's ecstatic trial:
He, with viny crown advancing,
First to the lively pipe his hand addrest;
But soon he saw the brisk awakening viol,
Whose sweet entrancing voice he loved the best:
They would have thought who heard the strain
They saw, in Tempe's vale, her native maids
Amidst the festal-sounding shades
To some unwearied minstrel dancing,
While, as his flying fingers kissed the strings,
Love framed with Mirth a gay fantastic round:
Loose were her tresses seen, her zone unbound;
And he, amidst his frolic play,
As if he would the charming air repay,
Shook thousand odours from his dewy wings.

O Music, sphere-descended maid,
Friend of Pleasure, Wisdom's aid!
Why, goddess, why, to us denied,
Lay'st thou thy ancient lyre aside?
As, in that loved Athenian bower,
You learned an all-commanding power,
Thy mimic soul, O Nymph endeared,
Can well recall what then it heard;
Where is thy native simple heart,
Devote to Virtue, Fancy, Art?
Arise, as in that elder time,
Warm, energetic, chaste, sublime!
Thy wonders, in that godlike age,
Fill thy recording Sister's page—
'Tis said, and I believe the tale,
Thy humblest reed could more prevail,
Had more of strength, diviner rage,
Than all which charms this laggard age;
E'en all at once together found
Cecilia's mingled world of sound—
O! bid our vain endeavours cease:
Revive the just designs of Greece:
Return in all thy simple state!
Confirm the tales her sons relate!

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The Triumph Of Love

By love are blest the gods on high,
Frail man becomes a deity
When love to him is given;
'Tis love that makes the heavens shine
With hues more radiant, more divine,
And turns dull earth to heaven!

In Pyrrha's rear (so poets sang
In ages past and gone),
The world from rocky fragments sprang--
Mankind from lifeless stone.

Their soul was but a thing of night,
Like stone and rock their heart;
The flaming torch of heaven so bright
Its glow could ne'er impart.

Young loves, all gently hovering round,
Their souls as yet had never bound
In soft and rosy chains;
No feeling muse had sought to raise
Their bosoms with ennobling lays,
Or sweet, harmonious strains.

Around each other lovingly
No garlands then entwined;
The sorrowing springs fled toward the sky,
And left the earth behind.

From out the sea Aurora rose
With none to hail her then;
The sun unhailed, at daylight's close,
In ocean sank again.

In forests wild, man went astray,
Misled by Luna's cloudy ray--
He bore an iron yoke;
He pined not for the stars on high,
With yearning for a deity
No tears in torrents broke.

.....

But see! from out the deep-blue ocean
Fair Venus springs with gentle motion
The graceful Naiad's smiling band
Conveys her to the gladdened strand,

A May-like, youthful, magic power
Entwines, like morning's twilight hour,
Around that form of godlike birth,
The charms of air, sea, heaven, and earth.

The day's sweet eye begins to bloom
Across the forest's midnight gloom;
Narcissuses, their balm distilling,
The path her footstep treads are filling.

A song of love, sweet Philomel,
Soon carolled through the grove;
The streamlet, as it murmuring fell,
Discoursed of naught but love,

Pygmalion! Happy one! Behold!
Life's glow pervades thy marble cold!
Oh, LOVE, thou conqueror all-divine,
Embrace each happy child of thine!

.....

By love are blest the gods on high,--
Frail man becomes a deity
When love to him is given;
'Tis love that makes the heavens shine
With hues more radiant, more divine,
And turns dull earth to heaven!

.....

The gods their days forever spend
In banquets bright that have no end,
In one voluptuous morning-dream,
And quaff the nectar's golden stream.

Enthroned in awful majesty
Kronion wields the bolt on high:
In abject fear Olympus rocks
When wrathfully he shakes his locks.

To other gods he leaves his throne,
And fills, disguised as earth's frail son,
The grove with mournful numbers;
The thunders rest beneath his feet,
And lulled by Leda's kisses sweet,
The Giant-Slayer slumbers.

Through the boundless realms of light
Phoebus' golden reins, so bright,
Guide his horses white as snow,
While his darts lay nations low.
But when love and harmony
Fill his breast, how willingly
Ceases Phoebus then to heed
Rattling dart and snow-white steed!

See! Before Kronion's spouse
Every great immortal bows;
Proudly soar the peacock pair
As her chariot throne they bear,
While she decks with crown of might
Her ambrosial tresses bright,

Beauteous princess, ah! with fear
Quakes before thy splendor, love,
Seeking, as he ventures near,
With his power thy breast to move!
Soon from her immortal throne
Heaven's great queen must fain descend,
And in prayer for beauty's zone,
To the heart-enchainer bend!

.....

By love are blest the gods on high,
Frail man becomes a deity
When love to him is given;
'Tis love that makes the heavens shine
With hues more radiant, more divine,
And turns dull earth to heaven!

.....

'Tis love illumes the realms of night,
For Orcus dark obeys his might,
And bows before his magic spell
All-kindly looks the king of hell
At Ceres' daughter's smile so bright,--
Yes--love illumes the realms of night!

In hell were heard, with heavenly sound,
Holding in chains its warder bound,
Thy lays, O Thracian one!
A gentler doom dread Minos passed,
While down his cheeks the tears coursed fast
And e'en around Megaera's face
The serpents twined in fond embrace,
The lashes' work seemed done.

Driven by Orpheus' lyre away,
The vulture left his giant-prey [8];
With gentler motion rolled along
Dark Lethe and Cocytus' river,
Enraptured Thracian, by thy song,--
And love its burden was forever!

By love are blest the gods on high,
Frail man becomes a deity
When love to him is given;
'Tis love that makes the heavens shine
With hues more radiant, more divine,
And turns dull earth to heaven!

.....

Wherever Nature's sway extends,
The fragrant balm of love descends,
His golden pinions quiver;
If 'twere not Venus' eye that gleams
Upon me in the moon's soft beams,
In sunlit hill or river,--
If 'twere not Venus smiles on me
From yonder bright and starry sea,

Not stars, not sun, not moonbeams sweet,
Could make my heart with rapture beat.
'Tis love alone that smilingly
Peers forth from Nature's blissful eye,
As from a mirror ever!

Love bids the silvery streamlet roll
More gently as it sighs along,
And breathes a living, feeling soul
In Philomel's sweet plaintive song;
'Tis love alone that fills the air
With streams from Nature's lute so fair.

Thou wisdom with the glance of fire,
Thou mighty goddess, now retire,
Love's power thou now must feel!
To victor proud, to monarch high,
Thou ne'er hast knelt in slavery,--
To love thou now must kneel!

Who taught thee boldly how to climb
The steep, but starry path sublime,
And reach the seats immortal?
Who rent the mystic veil in twain,
And showed thee the Elysian plain
Beyond death's gloomy portal?
If love had beckoned not from high,
Had we gained immortality?
If love had not inflamed each thought,
Had we the master spirit sought?
'Tis love that guides the soul along
To Nature's Father's heavenly throne

By love are blest the gods on high,
Frail man becomes a deity
When love to him is given;
'Tis love that makes the heavens shine
With hues more radiant, more divine,
And turns dull earth to heaven!

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The Pilgrims

Who is your lady of love, O ye that pass
Singing? and is it for sorrow of that which was
That ye sing sadly, or dream of what shall be?
For gladly at once and sadly it seems ye sing.
--Our lady of love by you is unbeholden;
For hands she hath none, nor eyes, nor lips, nor golden
Treasure of hair, nor face nor form; but we
That love, we know her more fair than anything.
--Is she a queen, having great gifts to give?
--Yea, these; that whoso hath seen her shall not live
Except he serve her sorrowing, with strange pain,
Travail and bloodshedding and bitterer tears;
And when she bids die he shall surely die.
And he shall leave all things under the sky
And go forth naked under sun and rain
And work and wait and watch out all his years.

--Hath she on earth no place of habitation?
--Age to age calling, nation answering nation,
Cries out, Where is she? and there is none to say;
For if she be not in the spirit of men,
For if in the inward soul she hath no place,
In vain they cry unto her, seeking her face,
In vain their mouths make much of her; for they
Cry with vain tongues, till the heart lives again.

--O ye that follow, and have ye no repentance?
For on your brows is written a mortal sentence,
An hieroglyph of sorrow, a fiery sign,
That in your lives ye shall not pause or rest,
Nor have the sure sweet common love, nor keep
Friends and safe days, nor joy of life nor sleep.
--These have we not, who have one thing, the divine
Face and clear eyes of faith and fruitful breast.

--And ye shall die before your thrones be won.
--Yea, and the changed world and the liberal sun
Shall move and shine without us, and we lie
Dead; but if she too move on earth and live,
But if the old world with all the old irons rent
Laugh and give thanks, shall we be not content?
Nay, we shall rather live, we shall not die,
Life being so little and death so good to give.

--And these men shall forget you.--Yea, but we
Shall be a part of the earth and the ancient sea,
And heaven-high air august, and awful fire,
And all things good; and no man's heart shall beat
But somewhat in it of our blood once shed
Shall quiver and quicken, as now in us the dead
Blood of men slain and the old same life's desire
Plants in their fiery footprints our fresh feet.

--But ye that might be clothed with all things pleasant,
Ye are foolish that put off the fair soft present,
That clothe yourselves with the cold future air;
When mother and father and tender sister and brother
And the old live love that was shall be as ye,
Dust, and no fruit of loving life shall be.
--She shall be yet who is more than all these were,
Than sister or wife or father unto us or mother.

--Is this worth life, is this, to win for wages?
Lo, the dead mouths of the awful grey-grown ages,
The venerable, in the past that is their prison,
In the outer darkness, in the unopening grave,
Laugh, knowing how many as ye now say have said,
How many, and all are fallen, are fallen and dead:
Shall ye dead rise, and these dead have not risen?
--Not we but she, who is tender and swift to save.

--Are ye not weary and faint not by the way,
Seeing night by night devoured of day by day,
Seeing hour by hour consumed in sleepless fire?
Sleepless: and ye too, when shall ye too sleep?
--We are weary in heart and head, in hands and feet,
And surely more than all things sleep were sweet,
Than all things save the inexorable desire
Which whoso knoweth shall neither faint nor weep.

--Is this so sweet that one were fain to follow?
Is this so sure where all men's hopes are hollow.
Even this your dream, that by much tribulation
Ye shall make whole flawed hearts, and bowed necks straight?
--Nay, though our life were blind, our death were fruitless,
Not therefore were the whole world's high hope rootless;
But man to man, nation would turn to nation,
And the old life live, and the old great world be great.

--Pass on then and pass by us and let us be,
For what light think ye after life to see?
And if the world fare better will ye know?
And if man triumph who shall seek you and say?
--Enough of light is this for one life's span,
That all men born are mortal, but not man:
And we men bring death lives by night to sow,
That man may reap and eat and live by day.

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An Ode To Mr. Howard

Dear Howard, from the soft assaults of love
Poets and painters never are secure;
Can I untouch'd the fair one's passions move,
Or thou draw beauty, and not feel its power?

To great Appelles when young Ammon brought
The darling idol of his captive heart;
And the pleased nymph with kind attention sat,
To have her charms recorded by his art:

The amorous master own'd her potent eyes:
Sigh'd when he look'd, and trembled as he drew:
Each flowing line confirm'd his first surprise,
And, as the piece advanced, the passion grew.

While Philip's son, while Venus' son, was near,
What different tortures does his bosom feel?
Great was the rival, and the god severe:
Nor could he hide his flame, nor durst reveal.

The prince, renown'd in bounty as in arms,
With pity saw the ill-conceal'd distress;
Quitted his title to Campaspe's charms,
And gave the fair one to the friend's embrace.

Thus the more beauteous Cloe sat to thee,
Good Howard, emulous of the Grecian art:
But happy thou, from Cupid's arrow free,
And flames that pierced thy predecessor's heart!

Had thy poor breast received an equal pain;
Had I been vested with the monarch's power;
Thou must have sigh'd, unlucky youth, in vain;
Nor from my bounty hadst thou found a cure.

Though, to convince thee that the friend did feel
A kind concern for thy ill-fated care,
I would have sooth'd thy flame I could not heal;
Given thee the world; though I withheld the fair.

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The Passions. An Ode to Music

When Music, heav'nly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Throng'd around her magic cell,
Exulting, trembling, raging, fainting,
Possest beyond the Muse's painting;
By turns they felt the glowing mind
Disturb'd, delighted, rais'd, refin'd:
Till once, 'tis said, when all were fir'd,
Fill'd with fury, rapt, inspir'd,
From the supporting myrtles round
They snatch'd her instruments of sound;
And as they oft had heard apart
Sweet lessons of her forceful art,
Each, for madness rul'd the hour,
Would prove his own expressive pow'r.

First Fear his hand, its skill to try,
Amid the chords bewilder'd laid,
And back recoil'd, he knew not why,
Ev'n at the sound himself had made.

Next Anger rush'd; his eyes, on fire,
In lightnings own'd his secret stings;
In one rude clash he struck the lyre,
And swept with hurried hand the strings.

With woful measures wan Despair
Low sullen sounds his grief beguil'd;
A solemn, strange, and mingled air;
'Twas sad by fits, by starts 'twas wild.

But thou, O Hope, with eyes so fair,
What was thy delightful measure;
Still it whisper'd promis'd pleasure,
And bade the lovely scenes at distance hail!

Still would her touch the strain prolong,
And from the rocks, the woods, the vale,
She call'd on Echo still thro' all the song;
And where her sweetest theme she chose,
A soft responsive voice was heard at ev'ry close,
And Hope enchanted smil'd, and wav'd her golden hair.

And longer had she sung,-but with a frown
Revenge impatient rose;
He threw his blood-stain'd sword in thunder down
And with a with'ring look
The war-denouncing trumpet took,
And blew a blast so loud and dread,
Were ne'er prophetic sounds so full of woe.
And ever and anon he beat
The doubling drum with furious heat;
And tho' sometimes, each dreary pause between,
Dejected Pity, at his side,
Her soul-subduing voice applied,
Yet still he kept his wild unalter'd mien,
While each strain'd ball of sight seem'd bursting from his head.

Thy numbers, Jealousy, to nought were fix'd,
Sad proof of thy distressful state;
Of diff'ring themes the veering song was mix'd,
And now it courted Love, now raving call'd on Hate.

With eyes uprais'd, as one inspir'd,
Pale Melancholy sate retir'd,
And from her wild sequester'd seat,
In notes by distance made more sweet,
Pour'd thro' the mellow horn her pensive soul:
And, dashing soft from locks around,
Bubbling runnels join'd the sound;
Thro' glades and glooms the mingled measure stole;
Or o'er some haunted stream with fond delay
Round an holy calm diffusing,
Love of peace and lonely musing,
In hollow murmurs died away.

But oh, how alter'd was its sprightlier tone,
When Cheerfulness, a nymph of healthiest hue,
Her bow across her shoulder flung,
Her buskins gemm'd with morning dew,
Blew an inspiring air, that dale and thicket rung,
The hunter's call to faun and dryad known!
The oak-crown'd sisters, and their chaste-ey'd queen,
Satyrs, and sylvan boys, were seen,
Peeping from forth their alleys green;
Brown Exercise rejoic'd to heal,
And Sport leapt up, and seiz'd his beechen spear.

Last came Joy's ecstatic trial.
He, with viny crown advancing,
First to the lively pipe his hand addrest;
But soon he saw the brisk awak'ning viol,
Whose sweet entrancing voice he lov'd the best.
They would have thought, who heard the strain,
They saw in Tempe's vale her native maids
Amidst the vestal sounding shades,
To some unwearied minstrel dancing,
While, as his flying fingers kiss'd the strings,
Love fram'd with Mirth a gay fantastic round;
Loose were her tresses seen, her zone unbound,
And he, amidst his frolic play,
As if he would the charming air repay,
Shook thousand odours from his dewy wings.

O Music, sphere-descended maid,
Friend of Pleasure, Wisdom's aid,
Why, goddess, why, to us denied,
Lay'st thou thy ancient lyre aside?
As in that lov'd Athenian bow'r
You learn'd an all-commanding pow'r,
Thy mimic soul, O nymph endear'd,
Can well recall what then it heard.
Where is thy native simple heart,
Devote to Virtue Fancy, Art?
Arise as in that eider time,
Warm, energic, chaste, sublime!
Thy wonders, in that godlike age,
Fill thy recording sister's page.-
'Tis said, and I believe the tale,
Thy humblest reed could more prevail,
Had more of strength, diviner rage,
Than all which charms this laggard age,
Ev'n all at once together found,
Cæcilia's mingled world of sound.
O bid our vain endeavours cease,
Revive the just designs of Greece,
Return in all thy simple state,
Confirm the tales her sons relate!

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John Dryden

A Song for St. Cecilia's Day

FROM harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
'Arise, ye more than dead!'
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.

What passion cannot Music raise and quell?
When Jubal struck the chorded shell,
His listening brethren stood around,
And, wondering, on their faces fell
To worship that celestial sound:
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly, and so well.
What passion cannot Music raise and quell?

The trumpet's loud clangour
Excites us to arms,
With shrill notes of anger,
And mortal alarms.
The double double double beat
Of the thundering drum
Cries Hark! the foes come;
Charge, charge, 'tis too late to retreat!

The soft complaining flute,
In dying notes, discovers
The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.

Sharp violins proclaim
Their jealous pangs and desperation,
Fury, frantic indignation,
Depth of pains, and height of passion,
For the fair, disdainful dame.

But O, what art can teach,
What human voice can reach,
The sacred organ's praise?
Notes inspiring holy love,
Notes that wing their heavenly ways
To mend the choirs above.

Orpheus could lead the savage race;
And trees unrooted left their place,
Sequacious of the lyre;
But bright Cecilia rais'd the wonder higher:
When to her organ vocal breath was given,
An angel heard, and straight appear'd
Mistaking Earth for Heaven.

GRAND CHORUS.

As from the power of sacred lays
The spheres began to move,
And sung the great Creator's praise
To all the Blest above;
So when the last and dreadful hour
This crumbling pageant shall devour,
The trumpet shall be heard on high,
The dead shall live, the living die,
And Music shall untune the sky!

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Hymn to Proserpine (After the Proclamation of the Christian

Vicisti, Galilæe
I have lived long enough, having seen one thing, that love hath an end;
Goddess and maiden and queen, be near me now and befriend.
Thou art more than the day or the morrow, the seasons that laugh or that weep;
For these give joy and sorrow; but thou, Proserpina, sleep.
Sweet is the treading of wine, and sweet the feet of the dove;
But a goodlier gift is thine than foam of the grapes or love.
Yea, is not even Apollo, with hair and harpstring of gold,
A bitter God to follow, a beautiful God to behold?
I am sick of singing; the bays burn deep and chafe: I am fain
To rest a little from praise and grievous pleasure and pain.
For the Gods we know not of, who give us our daily breath,
We know they are cruel as love or life, and lovely as death.
O Gods dethroned and deceased, cast forth, wiped out in a day!
From your wrath is the world released, redeemed from your chains, men say.
New Gods are crowned in the city; their flowers have broken your rods;
They are merciful, clothed with pity, the young compassionate Gods.
But for me their new device is barren, the days are bare;
Things long past over suffice, and men forgotten that were.
Time and the Gods are at strife; ye dwell in the midst thereof,
Draining a little life from the barren breasts of love.
I say to you, cease, take rest; yea, I say to you all, be at peace,
Till the bitter milk of her breast and the barren bosom shall cease.
Wilt thou take all, Galilean? but these thou shalt not take,
The laurel, the palms and the paean, the breasts of the nymphs in the brake;
Breasts more soft than a dove's, that tremble with tenderer breath;
And all the wings of the Loves, and all the joy before death;
All the feet of the hours that sound as a single lyre,
Dropped and deep in the flowers, with strings that flicker like fire.
More than these wilt thou give, things fairer than all these things?
Nay, for a little we live, and life hath mutable wings.
A little while and we die; shall life not thrive as it may?
For no man under the sky lives twice, outliving his day.
And grief is a grievous thing, and a man hath enough of his tears:
Why should he labour, and bring fresh grief to blacken his years?
Thou hast conquered, O pale Galilean; the world has grown grey from thy breath;
We have drunken of things Lethean, and fed on the fullness of death.
Laurel is green for a season, and love is sweet for a day;
But love grows bitter with treason, and laurel outlives not May.
Sleep, shall we sleep after all? for the world is not sweet in the end;
For the old faiths loosen and fall, the new years ruin and rend.
Fate is a sea without shore, and the soul is a rock that abides;
But her ears are vexed with the roar and her face with the foam of the tides.
O lips that the live blood faints in, the leavings of racks and rods!
O ghastly glories of saints, dead limbs of gibbeted Gods!
Though all men abase them before you in spirit, and all knees bend,
I kneel not neither adore you, but standing, look to the end.
All delicate days and pleasant, all spirits and sorrows are cast
Far out with the foam of the present that sweeps to the surf of the past:
Where beyond the extreme sea-wall, and between the remote sea-gates,
Waste water washes, and tall ships founder, and deep death waits:
Where, mighty with deepening sides, clad about with the seas as with wings,
And impelled of invisible tides, and fulfilled of unspeakable things,
White-eyed and poisonous-finned, shark-toothed and serpentine-curled,
Rolls, under the whitening wind of the future, the wave of the world.
The depths stand naked in sunder behind it, the storms flee away;
In the hollow before it the thunder is taken and snared as a prey;
In its sides is the north-wind bound; and its salt is of all men's tears;
With light of ruin, and sound of changes, and pulse of years:
With travail of day after day, and with trouble of hour upon hour;
And bitter as blood is the spray; and the crests are as fangs that devour:
And its vapour and storm of its steam as the sighing of spirits to be;
And its noise as the noise in a dream; and its depth as the roots of the sea:
And the height of its heads as the height of the utmost stars of the air:
And the ends of the earth at the might thereof tremble, and time is made bare.
Will ye bridle the deep sea with reins, will ye chasten the high sea with rods?
Will ye take her to chain her with chains, who is older than all ye Gods?
All ye as a wind shall go by, as a fire shall ye pass and be past;
Ye are Gods, and behold, ye shall die, and the waves be upon you at last.
In the darkness of time, in the deeps of the years, in the changes of things,
Ye shall sleep as a slain man sleeps, and the world shall forget you for kings.
Though the feet of thine high priests tread where thy lords and our forefathers trod,
Though these that were Gods are dead, and thou being dead art a God,
Though before thee the throned Cytherean be fallen, and hidden her head,
Yet thy kingdom shall pass, Galilean, thy dead shall go down to thee dead.
Of the maiden thy mother men sing as a goddess with grace clad around;
Thou art throned where another was king; where another was queen she is crowned.
Yea, once we had sight of another: but now she is queen, say these.
Not as thine, not as thine was our mother, a blossom of flowering seas,
Clothed round with the world's desire as with raiment, and fair as the foam,
And fleeter than kindled fire, and a goddess, and mother of Rome.
For thine came pale and a maiden, and sister to sorrow; but ours,
Her deep hair heavily laden with odour and colour of flowers,
White rose of the rose-white water, a silver splendour, a flame,
Bent down unto us that besought her, and earth grew sweet with her name.
For thine came weeping, a slave among slaves, and rejected; but she
Came flushed from the full-flushed wave, and imperial, her foot on the sea.
And the wonderful waters knew her, the winds and the viewless ways,
And the roses grew rosier, and bluer the sea-blue stream of the bays.
Ye are fallen, our lords, by what token? we wise that ye should not fall.
Ye were all so fair that are broken; and one more fair than ye all.
But I turn to her still, having seen she shall surely abide in the end;
Goddess and maiden and queen, be near me now and befriend.
O daughter of earth, of my mother, her crown and blossom of birth,
I am also, I also, thy brother; I go as I came unto earth.
In the night where thine eyes are as moons are in heaven, the night where thou art,
Where the silence is more than all tunes, where sleep overflows from the heart,
Where the poppies are sweet as the rose in our world, and the red rose is white,
And the wind falls faint as it blows with the fume of the flowers of the night,
And the murmur of spirits that sleep in the shadow of Gods from afar
Grows dim in thine ears and deep as the deep dim soul of a star,
In the sweet low light of thy face, under heavens untrod by the sun,
Let my soul with their souls find place, and forget what is done and undone.
Thou art more than the Gods who number the days of our temporal breath;
Let these give labour and slumber; but thou, Proserpina, death.
Therefore now at thy feet I abide for a season in silence. I know
I shall die as my fathers died, and sleep as they sleep, even so.
For the glass of the years is brittle wherein we gaze for a span;
A little soul for a little bears up this corpse which is man.
So long I endure, no longer; and laugh not again, neither weep.
For there is no God found stronger than death; and death is a sleep.

poem by Algernon Charles SwinburneReport problemRelated quotes
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The Soul Of The Anzac

THE form that was mine was brown and hard,
And thewed and muscled, and tall and straight;
And often it rode from the station yard,
And often it passed through the stockyard gate;
And often it paused on the grey skyline
'Twixt mulga and mallee or gum and pine.
There was never a task that it would not do;
There was never a labour it left undone;
But ever and always it battled through,
And took the rest that its toil had won,
And slept the sleep of the weary-limbed
Till the stars grew pale and the planets dimmed.
The form that was mine is mine no more,
For low it lies in a soldier's grave
By an alien sea on an alien shore;
And over its sleep no wattles wave,
And stars unseen on their journey creep;
But it wakes no more from its dreamless sleep.
O Mother of mine, what is is best!
And our graves are dug at the hour of birth;
And the form that slept on your shielding breast
Sleeps soundly here in the mothering earth.
And dust to dust! When our part is played,
Does it matter much where the change is made?
O Heart that was mine, you were brave and strong —
How strong, how brave, let another tell!
You loved the lilt of the bushman's song,
And loved the land that he loved so well,
And loved — ah, well! — as well she knew,
The sweet, white girl who was all to you.
O Heart of mine, though your love was great,
Yet a greater than Love is lord of man;
The rose-path wound to the garden gate,
And there the track to The Peaks began;
And though storm threatened and skies grew black,
You dared the menace and took the track.
O Heart, when the cliffs were hard to climb,
How sweet was home, and her eyes how sweet!
How sweet the moments when Love kept time,
And you and her heart gave beat for beat,
And the waters sang, and the sun-rays glanced,
And the flowers laughed out, and the saplings danced.
Yet better, O Heart, to do as you did
Than to lie on her breast, as your love-gift lies;
For how can Love prosper when Honour lies hid,
Ashamed to look Love fair and square in the eyes?
Though grave-mould be round you, grey grasses above,
You live, and shall live, evermore in her love!
O Man that I was, you were foe to Death;
For Life was fair to you — wonderful, rare;
You had your being and drew your breath
In ample spaces of earth and air;
While ever and always, by night and day,
Bright Promise pointed the Golden Way.
And yet 'twas your choice to be this thing —
A young man dead on an alien shore,
Where the immemorial surges sing
As once they sang in the days of yore,
When Greek and Trojan matched their might
And Troy shone down upon the fight.
O Man that I was, well done! Well done!
You chose the nobler, the better part;
Though a mother weep for her soldier son,
And a fair, sweet girl be sad at heart,
Yet the soul of your country glows with pride
At the deed you did and the death you died.

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Ella Wheeler Wilcox

Master And Servant

The devil to Bacchus said, one day,
In a scowling, growling, petulant way,
As he came from earth to hell:
'There's a soul above that I cannot move,
And I've struggled long and well;
He's a manly youth, with an eye of truth,
A fellow of matchless grace;
And he looks me through with his eye of blue
Till I cower before his face.
The very power and strength of heaven
To this young, fearless soul were given;
For I've never an art that can reach his heart,
And I cannot snare his feet:
I have wasted days in devising ways,
And now must cry 'Defeat!''
And the devil scowled, and grumbled, and growled,
And beat about with his cane,
Till the demons fled over the burning waste
Out of his reach in hurrying haste,
Howling aloud in pain.


Bacchus laughed as he stooped and quaffed
A burning bumper of wine:
'Why, master,' said he, 'you soon shall see
The fellow down at your shrine;
Long ago, if you'd let me know,
We'd had him in our ranks.
And now, adieu! while I work for you;
Don't hurry about your thanks!
I'm going above; you know they love
The sight of my glowing face.
They call me a god! ho! ho! how odd!
With this for my dwelling-place.'
A youth with a dower of manly grace,
A maid with the morning in her face;
And she filleth a goblet full to the brim,
And giveth the bubbling draught to him.
'Drink!' she says, and the goblet sways
And shimmers under his eyes.
He tries to speak, but the tongue is weak,
And the words sink into sighs;
For the maid is fair, and she holds him there
With a spell that he cannot flee:
'Drink!' and she sips with her ruby lips-
'Drink but a draught with me.'
And the lovers quaffed, while the demons laughed,
And Bacchus laughed loud and long.
'Ho! ho!' cried he, 'what a victory!
Ho! ho! for the soul so strong
That my master was beat, and cried 'Defeat!'
But wine is a tempter, and love is sweet.'


Bacchus went back o'er the fiery track
Into the land below;
And the devil said, 'Well, what have you to tell
Of the thing I want to know?'
And Bacchus said he, 'Why, look and see!
There is your strong, brave youth
Reeling along, with a drunken song
Staining those lips of truth.
My work is done! You must go on
And finish the job I started;
And as long as I stay in your service, pray,
Don't ever be down-hearted.'

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John Keats

Ode To Apollo

1.
In thy western halls of gold
When thou sittest in thy state,
Bards, that erst sublimely told
Heroic deeds, and sang of fate,
With fervour seize their adamantine lyres,
Whose chords are solid rays, and twinkle radiant fires.

2.
Here Homer with his nervous arms
Strikes the twanging harp of war,
And even the western splendour warms,
While the trumpets sound afar:
But, what creates the most intense surprise,
His soul looks out through renovated eyes.

3.
Then, through thy Temple wide, melodious swells
The sweet majestic tone of Maro's lyre:
The soul delighted on each accent dwells,--
Enraptur'd dwells,--not daring to respire,
The while he tells of grief around a funeral pyre.

4.
'Tis awful silence then again;
Expectant stand the spheres;
Breathless the laurell'd peers,
Nor move, till ends the lofty strain,
Nor move till Milton's tuneful thunders cease,
And leave once more the ravish'd heavens in peace.

5.
Thou biddest Shakespeare wave his hand,
And quickly forward spring
The Passions--a terrific band--
And each vibrates the string
That with its tyrant temper best accords,
While from their Master's lips pour forth the inspiring words.

6.
A silver trumpet Spenser blows,
And, as its martial notes to silence flee,
From a virgin chorus flows
A hymn in praise of spotless Chastity.
'Tis still! Wild warblings from the Aeolian lyre
Enchantment softly breathe, and tremblingly expire.

7.
Next thy Tasso's ardent numbers
Float along the pleased air,
Calling youth from idle slumbers,
Rousing them from Pleasure's lair:--
Then o'er the strings his fingers gently move,
And melt the soul to pity and to love.

8.
But when Thou joinest with the Nine,
And all the powers of song combine,
We listen here on earth:
Thy dying tones that fill the air,
And charm the ear of evening fair,
From thee, great God of Bards, receive their heavenly birth.

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Ella Wheeler Wilcox

The Musicians

The strings of my heart were strung by Pleasure,
And I laughed when the music fell on my ear,
For he and Mirth played a joyful measure,
And they played so loud that I could not hear
The wailing and mourning of souls a-weary -
The strains of sorrow that floated around,
For my heart's notes rang out loud and cheery,
And I heard no other sound.

Mirth and Pleasure, the music brothers,
Played louder and louder in joyful glee;
But sometimes a discord was heard by others -
Though only the rhythm was heard by me.
Louder and louder, faster and faster
The hands of the brothers played strain on strain,
When all of a sudden a Mighty Master
Swept them aside; and Pain,

Pain, the musician, the soul-refiner,
Restrung the strings of my quivering heart,
And the air that he played was a plaintive minor,
So sad that the tear-drops were forced to start;
Each note was an echo of awful anguish,
As shrill as solemn, as sharp as slow,
And my soul for a reason seemed to languish
And faint with its weight of woe.

With skilful hands that were never weary,
This Master of Music played strain on strain,
And between the bars of the miserere,
He drew up the strings of my heart again,
And I was filled with a vague, strange wonder,
To see that they did not snap in two.
'They are drawn so tight, they will break assunder, '
I thought, but instead, they grew,

In the hands of the Master, firmer and stronger;
And I could hear on the stilly air -
Now my ears were deafened by Mirth no longer -
The sound of sorrow, and grief, and despair;
And my soul grew kinder and tender to others,
My nature grew sweeter, my mind grew broad,
And I held all men to be my brothers,
Linked by the chastening rod.

My soul was lifted to God and heaven,
And when on my heart-strings fell again
The hands of Mirth, and Pleasure, even,
There was never a discord to mar the strain.
For Pain, the musician, and soul-refiner,
Attuned the strings with a master hand,
And whether the music be major or minor,
It is always sweet and grand.

poem by Ella Wheeler WilcoxReport problemRelated quotes
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The Love Sonnets Of Proteus. Part II: To Juliet: XXII

ON THE NATURE OF LOVE
You ask my love. What shall my love then be ?
A hope, an aspiration, a desire?
The soul's eternal charter writ in fire
Upon the earth, the heavens, and the sea?
You ask my love. The carnal mystery
Of a soft hand, of finger--tips that press,
Of eyes that kindle and of lips that kiss,
Of sweet things known to thee and only thee?
You ask my love. What love can be more sweet
Than hope or pleasure? Yet we love in vain.
The soul is more than joy, the life than meat.
The sweetest love of all were love in pain,
And that I will not give. So let it be.
--Nay, give me any love, so it be love of thee.

poem by Wilfrid Scawen BluntReport problemRelated quotes
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Mr. Clay’s Reception At Raleigh, April, 1844

Salute the august train! a scene so grand,
With every tuneful band;
The mighty brave,
His country bound to save,
Extends his aiding hand;
For joy his vot'ries hoop and stamp,
Excited by the blaze of pomp!
Let ev'ry eye
The scene descry,
The sons of freedom's land.

They look ten thousand stars! lamp tumbler blaze,
To give the Hero praise!
Immortal Clay,
The cause is to pourtray!
Your tuneful voices raise;
The lights of our Columbian sun,
Break from his patriotic throne;
Let all admire
The faithful sire,
The chief musician plays.

Ye bustling crowds give way, proclaims the drum,
And give the Patriot room;
The cannon's sound,
The blast of trumpets bound,
Be this our father's home;
Now let the best musician play,
A skillful tune for Henry Clay!
Let every ear
With transport hear!
The President is come.

Let sister states greet the Columbian feast,
With each admiring guest;
Thou art our choice!
Let ev'ry joyful voice,
Sound from the east to west;
Let haughty Albion's lion roar,
The eagle must prevail to soar;
And in lovely form,
Above the storm,
Erect her peaceful nest.

Beyond each proud empire she throws her eye!
Which lifted to the sky,
No thunders roll,
To agitate her soul,
Beneath her feet they fly!
Let skillful fingers sweep the lyre,
Strike ev'ry ear! set hearts on fire!
Let monarchs sleep
Beyond the deep,
And howling faction die.

Nor hence forget the scene applauding day,
When every heart was gay;
The universal swell
Rush'd from the loud town bell;
In awful, grand array,
We see them form the bright parade;
And hark, a gladdening march is play'd!
Along the street,
The theme is sweet,
For every voice is Clay.

To the Capitol the low and upland peers
Resort with princely fears,
And homage pay;
A loud huzza for Clay!
Falls on our ears;
Loud from his lips the thunders roll,
And fill with wonder every soul;
Round the sire of state
All concentrate,
And every mortal hears.

poem by George Moses HortonReport problemRelated quotes
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Nonpareil

Let others from the Town retire,
And in the fields seek new delight;
My Phillis does such joys inspire,
No other objects please my sight.

In her alone I find whate'er
Beauties a country landscape grace;
No shade so lovely as her hair,
Nor plain so sweet as is her face.

Lilies and roses there combine,
More beauteous than in flowery field;
Transparent is her skin so fine,
To this each crystal stream must yield.

Her voice more sweet than warbling sound,
Though sung by nightingale or lark;
Her eyes such lustre dart around,
Compared to them the sun is dark.

Both light and vital heat they give,
Cherish'd by them my love takes root;
From her kind looks does life receive,
Grows a fair plant, bears flowers and fruit.

Such fruit I ween did once deceive
The common parent of mankind,
And made transgress our mother Eve,
Poison its core, though fair its rind.

Yet so delicious is its taste,
I cannot from the bait abstain,
But to th' enchanting pleasure haste,
Though I were sure 'twould end in pain.

poem by Matthew PriorReport problemRelated quotes
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A Dialogue, Between the Resolved Soul, And Created Pleasure

Courage my Soul, now learn to wield
The weight of thine immortal Shield.
Close on thy Head thy Helmet bright.
Ballance thy Sword against the Fight.
See where an Army, strong as fair,
With silken Banners spreads the air.
Now, if thou bee'st that thing Divine,
In this day's Combat let it shine:
And shew that Nature wants an Art
To conquer one resolved Heart.

Pleasure
Welcome the Creations Guest,
Lord of Earth, and Heavens Heir.
Lay aside that Warlike Crest,
And of Nature's banquet share:
Where the Souls of fruits and flow'rs
Stand prepar'd to heighten yours.

Soul
I sup above, and cannot stay
To bait so long upon the way.

Pleasure
On these downy Pillows lye,
Whose soft Plumes will thither fly:
On these Roses strow'd so plain
Lest one Leaf thy Side should strain.

Soul
My gentler Rest is on a Thought,
Conscious of doing what I ought.

Pleasure
If thou bee'st with Perfumes pleas'd,
Such as oft the Gods appeas'd,
Thou in fragrant Clouds shalt show
Like another God below.

Soul
A Soul that knowes not to presume
Is Heaven's and its own perfume.

Pleasure
Every thing does seem to vie
Which should first attract thine Eye:
But since none deserves that grace,
In this Crystal view thy face.

Soul
When the Creator's skill is priz'd,
The rest is all but Earth disguis'd.

Pleasure
Heark how Musick then prepares
For thy Stay these charming Aires ;
Which the posting Winds recall,
And suspend the Rivers Fall.

Soul
Had I but any time to lose,
On this I would it all dispose.
Cease Tempter. None can chain a mind
Whom this sweet Chordage cannot bind.

Chorus
Earth cannot shew so brave a Sight
As when a single Soul does fence
The Batteries of alluring Sense,
And Heaven views it with delight.
Then persevere: for still new Charges sound:
And if thou overcom'st thou shalt be crown'd.

Pleasure
All this fair, and cost, and sweet,
Which scatteringly doth shine,
Shall within one Beauty meet,
And she be only thine.

Soul
If things of Sight such Heavens be,
What Heavens are those we cannot see?

Pleasure
Where so e're thy Foot shall go
The minted Gold shall lie;
Till thou purchase all below,
And want new Worlds to buy.

Soul
Wer't not a price who 'ld value Gold?
And that's worth nought that can be sold.

Pleasure
Wilt thou all the Glory have
That War or Peace commend?
Half the World shall be thy Slave
The other half thy Friend.

Soul
What Friends, if to my self untrue?
What Slaves, unless I captive you?

Pleasure
Thou shalt know each hidden Cause;
And see the future Time:
Try what depth the Centre draws;
And then to Heaven climb.

Soul
None thither mounts by the degree
Of Knowledge, but Humility.

Chorus
Triumph, triumph, victorious Soul;
The World has not one Pleasure more:
The rest does lie beyond the pole,
And is thine everlasting Store.

poem by Andrew MarvellReport problemRelated quotes
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Ode On The Insurrection In Candia

STR. 1

I laid my laurel-leaf
At the white feet of grief,
Seeing how with covered face and plumeless wings,
With unreverted head
Veiled, as who mourns his dead,
Lay Freedom couched between the thrones of kings,
A wearied lion without lair,
And bleeding from base wounds, and vexed with alien air.

STR. 2

Who was it, who, put poison to thy mouth,
Who lulled with craft or chant thy vigilant eyes,
O light of all men, lamp to north and south,
Eastward and westward, under all men's skies?
For if thou sleep, we perish, and thy name
Dies with the dying of our ephemeral breath;
And if the dust of death o'ergrows thy flame,
Heaven also is darkened with the dust of death.
If thou be mortal, if thou change or cease,
If thine hand fail, or thine eyes turn from Greece,
Thy firstborn, and the firstfruits of thy fame,
God is no God, and man is moulded out of shame.

STR. 3

Is there change in the secret skies,
In the sacred places that see
The divine beginning of things,
The weft of the web of the world?
Is Freedom a worm that dies,
And God no God of the free?
Is heaven like as earth with her kings
And time as a serpent curled
Round life as a tree?

From the steel-bound snows of the north,
From the mystic mother, the east,
From the sands of the fiery south,
From the low-lit clouds of the west,
A sound of a cry is gone forth;
Arise, stand up from the feast,
Let wine be far from the mouth,
Let no man sleep or take rest,
Till the plague hath ceased.

Let none rejoice or make mirth
Till the evil thing be stayed,
Nor grief be lulled in the lute,
Nor hope be loud on the lyre;
Let none be glad upon earth.
O music of young man and maid,
O songs of the bride, be mute.
For the light of her eyes, her desire,
Is the soul dismayed.

It is not a land new-born
That is scourged of a stranger's hand,
That is rent and consumed with flame.
We have known it of old, this face,
With the cheeks and the tresses torn,
With shame on the brow as a brand.
We have named it of old by name,
The land of the royallest race,
The most holy land.

STR. 4

Had I words of fire,
Whose words are weak as snow;
Were my heart a lyre
Whence all its love might flow
In the mighty modulations of desire,
In the notes wherewith man's passion worships woe;

Could my song release
The thought weak words confine,
And my grief, O Greece,
Prove how it worships thine;
It would move with pulse of war the limbs of peace,
Till she flushed and trembled and became divine.

(Once she held for true
This truth of sacred strain;
Though blood drip like dew
And life run down like rain,
It is better that war spare but one or two
Than that many live, and liberty be slain.)

Then with fierce increase
And bitter mother's mirth,
From the womb of peace,
A womb that yearns for birth,
As a man-child should deliverance come to Greece,
As a saviour should the child be born on earth.

STR. 5

O that these my days had been
Ere white peace and shame were wed
Without torch or dancers' din
Round the unsacred marriage-bed!
For of old the sweet-tongued law,
Freedom, clothed with all men's love,
Girt about with all men's awe,
With the wild war-eagle mated
The white breast of peace the dove,
And his ravenous heart abated
And his windy wings were furled
In an eyrie consecrated
Where the snakes of strife uncurled,
And her soul was soothed and sated
With the welfare of the world.

ANT. 1

But now, close-clad with peace,
While war lays hand on Greece,
The kingdoms and their kings stand by to see;
"Aha, we are strong," they say,
"We are sure, we are well," even they;
"And if we serve, what ails ye to be free?
We are warm, clothed round with peace and shame;
But ye lie dead and naked, dying for a name."

ANT. 2

O kings and queens and nations miserable,
O fools and blind, and full of sins and fears,
With these it is, with you it is not well;
Ye have one hour, but these the immortal years.
These for a pang, a breath, a pulse of pain,
Have honour, while that honour on earth shall be:
Ye for a little sleep and sloth shall gain
Scorn, while one man of all men born is free.
Even as the depth more deep than night or day,
The sovereign heaven that keeps its eldest way,
So without chance or change, so without stain,
The heaven of their high memories shall nor wax nor wane.

ANT. 3

As the soul on the lips of the dead
Stands poising her wings for flight,
A bird scarce quit of her prison,
But fair without form or flesh,
So stands over each man's head
A splendour of imminent light,
A glory of fame rearisen,
Of day rearisen afresh
From the hells of night.

In the hundred cities of Crete
Such glory was not of old,
Though her name was great upon earth
And her face was fair on the sea.
The words of her lips were sweet,
Her days were woven with gold,
Her fruits came timely to birth;
So fair she was, being free,
Who is bought and sold.

So fair, who is fairer now
With her children dead at her side,
Unsceptred, unconsecrated,
Unapparelled, unhelped, unpitied,
With blood for gold on her brow,
Where the towery tresses divide;
The goodly, the golden-gated,
Many-crowned, many-named, many-citied,
Made like as a bride.

And these are the bridegroom's gifts;
Anguish that straitens the breath,
Shame, and the weeping of mothers,
And the suckling dead at the breast,
White breast that a long sob lifts;
And the dumb dead mouth, which saith,
How long, and how long, my brothers?"
And wrath which endures not rest,
And the pains of death.

ANT. 4

Ah, but would that men,
With eyelids purged by tears,
Saw, and heard again
With consecrated ears,
All the clamour, all the splendour, all the slain,
All the lights and sounds of war, the fates and fears;

Saw far off aspire,
With crash of mine and gate,
From a single pyre
The myriad flames of fate,
Soul by soul transfigured in funereal fire,
Hate made weak by love, and love made strong by hate.

Children without speech,
And many a nursing breast;
Old men in the breach,
Where death sat down a guest;
With triumphant lamentation made for each,
Let the world salute their ruin and their rest.

In one iron hour
The crescent flared and waned,
As from tower to tower,
Fire-scathed and sanguine-stained,
Death, with flame in hand, an open bloodred flower,
Passed, and where it bloomed no bloom of life remained.

ANT. 5

Hear, thou earth, the heavy-hearted
Weary nurse of waning races;
From the dust of years departed,
From obscure funereal places,
Raise again thy sacred head,
Lift the light up of thine eyes
Where are they of all thy dead
That did more than these men dying
In their godlike Grecian wise?
Not with garments rent and sighing,
Neither gifts of myrrh and gold,
Shall their sons lament them lying,
Lest the fame of them wax cold;
But with lives to lives replying,
And a worship from of old.

EPODE

O sombre heart of earth and swoln with grief,
That in thy time wast as a bird for mirth,
Dim womb of life and many a seed and sheaf,
And full of changes, ancient heart of earth,
From grain and flower, from grass and every leaf,
Thy mysteries and thy multitudes of birth,
From hollow and hill, from vales and all thy springs,
From all shapes born and breath of all lips made,
From thunders, and the sound of winds and wings,
From light, and from the solemn sleep of shade,
From the full fountains of all living things,
Speak, that this plague be stayed.
Bear witness all the ways of death and life
If thou be with us in the world's old strife,
If thou be mother indeed,
And from these wounds that bleed
Gather in thy great breast the dews that fall,
And on thy sacred knees
Lull with mute melodies,
Mother, thy sleeping sons in death's dim hall.
For these thy sons, behold,
Sons of thy sons of old,
Bear witness if these be not as they were;
If that high name of Greece
Depart, dissolve, decease
From mouths of men and memories like as air.
By the last milk that drips
Dead on the child's dead lips,
By old men's white unviolated hair,
By sweet unburied faces
That fill those red high places
Where death and freedom found one lion's lair,
By all the bloodred tears
That fill the chaliced years,
The vessels of the sacrament of time,
Wherewith, O thou most holy,
O Freedom, sure and slowly
Thy ministrant white hands cleanse earth of crime;
Though we stand off afar
Where slaves and slaveries are,
Among the chains and crowns of poisonous peace;
Though not the beams that shone
From rent Arcadion
Can melt her mists and bid her snows decrease;
Do thou with sudden wings
Darken the face of kings,
But turn again the beauty of thy brows on Greece;
Thy white and woundless brows,
Whereto her great heart bows;
Give her the glories of thine eyes to see;
Turn thee, O holiest head,
Toward all thy quick and dead,
For love's sake of the souls that cry for thee;
O love, O light, O flame,
By thine own Grecian name,
We call thee and we charge thee that all these be free.

poem by Algernon Charles SwinburneReport problemRelated quotes
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Samuel Johnson

To Miss Hickman, Playing the Spinet

Bright Stella, form'd for universal reign,
Too well you know to keep the slaves you gain;
When in your eyes resistless lightnings play,
Awed into love our conquer'd hearts obey,
And yield reluctant to despotic sway;
But when your music soothes the raging pain,
We bid propitious heaven prolong your reign,
We bless the tyrant, and we hug the chain.
When old Timotheus struck the vocal string,
Ambition's fury fired the Grecian king:
Unbounded projects labouring in his mind,
He pants for room in one poor world confined.
Thus waked to rage by music's dreadful power,
He bids the sword destroy, the flame devour.
Had Stella's gentle touches moved the lyre,
Soon had the monarch felt the nobler fire:
No more delighted with destructive war,
Ambitious only now to please the fair;
Resign'd his thirst of empire to her charms,
And found a thousand worlds in Stella's arms.

poem by Samuel JohnsonReport problemRelated quotes
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