The Passions. An Ode to Music
When Music, heav'nly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Throng'd around her magic cell,
Exulting, trembling, raging, fainting,
Possest beyond the Muse's painting;
By turns they felt the glowing mind
Disturb'd, delighted, rais'd, refin'd:
Till once, 'tis said, when all were fir'd,
Fill'd with fury, rapt, inspir'd,
From the supporting myrtles round
They snatch'd her instruments of sound;
And as they oft had heard apart
Sweet lessons of her forceful art,
Each, for madness rul'd the hour,
Would prove his own expressive pow'r.
First Fear his hand, its skill to try,
Amid the chords bewilder'd laid,
And back recoil'd, he knew not why,
Ev'n at the sound himself had made.
Next Anger rush'd; his eyes, on fire,
In lightnings own'd his secret stings;
In one rude clash he struck the lyre,
And swept with hurried hand the strings.
With woful measures wan Despair
Low sullen sounds his grief beguil'd;
A solemn, strange, and mingled air;
'Twas sad by fits, by starts 'twas wild.
But thou, O Hope, with eyes so fair,
What was thy delightful measure;
Still it whisper'd promis'd pleasure,
And bade the lovely scenes at distance hail!
Still would her touch the strain prolong,
And from the rocks, the woods, the vale,
She call'd on Echo still thro' all the song;
And where her sweetest theme she chose,
A soft responsive voice was heard at ev'ry close,
And Hope enchanted smil'd, and wav'd her golden hair.
And longer had she sung,-but with a frown
Revenge impatient rose;
He threw his blood-stain'd sword in thunder down
And with a with'ring look
The war-denouncing trumpet took,
And blew a blast so loud and dread,
Were ne'er prophetic sounds so full of woe.
And ever and anon he beat
The doubling drum with furious heat;
And tho' sometimes, each dreary pause between,
Dejected Pity, at his side,
Her soul-subduing voice applied,
Yet still he kept his wild unalter'd mien,
While each strain'd ball of sight seem'd bursting from his head.
Thy numbers, Jealousy, to nought were fix'd,
Sad proof of thy distressful state;
Of diff'ring themes the veering song was mix'd,
And now it courted Love, now raving call'd on Hate.
With eyes uprais'd, as one inspir'd,
Pale Melancholy sate retir'd,
And from her wild sequester'd seat,
In notes by distance made more sweet,
Pour'd thro' the mellow horn her pensive soul:
And, dashing soft from locks around,
Bubbling runnels join'd the sound;
Thro' glades and glooms the mingled measure stole;
Or o'er some haunted stream with fond delay
Round an holy calm diffusing,
Love of peace and lonely musing,
In hollow murmurs died away.
But oh, how alter'd was its sprightlier tone,
When Cheerfulness, a nymph of healthiest hue,
Her bow across her shoulder flung,
Her buskins gemm'd with morning dew,
Blew an inspiring air, that dale and thicket rung,
The hunter's call to faun and dryad known!
The oak-crown'd sisters, and their chaste-ey'd queen,
Satyrs, and sylvan boys, were seen,
Peeping from forth their alleys green;
Brown Exercise rejoic'd to heal,
And Sport leapt up, and seiz'd his beechen spear.
Last came Joy's ecstatic trial.
He, with viny crown advancing,
First to the lively pipe his hand addrest;
But soon he saw the brisk awak'ning viol,
Whose sweet entrancing voice he lov'd the best.
They would have thought, who heard the strain,
They saw in Tempe's vale her native maids
Amidst the vestal sounding shades,
To some unwearied minstrel dancing,
While, as his flying fingers kiss'd the strings,
Love fram'd with Mirth a gay fantastic round;
Loose were her tresses seen, her zone unbound,
And he, amidst his frolic play,
As if he would the charming air repay,
Shook thousand odours from his dewy wings.
O Music, sphere-descended maid,
Friend of Pleasure, Wisdom's aid,
Why, goddess, why, to us denied,
Lay'st thou thy ancient lyre aside?
As in that lov'd Athenian bow'r
You learn'd an all-commanding pow'r,
Thy mimic soul, O nymph endear'd,
Can well recall what then it heard.
Where is thy native simple heart,
Devote to Virtue Fancy, Art?
Arise as in that eider time,
Warm, energic, chaste, sublime!
Thy wonders, in that godlike age,
Fill thy recording sister's page.-
'Tis said, and I believe the tale,
Thy humblest reed could more prevail,
Had more of strength, diviner rage,
Than all which charms this laggard age,
Ev'n all at once together found,
Cæcilia's mingled world of sound.
O bid our vain endeavours cease,
Revive the just designs of Greece,
Return in all thy simple state,
Confirm the tales her sons relate!
poem by William Taylor Collins
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The Passions
An Ode for Music
When Music, heavenly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Thronged around her magic cell,
Exulting, trembling, raging, fainting,
Possest beyond the Muse's painting:
By turns they felt the glowing mind
Disturbed, delighted, raised, refined;
Till once, 'tis said, when all were fired,
Filled with fury, rapt, inspired,
From the supporting myrtles round
They snatched her instruments of sound,
And, as they oft had heard apart
Sweet lessons of her forceful art,
Each (for Madness ruled the hour)
Would prove his own expressive power.
First Fear his hand, its skill to try,
Amid the chords bewildered laid,
And back recoiled, he knew not why,
E'en at the sound himself had made.
Next Anger rushed, his eyes on fire,
In lightnings owned his secret stings:
In one rude clash he struck the lyre,
And swept with hurried hand the strings.
With woful measures wan Despair
Low sullen sounds his grief beguiled;
A solemn, strange, and mingled air,
'Twas sad by fits, by starts 'twas wild.
But thou, O Hope, with eyes so fair,
What was thy delighted measure?
Still it whispered promised pleasure,
And bade the lovely scenes at distance hail!
Still would her touch the strain prolong;
And from the rocks, the woods, the vale,
She called on Echo still, through all the song,
And, where her sweetest theme she chose,
A soft responsive voice was heard at every close;
And Hope enchanted smiled, and waved her golden hair.
And longer had she sung;—but, with a frown,
Revenge impatient rose:
He threw his blood-stained sword in thunder down;
And, with a withering look,
The war-denouncing trumpet took,
And blew a blast so loud and dread,
Were ne'er prophetic sounds so full of woe!
And ever and anon he beat
The doubling drum with furious heat;
And though sometimes each dreary pause between
Dejected Pity, at his side,
Her soul-subduing voice applied,
Yet still he kept his wild unaltered mien,
While each strained ball of sight seemed bursting from his head.
Thy numbers, Jealousy, to nought were fixed:
Sad proof of thy distressful state!
Of differing themes the veering song was mixed;
And now it courted Love, now raving called on Hate.
With eyes up-raised, as one inspired,
Pale Melancholy sat retired;
And from her wild sequestered seat,
In notes, by distance made more sweet,
Poured through the mellow horn her pensive soul;
And, dashing soft from rocks around,
Bubbling runnels joined the sound;
Through glades and glooms the mingled measure stole,
Or, o'er some haunted stream, with fond delay,
Round an holy calm diffusing,
Love of Peace, and lonely musing,
In hollow murmurs died away.
But Oh! how altered was its sprightlier tone
When Cheerfulness, a nymph of healthiest hue,
Her bow across her shoulder flung,
Her buskins gemmed with morning dew,
Blew an inspiring air that dale and thicket rung
The hunter's call, to Faun and Dryad known!
The oak-crowned Sisters, and their chaste-eyed Queen,
Satyrs and Sylvan Boys, were seen
Peeping from forth their alleys green:
Brown Exercise rejoiced to hear;
And Sport leapt up, and seized his beechen spear.
Last came Joy's ecstatic trial:
He, with viny crown advancing,
First to the lively pipe his hand addrest;
But soon he saw the brisk awakening viol,
Whose sweet entrancing voice he loved the best:
They would have thought who heard the strain
They saw, in Tempe's vale, her native maids
Amidst the festal-sounding shades
To some unwearied minstrel dancing,
While, as his flying fingers kissed the strings,
Love framed with Mirth a gay fantastic round:
Loose were her tresses seen, her zone unbound;
And he, amidst his frolic play,
As if he would the charming air repay,
Shook thousand odours from his dewy wings.
O Music, sphere-descended maid,
Friend of Pleasure, Wisdom's aid!
Why, goddess, why, to us denied,
Lay'st thou thy ancient lyre aside?
As, in that loved Athenian bower,
You learned an all-commanding power,
Thy mimic soul, O Nymph endeared,
Can well recall what then it heard;
Where is thy native simple heart,
Devote to Virtue, Fancy, Art?
Arise, as in that elder time,
Warm, energetic, chaste, sublime!
Thy wonders, in that godlike age,
Fill thy recording Sister's page—
'Tis said, and I believe the tale,
Thy humblest reed could more prevail,
Had more of strength, diviner rage,
Than all which charms this laggard age;
E'en all at once together found
Cecilia's mingled world of sound—
O! bid our vain endeavours cease:
Revive the just designs of Greece:
Return in all thy simple state!
Confirm the tales her sons relate!
poem by William Collins
Submitted by Poetry Lover
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Ode to Della Crusca
ENLIGHTEN'D Patron of the sacred Lyre?
Whose ever-varying, ever-witching song
Revibrates on the heart
With magic thrilling touch,
Till ev'ry nerve with quiv'ring throb divine,
In madd'ning tumults, owns thy wondrous pow'r;
For well thy dulcet notes
Can wind the mazy song,
In labyrinth of wild fantastic form;
Or with empassion'd pathos woo the soul
With sounds more sweetly mild,
Than SAPPHO's plaint forlorn,
When bending o'er the wave she sung her woes,
While pitying ECHO hover'd o'er the deep,
Till in their coral caves,
The tuneful NEREIDES wept.
AH! whither art thou flown? where pours thy song?
The model and the pride of British bards!
Sweet STAR of FANCY's orb,
"O, tell me, tell me, where?"
Say, dost thou waste it on the viewless air
That bears it to the confines of high Heav'n?
Or does it court the meed
Of proud pre-eminence?
Or steals it o'er the glitt'ring Sapphire wave,
Calming the tempest with its silver sounds?
Or does it charm to love
The fond believing maid?
Or does it hover o'er the ALPINE steep,
Or softly breathing under myrtle shades,
With SYMPATHY divine,
Solace the child of woe?
Where'er thou art, Oh! let thy gentle strain
Again with magic pow'r delight mine ear,
Untutor'd in the spells,
And mysteries of song.
Then, on the margin of the deep I'll muse,
And bless the rocking bark ordain'd to bear
My sad heart o'er the wave,
From this ungrateful isle;
When the wan queen of night, with languid eye,
Peeps o'er the mountain's head, or thro' the vale
Illumes the glassy brook,
Or dew-besprinkled heath,
Or with her crystal lamp, directs the feet
Of the benighted TRAV'LLER, cold, and sad,
Thro' the long forest drear,
And pathless labyrinth,
To the poor PEASANT's hospitable cot,
For ever open to the wretch forlorn;
O, then I'll think on THEE,
And iterate thy strain,
And chaunt thy matchless numbers o'er and o'er,
And I will court the sullen ear of night,
To bear the rapt'rous sound,
On her dark shad'wy wing,
To where encircled by the sacred NINE,
Thy LYRE awakes the never-dying song!
Now, BARD admir'd, farwel!
The white sail flutters loud,
The gaudy streamers lengthen in the gale,
Far from my native shore I bend my way;
Yet, as my aching eye
Shall view the less'ning cliff,
'Till its stupendous head shall scarce appear
Above the surface of the swelling deep;
I'll snatch a ray of hope,
For HOPE's the lamp divine
That lights and vivifies the fainting soul,
With extacies beyond the pow'rs of song!
That ere I reach those banks
Where the loud TIBER flows,
Or milder ARNO slowly steals along,
To the soft music of the summer breeze,
The wafting wing of TIME
May bear this last ADIEU,
This wild untutor'd picture of the heart,
To HIM, whose magic verse INSPIR'D THE STRAIN.
poem by Mary Darby Robinson
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Ode on the Poetical Character
As once, if not with light regard,
I read aright that gifted bard,
(Him whose school above the rest
His loveliest Elfin Queen has blest,)
One, only one, unrival'd fair,
Might hope the magic girdle wear,
At solemn tourney hung on high,
The wish of each love-darting eye;
Lo! to each other nymph in turn applied,
As if, in air unseen, some hov'ring hand,
Some chaste and angel-friend to virgin-fame,
With whisper'd spell had burst the starting band,
It left unblest her loath'd dishonour'd side;
Happier, hopeless fair, if never
Her baffled hand with vain endeavour
Had touch'd that fatal zone to her denied!
Young Fancy thus, to me divinest name,
To whom, prepar'd and bath'd in Heav'n,
The cest of amplest pow'r is giv'n:
To few the god-like gift assigns,
To gird their blest prophetic loins,
And gaze her visions wild, and feel unmix'd her flame!
The band, as fairy legends say,
Was wove on that creating day,
When He, who call'd with thought to birth
Yon tented sky, this laughing earth,
And dress'd with springs, and forests tall,
And pour'd the main engirting all,
Long by the lov'd enthusiast woo'd,
Himself in some diviner mood,
Retiring, sate with her alone,
And plac'd her on his sapphire throne,
The whiles, the vaulted shrine around,
Seraphic wires were heard to sound,
Now sublimest triumph swelling,
Now on love and mercy dwelling;
And she, from out the veiling cloud,
Breath'd her magic notes aloud:
And thou, thou rich-hair'd youth of morn,
And all thy subject life was born!
The dang'rous Passions kept aloof,
Far from the sainted growing woof:
But near it sate ecstatic Wonder
List'ning the deep applauding thunder:
And Truth, in sunny vest array'd,
By whose the tarsel's eyes were made
All the shad'wy tribes of mind,
In braided dance their murmurs join'd,
And all the bright uncounted Pow'rs
Who feed on Heav'n's ambrosial flow'rs.
Where is the bard, whose soul can now
Its high presuming hopes avow?
Where he who thinks, with rapture blind,
This hallow'd work for him design'd?
High on some cliff, to Heav'n up-pil'd,
Of rude access, of prospect wild,
Where, tangled round the jealous steep,
Strange shades o'erbrow the valleys deep,
And holy genii guard the rock,
Its glooms embrown, its springs unlock,
While on its rich ambitious head,
An Eden, like his own, lies spread.
I view that oak, the fancied glades among,
By which as Milton lay, his ev'ning ear,
From many a cloud that dropp'd ethereal dew,
Nigh spher'd in Heav'n its native strains could hear:
On which that ancient trump he reach'd was hung;
Thither oft his glory greeting,
From Waller's myrtle shades retreating,
With many a vow from Hope's aspiring tongue,
My trembling feet his guiding steps pursue;
In vain--such bliss to one alone,
Of all the sons of soul was known,
And Heav'n, and Fancy, kindred pow'rs,
Have now o'erturn'd th' inspiring bow'rs,
Or curtain'd close such scene from ev'ry future view.
poem by William Taylor Collins
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Ode on St. Cecilia's Day
I.
Descend ye Nine! descend and sing;
The breathing instruments inspire,
Wake into voice each silent string,
And sweep the sounding lyre!
In a sadly-pleasing strain
Let the warbling lute complain:
Let the loud trumpet sound,
'Till the roofs all around
The shrill echo's rebound:
While in more lengthen'd notes and slow,
The deep, majestic, solemn organs blow.
Hark! the numbers, soft and clear,
Gently steal upon the ear;
Now louder, and yet louder rise,
And fill with spreading sounds the skies;
Exulting in triumph now swell the bold notes,
In broken air, trembling, the wild music floats;
'Till, by degrees, remote and small,
The strains decay,
And melt away,
In a dying, dying fall.
II.
By Music, minds an equal temper know,
Nor swell too high, nor sink too low.
If in the breast tumultuous joys arise,
Music her soft, assuasive voice applies;
Or when the soul is press'd with cares,
Exalts her in enlivening airs.
Warriors she fires with animated sounds;
Pours balm into the bleeding lover's wounds:
Melancholy lifts her head,
Morpheus rouzes from his bed,
Sloth unfolds her arms and wakes,
List'ning Envy drops her snakes;
Intestine war no more our Passions wage,
And giddy Factions hear away their rage.
III.
But when our Country's cause provokes to Arms,
How martial music ev'ry bosom warms!
So when the first bold vessel dar'd the seas,
High on the stern the Thracian rais'd his strain,
While Argo saw her kindred trees
Descend from Pelion to the main.
Transported demi-gods stood round,
And men grew heroes at the sound,
Enflam'd with glory's charms:
Each chief his sev'nfold shield display'd,
And half unsheath'd the shining blade:
And seas, and rocks, and skies rebound
To arms, to arms, to arms!
IV.
But when thro' all th'infernal bounds
Which flaming Phlegeton surrounds,
Love, strong as Death, the Poet led
To the pale nations of the dead,
What sounds were heard,
What scenes appear'd,
O'er all the dreary coasts!
Dreadful gleams,
Dismal screams,
Fires that glow,
Shrieks of woe,
Sullen moans,
Hollow groans,
And cries of tortur'd ghosts!
But hark! he strikes the golden lyre;
And see! the tortur'd ghosts respire,
See, shady forms advance!
Thy stone, O Sysiphus, stands still,
Ixion rests upon his wheel,
And the pale spectres dance!
The Furies sink upon their iron beds,
And snakes uncurl'd hang list'ning round their heads.
V.
By the streams that ever flow,
By the fragrant winds that blow
O'er th' Elysian flow'rs,
By those happy souls who dwell
In yellow meads of Asphodel,
Or Amaranthine bow'rs,
By the hero's armed shades,
Glitt'ring thro' the gloomy glades,
By the youths that dy'd for love,
Wand'ring in the myrtle grove,
Restore, restore Eurydice to life;
Oh take the husband, or return the wife!
He sung, and hell consented
To hear the Poet's pray'r;
Stern Proserpine relented,
And gave him back the fair.
Thus song could prevail
O'er death and o'er hell,
A conquest how hard and how glorious?
Tho' fate had fast bound her
With Styx nine times round her,
Yet music and love were victorious.
VI.
But soon, too soon, the lover turns his eyes:
Again she falls, again she dies, she dies!
How wilt thou now the fatal sisters move?
No crime was thine, if 'tis no crime to love.
Now under hanging mountains,
Beside the falls of fountains,
Or where Hebrus wanders,
Rolling in Maeanders,
All alone,
Unheard, unknown,
He makes his moan;
And calls her ghost,
For ever, ever, ever lost!
Now with Furies surrounded,
Despairing, confounded,
He trembles, he glows,
Amidst Rhodope's snows:
See, wild as the winds, o'er the desart he flies;
Hark! Haemus resounds with the Bacchanals cries -
- Ah see, he dies!
Yet ev'n in death Eurydice he sung,
Eurydice still trembled on his tongue,
Eurydice the woods,
Eurydice the floods,
Eurydice the rocks, and hollow mountains rung.
VII.
Music the fiercest grief can charm,
And fate's severest rage disarm:
Music can soften pain to ease,
And make despair and madness please:
Our joys below it can improve,
And antedate the bliss above.
This the divine Cecilia found,
And to her Maker's praise confin'd the sound.
When the full organ joins the tuneful quire,
Th'immortal pow'rs incline their ear;
Borne on the swelling notes our souls aspire,
While solemn airs improve the sacred fire;
And Angels lean from heav'n to hear.
Of Orpheus now no more let Poets tell,
To bright Cecilia greater pow'r is giv'n;
His numbers rais'd a shade from hell,
Hers lift the soul to heav'n.
poem by Alexander Pope
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The Emigrant
FAREWELL, ah, happy shades! ah, scenes belov'd,
Of infant sports and bright unclouded hours!
Where oft in childhood's happy days I rov'd,
Thro' forest-walks, and wild secluded bow'rs!
Far from your woods, and sweet romantic glades,
A wand'ring emigrant I'm doom'd to roam,
Yet oft will memory, ling'ring in your shades,
Recal the dear, regretted charms of home!
Her magic pencil oft shall fondly trace
The mournful pictures of departed joy;
To ev'ry image give a pensive grace,
Which time may soften—but can ne'er destroy.
Ah! scenes belov'd! again delightful spring
In vernal beauty decks your smiling vales;
With balmy odour scents the zephyr's wing,
And wafts from heav'n the soft Favonian gales.
With transport once, to hail her blest return,
I tun'd my artless reed, my numbers wild,
Then all was new in life's bewitching morn,
And hope—ah, fair enchantress! gaily smil'd.
Oh! then, what airy visions of delight,
Beguil'd my youthful heart in ev'ry grove;
Deluding fancy pictur'd to my sight
The fairy-land of happiness and love!
But now, for me in vain the flow'rs expand,
And leaves unfolding, dress the woods anew;
I go, a wanderer, to some distant land,
And bid my native hills—a last adieu!
Farewell the hermit-cell, the lov'd retreat,
The cottage mantled o'er with clustering vine;
Where mild content had found a tranquil seat,
And peace and calm domestic joys were mine.
Dear, lovely scenes! how oft, at dawn of day,
My pipe has wak'd your mountain-echoes sound;
How oft at evening's hour I lov'd to stray,
Beside the river's bank, with osiers crown'd.
Ye woodland-streams, ye peaceful, happy shades,
Oft on your charms will pensive memory dwell;
Ah, native vales! ah, sweet embow'ring glades,
Scenes of my early youth!—a last farewell!
poem by Felicia Dorothea Hemans
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An Ode For St. Cecilia's Day
I.
Prepare the hallow'd strain, My Muse,
Thy softest sounds and sweetest numbrs chuse;
the bright Cecilia's praise rehearse,
In warbling words,a nd glittering verse,
that smootly run into a song,
and gently die away,and melt upon the tongue.
II.
First let the sprightly violin
The joyful melody begin,
And none of all her strings be mute,
while the sharp sound and shriller lay
In sweet harmonious notes decay,
Soften and mellow'd by the flute.
'The Flute that sweetly can complain,
'Disolve the frozen nymph's disdain;
'Panting sympathy impart,
'Till she partake of her lover's smart.'
C H O R U S.
III.
Next, let the solemn organ join
Religious airs, and strains divine,
Such as may lift us to the skies,
And set all heaven before our eyes:
'Such as may lift us to the skies;
'So far at least till they
'Descend with kind surprise.
'And meet our pious harmony half-way.'
IV.
Let then the trumpet's piersing sound
Our ravish'd ears with pleasure wound:
The Soul o'er-powering with delight,
As, with a quick uncommon ray,
A streak of lightning clears the day,
And flashes on the sight.
Let echo too perform her part,
Prolonging every note with art,
And in a low expiring strain
Play all the concert o'er again.
V.
Such were the tuneful notes that hung
On bright Cecilia's charming tongue:
Notes that sacred heats inspir'd,
and with religious ardour fir'd:
The love-sick youth, that long suppress'd
His smother'd passion in hisbreast,
No sooner heard the warbling dame,
But, by the secret influence turn'd,
He felt a new diviner flame,
And with devotion burn'd.
With ravish'd soul,a nd looks amaz'd,
Upon her beauteous face he gaz'd;
Nor made his amorous complaint:
In vain her eyes his heart had charm'd.
Her heavenly voice her eyes disarm'd,
And chang'd the lover to a saint.
G R A N D C H O R U S.
VI.
And how the choir compleat rejoices,
With trembling strings and melting voices,
The tuneful ferment rises high,
And works with mingled melody:
Quick divisions run their rounds,
A thousand trills and quivering sounds
In airy circles o'er us fly.
Till wafted by a gentle breeze,
They faint and languish by degrees,
And at a distance die.
poem by Joseph Addison
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Ode to Simplicity
O thou, by Nature taught
To breathe her genuine thought
In numbers warmly pure, and sweetly strong;
Who first on mountains wild,
In Fancy, loveliest child,
Thy babe, or Pleasure's, nurs'd the pow'rs of song!
Thou, who with hermit heart,
Disdain'st the wealth of art,
And gauds, and pageant weeds, and trailing pall,
But com'st a decent maid,
In Attic robe array'd,
O chaste, unboastful nymph, to thee I call!
By all the honey'd store
On Hybla's thymy shore;
By all her blooms, and mingled murmurs dear;
By her whose lovelorn woe
In ev'ning musings slow
Sooth'd sweetly sad Electra's poet's ear:
By old Cephisus deep,
Who spread his wavy sweep
In warbled wand'rings round thy green retreat;
On whose enamell'd side,
When holy Freedom died,
No equal haunt allur'd thy future feet.
O sister meek of Truth,
To my admiring youth,
Thy sober aid and native charms infuse!
The flow'rs that sweetest breathe,
Tho' Beauty cull'd the wreath,
Still ask thy hand to range their order'd hues.
While Rome could none esteem
But virtue's patriot theme,
You lov'd her hills, and led her laureate band;
But stay'd to sing alone
To one distinguish'd throne,
And turn'd thy face, and fled her alter'd land.
No more, in hall or bow'r,
The passions own thy pow'r;
Love, only love her forceless numbers mean;
For thou hast left her shrine,
Nor olive more, nor vine,
Shall gain thy feet to bless the servile scene.
Tho' taste, tho' genius bless
To some divine excess,
Faints the cold work till thou inspire the whole;
What each, what all supply,
May court, may charm our eye;
Thou, only thou canst raise the meeting soul!
Of these let others ask,
To aid some mighty task,
I only seek to find thy temp'rate vale;
Where oft my reed might sound
To maids and shepherds round,
And all thy sons, O Nature, learn my tale.
poem by William Taylor Collins
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Carolan's Prophecy
A sound of music, from amidst the hills,
Came suddenly, and died; a fitful sound
Of mirth, soon lost in wail.–Again it rose,
And sank in mournfulness.–There sat a bard,
By a blue stream of Erin, where it swept
Flashing thro' rock and wood; the sunset's light
Was on his wavy, silver-gleaming hair,
And the wind's whisper in the mountain-ash,
Whose clusters droop'd above. His head was bow'd,
His hand was on his harp, yet thence its touch
Had drawn but broken strains; and many stood,
Waiting around, in silent earnestness,
Th' unchaining of his soul, the gush of song,–
Many, and graceful forms! yet one alone
Seem'd present to his dream; and she indeed,
With her pale, virgin brow, and changeful cheek,
And the clear starlight of her serious eyes,
Lovely amidst the flowing of dark locks
And pallid braiding flowers, was beautiful,
Ev'n painfully!–a creature to behold
With trembling midst our joy, lest aught unseen
Should waft the vision from us, leaving earth
Too dim without its brightness!–Did such fear
O'ershadow, in that hour, the gifted one,
By his own rushing stream?–Once more he gaz'd
Upon the radiant girl, and yet once more
From the deep chords his wandering hand brought out
A few short festive notes, an opening strain
Of bridal melody, soon dash'd with grief,
As if some wailing spirit in the strings
Met and o'ermaster'd him: but yielding then
To the strong prophet-impulse, mournfully,
Like moaning waters o'er the harp he pour'd
The trouble of his haunted soul, and sang–
Voice of the grave!
I hear thy thrilling call;
It comes in the dash of the foaming wave,
In the sear leaf's trembling fall!
In the shiver of the tree,
I hear thee, O thou voice!
And I would thy warning were but for me,
That my spirit might rejoice.
But thou art sent
For the sad earth's young and fair,
For the graceful heads that have not bent
To the wintry hand of care!
They hear the wind's low sigh,
And the river sweeping free,
And the green reeds murmuring heavily,
And the woods–but they hear not thee!
Long have I striven
With my deep foreboding soul,
But the full tide now its bounds hath riven,
And darkly on must roll.
There's a young brow smiling near,
With a bridal white-rose wreath,–
Unto me it smiles from a flowery bier,
Touch'd solemnly by death!
Fair art thou, Morna!
The sadness of thine eye
Is beautiful as silvery clouds
On the dark-blue summer sky!
And thy voice comes like the sound
Of a sweet and hidden rill,
That makes the dim woods tuneful round–
But soon it must be still!
Silence and dust
On thy sunny lips must lie,
Make not the strength of love thy trust,
A stronger yet is nigh!
No strain of festal flow
That my hand for thee hath tried,
But into dirge-notes wild and low
Its ringing tones have died.
Young art thou, Morna!
Yet on thy gentle head,
Like heavy dew on the lily's leaves,
A spirit hath been shed!
And the glance is thine which sees
Thro' nature's awful heart–
But bright things go with the summer-breeze,
And thou too, must depart!
Yet shall I weep?
I know that in thy breast
There swells a fount of song too deep,
Too powerful for thy rest!
And the bitterness I know,
And the chill of this world's breath–
Go, all undimm'd, in thy glory go!
Young and crown'd bride of death!
Take hence to heaven
Thy holy thoughts and bright,
And soaring hopes, that were not given
For the touch of mortal blight!
Might we follow in thy track,
This parting should not be!
But the spring shall give us violets back,
And every flower but thee!
There was a burst of tears around the bard:
All wept but one, and she serenely stood,
With her clear brow and dark religious eye,
Rais'd to the first faint star above the hills,
And cloudless; though it might be that her cheek
Was paler than before.–So Morna heard
The minstrel's prophecy.
And spring return'd,
Bringing the earth her lovely things again,
All, save the loveliest far! A voice, a smile,
A young sweet spirit gone.
poem by Felicia Dorothea Hemans
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Ode to Liberty
S T R O P H E.
WHO shall wake the Spartan Fife,
And call in solemn Sounds to Life,
The Youths, whose Locks divinely spreading,
Like vernal Hyacinths in sullen Hue,
At once the Breath of Fear and Virtue shedding,
Applauding Freedom, lov'd of old to view?
What New Alcæus, Fancy-blest,
Shall sing the Sword, in Myrtles drest,
At Wisdom's Shrine a-while its Flame concealing,
(What Place so fit to seal a Deed renown'd?)
Till she her brightest Lightnings round revealing,
It leap'd in Glory forth, and dealt her prompted Wound!
O Goddess, in that feeling Hour,
When most its Sounds would court thy Ears,
Let not my Shell's misguided Pow'r,
E'er draw thy sad, thy mindful Tears.
No, Freedom, no, I will not tell,
How Rome, before thy weeping Face,
With heaviest Sound, a Giant-statue, fell,
Push'd by a wild and artless Race,
From off its wide ambitious Base,
When Time his Northern Sons of Spoil awoke,
And all the blended Work of Strength and Grace,
With many a rude repeated Stroke,
And many a barb'rous Yell, to thousand Fragments broke.
E P O D E.
2.
Yet ev'n, where'er the least appear'd,
Th'admiring World thy Hand rever'd;
Still 'midst the scatter'd States around,
Some Remnants of Her Strength were found;
They saw by what escap'd the Storm,
How wond'rous rose her perfect Form;
How in the great the labour'd Whole,
Each mighty Master pour'd his Soul!
For sunny Florence, Seat of Art,
Beneath her Vines preserv'd a part,
Till They, whom Science lov'd to name,
(O who could fear it?) quench'd her Flame.
And lo, an humbler Relick laid
In jealous Pisa's Olive Shade.
See small Marino joins the Theme,
Tho' least, not last in thy Esteem:
Strike, louder strike th'ennobling Strings
To those, whose Merchant Sons were Kings;
To Him, who deck'd with pearly Pride,
In Adria weds his green-hair'd Bride;
Hail Port of Glory, Wealth, and Pleasure,
Ne'er let me change this Lydian Measure:
Nor e'er her former Pride relate,
To sad Liguria's bleeding State.
Ah no! more pleas'd thy Haunts I seek,
On wild Helvetia's Mountains bleak:
(Where, when the favor'd of thy Choice,
The daring Archer heard thy Voice;
Forth from his Eyrie rous'd in Dread,
The rav'ning Eagle northward fled.)
Or dwell in willow'd Meads more near,
With Those to whom thy Stork is dear:
Those whom the Rod of Alva bruis'd.
Whose Crown a British Queen refus'd!
The Magic works, Thou feel'st the Strains,
One holier Name alone remains;
The perfect Spell shall then avail,
Hail Nymph, ador'd by Britain, Hail!
A N T I S T R O P H E.
Beyond the Measure vast of Thought,
The Works, the Wizzard Time has Wrought!
The Gaul, 'tis held of antique Story,
Saw Britain lin'd to his now adverse Strand,
No Sea between, nor Cliff sulime and hoary,
He pass'd with unwet Feet thro' all our Land.
To the blown Baltic then, they say,
The wild Waves found another way,
Where Orcas howls, his wolfish Mountains rounding,
Till all the banded West at once 'gan rise,
A wide wild Storm ev'n Nature's self confounding,
With'ring her Giant Sons with strange uncouth Surprise.
This pillar'd Earth so firm and wide,
By Winds and inward Labors torn,
In Thunders dread was push'd aside,
And down the should'ring Billows born.
And see, like Gems, her laughing Train,
The little Isles on ev'ry side,
Mona, once hid from those who search the Main'
Where thousand Elfin Shapes abide,
And Wight who checks the west'ring Tide,
For Thee consenting Heav'n has each bestow'd,
A fair Attendant on her sov'reign Pride:
To Thee this blest Divorce she ow'd,
For thou hast made her Vales thy lov'd, thy last Abode!
S E C O N D E P O D E.
Then too, 'tis said, an hoary Pile,
'midst the green Navel of our Isle,
Thy Shrine in some religious Wood,
O Soul-enforcing Goddess stood!
There oft the painted Native's Feet,
Were wont thy Form celestial meet:
Tho' now with hopeless Toil we trace
Time's backward Rolls, to find its place;
Whether the fiery-tressed Dane,
Or Roman's self o'erturn'd the Fane,
Or in what Heav'n-left Age it fell,
[']Twere hard for modern Song to tell.
Yet still, if Truth those Beams infuse,
Which guide at once, and charm the Muse,
Beyond yon braided Cloudes that lie,
Paving the light-embroider'd Sky:
Amidst the bright pavilion'd Plains,
The beauteous Model still remains.
There happier than in Islands blest,
Or Bow'rs by Spring or Hebe drest;
The Chiefs who fill our Albion's Story,
In warlike Weeds, retir'd in Glory,
Hear their consorted Druids sing
Their Triumphs to th'immortal String.
How may the Poet now unfold,
What never Tongue or Numbers told?
How learn delighted, and amaz'd,
What Hands unknown that Fabric rais'd?
Ev'n now before his favor'd Eyes,
In Gothic Pride it seems to rise!
Yet Græcia's graceful Orders join,
Majestic thro' the mix'd Design;
The secret Builder knew to chuse,
Each sphere-found Gem of richest Hues:
Whate'er Heav'n's purer Mold contains,
When nearer Suns emblaze its Veins;
There on the Walls the Patriot's Sight,
May ever hang with fresh Delight,
And, grav'd with some Prophetic Rage,
Read Albion's Fame thro' ev'ry Age.
Ye Forms Divine, ye Laureate Band,
That near her inmost Altar stand!
Now Sooth Her, to her blissful Train
Blithe Concord's social Form to gain:
Concord, whose Myrtle Wand can steep
Ev'n Anger's blood-shot Eyes in Sleep:
Before whose breathing Bosom'd Balm,
Rage drops his Steel, and Storms grow calm;
Here let our Sires and Matrons hoar
Welcome to Britain's ravag'd Shore.
Our Youths, enamour'd of the Fair,
Play with the Tangles of her Hair,
Till in one loud applauding Sound,
The Nations shout to Her around,
O how supremely art thou blest,
Thou, Lady, Thou shalt rule the West!
poem by William Taylor Collins
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The Musicians
The strings of my heart were strung by Pleasure,
And I laughed when the music fell on my ear,
For he and Mirth played a joyful measure,
And they played so loud that I could not hear
The wailing and mourning of souls a-weary -
The strains of sorrow that floated around,
For my heart's notes rang out loud and cheery,
And I heard no other sound.
Mirth and Pleasure, the music brothers,
Played louder and louder in joyful glee;
But sometimes a discord was heard by others -
Though only the rhythm was heard by me.
Louder and louder, faster and faster
The hands of the brothers played strain on strain,
When all of a sudden a Mighty Master
Swept them aside; and Pain,
Pain, the musician, the soul-refiner,
Restrung the strings of my quivering heart,
And the air that he played was a plaintive minor,
So sad that the tear-drops were forced to start;
Each note was an echo of awful anguish,
As shrill as solemn, as sharp as slow,
And my soul for a reason seemed to languish
And faint with its weight of woe.
With skilful hands that were never weary,
This Master of Music played strain on strain,
And between the bars of the miserere,
He drew up the strings of my heart again,
And I was filled with a vague, strange wonder,
To see that they did not snap in two.
'They are drawn so tight, they will break assunder, '
I thought, but instead, they grew,
In the hands of the Master, firmer and stronger;
And I could hear on the stilly air -
Now my ears were deafened by Mirth no longer -
The sound of sorrow, and grief, and despair;
And my soul grew kinder and tender to others,
My nature grew sweeter, my mind grew broad,
And I held all men to be my brothers,
Linked by the chastening rod.
My soul was lifted to God and heaven,
And when on my heart-strings fell again
The hands of Mirth, and Pleasure, even,
There was never a discord to mar the strain.
For Pain, the musician, and soul-refiner,
Attuned the strings with a master hand,
And whether the music be major or minor,
It is always sweet and grand.
poem by Ella Wheeler Wilcox
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Ode to the Muse
O, let me seize thy pen sublime
That paints, in melting dulcet rhyme,
The glowing pow'r, the magic art,
Th' extatic raptures of the Heart;
Soft Beauty's timid smile serene,
The dimples of Love's sportive mien;
The sweet descriptive tale to trace;
To picture Nature's winning grace;
To steal the tear from Pity's eye;
To catch the sympathetic sigh;
O teach me, with swift light'nings force
To watch wild passion's varying course;
To mark th' enthusiast's vivid fire,
Or calmly touch thy golden lyre,
While gentle Reason mildly sings
Responsive to the trembling strings.
SWEET Nymph, enchanting Poetry!
I dedicate my mind to Thee.
Oh! from thy bright Parnassian bow'rs
Descend, to bless my sombre hours;
Bend to the earth thy eagle wing,
And on its glowing plumage bring
Blithe FANCY, from whose burning eye
The young ideas sparkling fly;
O, come, and let us fondly stray,
Where rosy Health shall lead the way,
And soft FAVONIUS lightly spread
A perfum'd carpet as we tread;
Ah! let us from the world remove,
The calm forgetfulness to prove,
Which at the still of evening's close,
Lulls the tir'd peasant to repose;
Repose, whose balmy joys o'er-pay
The sultry labours of the day.
And when the blue-ey'd dawn appears,
Just peeping thro' her veil of tears;
Or blushing opes her silver gate,
And on its threshold, stands elate,
And flings her rosy mantle far
O'er every loit'ring dewy star;
And calls the wanton breezes forth,
And sprinkles diamonds o'er the earth;
While in the green-wood's shade profound,
The insect race, with buzzing sound
Flit o'er the rill,a glitt'ring train,
Or swarm along the sultry plain.
Then in sweet converse let us rove,
Where in the thyme-embroider'd grove,
The musky air its fragrance pours
Upon the silv'ry scatter'd show'rs;
To hail soft Zephyr, as she goes
To fan the dew-drop from the rose;
To shelter from the scorching beam,
And muse beside the rippling stream.
Or when, at twilight's placid hour,
We stroll to some sequester'd bow'r;
And watch the haughty Sun retire
Beneath his canopy of fire;
While slow the dusky clouds enfold
Day's crimson curtains fring'd with gold;
And o'er the meadows faintly fly
Pale shadows of the purpling sky:
While softly o'er the pearl-deck'd plain,
Cold Dian leads the sylvan train;
In mazy dance and sportive glee,
SWEET MUSE, I'll fondly turn to thee;
And thou shalt deck my couch with flow'rs,
And wing with joy my silent hours.
When Sleep, with downy hand, shall spread
A wreath of poppies round my head;
Then, FANCY, on her wing sublime,
Shall waft me to the sacred clime
Where my enlighten'd sense shall view,
Thro' ether realms of azure hue,
That flame, where SHAKESPEARE us'd to fill,
With matchless fire, his "golden quill."
While, from its point bright Genius caught
The wit supreme, the glowing thought,
The magic tone, that sweetly hung
About the music of his tongue.
Then will I skim the floating air,
On a light couch of gossamer,
While with my wonder-aching eye,
I contemplate the spangled sky,
And hear the vaulted roof repeat
The song of Inspiration sweet;
While round the winged cherub train,
Shall iterate the aëry strain:
Swift, thro' my quiv'ring nerves shall float
The tremours of each thrilling note;
And every eager sense confess
Extatic transport's wild excess:
'Till, waking from the glorious dream,
I hail the morn's refulgent beam.
DEAR Maid! of ever-varying mien,
Exulting, pensive, gay, serene,
Now, in transcendent pathos drest,
Now, gentle as the turtle's breast;
Where'er thy feath'ry steps shall lead,
To side-long hill, or flow'ry mead;
To sorrow's coldest, darkest cell,
Or where, by Cynthia's glimm'ring ray,
The dapper fairies frisk and play
About some cowslip's golden bell;
And, in their wanton frolic mirth,
Pluck the young daisies from the earth,
To canopy their tiny heads,
And decorate their verdant beds;
While to the grass-hopper's shrill tune,
They quaff libations to the moon,
From acorn goblets, amply fill'd
With dew, from op'ning flow'rs distill'd.
Or when the lurid tempest pours,
From its dark urn, impetuous show'rs,
Or from its brow's terrific frown,
Hurls the pale murd'rous lightnings down;
To thy enchanting breast I'll spring,
And shield me with thy golden wing.
Or when amidst ethereal fire,
Thou strik'st thy DELLA CRUSCAN lyre,
While round, to catch the heavenly song,
Myriads of wond'ring seraphs throng:
Whether thy harp's empassioned strain
Pours forth an OVID's tender pain;
Or in PINDARIC flights sublime,
Re-echoes thro' the starry clime;
Thee I'll adore; transcendent guest,
And woe thee to my burning breast.
But, if thy magic pow'rs impart
One soft sensation to the heart,
If thy warm precepts can dispense
One thrilling transport o'er my sense;
Oh! keep thy gifts, and let me fly,
In APATHY's cold arms to die.
poem by Mary Darby Robinson
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The Forsaken
I.
IT is the music of her native land,--
The airs she used to love in happier days;
The lute is struck by some young gentle hand,
To soothe her spirit with remember'd lays.
II.
But her sad heart is wandering from the notes,
Her ear is fill'd with an imagined strain;
Vainly the soften'd music round her floats,
The echo it awakes is all of pain!
III.
The echo it awakes, is of a voice
Which never more her weary heart shall cheer;
Fain would she banish it, but hath no choice,
Its vanish'd sound still haunts her shrinking ear,--
IV.
Still haunts her with its tones of joy and love,
Its memories of bitterness and wrong,
Bidding her thoughts thro' various changes rove,--
Welcomes, farewells, and snatches of wild song.
V.
Why bring her music? She had half forgot
How left, how lonely, how oppress'd she was;
Why, by these strains, recal her former lot,
The depth of all her suffering, and its cause?
VI.
Know ye not what a spell there is in sound?
Know ye not that the melody of words
Is nothing to the power that wanders round,
Giving vague language to harmonious chords?
VII.
Oh I keep ye silence! He hath sung to her,
And from that hour--(faint twilight, sweet and dim,
When the low breeze scarce made the branches stirs)--
Music hath been a memory of HIM!
VIII.
Chords which the wandering fingers scarcely touch
When they would seek for some forgotten song,--
Stray notes which have no certain meaning, such
As careless hands unthinkingly prolong,--
IX.
Come unto HER, fraught with a vivid dream
Of love, in all its wild and passionate strength,--
Of sunsets, glittering on the purple stream,--
Of shadows, deepening into twilight length,--
X.
Of gentle sounds, when the warm world lay hush'd
Beneath the soft breath of the evening air,--
Of hopes and fears, and expectations crush'd,
By one long certainty of blank despair!
XI.
Bear to the sick man's couch the fiery cup,
Pledged by wild feasters in their riotous hours,
And bid his parch'd lips drink the poison up,
As tho' its foam held cool refreshing powers,--
XII.
Lift some poor wounded wretch, whose writhing pain
Finds soothing only in an utter rest,
Forth in some rude-made litter, to regain
Strength for his limbs and vigour for his breast;--
XIII.
But soothe ye not that proud forsaken heart
With strains whose sweetness maddens as they fall;
Untroubled let her feverish soul depart--
Not long shall memory's power its might enthral;
XIV.
Not long,--tho' balmy be the summer's breath!
In the deep stillness of its golden light,
A shadowy spirit sits, whose name is DEATH,
And turns, what was all beauty, into blight;
XV.
And she, before whose sad and dreaming eye
Visions of by-gone days are sweeping on,
In her unfaded youth shall drooping die,
Shut from the glow of that Italian sun:
XVI.
Then let the organ's solemn notes prolong
Their glory round the silence of her grave,
Then let the choral voices swell in song
And echo thro' the chancel and the nave;
XVII.
For then her heart shall ache not at the sound,
Then the faint fever of her life shall cease
Silence, unbroken, calm, shall reign around,
And the long restless shall be laid at peace.
poem by Caroline Elizabeth Sarah Norton
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Ode XIII: On Lyric Poetry
I. 1.
Once more I join the Thespian choir,
And taste the inspiring fount again:
O parent of the Grecian lyre,
Admit me to thy powerful strain—
And lo, with ease my step invades
The pathless vale and opening shades,
Till now I spy her verdant seat;
And now at large i drink the sound,
While these her offspring, listening round,
By turns her melody repeat.
I. 2.
I see Anacreon smile and sing,
His silver tresses breathe perfume;
His cheek displays a second spring
Of roses taught by wine to bloom.
Away, deceitful cares, away,
And let me listen to his lay;
Let me the wanton pomp injoy,
While in smooth dance the light-wing'd Hours
Lead round his lyre it's patron powers,
Kind laughter and convivial joy.
I. 3.
Broke from the fetters of his native land,
Devoting shame and vengeance to her lords,
With louder impulse and a threatening hand
The Lesbian patriot smites the sounding chords:
Ye wretches, ye perfidious train,
Ye curs'd of gods and freeborn men,
Ye murderers of the laws,
Though now ye glory in your lust,
Though now ye tread the feeble neck in dust,
Yet Time and righteous Jove will judge your dreadful cause.
II. 1.
But lo, to Sappho's melting airs
Descends the radiant queen of love:
She smiles, and asks what fonder cares
Her suppliant's plaintive measures move:
Why is my faithful maid distress'd?
Who, Sappho, wounds thy tender breast?
Say, flies he?—Soon he shall pursue:
Shuns he thy gifts—He soon shall give:
Slights he thy sorrows?—He shall grieve,
And soon to all thy wishes bow.
II. 2.
But, o Melpomene, for whom
Awakes thy golden shell again?
What mortal breath shall e'er presume
To echo that unbounded strain?
Majestic in the frown of years,
Behold, the man of Thebes appears:
For some there are, whose mighty frame
The hand of Jove at birth indow'd
With hopes that mock the gazing crowd;
As eagles drink the noontide flame,
II. 3.
While the dim raven beats her weary wings,
And clamours far below.—Propitious Muse,
While I so late unlock thy purer springs,
And breathe whate'er thy ancient airs infuse,
Wilt thou for Albion's sons around
(Ne'er had'st thou audience more renown'd)
Thy charming arts imploy,
As when the winds from shore to shore
Through Greece thy lyre's persuasive language bore,
Till towns and isles and seas return'd the vocal joy?
III. 1.
Yet then did pleasure's lawless throng,
Oft rushing forth in loose attire,
Thy virgin dance, thy graceful song
Pollute with impious revels dire.
O fair, o chaste, thy echoing shade
May no soul discord here invade:
Nor let thy strings one accent move,
Except what earth's untroubled ear
'Mid all her social tribes may hear,
And heaven's unerring throne approve.
III. 2.
Queen of the lyre, in thy retreat
The fairest flowers of Pindus glow;
The vine aspires to crown thy seat,
And myrtles round thy laurel grow.
Thy strings adapt their varied strain
To every pleasure, every pain,
Which mortal tribes were born to prove;
And strait our passions rise or fall,
As at the wind's imperious call
The ocean swells, the billows move.
III. 3.
When midnight listens o'er the slumbering earth,
Let me, o Muse, thy solemn whispers hear:
When morning sends her fragrant breezes forth,
With airy murmurs touch my opening ear.
And ever watchful at thy side,
Let wisdom's awful suffrage guide
The tenor of thy lay:
To her of old by Jove was given
To judge the various deeds of earth and heaven;
'Twas thine by gentle arts to win us to her sway.
IV. 1.
Oft as, to well-earn'd ease resign'd,
I quit the maze where science toils,
Do thou refresh my yielding mind
With all thy gay, delusive spoils.
But, o indulgent, come not nigh
The busy steps, the jealous eye
Of wealthy care or gainful age;
Whose barren souls thy joys disdain,
And hold as foes to reason's reign
Whome'er thy lovely works engage.
IV. 2.
When friendship and when letter'd mirth
Haply partake my simple board,
Then let thy blameless hand call forth
The music of the Teian chord.
Or if invok'd at softer hours,
O! seek with me the happy bowers
That hear Olympia's gentle tongue;
To beauty link'd with virtue's train,
To love devoid of jealous pain,
There let the Sapphic lute be strung.
IV. 3.
But when from envy and from death to claim
A hero bleeding for his native land;
When to throw incense on the vestal flame
Of liberty my genius gives command,
Nor Theban voice nor Lesbian lyre
From thee, o Muse, do I require;
While my presaging mind,
Conscious of powers she never knew,
Astonish'd grasps at things beyond her view,
Nor by another's fate submits to be confin'd.
poem by Mark Akenside
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The Silent Melody
"BRING me my broken harp," he said;
"We both are wrecks,-- but as ye will,--
Though all its ringing tones have fled,
Their echoes linger round it still;
It had some golden strings, I know,
But that was long-- how long!-- ago.
"I cannot see its tarnished gold,
I cannot hear its vanished tone,
Scarce can my trembling fingers hold
The pillared frame so long their own;
We both are wrecks,-- awhile ago
It had some silver strings, I know,
"But on them Time too long has played
The solemn strain that knows no change,
And where of old my fingers strayed
The chords they find are new and strange,--
Yes! iron strings,-- I know,-- I know,--
We both are wrecks of long ago.
"We both are wrecks,-- a shattered pair,
Strange to ourselves in time's disguise
What say ye to the lovesick air
That brought the tears from Marian's eyes?
Ay! trust me,-- under breasts of snow
Hearts could be melted long ago!
"Or will ye hear the storm-song's crash
That from his dreams the soldier woke,
And bade him face the lightning flash
When battle's cloud in thunder broke?
Wrecks,-- nought but wrecks!-- the time was when
We two were worth a thousand men!"
And so the broken harp they bring
With pitying smiles that none could blame;
Alas there's not a single string
Of all that filled the tarnished frame!
But see! like children overjoyed,
His fingers rambling through the void!
"I clasp thee! Ay . . . mine ancient lyre. . .
Nay, guide my wandering fingers. . . There!
They love to dally with the wire
As Isaac played with Esan's hair. . . .
Hush! ye shall hear the famous tune
That Marina called the Breath of June!"
And so they softly gather round:
Rapt in his tuneful trance he seems:
His fingers move: but not a sound!
A silence like the song of dreams. . . .
"There! ye have heard the air," he cries,
"That brought the tears from Marina's eyes!"
Ah, smile not at his fond conceit,
Nor deem his fancy wrought in vain;
To him the unreal sounds are sweet,--
No discord mars the silent strain
Scored on life's latest, starlit page--
The voiceless melody of age.
Sweet are the lips of all that sing,
When Nature's music breathes unsought,
But never yet could voice or string
So truly shape our tenderest thought
As when by life's decaying fire
Our fingers sweep the stringless lyre!
poem by Oliver Wendell Holmes
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An Hour Of Romance
There were thick leaves above me and around,
And low sweet sighs like those of childhood's sleep,
Amidst their dimness, and a fitful sound
As of soft showers on water; dark and deep
Lay the oak shadows o'er the turf, so still
They seem'd but pictured glooms: a hidden rill
Made music, such as haunts us in a dream,
Under the fern-tufts; and a tender gleam
Of soft green light, as by the glow-worm shed,
Came pouring thro' the woven beech-boughs down,
And steep'd the magic page wherein I read
Of royal chivalry and old renown,
A tale of Palestine. Meanwhile the bee
Swept past me with a tone of summer hours,
A drowsy bugle, wafting thoughts of flowers,
Blue skies, and amber sunshine: brightly free,
On filmy wings the purple dragon-fly
Shot glancing like a fairy javelin by;
And a sweet voice of sorrow told the dell
Where sat the lone wood-pigeon:
But ere long,
All sense of these things faded, as the spell
Breathing from that high gorgeous tale grew strong
On my chain'd soul: 'twas not the leaves I heard
A Syrian wind the Lion-banner stirr'd,
Thro' its proud, floating folds: 'twas not the brook,
Singing in secret thro' its grassy glen;
A wild shrill trumpet of the Saracen
Peal'd from the desert's lonely heart, and shook
The burning air. Like clouds when winds are high,
O'er glittering sands flew steeds of Araby,
And tents rose up, and sudden lance and spear
Flash'd where a fountain's diamond wave lay clear,
Shadow'd by graceful palm-trees. Then the shout
Of merry England's joy swell'd freely out,
Sent thro' an eastern heaven, whose glorious hue
Made shields dark mirrors to its depths of blue:
And harps were there; I heard their sounding strings,
As the waste echoed to the mirth of kings.
The bright masque faded. Unto life's worn track,
What call'd me from its flood of glory, back?
A voice of happy childhood! and they pass'd,
Banner, and harp, and Paynim's trumpet's blast;
Yet might I scarce bewail the splendours gone,
My heart so leap'd to that sweet laughter's tone.
poem by Felicia Dorothea Hemans
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The Revellers
Ring, joyous chords!-ring out again!
A swifter still, and a wilder strain!
They are here-the fair face and the careless heart,
And stars shall wane ere the mirthful part.
-But I met a dimly mournful glance,
In a sudden turn of the flying dance;
I heard the tone of a heavy sigh,
In a pause of the thrilling melody!
And it is not well that woe should breathe
On the bright spring-flowers of the festal wreath!
-Ye that to thought or to grief belong,
Leave, leave the hall of song!
Ring, joyous chords!-but who art thou
With the shadowy locks o'er thy pale young brow,
And the world of dreamy gloom that lies
In the misty depths of thy soft dark eyes?
-Thou hast lov'd, fair girl! thou hast lov'd too well!
Thou art mourning now o'er a broken spell;
Thou hast pour'd thy heart's rich treasures forth,
And art unrepaid for their priceless worth!
Mourn on!-yet come thou not here the while,
It is but a pain to see thee smile!
There is not a tone in our songs for thee-
-Home with thy sorrows flee!
Ring, joyous chords!-ring out again!
-But what dost thou with the Revel's train?
A silvery voice through the soft air floats,
But thou hast no part in the gladdening notes;
There are bright young faces that pass thee by,
But they fix no glance of thy wandering eye!
Away! there's a void in thy yearning breast,
Thou weary man! wilt thou here find rest?
Away! for thy thoughts from the scene have fled,
And the love of thy spirit is with the dead!
Thou art but more lone midst the sounds of mirth-
-Back to thy silent hearth!
Ring, joyous chords!-ring forth again!
A swifter still, and a wilder strain!
-But thou , though a reckless mien be thine,
And thy cup be crown'd with the foaming wine,
By the fitful bursts of thy laughter loud,
By thine eye's quick flash through its troubled cloud,
I know thee!-it is but the wakeful fear
Of a haunted bosom that brings thee here!
I know thee!-thou fearest the solemn night,
With her piercing stars and her deep wind's might!
There's a tone in her voice which thou fain wouldst shun,
For it asks what the secret soul hath done!
And thou-there's a dark weight on thine-away!
-Back to thy home and pray!
Ring, joyous chords!-ring out again!
A swifter still, and a wilder strain!
And bring fresh wreaths!-we will banish all
Save the free in heart from our festive hall.
On through the maze of the fleet dance, on!
-But where are the young and the lovely?-gone!
Where are the brows with the red rose crown'd,
And the floating forms with the bright zone bound?
And the waving locks and the flying feet,
That still should be where the mirthful meet!
-They are gone-they are fled-they are parted all-
-Alas! the forsaken hall!
poem by Felicia Dorothea Hemans
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The Ruin And Its Flowers
Sweets of the wild! that breathe and bloom,
On this lone tow'r, this ivy'd wall;
Lend to the gale a rich perfume,
And grace the ruin in its fall;
Tho' doom'd, remote from careless eye,
To smile, to flourish, and to die,
In solitude sublime,
Oh! ever may the spring renew,
Your balmy scent and glowing hue,
To deck the robe of time!
Breathe, fragrance! breathe, enrich the air,
Tho' wasted on its wing unknown!
Blow, flow'rets! blow, tho' vainly fair,
Neglected and alone!
These tow'rs, that long withstood the blast,
These mossy tow'rs are mouldering fast,
While Flora's children stay;
To mantle o'er the lonely pile,
To gild destruction with a smile,
And beautify decay!
Sweets of the wild! uncultur'd blowing,
Neglected in luxuriance glowing;
From the dark ruins frowning near,
Your charms in brighter tints appear,
And richer blush assume;
You smile with softer beauty crown'd,
Whilst, all is desolate around,
Like sun-shine on a tomb!
Thou hoary pile! majestic still,
Memento of departed fame!
While roving o'er the moss-clad hill,
I ponder on thine ancient name!
Here grandeur, beauty, valour, sleep,
That here, so oft have shone supreme;
While glory, honor, fancy, weep,
That vanish'd is the golden dream!
Where are the banners, waving proud,
To kiss the summer-gale of ev'n?
All purple as the morning-cloud,
All streaming to the winds of heav'n!
Where is the harp, by rapture strung,
To melting song, or martial story?
Where are the lays the minstrel sung,
To loveliness, or glory?
Lorn echo of these mouldering walls,
To thee no festal measure calls;
No music thro' the desert-halls,
Awakes thee to rejoice!
How still thy sleep! as death profound,
As if, within this lonely round,
A step-a note-a whisper'd sound,
Had ne'er arous'd thy voice!
Thou hear'st the zephyr murmuring, dying,
Thou hear'st the foliage waving, sighing;
But ne'er again shall harp, or song,
These dark, deserted courts along,
Disturb thy calm repose;
The harp is broke, the song is fled,
The voice is hush'd, the bard is dead;
And never shall thy tones repeat,
Or lofty strain, or carol sweet,
With plaintive close!
Proud castle! tho' the days are flown,
When once thy tow'rs in glory shone;
When music thro' thy turrets rung,
When banners o'er thy ramparts hung,
Tho' 'midst thine arches, frowning lone,
Stern desolation rear his throne;
And silence, deep and awful, reign,
Where echoed once the choral strain;
Yet oft, dark ruin! ling'ring here,
The muse will hail thee with a tear;
Here, when the moon-light, quiv'ring, beams,
And thro' the fringing ivy streams,
And softens ev'ry shade sublime,
And mellows ev'ry tint of time,
Oh ! here shall contemplation love,
Unseen, and undisturb'd, to rove;
And bending o'er some mossy tomb,
Where valor sleeps, or beauties bloom,
Shall weep for glory's transient day,
And grandeur's evanescent ray!
And list'ning to the swelling blast,
Shall wake the spirit of the past,
Call up the forms of ages fled,
Of warriors and of minstrels dead;
Who sought the field, who struck the lyre,
With all ambition's kindling fire!
Nor wilt thou, Spring! refuse to breathe,
Soft odours on this desert-air;
Refuse to twine thine earliest wreath,
And fringe these tow'rs with garlands fair
Sweets of the wild, oh! ever bloom,
Unheeded on this ivy'd wall!
Lend to the gale a rich perfume,
And grace the ruin in its fall!
Thus, round Misfortune's holy head,
Would Pity wreaths of honor spread;
Like you, thus blooming on this lonely pile,
She seeks despair, with heart-reviving smile!
poem by Felicia Dorothea Hemans
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Farewell To The Muse
Thou Power! who hast ruled me through Infancy's days,
Young offspring of Fancy, 'tis time we should part;
Then rise on the gale this the last of my lays,
The coldest effusion which springs from my heart.
This bosom, responsive to rapture no more,
Shall hush thy wild notes, nor implore thee to sing;
The feelings of childhood, which taught thee to soar,
Are wafted far distant on Apathy's wing.
Though simple the themes of my rude flowing Lyre,
Yet even these themes are departed for ever;
No more beam the eyes which my dream could inspire,
My visions are flown, to return, alas, never!
When drain'd is the nectar which gladdens the bowl,
How vain is the effort delight to prolong!
When cold is the beauty which dwelt in my soul,
What magic of Fancy can lengthen my song?
Can the lips sing of Love in the desert alone,
Of kisses and smiles which they now must resign?
Or dwell with delight on the hours that are flown?
Ah, no! for those hours can no longer be mine.
Can they speak of the friends that I lived but to love?
Ah, surely Affection ennobles the strain!
But how can my numbers in sympathy move,
When I scarcely can hope to behold them again?
Can I sing of the deeds which my Fathers have done,
And raise my loud harp to the fame of my Sires?
For glories like theirs, oh, how faint is my tone!
For Heroes' exploits how unequal my fires!
Untouch'd, then, my Lyre shall reply to the blast--
'Tis hush'd; and my feeble endeavors are o'er;
And those who have heard it will pardon the past,
When they know that its murmurs shall vibrate no more.
And soon shall its wild erring notes be forgot,
Since early affection and love is o'ercast:
Oh! blest had my Fate been, and happy my lot,
Had the first strain of love been the dearest, the last.
Farewell, my young Muse! since we now can ne'er meet;
If our songs have been languid, they surely are few:
Let us hope that the present at least will be sweet--
The present--which seals our eternal Adieu.
O D E, To a Lady on the Death of Colonel R O S S in the action of Fontenoy
1.
W H I L E, lost to all his former Mirth,
Britannia's Genius bends to Earth,
And mourns the fatal Day:
While stain's with Blood he strives to tear
Unseemly from his Sea-green Hair
The Wreaths of chearful May:
2.
The Thoughts which musing Pity pays,
And fond Remembrance loves to raise,
Your faithful Hours attend:
Still Fancy to Herself unkind,
Awakes to Grief the soften'd Mind,
And points the bleeding Friend.
3.
By rapid Scheld's descending Wave
His Country's Vows shall bless the Grave,
Where'er the Youth is laid:
That sacred Spot the Village Hind
With ev'ry sweetest Turf shall bind,
And Peace protect the Shade.
4.
Blest Youth, regardful of thy Doom,
Aërial Hands shall build thy Tomb,
With shadowy Trophies crown'd:
Whilst Honor bath'd in Tears shall rove
To sigh thy Name thro' ev'ry Grove,
And call his Heros round.
5.
The warlike Dead of ev'ry Age,
Who fill the fair recording Page,
Shall leave their sainted Rest:
And, half-reclining on his Spear,
Each wond'ring Chief by turns appear,
To hail the blooming Guest.
6.
Old Edward's Sons, unknown to yield,
Shall croud from Cressy's laurell'd Field,
And gaze with fix'd Delight:
Again for Britain's Wrongs they feel,
Again they snatch the gleamy Steel,
And wish th'avenging Fight.
7.
But lo where, sunk in deep Despair,
Her Garments torn, her Bosom bare,
Impatient Freedom lies!
Her matted Tresses madly spread,
To ev'ry Sod, which warps the Dead,
She turns her joyless Eyes.
8.
Ne'er shall she leave that lowly Ground
Till Notes of Triumph bursting round
Proclaim her Reign restor'd:
Till William seek the sad Retreat,
And bleeding at her sacred Feet,
Present the sated Sword.
9.
If, weak to sooth so soft an Heart,
These pictur'd Glories nought impart,
To dry thy constant Tear:
If yet, in Sorrow's distant Eye,
Expos'd and pale thou see'st him lie,
Wild War insulting near:
10.
Where'er from Time Thou court'st Relief.
The Muse shall still, with social Grief,
Her gentlest Promise keep:
Ev'n humble Harting's cottag'd Vale
Shall learn the sad repeated Tale,
And bid her Shepherds weep.
poem by William Taylor Collins
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The Visionary Boy
Oh! lend that lute, sweet Archimage, to me!
Enough of care and heaviness
The weary lids of life depress,
And doubly blest that gentle heart shall be,
That wooes of poesy the visions bland,
And strays forgetful o'er enchanted land!
Oh! lend that lute, sweet Archimage, to me!
So spoke, with ardent look, yet eyebrow sad,
When he had passed o'er many a mountain rude,
And many a wild and weary solitude,
'Mid a green vale, a wandering minstrel-lad.
With eyes that shone in softened flame,
With wings and wand, young Fancy came;
And as she touched a trembling lute,
The lone enthusiast stood entranced and mute.
It was a sound that made his soul forego
All thoughts of sadness in a world of woe.
Oh, lend that lute! he cried: Hope, Pity, Love,
Shall listen; and each valley, rock, and grove,
Shall witness, as with deep delight,
From orient morn to dewy-stealing night.
My spirit, rapt in trance of sweetness high,
Shall drink the heartfelt sound with tears of ecstasy!
As thus he spoke, soft voices seemed to say,
Come away, come away;
Where shall the heart-sick minstrel stray,
But (viewing all things like a dream)
By haunted wood, or wizard stream?
That, like a hermit weeping,
Amid the gray stones creeping;
With voice distinct, yet faint,
Calls on Repose herself to hear its soothing plaint.
For him, romantic Solitude
Shall pile sublime her mountains rude;
For him, with shades more soft impressed,
The lucid lake's transparent breast
Shall show the banks, the woods, the hill,
More clear, more beautiful, more still.
For him more musical shall wave
The pines o'er Echo's moonlit cave;
While sounds as of a fairy lyre
Amid the shadowy cliffs expire!
This valley where the raptured minstrel stood
Was shaded with a circling slope of wood,
And rich in beauty, with that valley vied,
Thessalian Tempe, crowned with verdant bay,
Where smooth and clear Peneus winds his way;
And Ossa and Olympus, on each side,
Rise dark with woods; or that Sicilian plain
Which Arethusa's clearest waters lave,
By many a haunt of Pan, and wood-nymph's cave,
Lingering and listening to the Doric strain
Of him, the bard whose music might succeed
To the wild melodies of Pan's own reed!
This scene the mistress of the valley held,
Fancy, a magic maid; and at her will,
Aerial castles crowned the gleaming hill,
Or forests rose, or lapse of water welled.
Sometimes she sat with lifted eye,
And marked the dark storm in the western sky;
Sometimes she looked, and scarce her breath would draw,
As fearful things, not to be told, she saw;
And sometimes, like a vision of the air,
On wings of shifting light she floated here and there.
In the breeze her garments flew,
Of the brightest skiey blue,
Lucid as the tints of morn,
When Summer trills his pipe of corn:
Her tresses to each wing descending fall,
Or, lifted by the wind,
Stream loose and unconfined,
Like golden threads, beneath her myrtle coronal.
The listening passions stood aloof and mute,
As oft the west wind touched her trembling lute.
But when its sounds the youthful minstrel heard,
Strange mingled feelings, not to be expressed,
Rose undefined, yet blissful, on his breast,
And all the softened scene in sweeter light appeared.
Then Fancy waved her wand, and lo!
An airy troop went beckoning by:
Come, from toil and worldly woe;
Come, live with us in vales remote! they cry.
These are the flitting phantasies; the dreams
That lead the heart through all that elfin land,
Where half-seen shapes entice with whispers bland.
Meantime the clouds, impressed with livelier beams,
Roll, in the lucid track of air,
Arrayed in coloured brede, with semblances more fair.
The airy troop, as on they sail,
Thus the pensive stranger hail:
In the pure and argent sky,
There our distant chambers lie;
The bed is strewed with blushing roses,
When Quietude at eve reposes,
Oft trembling lest her bowers should fade,
In the cold earth's humid shade.
Come, rest with us! evanishing, they cried--
Come, rest with us! the lonely vale replied.
Then Fancy beckoned, and with smiling mien,
A radiant form arose, like the fair Queen
Of Beauty: from her eye divinely bright,
A richer lustre shot, a more attractive light.
She said: With fairer tints I can adorn
The living landscape, fairer than the morn.
The summer clouds in shapes romantic rolled,
And those they edge the fading west, like gold;
The lake that sleeps in sunlight, yet impressed
With shades more sweet than real on its breast;
'Mid baffling stones, beneath a partial ray,
The small brook huddling its uneven way;
The blue far distant hills, the silvery sea,
And every scene of summer speaks of me:
But most I wake the sweetest wishes warm,
Where the fond gaze is turned on woman's breathing form.
So passing silent through a myrtle grove,
Beauty first led him to the bower of Love.
A mellow light through the dim covert strayed,
And opening roses canopied the shade.
Why does the hurrying pulse unbidden leap!
Behold, in yonder glade that nymph asleep!
The heart-struck minstrel hangs, with lingering gaze,
O'er every charm his eye impassioned strays!
An edge of white is seen, and scarcely seen,
As soft she breathes, her coral lips between;
A lambent ray steals from her half-closed eye,
As her breast heaves a short imperfect sigh.
Sleep, winds of summer, o'er the leafy bower,
Nor move the light bells of the nodding flower;
Lest but a sound of stirring leaves might seem
To break the charm of her delicious dream!
And ye, fond, rising, throbbing thoughts, away,
Lest syren Pleasure all the soul betray!
Oh! turn, and listen to the ditty
From the lowly cave of Pity.
On slaughter's plain, while Valour grieves,
There he sunk to rest,
And the ring-dove scattered leaves
Upon his bleeding breast!
Her face was hid, while her pale arms enfold
What seemed an urn of alabaster cold;
To this she pressed her heaving bosom bare:
The drops that gathered in the dank abode
Fell dripping, on her long dishevelled hair;
And still her tears, renewed, and silent, flowed:
And when the winds of autumn ceased to swell,
At times was heard a slow and melancholy knell!
'Twas in the twilight of the deepest wood,
Beneath whose boughs like sad Cocytus, famed
Through fabling Greece, from lamentation named
A river dark and silent flowed, there stood
A pale and melancholy man, intent
His look upon that drowsy stream he bent,
As ever counting, when the fitful breeze
With strange and hollow sound sung through the trees,
Counting the sallow leaves, that down the current went.
He saw them not:
Earth seemed to him one universal blot.
Sometimes, as most distempered, to and fro
He paced; and sometimes fixed his chilling look
Upon a dreadful book,
Inscribed with secret characters of woe;
While gibbering imps, as mocking him, appeared,
And airy laughter 'mid the dusk was heard.
Then Fancy waved her wand again,
And all that valley that so lovely smiled
Was changed to a bare champaign, waste and wild.
'What pale and phantom-horseman rides amain?'
'Tis Terror;--all the plain, far on, is spread
With skulls and bones, and relics of the dead!
From his black trump he blew a louder blast,
And earthquakes muttered as the giant passed.
Then said that magic maid, with aspect bland,
'Tis thine to seize his phantom spear,
'Tis thine his sable trumpet to command,
And thrill the inmost heart with shuddering fear.
But hark! to Music's softer sound,
New scenes and fairer views accordant rise:
Above, around,
The mingled measure swells in air, and dies.
Music, in thy charmed shell,
What sounds of holy magic dwell!
Oft when that shell was to the ear applied,
Confusion of rich harmonies,
All swelling rose,
That came, as with a gently-swelling tide:
Then at the close,
Angelic voices seemed, aloft,
To answer as it died the cadence soft.
Now, like the hum of distant ocean's stream,
The murmurs of the wond'rous concave seem;
And now exultingly their tones prolong
The chorded paeans of the choral song,
Then Music, with a voice more wildly sweet
Than winds that pipe on the forsaken shore,
When the last rain-drops of the west are o'er,
Warbled: Oh, welcome to my blest retreat,
And give my sounds to the responsive lyre:
With me to these melodious groves retire,
And such pure feelings share,
As, far from noise and folly, soothe thee there.
Here Fancy, as the prize were won,
And now she hailed her favourite son,
With energy impatient cried:
The weary world is dark and wide,
Lo! I am with thee still to comfort and to guide.
Nor fear, if, grim before thine eyes,
Pale worldly Want, a spectre, lowers;
What is a world of vanities
To a world as sweet as ours!
When thy heart is sad and lone,
And loves to dwell on pleasures flown,
When that heart no more shall bound
At some kind voice's well-known sound,
My spells thy drooping languor shall relieve,
And airy spirits touch thy lonely harp at eve.
Look!--Delight and Hope advancing,
Music joins her thrilling notes,
O'er the level lea come dancing;
Seize the vision as it floats,
Bright-eyed Rapture hovers o'er them,
Waving light his seraph wings,
Youth exulting flies before them,
Scattering cowslips as he sings!
Come now, my car pursue,
The wayward Fairy cried;
And high amid the fields of air,
Above the clouds, together we will ride,
And posting on the viewless winds,
So leave the cares of earth and all its thoughts behind.
I can sail, and I can fly,
To all regions of the sky,
On the shooting meteor's course,
On a winged griffin-horse!
She spoke: when Wisdom's self drew nigh,
A noble sternness in her searching eye;
Like Pallas helmed, and in her hand a spear,
As not in idle warfare bent, but still,
As resolute, to cope with every earthly ill.
In youthful dignity severe,
She stood: And shall the aspiring mind,
To Fancy be alone resigned!
Alas! she cried, her witching lay
Too often leads the heart astray!
Still, weak minstrel, wouldst thou rove,
Drooping in the distant grove,
Forgetful of all ties that bind
Thee, a brother, to mankind?
Has Fancy's feeble voice defied
The ills to poor humanity allied?
Can she, like Wisdom, bid thy soul sustain
Its post of duty in a life of pain!
Can she, like meek Religion, bid thee bear
Contempt and hardship in a world of care!
Yet let not my rebuke decry,
In all, her blameless witchery,
Or from the languid bosom tear
Each sweet illusion nourished there.
With dignity and truth, combined,
Still may she rule the manly mind;
Her sweetest magic still impart
To soften, not subdue, the heart:
Still may she warm the chosen breast,
Not as the sovereign, but the guest.
Then shall she lead the blameless Muse
Through all her fairest, wildest views;
To mark amid the flowers of morn,
The bee go forth with early horn;
Or when the moon, a softer light
Sheds on the rocks and seas of night,
To hear the circling fairy bands
Sing, Come unto these yellow sands!
Sweeter is our light than day,
Fond enthusiast, come away!
Then Chivalry again shall call
The champions to her bannered hall!
The pipe, and song, with many a mingled shout,
Ring through the forest, as the satyr-rout,
Dance round the dragon-chariot of Romance;
Forth pricks the errant knight with rested lance;
Imps, demons, fays, in antic train succeed,
The wandering maiden, and the winged steed!
The muttering wizard turns, with haggard look,
The bloody leaves of the accursed book,
Whilst giants, from the gloomy castle tower,
With lifted bats of steel, more dreadful lower!
At times, the magic shall prevail
Of the wild and wonderous tale;
At times, high rapture shall prolong
The deep, enthusiastic song.
Hence, at midnight, thou shalt stray,
Where dark ocean flings its spray,
To hear o'er heaven's resounding arch
The Thunder-Lord begin his march!
Or mark the flashes, that present
Some far-off shattered monument;
Whilst along the rocky vale,
Red fires, mingled with the hail,
Run along upon the ground,
And the thunders deeper sound!
The loftier Muse, with awful mien,
Upon a lonely rock is seen:
Full is the eye that speaks the dauntless soul;
She seems to hear the gathering tempest roll
Beneath her feet; she bids an eagle fly,
Breasting the whirlwind, through the dark-red sky;
Or, with elated look, lifts high the spear,
As sounds of distant battles roll more near.
Now deep-hushed in holy trance,
She sees the powers of Heaven advance,
And wheels, instinct with spirit, bear
God's living chariot through the air;
Now on the wings of morn she seems to rise,
And join the strain of more than mortal harmonies.
Thy heart shall beat exulting as she sings,
And thou shalt cry: Give me an angel's wings!
With sadder sound, o'er Pity's cave,
The willow in the wind shall wave;
And all the listening passions stand,
Obedient to thy great command.
With Poesy's sweet charm impressed,
Fancy thus shall warm thy breast;
Still her smiling train be thine,
Still her lovely visions shine,
To cheer, beyond my boasted power,
A sad or solitary hour.
Thus let them soothe a while thy heart,
'Come like shadows, so depart;'
But never may the witching lay
Lead each sense from life astray;
For vain the poet's muse of fire,
Vain the magic of his lyre,
Unless the touch subdued impart
Truth and wisdom to the heart!
poem by William Lisle Bowles
Submitted by Poetry Lover
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