Samuel Johnson

To Miss Hickman, Playing the Spinet

Bright Stella, form'd for universal reign,
Too well you know to keep the slaves you gain;
When in your eyes resistless lightnings play,
Awed into love our conquer'd hearts obey,
And yield reluctant to despotic sway;
But when your music soothes the raging pain,
We bid propitious heaven prolong your reign,
We bless the tyrant, and we hug the chain.
When old Timotheus struck the vocal string,
Ambition's fury fired the Grecian king:
Unbounded projects labouring in his mind,
He pants for room in one poor world confined.
Thus waked to rage by music's dreadful power,
He bids the sword destroy, the flame devour.
Had Stella's gentle touches moved the lyre,
Soon had the monarch felt the nobler fire:
No more delighted with destructive war,
Ambitious only now to please the fair;
Resign'd his thirst of empire to her charms,
And found a thousand worlds in Stella's arms.

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Stella And Flavia.

Stella and Flavia, ev'ry Hour,
Unnumber'd Hearts surprize:
In Stella's Soul lies all her Pow'r,
And Flavia's, in her Eyes.

More boundless Flavia's Conquests are,
And Stella's more confin'd:
All can discern a Face that's fair,
But few a lovely Mind.

Stella, like Britain's Monarch, reigns
O'er cultivated Lands;
Like Eastern Tyrants, Flavia deigns
To rule o'er barren Sands.

Then boast, fair Flavia, boast your Face,
Your Beauty's only Store:
Your Charms will ev'ry Day decrease,
Each Day gives Stella more.

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Samuel Johnson

Stella In Mourning

When lately Stella's form display'd
The beauties of the gay brocade,
The nymphs, who found their power decline,
Proclaim'd her not so fair as fine.
'Fate! snatch away the bright disguise,
And let the goddess trust her eyes.'
Thus blindly pray'd the fretful pair,
And Fate malicious heard the prayer;
But brighten'd by the sable dress,
As virtue rises in distress,
Since Stella still extends her reign,
Ah! how shall envy soothe her pain?
'Th' adoring youth and envious fair,
Henceforth shall form one common prayer
And love and hate alike implore
The skies - 'That Stella mourn no more.'

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Sonnet 52: A Strife Is Grown

A strife is grown between Virtue and Love,
While each pretends that Stella must be his:
Her eyes, her lips, her all, saith Love, do this
Since they do wear his badge, most firmly prove.

But Virtue thus that title doth disprove:
That Stella (oh dear name) that Stella is
That virtuous soul, sure heir of heav'nly bliss,
Not this fair outside, which our hearts doth move;

And therefore, though her beauty and her grace
Be Love's indeed, in Stella's self he may
By no pretense claim any manner place.

Well, Love, since this demur our suit will stay,
Let Virtue have that Stella's self; yet thus
That Virtue but that body grant to us.

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Samuel Johnson

Song

Not the soft sighs of vernal gales,
The fragrance of the flowery vales,
The murmurs of the crystal rill,
The vocal grove, the verdant hill;
Not all their charms, though all unite,
Can touch my bosom with delight.

Not all the gems on India's shore,
Not all Peru's unbounded store,
Not all the power, nor all the fame,
That heroes, kings, or poets claim;
Nor knowledge which the learn'd approve,
To form one wish my soul can move.

Yet Nature's charms allure my eyes,
And knowledge, wealth, and fame I prize;
Fame, wealth, and knowledge I obtain,
Nor seek I Nature's charms in vain;
In lovely Stella all combine,
And, lovely Stella! thou art mine.

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Samuel Johnson

The Natural Beauty

To Stella:

Whether Stella's eyes are found
Fix'd on earth or glancing round,
If her face with pleasure glow,
If she sigh at others' woe,
If her easy air express
Conscious worth, or soft distress,
Stella's eyes and air and face
Charm with undiminish'd grace
If on her we see display'd
Pendent gems, and rich brocade,
If her chintz with less expense
Flows in easy negligence;
Still she lights the conscious flame,
Still her charms appear the same;
If she strikes the vocal strings,
If she's silent, speaks, or sings,
If she sit, or if she move,
Still we love, and still approve.
Vain the casual transient glance,
Which alone can please by chance,
Beauty, which depends on art,
Changing with the changing art,
Which demands the toilet's aid,
Pendent gems and rich brocade.
I those charms alone can prize,
Which from constant Nature rise,
Which nor circumstance nor dress
E'er can make or more or less.

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Sonnet 101: Stella Is Sick

Stella is sick, and in that sickbed lies
Sweetness, which breathes and pants as oft as she:
And Grace, sick too, such fine conclusions tries
That Sickness brags itself best grac'd to be.

Beauty is sick, but sick in so fair guise
That is that paleness Beauty's white we see,
And Joy, which is inseparate from those eyes,
Stella now learns (strange case) to weep in thee.

Love moves thy pain, and like a faithful page,
As thy looks stir, runs up and down to make
All folks press'd at thy will thy pain t'assuage.

Nature with care sweats for her darling's sake,
Knowing worlds pass, ere she enough can find
Of such heav'n stuff, to clothe so heav'nly mind.

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Samuel Johnson

To Miss --,

{On her playing upon the harpsichord in
a room hung with flower-pieces of her own painting}.

When Stella strikes the tuneful string
In scenes of imitated Spring,
Where beauty lavishes her powers
On beds of never-fading flowers,
And pleasure propagates around
Each charm of modulated sound;
Ah! think not in the dangerous hour,
The nymph fictitious as the flower;
But shun, rash youth, the gay alcove,
Nor tempt the snares of wily love.
When charms thus press on every sense,
What thought of flight or of defence?
Deceitful hope, and vain desire,
For ever flutter o'er her lyre,
Delighting as the youth draws nigh,
To point the glances of her eye,
And forming with unerring art
New chains to hold the captive heart.
But on those regions of delight,
Might truth intrude with daring flight,
Could Stella, sprightly, fair, and young,
One moment hear the moral song,
Instruction with her flowers might spring,
And wisdom warble from her string.
Mark when from thousand mingled dyes
Thou seest one pleasing form arise,
How active light and thoughtful shade,
In greater scenes each other aid;
Mark when the different notes agree
In friendly contrariety,
How passion's well-accorded strife
Gives all the harmony of life.
Thy pictures shall thy conduct frame,
Consistent still, though not the same;
Thy music teach the nobler art,
To tune the regulated heart.

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Sonnet 106: Oh Absent Presence

Oh absent presence, Stella is not here;
False flattering Hope, that with so fair a face
Bare me in hand, that in this orphan place,
Stella, I say my Stella, should appear:

What sayest thou now? Where is that dainty cheer
Thou toldst mine eyes should help their famish'd case?
But thou art gone, now that self felt disgrace
Doth make me most to wish my comfort near.

But here I do store of fair ladies meet,
Who may with charm of conversation sweet
Make in my heavy mold new thought to grow:

Sure they prevail as much with me as he
That bade his friend, but then new maim'd, to be
Merry with him, and not think of his woe.

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Sonnet 50: Stella, The Fullness Of My Thoughts

Stella, the fullness of my thoughts of thee
Cannot be stay'd within my panting breast,
But they do swell and struggle forth of me,
Till that in words thy figure be express'd.

And yet as soon as they so formed be,
According to my Lord Love's own behest:
With sad eyes I their weak proportion see,
To portrait that which in this world is best.

So that I cannot choose but write my mind,
And cannot choose but put out what I write,
While these poor babes their death in birth do find:

And now my pen these lines had dashed quite,
But that they stopp'd his fury from the same,
Because their forefront bare sweet Stella's name.

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Sonnet 87: When I Was Forc'd From Stella

When I was forc'd from Stella, ever dear
Stella, food of my thoughts, heart of my heart;
Stella, whose eyes make all my tempests clear,
By iron laws of duty to depart:

Alas I found that she with me did smart;
I saw that tears did in her eyes appear;
I saw that sighs her sweetest lips did part,
And her sad words my saddest sense did hear.

For me, I wept to see pearls scatter'd so;
I sigh'd her sighs, and wailed for her woe,
Yet swam in joy, such love in her was seen.

Thus, while th'effect most bitter was to me,
And nothing than the couse more sweet could be,
I had been vex'd, if vex'd I had not been.

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Stella Blue

All the years combine, they melt into a dream,
A broken angel sings from a guitar.
In the end theres just a song comes cryin up the night
Thru all the broken dreams and vanished years.
Stella blue. stella blue.
When all the cards are down, theres nothing left to see,
Theres just the pavement left and broken dreams.
In the end theres still that song comes cryin like the wind.
Down every lonely street thats ever been
Stella blue. stella blue.
Ive stayed in every blue-light cheap hotel, cant win for trying.
Dust off those rusty strings just one more time,
Gonna make them shine, shine
It all rolls into one and nothing comes for free,
Theres nothing you can hold, for very long.
And when you hear that song come crying like the wind,
It seems like all this life was just a dream.
Stella blue. stella blue.

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Jonathan Swift

Stella's Birthday March 13, 1719

Stella this day is thirty-four,
(We shan't dispute a year or more:)
However, Stella, be not troubled,
Although thy size and years are doubled,
Since first I saw thee at sixteen,
The brightest virgin on the green;
So little is thy form declin'd;
Made up so largely in thy mind.

Oh, would it please the gods to split
Thy beauty, size, and years, and wit;
No age could furnish out a pair
Of nymphs so graceful, wise, and fair;
With half the lustre of your eyes,
With half your wit, your years, and size.
And then, before it grew too late,
How should I beg of gentle Fate,
(That either nymph might have her swain,)
To split my worship too in twain.

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Jonathan Swift

On Stella's Birth-Day, 1719

Stella this Day is thirty four,
(We shan't dispute a Year or more)
However Stella, be not troubled,
Although thy Size and Years are doubled,
Since first I saw Thee at Sixteen
The brightest Virgin on the Green,
So little is thy Form declin'd
Made up so largely in thy Mind.
Oh, woud it please the Gods to split
Thy Beauty, Size, and Years, and Wit,
No Age could furnish out a Pair
Of Nymphs so graceful, Wise and fair
With half the Lustre of your Eyes,
With half your Wit, your Years and Size:
And then before it grew too late,
How should I beg of gentle Fate,
(That either Nymph might have her Swain,)
To split my Worship too in twain.

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To The Countess Of Exeter. Playing On The Lute

What charms you have, from what high race you sprung,
Have been the pleasing subjects of my song:
Unskill'd and young, yet something still I writ
Of Ca'ndish' beauty, join'd to Cecil's wit.
But when you please to show the labouring muse
What greater theme your music can produce,
My babbling praises I repeat no more,
But hear, rejoice, stand silent, and adore.
The Persians thus, first gazing on the sun,
Admired how high 'twas placed, how bright it shone;
But as his power was known their thoughts were raised,
And soon they worshipp'd what at first they praised.
Eliza's glory lives in Spenser's song,
And Cowley's verse keeps fair Orinda young;
That as in birth and beauty you excel,
The muse might dictate and the poet tell:
Your art no other art can speak; and you
To show how well you play, must play anew:
Your music's power your music must disclose,
For what light is 'tis only light that shows.
Strange force of harmony that thus controls
Our thoughts, and turns and sanctifies our souls.
While with its utmost art your sex could move
Our wonder only or at best our love,
You far above both these your god did place,
That your high power might worldly thoughts destroy,
That with your numbers you our zeal might raise,
And like himself communicate your joy.
When to your native heaven you shall repair,
And with your presence crown the blessings there,
Your lute may wind its strings but little higher
To tune their notes to that immortal quire.
Your art is perfect here; your numbers do
More than our books make the rude atheist know
That there's a heaven by what he hears below.
As in some piece while Luke his skill exprest,
A cunning angel came and drew the rest,
So when you play, some godhead does impart
Harmonious aid; divinity helps art;
Some cherub finishes what you begun,
And to a miracle improves a tune.
To burning Rome when frantic Nero play'd,
Viewing that face, no more he had survey'd
The raging flames, but, struck with strange surprise,
Confess'd them less than those of Anna's eyes;
But, had he heard thy lute, he soon had found
His rage eluded and his crime atoned:
Thine, like Amphion's hand, had waked the stone
And from destruction call'd the rising town;
Malice to music had been forced to yield,
Nor could he burn so fast as thou couldst build.

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Sonnet XXIII: The Curious Wits

The curious wits seeing dull pensiveness
Bewray itself in my long settled eyes,
Whence those same fumes of melancholy rise,
With idle pains, and missing aim, do guess.

Some that know how my spring I did address,
Deem that my Muse some fruit of knowledge plies:
Others, because the Prince my service tries,
Think that I think state errors to redress.

But harder judges judge ambition's rage,
Scourge of itself, still climbing slipp'ry place,
Holds my young brain cativ'd in golden cage.

Oh Fools, or over-wise, alas the race
Of all my thoughts hath neither stop nor start,
But only Stella's eyes and Stella's heart.

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Astrophel and Stella: XXIII

The curious wits, seeing dull pensiveness
Bewray itself in my long-settl'd eyes,
Whence those same fumes of melancholy rise,
With idle pains and missing aim do guess.
Some, that know how my spring I did address,
Deem that my Muse some fruit of knowledge plies;
Others, because the prince my service tries,
Think that I think state errors to redress;
But harder judges judge ambition's rage--
Scourge of itself, still climbing slipp'ry place--
Holds my young brain captiv'd in golden cage.
O fool or over-wise! alas, the race
Of all my thoughts hath neither stop nor start
But only Stella's eyes and Stella's heart.

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Jonathan Swift

To Stella Visiting Me in My Sickness

Pallas, observing Stella's wit
Was more than for her sex was fit,
And that her beauty, soon or late,
Might breed confusion in the state,
In high concern for human kind,
Fix'd honour in her infant mind.
But (not in wrangling to engage
With such a stupid, vicious age)
If honour I would here define,
It answers faith in things divine.
As natural life the body warms,
And, scholars teach, the soul informs,
So honour animates the whole,
And is the spirit of the soul.
Those numerous virtues which the tribe
Of tedious moralists describe,
And by such various titles call,
True honour comprehends them all.
Let melancholy rule supreme,
Choler preside, or blood, or phlegm,
It makes no difference in the case,
Nor is complexion honour's place.
But, lest we should for honour take
The drunken quarrels of a rake:
Or think it seated in a scar,
Or on a proud triumphal car;
Or in the payment of a debt
We lose with sharpers at piquet;
Or when a whore, in her vocation,
Keeps punctual to an assignation;
Or that on which his lordship swears,
When vulgar knaves would lose their ears;
Let Stella's fair example preach
A lesson she alone can teach.
In points of honour to be tried,
All passions must be laid aside:
Ask no advice, but think alone;
Suppose the question not your own.
How shall I act, is not the case;
But how would Brutus in my place?
In such a case would Cato bleed?
And how would Socrates proceed?
Drive all objections from your mind,
Else you relapse to human kind:
Ambition, avarice, and lust,
A factious rage, and breach of trust,
And flattery tipt with nauseous fleer,
And guilty shame, and servile fear,
Envy, and cruelty, and pride,
Will in your tainted heart preside.
Heroes and heroines of old,
By honour only were enroll'd
Among their brethren in the skies,
To which (though late) shall Stella rise.
Ten thousand oaths upon record
Are not so sacred as her word:
The world shall in its atoms end,
Ere Stella can deceive a friend.
By honour seated in her breast
She still determines what is best:
What indignation in her mind
Against enslavers of mankind!
Base kings, and ministers of state,
Eternal objects of her hate!
She thinks that nature ne'er design'd
Courage to man alone confined.
Can cowardice her sex adorn,
Which most exposes ours to scorn?
She wonders where the charm appears
In Florimel's affected fears;
For Stella never learn'd the art
At proper times to scream and start;
Nor calls up all the house at night,
And swears she saw a thing in white.
Doll never flies to cut her lace,
Or throw cold water in her face,
Because she heard a sudden drum,
Or found an earwig in a plum.
Her hearers are amazed from whence
Proceeds that fund of wit and sense;
Which, though her modesty would shroud,
Breaks like the sun behind a cloud;
While gracefulness its art conceals,
And yet through every motion steals.
Say, Stella, was Prometheus blind,
And, forming you, mistook your kind?
No; 'twas for you alone he stole
The fire that forms a manly soul;
Then, to complete it every way,
He moulded it with female clay:
To that you owe the nobler flame,
To this the beauty of your frame.
How would Ingratitude delight,
And how would Censure glut her spite,
If I should Stella's kindness hide
In silence, or forget with pride!
When on my sickly couch I lay,
Impatient both of night and day,
Lamenting in unmanly strains,
Call'd every power to ease my pains;
Then Stella ran to my relief,
With cheerful face and inward grief;
And, though by Heaven's severe decree
She suffers hourly more than me,
No cruel master could require,
From slaves employ'd for daily hire,
What Stella, by her friendship warm'd
With vigour and delight perform'd:
My sinking spirits now supplies
With cordials in her hands and eyes:
Now with a soft and silent tread
Unheard she moves about my bed.
I see her taste each nauseous draught,
And so obligingly am caught;
I bless the hand from whence they came,
Nor dare distort my face for shame.
Best pattern of true friends! beware;
You pay too dearly for your care,
If, while your tenderness secures
My life, it must endanger yours;
For such a fool was never found,
Who pull'd a palace to the ground,
Only to have the ruins made
Materials for a house decay'd.

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Love and Music. Written at Oxford, When Young

Shall Love alone for ever claim
An universal right to fame,
An undisputed sway?
Or has not Music equal charms,
To fill the breast with strange alarms,
And make the world obey?

The Thracian bard, as poets tell,
Could mitigate the powers of hell,
Even Pluto's nicer ear:
His arts, no more than Love's, we find
To deities or men confined,
Drew brutes in crowds to hear.

Whatever favourite passion reign'd,
The poet still his right maintain'd
O'er all that ranged the plain:
The fiercer tyrants could assuage,
Or fire the timorous into rage,
Whene'er he changed the strain.

In milder lays the bard began;
Soft notes through every finger ran,
And echoing charm'd the place:
See! fawning lions gaze around,
And, taught to quit their savage sound,
Assume a gentler grace.

When Cymon view'd the fair one's charms,
Her ruby lips, and snowy arms,
And told her beauties o'er:
When Love reform'd his awkward tone,
And made each clownish gesture known,
It show'd but equal power.

The bard now tries a sprightlier sound,
When all the feather'd race around
Perceived the varied strains;
The soaring lark the note pursues;
The timorous dove around him coos,
And Philomel complains.

An equal power of Love I've seen,
Incite the deer to scour the green,
And chase his barking foe.
Sometimes has Love, with greater might,
To challenge-nay-sometimes-to fight,
Provoked the enamour'd beau.

When Silvia treads the smiling plain,
How glows the heart of every swain,
By pleasing tumults tost!
When Handel's solemn accents roll,
Each breast is fired, each raptured soul
In sweet confusion lost.

If she her melting glances dart,
Or he his dying airs impart,
Our spirits sink away.
Enough, enough! dear nymph, give o'er;
And thou, great artist! urge no more
Thy unresisted sway.

Thus Love or Sound affects the mind:
But when their various powers are join'd,
Fly, daring mortal, fly!
For when Selinda's charms appear,
And I her tuneful accents hear-
I burn, I faint, I die!

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Samuel Johnson

Evening Ode

To Stella:

Evening now from purple wings
Sheds the grateful gifts she brings;
Brilliant drops bedeck the mead,
Cooling breezes shake the reed;
Shake the reed, and curl the stream
Silver'd o'er with Cynthia's beam;
Near the chequer'd, lonely grove,
Hears, and keeps thy secrets, love!
Stella, thither let us stray,
Lightly o'er the dewy way.
Phoebus drives his burning car,
Hence, my lovely Stella, far;
In his stead, the queen of night
Round us pours a lambent light:
Light that seems but just to show
Breasts that beat, and cheeks that glow;
Let us now, in whisper'd joy,
Evening's silent hours employ,
Silent best, and conscious shades,
Please the hearts that love invades,
Other pleasures give them pain,
Lovers all but love disdain.

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Thebais - Book One - part II

A robe obscene was o’er her shoulders thrown,
A dress by fates and furies worn alone. us
She tossed her meagre arms; her better hand’
In waving circles whirled a fun’ral brand:
A serpent from her left was seen to rear
His flaming crest, and lash the yielding air.
But when the fury took her stand on high, too
Where vast Oitheron’s top salutes the sky,
A hiss from all the snaky tire went round:
The dreadful signal all the rocks rebound,
And through th’ Aobaian cities send the sound.
Œte, with high Parnassus, heard the voice;
Eurotas’ banks remurmured to the noise;.
Again Leucothea shook at these alarms,
And pressed Palæmon closer in her arms.
Headlong from thence the glowing fury springs,
And o’er the Theban palace spreads her wings,
Once more invades the guilty dome, and shrouds
Its bright pavilions in a veil of clouds.
Straight with the rage of all their race possessed
Stung to the soul, the brothers start from rest,
And all their furies wake within their breast.
Their tortured minds repining envy tears,
And hate, engendered by suspicious fears;
And sacred thirst of sway; and all the ties
Of nature broke; and royal perjuries;
And impotent desire to reign alone,
That scorns the dull reversion of a throne;
Each would the sweets of sov’reign rule devour,
While discord waits upon divided power.
As stubborn steers by brawny plowmen broke,
And joined reluctant to the galling yoke,
Alike disdain with servile necks to bear
Th’ unwonted weight, or drag the crooked share,
But rend the reins, and bound a diff’rent way,
And all the furrows in confusion lay:
Such was the discord of the royal pair,
Whom fury drove precipitate to war.
In vain the chiefs contrived a specious way,
To govern Thebes by their alternate sway:
Unjust decree ! while this enjoys the state,
That mourns in exile his unequal fate,
And the short monarch of a hasty year
Foresees with anguish his returning heir.
Thus did the league their impious arms restrain,
But scarce subsisted to the second reign.
Yet then, no proud aspiring piles were raised,
No fretted roofs with polished metals blazed;
No laboured columns in long order placed,
No Grecian stone the pompous arches graced;
No nightly bands in glitt’ring armour wait
Before the sleepless tyrant’s guarded gate;
No chargers then were wrought in burnished gold,
Nor silver vases took the forming mold;
Nor gems on bowls embossed were seen to shine,
Blaze on the brims, and sparkle in the wine.
Say, wretched rivals ! what provokes your rage?
Say, to what end your impious arms engage?
Not all bright Phœbus views in early morn,
Or when his ev’ning beams the west adorn,
When the south glows with his meridian ray,
And the cold north receives a fainter day;
For crimes like these, not all those realms suffice,
Were all those realms the guilty victor’s prize !
But fortune now (the lots of empire thrown)
Decrees to proud Eteocles the crown:
What joys, oh tyrant ! swelled thy soul that day,
When all were slaves thou couldst around survey,
Pleased to behold unbounded power thy own,
And singly fill a feared and envied throne !
But the vile vulgar, ever discontent,
Their growing fears in secret murmurs vent;
Still prone to change, though still the slaves of state,
And sure the monarch whom they have, to hate;
New lords they madly make, then tamely bear,
And softly curse tile tyrants whom they fear.
And one of those who groan beneath the sway
Of kings imposed, and grudgingly obey,
(Whom envy to the great, and vulgar spite
With scandal armed, th’ ignoble mind’s delight,)
Exclaimed-“ O Thebes ! for thee what fates remain,
What woes attend this inauspicious reign?
Must we, alas ! our doubtful necks prepare,
Each haughty master’s yoke by turns to bear,
And still to change whom changed we still must fear?
These now control a wretched people’s fate,
These can divide, and these reverse the state:
Ev’n fortune rules no more !-O servile land,
Where exiled tyrants still by turns command.
Thou sire of gods and men, imperial Jove !
Is this th’ eternal doom decreed above?
On thy own offspring hast thou fixed this fate,
From the first birth of our unhappy state;
When banished Cadmus, wand’ring o’er the main,
For lost Europa searched the world in vain,
And fated in Bœotian fields to found
A rising empire on a foreign ground,
First raised our walls on that ill-omened plain,
Where earth-born brothers were by brothers slain?
What lofty looks th’ unrivalled monarch bears !
How all the tyrant in his face appears !
What sullen fury clouds his scornful brow !
Gods ! how his eyes with threat’ning ardour glow !
Can this imperious lord forget to reign,
Quit all his state, descend, and serve again?
Yet, who, before, mere popularly bowed?
Who more propitious to the suppliant crowd?
Patient of right, familiar in the throne?
What wonder then? he was not then alone.
O wretched we, a vile, submissive train,
Fortune’s tame fools, and slaves in ev’ry reign !
As when two winds with rival force contend,
This way and that, the wav’ring sails they bend,
While freezing Boreas, and black Eurus blow,
Now here, now there, tho reeling vessel throw:
Thus on each side, alas ! our tott’ring state
Feels all the fury of resistless fate,
And doubtful still, and still distracted stands,
While that prince threatens, and while this commands.”
And now th’ almighty father of the gods
Convenes a council in the blest abodes:
Far in the bright recesses of the skies,
high o’er the rolling heav’ns, a mansion lies,
Whence, far below, the gods at once survey
The realms of rising and declining day,
And all lii’ extended space of earth, and air, and sea.
Full in the midst, and on a starry throne,
The majesty of heav’n superior shone;
Serene he looked, and gave an awful nod,
And all the trembling spheres confessed the god.
At Jove’s assent the deities around
In solemn state the consistory crowned.
Next a long order of inferior pow’rs
Ascend from hills, and plains, and shady bow’rs;
Those from whose urns the rolling rivers flow;
And those that give the wand’ring winds to blow:
Here all their rage, and ev’n their murmurs cease,
And sacred silence reigns, and universal peace.
A shining synod of majestic gods
Gilds with new lustre the divine abodes;
Heav’n seems improved with a superior ray,
And the bright arch reflects a double day.
The monarch then his solemn silence broke,
The still creation listened while he spoke,
Each sacred accent bears eternal weight,
And each irrevocable word is fate.
“How long shall man the wrath of heav’n defy,
And force unwilling vengeance from the sky!

poem by Pablius Papinius StatiusReport problemRelated quotes
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