Ode To Apollo
1.
In thy western halls of gold
When thou sittest in thy state,
Bards, that erst sublimely told
Heroic deeds, and sang of fate,
With fervour seize their adamantine lyres,
Whose chords are solid rays, and twinkle radiant fires.
2.
Here Homer with his nervous arms
Strikes the twanging harp of war,
And even the western splendour warms,
While the trumpets sound afar:
But, what creates the most intense surprise,
His soul looks out through renovated eyes.
3.
Then, through thy Temple wide, melodious swells
The sweet majestic tone of Maro's lyre:
The soul delighted on each accent dwells,--
Enraptur'd dwells,--not daring to respire,
The while he tells of grief around a funeral pyre.
4.
'Tis awful silence then again;
Expectant stand the spheres;
Breathless the laurell'd peers,
Nor move, till ends the lofty strain,
Nor move till Milton's tuneful thunders cease,
And leave once more the ravish'd heavens in peace.
5.
Thou biddest Shakespeare wave his hand,
And quickly forward spring
The Passions--a terrific band--
And each vibrates the string
That with its tyrant temper best accords,
While from their Master's lips pour forth the inspiring words.
6.
A silver trumpet Spenser blows,
And, as its martial notes to silence flee,
From a virgin chorus flows
A hymn in praise of spotless Chastity.
'Tis still! Wild warblings from the Aeolian lyre
Enchantment softly breathe, and tremblingly expire.
7.
Next thy Tasso's ardent numbers
Float along the pleased air,
Calling youth from idle slumbers,
Rousing them from Pleasure's lair:--
Then o'er the strings his fingers gently move,
And melt the soul to pity and to love.
8.
But when Thou joinest with the Nine,
And all the powers of song combine,
We listen here on earth:
Thy dying tones that fill the air,
And charm the ear of evening fair,
From thee, great God of Bards, receive their heavenly birth.
poem by John Keats
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From Anacreon
I wish to tune my quivering lyre
To deed of fame and notes of fire;
To echo, from its rising swell,
How heroes fought and nations fell,
When Atreus' sons advanced to war,
Or Tyrian Cadmus roved afar;
But still, to martial strains unknown,
My lyre recurs to love alone.
Fired with the hope of future fame,
I seek some nobler hero's name;
The dying chords are strung anew,
To war, to war, my harp is due.
With glowing strings, the epic strain
To Jove's great son I raise again;
Alcides and his glorious deeds,
Beneath whose arm the Hydra bleeds.
All, all in vain; my wayward lyre
Wakes silver notes of soft desire.
Adieu, ye chiefs renown'd in arms!
Adieu the clang of war's alarms!
To other deeds my soul is strung,
And sweeter notes shall now be sung;
My harp shall all its powers reveal,
To tell the tale my heart must feel;
Love, Love alone, my lyre shall claim,
In songs of bliss and sighs of flame.
On The Death Of Mr. Viner
Is Viner Dead? and shall each Muse become
Silent as Death, and as his Musick Dumb?
Shall he depart without a poet's Praise,
Who oft to Harmony has tun'd their Lays?
Shall he, who knew the Elegance of Sound,
Find no one voice to sing him to the Ground?
musick and poetry are Sister-Arts,
Shew a like Genius, and consenting Hearts:
My Soul with his is secretly ally'd,
And I am forc'd to speak, since viner dy'd.
Oh that my Muse, as once his Notes, could swell!
That I might all his Praises fully tell;
That I might say with how much skill he play'd,
How nimbly four extended Strings survey'd;
How Bow and Fingers, with a noble Strife,
Did raise the vocal fiddle into Life;
How various Sounds, in various Order rang'd,
By unobserv'd Degrees minutely chang'd;
Thro' a vast Space could in Divisions run,
Be all distinct, yet all agree in One:
And how the fleeter Notes could swiftly pass,
And skip alternately from Place to Place;
The Strings could with a sudden Impulse bound,
Speak every Touch, and tremble into Sound.
The liquid Harmony, a tuneful Tide,
Now seem'd to rage, anon wou'd gently glide;
By Turns would ebb and flow, would rise and fall,
Be loudly daring, or be softly small:
While all was blended in one common Name,
Wave push'd on Wave, and all compos'd a Stream.
The diff'rent tones melodiously combin'd,
Temper'd with Art, in sweet Confusion join'd;
The Soft, the Strong, the Clear, the Shrill, the Deep,
Would sometimes soar aloft, and sometimes creep;
While ev'ry Soul upon his Motions hung,
As tho' it were in tuneful Concert strung.
His Touch did strike the Fibres of the Heart,
And a like Trembling secretly impart;
Where various Passions did by Turns succeed,
He made it chearful, and he made it bleed;
Could wind it up into a glowing Fire,
Then shift the Scene, and teach it to expire.
Oft have I seen him on a Publick Stage,
Alone the gaping Multitude engage;
The Eyes and Ears of each Spectator draw,
Command their Thoughts, and give their Passions Law;
While other Musick in Oblivion drown'd,
Seem'd a dead Pulse, or a neglected Sound.
Alas! he's gone, our Great Apollo's dead,
And all that's sweet and tuneful with him fled.
hibernia—with one universal Cry,
Laments its Loss, and speaks his elegy.
Farewel, thou Author of refin'd Delight,
Too little known, too soon remov'd from Sight;
Those Fingers, which such Pleasure did convey,
Must now become to stupid Worms a prey:
Thy grateful fiddle with for ever stand
A silent Mourner for its master's Hand:
Thy art is only to be match'd Above,
Where Musick reigns, and in that Musick Love:
Where Thou wilt with the happy chorus join,
And quickly Thy melodious soul refine
To the exalted pitch of Harmony Divine.
poem by Thomas Parnell
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On Æolus's Harp
Ethereal race, inhabitants of air,
Who hymn your god amid the secret grove;
Ye unseen beings, to my harp repair,
And raise majestic strains, or melt in love.
Those tender notes, how kindly they upraid,
With what soft woe they thrill the lover's heart!
Sure from the hand of some unhappy maid,
Who died for love, these sweet complainings part.
But hark! that strain was of a graver tone,
On the deep strings his hand some hermit throws;
Or he, the sacred Bard, who sat alone
In the drear waste, and wept his people's woes.
Such was the song which Zion's children sung,
When by Euphrates' stream they made their plaint;
And to such sadly solemn notes are strung
Angelic harps, to soothe a dying saint.
Methinks I hear the full celestial choir,
Through Heaven's high dome their awful anthem raise;
Now chanting clear, and now they all conspire
To swell the lofty hymn from praise to praise.
Let me, ye wandering spirits of the wind,
Who, as wild fancy prompts you, touch the string,
Smit with your theme, be in your chorus joined,
For, till you cease, my Muse forgets to sing.
poem by James Thomson
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To His Forsaken Mistress
I DO confess thou'rt smooth and fair,
And I might have gone near to love thee,
Had I not found the slightest prayer
That lips could move, had power to move thee;
But I can let thee now alone
As worthy to be loved by none.
I do confess thou'rt sweet; yet find
Thee such an unthrift of thy sweets,
Thy favours are but like the wind
That kisseth everything it meets:
And since thou canst with more than one,
Thou'rt worthy to be kiss'd by none.
The morning rose that untouch'd stands
Arm'd with her briers, how sweet she smells!
But pluck'd and strain'd through ruder hands,
Her sweets no longer with her dwells:
But scent and beauty both are gone,
And leaves fall from her, one by one.
Such fate ere long will thee betide
When thou hast handled been awhile,
With sere flowers to be thrown aside;
And I shall sigh, while some will smile,
To see thy love to every one
Hath brought thee to be loved by none.
poem by Sir Robert Aytoun
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Remind Me Not, Remind Me Not
Remind me not, remind me not,
Of those beloved, those vanish'd hours,
When all my soul was given to thee;
Hours that may never be forgot,
Till Time unnerves our vital powers,
And thou and I shall cease to be.
Can I forget---canst thou forget,
When playing with thy golden hair,
How quick thy fluttering heart did move?
Oh! by my soul, I see thee yet,
With eyes so languid, breast so fair,
And lips, though silent, breathing love.
When thus reclining on my breast,
Those eyes threw back a glance so sweet,
As half reproach'd yet rais'd desire,
And still we near and nearer prest,
And still our glowing lips would meet,
As if in kisses to expire.
And then those pensive eyes would close,
And bid their lids each other seek,
Veiling the azure orbs below;
While their long lashes' darken'd gloss
Seem'd stealing o'er thy brilliant cheek,
Like raven's plumage smooth'd on snow.
I dreamt last night our love return'd,
And, sooth to say, that very dream
Was sweeter in its phantasy,
Than if for other hearts I burn'd,
For eyes that ne'er like thine could beam
In Rapture's wild reality.
Then tell me not, remind me not,
Of hours which, though for ever gone,
Can still a pleasing dream restore,
Till Thou and I shall be forgot,
And senseless, as the mouldering stone
Which tells that we shall be no more.
The Silent Melody
"BRING me my broken harp," he said;
"We both are wrecks,-- but as ye will,--
Though all its ringing tones have fled,
Their echoes linger round it still;
It had some golden strings, I know,
But that was long-- how long!-- ago.
"I cannot see its tarnished gold,
I cannot hear its vanished tone,
Scarce can my trembling fingers hold
The pillared frame so long their own;
We both are wrecks,-- awhile ago
It had some silver strings, I know,
"But on them Time too long has played
The solemn strain that knows no change,
And where of old my fingers strayed
The chords they find are new and strange,--
Yes! iron strings,-- I know,-- I know,--
We both are wrecks of long ago.
"We both are wrecks,-- a shattered pair,
Strange to ourselves in time's disguise
What say ye to the lovesick air
That brought the tears from Marian's eyes?
Ay! trust me,-- under breasts of snow
Hearts could be melted long ago!
"Or will ye hear the storm-song's crash
That from his dreams the soldier woke,
And bade him face the lightning flash
When battle's cloud in thunder broke?
Wrecks,-- nought but wrecks!-- the time was when
We two were worth a thousand men!"
And so the broken harp they bring
With pitying smiles that none could blame;
Alas there's not a single string
Of all that filled the tarnished frame!
But see! like children overjoyed,
His fingers rambling through the void!
"I clasp thee! Ay . . . mine ancient lyre. . .
Nay, guide my wandering fingers. . . There!
They love to dally with the wire
As Isaac played with Esan's hair. . . .
Hush! ye shall hear the famous tune
That Marina called the Breath of June!"
And so they softly gather round:
Rapt in his tuneful trance he seems:
His fingers move: but not a sound!
A silence like the song of dreams. . . .
"There! ye have heard the air," he cries,
"That brought the tears from Marina's eyes!"
Ah, smile not at his fond conceit,
Nor deem his fancy wrought in vain;
To him the unreal sounds are sweet,--
No discord mars the silent strain
Scored on life's latest, starlit page--
The voiceless melody of age.
Sweet are the lips of all that sing,
When Nature's music breathes unsought,
But never yet could voice or string
So truly shape our tenderest thought
As when by life's decaying fire
Our fingers sweep the stringless lyre!
poem by Oliver Wendell Holmes
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To The Poet Cowper, On His Recovery From An Indisposition
WRITTEN SOME TIME BACK.
Cowper, I thank my God that thou art healed.
Thine was the sorest malady of all,
And I am sad to think that it should light
Upon the worthy head; but thou art healed,
And thou art yet, we trust, the destined man,
Born to re-animate the lyre, whose chords
Have slumbered, and have idle lain so long;
To the immortal sounding of whose strings
Did Milton frame the stately-paced verse;
Among whose wires with lighter finger playing
Our elder bard, Spenser, a gentler name,
The lady Muses' dearest darling child,
Enticëd forth the deftest tunes yet heard
In hall or bower; taking the delicate ear
Of the brave Sidney, and the Maiden Queen.
Thou, then, take up the mighty epic strain,
Cowper, of England's bards the wisest and the best!
poem by Charles Lamb
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To a friend, on being asked for some verses
I thought the Soul of Song had made
This heart of mine her sepulchre;
For all her golden dreams had fled,
And I could win no note from her.
But when for thee thou bid'st her sing,
That spell dissolves her icy chain;
She slowly plumes her drooping wing,
And strikes her shattered chords again.
For more than lifeless would she be,
If thou shouldst bid her wake in vain;
And lost her chords, if still for thee
She could not wake one living strain.
For thee -- that hours of deep distress,
And days of gloom with kindness lit,
Till half I blessed the bitterness
That gave me thee to sweeten it.
For thee -- that when, despairing long,
I said, "No friend has earth for me,"
Didst bid the tones die on my tongue,
And I could utter, "only thee."
For thee -- that when my mother earth
Shall call me to her sheltering breast,
Of all I know wilt weep alone
Above my nameless place of rest.
But see! her wings refuse to fly;
Her chords are harsh from silence long;
Alas! thy gentle sorcery
Hath summoned but the ghost of Song.
She hovers o'er her living tomb,
She seeks once more her grave and chain,
As spectres haunt the midnight gloom:
Sweet friend, awake her not again.
If o'er the wind harp's gentle strings
The threatening tempest rudely flies,
It does not wake more thrilling strains --
The chords are rent, the music dies.
Thus is my harp, thus is my song --
I woo in vain its sweetness fled,
The storms have swept the chords too long,
The music of my soul is dead.
poem by Anne Lynch Botta from Poems (1848)
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O Lord My God! - -Carl Boberg
O Lord my God!
When I in awesome wonder
consider all the worlds
Thy hands have made
I see the stars,
I hear the rolling thunder,
The power throughout the universe displayed
Then sings my soul, my Savior God to Thee;
How great Thou art, how great thou art!
Then sings my soul, my Savior God to Thee,
How great Thou art, how great Thou art!
When through the woods and forest glades I wander
And hear the birds sing sweetly in the trees;
When I look down from lofty mountain grandeur
And hear the brook and feel the geltle breeze;
Then sings my soul, my Savior God to Thee;
How great Thou art, how great thou art!
Then sings my soul, my Savior God to Thee,
How great Thou art, how great Thou art!
And when I think that God, His Son not sparing,
Sent Him to die, I scarce can take it in; -
That on the cross my burden gladly bearing,
He bled to take away my sin; -
Then sings my soul, my Savior God to Thee;
How great Thou art, how great thou art!
Then sings my soul, my Savior God to Thee,
How great Thou art, how great Thou art!
When Christ shall come with shout of acclamation
And take me home, what joy shall fill my heart!
Then I shall bow in humble adoration
And there proclaim, My God, How great Thou art!
Then sings my soul, my Savior God to Thee;
How great Thou art, how great thou art!
Then sings my soul, my Savior God to Thee,
How great Thou art, how great Thou art!
poem by Sangnam Nam
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The Australian Muse
Uplift thy lyre, and touch the tender strings;
But leave unsung the epics of thy land
Til thou and time have made a song both grand
And mellow with thy long imaginings.
Breathe forth the secret whisperings of thy birth,
And play the soft tunes of thine infancy;
Nor sing the dull oft-told reality
Of worldly ways; but rather let the earth
Grow old; then sing the great songs of its youth.
Then thou, whilst ageing in the pass of time,
Add fame to fame, and rhyme to gloried rhyme
Till fit thy lyre is for song of Truth.
But now, a child-song sweet with laughs and
Tears,
And let the unripe ripen with the years.
poem by Leon Gellert
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A Prophecy: To George Keats In America
'Tis the witching hour of night,
Orbed is the moon and bright,
And the stars they glisten, glisten,
Seeming with bright eyes to listen --
For what listen they?
For a song and for a charm,
See they glisten in alarm,
And the moon is waxing warm
To hear what I shall say.
Moon! keep wide thy golden ears --
Hearken, stars! and hearken, spheres! --
Hearken, thou eternal sky!
I sing an infant's lullaby,
A pretty lullaby.
Listen, listen, listen, listen,
Glisten, glisten, glisten, glisten,
And hear my lullaby!
Though the rushes that will make
Its cradle still are in the lake --
Though the linen that will be
Its swathe, is on the cotton tree --
Though the woollen that will keep
It warm, is on the silly sheep --
Listen, starlight, listen, listen,
Glisten, glisten, glisten, glisten,
And hear my lullaby!
Child, I see thee! Child, I've found thee
Midst of the quiet all around thee!
And thy mother sweet is nigh thee!
But a Poet evermore!
See, see, the lyre, the lyre,
In a flame of fire,
Upon the little cradle's top
Flaring, flaring, flaring,
Past the eyesight's bearing,
Awake it from its sleep,
And see if it can keep
Its eyes upon the blaze --
Amaze, amaze!
It stares, it stares, it stares,
It dares what no one dares!
It lifts its little hand into the flame
Unharm'd, and on the strings
Paddles a little tune, and sings,
With dumb endeavour sweetly --
Bard art thou completely!
Little child
O' th' western wild,
Bard art thou completely!
Sweetly with dumb endeavour,
A Poet now or never,
Little child
O' th' western wild,
A Poet now or never!
poem by John Keats
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Lincoln
Hurt was the nation with a mighty wound,
And all her ways were filled with clam'rous sound.
Wailed loud the South with unremitting grief,
And wept the North that could not find relief.
Then madness joined its harshest tone to strife:
A minor note swelled in the song of life.
'Till, stirring with the love that filled his breast,
But still, unflinching at the right's behest,
Grave Lincoln came, strong handed, from afar,
The mighty Homer of the lyre of war.
'T was he who bade the raging tempest cease,
Wrenched from his harp the harmony of peace,
Muted the strings, that made the discord,--Wrong,
And gave his spirit up in thund'rous song.
Oh mighty Master of the mighty lyre,
Earth heard and trembled at thy strains of fire:
Earth learned of thee what Heav'n already knew,
And wrote thee down among her treasured few.
poem by Paul Laurence Dunbar
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A Song For St. Cecilia's Day, At Oxford
I.
Cecilia, whose exalted hymns
With joy and wonder fill the blest,
In choirs of warbling seraphims
Known and distinguish'd fom the rest;
Attend, harmonious saint, and see
Thy vocal sons of harmony;
Attend, harmonious saint, and hear our prayers;
Enliven all our earthly airs,
and, as thou sing'st thy God, teach us to sing of thee:
Tune every string and every tongue,
Be thou the Muse and subject of our song.
II.
Let all Cecilia's praise proclaim,
Enploy the echo in her name.
Hark how the flutes and trumpets raise,
At bright Cecilia's name, their lays;
The organ labours in her praise.
Cecilia's name does all our numbers grace,
From every voice the tuneful accents fly,
In soaring trebles now it rises high,
And now it sinks, and dwells upon the base.
Cecilia's name through all the notes we sing,
The work of every skilful tongue
The sound of every trembling string,
The sound and triumph of our song.
III.
For ever consecrate the day,
To music and Cecilia;
Music, the greatest good that mortals know,
And all of heaven we have below.
Music can noble hints impart,
Engender fury, kindle love;
With unsuspected eloquence can move,
And manage all the man with secret art.
When Orpheus strikes the trembling lyre
The streams stand still, the stones admire;
The listening savages advance,
The world and lamb around him trip
The bears in aukward measures leap,
And tigers mingle in the dance
The moving woods attended as he played
And Rhodope was left without a shade.
IV.
Music religious heats inspires,
It wakes the soul, and lifts it high,
And wings it with sublime desires,
And fits it to bespeak the Deity.
Th' Almighty listens to a tuneful tongue,
And seems well-pleas'd and courted with a song.
Soft moving sounds and heavenly airs
Give forece to every word, and recommend our prayers
When time itself shall be no more,
And all things in confusion hurl'd,
Music shall then exert its power,
And sound survive the ruins of the world:
Then saints and angels shall agree
In one eternal jubilee:
All heaven shall echo with their hymns divine,
And God himself with pleasure see
The whole creation in a chorus join.
C H O R U S.
Consecrate the place and day,
To music and Cecilia Let no rough winds approach, nor dare
Invade the hallow'd bounds,
Nor rudely shake the tuneful air,
Nor spoil the fleeting sounds.
Nor mournful sigh nor groan be heard,
But gladness dwell on every tongue;
Whilst all, with voice and strings prepar'd,
Keep u; the loud harmonious song.
And imitate the blest above,
In joy, and harmony, and love.
poem by Joseph Addison
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The Silver Horn
"Come, rest with me now, my silver horn!
My melodious joy, my silver horn!
These many long years my constant friend,
Together let our toiling end.
Yet fain would I ask (were mine the choice)
For a moment of strength to give thee voice--
One silvery peal ere life shall cease;
But not for war--for blessed peace."
Yes! once again ring, sweet silver horn
That long ago rang on battle morn--
From vale and glen that summon'd then
To arms! to arms! a thousand men.
For peace ring now! for peace ring high!
Ring a welcoming peal that shall not die
Till mountain and mound, the earth around,
Responsive songs in echo sound.
"Thy whispers I hear, my silver horn!
My melodious joy, my silver horn!
They comfort me oft with such control,
Methinks thou hast a living soul.
Then cherish we both one calm content;
For the land that we love our powers were spent;
And o're the turf that greens our grave,
For ages may her banner wave."
"I kiss thee adieu, my silver horn!
My melodious joy, my silver horn!"
Then suddenly loos'd the bugler's clasp;
His kiss was but a dying gasp.
Yet marvels of power can love evoke:
At the touch of his lips the bugle spoke!
And wondrously sweet, and clear, and strong,
From thence outrang a silver song.
poem by Henry Clay Work
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Lady That Hast my Heart
LADY that hast my heart within thy hand,
Thou heed'st me not; and if thou turn thine ear
Unto the wise, thou shalt not understand--
Behold the fault is thine, our words were clear.
For all the tumult in my drunken brain
Praise God! who trieth not His slave in vain;
Nor this world nor the next shall make me fear!
My weary heart eternal silence keeps--
I know not who has slipped into my heart;
Though I am silent, one within me weeps.
My soul shall rend the painted veil apart.
Where art thou, Minstrel! touch thy saddest strings
Till clothed in music such as sorrow sings,
My mournful story from thy zither sweeps.
Lo, not at any time I lent mine ear
To hearken to the glories of the earth;
Only thy beauty to mine eyes was dear.
Sleep has forsaken me, and from the birth
Of night till day I weave bright dreams of thee;
Drunk with a hundred nights of revelry,
Where is the tavern that sets forth such cheer!
My heart, sad hermit, stains the cloister floor
With drops of blood, the sweat of anguish dire;
Ah, wash me clean, and o'er my body pour
Love's generous wine! the worshippers of fire
Have bowed them down and magnified my name,
For in my heart there burns a living flame,
Transpiercing Death's impenetrable door.
What instrument through last night's silence rang?
My life into his lay the minstrel wove,
And filled my brain with the sweet song he sang.
It was the proclamation of thy love
That shook the strings of Life's most secret lyre,
And still my breast heaves with last night's desire,
For countless echoes from that music sprang.
And ever, since the time that Hafiz heard
His Lady's voice, as from a rocky hill
Reverberates the softly spoken word,
So echoes of desire his bosom fill.
poem by Shams al-Din Hafiz
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Power Of Silence
In silence the flower buds gently bloom,
In silence they waft their sweet perfume.
In silence grows the blades of grass,
In silence I pen down my verse.
Speech is silver, silence gold,
Good deeds silently performed,
Is more eloquent than words!
In silence lovers cuddle and sleep,
True love communicates through
oceans deep!
Look at the mountains towering so high,
Clouds kiss their tops and silently
float by!
In silence the monks move their prayer
beads,
In silence they perform their charitable deeds.
In silence the sun rises and shine,
In silence the moon beams softly smiles.
In silence my God I invoke,
In silence rise my incense smoke.
In silence my inner-self unfolds,
In silent prayer my hands I fold.
In silence, with Him I communicate,
In silence I surrender to my fate.
In silence I beg Him to make me whole,
In silence to Him I surrender my soul!
In our noise polluted world, silence is
difficult to find,
But I know, one day, this Silence shall be
mine!
The Ideal
"How the shadow the Ideal throws before it darkens the actual." -- Zanoni
"La vie est un sommeil, l'amour en est le rêve;."
A sad, sweet dream; it fell upon my soul
When song and thought first woke their echoes there,
Swaying my spirit to its wild control,
And with the shadow of a fond despair
Darkening the fountain of my young life's stream --
It haunts me still, and yet I know 'tis but a dream.
Whence art thou, shadowy presence, that canst hide
From my charmed sight the glorious things of earth?
A mirage o'er life's desert dost thou glide?
Or, with those glimmerings of a former birth,
A "trailing cloud of glory," hast thou come
From some bright world afar, our unremembered home?
I know thou dwell'st not in this dull cold Real,
I know thy home is in some brighter sphere;
I know I shall not meet thee, my Ideal!
In the dark wanderings that await me here --
Why comes thy gentle image then to me,
Wasting my night of life in one long dream of thee!
The city's peopled solitude, the glare
Of festal halls, moonlight and music's tone,
All breathe the sad refrain thou art not there;
And even with Nature, I am still alone;
With joy I watch her summer bloom depart --
I love drear winter's reign -- 'tis winter in my heart.
And if I sigh upon my brow to see
The deepening shadow of Time's fleeting wing,
'Tis for the youth I might not give to thee, --
The vanished brightness of my first sweet spring;
That I might give thee not the joyous form,
Unsworn by bitter tears, unblighted by the storm.
And when the hearts I should be proud to win,
Breathe, in those tones that woman holds so dear,
Words of impassioned homage unto mine,
Coldly and harsh they fall upon my ear;
And as I listen to the fervent vow,
My weary heart replies, "Alas! it is not thou!"
And when the thoughts within my spirit glow,
That would outpour themselves in words of fire,
If some kind influence bade the music flow,
Like that which woke the notes of Memnon's lyre;
Thou, sunlight of my life! wakest not the lay --
And song within my heart unuttered dies away.
Depart, oh shadow! fatal dream, depart!
Go, I conjure thee; leave me this poor life,
And I will meet with firm, heroic heart,
Its threatening storms and its tumultuous strife,
And with the Poet-Seer will see thee stand,
To welcome my approach to thine own Spirit-land.
poem by Anne Lynch Botta from Poems (1848)
Submitted by Veronica Serbanoiu
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Sonnet To Mrs. Bates
Oh, thou whose melody the heart obeys,
Thou who can'st all its subject passions move,
Whose notes to heav'n the list'ning soul can raise,
Can thrill with pity, or can melt with love!
Happy! whom nature lent this native charm;
Whose melting tones can shed with magic power,
A sweeter pleasure o'er the social hour,
The breast to softness sooth, to virtue warm-But
yet more happy! that thy life as clear
From discord, as thy perfect cadence flows;
That tun'd to sympathy, thy faithful tear,
In mild accordance falls for others woes;
That all the tender, pure affections bind
In chains of harmony, thy willing mind!
poem by Helen Maria Williams
Submitted by Poetry Lover
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To Laura At The Harpsichord
When o'er the chords thy fingers stray,
My spirit leaves its mortal clay,
A statue there I stand;
Thy spell controls e'en life and death,
As when the nerves a living breath
Receive by Love's command! [1]
More gently zephyr sighs along
To listen to thy magic song;
The systems formed by heavenly love
To sing forever as they move,
Pause in their endless-whirling round
To catch the rapture-teeming sound;
'Tis for thy strains they worship thee,--
Thy look, enchantress, fetters me!
From yonder chords fast-thronging come
Soul-breathing notes with rapturous speed,
As when from out their heavenly home
The new-born seraphim proceed;
The strains pour forth their magic might,
As glittering suns burst through the night,
When, by Creation's storm awoke,
From chaos' giant-arm they broke.
Now sweet, as when the silv'ry wave
Delights the pebbly beach to lave;
And now majestic as the sound
Of rolling thunder gathering round;
Now pealing more loudly, as when from yon height
Descends the mad mountain-stream, foaming and bright;
Now in a song of love
Dying away,
As through the aspen grove
Soft zephyrs play:
Now heavier and more mournful seems the strain,
As when across the desert, death-like plain,
Whence whispers dread and yells despairing rise,
Cocytus' sluggish, wailing current sighs.
Maiden fair, oh, answer me!
Are not spirits leagued with thee?
Speak they in the realms of bliss
Other language e'er than this?
poem by Friedrich Schiller
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Lachrymæ Musarum
Low, like another's, lies the laurelled head:
The life that seemed a perfect song is o'er:
Carry the last great bard to his last bed.
Land that he loved, thy noblest voice is mute.
Land that he loved, that loved him! nevermore
Meadow of thine, smooth lawn or wild sea-shore,
Gardens of odorous bloom and tremulous fruit,
Or woodlands old, like Druid couches spread,
The master's feet shall tread.
Death's little rift hath rent the faultless lute:
The singer of undying songs is dead.
Lo, in this season pensive-hued and grave,
While fades and falls the doomed, reluctant leaf
From withered Earth's fantastic coronal,
With wandering sighs of forest and of wave
Mingles the murmur of a people's grief
For him whose leaf shall fade not, neither fall.
He hath fared forth, beyond these suns and showers.
For us, the autumn glow, the autumn flame,
And soon the winter silence shall be ours:
Him the eternal spring of fadeless fame
Crowns with no mortal flowers.
Rapt though he be from us,
Virgil salutes him, and Theocritus;
Catullus, mightiest-brained Lucretius, each
Greets him, their brother, on the Stygian beach;
Proudly a gaunt right hand doth Dante reach;
Milton and Wordsworth bid him welcome home;
Bright Keats to touch his raiment doth beseech;
Coleridge, his locks aspersed with fairy foam,
Calm Spenser, Chaucer suave,
His equal friendship crave:
And godlike spirits hail him guest, in speech
Of Athens, Florence, Weimar, Stratford, Rome.
What needs his laurel our ephemeral tears,
To save from visitation of decay?
Not in this temporal sunlight, now, that bay
Blooms, nor to perishable mundane ears
Sings he with lips of transitory clay;
For he hath joined the chorus of his peers
In habitations of the perfect day:
His earthly notes a heavenly audience hears,
And more melodious are henceforth the spheres,
Enriched with music stol'n from earth away.
He hath returned to regions whence he came.
Him doth the spirit divine
Of universal loveliness reclaim.
All nature is his shrine.
Seek him henceforward in the wind and sea,
In earth's and air's emotion or repose,
In every star's august serenity,
And in the rapture of the flaming rose.
There seek him if ye would not seek in vain,
There, in the rhythm and music of the Whole;
Yea, and for ever in the human soul
Made stronger and more beauteous by his strain.
For lo! creation's self is one great choir,
And what is nature's order but the rhyme
Whereto the worlds keep time,
And all things move with all things from their prime?
Who shall expound the mystery of the lyre?
In far retreats of elemental mind
Obscurely comes and goes
The imperative breath of song, that as the wind
Is trackless, and oblivious whence it blows.
Demand of lilies wherefore they are white,
Extort her crimson secret from the rose,
But ask not of the Muse that she disclose
The meaning of the riddle of her might:
Somewhat of all things sealed and recondite,
Save the enigma of herself, she knows.
The master could not tell, with all his lore,
Wherefore he sang, or whence the mandate sped;
Ev'n as the linnet sings, so I, he said;--
Ah, rather as the imperial nightingale,
That held in trance the ancient Attic shore,
And charms the ages with the notes that o'er
All woodland chants immortally prevail!
And now, from our vain plaudits greatly fled,
He with diviner silence dwells instead,
And on no earthly sea with transient roar,
Unto no earthly airs, he trims his sail,
But far beyond our vision and our hail
Is heard for ever and is seen no more.
No more, O never now,
Lord of the lofty and the tranquil brow
Whereon nor snows of time
Have fall'n, nor wintry rime,
Shall men behold thee, sage and mage sublime.
Once, in his youth obscure,
The maker of this verse, which shall endure
By splendour of its theme that cannot die,
Beheld thee eye to eye,
And touched through thee the hand
Of every hero of thy race divine,
Ev'n to the sire of all the laurelled line,
The sightless wanderer on the Ionian strand,
With soul as healthful as the poignant brine,
Wide as his skies and radiant as his seas,
Starry from haunts of his Familiars nine,
Glorious Mæonides.
Yea, I beheld thee, and behold thee yet:
Thou hast forgotten, but can I forget?
The accents of thy pure and sovereign tongue,
Are they not ever goldenly impressed
On memory's palimpsest?
I see the wizard locks like night that hung,
I tread the floor thy hallowing feet have trod;
I see the hands a nation's lyre that strung,
The eyes that looked through life and gazed on God.
The seasons change, the winds they shift and veer;
The grass of yesteryear
Is dead; the birds depart, the groves decay:
Empires dissolve and peoples disappear:
Song passes not away.
Captains and conquerors leave a little dust,
And kings a dubious legend of their reign;
The swords of Cæsars, they are less than rust:
The poet doth remain.
Dead is Augustus, Maro is alive;
And thou, the Mantuan of our age and clime,
Like Virgil shalt thy race and tongue survive,
Bequeathing no less honeyed words to time,
Embalmed in amber of eternal rhyme,
And rich with sweets from every Muse's hive;
While to the measure of the cosmic rune
For purer ears thou shalt thy lyre attune,
And heed no more the hum of idle praise
In that great calm our tumults cannot reach,
Master who crown'st our immelodious days
With flower of perfect speech.
poem by William Watson
Submitted by Poetry Lover
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