The Musicians
The strings of my heart were strung by Pleasure,
And I laughed when the music fell on my ear,
For he and Mirth played a joyful measure,
And they played so loud that I could not hear
The wailing and mourning of souls a-weary -
The strains of sorrow that floated around,
For my heart's notes rang out loud and cheery,
And I heard no other sound.
Mirth and Pleasure, the music brothers,
Played louder and louder in joyful glee;
But sometimes a discord was heard by others -
Though only the rhythm was heard by me.
Louder and louder, faster and faster
The hands of the brothers played strain on strain,
When all of a sudden a Mighty Master
Swept them aside; and Pain,
Pain, the musician, the soul-refiner,
Restrung the strings of my quivering heart,
And the air that he played was a plaintive minor,
So sad that the tear-drops were forced to start;
Each note was an echo of awful anguish,
As shrill as solemn, as sharp as slow,
And my soul for a reason seemed to languish
And faint with its weight of woe.
With skilful hands that were never weary,
This Master of Music played strain on strain,
And between the bars of the miserere,
He drew up the strings of my heart again,
And I was filled with a vague, strange wonder,
To see that they did not snap in two.
'They are drawn so tight, they will break assunder, '
I thought, but instead, they grew,
In the hands of the Master, firmer and stronger;
And I could hear on the stilly air -
Now my ears were deafened by Mirth no longer -
The sound of sorrow, and grief, and despair;
And my soul grew kinder and tender to others,
My nature grew sweeter, my mind grew broad,
And I held all men to be my brothers,
Linked by the chastening rod.
My soul was lifted to God and heaven,
And when on my heart-strings fell again
The hands of Mirth, and Pleasure, even,
There was never a discord to mar the strain.
For Pain, the musician, and soul-refiner,
Attuned the strings with a master hand,
And whether the music be major or minor,
It is always sweet and grand.
poem by Ella Wheeler Wilcox
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Clara Morris (Written for a Benefit Given Mrs. Morris)
The Radiant Ruler of Mystic Regions
Where souls of artists are fitted for birth,
Gathered together their lovely legions
And fashioned a woman to shine on earth.
They bathed her in splendor
They made her tender:
They gave her a nature both sweet and wild.
They gave her emotions
Like storm stirred oceans,
And they gave her the heart of a little child.
These Radiant Rulers (who are not human
Nor yet divine like the gods above)
Poured all their gifts in the soul of a woman
That fragile vessel meant only for love.
Still more they taught her,
Still more they brought her-
Till they gave her the world for a harp one day,
And they bade her string it-
They bade her ring it,
While the stars all wondered to hear her play.
She touched the strings in a master fashion,
She uttered the cry of a world's despair.
Its long-hid secret, its pent-up passion,
She gave to the winds in a vibrant air.
For ah! the heart of her,
That was the art of her,
Great with the feeling that makes men kin.
Art unapproachable,
Art all uncoachable,
Fragrance and flame from the spirit within.
The earth turns ever an ear unheeding
To the sorrows of art, as it cries for more:
And she played on the harp till her hands were bleeding
And her brow was bruised by the laurels she wore.
She knew the trend of it,
She knew the end of it.
Men heard the music and men felt the thrill.
Bound to the altar
Of art, could she falter?
Then came a silence-the music was still.
And yet in the echoes we seem to hear it
In waves unbroken it circles the earth:
And we catch in the light of her dauntless spirit
A gleam from the center that gave her birth.
Still is the fame of her
Felt in the name of her.
But low lies the harp that once thrilled to her strain.
No hand has taken it,
No hand can waken it-
For the soul of her art was her secret of pain.
poem by Ella Wheeler Wilcox
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Unstrung
My skies were blue, and my sun was bright,
And, with fingers tender and strong and light,
He woke up the music that slept before—
Echoing, echoing evermore!
By-and-by, my skies grew grey;—
No master-touch on the harp-strings lay,—
Dead silence cradled the notes divine:
His soul had wander'd away from mine.
Idly, o'er strange harps swept his hand,
Seeking for music more wild and grand.
He wearied at last of his fruitless quest,
And he came again to my harp for rest.
But the dust lay thick on the golden wires,
And they would not thrill to the old desires.
The chords, so broken and jarred with pain,
Could never be tender and sweet again.
poem by Ada Cambridge
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The Master-Player
AN old worn harp that had been played
Till all its strings were loose and frayed,
Joy, Hate and Fear, each one essayed,
To play. But each in turn had found
No sweet responsiveness of sound
Then Love the Master-Player came
With heaving breast and eyes aflame;
The harp he took all undismayed,
Smote on its strings, still strange to song,
And brought forth music sweet and strong.
poem by Paul Laurence Dunbar
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The Dance Thief
The masked figure took to the dance floor and
as he twirled his wicked hands and spun wildly around
he cast frightful shadows in
the vacant space that haunt me still
Like limbs of a tree whose life winter has taken
Ashen and disfigured like the forsaken remains
of a fire's last consumption
And as he danced the lights overhead receded
and with him the record cackled louder
The notes slipped into a shaky minor chord
and soon I was emptied -
drained and paralyzed from all he'd stolen
For the song no longer played my heart strings
and my soul broke into a half note
My precious glistening wooden floor boards that
once bore my prancing feet
had been banished from my presence
and left to rot in the withering hands of
this dark, godless, ghastly thief
who so dared to steal my dance
poem by Argentine Tango
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Oh Sweet Music
Oh sweet music, music so sweet
keep on sounding so you defeat
the ongoing cacaphony of noises we hear,
the raucousness that infects the ear.
This glory of sound surely must be
what is needed by mind and body.
For without the airs played by man
the world will return to how it began.
Soundless, still and deafened in space.
Oh were it not for the human race,
the music of the soul which reigneth supreme
would only be heard in mankind's dream.
The thought of that affects my heart.
For music to me is the very best part
of living in this world that's all mixed-up.
Oh sweet music please fill my cup.
poem by Edwina Reizer
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Atherton's Gambit
The Master played the bishop’s pawn,
For jest, while Atherton looked on;
The master played this way and that,
And Atherton, amazed thereat,
Said “Now I have a thing in view
That will enlighten one or two,
And make a difference or so
In what it is they do not know.”
The morning stars together sang
And forth a mighty music rang—
Not heard by many, save as told
Again through magic manifold
By such a few as have to play
For others, in the Master’s way,
The music that the Master made
When all the morning stars obeyed.
Atherton played the bishop’s pawn
While more than one or two looked on;
Atherton played this way and that,
And many a friend, amused thereat,
Went on about his business
Nor cared for Atherton the less;
A few stood longer by the game,
With Atherton to them the same.
The morning stars are singing still,
To crown, to challenge, and to kill;
And if perforce there falls a voice
On pious ears that have no choice
Except to urge an erring hand
To wreak its homage on the land,
Who of us that is worth his while
Will, if he listen, more than smile?
Who of us, being what he is,
May scoff at others’ ecstasies?
However we may shine to-day,
More-shining ones are on the way;
And so it were not wholly well
To be at odds with Azrael,—
Nor were it kind of any one
To sing the end of Atherton.
poem by Edwin Arlington Robinson
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The Organist
In his dim chapel day by day
The organist was wont to play,
And please himself with fluted reveries;
And all the spirit's joy and strife,
The longing of a tender life,
Took sound and form upon the ivory keys;
And though he seldom spoke a word,
The simple hearts that loved him heard
His glowing soul in these.
One day as he wrapped, a sound
Of feet stole near; he turned and found
A little maid that stood beside him there.
She started, and in shrinking-wise
Besought him with her liquid eyes
And little features, very sweet and spare.
'You love the music, child,' he said,
And laid his hand upon her head,
And smoothed her matted hair.
She answered, 'At the door one day
I sat and heard the organ play;
I did not dare to come inside for fear;
But yesterday, a little while,
I crept half up the empty aisle
And heard the music sounding sweet and clear;
To-day I thought you would not mind,
For, master dear, your face was kind,
And so I came up here.'
'You love the music then,' he said,
And still he stroked her golden head,
And followed out some winding reverie;
'And you are poor?' said he at last;
The maiden nodded, and he passed
His hand across his forehead dreamingly;
'And will you be my friend?' he spake,
'And on the organ learn to make
Grand music here with me?'
And all the little maiden's face
Was kindled with a grateful grace;
'Oh, master, teach me; I will slave for thee!'
She cried; and so the child grew dear
To him, and slowly year by year
He taught her all the organ's majesty;
And gave her from his slender store
Bread and warm clothing, that no more
Her cheeks were pinched to see.
And year by year the maiden grew
Taller and lovelier, and the hue
Deepened upon her tender cheeks untried.
Rounder, and queenlier, and more fair
Her form grew, and her golden hair
Fell yearly richer at the master's side.
In speech and bearing, form and face,
Sweeter and graver, grace by grace,
Her beauties multiplied.
And sometimes at his work a glow
Would touch him, and he murmured low
'How beautiful she is?' and bent his head;
And sometimes when the day went by
And brought no maiden he would sigh,
And lean and listen to her velvet tread;
And he would drop his hands and say,
'My music cometh not to-day;
Pray God she be not dead!'
So the sweet maiden filled his heart,
And with her growing grew his art,
For day by day more wondrously he played.
Such heavenly things the master wrought,
That in his happy dreams he thought,
The organ's self did love the gold-haired maid:
But she, the maiden, never guessed-
What prayers for her in hours of rest
The sombre organ prayed.
At last, one summer morning fair,
The maiden came with braided hair,
And took his hands, and held them eagerly.
'To-morrow is my wedding day;
Dear master, bless me that the way
Of life be smooth, not bitter unto me.'
He stirred not; but the light did go
Out of his shrunken cheeks, and oh!
His head hung heavily.
'You love him, then?' 'I love him well,'
She answered, and a numbness fell
Upon his eyes and all his heart that bled.
A glory, half a smile, abode
Within the maiden's eyes and glowed
Upon her parted lips. The master said,
'God bless and bless thee, little maid,
With peace and long delight,' and laid
His hands upon her head.
And she was gone; and all that day
The hours crept up and slipped away,
And he sat still, as moveless as a stone.
The night came down, with quiet stars,
And darkened him: in coloured bars
Along the shadowy aisle the moonlight shone.
And then the master woke and passed
His hands across the keys at last,
And made the organ moan.
The organ shook, the music wept;
For sometimes like a wail it crept
In broken moanings down the shadows drear;
And otherwhiles the sound did swell,
And like a sudden tempest fell
Through all the windows wonderful and clear.
The people gathered from the street,
And filled the chapel seat by seat-
They could not choose but hear.
And there they sat till dawning light,
Nor ever stirred to awe. 'To-night,
The master hath a noble mood,' they said.
But on a sudden ceased the sound:
Like ghosts the people gathered round,
And on the keys they found his fallen head.
The silent organ had received
The master's broken heart relieved,
And he was white and dead.
poem by Archibald Lampman
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Body Violin Voices Sing In Heaven
flesh is but an instrument of thy will
normally in form case left unplayed
musicians free so choose instruments
to suit a mood styles orchestra played
not so is music of spheres found in heaven
music spontaneous bursts forth instant glee
everywhere souls in bliss sing souls hymns
music in rainbow sound stirs vibrant heaven
melody times solo compositions heart writ
played to honour master composers purpose
notes crystal pure music songs angels voice
who in hosts listen worship serve God praise
in heaven all creation sings in praise of God
in every voice form style tone heart rhythm
millions individualistic praise as souls may
yet all voice song tune unique worships God
all in heaven are body violin to trumpet songs
all in heaven sing in all voices unique creation
styles differ as snowflakes do soul heart longs
worship in love one true creator of all creation
poem by Terence George Craddock
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the Joy Of Music
-THE JOY OF MUSIC -
The violin sang so softly
In the hands of this old man
As he sat there on the wooden stool
Bow held gently in his hand.
His wife played grand piano
Sweet music they did make
As from the hard work of the fields
This respite, they would take.
Gentle music of God's praise
They played for all to hear.
The sweetest music in the land
Was falling on God's ear.
They passed along that joyous sound
To children they did bare
The most relaxing trait of all
The gift of music rare.
And now throughout the generations
Which do continue to abound
We hear the perfect notes and glorious songs,
The joy of music does resound.
Author: Carolyn Ford Witt
2-11-07
By Ms. Caroline
poem by Carolyn Ford Witt
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Music of the Stars
(to Johnny Alegre)
I heard you first as I walked by
Abelardo Hall
The faint strains of a lead guitar
I just could not ignore
Quietly I entered
the large dim-lit hall
Soon I sat there feeling
What I've never felt before
It was the sound of longing
through the strings of your guitar
A man surrendering his heart
A traveller soul-searching
reaching for the stars
A prayer from the heart
You didn't know me back then
But I can tell you now
The music that possessed you
Took me in its power
For on that day a wayward flame
Touched my very soul
And to this day it haunts me still
A song from long ago
It was the sound of longing
though the strings of your guitar
That echoed the longing in my heart
I know I won't forget
That mystical guitar
That song of timeless distant stars
poem by Sonya Florentino
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The Pipes At Lucknow
Pipes of the misty moorlands,
Voice of the glens and hills;
The droning of the torrents,
The treble of the rills!
Not the braes of bloom and heather,
Nor the mountains dark with rain,
Nor maiden bower, nor border tower,
Have heard your sweetest strain!
Dear to the Lowland reaper,
And plaided mountaineer, -
To the cottage and the castle
The Scottish pipes are dear; -
Sweet sounds the ancient pibroch
O'er mountain, loch, and glade;
But the sweetest of all music
The pipes at Lucknow played.
Day by day the Indian tiger
Louder yelled, and nearer crept;
Round and round the jungle-serpent
Near and nearer circles swept.
'Pray for rescue, wives and mothers, -
Pray to-day!' the soldier said;
'To-morrow, death's between us
And the wrong and shame we dread.'
Oh, they listened, looked, and waited,
Till their hope became despair;
And the sobs of low bewailing
Filled the pauses of their prayer.
Then up spake a Scottish maiden.
With her ear unto the ground:
'Dinna ye hear it? - dinna ye hear it?
The pipes o' Havelock sound!'
Hushed the wounded man his groaning;
Hushed the wife her little ones;
Alone they heard the drum-roll
And the roar of Sepoy guns.
But to sounds of home and childhood
The Highland ear was true; -
As her mother's cradle-crooning
The mountain pipes she knew.
Like the march of soundless music
Through the vision of the seer,
More of feeling than of hearing,
Of the heart than of the ear,
She knew the droning pibroch,
She knew the Campbell's call:
'Hark! hear ye no MacGregor's,
The grandest o' them all!'
Oh, they listened, dumb and breathless,
And they caught the sound at last;
Faint and far beyond the Goomtee
Rose and fell the piper's blast!
Then a burst of wild thanksgiving
Mingled woman's voice and man's;
'God be praised! - the march of Havelock!
The piping of the clans!'
Louder, nearer, fierce as vengeance,
Sharp and shrill as swords at strife,
Came the wild MacGregor's clan-call,
Stinging all the air to life.
But when the far-off dust-cloud
To plaided legions grew,
Full tenderly and blithesomely
The pipes of rescue blew!
Round the silver domes of Lucknow.
Moslem mosque and Pagan shrine,
Breathed the air to Britons dearest,
The air of Auld Lang Syne.
O'er the cruel roll of war-drums
Rose that sweet and homelike strain;
And the tartan clove the turban,
As the Goomtee cleaves the plain.
Dear to the corn-land reaper
And plaided mountaineer, -
To the cottage and the castle
The piper's song is dear.
Sweet sounds the Gaelic pibroch
O'er mountain, glen, and glade;
But the sweetest of all music
The pipes at Lucknow played!
poem by John Greenleaf Whittier
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People are going deaf because music is played louder and louder, but because they're going deaf, it has to be played louder still.
quote by Milan Kundera
Submitted by Lucian Velea
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Music
Music, the sound of loud music just rocks my heart and soul. The feeling is so amazing because the life seems so fulfilled when good music is around. Bright and complete I become. Everything is so perfect when I hear a cool song. Music, it is music. Ultimate feeling can be recieved through loud and lovely music. Listen and feel the rhythm with your heart so that it can touch the soul. Music, loud music.
poem by Rohit Sapra
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An Ode For St. Cecilia's Day
I.
Prepare the hallow'd strain, My Muse,
Thy softest sounds and sweetest numbrs chuse;
the bright Cecilia's praise rehearse,
In warbling words,a nd glittering verse,
that smootly run into a song,
and gently die away,and melt upon the tongue.
II.
First let the sprightly violin
The joyful melody begin,
And none of all her strings be mute,
while the sharp sound and shriller lay
In sweet harmonious notes decay,
Soften and mellow'd by the flute.
'The Flute that sweetly can complain,
'Disolve the frozen nymph's disdain;
'Panting sympathy impart,
'Till she partake of her lover's smart.'
C H O R U S.
III.
Next, let the solemn organ join
Religious airs, and strains divine,
Such as may lift us to the skies,
And set all heaven before our eyes:
'Such as may lift us to the skies;
'So far at least till they
'Descend with kind surprise.
'And meet our pious harmony half-way.'
IV.
Let then the trumpet's piersing sound
Our ravish'd ears with pleasure wound:
The Soul o'er-powering with delight,
As, with a quick uncommon ray,
A streak of lightning clears the day,
And flashes on the sight.
Let echo too perform her part,
Prolonging every note with art,
And in a low expiring strain
Play all the concert o'er again.
V.
Such were the tuneful notes that hung
On bright Cecilia's charming tongue:
Notes that sacred heats inspir'd,
and with religious ardour fir'd:
The love-sick youth, that long suppress'd
His smother'd passion in hisbreast,
No sooner heard the warbling dame,
But, by the secret influence turn'd,
He felt a new diviner flame,
And with devotion burn'd.
With ravish'd soul,a nd looks amaz'd,
Upon her beauteous face he gaz'd;
Nor made his amorous complaint:
In vain her eyes his heart had charm'd.
Her heavenly voice her eyes disarm'd,
And chang'd the lover to a saint.
G R A N D C H O R U S.
VI.
And how the choir compleat rejoices,
With trembling strings and melting voices,
The tuneful ferment rises high,
And works with mingled melody:
Quick divisions run their rounds,
A thousand trills and quivering sounds
In airy circles o'er us fly.
Till wafted by a gentle breeze,
They faint and languish by degrees,
And at a distance die.
poem by Joseph Addison
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Mateo
Mateo sat on a rusty bench
outside his local bar
and polished his old guitar
with a crumpled up tissue
he’d pulled from the pocket
of his faded jeans
while Sophie watched
through the balcony rails
as he breathed
his whisky haws
onto the scratched wood
shining it
until his reflection
shook them by the throat
and his fingers
started to pluck and weave
their life through the strings
The music played off key
but his arthritic hands
were too tired and sore
to tune the old guitar
like her
he felt a comfort
in the imperfection
of the sounds
and the grainy melody
that filled the spaces
in the day’s drizzle
Mateo didn’t see her
but she knew he felt her
in his pulse
and he played her
in his strings
and she tried to run from clichés
but she couldn’t
her heart bled
poem by Sheila Knowles
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Joy Of Music
THE JOY OF MUSIC
The violin sang so softly
In the hands of this old man
As he sat there on the wooden stool
Bow held gently in his hand.
His wife played grand piano
Sweet music they did make
As from the hard work of the fields
This respite, they would take.
Gentle music of God's praises
They played for all to hear.
The sweetest music in the land
Was falling on God's ear.
They passed along this joyous sound
To children they did bare
The most relaxing trait of all
The gift of music rare.
Now throughout the generations
Which do continue to abound
We hear the perfect notes and songs,
The joy of music...does resound.
Author: Carolyn Ford Witt
2-11-07
By Ms. Caroline
© 2007 Ms. Caroline (All rights reserved)
poem by Carolyn Ford Witt
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The Silent Melody
"BRING me my broken harp," he said;
"We both are wrecks,-- but as ye will,--
Though all its ringing tones have fled,
Their echoes linger round it still;
It had some golden strings, I know,
But that was long-- how long!-- ago.
"I cannot see its tarnished gold,
I cannot hear its vanished tone,
Scarce can my trembling fingers hold
The pillared frame so long their own;
We both are wrecks,-- awhile ago
It had some silver strings, I know,
"But on them Time too long has played
The solemn strain that knows no change,
And where of old my fingers strayed
The chords they find are new and strange,--
Yes! iron strings,-- I know,-- I know,--
We both are wrecks of long ago.
"We both are wrecks,-- a shattered pair,
Strange to ourselves in time's disguise
What say ye to the lovesick air
That brought the tears from Marian's eyes?
Ay! trust me,-- under breasts of snow
Hearts could be melted long ago!
"Or will ye hear the storm-song's crash
That from his dreams the soldier woke,
And bade him face the lightning flash
When battle's cloud in thunder broke?
Wrecks,-- nought but wrecks!-- the time was when
We two were worth a thousand men!"
And so the broken harp they bring
With pitying smiles that none could blame;
Alas there's not a single string
Of all that filled the tarnished frame!
But see! like children overjoyed,
His fingers rambling through the void!
"I clasp thee! Ay . . . mine ancient lyre. . .
Nay, guide my wandering fingers. . . There!
They love to dally with the wire
As Isaac played with Esan's hair. . . .
Hush! ye shall hear the famous tune
That Marina called the Breath of June!"
And so they softly gather round:
Rapt in his tuneful trance he seems:
His fingers move: but not a sound!
A silence like the song of dreams. . . .
"There! ye have heard the air," he cries,
"That brought the tears from Marina's eyes!"
Ah, smile not at his fond conceit,
Nor deem his fancy wrought in vain;
To him the unreal sounds are sweet,--
No discord mars the silent strain
Scored on life's latest, starlit page--
The voiceless melody of age.
Sweet are the lips of all that sing,
When Nature's music breathes unsought,
But never yet could voice or string
So truly shape our tenderest thought
As when by life's decaying fire
Our fingers sweep the stringless lyre!
poem by Oliver Wendell Holmes
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Bow and Strings
What heavy, dark delirium!
What dim and moonlit heights!
To touch the violin for years
And not to know the strings by light!
Who needs us now? And who lit up
Two hollow, melancholy faces...
And suddenly the bow felt
Someone take them up, unite them.
"How long it's been! Amidst this gloom
Just tell me this: are you still the same?"
The strings caressed the bow,
Rang out, caressed it slightly trembling.
"Is it not true, that we will never more
Be parted. It's enough..."
Yes, replied the violin,
But pain was throbbing in her heart.
The bow discerned it and grew mute,
The echo still continued in the violin...
What was a torture to them both
The people heard as music.
But the violinist didn't snuff
The candles out 'til dawn...The strings sang on...
The sun found them worn out
On the black velvet of their bed.
poem by Innokenty Fedorovich Annensky
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By The Fireside : The Singers
God sent his Singers upon earth
With songs of sadness and of mirth,
That they might touch the hearts of men,
And bring them back to heaven again.
The first, a youth, with soul of fire,
Held in his hand a golden lyre;
Through groves he wandered, and by streams,
Playing the music of our dreams.
The second, with a bearded face,
Stood singing in the market-place,
And stirred with accents deep and loud
The hearts of all the listening crowd.
A gray old man, the third and last,
Sang in cathedrals dim and vast,
While the majestic organ rolled
Contrition from its mouths of gold.
And those who heard the Singers three
Disputed which the best might be;
For still their music seemed to start
Discordant echoes in each heart,
But the great Master said, 'I see
No best in kind, but in degree;
I gave a various gift to each,
To charm, to strengthen, and to teach.
'These are the three great chords of might,
And he whose ear is tuned aright
Will hear no discord in the three,
But the most perfect harmony.'
poem by Henry Wadsworth Longfellow
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When to her Lute Corinna Sings
When to her lute Corinna sings,
Her voice revives the leaden strings,
And doth in highest notes appear,
As any challenged echo clear;
But when she doth of mourning speak,
E'en with her sighs, the strings do break,
And as her lute doth live or die,
Led by her passion, so must I:
For when of pleasure she doth sing,
My thoughts enjoy a sudden spring,
But if she doth of sorrow speak,
E'en from my heart the strings do break
poem by Thomas Campion
Submitted by Poetry Lover
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