Epilogue To Tancred And Sigismunda
Cramm'd to the throat with wholesome moral stuff,
Alas! poor audience! you have had enough.
Was ever hapless heroine of a play
In such a piteous plight as ours to-day?
Was ever woman so by love betray'd?
Match'd with two husbands, and yet—die a maid.
But bless me!—hold—What sounds are these I hear!—
I see the Tragic Muse herself appear.
[The back scene opens, and discovers a romantic sylvan landscape; from which Mrs. Cibber, in the character of the Tragic Muse, advances slowly to music, and speaks the following lines]:
Hence with your flippant epilogue, that tries
To wipe the virtuous tear from British eyes;
That dares my moral, tragic scene profane,
With strains—at best, unsuiting, light and vain.
Hence from the pure unsullied beams that play
In yon fair eyes where virtue shines—Away!
Britons, to you from chaste Castalian groves,
Where dwell the tender, oft unhappy loves!
Where shades of heroes roam, each mighty name,
And court my aid to rise again to fame;
To you I come, to Freedom's noblest seat,
And in Britannia fix my last retreat.
In Greece and Rome, I watch'd the public weal,
The purple tyrant trembled at my steel:
Nor did I less o'er private sorrows reign,
And mend the melting heart with softer pain.
On France and you then rose my brightening star,
With social ray—The arts are ne'er at war.
O, as your fire and genius stronger blaze,
As yours are generous Freedom's bolder lays,
Let not the Gallic taste leave yours behind,
In decent manners and in life refined;
Banish the motley mode to tag low verse,
The laughing ballad to the mournful hearse.
When through five acts your hearts have learnt to glow,
Touch'd with the sacred force of honest woe;
O keep the dear impression on your breast,
Nor idly loose it for a wretched jest.
poem by James Thomson
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Ode I: The Remonstrance Of Shakespeare
If, yet regardful of your native land,
Old Shakespeare's tongue you deign to understand,
Lo, from the blissful bowers where heaven rewards
Instructive sages and unblemish'd bards,
I come, the ancient founder of the stage,
Intent to learn, in this discerning age,
What form of wit your fancies have imbrac'd,
And whither tends your elegance of taste,
That thus at length our homely toils you spurn,
That thus to foreign scenes you proudly turn,
That from my brow the laurel wreath you claim
To crown the rivals of your country's fame.
What, though the footsteps of my devious Muse
The measur'd walks of Grecian art refuse?
Or though the frankness of my hardy style
Mock the nice touches of the critic's file?
Yet, what my age and climate held to view,
Impartial i survey'd and fearless drew.
And say, ye skillful in the human heart,
Who know to prize a poet's noblest part,
What age, what clime, could e'er an ampler field
For lofty thought, for daring fancy, yield?
I saw this England break the shameful bands
Forg'd for the souls of men by sacred hands:
I saw each groaning realm her aid implore;
Her sons the heroes of each warlike shore;
Her naval standard (the dire Spaniard's bane)
Obey'd through all the circuit of the main.
Then too great commerce, for a late-found world,
Around your coast her eager sails unfurl'd:
New hopes, new passions, thence the bosom fir'd;
New plans, new arts, the genius thence inspir'd;
Thence every scene, which private fortune knows,
In stronger life, with bolder spirit, rose.
Disgrac'd i this full prospect which i drew?
My colours languid, or my strokes untrue?
Have not your sages, warriors, swains, and kings,
Confess'd the living draught of men and things?
What other bard in any clime appears
Alike the master of your smiles and tears?
Yet have i deign'd your audience to intice
With wretched bribes to luxury and vice?
Or have my various scenes a purpose known
Which freedom, virtue, glory, might not own?
Such from the first was my dramatic plan;
It should be your's to crown what i began:
And now that England spurns her Gothic chain,
And equal laws and social science reign,
I thought, Now surely shall my zealous eyes
View nobler bards and juster critics rise,
Intent with learned labour to refine
The copious ore of Albion's native mine,
Our stately Muse more graceful airs to teach,
And form her tongue to more attractive speech,
Till rival nations listen at her feet,
And own her polish'd as they own'd her great.
But do you thus my favorite hopes fullfil?
Is France at last the standard of your skill?
Alas for you! that so betray a mind
Of art unconscious and to beauty blind.
Say; does her language your ambition raise,
Her barren, trivial, unharmonious phrase,
Which fetters eloquence to scantiest bounds,
And maims the cadence of poetic sounds?
Say; does your humble admiration chuse
The gentle prattle of her Comic Muse,
While wits, plain-dealers, fops, and fools appear,
Charg'd to say nought but what the king may hear?
Or rather melt your sympathizing hearts
Won by her tragic scene's romantic arts,
Where old and young declaim on soft desire,
And heroes never, but for love, expire?
No. Though the charms of novelty, awhile,
Perhaps too fondly win your thoughtless smile,
Yet not for you design'd indulgent fate
The modes or manners of the Bourbon state.
And ill your minds my partial judgment reads,
And many an augury my hope misleads,
If the fair maids of yonder blooming train
To their light courtship would an audience deign,
Or those chaste matrons a Parisian wife
Chuse for the model of domestic life;
Or if one youth of all that generous band,
The strength and splendor of their native land,
Would yield his portion of his country's fame,
And quit old freedom's patrimonial claim,
With lying smiles oppression's pomp to see,
And judge of glory by a king's decree.
O blest at home with justly-envied laws,
O long the chiefs of Europe's general cause,
Whom heaven hath chosen at each dangerous hour
To check the inroads of barbaric power,
The rights of trampled nations to reclaim,
And guard the social world from bonds and shame;
Oh let not luxury's fantastic charms
Thus give the lye to your heroic arms:
Nor for the ornaments of life imbrace
Dishonest lessons from that vaunting race,
Whom fate's dread laws (for, in eternal fate
Despotic rule was heir to freedom's hate)
Whom in each warlike, each commercial part,
In civil counsel, and in pleasing art,
The judge of earth predestin'd for your foes,
And made it fame and virtue to oppose.
poem by Mark Akenside
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Prologue To Mallet's Mustapha
Since Athens first began to draw mankind,
To picture life, and show the impassion'd mind;
The truly wise have ever deem'd the stage
The moral school of each enlighten'd age.
There, in full pomp, the tragic Muse appears,
Queen of soft sorrows, and of useful fears.
Faint is the lesson reason's rules impart:
She pours it strong, and instant through the heart.
If virtue is her theme, we sudden glow
With generous flame; and what we feel, we grow.
If vice she paints, indignant passions rise;
The villain sees himself with loathing eyes.
His soul starts, conscious, at another's groan,
And the pale tyrant trembles on his throne.
To-night, our meaning scene attempts to show
What fell events from dark suspicion flow;
Chief when it taints a lawless monarch's mind,
To the false herd of flattering slaves confined.
The soul sinks gradual to so dire a state;
E'en excellence but serves to feed its hate:
To hate remorseless cruelty succeeds,
And every worth, and every virtue bleeds.
Behold, our author at your bar appears,
His modest hopes depress'd by conscious fears.
Faults he has many—but to balance those,
His verse with heart-felt love of virtue glows:
All slighter errors let indulgence spare,
And be his equal trial full and fair.
For this best British privilege we call,
Then—as he merits, let him stand or fall.
poem by James Thomson
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To Mr. Addison on His Tragedy of Cato
Too long hath love engross'd Britannia's stage,
And sunk to softness all our tragic rage:
By that alone did empires fall or rise,
And fate depended on a fair-one's eyes:
The sweet infection, mixt with dangerous art,
Debas'd our manhood, while it sooth'd the heart.
You scorn to raise a grief thyself must blame,
Nor from our weakness steal a vulgar fame:
A patriot's fall may justly melt the mind,
And tears flow nobly, shed for all mankind.
How do our souls with generous pleasure glow!
Our hearts exulting, while our eyes o'erflow,
When thy firm hero stands beneath the weight
Of all his sufferings venerably great;
Rome's poor remains still sheltering by his side,
With conscious virtue, and becoming pride!
The aged oak thus rears his head in air,
His sap exhausted, and his branches bare;
'Midst storms and earthquakes, he maintains his state,
Fixt deep in earth, and fasten'd by his weight
His naked boughs still lend the shepherds aid,
And his old trunk projects an awful shade.
Amidst the joys triumphant peace bestows,
Our patriots sadden at his glorious woes;
Awhile they let the world's great business wait,
Anxious for Rome, and sigh for Cato's fate.
Here taught how ancient heroes rose to fame,
Our Britons crowd, and catch the Roman flame,
Where states and senates well might lend an ear,
And kings and priests without a blush appear.
France boasts no more, but, fearful to engage,
Now first pays homage to her rival's stage,
Hastes to learn thee, and learning shall submit
Alike to British arms, and British wit:
No more she'll wonder, forc'd to do us right,
Who think like Romans, could like Romans fight.
Thy Oxford smiles this glorious work to see,
And fondly triumphs in a son like thee.
The senates, consuls, and the gods of Rome,
Like old acquaintance at their native home,
In thee we find: each deed, each word exprest,
And every thought that swell'd a Roman breast,
We trace each hint that could thy soul inspire
With Virgil's judgement, and with Lucan's fire;
We know thy worth, and, give us leave to boast,
We most admire, because we know thee most.
poem by Thomas Tickell
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Epilogue to Agamemnon
Our bard, to modern epilogue a foe,
Thinks such mean mirth but deadens generous woe;
Dispels in idle air the moral sigh,
And wipes the tender tear from Pity's eye:
No more with social warmth the bosom burns;
But all the unfeeling selfish man returns.
Thus he began:—And you approved the strain;
Till the next couplet sunk to light and vain.
You check'd him there.—To you, to reason just,
He owns he triumph'd in your kind disgust.
Charm'd by your frown, by your displeasure graced,
He hails the rising virtue of your taste.
Wide will its influence spread as soon as known:
Truth, to be loved, needs only to be shown.
Confirm it, once, the fashion to be good:
(Since fashion leads the fool, and awes the rude)
No petulance shall wound the public ear;
No hand applaud what honour shuns to hear:
No painful blush the modest cheek shall stain;
The worthy breast shall heave with no disdain.
Chastised to decency, the British stage
Shall oft invite the fair, invite the sage:
Both shall attend well pleased, well pleased depart;
Or if they doom the verse, absolve the heart.
poem by James Thomson
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Stanzas Written under an Oak in Windsor Forest
"HERE POPE FIRST SUNG!" O, hallow'd Tree !
Such is the boast thy bark displays;
Thy branches, like thy Patron's lays,
Shall ever, ever, sacred be;
Nor with'ring storm, nor woodman's stroke,
Shall harm the POET'S favourite Oak.
'Twas HERE, he woo'd his MUSE of fire,
While Inspiration's wond'rous art,
Sublimely stealing thro' his heart
Did Fancy's proudest themes inspire:
'Twas HERE he wisely learnt to smile
At empty praise, and courtly guile.
Retir'd from flatt'ring, specious arts.
From fawning sycophants of state,
From knaves, with ravag'd wealth elate,
And little SLAVES with TYRANT Hearts;
In conscious freedom nobly proud,
He scorn'd the envious, grov'ling crowd.
Tho' splendid DOMES around them rise,
And pompous TITLES lull to rest
Each strugg'ling Virtue in the breast,
'Till POW'R the place of WORTH supplies;
The wretched herd can never know
The sober joys these haunts bestow.
Does the fond MUSE delight to dwell,
Where freezing Penance spreads its shade ?
When scarce the Sun's warm beams pervade
The hoary HERMIT'S dreary cell?
Ah! noTHERE, Superstition blind,
With torpid languor chills the mind.
Or, does she seek Life's busy scene,
Ah ! no, the sordid, mean, and proud,
The little, trifling, flutt'ring crowd,
Can never taste her bliss serene;
She flies from Fashion's tinsel toys,
Nor courts her smile, nor shares her joys.
Nor can the dull pedantic mind,
E'er boast her bright creative fires;
Above constraint her wing aspires,
Nor rigid spells her flight can bind;
The narrow track of musty schools,
She leaves to plodding VAPID FOOLS.
To scenes like THESE she bends her way,
HERE the best feelings of the soul
Nor interest taints, nor threats controul,
Nor vice allures, nor snares betray;
HERE from each trivial hope remov'd,
Our BARD first sought the MUSE he lov'd.
Still shall thy pensive gloom diffuse,
The verse sublime, the dulcet song;
While round the POET'S seat shall throng,
Each rapture sacred to the MUSE;
Still shall thy verdant branches be
The bow'r of wond'rous minstrelsy.
When glow-worms light their little fires,
The am'rous SWAIN and timid MAID
Shall sit and talk beneath thy shade,
AS EVE'S last rosy tint expires;
While on thy boughs the plaintive DOVE,
Shall learn from them the tale of LOVE.
When round the quiv'ring moon-beams play,
And FAIRIES form the grassy ring,
'Till the shrill LARK unfurls his wing,
And soars to greet the blushing day;
The NIGHTINGALE shall pour to THEE,
Her Song of Love-lorn Melody.
When, thro' the forest dark and drear,
Full oft, as ancient stories say,
Old HERNE THE HUNTER i loves to stray,
While village damsels quake with fear;
Nor sprite or spectre, shall invade
The still repose that marks THY shade.
BLEST OAK! thy mossy trunk shall be
As lasting as the LAUREL'S bloom
That deck's immortal VIRGIL'S tomb,
And fam'd as SHAKSPERE'S hallow'd Tree;
For every grateful MUSE shall twine
A votive Wreath to deck THY SHRINE.
poem by Mary Darby Robinson
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Chorus of Athenians
Strophe I.
Ye shades, where sacred truth is sought;
Groves, where immortal Sages taught;
Where heav'nly visions of Plato fir'd,
And Epicurus lay inspir'd!
In vain your guiltless laurels stood
Unspotted long with human blood.
War, horrid war, your thoughtful walks invades,
And steel now glitters in the Muses' shades.
Antistrophe I.
Oh heav'n-born sisters! source of art!
Who charm the sense, or mend the heart;
Who lead fair Virtue's train along,
Moral Truth, and mystic Song!
To what new clime, what distant sky,
Forsaken, friendless, shall ye fly?
Say, will you bless the bleak Atlantic shore?
Or bid the furious Gaul be rude no more?
Strophe II.
When Athens sinks by fates unjust,
When wild Barbarians spurn her dust;
Perhaps ev'n Britain's utmost shore,
Shall cease to blush with strager's gore.
See Arts her savage sons control,
And Athens rising near the pole!
'Till some new Tyrant lifts his purple hand,
And civil madness tears them from this land.
Antistrophe II.
Ye Gods! what justice rules the ball?
Freedom and Arts together fall;
Fools grant whate'er Ambition craves,
And men, once ignorant, are slaves.
Oh curs'd effects of civil hate,
In ev'ry age, in ev'ry state!
Still, when the lust of tyrant power succeeds,
Some Athens perishes, some Tully bleeds.
poem by Alexander Pope
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Eclogue the First Selim
SCENE, a Valley near Bagdat TIME, the Morning
`Ye Persian maids, attend your poet's lays,
And hear how shepherds pass their golden days:
Not all are blest, whom fortune's hand sustains
With wealth in courts, nor all that haunt the plains:
Well may your hearts believe the truths I tell;
'Tis virtue makes the bliss, where'er we dwell.'
Thus Selim sung, by sacred Truth inspired;
No praise the youth, but hers alone, desired.
Wise in himself, his meaning songs conveyed
Informing morals to the shepherd maid,
Or taught the swains that surest bliss to find,
What groves nor streams bestow, a virtuous mind.
When sweet and odorous, like an eastern bride,
The radiant morn resumed her orient pride,
When wanton gales along the valleys play,
Breathe on each flower, and bear their sweets away:
By Tigris' wandering waves he sat, and sung
This useful lesson for the fair and young.
`Ye Persian dames,' he said, `to you belong,
Well may they please, the morals of my song;
No fairer maids, I trust, than you are found,
Graced with soft arts, the peopled world around!
The morn that lights you to your loves supplies
Each gentler ray delicious to your eyes:
For you those flowers her fragrant hands bestow,
And yours the love that kings delight to know.
Yet think not these, all beauteous as they are,
The best kind blessings heaven can grant the fair!
Who trust alone in beauty's feeble ray,
Balsora's pearls have more of worth than they;
Drawn from the deep, they sparkle to the sight,
And all-unconscious shoot a lustrous light:
Such are the maids and such the charms they boast,
By sense unaided or to virtue lost.
Self-flattering sex! your hearts believe in vain
That love shall blind when once he fires the swain,
Or hope a lover by your faults to win,
As spots on ermine beautify the skin.
Who seeks secure to rule, be first her care
Each softer virtue that adorns the fair,
Each tender passion man delights to find,
The loved perfections of a female mind.
`Blest were the days when Wisdom held her reign,
And shepherds sought her on the silent plain;
With Truth she wedded in the secret grove,
The fair-eyed Truth, and daughters blessed their love.
`O haste, fair maids, ye Virtues, come away,
Sweet Peace and Plenty lead you on your way!
The balmy shrub for you shall love our shore,
By Ind excelled or Araby no more.
`Lost to our fields, for so the fates ordain,
The dear deserters shall return again.
O come thou, Modesty, as they decree,
The rose may then improve her blush by thee.
Here make thy court amidst our rural scene,
And shepherd-girls shall own thee for their queen.
With thee be Chastity, of all afraid,
Distrusting all, a wise suspicious maid,
But man the most -- not more the mountain doe
Holds the swift falcon for her deadly foe.
Cold is her breast, like flowers that drink the dew;
A silken veil conceals her from the view.
No wild desires amidst thy train be known,
But Faith, whose heart is fixed on one alone;
Desponding Meekness with her down-cast eyes,
And friendly Pity full of tender sighs;
And Love the last: by these your hearts approve,
These are the Virtues that must lead to love.'
Thus sung the swain, and eastern legends say
The maids of Bagdat verified the lay:
Dear to the plains, the Virtues came along,
The shepherds loved, and Selim blessed his song.
poem by William Taylor Collins
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Justice For Prejudice?
Since your tragic death and dones.
Nothing seems,
To have changed.
The twisted bitter lies;
Just seem to carry on.
This awful thorn of disguise.
Thwarting the strong,
In the eyes.
The young they scream, they die.
I watch their parent mourn.
A thing i can't explain.
But grieve it to my grave.
I've taste the bitter truth,
The tragic slaps of rain.
I said i can't explain.
The british justice way.
They loose the slaves in chains.
But made us slaves with brain.
I have two words to say.
About the justice game.
As i would define;
The tragic charms of lies.
Justice for the rich.
Prejudice for the poor.
poem by Prince Salamaveli
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On the Death of Adrienne Lecouvreur, A Celebrated Actress
Hat sight of woe thus harrows up my soul!
Must those love-darting eyes in anguish roll?
Shall ghastly death such charms divine invade?
You muses, graces, loves come to her aid.
Oh! you my gods and hers assist the fair,
Your image sure must well deserve your care.
Alas! thou diest, I press thy corpse alone;
Thou diest, the fatal news too soon is known.
In such a loss, each tender feeling heart
Is touched like mine, and takes in grief a part.
I hear the arts on every side deplore
Their loss, and cry, 'Melpomene's no more:'
What exclamations will the future race
Utter, at hearing of those arts' disgrace?
See cruel men a burying place refuse,
To her whom Greece had worshipped as a muse;
When living, they adored her power divine,
To her they bowed like votaries at a shrine:
Should she then, breathless, criminal be thought,
And is it then to charm the world a fault?
Seine's [1] banks should now no more be deemed profane,
Lecouvreur's sacred ashes there remain:
At this sad tomb, shrine sacred to thy shade,
Our vows are still as at a temple paid.
I don't revere the famed St. Denis more,
Thy graces, charms, and wit, I there adore:
I loved them living, incense now I'll burn,
And pay due honors to thy sacred urn.
Though error and ingratitude are bent,
To brand with infamy thy monument.
Shall Frenchmen never know what they require,
But damn capriciously what they admire?
Must laws with manners jar? Must every mind
In France, be made by superstition blind?
Wherefore should England be the only clime,
Where to think freely is not deemed a crime?
Oh! London, Athens' rival, thou alone,
Could tyrants, and could prejudice dethrone;
In that blest region, general freedom reigns,
Merit is honored, and reward obtains:
Marlborough the greatest general of his age,
Harmonious Dryden, Addison the sage,
Immortal Newton, charming Oldfield there,
The honors due to real genius share.
The farce of life had there Lecouvreur closed
With heroes, statesmen, kings she had reposed;
Genius at London makes its owner great,
Freedom and wealth have in that happy state,
Procured the inhabitants immortal fame,
They rival now the Greek and Roman name.
Parnassian laurels wither in our fields,
And France no more a crop of merit yields:
Wherefore you gods do all our glories fade,
Why is not honor due to genius paid?
To Mr. Addison on His Opera of Rosamond
______ Ne fortè pudori
Sit tibi Musa lyræ solers, & cantor Apollo.
The Opera first Italian masters taught,
Enrich'd with songs, but innocent of thought;
Britannia's learned theatre disdains
Melodious trifles, and enervate strains;
And blushes, on her injur'd stage to see
Nonsense well-tun'd, and sweet stupidity.
No charms are wanting to thy artful song,
Soft as Corelli, and as Virgil strong.
From Words so sweet new grace the notes receive,
And Music borrows helps, she us'd to give.
Thy style hath match'd what ancient Romans knew,
Thy flowing numbers far excel the new.
Their cadence in such easy sound convey'd,
The height of thought may seem superfluous aid;
Yet in such charms the noble thoughts abound,
That needless seem the sweets of easy sound.
Landscapes how gay the bowery grotto yields,
Which thought creates, and lavish fancy builds!
What art can trace the visionary scenes,
The flowery groves, and everlasting greens,
The babbling sounds that mimic echo plays,
The fairy shade, and its eternal maze?
Nature and Art in all their charms combin'd,
And all Elysium to one view confin'd!
No further could imagination roam,
Till Vanbrugh fram'd, and Marlborough rais'd the dome.
Ten thousand pangs my anxious bosom tear,
When drown'd in tears I see th' imploring fair;
When bards less soft the moving words supply,
A seeming justice dooms the nymph to die;
But here she begs, nor can she beg in vain
(In dirges thus expiring swans complain);
Each verse so swells expressive of her woes,
And every tear in lines so mournful flows;
We, spite of fame, her fate revers'd believe,
O'erlook her crimes, and think she ought to live.
Let joy salute fair Rosamonda's shade,
And wreaths of myrtle crown the lovely maid.
While now perhaps with Dido's ghost she roves,
And hears and tells the story of their loves,
Alike they mourn, alike they bless their fate,
Since Love, which made them wretched, makes them great.
Nor longer that relentless doom bemoan,
Which gain'd a Virgil, and an Addison.
Accept, great monarch of the British lays,
The tribute song an humble subject pays.
So tries the artless lark her early flight,
And soars, to hail the god of verse and light.
Unrivall'd, as unmatch'd, be still thy fame,
And thy own laurels shade thy envy'd name:
Thy name, the boast of all the tuneful quire,
Shall tremble on the strings of every lyre;
While the charm'd reader with thythought complies,
Feels corresponding joys or sorrows rise,
And views thy Rosamond with Henry's eyes.
poem by Thomas Tickell
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Tragic Comic
Flowers, I sent,
Were found dead on their arrival
The words, I said,
Inserted foot in my mouthful
So when, we dance,
My lead it aint so graceful
(isnt so, not aint so)
Im a hapless romantic
St-t-tuttering p-poet
Just call me a tragic comic
Cause im, in, in love with you
And when, we dine,
I forget to push in your seat
I wear, the wine,
Spilling hearts all over my sleeve
A stitch, in time,
Proposing down on my knees
(splitting between the seams)
Im a hapless romantic
St-t-tuttering p-poet
Just call me a tragic comic
Cause im, in, in love with you
Nobody, can know the,
Trouble ive, seen
Nobody, can know the,
Trouble i, get into,
When Im with you
song performed by by Extreme
Submitted by Lucian Velea
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Apollo's Edict.
Ierne's now our royal Care:
We lately fix'd our Vice--roy there.
How near was she to be undone,
Till pious Love inspir'd her Son!
What cannot our Vice--gerent do,
As Poet, and as Patriot too?
Let his Success our Subjects sway,
Our Inspirations to obey:
Let beaten Paths no more be trac'd;
But study to correct your Taste.
No Simile shall be begun
With rising, or with setting Sun;
And let the secret Head of Nile
Be ever banish'd from your Isle.
When wretched Lovers live on Air,
In Pity the Chameleon spare!
And when you'd make a Hero grander,
Forget he's like a Salamander.
No Son of mine shall dare to say,
Aurora usher'd in the Day.
You all agree, I make no Doubt,
The Prophet's Mantle's quite worn out.
The Bird of Fove shall toil no more,
To teach the humble Wren to soar.
Your tragic Heroes shall not rant,
Nor Shepherds use poetic Cant.
Simplicity alone can grace
The Manners of the rural Race.
When Damon's Soul shall take its Flight,
(Tho' Poets have the second Sight)
No Trail of Light shall upwards rise,
Nor a new Star adorn the Skies:
For who can hope to place one there,
So glorious as Belinda's Hair?
Yet, if his Name you eternize,
And must exalt him to the Skies;
Without a Star it may be done--
So Tickell mourn'd his Addison.
If Anna's happy Reign you praise,
Say not a Word of Halcyon--Days:
Nor let my Vot'ries shew their Skill,
In apeing Lines from Cooper's--Hill;
For know, I cannot bear to hear
The Mimickry of deep, yet clear.
Whene'er my Vice--roy is address'd,
Against the Phoenix I protest.
When Kelly's Beauties you survey,
Forget they're like the Milky Way.
When Poets soar in youthful Strains,
No Phaeton to hold the Reins.
CUPID shall ne'er mistake another,
Not ev'n Eliza, for his Mother;
Nor shall his Darts at Random fly,
From Magazines in Rochford's Eye.
When Boyle's exalted Genius shines,
Distinguish'd in your noblest Lines;
With his own Worth your Patron grace,
And let Maecenas sleep in Peace.
When you describe a lovely Girl,
No Coral Lips, or Teeth of Pearl.
With Women Compounds I am cloy'd,
Which only pleas'd in Biddy Floyd.
For foreign Aid what need they roam,
Whom Fate hath amply bless'd at Home?
Unerring Heav'n, with bounteous Hand,
Has form'd a Model for your Land;
Whom Fove endow'd with ev'ry Grace,
The Glory of the Granard Race;
Now destin'd by the Pow'rs divine,
The Blessing of another Line.
Then would you paint a matchless Dame,
And raise her to immortal Fame;
Invoke not Cytherea's Aid,
Nor borrow from the Blue--ey'd Maid,
Nor need you on the Graces call;
Take Qualities from Donegal.
poem by Mary Barber
Submitted by Poetry Lover
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An Epistle Addressed To Sir Thomas Hanmer, On His Edition Of Shakspeare's Works
WHILE, born to bring the Muse's happier days,
A patriot's hand protects a poet's lays,
While nurs'd by you she sees her myrtles bloom,
Green and unwither'd o'er his honour'd tomb;
Excuse her doubts, if yet she fears to tell
What secret transports in her bosom swell.
With conscious awe she hears the critic's fame,
And blushing hides her wreath at Shakespeare's name.
Hard was the lot those injur'd strains endur'd,
Unown'd by Science, and by years obscur'd;
Fair Fancy wept; and echoing sighs confess'd
A fixt despair in every tuneful breast.
Not with more grief the afflicted swains appear,
When wintry winds deform the plenteous year;
When ling'ring frosts the ruin'd seats invade
Where Peace resorted, and the Graces play'd.
Each rising art by just gradation moves,
Toil builds on toil and age on age improves:
The Muse alone unequal dealt her rage,
And grac'd with noblest pomp her earliest stage.
Preserv'd through time, the speaking scenes impart
Each changeful wish of Phædra's tortured heart;
Or paint the curse that mark'd the Theban's (1) reign,
A bed incestuous, and a father slain.
With kind concern our pitying eyes o'erflow;
Trace the sad tale and own another's woe.
To Rome remov'd, with wit secure to please,
The comic Sisters kept their native ease;
With jealous fear, declining Greece beheld
Her own Menander's art almost excell'd;
But every Muse essay'd to raise in vain
Some labour'd rival of her tragic strain:
Illyssus' laurels, though transferr'd with toil,
Droop'd their fair leaves, nor knew the unfriendly soil.
As Arts expir'd, resistless Dullness rose;
Goths, priests, or Vandals—all were Learning's foes,
Till Julius (2) first recall'd each exil'd maid;
And Cosmo owned them in the Etrurian shade:
Then, deeply skill'd in love's engaging theme,
The soft Provençal pass'd to Arno's stream:
With graceful ease the wanton lyre he strung;
Sweet flow'd the lays—but love was all he sung.
The gay description could not fail to move;
For, led by Nature, all are friends to love.
But Heaven, still various in its works, decreed
The perfect boast of time should last succeed.
The beauteous union must appear at length,
Of Tuscan fancy, and Athenian strength:
One greater Muse Eliza's reign adorn,
And even a Shakespeare to her fame be born!
Yet ah! so bright her morning's opening ray,
In vain our Britain hop'd an equal day!
No second growth the western isle could bear,
At once exhausted with too rich a year.
Too nicely Jonson knew the critic's part;
Nature in him was almost lost in art.
Of softer mould the gentle Fletcher came,
The next in order as the next in name.
With pleas'd attention, 'midst his scenes we find
Each glowing thought that warms the female mind;
Each melting sigh, and every tender tear;
The lover's wishes, and the virgin's fear.
His (3) every strain the Smiles and Graces own;
But stronger Shakespeare felt for man alone:
Drawn by his pen, our ruder passions stand
The unrivall'd picture of his early hand.
With (4) gradual steps and slow, exacter France
Saw Art's fair empire o'er her shores advance:
By length of toil a bright perfection knew,
Correctly bold, and just in all she drew:
Till late Corneille, with Lucan's (5) spirit fir'd,
Breath'd the free strain, as Rome and he inspir'd:
And classic judgment gain'd to sweet Racine,
The temperate strength of Maro's chaster line.
But wilder far the British laurel spread,
And wreaths less artful crown our Poet's head.
Yet he alone to every scene could give
The historian's truth, and bid the manners live.
Wak'd at his call I view, with glad surprise,
Majestic forms of mighty monarchs rise.
There Henry's trumpets spread their loud alarms;
And laurell'd Conquest waits her hero's arms.
Here gentle Edward claims a pitying sigh,
Scarce born to honours, and so soon to die!
Yet shall thy throne, unhappy infant, bring
No beam of comfort to the guilty king:
The time (6) shall come when Glo'ster's heart shall bleed,
In life's last hours, with horror of the deed;
When dreary visions shall at last present
Thy vengeful image in the midnight tent:
Thy hand unseen the secret death shall bear;
Blunt the weak sword, and break th' oppressive spear!
Where'er we turn, by Fancy charm'd, we find
Some sweet illusion of the cheated mind.
Oft, wild of wing, she calls the soul to rove
With humbler nature, in the rural grove;
Where swains contented own the quiet scene,
And twilight fairies tread the circled green:
Dress'd by her hand, the woods and valleys smile;
And Spring diffusive decks th' enchanted isle.
O more than all in powerful genius blest,
Come, take thine empire o'er the willing breast!
Whate'er the wounds this youthful heart shall feel,
Thy songs support me, and thy morals heal!
There every thought the Poet's warmth may raise;
There native music dwells in all the lays.
O might some verse with happiest skill persuade,
Expressive picture to adopt thine aid!
What wondrous draught might rise from every page!
What other Raphaels charm a distant age!
Methinks e'en now I view some free design
Where breathing Nature lives in every line;
Chaste and subdu'd the modest lights decay,
Steal into shades, and mildly melt away.
And see where Antony, (7) in tears approv'd,
Guards the pale relics of the chief he lov'd;
O'er the cold corse the warrior seems to bend,
Deep sunk in grief, and mourns his murder'd friend!
Still as they press, he calls on all around,
Lifts the torn robe, and points the bleeding wound.
But who (8) is he whose brows exalted bear
A wrath impatient and a fiercer air?
Awake to all that injur'd worth can feel,
On his own Rome he turns th' avenging steel;
Yet shall not war's insatiate fury fall
(So heaven ordains it) on the destin'd wall.
See the fond mother, 'midst the plaintive train,
Hung on his knees, and prostrate on the plain!
Touch'd to the soul, in vain he strives to hide
The son's affection, in the Roman's pride;
O'er all the man conflicting passions rise;
Rage grasps the sword, while Pity melts the eyes.
Thus generous Critic, as thy Bard inspires,
The sister Arts shall nurse their drooping fires;
Each from his scenes their stores alternate bring;
Blend the fair tint, or wake the vocal string;
Those Sibyl-leaves, the sport of every wind,
(For Poets ever were a careless kind)
By thee dispos'd, no farther toil demand,
But, just to Nature, own thy forming hand.
So spread o'er Greece, the harmonious whole unknown,
E'en Homer's numbers charmed by parts alone.
Their own Ulysses scarce had wander'd more,
By winds and waters cast on every shore:
When, rais'd by fate, some former Hanmer join'd
Each beauteous image of the boundless mind;
And bade, like thee, his Athens ever claim
A fond alliance with the Poet's name.
1 The Oedipus of Sophocles.
2 Julius II, the immediate predecessor of Leo X.
3 Their characters are thus distinguished by Mr. Dryden.
4 About the time of Shakspeare, the poet Hardy was in great repute in France. He wrote, according to Fontenelle, six hundred plays. The French poets after him applied themselves in general to the correct improvement of the stage, which was almost totally disregarded by those
of our own country, Jonson excepted.
5 The favourite author of the elder Corneille.
6 Turno tempus erit, magno cum optaverit emptum
Intactum Pallanta, &c. Virg.
7 See the Tragedy of Julius Cæsar.
8 Coriolanus. See Mr. Spence's Dialogue on the Odyssey.
poem by William Taylor Collins
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An Account Of The Greatest English Poets
Since, dearest Harry, you will needs request
A short account of all the Muse possest,
That, down from Chaucer's days to Dryden's Times,
Have spent their Noble Rage in British Rhimes;
Without more Preface, wrote in Formal length,
To speak the Undertakers want of strength,
I'll try to make they're sev'ral Beauties known,
And show their Verses worth, tho' not my Own.
Long had our dull Fore-Fathers slept Supine,
Nor felt the Raptures of the Tuneful Nine;
Till Chaucer first, the merry Bard, arose;
And many a Story told in Rhime and Prose.
But Age has Rusted what the Poet writ,
Worn out his Language, and obscur'd his Wit:
In vain he jests in his unpolish'd strain,
And tries to make his Readers laugh in vain.
Old Spencer next, warm'd with Poetick Rage,
In Antick Tales amus'd a Barb'rous Age;
An Age that yet uncultivate and Rude,
Where-e'er the Poet's Fancy led, pursu'd
Through pathless Fields, and unfrequented Floods,
To Dens of Dragons and Enchanted Woods.
But now the Mystick Tale, that pleas'd of Yore,
Can Charm an understanding Age no more;
The long-spun Allegories fulsom grow,
While the dull Moral lies too plain below.
We view well-pleas'd at distance all the sights
Of Arms and Palfreys, Battle's, Fields, and Fights,
And Damsels in Distress, and Courteous Knights.
But when we look too near, the Shades decay,
And all the pleasing Lan-skip fades away.
Great Cowley then (a mighty Genius) wrote;
O'er-run with Wit, and lavish of his Thought:
His Turns too closely on the Reader press;
He more had pleas'd us, had he pleas'd us less.
One glitt'ring Thought no sooner strikes our Eyes
With silent wonder, but new wonders rise.
As in the Milky way a shining White,
O'er-flows the Heav'ns, with one continu'd Light;
That not a single Star can shew his Rays,
Whilst joyntly all promote the Common-Blaze.
Pardon, Great Poet, that I dare to name
Th' unnumber'd Beauties of thy Verse with blame;
Thy fault is only Wit in its Excess,
But Wit like thine in any shape will please.
What Muse but thine cou'd equal Hints inspire,
And fit the Deep-Mouth'd Pindar to thy Lyre:
Pindar, whom others in a Labour'd strain
And forc'd Expression, imitate in vain?
Well-pleas'd in thee he Soars with new delight,
And Plays in more unbounded Verse, and takes a nobler flight.
Blest Man! whose spotless Life and Charming Lays
Employ'd the Tuneful Prelate in thy Praise:
Blest Man! who now shall be for ever known
In Sprat's successful Labours and thy own.
But Milton next, with high and haughty stalks,
Unfetter'd in Majestic Numbers walks;
No vulgar Heroe can his Muse ingage;
Nor Earth's wide Scene confine his hallow'd Rage.
See! see, he upward Springs, and Tow'ring high,
Spurns the dull Province of Mortality;
Shakes Heav'ns Eternal Throne with dire Alarms,
And sets the Almighty Thunderer in Arms.
What-e'er his Pen describes I more then see,
Whilst ev'ry Verse array'd in Majesty,
Bold, and sublime, my whole attention draws,
And seems above the Criticks nicer Laws.
How are you struck with Terrour and Delight,
When Angel with Arch-Angel Cope's in Fight!
When Great Messiah's out-spread Banner shines,
How does the Chariot Rattel in his Lines!
What sounds of Brazen Wheels, what Thunder, scare,
And stun the Reader with the Din of War!
With Fear my Spirits and my Blood retire,
To see the Seraphs sunk in Clouds of Fire;
But when, with eager steps, from hence I rise,
And view the first gay Scenes of Paradise;
What Tongue, what words of Rapture, can express
A Vision so profuse of pleasantness.
Oh had the Poet ne'er profan'd his Pen,
To varnish o'er the Guilt of Faithless Men,
His other works might have deserv'd applause!
But now the Language can't support the Cause;
While the clean Current, tho' serene and bright,
Betray's a bottom odious to the sight.
But now my Muse, a softer strain rehearse.
Turn every Line with Art, and smooth thy Verse;
The Courtly Waller next commands thy Lays:
Muse Tune thy Verse, with Art, to Waller's Praise.
While tender Airs and lovely Dames inspire
Soft melting Thoughts, and propagate Desire;
So long shall Waller's strains our Passion move,
And Sacharissa's Beauties kindle Love.
Thy Verse, Harmonious Bard, and flatt'ring Song,
Can make the Vanquish'd Great, the Coward strong.
Thy Verse can show ev'n Cromwell's innocence,
And Compliment the Storms that bore him hence.
Oh had thy Muse not come an Age too soon,
But seen Great Nassaw on the British Throne!
How had his Triumphs glitter'd in thy Page,
And warm'd Thee to a more Exalted Rage!
What Scenes of Death and Horrour had we viewd,
And how had Boine's wide Current Reek'd in Blood!
Or if Maria's Charms thou wou'dst rehearse,
In smoother Numbers and a softer Verse,
Thy Pen had well describ'd her Graceful Air,
And Gloriana wou'd have seem'd more Fair.
Nor must Roscommon pass neglected by,
That makes ev'n Rules a noble Poetry:
Rules who's deep Sense and Heav'nly Numbers show
The best of Critticks, and of Poets too.
Nor Denham must we e'er forget thy Strains,
While Cooper's Hill commands the neighb'ring Plains.
But see where artful Dryden next appears,
Grown old in Rhime, but Charming ev'n in Years.
Great Dryden next! whose Tuneful Muse affords
The sweetest Numbers, and the fittest words.
Whether in Comick sounds or Tragick Airs
She form's her voice, she moves our Smiles or Tears.
If Satire or Heroick Strains she writes,
Her Heroe pleases, and her Satire Bites.
From her no harsh, unartful Numbers fall,
She wears all Dresses, and she Charms in all:
How might we fear our English Poetry,
That long has flourish'd, shou'd decay with Thee;
Did not the Muses other Hope appear,
Harmonious Congreve, and forbid our Fear.
Congreve! whose Fancies unexhausted Store
Has given already much, and promis'd more.
Congreve shall still preserve thy Fame alive
And Dryden's Muse shall in his Friend survive.
I'm tir'd with Rhiming, and wou'd fain give o'er,
But Justice still demands one Labour more:
The Noble Montague remains unnam'd,
For Wit, for Humour, and for Judgment fam'd;
To Dorset he directs his Artful Muse,
In numbers such as Dorset's self might use.
How negligently Graceful he unrein's
His Verse, and writes in loose Familiar strains;
How Nassau's Godlike Acts adorn his Lines,
And all the Heroe in full Glory Shines.
We see his Army set in just Array,
And Boine's Di'd Waves run purple to the Sea.
Nor Simois chok'd with men, and Arms, and Blood;
Nor rapid Xanthus' celebrated Flood:
Shall longer be the Poet's highest Themes.
Tho' Gods and Heroes fought, Promiscuous in they're streams.
But now, to Nassau's secret Councils rais'd,
He Aids the Heroe, whom before he Prais'd.
I've done, at length, and now, Dear Friend, receive
The last poor Present that my Muse can give.
I leave the Arts of Poetry and Verse
To them that practise 'em with more success.
Of greater Truths I'll now prepare to tell,
And so at once, Dear Friend and Muse, Farewell.
poem by Joseph Addison
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Ode XVIII: To The Right Honourable Francis Earl Of Huntington
I. 1.
The wise and great of every clime,
Through all the spacious walks of Time,
Where'er the Muse her power display'd,
With joy have listen'd and obey'd.
For taught of heaven, the sacred Nine
Persuasive numbers, forms divine,
To mortal sense impart:
They best the soul with glory fire;
They noblest counsels, boldest deeds inspire;
And high o'er Fortune's rage inthrone the fixed heart.
I. 2.
Nor less prevailing is their charm
The vengeful bosom to disarm;
To melt the proud with human woe,
And prompt unwilling tears to flow.
Can wealth a power like this afford?
Can Cromwell's arts, or Marlborough's sword,
An equal empire claim?
No, Hastings. Thou my words wilt own:
Thy breast the gifts of every Muse hath known;
Nor shall the giver's love disgrace thy noble name.
I. 3.
The Muse's awful art,
And the blest function of the poet's tongue,
Ne'er shalt thou blush to honour; to assert
From all that scorned vice or slavish fear hath sung.
Nor shall the blandishment of Tuscan strings
Warbling at will in pleasure's myrtle bower;
Nor shall the servile notes to Celtic kings
By flattering minstrels paid in evil hour,
Move thee to spurn the heavenly Muse's reign.
A different strain,
And other themes
From her prophetic shades and hallow'd streams
(Thou well can'st witness) meet the purged ear:
Such, as when Greece to her immortal shell
Rejoicing listen'd, godlike sounds to hear;
To hear the sweet instructress tell
(While men and heroes throng'd around)
How life its noblest use may find,
How well for freedom be resign'd;
And how, by glory, virtue shall be crown'd.
II. 1.
Such was the Chian father's strain
To many a kind domestic train,
Whose pious hearth and genial bowl
Had chear'd the reverend pilgrim's soul:
When, every hospitable rite
With equal bounty to requite,
He struck his magic strings;
And pour'd spontaneous numbers forth,
And seiz'd their ears with tales of ancient worth,
And fill'd their musing hearts with vast heroic things.
II. 2.
Now oft, where happy spirits dwell,
Where yet he tunes his charming shell,
Oft near him, with applauding hands,
The genius of his country stands.
To listening gods he makes him known,
That man divine, by whom were sown
The seeds of Grecian fame:
Who first the race with freedom fir'd;
From whom Lycurgus Sparta's sons inspir'd;
From whom Platæan palms and Cyprian trophies came.
II. 3.
O noblest, happiest age!
When Aristides rul'd, and Cimon fought;
When all the generous fruits of Homer's page
Exulting Pindar saw to full perfection bought.
O Pindar, oft shalt thou be hail'd of me:
Not that Apollo fed thee from his shrine;
Not that thy lips drank sweetness from the bee;
Nor yet that, studious of thy notes divine,
Pan danc'd their measure with the sylvan throng:
But that thy song
Was proud to unfold
What thy base rulers trembled to behold;
Amid corrupted Thebes was proud to tell
The deeds of Athens and the Persian shame:
Hence on thy head their impious vengeance fell.
But thou, o faithful to thy fame,
The Muse's law did'st rightly know;
That who would animate his lays,
And other minds to virtue raise,
Must feel his own with all her spirit glow.
III. 1.
Are there, approv'd of later times,
Whose verse adorn'd a tyrant's crimes?
Who saw majestic Rome betray'd,
And lent the imperial ruffian aid?
Alas! not one polluted bard,
No, not the strains that Mincius heard,
Or Tibur's hills reply'd,
Dare to the Muse's ear aspire;
Save that, instructed by the Grecian lyre,
With freedom's ancient notes their shameful task they hide.
III. 2.
Mark, how the dread Pantheon stands,
Amid the domes of modern hands:
Amid the toys of idle state,
How simply, how severely great!
Then turn, and, while each western clime
Presents her tuneful sons to Time,
So mark thou Milton's name;
And add, “Thus differs from the throng
'The spirit which inform'd thy awful song,
Which bade thy potent voice protect thy country's fame.'
III. 3.
Yet hence barbaric zeal
His memory with unholy rage pursues;
While from these arduous cares of public weal
She bids each bard begone, and rest him with his Muse.
O fool! to think the man, whose ample mind
Must grasp at all that yonder stars survey;
Must join the noblest forms of every kind,
The world's most perfect image to display,
Can e'er his country's majesty behold,
Unmov'd or cold!
O fool! to deem
That he, whose thought must visit every theme,
Whose heart must every strong emotion know
Inspir'd by nature, or by fortune taught;
That he, if haply some presumptuous foe,
With false ignoble science fraught,
Shall spurn at freedom's faithful band;
That he their dear defence will shun,
Or hide their glories from the sun,
Or deal their vengeance with a woman's hand!
IV. 1.
I care not that in Arno's plain,
Or on the sportive banks of Seine,
From public themes the Muse's quire
Content with polish'd ease retire.
Where priests the studious head command,
Where tyrants bow the warlike hand
To vile ambition's aim,
Say, what can public themes afford,
Save venal honors to an hateful lord,
Reserv'd for angry heaven and scorn'd of honest fame?
IV. 2.
But here, where freedom's equal throne
To all her valiant sons is known;
Where all are conscious of her cares,
And each the power, that rules him, shares;
Here let the bard, whose dastard tongue
Leaves public arguments unsung,
Bid public praise farewell:
Let him to fitter climes remove,
Far from the hero's and the patriot's love,
And lull mysterious monks to slumber in their cell.
IV. 3.
O Hastings, not to all
Can ruling heaven the same endowments lend:
Yet still doth nature to her offspring call,
That to one general weal their different powers they bend,
Unenvious. Thus alone, though strains divine
Inform the bosom of the Muse's son;
Though with new honors the patrician's line
Advance from age to age; yet thus alone
They win the suffrage of impartial fame.
The poet's name
He best shall prove,
Whose lays the soul with noblest passions move.
But thee, o progeny of heroes old,
Thee to severer toils thy fate requires:
The fate which form'd thee in a chosen mould,
The grateful country of thy sires,
Thee to sublimer paths demand;
Sublimer than thy sires could trace,
Or thy own Edward teach his race,
Though Gaul's proud genius sank beneath his hand.
V. 1.
From rich domains and subject farms,
They led the rustic youth to arms;
And kings their stern atchievements fear'd;
While private strife their banners rear'd.
But loftier scenes to thee are shown,
Where empire's wide-establish'd throne
No private master fills:
Where, long foretold, the People reigns:
Where each a vassal's humble heart disdains;
And judgeth what he sees; and, as he judgeth, wills.
V. 2.
Here be it thine to calm and guide
The swelling democratic tide;
To watch the state's uncertain frame,
And baffle faction's partial aim:
But chiefly, with determin'd zeal,
To quell that servile band, who kneel
To freedom's banish'd foes;
That monster, which is daily found
Expert and bold thy country's peace to wound;
Yet dreads to handle arms, nor manly counsel knows.
V. 3.
'Tis highest heaven's command,
That guilty aims should sordid paths pursue;
That what ensnares the heart should maim the hand,
And virtue's worthless foes be false to glory too.
But look on freedom. see, through every age,
What labours, perils, griefs, hath she disdain'd!
What arms, what regal pride, what priestly rage,
Have her dread offspring conquer'd or sustain'd!
For Albion well have conquer'd. Let the strains
Of happy swains,
Which now resound
Where Scarsdale's cliffs the swelling pastures bound,
Bear witness. there, oft let the farmer hail
The sacred orchard which imbowers his gate,
And shew to strangers passing down the vale,
Where Candish, Booth, and Osborne sate;
When bursting from their country's chain,
Even in the midst of deadly harms,
Of papal snares and lawless arms,
They plann'd for freedom this her noblest reign.
VI. 1.
This reign, these laws, this public care,
Which Nassau gave us all to share,
Had ne'er adorn'd the English name,
Could fear have silenc'd freedom's claim.
But fear in vain attempts to bind
Those lofty efforts of the mind
Which social good inspires;
Where men, for this, assault a throne,
Each adds the common welfare to his own;
And each unconquer'd heart the strength of all acquires.
VI. 2.
Say, was it thus, when late we view'd
Our fields in civil blood imbru'd?
When fortune crown'd the barbarous host,
And half the astonish'd isle was lost?
Did one of all that vaunting train,
Who dare affront a peaceful reign,
Durst one in arms appear?
Durst one in counsels pledge his life?
Stake his luxurious fortunes in the strife?
Or lend his boasted name his vagrant friends to chear?
VI. 3.
Yet, Hastings, these are they
Who challenge to themselves thy country's love;
The true; the constant: who alone can weigh,
What glory should demand, or liberty approve!
But let their works declare them. Thy free powers,
The generous powers of thy prevailing mind,
Not for the tasks of their confederate hours,
Lewd brawls and lurking slander, were design'd.
Be thou thy own approver. Honest praise
Oft nobly sways
Ingenuous youth:
But, sought from cowards and the lying mouth,
Praise is reproach. Eternal God alone
For mortals fixeth that sublime award.
He, from the faithful records of his throne,
Bids the historian and the bard
Dispose of honor and of scorn;
Discern the patriot from the slave;
And write the good, the wise, the brave,
For lessons to the multitude unborn.
poem by Mark Akenside
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Elegy to the Memory of David Garrick, Esq.
DEAR SHADE OF HIM, who grac'd the mimick scene,
And charm'd attention with resistless pow'r;
Whose wond'rous art, whose fascinating mien,
Gave glowing rapture to the short-liv'd hour!
Accept the mournful verse, the ling'ring sigh,
The tear that faithful Mem'ry stays to shed;
The SACRED TEAR, that from Reflection's eye,
Drops on the ashes of the sainted dead.
Lov'd by the grave, and courted by the young,
In social comforts eminently blest;
All hearts rever'd the precepts of thy tongue,
And Envy's self thy eloquence confess'd.
Who could like thee the soul's wild tumults paint,
Or wake the torpid ear with lenient art?
Touch the nice sense with pity's dulcet plaint,
Or soothe the sorrows of the breaking heart?
Who can forget thy penetrating eye,
The sweet bewitching smile, th' empassion'd look?
The clear deep whisper, the persuasive sigh,
The feeling tear that Nature's language spoke?
Rich in each treasure bounteous Heaven could lend,
For private worth distinguish'd and approv'd,
The pride of WISDOM,VIRTUE's darling friend,
By MANSFIELD honor'dand by CAMDEN lov'd!
The courtier's cringe, the flatt'rer's abject smile,
The subtle arts of well-dissembled praise,
Thy soul abhorr'd;above the gloss of guile,
Truth lead thy steps, and Friendship crown'd thy days.
Oft in thy HAMPTON's dark embow'ring shade
The POET's hand shall sweep the trembling string;
While the proud tribute §to thy mem'ry paid,
The voice of GENIUS on the gale shall fling.
Yes, SHERIDAN! thy soft melodious verse
Still vibrates on a nation's polish'd ear;
Fondly it hover'd o'er the sable hearse,
Hush'd the loud plaint, and triumph'd in a tear.
In life united by congenial minds,
Dear to the MUSE, to sacred friendship true;
Around her darling's urn a wreath SHE binds,
A deathless wreathimmortaliz'd by YOU!
But say, dear shade, is kindred mem'ry flown?
Has widow'd love at length forgot to weep?
That no kind verse, or monumental stone,
Marks the lone spot where thy cold relics sleep!
Dear to a nation, grateful to thy muse,
That nation's tears upon thy grave shall flow,
For who the gentle tribute can refuse,
Which thy fine feeling gave to fancied woe?
Thou who, by many an anxious toilsome hour,
Reap'd the bright harvest of luxuriant Fame,
Who snatch'd from dark oblivion's barb'rous pow'r
The radiant glories of a SHAKSPERE's name!
Rembrance oft shall paint the mournful scene
Where the slow fun'ral spread its length'ning gloom,
Where the deep murmur, and dejected mien,
In artless sorrow linger'd round thy tomb.
And tho' no laurel'd bust, or labour'd line,
Shall bid the passing stranger stay to weep;
Thy SHAKSPERE's hand shall point the hallow'd shrine,
And Britain's genius with thy ashes sleep.
Then rest in peace, O ever sacred shade!
Your kindred souls exulting FAME shall join;
And the same wreath thy hand for SHAKSPERE made,
Gemm'd with her tears about THY GRAVE SHALL TWINE.
poem by Mary Darby Robinson
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Elegy XIV. Declining an Invitation To Visit Foreign Countries
DECLINING AN INVITATION TO VISIT FOREIGN COUNTRIES, HE TAKES OCCASION TO INTIMATE THE ADVANTAGES OF HIS OWN. TO LORD TEMPLE.
While others, lost to friendship, lost to love,
Waste their best minutes on a foreign strand,
Be mine, with British nymph or swain to rove,
And court the Genius of my native land.
Deluded Youth! that quits these verdant plains,
To catch the follies of an alien soil!
To win the vice his genuine soul disdains,
Return exultant, and import the spoil!
In vain he boasts of his detested prize;
No more it blooms, to British climes convey'd;
Cramp'd by the impulse of ungenial skies,
See its fresh vigour in a moment fade;
Th' exotic folly knows its native clime;
An awkward stranger, if we waft it o'er;
Why then these toils, this costly waste of time,
To spread soft poison on our happy shore?
I covet not the pride of foreign looms;
In search of foreign modes I scorn to rove;
Nor, for the worthless bird of brighter plumes,
Would change the meanest warbler of my grove.
No distant clime shall servile airs impart,
Or form these limbs with pliant ease to play;
Trembling I view the Gaul's illusive art,
That steals my loved rusticity away.
'Tis long since Freedom fled th' Hesperian clime,
Her citron groves, her flower-embroider'd shore;
She saw the British oak aspire sublime,
And soft Campania's olive charms no more.
Let partial suns mature the western mine,
To shed its lustre o'er th' Iberian maid;
Mien, beauty, shape, O native soil! are thine;
Thy peerless daughters ask no foreign aid.
Let Ceylon's envied plant perfume the seas,
Till torn to season the Batavian bowl;
Ours is the breast whose genuine ardours please,
Nor need a drug to meliorate the soul.
Let the proud Soldan wound th' Arcadian groves,
Or with rude lips th' Aonian fount profane;
The Muse no more by flowery Ladon roves,
She seeks her Thomson on the British plain.
Tell not of realms by ruthless war dismay'd;
Ah, hapless realms! that war's oppression feel;
In vain may Austria boast her Noric blade,
If Austria bleed beneath her boasted steel.
Beneath her palm Idume vents her moan;
Raptured, she once beheld its friendly shade;
And hoary Memphis boasts her tombs alone,
The mournful types of mighty power decay'd!
No Crescent here displays its baneful horns;
No turban'd host the voice of Truth reproves;
Learning's free source the sage's breast adorns,
And poets, not inglorious, chant their loves.
Boast, favour'd Media! boast thy flowery stores;
Thy thousand hues by chemic suns refined;
'Tis not the dress or mien my soul adores,
'Tis the rich beauties of Britannia's mind.
While Grenville's breast could virtue's stores afford,
What envied flota bore so fair a freight?
The mine compared in vain its latent hoard,
The gem its lustre, and the gold its weight.
Thee, Grenville! thee, with calmest courage fraught!
Thee, the loved image of thy native shore!
Thee, by the Virtues arm'd, the Graces taught!
When shall we cease to boast or to deplore?
Presumptuous War, which could thy life destroy,
What shall it now in recompence decree?
While friends that merit every earthly joy,
Feel every anguish; feel-the loss of thee!
Bid me no more a servile realm compare,
No more the Muse of partial praise arraign;
Britannia sees no foreign breast so fair,
And, if she glory, glories not in vain.
poem by William Shenstone
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Lines written as a School Exercise at Hawkshead, Anno Aetatis
"And has the Sun his flaming chariot driven
Two hundred times around the ring of heaven,
Since Science first, with all her sacred train,
Beneath yon roof began her heavenly reign?
While thus I mused, methought, before mine eyes,
The Power of EDUCATION seemed to rise;
Not she whose rigid precepts trained the boy
Dead to the sense of every finer joy;
Nor that vile wretch who bade the tender age
Spurn Reason's law and humour Passion's rage;
But she who trains the generous British youth
In the bright paths of fair majestic Truth:
Emerging slow from Academus' grove
In heavenly majesty she seemed to move.
Stern was her forehead, but a smile serene
'Softened the terrors of her awful mien.'
Close at her side were all the powers, designed
To curb, exalt, reform the tender mind:
With panting breast, now pale as winter snows,
Now flushed as Hebe, Emulation rose;
Shame followed after with reverted eye,
And hue far deeper than the Tyrian dye;
Last Industry appeared with steady pace,
A smile sat beaming on her pensive face.
I gazed upon the visionary train,
Threw back my eyes, returned, and gazed again.
When lo! the heavenly goddess thus began,
Through all my frame the pleasing accents ran.
"'When Superstition left the golden light
And fled indignant to the shades of night;
When pure Religion reared the peaceful breast
And lulled the warring passions into rest,
Drove far away the savage thoughts that roll
In the dark mansions of the bigot's soul,
Enlivening Hope displayed her cheerful ray,
And beamed on Britain's sons a brighter day;
So when on Ocean's face the storm subsides,
Hushed are the winds and silent are the tides;
The God of day, in all the pomp of light,
Moves through the vault of heaven, and dissipates the
night;
Wide o'er the main a trembling lustre plays,
The glittering waves reflect the dazzling blaze
Science with joy saw Superstition fly
Before the lustre of Religion's eye;
With rapture she beheld Britannia smile,
Clapped her strong wings, and sought the cheerful isle,
The shades of night no more the soul involve,
She sheds her beam, and, lo! the shades dissolve;
No jarring monks, to gloomy cell confined,
With mazy rules perplex the weary mind;
No shadowy forms entice the soul aside,
Secure she walks, Philosophy her guide.
Britain, who long her warriors had adored,
And deemed all merit centred in the sword;
Britain, who thought to stain the field was fame,
Now honoured Edward's less than Bacon's name.
Her sons no more in listed fields advance
To ride the ring, or toss the beamy lance;
No longer steel their indurated hearts
To the mild influence of the finer arts;
Quick to the secret grotto they retire
To court majestic truth, or wake the golden lyre;
By generous Emulation taught to rise,
The seats of learning brave the distant skies.
Then noble Sandys, inspired with great design,
Reared Hawkshead's happy roof, and called it mine.
There have I loved to show the tender age
The golden precepts of the classic page;
To lead the mind to those Elysian plains
Where, throned in gold, immortal Science reigns;
Fair to the view is sacred Truth displayed,
In all the majesty of light arrayed,
To teach, on rapid wings, the curious soul
To roam from heaven to heaven, from pole to pole,
From thence to search the mystic cause of things
And follow Nature to her secret springs;
Nor less to guide the fluctuating youth
Firm in the sacred paths of moral truth,
To regulate the mind's disordered frame,
And quench the passions kindling into flame;
The glimmering fires of Virtue to enlarge,
And purge from Vice's dross my tender charge.
Oft have I said, the paths of Fame pursue,
And all that Virtue dictates, dare to do;
Go to the world, peruse the book of man,
And learn from thence thy own defects to scan;
Severely honest, break no plighted trust,
But coldly rest not here--be more than just;
Join to the rigours of the sires of Rome
The gentler manners of the private dome;
When Virtue weeps in agony of woe,
Teach from the heart the tender tear to flow;
If Pleasure's soothing song thy soul entice,
Or all the gaudy pomp of splendid Vice,
Arise superior to the Siren's power,
The wretch, the short-lived vision of an hour;
Soon fades her cheek, her blushing beauties fly,
As fades the chequered bow that paints the sky,
So shall thy sire, whilst hope his breast inspires,
And wakes anew life's glimmering trembling fires, 0
Hear Britain's sons rehearse thy praise with joy,
Look up to heaven, and bless his darling boy.
If e'er these precepts quelled the passions' strife,
If e'er they smoothed the rugged walks of life,
If e'er they pointed forth the blissful way
That guides the spirit to eternal day,
Do thou, if gratitude inspire thy breast,
Spurn the soft fetters of lethargic rest.
Awake, awake! and snatch the slumbering lyre,
Let this bright morn and Sandys the song inspire.'
"I looked obedience: the celestial Fair
Smiled like the morn, and vanished into air."
poem by William Wordsworth
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The Magic Of The Green And Blues
The magic of the green and blues, a view
Turtle doves in flight in purple night, they flew
Tragic plight a fight, now imagine me its true
Green and blue, blue and green
No matter to you but to me
The blue is woe and envy is green
It has to be, this way it seems, to me
Did I fall, commit a crime or lie, no
But miss misery makes my eyes glow
Through the blues and greens
A future is foreseen, by my eyes but for me
I stand tall above you all and truth I see
The magic of the green and blues, a view
Turtle doves in flight in purple night, they flew
Tragic plight a fight, now imagine me its true
Green is me and blue miss misery
She the only one to have a hold of me,
Unhappy together but with clarity forever
poem by Daniel Richards
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Ode VII: To The Right Reverend Benjamin Lord Bishop Of Winchester
I. 1.
For toils which patriots have endur'd,
For treason quell'd and laws secur'd,
In every nation Time displays
The palm of honourable praise.
Envy may rail; and faction fierce
May strive: but what, alas, can those
(Though bold, yet blind and sordid foes)
To gratitude and love oppose,
To faithful story and persuasive verse?
I. 2.
O nurse of freedom, Albion, say,
Thou tamer of despotic sway,
What man, among thy sons around,
Thus heir to glory hast thou found?
What page, in all thy annals bright,
Hast thou with purer joy survey'd
Than that where truth, by Hoadly's aid,
Shines through imposture's solemn shade,
Through kingly and through sacerdotal night?
I. 3.
To him the Teacher bless'd,
Who sent religion, from the palmy field
By Jordan, like the morn to cheer the west,
And lifted up the veil which heaven from earth conceal'd,
To Hoadly thus his mandate he address'd:
'Go thou, and rescue my dishonor'd law
From hands rapacious and from tongues impure:
Let not my peaceful name be made a lure
Fell persecution's mortal snares to aid:
Let not my words be impious chains to draw
The freeborn soul in more than brutal awe,
To faith without assent, allegiance unrepaid.'
II. 1.
No cold or unperforming hand
Was arm'd by heaven with this command.
The world soon felt it: and, on high,
To William's ear with welcome joy
Did Locke among the blest unfold
The rising hope of Hoadly's name,
Godolphin then confirm'd the fame;
And Somers, when from earth he came,
And generous Stanhope the fair sequel told.
II. 2.
Then drew the lawgivers around,
(Sires of the Grecian name renown'd)
And listening ask'd, and wondering knew,
What private force could thus subdue
The vulgar and the great combin'd;
Could war with sacred folly wage;
Could a whole nation disengage
From the dread bonds of many an age,
And to new habits mould the public mind.
II. 3.
For not a conqueror's sword,
Nor the strong powers to civil founders known,
Were his: but truth by faithful search explor'd,
And social sense, like seed, in genial plenty sown.
Wherever it took root, the soul (restor'd
To freedom) freedom too for others sought.
Not monkish craft the tyrant's claim divine,
Not regal zeal the bigot's cruel shrine
Could longer guard from reason's warfare sage;
Not the wild rabble to sedition wrought,
Nor synods by the papal Genius taught,
Nor St. John's spirit loose, nor Atterbury's rage.
III. 1.
But where shall recompence be found?
Or how such arduous merit crown'd?
For look on life's laborious scene:
What rugged spaces lie between
Adventurous virtue's early toils
And her triumphal throne! The shade
Of death, mean time, does oft invade
Her progress; nor, to us display'd,
Wears the bright heroine her expected spoils.
III. 2.
Yet born to conquer is her power:
—O Hoadly, if that favourite hour
On earth arrive, with thankful awe
We own just heaven's indulgent law,
And proudly thy success behold;
We attend thy reverend length of days
With benediction and with praise,
And hail Thee in our public ways
Like some great spirit fam'd in ages old.
III. 3.
While thus our vows prolong
Thy steps on earth, and when by us resign'd
Thou join'st thy seniors, that heroic throng
Who rescu'd or preserv'd the rights of human kind,
O! not unworthy may thy Albion's tongue
Thee still, her friend and benefactor, name:
O! never, Hoadly, in thy country's eyes,
May impious gold, or pleasure's gaudy prize,
Make public virtue, public freedom, vile;
Nor our own manners tempt us to disclaim
That heritage, our noblest wealth and fame,
Which Thou hast kept intire from force and factious guile.
poem by Mark Akenside
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