En.Citatepedia^®.ro

An Epistle Addressed To Sir Thomas Hanmer, On His Edition Of Shakspeare's Works

WHILE, born to bring the Muse's happier days,
A patriot's hand protects a poet's lays,
While nurs'd by you she sees her myrtles bloom,
Green and unwither'd o'er his honour'd tomb;
Excuse her doubts, if yet she fears to tell
What secret transports in her bosom swell.
With conscious awe she hears the critic's fame,
And blushing hides her wreath at Shakespeare's name.
Hard was the lot those injur'd strains endur'd,
Unown'd by Science, and by years obscur'd;
Fair Fancy wept; and echoing sighs confess'd
A fixt despair in every tuneful breast.
Not with more grief the afflicted swains appear,
When wintry winds deform the plenteous year;
When ling'ring frosts the ruin'd seats invade
Where Peace resorted, and the Graces play'd.

Each rising art by just gradation moves,
Toil builds on toil and age on age improves:
The Muse alone unequal dealt her rage,
And grac'd with noblest pomp her earliest stage.
Preserv'd through time, the speaking scenes impart
Each changeful wish of Phædra's tortured heart;
Or paint the curse that mark'd the Theban's (1) reign,
A bed incestuous, and a father slain.
With kind concern our pitying eyes o'erflow;
Trace the sad tale and own another's woe.

To Rome remov'd, with wit secure to please,
The comic Sisters kept their native ease;
With jealous fear, declining Greece beheld
Her own Menander's art almost excell'd;
But every Muse essay'd to raise in vain
Some labour'd rival of her tragic strain:
Illyssus' laurels, though transferr'd with toil,
Droop'd their fair leaves, nor knew the unfriendly soil.

As Arts expir'd, resistless Dullness rose;
Goths, priests, or Vandals—all were Learning's foes,
Till Julius (2) first recall'd each exil'd maid;
And Cosmo owned them in the Etrurian shade:
Then, deeply skill'd in love's engaging theme,
The soft Provençal pass'd to Arno's stream:
With graceful ease the wanton lyre he strung;
Sweet flow'd the lays—but love was all he sung.
The gay description could not fail to move;
For, led by Nature, all are friends to love.

But Heaven, still various in its works, decreed
The perfect boast of time should last succeed.
The beauteous union must appear at length,
Of Tuscan fancy, and Athenian strength:
One greater Muse Eliza's reign adorn,
And even a Shakespeare to her fame be born!

Yet ah! so bright her morning's opening ray,
In vain our Britain hop'd an equal day!
No second growth the western isle could bear,
At once exhausted with too rich a year.
Too nicely Jonson knew the critic's part;
Nature in him was almost lost in art.
Of softer mould the gentle Fletcher came,
The next in order as the next in name.
With pleas'd attention, 'midst his scenes we find
Each glowing thought that warms the female mind;
Each melting sigh, and every tender tear;
The lover's wishes, and the virgin's fear.
His (3) every strain the Smiles and Graces own;
But stronger Shakespeare felt for man alone:
Drawn by his pen, our ruder passions stand
The unrivall'd picture of his early hand.

With (4) gradual steps and slow, exacter France
Saw Art's fair empire o'er her shores advance:
By length of toil a bright perfection knew,
Correctly bold, and just in all she drew:
Till late Corneille, with Lucan's (5) spirit fir'd,
Breath'd the free strain, as Rome and he inspir'd:
And classic judgment gain'd to sweet Racine,
The temperate strength of Maro's chaster line.

But wilder far the British laurel spread,
And wreaths less artful crown our Poet's head.
Yet he alone to every scene could give
The historian's truth, and bid the manners live.
Wak'd at his call I view, with glad surprise,
Majestic forms of mighty monarchs rise.
There Henry's trumpets spread their loud alarms;
And laurell'd Conquest waits her hero's arms.
Here gentle Edward claims a pitying sigh,
Scarce born to honours, and so soon to die!
Yet shall thy throne, unhappy infant, bring
No beam of comfort to the guilty king:
The time (6) shall come when Glo'ster's heart shall bleed,
In life's last hours, with horror of the deed;
When dreary visions shall at last present
Thy vengeful image in the midnight tent:
Thy hand unseen the secret death shall bear;
Blunt the weak sword, and break th' oppressive spear!

Where'er we turn, by Fancy charm'd, we find
Some sweet illusion of the cheated mind.
Oft, wild of wing, she calls the soul to rove
With humbler nature, in the rural grove;
Where swains contented own the quiet scene,
And twilight fairies tread the circled green:
Dress'd by her hand, the woods and valleys smile;
And Spring diffusive decks th' enchanted isle.

O more than all in powerful genius blest,
Come, take thine empire o'er the willing breast!
Whate'er the wounds this youthful heart shall feel,
Thy songs support me, and thy morals heal!
There every thought the Poet's warmth may raise;
There native music dwells in all the lays.
O might some verse with happiest skill persuade,
Expressive picture to adopt thine aid!
What wondrous draught might rise from every page!
What other Raphaels charm a distant age!

Methinks e'en now I view some free design
Where breathing Nature lives in every line;
Chaste and subdu'd the modest lights decay,
Steal into shades, and mildly melt away.
And see where Antony, (7) in tears approv'd,
Guards the pale relics of the chief he lov'd;
O'er the cold corse the warrior seems to bend,
Deep sunk in grief, and mourns his murder'd friend!
Still as they press, he calls on all around,
Lifts the torn robe, and points the bleeding wound.

But who (8) is he whose brows exalted bear
A wrath impatient and a fiercer air?
Awake to all that injur'd worth can feel,
On his own Rome he turns th' avenging steel;
Yet shall not war's insatiate fury fall
(So heaven ordains it) on the destin'd wall.
See the fond mother, 'midst the plaintive train,
Hung on his knees, and prostrate on the plain!
Touch'd to the soul, in vain he strives to hide
The son's affection, in the Roman's pride;
O'er all the man conflicting passions rise;
Rage grasps the sword, while Pity melts the eyes.

Thus generous Critic, as thy Bard inspires,
The sister Arts shall nurse their drooping fires;
Each from his scenes their stores alternate bring;
Blend the fair tint, or wake the vocal string;
Those Sibyl-leaves, the sport of every wind,
(For Poets ever were a careless kind)
By thee dispos'd, no farther toil demand,
But, just to Nature, own thy forming hand.

So spread o'er Greece, the harmonious whole unknown,
E'en Homer's numbers charmed by parts alone.
Their own Ulysses scarce had wander'd more,
By winds and waters cast on every shore:
When, rais'd by fate, some former Hanmer join'd
Each beauteous image of the boundless mind;
And bade, like thee, his Athens ever claim
A fond alliance with the Poet's name.

1 The Oedipus of Sophocles.
2 Julius II, the immediate predecessor of Leo X.
3 Their characters are thus distinguished by Mr. Dryden.
4 About the time of Shakspeare, the poet Hardy was in great repute in France. He wrote, according to Fontenelle, six hundred plays. The French poets after him applied themselves in general to the correct improvement of the stage, which was almost totally disregarded by those
of our own country, Jonson excepted.
5 The favourite author of the elder Corneille.
6 Turno tempus erit, magno cum optaverit emptum
Intactum Pallanta, &c. Virg.
7 See the Tragedy of Julius Cæsar.
8 Coriolanus. See Mr. Spence's Dialogue on the Odyssey.

poem by William Taylor Collins
Submitted by Poetry Lover
Vote! | Copy!

Monody to the Memory of Chatterton

Chill penury repress'd his noble rage,
And froze the genial current of his soul.
GRAY.

IF GRIEF can deprecate the wrath of Heaven,
Or human frailty hope to be forgiven !
Ere now thy sainted spirit bends its way
To the bland regions of celestial day;
Ere now, thy soul, immers'd in purest air
Smiles at the triumphs of supreme Despair;
Or bath'd in seas of endless bliss, disdains
The vengeful memory of mortal pains;
Yet shall the MUSE a fond memorial give
To shield thy name, and bid thy GENIUS live.

Too proud for pity, and too poor for praise,
No voice to cherish, and no hand to raise;
Torn, stung, and sated, with this "mortal coil,"
This weary, anxious scene of fruitless toil;
Not all the graces that to youth belong,
Nor all the energies of sacred song;
Nor all that FANCY, all that GENIUS gave,
Could snatch thy wounded spirit from the grave.

Hard was thy lot, from every comfort torn;
In POVERTY'S cold arms condemn'd to mourn;
To live by mental toil, e'en when the brain
Could scarce its trembling faculties sustain;
To mark the dreary minutes slowly creep:
Each day to labour, and each night to weep;
'Till the last murmur of thy frantic soul,
In proud concealment from its mansion stole,
While ENVY springing from her lurid cave,
Snatch'd the young LAURELS from thy rugged grave.
So the pale primrose, sweetest bud of May,
Scarce wakes to beauty, ere it feels decay;
While baleful weeds their hidden n poisons pour,
Choke the green sod, and wither every flow'r.

Immur'd in shades, from busy scenes remov'd;
No sound to solace,­but the verse he lov'd:
No soothing numbers harmoniz'd his ear;
No feeling bosom gave his griefs a tear;
Obscurely born­no gen'rous friend he found
To lead his trembling steps o'er classic ground.
No patron fill'd his heart with flatt'ring hope,
No tutor'd lesson gave his genius scope;
Yet, while poetic ardour nerv'd each thought,
And REASON sanction'd what AMBITION taught;
He soar'd beyond the narrow spells that bind
The slow perceptions of the vulgar mind;
The fire once kindled by the breath of FAME,
Her restless pinions fann'd the glitt'ring flame;
Warm'd by its rays, he thought each vision just;
For conscious VIRTUE seldom feels DISTRUST.

Frail are the charms delusive FANCY shows,
And short the bliss her fickle smile bestows;
Yet the bright prospect pleas'd his dazzled view,
Each HOPE seem'd ripened, and each PHANTOM true;
Fill'd with delight, his unsuspecting mind
Weigh'd not the grov'ling treach'ries of mankind;
For while a niggard boon his Savants supply'd,
And NATURE'S claims subdued the voice of PRIDE:
His timid talents own'd a borrow'd name,
And gain'd by FICTION what was due to FAME.

With secret labour, and with taste refin'd,
This son of mis'ry form'd his infant mind !
When op'ning Reason's earliest scenes began,
The dawn of childhood mark'd the future man !
He scorn'd the puerile sports of vulgar boys,
His little heart aspir'd to nobler joys;
Creative Fancy wing'd his few short hours,
While soothing Hope adorn'd his path with flow'rs,
Yet FAME'S recording hand no trophy gave,
Save the sad TEAR­to decorate his grave.

Yet in this dark, mysterious scene of woe,
Conviction's flame shall shed a radiant glow;
His infant MUSE shall bind with nerves of fire
The sacrilegious hand that stabs its sire.
Methinks, I hear his wand'ring shade complain,
While mournful ECHO lingers on the strain;
Thro' the lone aisle his restless spirit calls,
His phantom glides along the minster's § walls;
Where many an hour his devious footsteps trod,
Ere Fate resign'd him TO HIS PITYING GOD.

Yet, shall the MUSE to gentlest sorrow prone
Adopt his cause, and make his griefs her own;
Ne'er shall her CHATTERTON's neglected name,
Fade in inglorious dreams of doubtful fame;
Shall he, whose pen immortal GENIUS gave,
Sleep unlamented in an unknown grave?
No, ­the fond MUSE shall spurn the base neglect,
The verse she cherish'd she shall still protect.

And if unpitied pangs the mind can move,
Or graceful numbers warm the heart to love;
If the fine raptures of poetic fire
Delight to vibrate on the trembling lyre;
If sorrow claims the kind embalming tear,
Or worth oppress'd, excites a pang sincere?
Some kindred soul shall pour the song divine,
And with the cypress bough the laurel twine,
Whose weeping leaves the wint'ry blast shall wave
In mournful murmurs o'er thy unbless'd grave.

And tho' no lofty VASE or sculptur'd BUST
Bends o'er the sod that hides thy sacred dust;
Tho' no long line of ancestry betrays
The PRIDE of RELATIVES, or POMP of PRAISE.
Tho' o'er thy name a blushing nation rears
OBLIVION'S wing­ to hide REFLECTION'S tears!
Still shall thy verse in dazzling lustre live,
And claim a brighter wreath THAN WEALTH CAN GIVE.

poem by Mary Darby Robinson
Submitted by Poetry Lover
Vote! | Copy!

To Mr. Addison on His Tragedy of Cato

Too long hath love engross'd Britannia's stage,
And sunk to softness all our tragic rage:
By that alone did empires fall or rise,
And fate depended on a fair-one's eyes:
The sweet infection, mixt with dangerous art,
Debas'd our manhood, while it sooth'd the heart.
You scorn to raise a grief thyself must blame,
Nor from our weakness steal a vulgar fame:
A patriot's fall may justly melt the mind,
And tears flow nobly, shed for all mankind.

How do our souls with generous pleasure glow!
Our hearts exulting, while our eyes o'erflow,
When thy firm hero stands beneath the weight
Of all his sufferings venerably great;
Rome's poor remains still sheltering by his side,
With conscious virtue, and becoming pride!
The aged oak thus rears his head in air,
His sap exhausted, and his branches bare;
'Midst storms and earthquakes, he maintains his state,
Fixt deep in earth, and fasten'd by his weight

His naked boughs still lend the shepherds aid,
And his old trunk projects an awful shade.
Amidst the joys triumphant peace bestows,
Our patriots sadden at his glorious woes;
Awhile they let the world's great business wait,
Anxious for Rome, and sigh for Cato's fate.
Here taught how ancient heroes rose to fame,
Our Britons crowd, and catch the Roman flame,
Where states and senates well might lend an ear,
And kings and priests without a blush appear.

France boasts no more, but, fearful to engage,
Now first pays homage to her rival's stage,
Hastes to learn thee, and learning shall submit
Alike to British arms, and British wit:
No more she'll wonder, forc'd to do us right,
Who think like Romans, could like Romans fight.
Thy Oxford smiles this glorious work to see,
And fondly triumphs in a son like thee.
The senates, consuls, and the gods of Rome,
Like old acquaintance at their native home,

In thee we find: each deed, each word exprest,
And every thought that swell'd a Roman breast,
We trace each hint that could thy soul inspire
With Virgil's judgement, and with Lucan's fire;
We know thy worth, and, give us leave to boast,
We most admire, because we know thee most.

poem by Thomas Tickell
Submitted by Poetry Lover
Vote! | Copy!

Elegy I. He Arrives at His Retirement in the Country

He Arrives at His Retirement in the Country, and Takes Occasion To Expatiate in Praise of Simplicity.

To a Friend

For rural virtues, and for native skies,
I bade Augusta's venal sons farewell;
Now 'mid the trees I see my smoke arise,
Now hear the fountains bubbling round my cell.

O may that Genius, which secures my rest,
Preserve this villa for a friend that's dear!
Ne'er may my vintage glad the sordid breast,
Ne'er tinge the lip that dares be insincere!

Far from these paths, ye faithless Friends, depart!
Fly my plain board, abhor my hostile name!
Hence the faint verse that flows not from the heart,
But mourns, in labour'd strains, the price of fame!

O loved Simplicity! be thine the prize!
Assiduous Art correct her page in vain!
His be the palm, who, guiltless of disguise,
Contemns the power the dull resource to feign!

Still may the mourner, lavish of his tears
For lucre's venal need, invite my scorn!
Still may the bard, dissembling doubts and fears,
For praise, for flattery sighing, sigh forlorn!

Soft as the line of lovesick Hammond flows,
'Twas his fond heart effused the melting theme;
Ah! never could Aonia's hill disclose
So fair a fountain, or so loved a stream.

Ye loveless Bards! intent with artful pains
To form a sigh, or to contrive a tear!
Forego your Pindus, and on - plains
Survey Camilla's charms, and grow sincere.

But thou, my Friend! while in thy youthful soul
Love's gentle tyrant seats his awful throne,
Write from thy bosom-let not art control
The ready pen, that makes his edicts known.

Pleasing, when youth is long expired, to trace
The forms our pencil or our pen design'd!
'Such was our youthful air, and shape, and face!
Such the soft image of our youthful mind!'

Soft, whilst we sleep beneath the rural bowers,
The Loves and Graces steal unseen away;
And where the turf diffused its pomp of flowers,
We wake to wintry scenes of chill decay!

Curse the sad fortune that detains thy fair;
Praise the soft hours that gave thee to her arms;
Paint thy proud scorn of every vulgar care,
When hope exalts thee, or when doubt alarms.

Where with Oenone thou hast worn the day,
Near fount or stream, in meditation, rove;
If in the grove Oenone loved to stray,
The faithful Muse shall meet thee in the grove.

poem by William Shenstone
Submitted by Poetry Lover
Vote! | Copy!

An American Tale

"Ah! pity all the pangs I feel,
If pity e'er ye knew;--
An aged father's wounds to heal,
Through scenes of death I flew.

"Perhaps my hast'ning steps are vain,
Perhaps the warrior dies!--
Yet let me soothe each parting pain--
Yet lead me where he lies."

Thus to the list'ning band she calls,
Nor fruitless her desire,
They lead her, panting, to the walls
That hold her captive sire.

"And is a daughter come to bless
These aged eyes once more?
Thy father's pains will now be less--
His pains will now be o'er!"

"My father! by this waning lamp
Thy form I faintly trace:--
Yet sure thy brow is cold and damp,
And pale thy honour'd face!

"In vain thy wretched child is come,
She comes too late to save!
And only now can share thy doom,
And share thy peaceful grave!"

Soft, as amid the lunar beams
The falling shadows bend,
Upon the bosom of the streams,
So soft her tears descend.

"Those tears a father ill can bear,
He lives, my child, for thee!
A gentle youth, with pitying care,
Has lent his aid to me.

"Born in the western world, his hand
Maintains its hostile cause,
And fierce against Britannia's band
His erring sword he draws;

"Yet feels the captive Briton's woe;
For his ennobled mind
Forgets the name of Britain's foe,
In love of human kind!

"Yet know, my child, a dearer tie
Has link'd his heart to mine:
He mourns with Friendship's holy sigh,
The youth belov'd of thine!

"But hark! his welcome feet are near--
Thy rising grief suppress:
By darkness veil'd, he hastens here
To comfort and to bless."

"Stranger! for that dear father's sake,"
She cried, in accents mild,
"Who lives by thy kind pity, take
The blessings of his child!

"O, if in heaven, my EDWARD'S breast
This deed of mercy knew,
That gives my tortur'd bosom rest,
He sure would bless thee too!

"Ah, tell me where my lover fell?
The fatal scene recall;
His last, dear accents, stranger, tell,
O, haste and tell me all!

"Say, if he gave to love the sigh,
That set his spirit free?
Say, did he raise his closing eye,
As if it sought for me?"

"Ask not," her father cried, "to know
What, known, were added pain;
Nor think, my child, the tale of woe
Thy softness can sustain."

"Though every joy with EDWARD fled,
When EDWARD'S friend is near
It soothes my breaking heart," she said,
"To tell those joys were dear.

"The western ocean roll'd in vain
Its parting waves between,
My EDWARD brav'd the dang'rous main,
And bless'd our native scene.

"Soft Isis heard his artless tale,
Ah, stream for ever dear!
Whose waters, as they pass'd the vale,
Receiv'd a lover's tear.

"How could a heart that virtue lov'd,
(And sure that heart is mine)
Lamented youth! behold unmov'd,
The virtues that were thine?

"Calm, as the surface of the lake,
When all the winds are still;
Mild, as the beams of morning break,
When first they light the hill;

"So calm was his unruffled soul,
Where no rude passion strove;
So mild his soothing accents stole,
Upon the ear of love.

"Where are the dear illusions fled
Which sooth'd my former hours?
Where is the path that fancy spread,
Ah, vainly spread with flowers?

"I heard the battle's fearful sounds,
They seem'd my lover's knell--
I heard that, pierc'd with ghastly wounds,
My vent'rous lover fell!--

"My sorrows shall with life endure,
For he I lov'd is gone;
But something tells my heart, that sure
My life will not be long."

"My panting soul can bear no more,"
The youth impatient cried;
" 'Tis EDWARD bids thy griefs be o'er,
My love! my destin'd bride!

"The life which Heav'n preserv'd, how blest,
How fondly priz'd by me!
Since dear to my AMELIA'S breast,
Since valued still by thee!

"My father saw my constant pain
When thee I left behind,
Nor longer will his power restrain
The ties my soul would bind.

"And soon thy honor'd sire shall cease
The captive's lot to bear;
And we, my love, will soothe to peace
His griefs, with filial care.

"Then come for ever to my soul!
AMELIA come, and prove
How calm our blissful years will roll
Along, a life of love!"

poem by Helen Maria Williams
Submitted by Poetry Lover
Vote! | Copy!

An Epistle to Mr. Southerne

Bold is the Muse to leave her humble Cell,
And sing to thee, who know'st to sing so well:
Thee! who to Britain still preserv'st the Crown,
And mak'st her rival Athens in Renown.
Cou'd Sophocles behold in mournful State,
The weeping Graces on Imoinda wait;

Or hear thy Isabella's moving Moan,
Distress'd and lost for Vices not her own;
If Envy cou'd permit, he'd sure agree
To write by Nature were to copy thee:
So full, so fair thy Images are shown,
He by thy Pencil might improve his own.

There was an Age, (its Memory will last!)
Before Italian Airs debauch'd our Taste;
In which the sable Muse with Hopes and Fears,
Fill'd every Breast, and ev'ry Eye with Tears.
But where's that Art, which all our Passions rais'd,
And mov'd the Springs of Nature as it pleas'd?
Our Poets only practise on the Pit,
With florid Lines, and trifling Turns of Wit.
Howe'er 'tis well the present Times can boast,
The Race of Charles's Reign not wholly lost.
Thy Scenes, immortal in their Worth, shall stand
Among the chosen Classics of our Land:

And whilst our Sons are by Tradition taught,
How Barry spoke what Thou and Otway wrote,
They'll think it praise to relish, and repeat,
And own thy Works inimitably great.

Shakespear, the Genius of our Isle, whose Mind
(The universal Mirror of Mankind)
Express'd all Images, enrich'd the Stage,
But sometimes stoop'd to please a barb'rous Age.
When his immortal Bays began to grow,
Rude was the Language, and the Humour low.
He, like the God of Day, was always bright,
But rolling in its Course, his Orb of Light
Was sully'd, and obscur'd, tho' soaring high,
With Spots contracted from the nether Sky.
But whither is th' adventrous Muse betray'd?
Forgive her Rashness, venerable Shade! 50
May Spring with Purple Flow'rs perfume thy Urn,
And Avon with his Greens thy Grave adorn:

Be all thy Faults, whatever Faults there be,
Imputed to the Times, and not to thee.

Some Scions shot from this immortal Root,
Their tops much lower, and less fair the Fruit.
Johnson, the Tribute of my Verse might claim,
Had he not strove to blemish Shakespear's Name.
But, like the radiant Twins that gild the Sphere,
Fletcher and Beaumont next in Pomp appear:
The first a fruitful Vine, in bloomy Pride,
Had been by Superfluity destroy'd;
But that his Friend, judiciously severe,
Prun'd the luxuriant Boughs with artful Care:
On various sounding Harps the Muses play'd,
And sung, and quaff'd their Nectar in the Shade.

Few Moderns in the Lists with these may stand,
For in those Days were Giants in the Land:

Suffice it now by Lineal Right to claim,
And bow with Filial Awe to Shakespear's Fame;
The second Honours are a glorious Name.
Achilles dead, they found no equal Lord,
To wear his Armour, and to wield his Sword.

An Age most odious and accurs'd ensu'd,
Discolour'd with a pious Monarch's Blood:
Whose Fall when first the Tragick Virgin saw,
She fled, and left her Province to the Law.
Her Merry Sister still persu'd the Game,
Her Garb was alter'd, but her Gifts the same.
She first reform'd the Muscles of her Face,
And learnt the solemn Scrue, for Signs of Grace;
Then circumcis'd her Locks, and form'd her Tone,
By humming to a Tabor, and a Drone:
Her Eyes she disciplin'd precisely right,
Both when to wink, and how to turn the white;
Thus banish'd from the Stage, she gravely next
Assum'd a Cloak, and quibbl'd o'er a Text.

But when by Miracles of Mercy shown,
Much-suff'ring Charles regain'd his Father's Throne;
When Peace and Plenty overflow'd the Land,
She strait pull'd off her Sattin Cap, and Band:
Bade Wycherly be bold in her Defence,
With pointed Wit, and Energy of Sense:
Etherege and Sidley join'd him in her Cause,
And all deserv'd, and all receiv'd Applause.

Restor'd with less Success, the Tragic Muse,
Had quite forgot her Style by long Disuse:
She taught her Maximins to rant in Rhime,
Mistaking ratling Nonsense for sublime;
'Till witty Buckingham reform'd her Taste,
1 And sneering sham'd her into Sense at last.
But now relaps'd, she dwindles to a Song,
And weakly warbles on an Eunuch's Tongue;
And with her Minstrelsie may still remain,
'Till Southerne court her to be great again.

Perhaps the Beauties of thy Spartan Dame,
Who (long defrauded of the publick Fame)
Shall, with superior Majesty avow'd,
Shine like a Goddess breaking from a Cloud,
Once more may re-instate her on the Stage,
Her Action graceful, and divine her Rage.

Arts have their Empires, and, like other States,
Their Rise and Fall are govern'd by the Fates.
They, when their Period's measur'd out by Time,
Transplant their Laurels to another Clime.
The Grecian Muse once fill'd with loud Alarms,
The Court of Heav'n, and clad the Gods in Arms:
The Trumpet silent, humbly she essay'd
The Doric Reed, and sung beneath the Shade;
Extoll'd a frugal Life, and taught the Swains
T' observe the Seasons, and manure the Plains:
Sometimes in warbled Hymns she pay'd her Vow,
Or wove Olympic Wreaths for Theron's Brow;

Sometimes on flow'ry Beds she lay supine,
And gave her Thoughts a Loose to Love and Wine;
Or in her sable Stole, and Buskins dress'd,
Shew'd Vice enthron'd, and virtuous Kings oppress'd.
The Nymph still fair, however past her Bloom,
From Greece at length was led in Chains to Rome:
Whilst Wars abroad, and civil Discord reign'd,
Silent the beauteous Captive long remain'd:
That Interval employ'd her timely Care,
To Study, and refine the Language there.
She views with Anguish on the Roman Stage
The Grecian Beauties weep, the Warriors rage:
But most those Scenes delight th' immortal Maid,
Which Scipio had revis'd, and Roscius Play'd.
Thence to the Pleadings of the Gown she goes,
(For Themis then cou'd speak in polish'd Prose.)
Charm'd at the Bar, amid th' attentive Throng
She bless'd the Syren-Pow'r of Tully's Tongue.
But when, Octavius, thy successful Sword
Was sheath'd, and universal Peace restor'd;
Fond of a Monarch, to the Court she came,
And chose a num'rous Choir to chant his Fame.
First from the green Retreats, and lowly Plains,
Her Virgil soar'd sublime in Epic Strains:
His Theme so glorious, and his Flight so true,
She with Mæonian Garlands grac'd his Brow.
Taught Horace then to touch the Lesbian Lyre,
And Sappho's Sweetness join'd with Pindar's Fire.
By Cæsar's Bounty all the tuneful Train
Enjoy'd, and sung of Saturn's golden Reign:
No Genius then was left to live on Praise,
Or curs'd the barren Ornament of Bays;
On all her Sons he cast a kind Regard,
Nor could they write so fast as he reward.
The Muse, industrious to record his Name
In the bright Annals of eternal Fame,
Profuse of Favours lavish'd all her Store,
And for one Reign made many Ages poor.

Now from the rugged North, unnumber'd Swarms
Invade the Latian Coasts with barb'rous Arms;
A Race unpolish'd, but inur'd to Toil,
Rough as their Heav'n, and barren as their Soil:
These Locusts ev'ry springing Art destroy'd,
And soft Humanity before them dy'd.
Picture no more maintain'd the doubtful Strife
With Nature's Scenes, nor gave the Canvas Life;
Nor Sculpture exercis'd her Skill, beneath
Her forming Hand to make the Marble breathe:
Struck with Despair, they stood devoid of Thought,
Less lively than the Works themselves had wrought.
On those Twin-Sisters such Disasters came,
Tho' Colours and Proportions are the same
In ev'ry Age, and Clime; their Beauties known
To ev'ry Language, and confin'd by none.
But Fate less Freedom to the Muse affords,
And checks her Genius with the Choice of Words:

To paint her Thoughts the Diction must be found
Of easy Grandeur, and harmonious Sound.
Thus when she rais'd her Voice divinely great,
To sing the Founder of the Roman State;
The Language was adapted to the Song;
Sweet and sublime, with native Beauty strong.
But when the Goths insulting Troops appear'd,
Such Dissonance the trembling Virgin hear'd!
Chang'd to a Swan, from Tyber's troubled Streams
She wing'd her Flight, and sought the silver Thames.

Long in the melancholy Grove she stay'd,
And taught the pensive Druids in the Shade;
In solemn and instructive Notes they sung,
From whence the beauteous Frame of Nature sprung;
Who polish'd all the radiant Orbs above,
And in bright Order made the Planets move;
Whence Thunders roar, and frightful Meteors fly,
And Comets roll unbounded thro' the Sky:

Who wing'd the Winds, and gave the Streams to flow,
And rais'd the Rocks, and spread the Lawns below
Whence the gay Spring exults in flow'ry Pride,

And Autumn with the bleeding Grape is dy'd;
Whence Summer Suns imbrown the lab'ring Swains
And shiv'ring Winter pines in icy Chains:
And prais'd the Pow'r supream, nor dar'd advance
So vain a Theory as that of Chance.

But in this Isle she found the Nymphs so fair,
She chang'd her Hand, and chose a softer Air,
And Love and Beauty next became her Care.
Greece, her lov'd Countrey, only cou'd afford
A Venus and a Helen to record;
A thousand radiant Nymphs she here beheld,
Who match'd the Goddess, and the Queen excell'd.
T' immortalize their Loves she long essay'd,
But still the Tongue her gen'rous Toil betray'd,
Chaucer had All that Beauty cou'd inspire,
And Surry's Numbers glow'd with warm Desire:

Both now are priz'd by few, unknown to most,
Because the Thoughts are in the Language lost;
Ev'n Spencer's Pearls in muddy Waters lie,
Yet soon their Beams attract the Diver's Eye.
Rich was their Imag'ry, 'till Time defac'd
The curious Works: but Waller came at last.
Waller, the Muse with heav'nly Verse supplies,
Smooth as the Fair, and sparkling as their Eyes;
``All but the Nymph, that shou'd redress his Wrong,
``Attend his Passion, and approve his Song.
But when this Orpheus sunk, and hoary Age
Suppress'd the Lover's and the Poet's Rage;
To Granville his melodious Lute she gave,
Granville, whose faithful Verse is Beauty's Slave:
Accept this Gift, my fav'rite Youth! she cry'd,
To sound a brighter Theme, and sing of Hyde;
Hyde's, and thy lovely Myra's Praise proclaim,
And match Carlisle's, and Sacharissa's Fame.

O! wou'd he now forsake the Myrtle Grove,
And sing of Arms, as late he sung of Love!
His Colours, and his Hand alone shou'd paint
In Britain's Queen, the Warrior and the Saint;
In whom conspire, to form her truly great,
Wisdom with Pow'r, and Piety with State.
Whilst from her Throne the Streams of Justice flow,
Strong and serene, to bless the Land below;
O'er distant Realms her dreaded Thunders roll,
And the wild Rage of Tyranny controul.
Her Pow'r to quell, and Pity to redress,
The Maese, the Danube, and the Rhine confess;
Whence bleeding Iber hopes, around his Head
To see fresh Olive spring, and Plenty spread:
And whilst they sound their great Deliv'rer's Fame,
The Sein retires, and sickens at her Name.
O Granville! all these glorious Scenes display,
Instruct succeeding Monarchs how to sway;
And make her Memory rever'd by all,
When Triumphs are forgot, and mould'ring Arches fall.
Pardon me, Friend! I own my Muse too free,
To write so long on such a Theme to thee:
To play the Critic here - with equal Right
Bid her pretend to teach Argyle to fight:
Instruct th' unerring Sun to guide the Year,
And Harley by what Schemes he ought to steer.
Give Harcourt Eloquence t' adorn the Seal,
Maxims of State to Leeds, to Beaufort Zeal.
Try to correct what Orrery shall write,
And make harmonious St. John more Polite.
Teach Law to Isla for the Crown's Support,
And Jersey how to serve, and grace a Court:
Dictate soft warbling Airs to Sheffield's Hand,
When Venus and her Loves around him stand:
In sage Debates to Rochester impart
A searching Head, and ever faithful Heart:
Make Talbot's finish'd Virtue more compleat,
High without Pride, and amiably great;
Where Nature all her Pow'rs with Fortune join'd,
At once to please, and benefit Mankind.

When Cares were to my blooming Youth unknown,
My Fancy free, and all my Hours my own;
I lov'd along the Laureat Grove to stray,
The Paths were pleasant, and the Prospect gay:
But now my Genius sinks, and hardly knows
To make a Couplet tinkle in the Close.
Yet when you next to Medway shall repair,
And quit the Town to breathe a purer Air;
Retiring from the Crowd, to steal the Sweets
Of easy Life in Twysden's calm Retreats;
(As Terence to his Lælius lov'd to come,
And in Campania scorn'd the Pomp of Rome.)
Where Lambard, form'd for Business, and to please
By sharing, will improve your Happiness;
In both their Souls imperial Reason sways,
In both the Patriot, and the Friend displays;
Be lov'd, and prais'd by all, who merit Love and Praise.
With bright Ideas there inspir'd anew,
By them excited, and inform'd by you,
I may with happier Skill essay to sing
Sublimer Notes, and strike a bolder String.

Languid and dull, when absent from her Cave,
No Oracles of old the Sybil gave;
But when beneath her sacred Shrine she stood,
Her Fury soon confess'd the coming God;
Her Breast began to heave, her Eyes to roul,
And wond'rous Visions fill'd her labouring Soul.

poem by Elijah Fenton
Submitted by Poetry Lover
Vote! | Copy!

An Account Of The Greatest English Poets

Since, dearest Harry, you will needs request
A short account of all the Muse possest,
That, down from Chaucer's days to Dryden's Times,
Have spent their Noble Rage in British Rhimes;
Without more Preface, wrote in Formal length,
To speak the Undertakers want of strength,
I'll try to make they're sev'ral Beauties known,
And show their Verses worth, tho' not my Own.

Long had our dull Fore-Fathers slept Supine,
Nor felt the Raptures of the Tuneful Nine;
Till Chaucer first, the merry Bard, arose;
And many a Story told in Rhime and Prose.
But Age has Rusted what the Poet writ,
Worn out his Language, and obscur'd his Wit:
In vain he jests in his unpolish'd strain,
And tries to make his Readers laugh in vain.

Old Spencer next, warm'd with Poetick Rage,
In Antick Tales amus'd a Barb'rous Age;
An Age that yet uncultivate and Rude,
Where-e'er the Poet's Fancy led, pursu'd
Through pathless Fields, and unfrequented Floods,
To Dens of Dragons and Enchanted Woods.
But now the Mystick Tale, that pleas'd of Yore,
Can Charm an understanding Age no more;
The long-spun Allegories fulsom grow,
While the dull Moral lies too plain below.
We view well-pleas'd at distance all the sights
Of Arms and Palfreys, Battle's, Fields, and Fights,
And Damsels in Distress, and Courteous Knights.
But when we look too near, the Shades decay,
And all the pleasing Lan-skip fades away.

Great Cowley then (a mighty Genius) wrote;
O'er-run with Wit, and lavish of his Thought:
His Turns too closely on the Reader press;
He more had pleas'd us, had he pleas'd us less.
One glitt'ring Thought no sooner strikes our Eyes
With silent wonder, but new wonders rise.
As in the Milky way a shining White,
O'er-flows the Heav'ns, with one continu'd Light;
That not a single Star can shew his Rays,
Whilst joyntly all promote the Common-Blaze.
Pardon, Great Poet, that I dare to name
Th' unnumber'd Beauties of thy Verse with blame;
Thy fault is only Wit in its Excess,
But Wit like thine in any shape will please.
What Muse but thine cou'd equal Hints inspire,
And fit the Deep-Mouth'd Pindar to thy Lyre:
Pindar, whom others in a Labour'd strain
And forc'd Expression, imitate in vain?
Well-pleas'd in thee he Soars with new delight,
And Plays in more unbounded Verse, and takes a nobler flight.

Blest Man! whose spotless Life and Charming Lays
Employ'd the Tuneful Prelate in thy Praise:
Blest Man! who now shall be for ever known
In Sprat's successful Labours and thy own.

But Milton next, with high and haughty stalks,
Unfetter'd in Majestic Numbers walks;
No vulgar Heroe can his Muse ingage;
Nor Earth's wide Scene confine his hallow'd Rage.
See! see, he upward Springs, and Tow'ring high,
Spurns the dull Province of Mortality;
Shakes Heav'ns Eternal Throne with dire Alarms,
And sets the Almighty Thunderer in Arms.
What-e'er his Pen describes I more then see,
Whilst ev'ry Verse array'd in Majesty,
Bold, and sublime, my whole attention draws,
And seems above the Criticks nicer Laws.
How are you struck with Terrour and Delight,
When Angel with Arch-Angel Cope's in Fight!
When Great Messiah's out-spread Banner shines,
How does the Chariot Rattel in his Lines!
What sounds of Brazen Wheels, what Thunder, scare,
And stun the Reader with the Din of War!
With Fear my Spirits and my Blood retire,
To see the Seraphs sunk in Clouds of Fire;
But when, with eager steps, from hence I rise,
And view the first gay Scenes of Paradise;
What Tongue, what words of Rapture, can express
A Vision so profuse of pleasantness.
Oh had the Poet ne'er profan'd his Pen,
To varnish o'er the Guilt of Faithless Men,
His other works might have deserv'd applause!
But now the Language can't support the Cause;
While the clean Current, tho' serene and bright,
Betray's a bottom odious to the sight.

But now my Muse, a softer strain rehearse.
Turn every Line with Art, and smooth thy Verse;
The Courtly Waller next commands thy Lays:
Muse Tune thy Verse, with Art, to Waller's Praise.
While tender Airs and lovely Dames inspire
Soft melting Thoughts, and propagate Desire;
So long shall Waller's strains our Passion move,
And Sacharissa's Beauties kindle Love.
Thy Verse, Harmonious Bard, and flatt'ring Song,
Can make the Vanquish'd Great, the Coward strong.
Thy Verse can show ev'n Cromwell's innocence,
And Compliment the Storms that bore him hence.
Oh had thy Muse not come an Age too soon,
But seen Great Nassaw on the British Throne!
How had his Triumphs glitter'd in thy Page,
And warm'd Thee to a more Exalted Rage!
What Scenes of Death and Horrour had we viewd,
And how had Boine's wide Current Reek'd in Blood!
Or if Maria's Charms thou wou'dst rehearse,
In smoother Numbers and a softer Verse,
Thy Pen had well describ'd her Graceful Air,
And Gloriana wou'd have seem'd more Fair.

Nor must Roscommon pass neglected by,
That makes ev'n Rules a noble Poetry:
Rules who's deep Sense and Heav'nly Numbers show
The best of Critticks, and of Poets too.
Nor Denham must we e'er forget thy Strains,
While Cooper's Hill commands the neighb'ring Plains.

But see where artful Dryden next appears,
Grown old in Rhime, but Charming ev'n in Years.
Great Dryden next! whose Tuneful Muse affords
The sweetest Numbers, and the fittest words.
Whether in Comick sounds or Tragick Airs
She form's her voice, she moves our Smiles or Tears.
If Satire or Heroick Strains she writes,
Her Heroe pleases, and her Satire Bites.
From her no harsh, unartful Numbers fall,
She wears all Dresses, and she Charms in all:
How might we fear our English Poetry,
That long has flourish'd, shou'd decay with Thee;
Did not the Muses other Hope appear,
Harmonious Congreve, and forbid our Fear.
Congreve! whose Fancies unexhausted Store
Has given already much, and promis'd more.
Congreve shall still preserve thy Fame alive
And Dryden's Muse shall in his Friend survive.

I'm tir'd with Rhiming, and wou'd fain give o'er,
But Justice still demands one Labour more:
The Noble Montague remains unnam'd,
For Wit, for Humour, and for Judgment fam'd;
To Dorset he directs his Artful Muse,
In numbers such as Dorset's self might use.
How negligently Graceful he unrein's
His Verse, and writes in loose Familiar strains;
How Nassau's Godlike Acts adorn his Lines,
And all the Heroe in full Glory Shines.
We see his Army set in just Array,
And Boine's Di'd Waves run purple to the Sea.
Nor Simois chok'd with men, and Arms, and Blood;
Nor rapid Xanthus' celebrated Flood:
Shall longer be the Poet's highest Themes.
Tho' Gods and Heroes fought, Promiscuous in they're streams.
But now, to Nassau's secret Councils rais'd,
He Aids the Heroe, whom before he Prais'd.

I've done, at length, and now, Dear Friend, receive
The last poor Present that my Muse can give.
I leave the Arts of Poetry and Verse
To them that practise 'em with more success.
Of greater Truths I'll now prepare to tell,
And so at once, Dear Friend and Muse, Farewell.

poem by Joseph Addison
Submitted by Poetry Lover
Vote! | Copy!

Epode

In earliest Grece to Thee with partial Choice,
The Grief-full Muse addrest her infant Tongue;
The Maids and Matrons, on her awful Voice,
Silent and pale in wild Amazement hung.

Yet he the Bard who first invok'd thy Name,
Disdain'd in Marathon its Pow'r to feel:
For not alone he nurs'd the Poet's flame,
But reach'd from Virtue's Hand the Patriot's Steel.

But who is He whom later Garlands grace,
Who left a-while o'er Hybla's Dews to rove,
With trembling Eyes thy dreary Steps to trace,
Where Thou and Furies shar'd the baleful Grove?

Wrapt in thy cloudy Veil th' Incestuous Queen
Sigh'd the sad Call her Son and Husband hear'd,
When once alone it broke the silent Scene,
And He the Wretch of Thebes no more appear'd.

O Fear, I know Thee by my throbbing Heart,
Thy with'ring Pow'r inspir'd each mournful Line,
Tho' gentle Pity claim her mingled Part,
Yet all the Thunders of the Scene are thine!

poem by William Taylor Collins
Submitted by Poetry Lover
Vote! | Copy!

Sappho to Phaon (Ovid Heroid XV)

Say, lovely youth, that dost my heart command,
Can Phaon's eyes forget his Sappho's hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,
The Lute neglected, and the Lyric muse;
Love taught my tears in adder notes to flow,
And tun'd my heart to Elegies of woe,
I burn, I burn, as when thro' ripen'd corn
By driving winds the spreading flames are borne!
Phaon to Aetna's scorching fields retires,
While I consume with more than Aetna's fires!
No more my soul a charm in music finds,
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please,
Love enters there, and I'm my own disease.
No more the Lesbian dames my passion move,
Once the dear objects of my guilty love;
All other loves are lost in only thine,
Ah youth ungrateful to a flame like mine!
Whom would not all those blooming charms surprize,
Those heav'nly looks, and dear deluding eyes?
The harp and bow would you like Phoebus bear,
A brighter Phoebus Phaon might appear;
Would you with ivy wreath your flowing hair,
Not Bacchus' self with Phaon could compare:
Yet Phoebus lov'd, and Bacchus felt the flame,
One Daphne warm'd, and one the Cretan dame,
Nymphs that in verse no more could rival me,
That ev'n those Gods contend in charms with thee.
The Muses teach me all their softest lays,
And the wide world resounds with Sappho's praise.
Tho' great Alcaeus more sublimely sings,
And strikes with bolder rage the sounding strings,
No less renown attends the moving lyre,
Which Venus tunes, and all her loves inspire;
To me what nature has in charms deny'd,
Is well by wit's more lasting flames supply'd.
Tho' short my stature, yet my name extends
To heav'n itself, and earth's remotest ends.
Brown as I am, an Ethiopian dame
Inspir'd young Perseus with a gen'rous flame;
Turtles and doves of diff'ring hues unite,
And glossy jet is pair'd with shining white.
If to no charms thou wilt thy heart resign,
But such as merit, such as equal thine,
By none, alas! by none thou canst be mov'd,
Phaon alone by Phaon must be lov'd!
Yet once thy Sappho could thy cares employ,
Once in her arms you center'd all your joy:
No time the dear remembrance can remove,
For oh! how vast a memory has love!
My music, then, you could for ever hear,
And all my words were music to your ear;
You stopp'd with kisses my enchanting tongue,
And found my kisses sweeter than my song.
In all I pleas'd, but most in what was best;
And the last joy was dearer than the rest.
Then with each word, each glance, each motion fir'd,
You still enjoy'd, and yet you still desir'd,
'Till all dissolving in the trance we lay,
And in tumultuous raptures died away.
The fair Sicilians now thy soul inflame;
Why was I born, ye Gods, a Lesbian dame?
But ah beware, Sicilian nymphs! nor boast
That wand'ring heart which I so lately lost;
Nor be with all those tempting words abus'd,
Those tempting words were all to Sappho us'd.
And you that rule Sicilia's happy plains,
Have pity, Venus, on your Poet's pains!
Shall fortune still in one sad tenor run,
And still increase the woes so soon begun?
Inur'd to sorrow from my tender years,
My parent's ashes drank my early tears:
My brother next, neglecting wealth and fame,
Ignobly burn'd in a destructive flame:
An infant daughter late my griefs increas'd,
And all a mother's cares distract my breast.
Alas, what more could fate itself impose,
But thee, the last and greatest of my woes?
No more my robes in waving purple flow,
Nor on my hand the sparkling di'monds glow;
No more my locks in ringlets curl'd diffuse
The costly sweetness of Arabian dews,
Nor braids of gold the varied tresses bind,
That fly disorder'd with the wanton wind,
For whom should Sappho use such arts as these?
He's gone, whom only she desir'd to please!
Cupid's light darts my tender bosom move,
Still is there cause for Sappho still to love:
So from my birth the Sisters fix'd my doom,
And gave to Venus all my life to come;
Or while my Muse in melting notes complains,
My yielding heart keeps measure to my strains.
By charms like thine which all my soul have won,
Who might not - ah! who would not be undone?
For those Aurora Cephalus might scorn,
And with fresh blushes paint the conscious morn.
For those might Cynthia lengthen Phaon's sleep,
And bit Endymion nightly tend his sheep.
Venus for those had rapt thee to the skies,
But Mars on thee might look with Venus' eyes.
O scarce a youth, yet scarce a tender boy!
O useful time for lovers to employ!
Pride of thy age, and glory of thy race,
Come to these arms, and melt in this embrace!
The vows you never will return, receive;
And take at least the love you will not give.
See, while I write, my words are lost in tears;
The less my sense, the more my love appears.
Sure 'twas not much to bid one kind adieu,
(At least to feign was never hard to you)
Farewell, my Lesbian love, you might have said,
Or coldly thus, Farewell, oh Lesbian maid!
No tear did you, no parting kiss receive,
Nor knew I then how much I was to grieve.
No lover's gift your Sappho could confer,
And wrongs and woes were all you left with her.
No charge I gave you, and no charge could give,
But this, Be mindful of our loves, and live.
Now by the Nine, those pow'rs ador'd by me,
And Love, the God that ever waits on thee,
When first I heard (from whom I hardly knew)
That you were fled, and all my joys with you,
Like some sad statue, speechless, pale I stood,
Grief chill'd my breast, and stopp'd my freezing blood;
No sigh to rise, no tear had powr to flow,
Fix'd in a stupid lethargy of woe:
But when its way th' impetuous passion found,
I rend my tresses, and my breast I wound,
I rave, then weep, I curse, and then complain,
Now swell to rage, no melt in tears again.
Not fiercer pangs distract the mournful dame,
Whose first-born infant feeds the fun'ral flame.
My scornful brother with a smile appears,
Insults my woes, and triumphs in my tears;
His hated image ever haunts my eyes,
And why this grief? thy daughter lives, he cries.
Stung with my Love, and furious with despair,
All torn my garments, and my bosom bare,
My woes, thy crimes, I to the world proclaim;
Such inconsistent things are love and shame!
'Tis thou art all my care and my delight,
My daily longing, and my dream by night:
Oh night more pleasing than the brightest day,
When fancy gives what absence takes away,
And, dress'd in all its visionary charms,
Restores my fair deserter to my arms!
Then round your neck in wanton wreaths I twine,
Then you, methinks, as fondly circle mine:
A thousand tender words I hear and speak;
A thousand melting kisses give, and take:
Then fiercer joys, I blush to mention these,
Yet while I blush, confess how much they please.
But when, with day, the sweet delusions fly,
And all things wake to life and joy, but I,
As if once more forsaken, I complain,
And close my eyes to dream of you again;
Then frantic rise, and like some Fury rove
Thro' lonely plains, and thro' the silent grove,
As if the silent grove, and lonely plains,
That knew my pleasures, could relieve my pains.
I view the Grotto, once the scene of love,
The rocks around, the hanging roofs above,
That charm'd me more, with native moss o'ergrown,
Than Phyrgian marble, or the Parian stone.
I find the shades that veil'd our joys before;
But, Phaon gone, those shades delight no more.
Here the press'd herbs with bending tops betray
Where oft entwin'd in am'rous folds we lay;
I kiss that earth which once was press'd by you,
And all with tears the with'ring herbs bedew.
For thee the fading trees appear to mourn,
And birds defer their songs till thy return;
Night shades the grove,s and all in silence lie,
All but the mournful Philomel and I:
With mournful Philomel I join my strain,
Of Tereus she, of Phaeon I complain.

A spring there is, whose silver waters show,
Clear as a glass, the shining sands below:
A flow'ry Lotos spreads its arms above,
Shades all the banks, and seems itself a grove;
Eternal greens the mossy margin grace,
Watch'd by the sylvan Genius of the place.
Here as I lay, and swell'd with tears the flood,
Before my sight a wat'ry Virgin stood:
She stood and cry'd, 'O you that love in vain!
'Fly hence, and seek the fair Leucadian main;
'There stands a rock, from whose impending steep
'Apollo's fane surveys the rolling deep;
'There injur'd lovers, leaping from above,
'Their flames extinguish, and forget to love.
'Deucalion once, with hopeless fury burn'd,
'In vain he lov'd, relentless Pyrrha scorn'd;
'But when from hence he plung'd into the main,
'Deucalion scorn'd, and Pyrrha lov'd in vain.
Haste, Sappho, haste, from high Leucadia throw
'Thy wretched weight, nor dread the deeps below!'
She spoke, and vanish'd with the voice - I rise,
And silent tears fall trickling from my eyes.
I go, ye Nymphs! those rocks and seas to prove;
How much I fear, but ah, how much I love!
I go, ye Nymphs! where furious love inspires;
Let female fears submit to female fires.
To rocks and seas I fly from Phaon's hate,
And hope from seas and rocks a milder fate.
Ye gentle gales, beneath my body blow,
And softly lay me on the waves below!
And thou, kind Love, my sinking limbs sustain,
Spread thy soft wings, and waft me o'er the main,
Nor let a Lover's death the guiltless flood profane!
On Phoebus' shrine my harp I'll then bestow,
And this Inscription shall be plac'd below.
'Here she who sung, to him that did inspire,
'Sappho to Phoebus consecrates her Lyre;
'What suits with Sappho, Phoebus, suits with thee;
The Gift, the giver, and the God agree.'
But why, alas, relentless youth, ah why
To distant seas must tender Sappho fly?
Thy charms than those may far more pow'rful be,
And Phoebus' self is less a God to me.
Ah! canst thou doom me to the rocks and sea,
O far more faithless and more hard than they?
Ah! canst thou rather see this tender breast
Dash'd on these rocks than to thy bosom prest?
This breast which once, in vain! you lik'd so well;
Where Loves play'd, and where the Muses dwell.
Alas! the Muses now no more inspire,
Untun'd my lute, and silent is my lyre,
My languid numbers have forgot to flow,
And fancy sinks beneath a weight of woe.
Ye Lesbian virgins, and ye Lesbian dames,
Themes of my verse, and objects of my flames,
No more your groves with my glad songs shall ring,
No more these hands shall touch the trembling string:
My Phaon's fled, and I those arts resign
(Wretch that I am, to call that Phaon mine!)
Return, fair youth, return, and bring along
Joy to my soul, and vigour to my song:
Absent from thee, the Poet's flame expires;
But ah! how fiercely burn the Lover's fires!
Gods! can no pray'rs, no sighs, no numbers move
One savage heart, or teach it how to love?
The winds my pray'rs, my sighs, my numbers bear,
The flying winds have lost them all in air!
Oh when, alas! shall more auspicious gales
To these fond eyes restore thy welcome sails?
If you return - ah why these long delays?
Poor Sappho dies while careless Phaon stays.
O launch thy bark, secure of prosp'rous gales;
Cupid for thee shall spread the swelling gales;
I you will fly - (yet ah! what cause can be,
Too cruel youth, that you should fly from me?)
If not from Phaon I must hope for ease,
Ah let me seek it from the raging seas:
To raging seas unpity'd I'll remove,
And either cease to live or cease to love!

poem by Alexander Pope
Submitted by Poetry Lover
Vote! | Copy!

An Address to Poetry

I.

While envious crowds the summit view,
Where Danger with Ambition strays;
Or far, with anxious step, pursue
Pale Av'rice, thro' his winding ways;
The selfish passions in their train,
Whose force the social ties unbind,
And chill the love of human kind,
And make fond Nature's best emotions vain;

II.

O, poesy! O nymph most dear,
To whom I early gave my heart,--
Whose voice is sweetest to my ear
Of aught in nature or in art;
Thou, who canst all my breast controul,
Come, and thy harp of various cadence bring,
And long with melting music swell the string
That suits the present temper of my soul.

III.

O! ever gild my path of woe,
And I the ills of life can bear;
Let but thy lovely visions glow,
And chase the forms of real care;
O still, when tempted to repine
At partial Fortune's frown severe,
Wipe from my eyes the anxious tear,
And whisper that thy soothing joys are mine!

IV.

When did my fancy ever frame
A dream of joy by thee unblest?
When first my lips pronounc'd thy name,
New pleasure warm'd my infant breast.
I lov'd to form the jingling rhyme,
The measur'd sounds, tho' rude, my ear could please,
Could give the little pains of childhood ease,
And long have sooth'd the keener pains of time.

V.

The idle crowd in fashion's train,
Their trifling comment, pert reply,
Who talk so much, yet talk in vain,
How pleas'd for thee, O nymph, I fly!
For thine is all the wealth of mind,
Thine the unborrow'd gems of thought;
The flash of light by souls refin'd,
From heav'n's empyreal source exulting caught.

VI.

And ah! when destin'd to forego
The social hour with those I love,--
That charm which brightens all below,
That joy all other joys above,
And dearer to this breast of mine,
O Muse! than aught thy magic power can give,--
Then on the gloom of lonely sadness shine,
And bid thy airy forms around me live.

VII.

Thy page, O SHAKESPEARE ! let me view,
Thine! at whose name my bosom glows;
Proud that my earliest breath I drew
In that blest isle where SHAKESPEARE rose!
Where shall my dazzled glances roll?
Shall I pursue gay Ariel's flight?
Or wander where those hags of night
With deeds unnam'd shall freeze my trembling soul?

VIII.

Plunge me, foul sisters! in the gloom
Ye wrap around yon blasted heath:
To hear the harrowing rite I come,
That calls the angry shades from death!
Away--my frighted bosom spare!
Let true Cordelia pour her filial sigh,
Let Desdemona lift her pleading eye,
And poor Ophelia sing in wild despair!

IX.

When the bright noon of summer streams
In one wide flash of lavish day,
As soon shall mortal count the beams,
As tell the powers of SHAKESPEARE'S lay!
O, Nature's Poet! the untaught,
The simple mind thy tale pursues,
And wonders by what art it views
The perfect image of each native thought.

X.

In those still moments, when the breast,
Expanded, leaves its cares behind,
Glows by some higher thought possest,
And feels the energies of mind;
Then, awful MILTON , raise the veil
That hides from human eye the heav'nly throng!
Immortal sons of light! I hear your song,
I hear your high-tun'd harps creation hail!

XI

Well might creation claim your care,
And well the string of rapture move,
When all was perfect, good, and fair,
When all was music, joy, and love!
Ere Evil's inauspicious birth
Chang'd Nature's harmony to strife;
And wild Remorse, abhorring life,
And deep Affliction, spread their shade on earth.

XII

Blest Poesy! O, sent to calm
The human pains which all must feel,
Still shed on life thy precious balm,
And every wound of nature heal!
Is there a heart of human frame
Along the burning track of torrid light,
Or 'mid the fearful waste of polar night,
That never glow'd at thy inspiring name?

XIII.

Ye Southern Isles,* emerg'd so late
Where the Pacific billow rolls,
Witness, though rude your simple state,
How heav'n-taught verse can melt your souls!
Say, when you hear the wand'ring bard,
How thrill'd ye listen to his lay,
By what kind arts ye court his stay,--
All savage life affords his sure reward.

XIV.

So, when great HOMER 'S chiefs prepare,
Awhile from War's rude toils releas'd,
The pious hecatomb, and share
The flowing bowl, and genial feast:
Some heav'nly minstrel sweeps the lyre,
While all applaud the poet's native art;
For him they heap the viand's choicest part,
And copious goblets crown the Muse's fire.

XV.

Ev'n here , in scenes of pride and gain,
Where faint each genuine feeling glows;
Here , Nature asks, in want and pain,
The dear illusions verse bestows;
The poor, from hunger, and from cold,
Spare one small coin, the ballad's price,
Admire their poet's quaint device,
And marvel much at all his rhymes unfold.

XVI.

Ye children, lost in forests drear,
Still o'er your wrongs each bosom grieves,
And long the red-breast shall be dear,
Who strew'd each little corpse with leaves;
For you my earliest tears were shed,
For you the gaudy doll I pleas'd forsook,
And heard, with hands uprais'd, and eager look,
The cruel tale, and wish'd ye were not dead!

XVII.

And still on Scotia's northern shore,
"At times, between the rushing blast,"
Recording mem'ry loves to pour
The mournful song of ages past;
Come, lonely Bard "of other years!"
While dim the half-seen moon of varying skies,
While sad the wind along the grey moss sighs,
And give my pensive heart "the joy of tears!"

XVIII.

The various tropes that splendour dart
Around the modern poet's line,
Where, borrow'd from the sphere of art,
Unnumber'd gay allusions shine,
Have not a charm my breast to please
Like the blue mist, the meteor's beam,
The dark-brow'd rock, the mountain stream,
And the light thistle waving in the breeze.

XIX.

Wild Poesy, in haunts sublime,
Delights her lofty note to pour;
She loves the hanging rock to climb,
And hear the sweeping torrent roar!
The little scene of cultur'd grace
But faintly her expanded bosom warms;
She seeks the daring stroke, the awful charms,
Which Nature's pencil throws on Nature's face.

XX.

O, Nature! thou whose works divine
Such rapture in this breast inspire,
As makes me dream one spark is mine
Of Poesy's celestial fire;
When doom'd, "in cities pent," to leave
The kindling morn's unfolding view,
Which ever wears some aspect new,
And all the shadowy forms of soothing eve;

XXI.

Then, THOMSON , then be ever near,
And paint whatever season reigns;
Still let me see the varying year,
And worship Nature in thy strains;
Now, when the wint'ry tempests roll,
Unfold their dark and desolating form,
Rush in the savage madness of the storm,
And spread those horrors that exalt my soul!

XXII.

And, POPE the music of thy verse
Shall winter's dreary gloom dispel,
And fond remembrance oft rehearse
The moral song she knows so well;
The sportive sylphs shall flutter here,--
There Eloise, in anguish pale,
"Kiss with cold lips the sacred veil,
"And drop with every bead too soft a tear!"

XXIII.

When disappointment's sick'ning pain
With chilling sadness numbs my breast,
That feels its dearest hope was vain,
And bids its fruitless struggles rest;
When those for whom I wish to live,
With cold suspicion wrong my aching heart;
Or, doom'd from those for ever lov'd to part,
And feel a sharper pang than death can give;

XXIV.

Then with the mournful Bard I go,
Whom "melancholy mark'd her own,"
While tolls the curfew, solemn, slow,
And wander amid graves unknown;
With yon pale orb, lov'd poet, come!
While from those elms long shadows spread,
And where the lines of light are shed,
Read the fond record of the rustic tomb!

XXV.

Or let me o'er old Conway's flood
Hang on the frowning rock, and trace
The characters that, wove in blood,
Stamp'd the dire fate of EDWARD'S race;
Proud tyrant! tear thy laurell'd plume;
How poor thy vain pretence to deathless fame!
The injur'd Muse records thy lasting shame,
And she has power to "ratify thy doom."

XXVI.

Nature, when first she smiling came,
To wake within the human breast
The sacred Muse's hallow'd flame,
And earth, with heav'n's rich spirit blest!
Nature in that auspicious hour,
With awful mandate, bade the Bard
The register of glory guard,
And gave him o'er all mortal honours power.

XXVII.

Can Fame on Painting's aid rely?
Or lean on Sculpture's trophy'd bust?--
The faithless colours bloom to die,
The crumbling pillar mocks its trust;
But thou, O Muse, immortal maid!
Canst paint the godlike deeds that praise inspire,
Or worth, that lives but in the mind's desire,
In tints that only shall with Nature fade!

XXVIII.

O tell me, partial nymph! what rite,
What incense sweet, what homage true,
Draws from thy fount of purest light
The flame it lends a chosen few?
Alas! these lips can never frame
The mystic vow that moves thy breast;
Yet by thy joys my life is blest,
And my fond soul shall consecrate thy name.

poem by Helen Maria Williams
Submitted by Poetry Lover
Vote! | Copy!

Ode XVIII: To The Right Honourable Francis Earl Of Huntington

I. 1.
The wise and great of every clime,
Through all the spacious walks of Time,
Where'er the Muse her power display'd,
With joy have listen'd and obey'd.
For taught of heaven, the sacred Nine
Persuasive numbers, forms divine,
To mortal sense impart:
They best the soul with glory fire;
They noblest counsels, boldest deeds inspire;
And high o'er Fortune's rage inthrone the fixed heart.

I. 2.
Nor less prevailing is their charm
The vengeful bosom to disarm;
To melt the proud with human woe,
And prompt unwilling tears to flow.

Can wealth a power like this afford?
Can Cromwell's arts, or Marlborough's sword,
An equal empire claim?
No, Hastings. Thou my words wilt own:
Thy breast the gifts of every Muse hath known;
Nor shall the giver's love disgrace thy noble name.

I. 3.
The Muse's awful art,
And the blest function of the poet's tongue,
Ne'er shalt thou blush to honour; to assert
From all that scorned vice or slavish fear hath sung.
Nor shall the blandishment of Tuscan strings
Warbling at will in pleasure's myrtle bower;
Nor shall the servile notes to Celtic kings
By flattering minstrels paid in evil hour,
Move thee to spurn the heavenly Muse's reign.
A different strain,
And other themes
From her prophetic shades and hallow'd streams
(Thou well can'st witness) meet the purged ear:
Such, as when Greece to her immortal shell
Rejoicing listen'd, godlike sounds to hear;
To hear the sweet instructress tell
(While men and heroes throng'd around)
How life its noblest use may find,
How well for freedom be resign'd;
And how, by glory, virtue shall be crown'd.

II. 1.
Such was the Chian father's strain
To many a kind domestic train,
Whose pious hearth and genial bowl
Had chear'd the reverend pilgrim's soul:
When, every hospitable rite
With equal bounty to requite,
He struck his magic strings;
And pour'd spontaneous numbers forth,
And seiz'd their ears with tales of ancient worth,
And fill'd their musing hearts with vast heroic things.

II. 2.
Now oft, where happy spirits dwell,
Where yet he tunes his charming shell,
Oft near him, with applauding hands,
The genius of his country stands.
To listening gods he makes him known,
That man divine, by whom were sown
The seeds of Grecian fame:
Who first the race with freedom fir'd;
From whom Lycurgus Sparta's sons inspir'd;
From whom Platæan palms and Cyprian trophies came.

II. 3.
O noblest, happiest age!
When Aristides rul'd, and Cimon fought;
When all the generous fruits of Homer's page
Exulting Pindar saw to full perfection bought.
O Pindar, oft shalt thou be hail'd of me:
Not that Apollo fed thee from his shrine;
Not that thy lips drank sweetness from the bee;
Nor yet that, studious of thy notes divine,
Pan danc'd their measure with the sylvan throng:
But that thy song
Was proud to unfold
What thy base rulers trembled to behold;
Amid corrupted Thebes was proud to tell
The deeds of Athens and the Persian shame:
Hence on thy head their impious vengeance fell.
But thou, o faithful to thy fame,
The Muse's law did'st rightly know;
That who would animate his lays,
And other minds to virtue raise,
Must feel his own with all her spirit glow.

III. 1.
Are there, approv'd of later times,
Whose verse adorn'd a tyrant's crimes?
Who saw majestic Rome betray'd,
And lent the imperial ruffian aid?
Alas! not one polluted bard,
No, not the strains that Mincius heard,
Or Tibur's hills reply'd,
Dare to the Muse's ear aspire;
Save that, instructed by the Grecian lyre,
With freedom's ancient notes their shameful task they hide.

III. 2.
Mark, how the dread Pantheon stands,
Amid the domes of modern hands:
Amid the toys of idle state,
How simply, how severely great!
Then turn, and, while each western clime
Presents her tuneful sons to Time,
So mark thou Milton's name;
And add, “Thus differs from the throng
'The spirit which inform'd thy awful song,
Which bade thy potent voice protect thy country's fame.'

III. 3.
Yet hence barbaric zeal
His memory with unholy rage pursues;
While from these arduous cares of public weal
She bids each bard begone, and rest him with his Muse.
O fool! to think the man, whose ample mind
Must grasp at all that yonder stars survey;
Must join the noblest forms of every kind,
The world's most perfect image to display,
Can e'er his country's majesty behold,
Unmov'd or cold!
O fool! to deem
That he, whose thought must visit every theme,
Whose heart must every strong emotion know
Inspir'd by nature, or by fortune taught;
That he, if haply some presumptuous foe,
With false ignoble science fraught,
Shall spurn at freedom's faithful band;
That he their dear defence will shun,
Or hide their glories from the sun,
Or deal their vengeance with a woman's hand!

IV. 1.
I care not that in Arno's plain,
Or on the sportive banks of Seine,
From public themes the Muse's quire
Content with polish'd ease retire.
Where priests the studious head command,
Where tyrants bow the warlike hand
To vile ambition's aim,
Say, what can public themes afford,
Save venal honors to an hateful lord,
Reserv'd for angry heaven and scorn'd of honest fame?

IV. 2.
But here, where freedom's equal throne
To all her valiant sons is known;
Where all are conscious of her cares,
And each the power, that rules him, shares;
Here let the bard, whose dastard tongue
Leaves public arguments unsung,
Bid public praise farewell:
Let him to fitter climes remove,
Far from the hero's and the patriot's love,
And lull mysterious monks to slumber in their cell.

IV. 3.
O Hastings, not to all
Can ruling heaven the same endowments lend:
Yet still doth nature to her offspring call,
That to one general weal their different powers they bend,
Unenvious. Thus alone, though strains divine
Inform the bosom of the Muse's son;
Though with new honors the patrician's line
Advance from age to age; yet thus alone
They win the suffrage of impartial fame.
The poet's name
He best shall prove,
Whose lays the soul with noblest passions move.
But thee, o progeny of heroes old,
Thee to severer toils thy fate requires:
The fate which form'd thee in a chosen mould,
The grateful country of thy sires,
Thee to sublimer paths demand;
Sublimer than thy sires could trace,
Or thy own Edward teach his race,
Though Gaul's proud genius sank beneath his hand.

V. 1.
From rich domains and subject farms,
They led the rustic youth to arms;
And kings their stern atchievements fear'd;
While private strife their banners rear'd.
But loftier scenes to thee are shown,
Where empire's wide-establish'd throne
No private master fills:
Where, long foretold, the People reigns:
Where each a vassal's humble heart disdains;
And judgeth what he sees; and, as he judgeth, wills.

V. 2.
Here be it thine to calm and guide
The swelling democratic tide;
To watch the state's uncertain frame,
And baffle faction's partial aim:
But chiefly, with determin'd zeal,
To quell that servile band, who kneel
To freedom's banish'd foes;
That monster, which is daily found
Expert and bold thy country's peace to wound;
Yet dreads to handle arms, nor manly counsel knows.

V. 3.
'Tis highest heaven's command,
That guilty aims should sordid paths pursue;
That what ensnares the heart should maim the hand,
And virtue's worthless foes be false to glory too.
But look on freedom. see, through every age,
What labours, perils, griefs, hath she disdain'd!
What arms, what regal pride, what priestly rage,
Have her dread offspring conquer'd or sustain'd!
For Albion well have conquer'd. Let the strains
Of happy swains,
Which now resound
Where Scarsdale's cliffs the swelling pastures bound,
Bear witness. there, oft let the farmer hail
The sacred orchard which imbowers his gate,
And shew to strangers passing down the vale,
Where Candish, Booth, and Osborne sate;
When bursting from their country's chain,
Even in the midst of deadly harms,
Of papal snares and lawless arms,
They plann'd for freedom this her noblest reign.

VI. 1.
This reign, these laws, this public care,
Which Nassau gave us all to share,
Had ne'er adorn'd the English name,
Could fear have silenc'd freedom's claim.
But fear in vain attempts to bind
Those lofty efforts of the mind
Which social good inspires;
Where men, for this, assault a throne,
Each adds the common welfare to his own;
And each unconquer'd heart the strength of all acquires.

VI. 2.
Say, was it thus, when late we view'd
Our fields in civil blood imbru'd?
When fortune crown'd the barbarous host,
And half the astonish'd isle was lost?
Did one of all that vaunting train,
Who dare affront a peaceful reign,
Durst one in arms appear?
Durst one in counsels pledge his life?
Stake his luxurious fortunes in the strife?
Or lend his boasted name his vagrant friends to chear?

VI. 3.
Yet, Hastings, these are they
Who challenge to themselves thy country's love;
The true; the constant: who alone can weigh,
What glory should demand, or liberty approve!
But let their works declare them. Thy free powers,
The generous powers of thy prevailing mind,
Not for the tasks of their confederate hours,
Lewd brawls and lurking slander, were design'd.
Be thou thy own approver. Honest praise
Oft nobly sways
Ingenuous youth:
But, sought from cowards and the lying mouth,
Praise is reproach. Eternal God alone
For mortals fixeth that sublime award.
He, from the faithful records of his throne,
Bids the historian and the bard
Dispose of honor and of scorn;
Discern the patriot from the slave;
And write the good, the wise, the brave,
For lessons to the multitude unborn.

poem by Mark Akenside
Submitted by Poetry Lover
Vote! | Copy!

Ode XIII: On Lyric Poetry

I. 1.
Once more I join the Thespian choir,
And taste the inspiring fount again:
O parent of the Grecian lyre,
Admit me to thy powerful strain—
And lo, with ease my step invades
The pathless vale and opening shades,
Till now I spy her verdant seat;
And now at large i drink the sound,
While these her offspring, listening round,
By turns her melody repeat.

I. 2.
I see Anacreon smile and sing,
His silver tresses breathe perfume;
His cheek displays a second spring
Of roses taught by wine to bloom.
Away, deceitful cares, away,
And let me listen to his lay;
Let me the wanton pomp injoy,
While in smooth dance the light-wing'd Hours
Lead round his lyre it's patron powers,
Kind laughter and convivial joy.

I. 3.
Broke from the fetters of his native land,
Devoting shame and vengeance to her lords,
With louder impulse and a threatening hand
The Lesbian patriot smites the sounding chords:
Ye wretches, ye perfidious train,
Ye curs'd of gods and freeborn men,
Ye murderers of the laws,
Though now ye glory in your lust,
Though now ye tread the feeble neck in dust,
Yet Time and righteous Jove will judge your dreadful cause.

II. 1.
But lo, to Sappho's melting airs
Descends the radiant queen of love:
She smiles, and asks what fonder cares
Her suppliant's plaintive measures move:
Why is my faithful maid distress'd?
Who, Sappho, wounds thy tender breast?
Say, flies he?—Soon he shall pursue:
Shuns he thy gifts—He soon shall give:
Slights he thy sorrows?—He shall grieve,
And soon to all thy wishes bow.

II. 2.
But, o Melpomene, for whom
Awakes thy golden shell again?
What mortal breath shall e'er presume
To echo that unbounded strain?
Majestic in the frown of years,
Behold, the man of Thebes appears:
For some there are, whose mighty frame
The hand of Jove at birth indow'd
With hopes that mock the gazing crowd;
As eagles drink the noontide flame,

II. 3.
While the dim raven beats her weary wings,
And clamours far below.—Propitious Muse,
While I so late unlock thy purer springs,
And breathe whate'er thy ancient airs infuse,
Wilt thou for Albion's sons around
(Ne'er had'st thou audience more renown'd)
Thy charming arts imploy,
As when the winds from shore to shore
Through Greece thy lyre's persuasive language bore,
Till towns and isles and seas return'd the vocal joy?

III. 1.
Yet then did pleasure's lawless throng,
Oft rushing forth in loose attire,
Thy virgin dance, thy graceful song
Pollute with impious revels dire.
O fair, o chaste, thy echoing shade
May no soul discord here invade:
Nor let thy strings one accent move,
Except what earth's untroubled ear
'Mid all her social tribes may hear,
And heaven's unerring throne approve.

III. 2.
Queen of the lyre, in thy retreat
The fairest flowers of Pindus glow;
The vine aspires to crown thy seat,
And myrtles round thy laurel grow.
Thy strings adapt their varied strain
To every pleasure, every pain,
Which mortal tribes were born to prove;
And strait our passions rise or fall,
As at the wind's imperious call
The ocean swells, the billows move.

III. 3.
When midnight listens o'er the slumbering earth,
Let me, o Muse, thy solemn whispers hear:
When morning sends her fragrant breezes forth,
With airy murmurs touch my opening ear.
And ever watchful at thy side,
Let wisdom's awful suffrage guide
The tenor of thy lay:
To her of old by Jove was given
To judge the various deeds of earth and heaven;
'Twas thine by gentle arts to win us to her sway.

IV. 1.
Oft as, to well-earn'd ease resign'd,
I quit the maze where science toils,
Do thou refresh my yielding mind
With all thy gay, delusive spoils.
But, o indulgent, come not nigh
The busy steps, the jealous eye
Of wealthy care or gainful age;
Whose barren souls thy joys disdain,
And hold as foes to reason's reign
Whome'er thy lovely works engage.

IV. 2.
When friendship and when letter'd mirth
Haply partake my simple board,
Then let thy blameless hand call forth
The music of the Teian chord.
Or if invok'd at softer hours,
O! seek with me the happy bowers
That hear Olympia's gentle tongue;
To beauty link'd with virtue's train,
To love devoid of jealous pain,
There let the Sapphic lute be strung.

IV. 3.
But when from envy and from death to claim
A hero bleeding for his native land;
When to throw incense on the vestal flame
Of liberty my genius gives command,
Nor Theban voice nor Lesbian lyre
From thee, o Muse, do I require;
While my presaging mind,
Conscious of powers she never knew,
Astonish'd grasps at things beyond her view,
Nor by another's fate submits to be confin'd.

poem by Mark Akenside
Submitted by Poetry Lover
Vote! | Copy!

To Mr. Granville, On His Excellent Tragedy, Called Heroic Love

Auspicious poet, wert thou not my friend,
How could I envy, what I must commend!
But since 'tis nature's law, in love and wit,
That youth should reign, and withering age submit,
With less regret those laurels I resign,
Which, dying on my brows, revive on thine.
With better grace an ancient chief may yield
The long contended honours of the field,
Than venture all his fortune at a cast,
And fight, like Hannibal, to lose at last.
Young princes, obstinate to win the prize,
Though yearly beaten, yearly yet they rise:
Old monarchs, though successful, still in doubt,
Catch at a peace, and wisely turn devout.
Thine be the laurel, then; thy blooming age
Can best, if any can, support the stage;
Which so declines, that shortly we may see
Players and plays reduced to second infancy:
Sharp to the world, but thoughtless of renown,
They plot not on the stage, but on the town,
And, in despair their empty pit to fill,
Set up some foreign monster in a bill.
Thus they jog on, still tricking, never thriving,
And murdering plays, which they miscall reviving.
Our sense is nonsense, through their pipes conveyed;
Scarce can a poet know the play he made,
'Tis so disguised in death; nor thinks 'tis he
That suffers in the mangled tragedy.
Thus Itys first was killed, and after dressed
For his own sire, the chief invited guest.
I say not this of thy successful scenes,
Where thine was all the glory, theirs the gains.
With length of time, much judgment, and more toil,
Not ill they acted what they could not spoil.
Their setting sun still shoots a glimmering ray,
Like ancient Rome, majestic in decay;
And better gleanings their worn soil can boast,
Than the crab-vintage of the neighbouring coast.
This difference yet the judging world will see;
Thou copiest Homer, and they copy thee.

poem by John Dryden
Submitted by Poetry Lover
Vote! | Copy!

An Epistle To Dr. Moore

Whether dispensing hope, and ease
To the pale victim of disease,
Or in the social crowd you sit,
And charm the group with sense and wit,
Moore's partial ear will not disdain
Attention to my artless strain.

An Epistle To Dr. Moore, Author Of A View Of Society And Manners In France, Switzerland And Germany
I mean no giddy heights to climb,
And vainly toil to be sublime;
While every line with labour wrought,
Is swell'd with tropes for want of thought:
Nor shall I call the Muse to shed
Castalian drops upon my head;
Or send me from Parnassian bowers
A chaplet wove of fancy's flowers.
At present all such aid I slight—
My heart instructs me how to write.

That softer glide my hours along,
That still my griefs are sooth'd by song,
That still my careless numbers flow
To your successful skill I owe;
You, who when sickness o'er me hung,
And languor had my lyre unstrung,
With treasures of the healing art,
With friendship's ardor at your heart,
From sickness snatch'd her early prey
And bade fair health—the goddess gay,
With sprightly air, and winning grace,
With laughing eye, and rosy face,
Accustom'd when you call to hear,
On her light pinion hasten near,
And swift restore with influence kind,
My weaken'd frame, my drooping mind.

With like benignity, and zeal,
The mental malady to heal,
To stop the fruitless, hopeless tear,
The life you lengthen'd, render dear,
To charm by fancy's powerful vein,
'The written troubles of the brain,'
From gayer scenes, compassion led
Your frequent footsteps to my shed:
And knowing that the Muses' art
Has power to ease an aching heart,
You sooth'd that heart with partial praise,
And I before too fond of lays,
While others pant for solid gain,
Grasp at a laurel sprig—in vain—
You could not chill with frown severe
The madness to my soul so dear;
For when Apollo came to store
Your mind with salutary lore,
The god I ween, was pleas'd to dart
A ray from Pindus on your heart;
Your willing bosom caught the fire,
And still is partial to the lyre.

But now from you at distance plac'd
Where Epping spreads a woody waste;
Tho' unrestrain'd my fancy flies,
And views in air her fabrics rise,
And paints with brighter bloom the flowers,
Bids Dryads people all the bowers,
And Echoes speak from every hill,
And Naiads pour each little rill,
And bands of Sylphs with pride unfold
Their azure plumage mix'd with gold,
My heart remembers with a sigh
That you are now no longer nigh.
The magic scenes no more engage,
I quit them for your various page;
Where, with delight I traverse o'er
The foreign paths you trod before:
Ah not in vain those paths you trac'd,
With heart to feel, with powers to taste!

Amid the ever-jocund train
Who sport upon the banks of Seine,
In your light Frenchman pleas'd I see
His nation's gay epitome;
Whose careless hours glide smooth along,
Who charms MISFORTUNE with a song.
She comes not as on Albion's plain,
With death, and madness in her train;
For here, her keenest sharpest dart
May raze, but cannot pierce the heart.
Yet he whose spirit light as air
Calls life a jest, and laughs at care,
Feels the strong force of pity's voice,
And bids afflicted love rejoice;
Love, such as fills the poet's page
Love, such as form'd the golden age—
FANCHON, thy grateful look I see—
I share thy joys—I weep with thee—
What eye has read without a tear
A tale to nature's heart so dear!

There, dress'd in each sublimer grace
Geneva's happy scene I trace;
Her lake, from whose broad bosom thrown
Rushes the loud impetuous Rhone,
And bears his waves with mazy sweep
In rapid torrents to the deep—
Oh for a Muse less weak of wing,
High on yon Alpine steeps to spring,
And tell in verse what they disclose
As well as you have told in prose;
How wrapt in snows and icy showers,
Eternal winter, horrid lowers
Upon the mountain's awful brow,
While purple summer blooms below;
How icy structures rear their forms
Pale products of ten thousand storms;
Where the full sun-beam powerless falls
On crystal arches, columns, walls,
Yet paints the proud fantastic height
With all the various hues of light.
Why is no poet call'd to birth
In such a favour'd spot of earth?
How high his vent'rous Muse might rise,
And proudly scorn to ask supplies
From the Parnassian hill, the fire
Of verse, Mont Blanc might well inspire.
O SWITZERLAND! how oft these eyes
Desire to view thy mountains rise;
How fancy loves thy steeps to climb,
So wild, so solemn, so sublime;
And o'er thy happy vales to roam,
Where freedom rears her humble home.
Ah, how unlike each social grace
Which binds in love thy manly race,
The HOLLANDERS phlegmatic ease
Too cold to love, too dull to please;
Who feel no sympathetic woe,
Nor sympathetic joy bestow,
But fancy words are only made
To serve the purposes of trade,
And when they neither buy, nor sell,
Think silence answers quite as well.

Now in his happiest light is seen
VOLTAIRE, when evening chas'd his spleen,
And plac'd at supper with his friends,
The playful flash of wit descends—
Of names renown'd you clearly shew
The finer traits we wish to know—
To Prussia's martial clime I stray
And see how FREDERIC spends the day;
Behold him rise at dawning light
To form his troops for future fight;
Thro' the firm ranks his glances pierce,
Where discipline, with aspect fierce,
And unrelenting breast, is seen
Degrading man to a machine;
My female heart delights to turn
Where GREATNESS seems not quite so stern:
Mild on th' IMPERIAL BROW she glows,
And lives to soften human woes.

But lo! on ocean's stormy breast
I see majestic VENICE rest;
While round her spires the billows rave,
Inverted splendours gild the wave.
Fair liberty has rear'd with toil,
Her fabric on this marshy soil.
She fled those banks with scornful pride,
Where classic Po devolves her tide:
Yet here her unrelenting laws
Are deaf to nature's, freedom's cause.
Unjust! they seal'd FOSCARI'S doom,
An exile in his early bloom.
And he, who bore the rack unmov'd,
Divided far from those he lov'd,
From all the social hour can give,
From all that make it bliss to live,
These worst of ills refus'd to bear,
And died, the victim of despair.

An eye of wonder let me raise,
While on imperial ROME I gaze.
But oh! no more in glory bright
She fills with awe th' astonish'd sight:
Her mould'ring fanes in ruin trac'd,
Lie scatter'd on Campania's waste.
Nor only these—alas! we find
The wreck involves the human mind:
The lords of earth now drag a chain
Beneath a pontiff's feeble reign;
The soil that gave a Cato birth
No longer yields heroic worth,
Whose image lives but on the bust,
Or consecrates the medal's rust:
Yet if no heart of modern frame
Glows with the antient hero's flame,
The dire Arena's horrid stage
Is banish'd from this milder age;
Those savage virtues too are fled
At which the human feelings bled.

While now at Virgil's tomb you bend,
O let me on your steps attend!
Kneel on the turf that blossoms round,
And kiss, with lips devout, the ground.
I feel how oft his magic powers
Shed pleasure on my lonely hours.
Tho' hid from me the classic tongue,
In which his heav'nly strain was sung,
In Dryden's tuneful lines, I pierce
The shaded beauties of his verse.

Bright be the rip'ning beam, that shines
Fair FLORENCE, on thy purple vines!
And ever pure the fanning gale
That pants in Arno's myrtle vale!
Here, when the barb'rous northern race,
Dire foes to every muse, and grace,
Had doom'd the banish'd arts to roam
The lovely wand'rers found a home;
And shed round Leo's triple crown
Unfading rays of bright renown.
Who e'er has felt his bosom glow
With knowledge, or the wish to know;
Has e'er from books with transport caught
The rich accession of a thought;
Perceiv'd with conscious pride, he feels
The sentiment which taste reveals;
Let all who joys like these possess,
Thy vale, enchanting FLORENCE bless—
O had the arts benignant light
No more reviv'd from Gothic night,
Earth had been one vast scene of strife,
Or one drear void had sadden'd life;
Lost had been all the sage has taught,
The painter's sketch, the poet's thought,
The force of sense, the charm of wit,
Nor ever had your page been writ;
That soothing page, which care beguiles,
And dresses truth in fancy's smiles:
For not with hostile step you prest
Each foreign soil, a thankless guest!
While travellers who want the skill
To mark the shapes of good and ill,
With vacant stare thro' Europe range,
And deem all bad, because 'tis strange;
Thro' varying modes of life, you trace
The finer trait, the latent grace,
And where thro' every vain disguise
You view the human follies rise,
The stroke of irony you dart
With force to mend, not wound the heart.
While intellectual objects share
Your mind's extensive view, you bear,
Quite free from spleen's incumb'ring load,
The little evils on the road—
So, while the path of life I tread,
A path to me with briers spread;
Let me its tangled mazes spy
Like you, with gay, good-humour'd eye;
Nor at those thorny tracts repine,
The treasure of your friendship, mine.

poem by Helen Maria Williams
Submitted by Poetry Lover
Vote! | Copy!

Gnothi Seauton

When Scaliger, whole years of labour past,
Beheld his lexicon complete at last
And weary of his task, with wond'ring eyes,
Saw, from words pil'd on words, a fabric rise,
He curs'd the industry, inertly strong,
In creeping toil that could persist so long;
And if, enrag'd he cried, heav'n meant to shed
Its keenest vengeance on the guilty head,
The drudgery of words the damn'd would know,
Doom'd to write lexicons in endless woe.

Yes, you had cause, great genius, to repent;
'You lost good days, that might be better spent;'
You well might grudge the hours of ling'ring pain,
And view your learned labours with disdain.
To you were given the large expanded mind,
The flame of genius, and the taste refin'd.
'Twas yours, on eagle wings, aloft to soar,
And, amidst rolling worlds, the great first cause explore,
To fix the aeras of recorded time,
And live in ev'ry age and ev'ry clime;
Record the chiefs, who propt their country's cause;
Who founded empires, and establish'd laws;
To learn whate'er the sage, with virtue fraught,
Whate'er the muse of moral wisdom taught.
These were your quarry; these to you were known,
And the world's ample volume was your own.

Yet, warn'd by me, ye pigmy wits, beware,
Nor with immortal Scaliger compare.
For me, though his example strike my view,
Oh! not for me his footsteps to pursue.
Whether first nature, unpropitious, cold,
This clay compounded in a ruder mould;
Or the slow current, loit'ring at my heart,
No gleam of wit or fancy can impart;
Whate'er the cause, from me no numbers flow,
No visions warm me, and no raptures glow.
A mind like Scaliger's, superior still,
No grief could conquer, no misfortune chill.
Though, for the maze of words, his native skies
He seem'd to quit, 'twas but again to rise;
To mount, once more, to the bright source of day,
And view the wonders of th' ethereal way.
The love of fame his gen'rous bosom fir'd;
Each science hail'd him, and each muse inspir'd.
For him the sons of learning trimm'd the bays,
And nations grew harmonious in his praise.

My task perform'd, and all my labours o'er,
For me what lot has fortune now in store?
The listless will succeeds, that worst disease,
The rack of indolence, the sluggish ease.
Care grows on care, and o'er my aching brain
Black melancholy pours her morbid train.
No kind relief, no lenitive at hand,
I seek, at midnight clubs, the social band;
But midnight clubs, where wit with noise conspires,
Where Comus revels, and where wine inspires,
Delight no more: I seek my lonely bed,
And call on sleep to sooth my languid head.
But sleep from these sad lids flies far away;
I mourn all night, and dread the coming day.
Exhausted, tir'd, I throw my eyes around,
To find some vacant spot on classic ground;
And soon, vain hope! I form a grand design;
Languor succeeds, and all my pow'rs decline.
If science open not her richest vein,
Without materials all our toil is vain.
A form to rugged stone when Phidias gives--
Beneath his touch a new creation lives.
Remove his marble, and his genius dies:
With nature then no breathing statue vies.
Whate'er I plan, I feel my pow'rs confin'd
By fortune's frown, and penury of mind.
I boast no knowledge, glean'd with toil and strife,
That bright reward of a well acted life.
I view myself, while reason's feeble light
Shoots a pale glimmer through the gloom of night;
While passions, error, phantoms of the brain,
And vain opinions, fill the dark domain;
A dreary void, where fears, with grief combin'd,
Waste all within, and desolate the mind.

What then remains? Must I, in slow decline,
To mute inglorious ease old age resign?
Or, bold ambition kindling in my breast,
Attempt some arduous task? Or, were it best,
Brooding o'er lexicons to pass the day,
And in that labour drudge my life away?

poem by Samuel Johnson
Submitted by Poetry Lover
Vote! | Copy!

To A Friend

'You damn me with faint praise.'


YES, faint was my applause and cold my praise,
Though soul was glowing in each polished line;
But nobler subjects claim the poet's lays,
A brighter glory waits a muse like thine.
Let amorous fools in love-sick measure pine;
Let Strangford whimper on, in fancied pain,
And leave to Moore his rose leaves and his vine;
Be thine the task a higher crown to gain,
The envied wreath that decks the patriot's holy strain.

II.

Yet not in proud triumphal song alone,
Or martial ode, or sad sepulchral dirge,
There needs no voice to make our glories known;
There needs no voice the warrior's soul to urge
To tread the bounds of nature's stormy verge;
Columbia still shall win the battle's prize;
But be it thine to bid her mind emerge
To strike her harp, until its soul arise
From the neglected shade, where low in dust it lies.

III.

Are there no scenes to touch the poet's soul?
No deeds of arms to wake the lordly strain?
Shall Hudson's billows unregarded roll?
Has Warren fought, Montgomery died in vain?
Shame! that while every mountain stream and plain
Hath theme for truth's proud voice or fancy's wand,
No native bard the patriot harp hath ta'en,
But left to minstrels of a foreign strand
To sing the beauteous scenes of nature's loveliest land.

IV.

Oh! for a seat on Appalachia's brow,
That I might scan the glorious prospect round,
Wild waving woods, and rolling floods below,
Smooth level glades and fields with grain embrown'd,
High heaving hills, with tufted forests crown'd,
Rearing their tall tops to the heaven's blue dome,
And emerald isles, like banners green unwound,
Floating along the lake, while round them roam
Bright helms of billowy blue and plumes of dancing foam.

V.

'Tis true no fairies haunt our verdant meads,
No grinning imps deform our blazing hearth;
Beneath the kelpie's fang no traveller bleeds,
Nor gory vampyre taints our holy earth,
Nor spectres stalk to frighten harmless mirth,
Nor tortured demon howls adown the gale;
Fair reason checks these monsters in their birth.
Yet have we lay of love and horrid tale
Would dim the manliest eye and make the bravest pale.

VI.

Where is the stony eye that hath not shed
Compassion's heart-drops o'er the sweet Mc Rea?
Through midnight's wilds by savage bandits led,
'Her heart is sad - her love is far away!'
Elate that lover waits the promised day
When he shall clasp his blooming bride again -
Shine on, sweet visions! dreams of rapture, play!
Soon the cold corse of her he loved in vain
Shall blight his withered heart and fire his frenzied brain.

VII.

Romantic Wyoming! could none be found
Of all that rove thy Eden groves among,
To wake a native harp's untutored sound,
And give thy tale of wo the voice of song?
Oh! if description's cold and nerveless tongue
From stranger harps such hallowed strains could call,
How doubly sweet the descant wild had rung,
From one who, lingering round thy ruined wall,
Had plucked thy mourning flowers and wept thy timeless fall.

VIII.

The Huron chief escaped from foemen nigh,
His frail bark launches on Niagara's tides,
'Pride in his port, defiance in his eye,'
Singing his song of death the warrior glides;
In vain they yell along the river sides,
In vain the arrow from its sheaf is torn,
Calm to his doom the willing victim rides,
And, till adown the roaring torrent borne,
Mocks them with gesture proud, and laughs their rage to scorn.

IX.

But if the charms of daisied hill and vale,
And rolling flood, and towering rock sublime,
If warrior deed or peasant's lowly tale
Of love or wo should fail to wake the rhyme,
If to the wildest heights of song you climb,
(Tho' some who know you less, might cry, beware!)
Onward! I say - your strains shall conquer time;
Give your bright genius wing, and hope to share
Imagination's worlds - the ocean, earth, and air.

X.

Arouse, my friend - let vivid fancy soar,
Look with creative eye on nature's face,
Bid airy sprites in wild Niagara roar,
And view in every field a fairy race.
Spur thy good Pacolet to speed apace,
And spread a train of nymphs on every shore;
Or if thy muse would woo a ruder grace,
The Indian's evil Manitou's explore,
And rear the wondrous tale of legendary lore.

XI.

Away! to Susquehannah's utmost springs,
Where, throned in mountain mist, Areouski reigns,
Shrouding in lurid clouds his plumeless wings,
And sternly sorrowing o'er his tribes remains;
His was the arm, like comet ere it wanes
That tore the streamy lightnings from the skies,
And smote the mammoth of the southern plains;
Wild with dismay the Creek affrighted flies,
While in triumphant pride Kanawa's eagles rise.

XII.

Or westward far, where dark Miami wends,
Seek that fair spot as yet to fame unknown;
Where, when the vesper dew of heaven descends,
Soft music breathes in many a melting tone,
At times so sadly sweet it seems the moan
Of some poor Ariel penanced in the rock;
Anon a louder burst - a scream! a groan!
And now amid the tempest's reeling shock,
Gibber, and shriek, and wail - and fiend-like laugh and mock.

XIII.

Or climb the Pallisado's lofty brows,
Were dark Omana waged the war of hell,
Till, waked to wrath, the mighty spirit rose
And pent the demons in their prison cell;
Full on their head the uprooted mountain fell,
Enclosing all within its horrid womb
Straight from the teeming earth the waters swell,
And pillared rocks arise in cheerless gloom
Around the drear abode - their last eternal tomb!

XIV.

Be these your future themes - no more resign
The soul of song to laud your lady's eyes;
Go! kneel a worshipper at nature's shrine!
For you her fields are green, and fair her skies!
For you her rivers flow, her hills arise!
And will you scorn them all, to pour forth tame
And heartless lays of feigned or fancied sighs?
Still will you cloud the muse? nor blush for shame
To cast away renown, and hide your head from fame?

poem by Joseph Rodman Drake
Submitted by Poetry Lover
Vote! | Copy!

To Maecenas

MAECENAS, you, beneath the myrtle shade,
Read o'er what poets sung, and shepherds play'd.
What felt those poets but you feel the same?
Does not your soul possess the sacred flame?
Their noble strains your equal genius shares
In softer language, and diviner airs.
While Homer paints, lo! circumfus'd in air,
Celestial Gods in mortal forms appear;
Swift as they move hear each recess rebound,
Heav'n quakes, earth trembles, and the shores resound.
Great Sire of verse, before my mortal eyes,
The lightnings blaze across the vaulted skies,
And, as the thunder shakes the heav'nly plains,
A deep felt horror thrills through all my veins.
When gentler strains demand thy graceful song,
The length'ning line moves languishing along.
When great Patroclus courts Achilles' aid,
The grateful tribute of my tears is paid;
Prone on the shore he feels the pangs of love,
And stern Pelides tend'rest passions move.
Great Maro's strain in heav'nly numbers flows,
The Nine inspire, and all the bosom glows.
O could I rival thine and Virgil's page,
Or claim the Muses with the Mantuan Sage;
Soon the same beauties should my mind adorn,
And the same ardors in my soul should burn:
Then should my song in bolder notes arise,
And all my numbers pleasingly surprise;
But here I sit, and mourn a grov'ling mind,
That fain would mount, and ride upon the wind.
Not you, my friend, these plaintive strains become,
Not you, whose bosom is the Muses home;
When they from tow'ring Helicon retire,
They fan in you the bright immortal fire,
But I less happy, cannot raise the song,
The fault'ring music dies upon my tongue.
The happier Terence* all the choir inspir'd,
His soul replenish'd, and his bosom fir'd;
But say, ye Muses, why this partial grace,
To one alone of Afric's sable race;
From age to age transmitting thus his name
With the finest glory in the rolls of fame?
Thy virtues, great Maecenas! shall be sung
In praise of him, from whom those virtues sprung:
While blooming wreaths around thy temples spread,
I'll snatch a laurel from thine honour'd head,
While you indulgent smile upon the deed.

*He was an African by birth.

As long as Thames in streams majestic flows,
Or Naiads in their oozy beds repose
While Phoebus reigns above the starry train
While bright Aurora purples o'er the main,
So long, great Sir, the muse thy praise shall sing,
So long thy praise shal' make Parnassus ring:
Then grant, Maecenas, thy paternal rays,
Hear me propitious, and defend my lays.

poem by Phillis Wheatley
Submitted by Poetry Lover
Vote! | Copy!

Ode I: The Remonstrance Of Shakespeare

If, yet regardful of your native land,
Old Shakespeare's tongue you deign to understand,
Lo, from the blissful bowers where heaven rewards
Instructive sages and unblemish'd bards,
I come, the ancient founder of the stage,
Intent to learn, in this discerning age,
What form of wit your fancies have imbrac'd,
And whither tends your elegance of taste,
That thus at length our homely toils you spurn,
That thus to foreign scenes you proudly turn,
That from my brow the laurel wreath you claim
To crown the rivals of your country's fame.

What, though the footsteps of my devious Muse
The measur'd walks of Grecian art refuse?
Or though the frankness of my hardy style
Mock the nice touches of the critic's file?
Yet, what my age and climate held to view,
Impartial i survey'd and fearless drew.
And say, ye skillful in the human heart,
Who know to prize a poet's noblest part,
What age, what clime, could e'er an ampler field
For lofty thought, for daring fancy, yield?
I saw this England break the shameful bands
Forg'd for the souls of men by sacred hands:
I saw each groaning realm her aid implore;
Her sons the heroes of each warlike shore;
Her naval standard (the dire Spaniard's bane)
Obey'd through all the circuit of the main.
Then too great commerce, for a late-found world,
Around your coast her eager sails unfurl'd:
New hopes, new passions, thence the bosom fir'd;
New plans, new arts, the genius thence inspir'd;
Thence every scene, which private fortune knows,
In stronger life, with bolder spirit, rose.

Disgrac'd i this full prospect which i drew?
My colours languid, or my strokes untrue?
Have not your sages, warriors, swains, and kings,
Confess'd the living draught of men and things?
What other bard in any clime appears
Alike the master of your smiles and tears?
Yet have i deign'd your audience to intice
With wretched bribes to luxury and vice?
Or have my various scenes a purpose known
Which freedom, virtue, glory, might not own?

Such from the first was my dramatic plan;
It should be your's to crown what i began:
And now that England spurns her Gothic chain,
And equal laws and social science reign,
I thought, Now surely shall my zealous eyes
View nobler bards and juster critics rise,
Intent with learned labour to refine
The copious ore of Albion's native mine,
Our stately Muse more graceful airs to teach,
And form her tongue to more attractive speech,
Till rival nations listen at her feet,
And own her polish'd as they own'd her great.

But do you thus my favorite hopes fullfil?
Is France at last the standard of your skill?
Alas for you! that so betray a mind
Of art unconscious and to beauty blind.
Say; does her language your ambition raise,
Her barren, trivial, unharmonious phrase,
Which fetters eloquence to scantiest bounds,
And maims the cadence of poetic sounds?
Say; does your humble admiration chuse
The gentle prattle of her Comic Muse,
While wits, plain-dealers, fops, and fools appear,
Charg'd to say nought but what the king may hear?
Or rather melt your sympathizing hearts
Won by her tragic scene's romantic arts,
Where old and young declaim on soft desire,
And heroes never, but for love, expire?

No. Though the charms of novelty, awhile,
Perhaps too fondly win your thoughtless smile,
Yet not for you design'd indulgent fate
The modes or manners of the Bourbon state.
And ill your minds my partial judgment reads,
And many an augury my hope misleads,
If the fair maids of yonder blooming train
To their light courtship would an audience deign,
Or those chaste matrons a Parisian wife
Chuse for the model of domestic life;
Or if one youth of all that generous band,
The strength and splendor of their native land,
Would yield his portion of his country's fame,
And quit old freedom's patrimonial claim,
With lying smiles oppression's pomp to see,
And judge of glory by a king's decree.

O blest at home with justly-envied laws,
O long the chiefs of Europe's general cause,
Whom heaven hath chosen at each dangerous hour
To check the inroads of barbaric power,
The rights of trampled nations to reclaim,
And guard the social world from bonds and shame;
Oh let not luxury's fantastic charms
Thus give the lye to your heroic arms:
Nor for the ornaments of life imbrace
Dishonest lessons from that vaunting race,
Whom fate's dread laws (for, in eternal fate
Despotic rule was heir to freedom's hate)
Whom in each warlike, each commercial part,
In civil counsel, and in pleasing art,
The judge of earth predestin'd for your foes,
And made it fame and virtue to oppose.

poem by Mark Akenside
Submitted by Poetry Lover
Vote! | Copy!

Elegy to the Memory of David Garrick, Esq.

DEAR SHADE OF HIM, who grac'd the mimick scene,
And charm'd attention with resistless pow'r;
Whose wond'rous art, whose fascinating mien,
Gave glowing rapture to the short-liv'd hour!

Accept the mournful verse, the ling'ring sigh,
The tear that faithful Mem'ry stays to shed;
The SACRED TEAR, that from Reflection's eye,
Drops on the ashes of the sainted dead.

Lov'd by the grave, and courted by the young,
In social comforts eminently blest;
All hearts rever'd the precepts of thy tongue,
And Envy's self thy eloquence confess'd.

Who could like thee the soul's wild tumults paint,
Or wake the torpid ear with lenient art?
Touch the nice sense with pity's dulcet plaint,
Or soothe the sorrows of the breaking heart?

Who can forget thy penetrating eye,
The sweet bewitching smile, th' empassion'd look?
The clear deep whisper, the persuasive sigh,
The feeling tear that Nature's language spoke?

Rich in each treasure bounteous Heaven could lend,
For private worth distinguish'd and approv'd,
The pride of WISDOM,­VIRTUE's darling friend,
By MANSFIELD honor'd­and by CAMDEN lov'd!

The courtier's cringe, the flatt'rer's abject smile,
The subtle arts of well-dissembled praise,
Thy soul abhorr'd;­above the gloss of guile,
Truth lead thy steps, and Friendship crown'd thy days.

Oft in thy HAMPTON's dark embow'ring shade
The POET's hand shall sweep the trembling string;
While the proud tribute §to thy mem'ry paid,
The voice of GENIUS on the gale shall fling.

Yes, SHERIDAN! thy soft melodious verse
Still vibrates on a nation's polish'd ear;
Fondly it hover'd o'er the sable hearse,
Hush'd the loud plaint, and triumph'd in a tear.

In life united by congenial minds,
Dear to the MUSE, to sacred friendship true;
Around her darling's urn a wreath SHE binds,
A deathless wreath­immortaliz'd by YOU!

But say, dear shade, is kindred mem'ry flown?
Has widow'd love at length forgot to weep?
That no kind verse, or monumental stone,
Marks the lone spot where thy cold relics sleep!

Dear to a nation, grateful to thy muse,
That nation's tears upon thy grave shall flow,
For who the gentle tribute can refuse,
Which thy fine feeling gave to fancied woe?

Thou who, by many an anxious toilsome hour,
Reap'd the bright harvest of luxuriant Fame,
Who snatch'd from dark oblivion's barb'rous pow'r
The radiant glories of a SHAKSPERE's name!

Rembrance oft shall paint the mournful scene
Where the slow fun'ral spread its length'ning gloom,
Where the deep murmur, and dejected mien,
In artless sorrow linger'd round thy tomb.

And tho' no laurel'd bust, or labour'd line,
Shall bid the passing stranger stay to weep;
Thy SHAKSPERE's hand shall point the hallow'd shrine,
And Britain's genius with thy ashes sleep.

Then rest in peace, O ever sacred shade!
Your kindred souls exulting FAME shall join;
And the same wreath thy hand for SHAKSPERE made,
Gemm'd with her tears about THY GRAVE SHALL TWINE.

poem by Mary Darby Robinson
Submitted by Poetry Lover
Vote! | Copy!

To Mr. Pope

To praise, and still with just respect to praise
A Bard triumphant in immortal bays,
The Learn'd to show, the Sensible commend,
Yet still preserve the province of the Friend,
What life, what vigour must the lines require?
What Music tune them, what affection fire?

O might thy Genius in my bosom shine!
Thou should'st not fail of numbers worthy thine;
The brightest Ancients might at once agree,
To sing within my lays, and sing of thee.

Horace himself wou'd own thou dost excell
In candid arts to play the Critic well.
Ovid himself might wish to sing the Dame,
Whom Windsor-Forest sees a gliding stream:
On silver feet, with annual Osier crown'd,
She runs for ever thro' Poetic ground.

How flame the glories of Belinda's Hair,
Made by thy Muse the envy of the Fair?
Less shone the tresses Ægypt's Princess wore,
Which sweet Callimachus so sung before.
Here courtly trifles set the world at odds;
Belles war with Beaus, and Whims descend for Gods.
The new Machines, in names of ridicule,
Mock the grave frenzy of the Chimick fool.
But know, ye fair, a point conceal'd with art,
The Sylphs and Gnomes are but a woman's heart.
The Graces stand in sight; a Satyr-train,
Peeps o'er their head, and laughs behind the scene.

In Fame's fair Temple o'er the boldest wits,
Inshrin'd on high, the sacred Virgil sits,
And sits in measures, such as Virgil's Muse,
To place thee near him, might be fond to chuse.
How might he tune th' alternate reed with thee,
Perhaps a Strephon thou, a Daphnis he;
While some old Damon, o'er the vulgar wise,
Thinks he deserves, and thou deserv'st the Prize.
Rapt with the thought, my fancy seeks the plains,
And turns me shepherd while I hear the strains.
Indulgent nurse of ev'ry tender gale,
Parent of flowrets, old Arcadia hail!
Here in the cool my limbs at ease I spread,
Here let thy Poplars whisper o'er my head!
Still slide thy waters soft among the trees,
Thy Aspins quiver in a breathing breeze!
Smile, all ye valleys, in eternal spring,
Be hush'd, ye winds! while Pope and Virgil sing.

In English lays, and all sublimely great,
Thy Homer warms with all his ancient heat;
He shines in Council, thunders in the fight,
And flames with ev'ry sense of great delight.
Long has that Poet reign'd, and long unknown,
Like Monarchs sparkling on a distant throne;
In all the majesty of Greek retir'd,
Himself unknown, his mighty name admir'd;
His language failing, wrapt him round with night;
Thine, rais'd by thee, recalls the work to light.
So wealthy Mines, that ages long before
Fed the large realms around with golden Oar,
When choak'd by sinking banks, no more appear,
And shepherds only say, The mines were here:
Should some rich youth (if nature warm his heart,
And all his projects stand inform'd with art)
Here clear the caves, there ope the leading vein;
The mines detected flame with gold again.

How vast, how copious are thy new designs!
How ev'ry Music varies in thy lines!
Still, as I read, I feel my bosom beat,
And rise in raptures by another's heat.
Thus in the wood, when summer dress'd the days,
When Windsor lent us tuneful hours of ease,
Our ears the lark, the thrush, the turtle blest,
And Philomela sweetest o'er the rest:
The shades resound with song—O softly tread,
While a whole season warbles round my head.

This to my friend—and when a friend inspires,
My silent harp its master's hand requires,
Shakes off the dust, and makes these rocks resound;
For fortune plac'd me in unfertile ground.
Far from the joys that with my soul agree,
From wit, from learning—very far from thee.
Here moss-grown trees expand the smallest leaf;
Here half an Acre's corn is half a sheaf;
Here hills with naked heads the tempest meet,
Rocks at their sides, and torrents at their feet;
Or lazy lakes, unconscious of a flood,
Whose dull, brown Naiads ever sleep in mud.
Yet here Content can dwell, and learned ease,
A Friend delight me, and an Author please;
Ev'n here I sing, when Pope supplies the theme,
Shew my own love, tho' not increase his fame.

poem by Thomas Parnell
Submitted by Poetry Lover
Vote! | Copy!

Edwin and Eltrada, a Legendary Tale

Where the pure Derwent's waters glide
Along their mossy bed,
Close by the river's verdant side,
A castle rear'd its head.

The antient pile by time is raz'd,
Where gothic trophies frown'd,
Where once the gilded armour blaz'd,
And banners wav'd around.

There liv'd a chief well known to fame,
A bold adven'trous knight,
Renown'd for victory, his name
In glory's annals bright.

Yet milder virtues he possest,
And gentler passions felt,
For in his calm and yielding breast
The soft affections dwelt.

No rugged toils the heart could steel,
By nature form'd to prove
Whate'er the tender mind can feel
In friendship or in love.

He lost the partner of his breast,
Who sooth'd each rising care,
And ever charm'd the pains to rest
She ever lov'd to share.

From solitude he hop'd relief
And this lone mansion sought,
To cherish there his faithful grief,
To nurse the tender thought.

There, to his bosom fondly dear,
A blooming daughter smil'd,
And oft' the mourner's falling tear
Bedew'd his EMMA'S child.

As drest in charms the lonely flower
Smiles in the distant vale,
With beauty gilds the morning hour,
And scents the evening gale;

So liv'd in solitude, unseen,
This lovely, peerless maid;
So grac'd the wild sequester'd scene,
And blossom'd in the shade.

Yet love could pierce the lone recess,
For there he likes to dwell,
To leave the noisy crowd, and bless
With happiness the cell.

To wing his sure resistless dart
Where all its power is known,
And rule the undivided heart
Despotic and alone.

Young EDWIN charm'd her gentle breast,
Though scanty all his store,
No hoarded treasure he possest,
Yet he could boast of more:

For he could boast the lib'ral heart,
And honour, sense, and truth,
Unwarp'd by vanity or art,
Adorn'd the gen'rous youth.

The maxims of a servile age,
The mean, the selfish care,
The sordid views that now engage
The mercenary fair,

Whom riches can unite or part,
To them were all unknown,
For then each sympathetic breast
Was join'd by love alone.

They little knew that wealth had power
To make the constant rove;
They little knew the weighty dower
Could add one bliss to love.

ELTRADA o'er the distant mead
Would haste at closing day,
And to the bleating mother lead
The lamb that chanc'd to stray.

For the bruis'd insect on the waste
A sigh would heave her breast;
And oft her careful hand replac'd
The linnet's fallen nest.

To her sensations calm as these
Could sweet delight impart,
Those simple pleasures most can please
The uncorrupted heart.

And oft with eager step she flies
To cheer the roofless cot,
Where the lone widow breathes her sighs,
And wails her desp'rate lot.

Their weeping mother's trembling knees
Her lisping infants clasp,
Their meek imploring look she sees,
She feels their tender grasp.

On her pale cheek, where hung the tear
Of agonizing woe,
ELTRADA bids a smile appear,
A tear of rapture flow.

Thus on soft wing the moments flew,
(Tho' love would court their stay,)
While some new virtue rose to view,
And mark'd each fleeting day.

The youthful poet's soothing dream
Of golden ages past,
The muse's fond ideal theme
Seem'd realiz'd at last.

But here, how weak to hope that bliss
Unchanging will endure;
Ah, in a world so vain as this,
What heart can rest secure!

For now arose the fatal day
For civil discord fam'd,
When YORK from LANCASTER'S proud sway
The regal sceptre claim'd.

Each moment now the horrors brought
Of desolating rage,
The fam'd achievements now were wrought
That swell th' historic page.

The good old ALBERT pants again
To dare the hostile field,
The cause of HENRY to maintain,
For him the lance to wield.

But O, a thousand gen'rous ties
That bind the hero's soul,
A thousand sacred claims arise,
And EDWIN'S breast controul.

Though passion pleads in HENRY'S cause,
And EDWIN'S heart would sway,
Yet honour's stern, imperious laws,
The brave will still obey.

Oppress'd with many an anxious care,
Full oft ELTRADA sigh'd,
Complaining that relentless war
Should those she lov'd divide.

At length the parting morn arose,
For her in sadness drest,
While boding thoughts of future woes
With terror heav'd her breast.

A thousand pangs her father feels,
A thousand tender fears,
While clinging at his feet she kneels,
And bathes them with her tears.

One pitying tear bedew'd his cheek--
From his lov'd child he flew,
O'erwhelmed, the father could not speak,
He could not say--"adieu!"--

Arm'd for the field her lover came,
He saw her pallid look,
And trembling seize her drooping frame,
While, falt'ring, thus he spoke:

"This cruel tenderness but wounds
The heart it means to bless,
Those falling tears, those mournful sounds
Increase the vain distress!"--

"If fate," she answer'd, "has decreed
That on the hostile plain
My EDWIN'S faithful heart must bleed,
And swell the heep of slain:

"Trust me, I never will complain,
I'll shed no fruitless tear,
Not one weak drop my cheek shall stain,
Or tell what passes here!

"O, let thy fate of others claim
A tear, a mournful sigh;
I'll only murmur thy dear name,
I'll call on thee--and die!"--

But ah, how vain for words to tell
The pang their bosoms prov'd,
They only will conceive it well,
They only, who have lov'd.

The timid muse forbears to say
What laurels EDWIN gain'd;
How ALBERT , long renown'd, that day
His ancient fame maintain'd.

The bard, who feels congenial fire,
May sing of martial strife,
And with heroic sounds inspire
The gen'rous scorn of life.

But ill the theme would suit her reed,
Who, wand'ring through the grove,
Forgets the conqu'ring hero's meed,
And gives a tear to love!

Though long the closing day was fled,
The fight they still maintain,
While night a deeper horror shed
Along the darken'd plain.

To ALBERT'S breast an arrow flew,
He felt a mortal wound--
The drops that warm'd his heart bedew
The cold and flinty ground.

The foe who aim'd the fatal dart
Now heard his dying sighs;
Compassion touch'd his yielding heart,
To ALBERT'S aid he flies.

While round the chief his arms he cast,
While oft he deeply sigh'd,
And seem'd as if he mourn'd the past,
Old ALBERT faintly cried:

"Though nature heaves these parting groans,
Without complaint I die;
Yet one dear care my heart still owns,
Still feels one tender tie.

"For YORK , a warrior known to fame,
Uplifts the hostile spear,
EDWIN the blooming hero's name,
To ALBERT'S bosom dear.

"O tell him my expiring sigh,
Say my last words implor'd
To my despairing child to fly,
To her he once ador'd!"

He spoke! but O, what mournful strain,
Whose force the soul can melt,
What moving numbers shall explain
The pang that EDWIN felt?

The pang that EDWIN now reveal'd--
For he the warrior prest
(Whom the dark shades of night conceal'd)
Close to his throbbing breast.

"Fly, fly," he cried, "my touch profane--
O, how the rest impart!
Rever'd old man! could EDWIN stain
With ALBERT'S blood the dart?"

His languid eyes lie weakly rais'd,
Which seem'd for ever clos'd,
On the pale youth with pity gaz'd,
And then in death repos'd.

"I'll go," the hapless EDWIN said,
"And breathe a last adieu!
And with the drops despair will shed,
My mournful love bedew.

"I'll go to her for ever dear,
To catch her trembling sigh,
To wipe from her pale cheek the tear,
And at her feet to die!"

And as to her for ever dear
The frantic mourner flew,
To wipe from her pale cheek the tear,
And breathe a last adieu;

Appall'd his troubled fancy sees
That tear of anguish flow,
And hears in every passing breeze
The plaintive sound of woe.

Meanwhile the anxious maid, whose tears
In vain would heav'n implore,
Of ALBERT'S fate despairing hears,
But yet had heard no more.

"What woes," she cried, "this breast must prove,
Its dearest ties are broke;--
O, say what ruthless arm, my love,
Could aim the fatal stroke?

"Could not thy hand, my EDWIN , thine
Have warded off the blow?
For O, he was not only mine,
He was thy father too!--

"Why does thy bosom throb with pain?--
O speak, my EDWIN , speak!
Or sure, unable to sustain
This grief, my heart will break."

"Yes, it will break,"--he falt'ring cried,
"For we will life resign--
Then trembling know, thy father died--
And know, the guilt was mine!

"It is enough!" with short quick breath,
Exclaim'd the fainting maid;
She spoke no more, but seem'd from death
To look for instant aid.

In plaintive accents EDWIN cries,
"And have I murder'd thee?
To other worlds thy spirit flies,
And mine this stroke shall free!"--

His hand the lifted weapon grasp'd,
The steel he firmly prest,
When wildly she arose, and clasp'd
Her lover to her breast.

"Methought," she cried, with panting breath,
"My EDWIN talk'd of peace;
I knew 'twas only found in death,
And fear'd that sad release.

"I clasp him still! 'twas but a dream--
Help yon wide wound to close,
From which a father's spirits stream,
A father's life-blood flows.

"But see!--from thee he shrinks, nor would
Be blasted by thy touch!--
Ah, though my EDWIN spilt thy blood,
Yet once he lov'd thee much.

"My father, yet in pity stay!--
I see his white beard wave--
A spirit beckons him away,
And points to yonder grave.

"Alas, my love, I trembling hear
A father's last adieu;
I see, I see the falling tear
His wrinkled cheek bedew.

"He's gone, and here his ashes sleep--
I do not heave a sigh,
His child a father does not weep--
For ah, my brain is dry!

"But come, together let us rove,
At the pale hour of night,
When the moon wand'ring through the grove,
Shall pour her faintest light.

"We'll gather from the rosy bower
The fairest wreaths that bloom,
We'll cull, my love, each op'ning flower
To deck his hallow'd tomb;

"We'll thither from the distant dale
A weeping willow bear;
And plant a lily of the vale,
A drooping lily, there.

"We'll shun the face of glaring day,
Eternal silence keep;
Through the dark wood together stray,
And only live to weep.

"But hark, 'tis come--the fatal time,
When, EDWIN , we must part:
Some angel tells me 'tis a crime
To hold thee to my heart.

"Yet, EDWIN , if th' offence be thine,
Too soon I can forgive;
But O, the guilt would all be mine,
Could I endure to live.

"Farewell, my love, for O, I faint,
Of pale despair I die;
And see! that hoary, murder'd saint
Descends from yon blue sky.

"Poor weak old man! he comes, my love,
To lead to heav'n the way;
He knows not heav'n will joyless prove,
If EDWIN here must stay!"

"O, who can bear this pang?" he cried,
Then to his bosom prest
The dying maid, who piteous sigh'd,
And sunk to endless rest.

He saw her eyes for ever close,
He heard her latest sigh,
And yet no tear of anguish flows
From his distracted eye.

He feels within his shiv'ring veins
A mortal chillness rise!
Her pallid corse he feebly strains,
And on her bosom dies.

No longer may their hapless lot
The mournful muse engage,
She wipes away the tears that blot
The melancholy page.

For heav'n in love dissolves the ties
That chain the spirit here,
And distant, and for ever flies
The blessing held most dear;

To bid the suff'ring soul aspire
A higher bliss to prove,
To wake the pure, refin'd desire,
The hope that rests above!

poem by Helen Maria Williams
Submitted by Poetry Lover
Vote! | Copy!