Epilogue to Agamemnon
Our bard, to modern epilogue a foe,
Thinks such mean mirth but deadens generous woe;
Dispels in idle air the moral sigh,
And wipes the tender tear from Pity's eye:
No more with social warmth the bosom burns;
But all the unfeeling selfish man returns.
Thus he began:—And you approved the strain;
Till the next couplet sunk to light and vain.
You check'd him there.—To you, to reason just,
He owns he triumph'd in your kind disgust.
Charm'd by your frown, by your displeasure graced,
He hails the rising virtue of your taste.
Wide will its influence spread as soon as known:
Truth, to be loved, needs only to be shown.
Confirm it, once, the fashion to be good:
(Since fashion leads the fool, and awes the rude)
No petulance shall wound the public ear;
No hand applaud what honour shuns to hear:
No painful blush the modest cheek shall stain;
The worthy breast shall heave with no disdain.
Chastised to decency, the British stage
Shall oft invite the fair, invite the sage:
Both shall attend well pleased, well pleased depart;
Or if they doom the verse, absolve the heart.
poem by James Thomson
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Addressed To Miss Macartney, Afterwards Mrs. Greville, On Reading The Prayer For Indifference
And dwells there in a female heart,
By bounteous heaven design'd
The choicest raptures to impact,
To feel the most refined;
Dwells there a wish in such a breast
Its nature to forego,
To smother in ignoble rest
At once both bliss and woe?
Far be the thought, and far the strain,
Which breathes the low desire.
How sweet soe'er the verse complain,
Though Phoebus string the lyre.
Come then, fair maid (in nature wise),
Who, knowing them, can tell
From generous sympathy what joys
The glowing bosom swell;
In justice to the various powers
Of pleasing, which you share,
Join me, amid your silent hours,
To form the better prayer.
With lenient balm may Oberon hence
To fairy land be driven,
With every herb that blunts the sense
Mankind received from heaven.
'Oh! if my Soverign Author please,
Far be it from my fate,
To live unblest in torpid ease,
And slumber on in state;
Each tender tie of life defied,
Whence social pleasures spring:
Unmoved with all the world beside,
A solitary thing.'
Some Alpine mountain wrapt in snow,
Thus braves the whirling blast,
Eternal winter doomed to know,
No genial spring to taste;
In vain warm suns their influence shed,
The zephyrs sport in vain,
He rears unchanged his barren head,
Whilst beauty decks the plain.
What though in scaly armour dress'd,
Indifference may repel
The shafts of woe, in such a breast
No joy can ever dwell.
'Tis woven in the world's great plan,
And fix'd by Heaven's decree,
That all the true delights of man
Should spring from Sympathy.
'Tis nature bids, and whilst the laws
Of nature we retain,
Our self-approving bosom draws
A pleasure from its pain.
Thus grief itself has comforts dear,
The sordid never know;
And ecstasy attends the tear,
When virtue bids it flow.
For when it streams from that pure source,
No bribes the heart can win,
To check, or alter from its course
The luxury within.
Peace to the phlegm of sullen elves,
Who, if from labour eased,
Extend no care beyond themselves,
Unpleasing and unpleased.
Let no low thought suggest the prayer!
Oh! grant, kind Heaven, to me,
Long as I draw ethereal air,
Sweet Sensibility!
Where'er the heavenly nymph is seen,
With lustre-beaming eye,
A train, attendant on their queen,
(Her rosy chorus) fly.
The jocund Loves in Hymen's band,
With torches ever bright,
And generous Friendship hand in hand,
With Pity's watery sight.
The gentler virtues too are join'd,
In youth immortal warm,
The soft relations which combined
Give life her every charm.
The Arts come smiling in the close,
And lend celestial fire;
The marble breathes, the canvas glows,
The Muses sweep the lyre.
'Still may my melting bosom cleave
To sufferings not my own;
And still the sigh responsive heave,
Where'er is heard a groan.
So Pity shall take Virtue's part,
Her natural ally,
And fashioning my softened heart,
Prepare it for the sky.'
This artless vow may Heaven receive,
And you, fond maid, approve:
So may your guiding angel give
Whate'er you wish or love.
So may the rosy-fingered hours
Lead on the various year,
And every joy, which now is yours,
Extend a larger sphere.
And suns to come, as round they wheel,
Your golden moments bless,
With all a tender heart can feel,
Or lively fancy guess.
poem by William Cowper
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Farewell, Fair Armida. A Song
Farewell, fair Armida, my joy and my grief!
In vain I have loved you, and hope no relief;
Undone by your virtue, too strict and severe,
Your eyes gave me love, and you gave me despair:
Now called by my honour, I seek with content
The fate which in pity you would not prevent:
To languish in love were to find, by delay,
A death that's more welcome the speediest way.
On seas and in battles, in bullets and fire,
The danger is less than in hopeless desire;
My death's wound you give me, though far off I bear
My fall from your sight—not to cost you a tear:
But if the kind flood on a wave should convey,
And under your window my body should lay,
The wound on my breast when you happen to see,
You'll say with a sigh—it was given by me.
poem by John Dryden
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In My Fashion
In my fashion I have been a good man
I have loved and I have lost
Ever after I will be remembered
In my fashion, in my way
There have been times, I have seen the reaper
In the bad times, and in the good
I have bent down, I have touched the ground
Saying prayers and touching wood
In my fashion, I have been a father
I have loved and been loved in return
From the ashes, I have kept the homefires
Burning after all was said and done
Now take a look at me
Do I look like the kind of guy
The kinda fool who went to school
And had to stand on a stool,
Because he couldnt come t terms with a slide rule
Take a look around again
Is it any different now than it was then
In my fashion I have been a good man
I have loved and I have lost
And ever after I will be remembered
In my fashion, in my way
song performed by by Gordon Lightfoot
Submitted by Lucian Velea
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Epilogue To Tancred And Sigismunda
Cramm'd to the throat with wholesome moral stuff,
Alas! poor audience! you have had enough.
Was ever hapless heroine of a play
In such a piteous plight as ours to-day?
Was ever woman so by love betray'd?
Match'd with two husbands, and yet—die a maid.
But bless me!—hold—What sounds are these I hear!—
I see the Tragic Muse herself appear.
[The back scene opens, and discovers a romantic sylvan landscape; from which Mrs. Cibber, in the character of the Tragic Muse, advances slowly to music, and speaks the following lines]:
Hence with your flippant epilogue, that tries
To wipe the virtuous tear from British eyes;
That dares my moral, tragic scene profane,
With strains—at best, unsuiting, light and vain.
Hence from the pure unsullied beams that play
In yon fair eyes where virtue shines—Away!
Britons, to you from chaste Castalian groves,
Where dwell the tender, oft unhappy loves!
Where shades of heroes roam, each mighty name,
And court my aid to rise again to fame;
To you I come, to Freedom's noblest seat,
And in Britannia fix my last retreat.
In Greece and Rome, I watch'd the public weal,
The purple tyrant trembled at my steel:
Nor did I less o'er private sorrows reign,
And mend the melting heart with softer pain.
On France and you then rose my brightening star,
With social ray—The arts are ne'er at war.
O, as your fire and genius stronger blaze,
As yours are generous Freedom's bolder lays,
Let not the Gallic taste leave yours behind,
In decent manners and in life refined;
Banish the motley mode to tag low verse,
The laughing ballad to the mournful hearse.
When through five acts your hearts have learnt to glow,
Touch'd with the sacred force of honest woe;
O keep the dear impression on your breast,
Nor idly loose it for a wretched jest.
poem by James Thomson
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To The Countess Of Blessington
You have ask'd for a verse:--the request
In a rhymer 'twere strange to deny;
But my Hippocrene was but my breast,
And my feelings (its fountain) are dry.
Were I now as I was, I had sung
What Lawrence has painted so well;
But the strain would expire on my tongue,
And the theme is too soft for my shell.
I am ashes where once I was fire,
And the bard in my bosom is dead;
What I loved I now merely admire,
And my heart is as grey as my head.
My life is not dated by years--
There are moments which act as plough;
And there is not a furrow appears
But is deep in my soul as my brow.
Let the young and the brilliant aspire
To sing what I gaze on in vain;
For sorrow has torn from my lyre
The string which was worthy the strain.
To the Reader of These Sonnets
Into these Loves who but for Passion looks,
At this first sight here let him lay them by
And seek elsewhere, in turning other books,
Which better may his labor satisfy.
No far-fetch'd sigh shall ever wound my breast,
Love from mine eye a tear shall never wring,
Nor in Ah me's my whining sonnets drest;
A libertine, fantasticly I sing.
My verse is the true image of my mind,
Ever in motion, still desiring change,
And as thus to variety inclin'd,
So in all humours sportively I range.
My Muse is rightly of the English strain,
That cannot long one fashion entertain.
poem by Michael Drayton
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A Portrait
Tell me, ye prim adepts in Scandal’s school,
Who rail by precept, and detract by rule,
Lives there no character, so tried, so known,
So deck’d with grace, and so unlike your own,
That even you assist her fame to raise,
Approve by envy, and by silence praise!
Attend!—a model shall attract your view—
Daughters of calumny, I summon you!
You shall decide if this a portrait prove,
Or fond creation of the Muse and Love.
Attend, ye virgin critics, shrewd and sage,
Ye matron censors of this childish age,
Whose peering eye and wrinkled front declare
A fix’d antipathy to young and fair;
By cunning, cautious; or by nature, cold,—
In maiden madness, virulently bold;—
Attend, ye skill’d to coin the precious tale,
Creating proof, where innuendos fail!
Whose practised memories, cruelly exact,
Omit no circumstance, except the fact!—
Attend, all ye who boast,—or old or young,—
The living libel of a slanderous tongue!
So shall my theme, as far contrasted be,
As saints by fiends or hymns by calumny.
Come, gentle Amoret (for ’neath that name
In worthier verse is sung thy beauty’s fame),
Come—for but thee who seeks the Muse? and while
Celestial blushes check thy conscious smile.
With timid grace and hesitating eye,
The perfect model which I boast supply:—
Vain Muse! couldst thou the humblest sketch create
Of her, or slightest charm couldst imitate—
Could thy blest strain in kindred colours trace
The faintest wonder of her form and face—
Poets would study the immortal line,
And Reynolds own his art subdued by thine;
That art, which well might added lustre give
To nature’s best and heaven’s superlative:
On Granby’s cheek might bid new glories rise.
Or point a purer beam from Devon’s eyes!
Hard is the task to shape that beauty’s praise,
Whose judgment scorns the homage flattery pays?
But praising Amoret we cannot err,
No tongue o’ervalues Heaven, or flatters her!
Yet she by fate’s perverseness—she alone
Would doubt our truth, nor deem such praise her own!
Adorning fashion, unadorn’d by dress,
Simple from taste, and not from carelessness;
Discreet in gesture, in deportment mild,
Not stiff with prudence, nor uncouthly wild:
No state has Amoret; no studied mien;
She frowns no goddess, and she moves no queen,
The softer charm that in her manner lies
Is framed to captivate, yet not surprise;
It justly suits the expression of her face,—
’Tis less than dignity, and more than grace!
On her pure cheek the native hue is such,
That, form’d by Heaven to be admired so much,
The hand divine, with a less partial care,
Might well have fix’d a fainter crimson there,
And bade the gentle inmate of her breast—
Inshrined Modesty—supply the rest.
But who the peril of her lips shall paint?
Strip them of smiles—still, still all words are faint!
But moving Love himself appears to teach
Their action, though denied to rule her speech;
And thou who seest her speak, and dost not hear,
Mourn not her distant accents ’scape thine ear;
Viewing those lips, thou still may’st make pretence
To judge of what she says, and swear ’tis sense:
Clothed with such grace, with such expression fraught,
They move in meaning, and they pause in thought!
But dost thou farther watch, with charm’d surprise,
The mild irresolution of her eyes,
Curious to mark how frequent they repose,
In brief eclipse and momentary close—
Ah! seest thou not an ambush’d Cupid there,
Too tim’rous of his charge, with jealous care
Veils and unveils those beams of heavenly light,
Too full, too fatal else, for mortal sight?
Nor yet, such pleasing vengeance fond to meet,
In pard’ning dimples hope a safe retreat.
What though her peaceful breast should ne’er allow
Subduing frowns to arm her altered brow,
By Love, I swear, and by his gentle wiles,
More fatal still the mercy of her smiles!
Thus lovely, thus adorn’d, possessing all
Of bright or fair that can to woman fall,
The height of vanity might well be thought
Prerogative in her, and Nature’s fault.
Yet gentle Amoret, in mind supreme
As well as charms, rejects the vainer theme;
And, half mistrustful of her beauty’s store,
She barbs with wit those darts too keen before:—
Read in all knowledge that her sex should reach,
Though Greville, or the Muse, should deign to teach,
Fond to improve, nor timorous to discern
How far it is a woman’s grace to learn;
In Millar’s dialect she would not prove
Apollo’s priestess, but Apollo’s love,
Graced by those signs which truth delights to own,
The timid blush, and mild submitted tone:
Whate’er she says, though sense appear throughout,
Displays the tender hue of female doubt;
Deck’d with that charm, how lovely wit appears,
How graceful science, when that robe she wears!
Such too her talents, and her bent of mind,
As speak a sprightly heart by thought refined:
A taste for mirth, by contemplation school’d,
A turn for ridicule, by candour ruled,
A scorn of folly, which she tries to hide;
An awe of talent, which she owns with pride!
Peace, idle Muse! no more thy strain prolong,
But yield a theme, thy warmest praises wrong;
Just to her merit, though thou canst not raise
Thy feeble verse, behold th’ acknowledged praise
Has spread conviction through the envious train,
And cast a fatal gloom o’er Scandal’s reign!
And lo! each pallid hag, with blister’d tongue,
Mutters assent to all thy zeal has sung--
Owns all the colours just--the outline true;
Thee my inspirer, and my model--CREWE!
poem by Richard Brinsley Sheridan
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Epitaph On My Ever Honoured Father
O ye whose cheek the tear of pity stains,
Draw near with pious rev'rence, and attend!
Here lie the loving husband's dear remains,
The tender father, and the gen'rous friend;
The pitying heart that felt for human woe,
The dauntless heart that fear'd no human pride;
The friend of man — to vice alone a foe;
For "ev'n his failings lean'd to virtue's side."
poem by Robert Burns (1784)
Submitted by Veronica Serbanoiu
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Drury-lane Prologue Spoken by Mr. Garrick
1 When Learning's triumph o'er her barb'rous foes
2 First rear'd the stage, immortal Shakespear rose;
3 Each change of many-colour'd life he drew,
4 Exhausted worlds, and then imagin'd new:
5 Existence saw him spurn her bounded reign,
6 And panting Time toil'd after him in vain:
7 His pow'rful strokes presiding Truth impress'd,
8 And unresisted Passion storm'd the breast.
9 Then Jonson came, instructed from the school,
10 To please in method, and invent by rule;
11 His studious patience, and laborious art,
12 By regular approach essay'd the heart;
13 Cold Approbation gave the ling'ring bays,
14 For those who durst not censure, scarce could praise.
15 A mortal born he met the general doom,
16 But left, like Egypt's kings, a lasting tomb.
17 The Wits of Charles found easier ways to fame,
18 Nor wish'd for Jonson's art, or Shakespear's flame,
19 Themselves they studied, as they felt, they writ,
20 Intrigue was plot, obscenity was wit.
21 Vice always found a sympathetic friend;
22 They pleas'd their age, and did not aim to mend.
23 Yet bards like these aspir'd to lasting praise,
24 And proudly hop'd to pimp in future days.
25 Their cause was gen'ral, their supports were strong,
26 Their slaves were willing, and their reign was long;
27 Till Shame regain'd the post that Sense betray'd,
28 And Virtue call'd Oblivion to her aid.
29 Then crush'd by rules, and weaken'd as refin'd,
30 For years the pow'r of tragedy declin'd;
31 From bard, to bard, the frigid caution crept,
32 Till Declamation roar'd, while Passion slept.
33 Yet still did Virtue deign the stage to tread,
34 Philosophy remain'd, though Nature fled.
35 But forc'd at length her ancient reign to quit,
36 She saw great Faustus lay the ghost of wit:
37 Exulting Folly hail'd the joyful day,
38 And pantomime, and song, confirm'd her sway.
39 But who the coming changes can presage,
40 And mark the future periods of the stage?--
41 Perhaps if skill could distant times explore,
42 New Behns, new Durfoys, yet remain in store.
43 Perhaps, where Lear has rav'd, and Hamlet died,
44 On flying cars new sorcerers may ride.
45 Perhaps, for who can guess th' effects of chance?
46 Here Hunt may box, or Mahomet may dance.
47 Hard is his lot, that here by Fortune plac'd,
48 Must watch the wild vicissitudes of taste;
49 With ev'ry meteor of caprice must play,
50 And chase the new-blown bubbles of the day.
51 Ah! let not censure term our fate our choice,
52 The stage but echoes back the public voice.
53 The drama's laws the drama's patrons give,
54 For we that live to please, must please to live.
55 Then prompt no more the follies you decry,
56 As tyrants doom their tools of guilt to die;
57 'Tis yours this night to bid the reign commence
58 Of rescu'd Nature, and reviving Sense;
59 To chase the charms of Sound, the pomp of Show,
60 For useful Mirth, and salutary Woe;
61 Bid scenic Virtue form the rising age,
62 And Truth diffuse her radiance from the stage.
poem by Samuel Johnson
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The Portent
Horace, BK. V. Ode 20.
Oh, late withdrawn from human-kind
And following dreams we never knew!
Varus, what dream has Fate assigned
To trouble you?
Such virtue as commends of law
Of Virtue to the vulgar horde
Suffices not. You needs must draw
A righteous sword;
And, flagrant in well-doing, smite
The priests of Bacchus at their fane,
Lest any worshipper invite
The God again.
Whence public strife and naked crime
And-deadlier than the cup you shun--
A people schooled to mock, in time,
All law--not one.
Cease, then, to fashion State-made sin,
Nor give thy children cause to doubt
That Virtue springs from Iron within--
Not lead without.
poem by Rudyard Kipling
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An Ode To Mr. Howard
Dear Howard, from the soft assaults of love
Poets and painters never are secure;
Can I untouch'd the fair one's passions move,
Or thou draw beauty, and not feel its power?
To great Appelles when young Ammon brought
The darling idol of his captive heart;
And the pleased nymph with kind attention sat,
To have her charms recorded by his art:
The amorous master own'd her potent eyes:
Sigh'd when he look'd, and trembled as he drew:
Each flowing line confirm'd his first surprise,
And, as the piece advanced, the passion grew.
While Philip's son, while Venus' son, was near,
What different tortures does his bosom feel?
Great was the rival, and the god severe:
Nor could he hide his flame, nor durst reveal.
The prince, renown'd in bounty as in arms,
With pity saw the ill-conceal'd distress;
Quitted his title to Campaspe's charms,
And gave the fair one to the friend's embrace.
Thus the more beauteous Cloe sat to thee,
Good Howard, emulous of the Grecian art:
But happy thou, from Cupid's arrow free,
And flames that pierced thy predecessor's heart!
Had thy poor breast received an equal pain;
Had I been vested with the monarch's power;
Thou must have sigh'd, unlucky youth, in vain;
Nor from my bounty hadst thou found a cure.
Though, to convince thee that the friend did feel
A kind concern for thy ill-fated care,
I would have sooth'd thy flame I could not heal;
Given thee the world; though I withheld the fair.
poem by Matthew Prior
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The child tastes the tear
The tear is made of salt
The tear is made of water
The tear is made of the sea
But you cannot swim in it
The tear can leak down the cheek
The tear is like a good rhyme
The child wipes away the tear
The wipe is made of the hand
The hand is made by…who
The child thinks of the hand
The hand can shake a hand
The hand can slap a cheek
The hand can wipe the tear away
The hand and tear are made
The child is thinking
I am made too
poem by Miroslava Odalovic
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Sonnet 25: Let those who are in favour with their stars
Let those who are in favour with their stars
Of public honour and proud titles boast,
Whilst I, whom fortune of such triumph bars,
Unlooked for joy in that I honour most.
Great princes' favourites their fair leaves spread,
But as the marigold at the sun's eye,
And in themselves their pride lies burièd,
For at a frown they in their glory die.
The painful warrior famousèd for fight,
After a thousand victories once foiled,
Is from the book of honour razèd quite,
And all the rest forgot for which he toiled.
Then happy I that love and am beloved
Where I may not remove nor be removed.
poem by William Shakespeare
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Preparations
YET if His Majesty, our sovereign lord,
Should of his own accord
Friendly himself invite,
And say 'I'll be your guest to-morrow night,'
How should we stir ourselves, call and command
All hands to work! 'Let no man idle stand!
'Set me fine Spanish tables in the hall;
See they be fitted all;
Let there be room to eat
And order taken that there want no meat.
See every sconce and candlestick made bright,
That without tapers they may give a light.
'Look to the presence: are the carpets spread,
The dazie o'er the head,
The cushions in the chairs,
And all the candles lighted on the stairs?
Perfume the chambers, and in any case
Let each man give attendance in his place!'
Thus, if a king were coming, would we do;
And 'twere good reason too;
For 'tis a duteous thing
To show all honour to an earthly king,
And after all our travail and our cost,
So he be pleased, to think no labour lost.
But at the coming of the King of Heaven
All 's set at six and seven;
We wallow in our sin,
Christ cannot find a chamber in the inn.
We entertain Him always like a stranger,
And, as at first, still lodge Him in the manger.
The Task: Book VI, The Winter Walk at Noon (excerpts)
Thus heav'nward all things tend. For all were once
Perfect, and all must be at length restor'd.
So God has greatly purpos'd; who would else
In his dishonour'd works himself endure
Dishonour, and be wrong'd without redress.
Haste then, and wheel away a shatter'd world,
Ye slow-revolving seasons! We would see
(A sight to which our eyes are strangers yet)
A world that does not dread and hate his laws,
And suffer for its crime: would learn how fair
The creature is that God pronounces good,
How pleasant in itself what pleases him.
Here ev'ry drop of honey hides a sting;
Worms wind themselves into our sweetest flow'rs,
And ev'n the joy, that haply some poor heart
Derives from heav'n, pure as the fountain is,
Is sully'd in the stream; taking a taint
From touch of human lips, at best impure.
Oh for a world in principle as chaste
As this is gross and selfish! over which
Custom and prejudice shall bear no sway,
That govern all things here, should'ring aside
The meek and modest truth, and forcing her
To seek a refuge from the tongue of strife
In nooks obscure, far from the ways of men;
Where violence shall never lift the sword,
Nor cunning justify the proud man's wrong,
Leaving the poor no remedy but tears;
Where he that fills an office shall esteem
The occasion it presents of doing good
More than the perquisite; where law shall speak
Seldom, and never but as wisdom prompts,
And equity; not jealous more to guard
A worthless form, than to decide aright;
Where fashion shall not sanctify abuse,
Nor smooth good-breeding (supplemental grace)
With lean performance ape the work of love....
He is the happy man, whose life ev'n now
Shows somewhat of that happier life to come:
Who, doom'd to an obscure but tranquil state,
Is pleas'd with it, and, were he free to choose,
Would make his fate his choice; whom peace, the fruit
Of virtue, and whom virtue, fruit of faith,
Prepare for happiness; bespeak him one
Content indeed to sojourn while he must
Below the skies, but having there his home.
The world o'eriooks him in her busy search
Of objects more illustrious in her view;
And occupied as earnestly as she,
Though more sublimely, he o'erlooks the world.
She scorns his pleasures, for she knows them not;
He seeks not hers, for he has prov'd them vain.
He cannot skim the ground like summer birds
Pursuing gilded flies, and such he deems
Her honours, her emoluments, her joys.
Therefore in contemplation is his bliss,
Whose pow'r is such, that whom she lifts from earth
She makes familiar with a heav'n unseen,
And shows him glories yet to be reveal'd....
So life glides smoothly and by stealth away,
More golden than that age of fabled gold
Renown'd in ancient song; not vex'd with care
Or stain'd with guilt, beneficent, approv'd
Of God and man, and peaceful in its end.
So glide my life away! and so at last
My share of duties decently fulfill'd,
May some disease, not tardy to perform
Its destin'd office, yet with gentle stroke,
Dismiss me weary to a safe retreat,
Beneath a turf that I have often trod.
It shall not grieve me, then, that once, when call'd
To dress a sofa with the flow'rs of verse,
I play'd awhile, obedient to the fair,
With that light task; but soon, to please her more,
Whom flow'rs alone I knew would little please,
Let fall th' unfinish'd wreath, and rov'd for fruit;
Rov'd far, and gather'd much: some harsh, 'tis true,
Pick'd from the thorns and briars of reproof,
But wholesome, well digested; grateful some
To palates that can taste immortal truth,
Insipid else, and sure to be despis'd.
But all is in his hand whose praise I seek.
In vain the poet sings, and the world hears,
If he regard not, though divine the theme.
'Tis not in artful measures, in the chime
And idle tinkling of a minstrel's lyre,
To charm his ear whose eye is on the heart;
Whose frown can disappoint the proudest strain,
Whose approbation--prosper ev'n mine.
poem by William Cowper
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Whirlwinds
The rain petered out after days,
Suddenly the rain began always.
The fashion of the club we call the nation
Was a fashion of rain, rain and erosion.
The sea filled by the rain began again
To beat at the walls of the Englishmen.
The doors thoroughly shut,
Were now open for the very accurate:
The showers pleased my soul
Like agony and pleasure in a mixed role.
Rains blow with the winds,
They never finish when whirlwinds.
poem by Naveed Akram
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Giacinta
Giacinta sat upon the garden wall
Among the autumn lilies, and let fall
Their crimson petals on her lover's head,
And laughed because her little hands were red.
She was the fairest child of Italy,
And it was well the lilies thus should die.
But Giulio shuddered when she made him kiss
The stains away in her pride's wantonness
And held them up between him and the sun
That he might see the red blood flame and run
In the long finger--clefts from root to tip,
And still she pressed them closer to his lip,
And still she laughed. But Giulio looked at her
And it was half in love and half in fear.
And, when she saw him tremble, childishly
She laid both hands in his, and with a sigh
Told him to pity them. And he in vain
Hid them in his and would have hid his pain,
And tried to speak but could not for the weight
Upon his breast. And so the lovers sat
In a hard silence, while Giacinta's laugh
Rang in his ears like the discordant half
Of some fair carol from a tavern flung,
She watching him above, the flowers among,
First with her smile and then with a hurt pride
Kindling to wrath. And ``Fool'' at last she cried,
``You think because this hand of mine is white
And smooth to touch and wise in love's delight
It had not dared to dabble in such red,
The blood--of these dead flowers--for dead is dead;
And you sit dumb and tremble and turn pale
Because I laugh to see the lilies fall.
Why not laugh with me, since you have the heart
To say you love me in my tragic part?
Think you that blood can make a hand less white,
Or all the ink of heaven blot out to--night
The innocent stars, or kisses steal away
The sweetness of red lips, or memory
Drive laughter from the world? The moon grows wan
And wastes and fades and shrivels to a span,
Yet men watch on beyond the hills at even,
And lo there is a new moon in the heaven!
Look in my eyes. Are they less pure and keen
For all the passion which their depths have seen?
Is there a stain upon my brows? My cheek
Is it less fair for what it dares not speak?
Oh, Simon's blood was not so red a thing
But it has left my face its colouring.
Or think you drops from any vein of his
Could make my fingers blush as deep as this?''
And Giulio's courage sickened when he heard
Giacinta suddenly speak out this word.
She was the fairest child of Italy,
But Giulio thought it had been well to die.
``yet, had it left me pale,'' she said, ``I know
It had been all as one to Giulio
To love a pale face. You will love me yet
Though I have told you how my hands are wet,
And when I hold them out to you to kiss
Your lips will burn to drink away the lees.
Oh, lovers, lovers! Wherefore will you preach,
When women laugh at what you dare to teach
Of truth and honour? Is there one of you,
One honourable friend, one bosom true,
That will not sell his virtue for a kiss
Though the mouth that gave it were a nest of lies,
And will not soothe his soul with the deceit
Which swears a rose is not a whit less sweet
Because an angry bee was in its cell
An hour ago?--Oh, lovers reason well!
So take the flower and deign forget the bee.
But Giulio, do not bid me stop and see
How beautiful a thing your virtue is,
And do not cry to the unheeding skies
`Did I not love her?' See, I hate your love
More than I hate yourself.'' And Giulio strove
With his weak heart and could not bear the pain.
And so he took Giacinta's hand again,
Without more word. But she in softened mood
Looked on the boy her beauty had subdued,
And said ``Poor Giulio! I have never shown
Much hate to you, and this you needs must own,
Only beware of loving me. 'Tis strange
That men are wise, yet cannot take the range
Of a silly woman's mind, but still devise
Of their fool's love, as if it were the prize
For which a woman might forget the cost
Of her undoing and a world well lost,
And cannot see that love is only this,
A pretty word to whisper in a kiss,
As when one says, `God bless you' with `Good--night.'
But Giulio, who would ever suffer it
A man should always have the name of God
Upon his lips?'' Her lover only trod
The lilies with his heel. At last he sighed,
``And Simon loved you, and for this he died?''
They sat till dusk upon the garden wall,
And she began to sing a madrigal
About the falling leaves and quite forgot
To answer him. But Giulio heeded not
Because he held her hand. He could not flee.
She was the fairest child of Italy.
poem by Wilfrid Scawen Blunt
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Stanzas to a Friend
AH! think no more that Life's delusive joys,
Can charm my thoughts from FRIENDSHIP'S dearer claim;
Or wound a heart, that scarce a wish employs,
For age to censure, or discretion blame.
Tir'd of the world, my weary mind recoils
From splendid scenes, and transitory joys;
From fell Ambition's false and fruitless toils,
From hope that flatters, and from bliss that cloys.
With THEE, above the taunts of empty pride,
The rigid frowns to youthful error given;
Content in solitude my griefs I'll hide,
Thy voice my counsellorÂthy smiles my Heaven.
With thee I'll hail the morn's returning ray,
Or climb the dewy mountain bleak and cold;
On the smooth lake observe the sun-beams play,
Or mark the infant flow'rs their buds unfold.
Pleas'd will I watch the glitt'ring queen of Night
Spread her white mantle o'er the face of Heaven;
And from thy converse snatch the pure delight,
By truth sublime to MENTAL feeling given.
And as the varying seasons glide away,
This moral lesson shall my bosom learn,
How TIME steals on, while blissful hours decay
Like fleeting shadows;ÂNEVER to return.
And when I see thy warm unspotted mind,
Torn with the wound of broken FRIENDSHIP'S dart;
When sickness chills thy breast with pangs unkind,
Or ruthless sorrow preys upon thy heart;
The task be MINE to soothe thee to repose,
To check the sigh, and wipe the trickling tear,
Or with soft SYMPATHY to share thy woes;
O, proudest rapture of the soul sincere !
And ye who flutter thro' the vacant hour,
Where tasteless Apathy's empoison'd wand
Arrests the vagrant sense with numbing pow'r,
While vanquish'd REASON bows at her command.
O say, what bliss can transient Life bestow,
What balm so grateful to the social mind,
As FRIENDSHIP'S voiceÂwhere gentle precepts flow
From the blest source of sentiment refin'd?
When FATE'S stern hand shall close my weeping eye,
And seal, at length, my wand'ring spirit's doom;
Oh! may kind FRIENDSHIP catch my parting sigh,
And cheer with HOPE the terrors of the TOMB.
poem by Mary Darby Robinson
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Elegy XXV. To Delia, With Some Flowers
Whate'er could Sculpture's curious art employ,
Whate'er the lavish hand of Wealth can shower,
These would I give-and every gift enjoy,
That pleased my fair-but Fate denies the power.
Bless'd were my lot to feed the social fires!
To learn the latent wishes of a friend!
To give the boon his native taste admires,
And, for my transport, on his smile depend!
Bless'd, too, is he whose evening ramble strays
Where droop the sons of Indigence and Care!
His little gifts their gladden'd eyes amaze,
And win, at small expence, their fondest prayer!
And, oh! the joy, to shun the conscious light;
To spare the modest blush; to give unseen!
Like showers that fall behind the veil of night,
Yet deeply tinge the smiling vales with green.
But happiest they who drooping realms relieve!
Whose virtues in our cultured vales appear!
For whose sad fate a thousand shepherds grieve,
And fading fields allow the grief sincere.
To call lost Worth from its oppressive shade
To fix its equal sphere, and see it shine,
To hear it grateful own the generous aid:
This, this is transport-but must ne'er be mine.
Faint is my bounded bliss; nor I refuse
To range where daisies open, rivers roll,
While prose or song the languid hours amuse,
And sooth the fond impatience of my soul.
Awhile I'll weave the roofs of jasmine bowers,
And urge with trivial cares the loitering year;
Awhile I'll prune my grove, protect my flowers,
Then, unlamented, press an early bier!
Of those loved flowers the lifeless corse may share,
Some hireling hand a fading wreath bestow;
The rest will breathe as sweet, will glow as fair,
As when their master smiled to see them glow.
The sequent morn shall wake the sylvan quire;
The kid again shall wanton ere 'tis noon;
Nature will smile, will wear her best attire;
O let not gentle Delia smile so soon!
While the rude hearse conveys me slow away,
And careless eyes my vulgar fate proclaim,
Let thy kind tear my utmost worth o'erpay,
And, softly sighing, vindicate my fame.-
O Delia! cheer'd by thy superior praise,
I bless the silent path the Fates decree;
Pleased, from the list of my inglorious days,
To raise the moments crown'd with bliss and thee.
poem by William Shenstone
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An English Peasant
To pomp and pageantry in nought allied,
A noble peasant, Isaac Ashford, died.
Noble he was, contemning all things mean,
His truth unquestion'd, and his soul serene:
Of no man's presence Isaac felt afraid,
At no man's question Isaac look'd dismay'd;
Shame knew him not, he dreaded no disgrace;
Truth, simple truth, was written in his face;
Yet while the serious thought his soul approved,
Cheerful he seem'd, and gentleness he loved:
To bliss domestic he his heart resign'd,
And, with the firmest, had the fondest mind:
Were others joyful, he looked smiling on,
And have allowance where he needed none;
Good he refused with future ill to buy,
Nor knew a joy that caused reflection's sigh;
A friend to virtue, his unclouded breast
No envy stung, no jealousy distressed;
(Bane of the poor! it wounds their weaker mind,
To miss one favour which their neighbours find):
Yet far was he from stoic pride removed;
He felt humanely, and he warmly loved:
I mark'd his action when his infant died,
And his old neighbour for offence was tried;
The still tears, stealing down that furrow'd cheek,
Spoke pity plainer than the tongue can speak.
If pride were his, 'twas not their vulgar pride,
Who, in their base contempt, the great deride:
Nor pride in learning, though my clerk agreed,
If fate should call him, Ashford might succeed;
Nor pride in rustic skill, although we know
None his superior, and his equals few;
But if that spirit in his soul had place,
It was the jealous pride that shuns disgrace;
A pride in honest fame, by virtue gain'd,
In sturdy boys to virtuous labours train'd;
Pride in the power that guards his country's coast,
And all that Englishmen enjoy and boast;
Pride, in a life that slander's tongue defied,
In fact, a noble passion, a misnamed pride.
I feel his absense in the hours of prayer,
And view his seat, and sigh for Isaac there;
I see no more those white locks thinly spread
Round the bald polish of that honour'd head;
No more that awful glance on playful wight,
Compell'd to kneel, and tremble at the sight,
To fold his fingers all in dread the while,
Till Master Ashford soften'd to a smile;
No more that meek and suppliant look in prayer,
Nor the pure faith, (to give it force,) are there;
But he is bless'd, and I lament no more,
A wise good man, contented to be poor.
poem by George Crabbe
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