Room at the Inn
An eerie feeling on the road that night,
I was cold, tired and needed some sleep.
As the dark mist parted I could see the light,
so I cocked the wheel as I turned my Jeep.
“O yes I have room”, replied the inn keep
and from a small box, he handed me keys.
I was slow to decide but I needed sleep.
“Do you want it or not? ” - I replied; “please”.
I stepped in the room, felt weak in my knees,
as the door slammed shut the terror began.
The temperature dropped about ten degrees
I’m locked in a room with that awful man.
Why didn’t that sign say “No Vacancy”,
I thought to myself, as he strangled me.
Author notes
Spenserian sonnet
The Spenserian sonnet has a rhyme pattern of:
abab bcbc cdcd ee
Here, the 'abab' pattern sets up distinct four-line groups, each of which develops a specific idea; however, the overlapping a, b, c, and d rhymes form the first 12 lines into a single unit with a separated final couplet. The three quatrains then develop three distinct but closely related ideas, with a different idea (or commentary) in the couplet.
poem by Amera Andersen

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War at Home
Ever since they took him away,
to fight that God forsaken war.
I daydream in our fields all day.
They took the man that I adore.
Gazing across the windswept grass
and waiting for the time to pass.
The memory of times before,
they took the man that I adore.
I know he’ll walk across that field
with battle wounds yet still unhealed.
My broken heart can take no more,
they took the man that I adore.
Ever since they took him away,
they took the man that I adore.
Author Notes:
Kyrielle Sonnet
A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet) . Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza) . Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme
for a Kyrielle Sonnet would be: AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.
poem by Amera Andersen

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This Day What Future Will It Bring (Kyrielle Sonnet)
This day what future will it bring.
What songs will we finally sing?
Snow quietly gracing the ground.
There will then come a silent sound.
We will be skating on the pond
And ev'ry one will form a bond.
By crackling fire we'll gather round.
There will then be a silent sound.
No recipe will we follow
Flitting the night with the swallows.
We'll form a ring around, around.
There will then come a silent sound.
This day what future will it bring.
There will then come a silent sound.
- Ben Gieske, March 5,2008
*
A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet) . Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza) . Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme for a Kyrielle Sonnet would be: AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.
poem by Ben Gieske

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Don't Tell THe World! (Sonnet)
This Sonnet is in the popular Petrarchan Form
I behold thy love as beautiful thing,
In my wrecked heart, a pleasure garden,
Thy revered love, a blooming Eden.
A daisy tuft seasoned by bright spring,
Surging in moments that defeats waiting,
I behold thy words as a jeweled crown,
On my worn pages of despicable frown.
And thy memory feeds my mind dying,
Daring couple disclose, but don’t you tell,
About memoirs many encased and kept,
Say not thy chronicle, sweet as daisy smell,
Buried, not unseen to thy eyes except
Reveal not, the guarded stash of our love,
Lest a rational world desires to know! ! !
IA NOTE: For those who find the format unfitting to a sonnet!
(Sonnet
only 14 lines long— and has a firmly fixed form. The sonnet works best for expressing strong emotion or intense feeling, firm purpose, or great seriousness. This form works best if you want to focus attention on a single thing—a particular idea, situation, emotion, problem, observation, etc. —the sonnet gets to its point quickly and efficiently, with beauty and charm of form or expression.
The Shakespearean (or English) sonnet and the Petrarchan (or Italian) sonnet are the two most prevalent versions of this form today.
A Shakespearean sonnet or English sonnet is written in one stanza composed of three rhymed quatrains (each making one point in a three-step argument) , followed by a rhyming couplet that summarizes the argument
A Petrarchan sonnet or Italian sonnet is composed of an octet followed by a sestet with a variable rhyme scheme. The octet presents the poem’s theme or problem, while the sestet offers a change or a resolution. In its traditional form, this sonnet never ends in a couplet.
Robert Frost was popular at Petrarchan form of sonnets.
sonnet’s formal requirements (14 lines of iambic pentameter with a specific rhyme scheme) , method (a strong focus on one subject) , and goals (persuasion, surprise, balance) ,
Ref: www.poetry.com/techniques/form of poetic expressions.
Thank You
poem by Seema Aarella

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What a Dilemma
“What a dilemma” exclaimed the poet
“a Shakespearean sonnet I must write.
If I succeeded I would not know it
Or have a clue if I had done it right.”
“Fourteen lines, iambic pentameter…
Of course, a carefully patterned rhyme scheme.”
The idea truly enamored her,
as she prudently pursued this pipe dream.
“First, three quatrains to show complication,
a final couplet to tie up loose ends.”
Sure result was an abomination…
Certain ridicule from all of her friends.
After hours of counting syllables, it
turned into way too much silly bullshit.
poem by Maggie Signaigo

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What a Dilemma (a Shakespearean sonnet?)
What a dilemma” exclaimed the poet
“a Shakespearean sonnet I must write.
If I succeeded I would not know it
Or have a clue if I had done it right.”
“Fourteen lines, iambic pentameter…
Of course, a carefully patterned rhyme scheme.”
The idea truly enamored her,
as she prudently pursued this pipe dream.
“First, three quatrains to show complication,
a final couplet to tie up loose ends.”
Sure result was an abomination…
Certain ridicule from all of her friends.
After hours of counting syllables, it
turned into way too much silly bullshit.
poem by Maggie Signaigo

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Divine Force (terza Rima Sonnet)
Prayer is the answer to a troubled heart,
Challenges meant to be overcome and solved,
Faith in God is the best way to make a start.
Splendour of sunshine around- a ball of gold!
Winds-cool or stormy reach their destination,
Warm sun and wind, engulfing all in their fold.
Water, the elixir makes no distinction,
Energy giver-Fire, also smothers,
Trees do not produce fruits in isolation.
Associations-complex and a bother.
Get caught in the labyrinth, never be freed,
Life’s lessons-through experience can gather.
Getting rid of contempt, prejudice and greed
Accepting Divine Will engenders a new breed.
(The Italian form Diaspora or Terza Rima is a of indefinite length, made up of numbers of three-line stanzas or tercets. The sonnet ends with a couplet linking back to the first stanza. The rhyme scheme is such that line 2 of each stanza rhymes with lines 1 and 3 of the following stanza, creating an interlocking pattern. In the final stanza, both lines rhyme with line 2 of the preceding tercet. The Terza Rima sonnet has the following rhyme scheme, .a.b.a...b.c.b...c.d.c...d.e.d...e.e.)
Hema Ravi,13.08.09
Green Couplets 02 Touchy Composition
Between two cotyledons— plant grows with a bud!
With two lines— couplets come into flower with an idea.
Sometimes, two lines may be more powerful than two hundred lines.
Small verses like couplets are really beautiful.
They speak and touch with peace— as Poems for Life.
Couplet— I
Watering rain on the leaves
Orchid plant mutely sleeps
Couplet— II
Under the pillow raining night
Memory coins may or might!
Couplet— III
All green buds grows yellow
Plant or animal must follow!
Couplet— IV
Shooting stars proclaimed that
No one ever will be mate…
Couplet— V
How the moon came into being
The way fishes sleep and sing
Ashraful Musaddeq
poem by Ashraful Musaddeq

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Diversity for Friend Leslie
The sonnet form is capable
of being very flexible
It can be used to air your views
on almost anything at all.
From memories which you recall
to any subject you may choose.
Purists refuse to recognise
a sonnet form which in their eyes
is worthy of a total ban.
Because it differ from the form
which they insist must be the norm.
Petrarchan or Shakespearian.
Although they can stick to their views
I must refuse. I can’t agree
16/05/2009
http: // blog.myspace.com/poeticpiers
Jeffreys sonnet
Devised by Scott.J.Alcorn.
*syllables per line
Two sestets with a cross rhymed couplet.
Rhyme pattern
xxxxxxxA
xxxxxxxA
xxxxxxxBxxxxxxxC
xxxxxxxC
xxxxxxxB
xxxxbxx xD
xxxxxxxD
xxxxxxxE
xxxxxxxF
xxxxxxx F
xxxxxxxE
xxxxxxxG
xxxgxxxG
poem by Ivor Or Ivor.e Hogg

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Green Couplets 01 Lucid Cute Verse
The word ‘couplet' derives from the word ‘couple'— means one pair of anything. A couplet is the shortest and simplest form or type of poetry with a certain idea. It generally consists of single stanza of two lines of rhyming poetry that usually has the same meter. There is no hard and fast rule about length or rhythm.
As the shortest form of poetry couplets are green and attractive those proclaim Poems for Life.
Couplet— I
Orchid flower on the pot
Rainy summer not so hot
Couplet— II
Online romance chat is the key
Late night knows the honey-bee
Couplet— III
Moonbeam dropping dazzling night
Knocking the doors memories right.
Couplet— IV
Filipino cat in the dream
Crossing Ocean alone swims!
Couplet— V
Two leaves and a bud green leaf tea
Exploiting labors can we see?
Ashraful Musaddeq
poem by Ashraful Musaddeq

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Room With No Number
Picture a hotel room
Clothes scattered across the floor
Covers pulled back from the pillow
A sign hung on the door
Two lovers locked up tight
Through the endless days and nights
Hiding something they cant show
Something no-one must know
Chorus
Theres a room without a number
While the sign outside says theres
No vacancy as you take your key
They smile at you so understandingly
She cried out in the night
Woke the porter from his sleep
He grinned slyly to himself
As he went to fetch his keys
Look what love has brought them to
This terrible nightmare
His or hers he could not tell
As they were sleeping there
Chorus
And I wish he could be
The man he was before he was me
A girl arrived at first light
And enquired if theyd been seen
And why the numbers ran from twelve
Missing out thirteen
And they said oh my darling
Put it down to superstition
Try to avoid a scandal
And dont arouse suspicion
They re-arranged the furniture
They even papered over the door
Theres a room without a number
While the sign outside says theres
No vacancy as you take your key
They smile just so so you know
Chorus
song performed by by Elvis Costello

Submitted by Lucian Velea
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Sonnet- Sonnet Needs Rhymes
Can you a Sonnet write without its rhyme?
Now people want the modern verse that's free;
As ideas get stuck and cramped with time,
A Sonnet's like leafless branches of tree!
A Sonnet's great for men who rhyme too well;
Its beauty lives in metre, rhythm, rhyme;
Yet, it can never run into 'pel-mel';
The sonneteer can write in any clime.
Why abhor rhymes and not a Sonnet write?
Each genre has its rules to comply with;
Why sleep all day and stay awake all night?
Rhyme-play is done by Kindergarden kith!
Why ridicule something you can't do well,
Much things are done by practice, Sonnets tell.
poem by John Celes

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Beyond Infinity
Welcome to my world, take my hand and see.
Come into my world, a world of mystery.
It’s a magical place where dark meets light,
shades of shadow grey, fading into night.
A world where everyone speaks in rhyme,
with laughing and dancing and bending time.
The place where dreams, become reality
and children rule with regal majesty.
Come into my world of tranquility,
where we warp time and stability.
So open your mind as you fantasize
and step in the mirror before your eyes.
A place where laughter is the only rule
and lessons are learned in paradox school.
Author notes
Sonnet
Sonnets are formal poems and consist of 14 lines (3 quatrains and a couplet) , traditionally written in iambic pentameter - that is, in lines ten syllables long, with accents falling on every second syllable.
poem by Amera Andersen

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Stealthily, free verse
You sit on my desk,
Your legs, a sonnet's couplet,
Perfect in meter and rhyme.
You look at me and smile;
Your dimples brighten my room
Lit only by glitched browser's light.
You puff your cigarette, blow
Smoke that wafts soothing incense
On my face, weary of weaving
Words into flawless lines.
From the other room, we hear
Carefree soles pounding on the floor
In perfect jibe with the sensual beat
Of percussion and drums.
For one brief moment we stare
Deep into each other's eyes... then
Stealthily, we exchange verses
From the depths of our own souls
Passionately free of meter and rhyme.
poem by Fidel Arcenas

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Alankar(Decor) -67
Autumnal Sport(Equinox) -Kyrielle sonnet poem
a 14 line poem-3 quatrains and a couplet
syllabic,8 syllables per line.
rhyme scheme AabB ccbB ddbB AB or AbaB cbcB dbdB AB.
composed with a refrain in the last line of each stanza.
L1 is repeated as L13 and L4 is repeated as L8, L12 and L14.
composed with no prescribed pivot however those that I have read usually pivot between the 2nd and 3rd quatrains.
Autumnal Sport(Equinox)
His play has begun and he moves
Knowing of time to play her moves
They are apart in playing mood
Hide and seek in set somewhat good
Azure is hidden, the sun too
Hiding, the passing clouds to do
Clement earth is pleased in good mood
Hide and seek in set somewhat good
Their diction of laughing applause
Flora, fauna drizzle while toss
Them the guiding winds in sound mood
Hide and seek in set somewhat good
His play has begun and he moves
Hide and seek in set somewhat good
poem by Indira Renganathan

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All Fetal.....
after i have written so much
the night will be deep and dark
and then when i go into the room
it will be so silent
that i can hear the whisking of a
bug on the floor
on the rug
and she will be soundly asleep
tightly curled
around herself
the bed is wide and the blanket is thick
the sound of the night wind is not that horrible
as i may have thought that much
the light is dim and
the room smells significantly nothing
like artificial orange or a fake
lemon
i too shall curl inside myself
cover everything in me with that separate thick blanket
and take my much needed sleep
it is a very late hour and the hands of the clock are tired
and the light will be completely turned off in such a way
that i see nothing at all
not even feeling that i have a soul
this is what we are now
all genetically
fetal.
poem by Ric S. Bastasa

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Alankar(Decor) -71
The Passionate Nuisance(Pantoum) -
a Malay verse form consisting of an indefinite
number of quatrains with the second and fourth lines
of each quatrain repeated as the first and third lines
of the following one.Permissible, but less common, to use the L1 and L3
of the 1st quatrain in the same order as
originally written to end the poem with L3 of the 1st quatrain.
Rhyme Scheme: abab bcbc cdcd dede eaea
'I feel fatigued, I want to stop writing'
No sooner than I felt so, just born next
A spark tempting me not to stop writing
Between my mind and my heart a conflict
No sooner than I felt so, just born next
A pantoum to twist me tangled of lines
Between my mind and my heart a conflict
Many times twisting me tangled of lines
A pantoum to twist me tangled of lines
Never I thought I would be caught in one
Many times twisting me tangled of lines
Just help me come out well o'my dear one
Never I thought I would be caught in one
What a passionate nuisance you are dear
Just help me come out well o'my dear one
Do not break my heart to cry o' my dear
What a passionate nuissance you are dear
A spark tempting me not to stop writing
Do not break my heart to cry o' my dear
'I feel fatigued, I want to stop writing'
poem by Indira Renganathan

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Last Descending Overtones
With each descending step I hear the beat
of sacrificial chants of those who know.
The stone is cold and grey beneath my feet.
The pungent smell is damp and bittersweet.
Within these halls the music seems to flow,
with each descending step I hear the beat.
The altar room is secret and discrete,
with eerie chants that truly seem to grow.
The stone is cold and grey beneath my feet.
Author notes -
Villanelle:
A Villanelle is a nineteen-line poem consisting of a very specific rhyming scheme:
aba aba aba aba aba abaa.
The first and the third lines in the first stanza are repeated in alternating order throughout the poem, and appear together in the last couplet (last two lines) .
Form Resource: shadowpoetry.com
My wrists are bound, a feeling of defeat,
a severed heart to feed the gods libido.
With each descending step I hear the beat.
My time has come this act will not repeat,
I hear the chants and see the lamps aglow.
The stone is cold and grey beneath my feet.
My heart becomes the sacrificial meat
as now my life approaches its crescendo.
With each descending step I hear the beat,
the stone is cold and grey beneath my feet.
poem by Amera Andersen

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Alankar(Decor) -101
Raise Yourself If You Can...(Alternating rhyme quatrain)
rhyme quatrain is a 4 line unit with alternating abab cdcd rhyme which changes from stanza to stanza.
Raise Yourself If You Can...
Raise yourself if you can
To the heights of Him high
Up the bliss of cosmic clan
In one with Him I don't deny
Confess if you can't and fail
There's a way simple you pray
For you He descends to avail
Earthly nigh.Bethink, don't delay
poem by Indira Renganathan

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Luc-Bat! you say
In Vietnamese Luc-Bat is a sonnet form
consisting of six and eight syllable lines
First line starts with six syllables, next eight
A 14 line rhyme pattern -
a.b.b.c./ c.d.d.e/ e.f.f.g/ g.a.
born/ fall/ all/ lush
bush/ earth/ birth/ man
Pan/ scheme/ dream/ jest
crest/ dawn
Try it in the loo!
poem by Michael Pruchnicki

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An Idea
An Idea can change the world, how many
things can be done from an idea, every piece
of object was an idea, sense the beginning of
time idea was the first thought created in the
mind, an idea is what surround’s every being.
But an idea is still only an idea and it can't be
felt, you cannot touch an idea or kiss it, or hold it,
ideas do not bleed or feel pain or love, an idea
cannot be seen or heard, its created in our thoughts,
but then again an idea can become real. An idea
can be what ever you which it to be, an idea can
be destructive, an idea can be brilliant, I've seen
people get killed in the name of ideas, ideas,
we walk around with a little
light bulb blinking in our thoughts, ideas.
poem by Elenushka Toledo

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