Galatea
A SILVER slope, a fall of firs, a league of gleaming grasses,
And fiery cones, and sultry spurs, and swarthy pits and passes!
The long-haired Cyclops bated breath, and bit his lip and hearkened,
And dug and dragged the stone of death, by ways that dipped and darkened.
Across a tract of furnaced flints there came a wind of water,
From yellow banks with tender hints of Tethys’ white-armed daughter.
She sat amongst wild singing weeds, by beds of myrrh and moly;
And Acis made a flute of reeds, and drew its accents slowly;
And taught its spirit subtle sounds that leapt beyond suppression,
And paused and panted on the bounds of fierce and fitful passion.
Then he who shaped the cunning tune, by keen desire made bolder,
Fell fainting, like a fervent noon, upon the sea-nymph’s shoulder.
Sicilian suns had laid a dower of light and life about her:
Her beauty was a gracious flower—the heart fell dead without her.
“Ah, Galate,” said Polypheme, “I would that I could find thee
Some finest tone of hill or stream, wherewith to lull and bind thee!
“What lyre is left of marvellous range, whose subtle strings, containing
Some note supreme, might catch and change, or set thy passion waning?—
“Thy passion for the fair-haired youth whose fleet, light feet perplex me
By ledges rude, on paths uncouth, and broken ways that vex me?
“Ah, turn to me! else violent sleep shall track the cunning lover;
And thou wilt wait and thou wilt weep when I his haunts discover.”
But golden Galatea laughed, and Thosa’s son, like thunder,
Broke through a rifty runnel shaft, and dashed its rocks asunder,
And poised the bulk, and hurled the stone, and crushed the hidden Acis,
And struck with sorrow drear and lone the sweetest of all faces.
To Zeus, the mighty Father, she, with plaint and prayer, departed:
Then from fierce Aetna to the sea a fountained water started—
A lucent stream of lutes and lights—cool haunt of flower and feather,
Whose silver days and yellow nights made years of hallowed weather.
Here Galatea used to come, and rest beside the river;
Because, in faint, soft, blowing foam, her shepherd lived for ever.
poem by Henry Kendall
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Daphne
Daphne! Ladon's daughter, Daphne! Set thyself in silver light,
Take thy thoughts of fairest texture, weave them into words of white -
Weave the rhyme of rose-lipped Daphne, nymph of wooded stream and shade,
Flying love of bright Apollo, - fleeting type of faultless maid!
She, when followed from the forelands by the lord of lyre and lute,
Sped towards far-singing waters, past deep gardens flushed with fruit;
Took the path against Peneus, panted by its yellow banks;
Turned, and looked, and flew the faster through grey-tufted thicket ranks;
Flashed amongst high flowered sedges: leaped across the brook, and ran
Down to where the fourfold shadows of a nether glade began;
There she dropped, like falling Hesper, heavy hair of radiant head
Hiding all the young abundance of her beauty's white and red.
Came the yellow-tressed Far-darter - came the god whose feet are fire,
On his lips the name of Daphne, in his eyes a great desire;
Fond, full lips of lord and lover, sad because of suit denied;
Clear, grey eyes made keen by passion, panting, pained, unsatisfied.
Here he turned, and there he halted, now he paused, and now he flew,
Swifter than his sister's arrows, through soft dells of dreamy dew.
Vext with gleams of Ladon's daughter, dashed along the son of Jove,
Fast upon flower-trammelled Daphne fleeting on from grove to grove;
Flights of seawind hard behind him, breaths of bleak and whistling straits;
Drifts of driving cloud above him, like a troop of fierce-eyed Fates!
So he reached the water-shallows; then he stayed his steps, and heard
Daphne drop upon the grasses, fluttering like a wounded bird.
Was there help for Ladon's daughter? Saturn's son is high and just:
Did he come between her beauty and the fierce Far-darter's lust?
As she lay, the helpless maiden, caught and bound in fast eclipse,
Did the lips of god drain pleasure from her sweet and swooning lips?
Now that these and all Love's treasures blushed, before the spoiler, bare,
Was the wrong that shall be nameless done, and seen, and suffered there?
No! for Zeus is King and Father. Weary nymph and fiery god,
Bend the knee alike before him - he is kind, and he is lord!
Therefore sing how clear-browed Pallas - Pallas, friend of prayerful maid,
Lifted dazzling Daphne lightly, bore her down the breathless glade,
Did the thing that Zeus commanded: so it came to pass that he
Who had chased a white-armed virgin, caught at her, and clasped a tree.
poem by Henry Kendall
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Euterpe
CHILD of Light, the bright, the bird-like! wilt thou float and float to me,
Facing winds and sleets and waters, flying glimpses of the sea?
Down amongst the hills of tempest, where the elves of tumult roam—
Blown wet shadows of the summits, dim sonorous sprites of foam?
Here and here my days are wasted, shorn of leaf and stript of fruit:
Vexed because of speech half spoken, maiden with the marvellous lute!
Vexed because of songs half-shapen, smit with fire and mixed with pain:
Part of thee, and part of Sorrow, like a sunset pale with rain.
Child of Light, the bright, the bird-like! wilt thou float and float to me
Facing winds and sleets and waters, flying glimpses of the sea?
All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine—
All night long, amidst the burden of the lordly storm, that sings
High above the tumbled forelands, fleet and fierce with thunderings!
Then and then, my love, Euterpe, lips of life replete with dreams
Murmur for thy sweet, sharp fragments dying down Lethean streams:
Murmur for thy mouth’s marred music, splendid hints that burn and break,
Heavy with excess of beauty: murmur for thy music’s sake.
All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine.
In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow:
In the yellow flame of evening—at the setting of the day—
Sound that lightens, falls and lightens, flickers, faints and fades away.
I am famished of thy silence—broken for the tender note
Caught with its surpassing passion—caught and strangled in thy throat!
We have nought to help thy trouble—nought for that which lieth mute
On the harpstring and the lutestring and the spirit of the lute.
In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow.
Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?
What thou art, behold, I know not; but thy honey slakes and slays
Half the want which whitens manhood in the stress of alien days!
Even as a wondrous woman, struck with love and great desire,
Hast thou been to me, Euterpe! half of tears and half of fire.
But thy joy is swift and fitful; and a subtle sense of pain
Sighs through thy melodious breathing, takes the rapture from thy strain,
Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?
poem by Henry Kendall
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Mooni
AH, to be by Mooni now!
Where the great dark hills of wonder,
Scarred with storm and cleft asunder
By the strong sword of the thunder,
Make a night on morning’s brow!
Just to stand where Nature’s face is
Flushed with power in forest places—
Where of God authentic trace is—
Ah, to be by Mooni now!
Just to be by Mooni’s springs!
There to stand, the shining sharer
Of that larger life, and rarer
Beauty caught from beauty fairer
Than the human face of things!
Soul of mine from sin abhorrent
Fain would hide by flashing current
Like a sister of the torrent,
Far away by Mooni’s springs.
He that is by Mooni now,
Sees the water-sapphires gleaming
Where the River Spirit, dreaming
Sleeps by fall and fountain streaming
Under lute of leaf and bough!
Hears, where stamp of storm with stress is,
Psalms from unseen wildernesses
Deep amongst far hill-recesses—
He that is by Mooni now.
Yea, for him by Mooni’s marge
Sings the yellow-haired September
With the face the gods remember
When the ridge is burnt to ember,
And the dumb sea chains the barge!
Where the mount like molten brass is,
Down beneath fern-feathered passes,
Noonday dew in cool green grasses
Gleams on him by Mooni’s marge.
Who that dwells by Mooni yet,
Feels, in flowerful forest arches,
Smiting wings and breath that parches
Where strong Summer’s path of march is
And the suns in thunder set?
Housed beneath the gracious kirtle
Of the shadowy water myrtle,
Winds may hiss with heat, and hurtle—
He is safe by Mooni yet!
Days there were when he who sings
(Dumb so long through passion’s losses)
Stood where Mooni’s water crosses
Shining tracts of green-haired mosses,
Like a soul with radiant wings;
Then the psalm the wind rehearses—
Then the song the stream disperses
Lent a beauty to his verses—
Who to-night of Mooni sings.
Ah, the theme—the sad, grey theme!
Certain days are not above me,
Certain hearts have ceased to love me,
Certain fancies fail to move me
Like the affluent morning dream.
Head whereon the white is stealing,
Heart whose hurts are past all healing,
Where is now the first pure feeling?
Ah, the theme—the sad, grey theme!
Sin and shame have left their trace!
He who mocks the mighty, gracious
Love of Christ, with eyes audacious,
Hunting after fires fallacious,
Wears the issue in his face.
Soul that flouted gift and Giver,
Like the broken Persian river,
Thou hast lost thy strength for ever!
Sin and shame have left their trace.
In the years that used to be,
When the large, supreme occasion
Brought the life of inspiration,
Like a god’s transfiguration
Was the shining change in me.
Then, where Mooni’s glory glances,
Clear diviner countenances
Beamed on me like blessed chances,
In the years that used to be.
Ah, the beauty of old ways!
Then the man who so resembled
Lords of light unstained, unhumbled,
Touched the skirts of Christ, nor trembled
At the grand benignant gaze!
Now he shrinks before the splendid
Face of Deity offended,
All the loveliness is ended!
All the beauty of old ways!
Still to be by Mooni cool—
Where the water-blossoms glister,
And, by gleaming vale and vista,
Sits the English April’s sister
Soft, and sweet, and wonderful.
Just to rest beyond the burning
Outer world—its sneers and spurning—
Ah! my heart—my heart is yearning
Still to be by Mooni cool:
Now, by Mooni’s fair hill heads,
Lo, the gold green lights are glowing,
Where, because no wind is blowing,
Fancy hears the flowers growing
In the herby watersheds!
Faint it is—the sound of thunder
From the torrents far thereunder,
Where the meeting mountains ponder—
Now, by Mooni’s fair hill heads:
Just to be where Mooni is,
Even where the fierce fall races
Down august unfathomed places,
Where of sun or moon no trace is,
And the streams of shadow hiss!
Have I not an ample reason
So to long for—sick of treason—
Something of the grand old season,
Just to be where Mooni is?
poem by Henry Kendall
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Orara
THE STRONG sob of the chafing stream
That seaward fights its way
Down crags of glitter, dells of gleam,
Is in the hills to-day.
But far and faint, a grey-winged form
Hangs where the wild lights wane—
The phantom of a bygone storm,
A ghost of wind and rain.
The soft white feet of afternoon
Are on the shining meads,
The breeze is as a pleasant tune
Amongst the happy reeds.
The fierce, disastrous, flying fire,
That made the great caves ring,
And scarred the slope, and broke the spire,
Is a forgotten thing.
The air is full of mellow sounds,
The wet hill-heads are bright,
And down the fall of fragrant grounds
The deep ways flame with light.
A rose-red space of stream I see,
Past banks of tender fern;
A radiant brook, unknown to me
Beyond its upper turn:
The singing silver life I hear,
Whose home is in the green,
Far-folded woods of fountains clear,
Where I have never been.
Ah, brook above the upper bend,
I often long to stand
Where you in soft, cool shades descend
From the untrodden land!
Ah, folded woods, that hide the grace
Of moss and torrents strong,
I often wish to know the face
Of that which sings your song!
But I may linger, long, and look
Till night is over all:
My eyes will never see the brook,
Or sweet, strange waterfall.
The world is round me with its heat,
And toil, and cares that tire;
I cannot with my feeble feet
Climb after my desire.
But, on the lap of lands unseen,
Within a secret zone,
There shine diviner gold and green
Than man has ever known.
And where the silver waters sing
Down hushed and holy dells,
The flower of a celestial Spring,
A tenfold splendour, dwells.
Yea, in my dream of fall and brook
By far sweet forests furled,
I see that light for which I look
In vain through all the world—
The glory of a larger sky
On slopes of hills sublime,
That speak with God and morning, high
Above the ways of Time!
Ah! haply, in this sphere of change
Where shadows spoil the beam,
It would not do to climb that range
And test my radiant Dream.
The slightest glimpse of yonder place,
Untrodden and alone,
Might wholly kill that nameless grace
The charm of the unknown.
And therefore, though I look and long,
Perhaps the lot is bright
Which keeps the river of the song
A beauty out of sight
poem by Henry Kendall
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In The Valley
Said the yellow-haired Spirit of Spring
To the white-footed Spirit of Snow,
“On the wings of the tempest take wing,
And leave me the valleys, and go.”
And, straightway, the streams were unchained,
And the frost-fettered torrents broke free,
And the strength of the winter-wind waned
In the dawn of a light on the sea.
Then a morning-breeze followed and fell,
And the woods were alive and astir
With the pulse of a song in the dell,
And a whisper of day in the fir.
Swift rings of sweet water were rolled
Down the ways where the lily-leaves grew,
And the green, and the white, and the gold,
Were wedded with purple and blue.
But the lips of the flower of the rose
Said, “where is the ending hereof?
Is it sweet with you, life, at the close?
Is it sad to be emptied of love?”
And the voice of the flower of the peach
Was tender and touching in tone,
“When each has been grafted on each,
It is sorrow to live on alone.”
Then the leaves of the flower of the vine
Said, “what will there be in the day
When the reapers are red with my wine,
And the forests are yellow and grey?”
And the tremulous flower of the quince
Made answer, “three seasons ago
My sisters were star-like, but since,
Their graves have been made in the snow.”
Then the whispering flower of the fern
Said, “who will be sad at the death,
When Summer blows over the burn,
With the fierceness of fire in her breath?”
And the mouth of the flower of the sedge
Was opened to murmur and sigh,
“Sweet wind-breaths that pause at the edge
Of the nightfall, and falter, and die.”
poem by Henry Kendall
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Leaves from Australian Forests (12 Sonnets)
I
A Mountain Spring
Peace hath an altar there. The sounding feet
Of thunder and the ’wildering wings of rain
Against fire-rifted summits flash and beat,
And through grey upper gorges swoop and strain;
But round that hallowed mountain-spring remain,
Year after year, the days of tender heat,
And gracious nights, whose lips with flowers are sweet,
And filtered lights, and lutes of soft refrain.
A still, bright pool. To men I may not tell
The secret that its heart of water knows,
The story of a loved and lost repose;
Yet this I say to cliff and close-leaved dell:
A fitful spirit haunts yon limpid well,
Whose likeness is the faithless face of Rose.
II
Laura
If Laura—lady of the flower-soft face—
Should light upon these verses, she may take
The tenderest line, and through its pulses trace
What man can suffer for a woman’s sake.
For in the nights that burn, the days that break,
A thin pale figure stands in Passion’s place,
And peace comes not, nor yet the perished grace
Of youth, to keep old faiths and fires awake.
Ah! marvellous maid. Life sobs, and sighing saith,
“She left me, fleeting like a fluttered dove;
But I would have a moment of her breath,
So I might taste the sweetest sense thereof,
And catch from blossoming, honeyed lips of love
Some faint, some fair, some dim, delicious death.”
III
By a River
By red-ripe mouth and brown, luxurious eyes
Of her I love, by all your sweetness shed
In far, fair days, on one whose memory flies
To faithless lights, and gracious speech gainsaid,
I pray you, when yon river-path I tread,
Make with the woodlands some soft compromise,
Lest they should vex me into fruitless sighs
With visions of a woman’s gleaming head!
For every green and golden-hearted thing
That gathers beauty in that shining place,
Beloved of beams and wooed by wind and wing,
Is rife with glimpses of her marvellous face;
And in the whispers of the lips of Spring
The music of her lute-like voice I trace.
IV
Attila
What though his feet were shod with sharp, fierce flame,
And death and ruin were his daily squires,
The Scythian, helped by Heaven’s thunders, came:
The time was ripe for God’s avenging fires.
Lo! loose, lewd trulls, and lean, luxurious liars
Had brought the fair, fine face of Rome to shame,
And made her one with sins beyond a name—
That queenly daughter of imperial sires!
The blood of elders like the blood of sheep,
Was dashed across the circus. Once while din
And dust and lightnings, and a draggled heap
Of beast-slain men made lords with laughter leap,
Night fell, with rain. The earth, so sick of sin,
Had turned her face into the dark to weep.
V
A Reward
Because a steadfast flame of clear intent
Gave force and beauty to full-actioned life;
Because his way was one of firm ascent,
Whose stepping-stones were hewn of change and strife;
Because as husband loveth noble wife
He loved fair Truth; because the thing he meant
To do, that thing he did, nor paused, nor bent
In face of poor and pale conclusions; yea!
Because of this, how fares the Leader dead?
What kind of mourners weep for him to-day?
What golden shroud is at his funeral spread?
Upon his brow what leaves of laurel, say?
About his breast is tied a sackcloth grey,
And knots of thorns deface his lordly head.
VI To ——
A handmaid to the genius of thy song
Is sweet, fair Scholarship. ’Tis she supplies
The fiery spirit of the passioned eyes
With subtle syllables, whose notes belong
To some chief source of perfect melodies;
And glancing through a laurelled, lordly throng
Of shining singers, lo! my vision flies
To William Shakespeare! He it is whose strong,
Full, flute-like music haunts thy stately verse.
A worthy Levite of his court thou art!
One sent among us to defeat the curse
That binds us to the Actual. Yea, thy part,
Oh, lute-voiced lover! is to lull the heart
Of love repelled, its darkness to disperse.
VII
The Stanza of Childe Harold
Who framed the stanza of Childe Harold? He
It was who, halting on a stormy shore,
Knew well the lofty voice which evermore,
In grand distress, doth haunt the sleepless sea
With solemn sounds. And as each wave did roll
Till one came up, the mightiest of the whole,
To sweep and surge across the vacant lea,
Wild words were wedded to wild melody.
This poet must have had a speechless sense
Of some dead summer’s boundless affluence;
Else, whither can we trace the passioned lore
Of Beauty, steeping to the very core
His royal verse, and that rare light which lies
About it, like a sunset in the skies?
VIII
A Living Poet
He knows the sweet vexation in the strife
Of Love with Time, this bard who fain would stray
To fairer place beyond the storms of life,
With astral faces near him day by day.
In deep-mossed dells the mellow waters flow
Which best he loves; for there the echoes, rife
With rich suggestions of his long ago,
Astarte, pass with thee! And, far away,
Dear southern seasons haunt the dreamy eye:
Spring, flower-zoned, and Summer, warbling low
In tasselled corn, alternate come and go,
While gypsy Autumn, splashed from heel to thigh
With vine-blood, treads the leaves; and, halting nigh,
Wild Winter bends across a beard of snow.
IX
Dante and Virgil
When lost Francesca sobbed her broken tale
Of love and sin and boundless agony,
While that wan spirit by her side did wail
And bite his lips for utter misery—
The grief which could not speak, nor hear, nor see—
So tender grew the superhuman face
Of one who listened, that a mighty trace
Of superhuman woe gave way, and pale
The sudden light up-struggled to its place;
While all his limbs began to faint and fail
With such excess of pity. But, behind,
The Roman Virgil stood—the calm, the wise—
With not a shadow in his regal eyes,
A stately type of all his stately kind.
X
Rest
Sometimes we feel so spent for want of rest,
We have no thought beyond. I know to-day,
When tired of bitter lips and dull delay
With faithless words, I cast mine eyes upon
The shadows of a distant mountain-crest,
And said “That hill must hide within its breast
Some secret glen secluded from the sun.
Oh, mother Nature! would that I could run
Outside to thee; and, like a wearied guest,
Half blind with lamps, and sick of feasting, lay
An aching head on thee. Then down the streams
The moon might swim, and I should feel her grace,
While soft winds blew the sorrows from my face,
So quiet in the fellowship of dreams.”
XI
After Parting
I cannot tell what change hath come to you
To vex your splendid hair. I only know
One grief. The passion left betwixt us two,
Like some forsaken watchfire, burneth low.
’Tis sad to turn and find it dying so,
Without a hope of resurrection! Yet,
O radiant face that found me tired and lone!
I shall not for the dear, dead past forget
The sweetest looks of all the summers gone.
Ah! time hath made familiar wild regret;
For now the leaves are white in last year’s bowers,
And now doth sob along the ruined leas
The homeless storm from saddened southern seas,
While March sits weeping over withered flowers.
XII
Alfred Tennyson
The silvery dimness of a happy dream
I’ve known of late. Methought where Byron moans,
Like some wild gulf in melancholy zones,
I passed tear-blinded. Once a lurid gleam
Of stormy sunset loitered on the sea,
While, travelling troubled like a straitened stream,
The voice of Shelley died away from me.
Still sore at heart, I reached a lake-lit lea.
And then the green-mossed glades with many a grove,
Where lies the calm which Wordsworth used to love,
And, lastly, Locksley Hall, from whence did rise
A haunting song that blew and breathed and blew
With rare delights. ’Twas there I woke and knew
The sumptuous comfort left in drowsy eyes.
poem by Henry Kendall
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A Song in Time of Revolution. 1860
THE HEART of the rulers is sick, and the high-priest covers his head:
For this is the song of the quick that is heard in the ears of the dead.
The poor and the halt and the blind are keen and mighty and fleet:
Like the noise of the blowing of wind is the sound of the noise of their feet.
The wind has the sound of a laugh in the clamour of days and of deeds:
The priests are scattered like chaff, and the rulers broken like reeds.
The high-priest sick from qualms, with his raiment bloodily dashed;
The thief with branded palms, and the liar with cheeks abashed.
They are smitten, they tremble greatly, they are pained for their pleasant things:
For the house of the priests made stately, and the might in the mouth of the kings.
They are grieved and greatly afraid; they are taken, they shall not flee:
For the heart of the nations is made as the strength of the springs of the sea.
They were fair in the grace of gold, they walked with delicate feet:
They were clothed with the cunning of old, and the smell of their garments was sweet.
For the breaking of gold in their hair they halt as a man made lame:
They are utterly naked and bare; their mouths are bitter with shame.
Wilt thou judge thy people now, O king that wast found most wise?
Wilt thou lie any more, O thou whose mouth is emptied of lies?
Shall God make a pact with thee, till his hook be found in thy sides?
Wilt thou put back the time of the sea, or the place of the season of tides?
Set a word in thy lips, to stand before God with a word in thy mouth;
That “the rain shall return in the land, and the tender dew after drouth.”
But the arm of the elders is broken, their strength is unbound and undone:
They wait for a sign of a token; they cry, and there cometh none.
Their moan is in every place, the cry of them filleth the land:
There is shame in the sight of their face, there is fear in the thews of their hand.
They are girdled about the reins with a curse for the girdle thereon:
For the noise of the rending of chains the face of their colour is gone.
For the sound of the shouting of men they are grievously stricken at heart:
They are smitten asunder with pain, their bones are smitten apart.
There is none of them all that is whole; their lips gape open for breath;
They are clothed with sickness of soul, and the shape of the shadow of death.
The wind is thwart in their feet; it is full of the shouting of mirth;
As one shaketh the sides of a sheet, so it shaketh the ends of the earth.
The sword, the sword is made keen; the iron has opened its mouth;
The corn is red that was green; it is bound for the sheaves of the south.
The sound of a word was shed, the sound of the wind as a breath,
In the ears of the souls that were dead, in the dust of the deepness of death;
Where the face of the moon is taken, the ways of the stars undone,
The light of the whole sky shaken, the light of the face of the sun:
Where the waters are emptied and broken, the waves of the waters are stayed;
Where God has bound for a token the darkness that maketh afraid;
Where the sword was covered and hidden, and dust had grown in its side,
A word came forth which was bidden, the crying of one that cried:
The sides of the two-edged sword shall be bare, and its mouth shall be red,
For the breath of the face of the Lord that is felt in the bones of the dead.
poem by Algernon Charles Swinburne
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Child of Dawn
O gentle vision in the dawn:
My spirit over faint cool water glides,
Child of the day,
To thee;
And thou art drawn
By kindred impulse over silver tides
The dreamy way
To me.
I need thy hands, O gentle wonder-child,
For they are moulded unto all repose;
Thy lips are frail,
And thou art cooler than an April rose;
White are thy words and mild:
Child of the morning, hail!
Breathe thus upon mine eyelids -- that we twain
May build the day together out of dreams.
Life, with thy breath upon my eyelids, seems
Exquisite to the utmost bounds of pain.
I cannot live, except as I may be
Compelled for love of thee.
O let us drift,
Frail as the floating silver of a star,
Or like the summer humming of a bee,
Or stream-reflected sunlight through a rift.
I will not hope, because I know, alas,
Morning will glide, and noon, and then the night
Will take thee from me. Everything must pass
Swiftly -- but nought so swift as dawn-delight.
If I could hold thee till the day,
Is broad on sea and hill,
Child of repose,
What god can say,
What god or mortal knows,
What dream thou mightest not in me fulfil?
O gentle vision in the dawn:
My spirit over faint cool water glides,
Child of the day,
To thee;
And thou art drawn
By kindred impulse over silver tides
The dreamy way
To me.
poem by Harold Monro
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Kiama Revisited
WE STOOD by the window and hearkened
To the voice of the runnels sea-driven,
While, northward, the mountain-heads darkened,
Girt round with the clamours of heaven.
One peak with the storm at his portal
Loomed out to the left of his brothers:
Sustained, and sublime, and immortal,
A king, and the lord of the others!
Beneath him a cry from the surges
Rang shrill, like a clarion calling;
And about him, the wind of the gorges
Went falling, and rising, and falling.
But I, as the roofs of the thunder
Were cloven with manifold fires,
Turned back from the wail and the wonder,
And dreamed of old days and desires.
A song that was made, I remembered—
A song that was made in the gloaming
Of suns which are sunken and numbered
With times that my heart hath no home in.
But I said to my Dream, “I am calmer
Than waters asleep on the river.
I can look at the hills of Kiama
And bury that dead Past for ever.”
“Past sight, out of mind, alienated,”
Said the Dream to me, wearily sighing,
“Ah, where is the Winter you mated
To Love, its decline and its dying?
Here, five years ago, there were places
That knew of her cunning to grieve you,
But alas! for her eyes and her graces;
And wherefore and how did she leave you!
Have you hidden the ways of this Woman,
Her whispers, her glances, her power
To hold you, as demon holds human,
Chained back to the day and the hour?
Say, where have you buried her sweetness,
Her coldness for youth and its yearning?
Is the sleep of your Sorrow a witness
She is passed all the roads of returning?
Was she left with her beauty, O lover,
And the shreds of your passion about her,
Beyond reach and where none can discover?
Ah! what is the wide world without her?”
I answered, “Behold, I was broken,
Because of this bright, bitter maiden,
Who helped me with never a token
To beat down the dark I had strayed in.
She knew that my soul was entangled
By what was too fiery to bear then;
Nor cared how she withered and strangled
My life with her eyes and her hair then.
But I have not leapt to the level
Where light and the shadows dissever?
She is fair, but a beautiful devil
That I have forgotten for ever!”
“She is sweeter than music or singing,”
Said the Dream to me, heavily moaning,
“Her voice in your slumber is ringing;
And where is the end—the atoning?
Can you look at the red of the roses;
Are you friend of the fields and the flowers?
Can you bear the faint day as it closes
And dies into twilighted hours?
Do you love the low notes of the ballad
She sang in her darling old fashion?”
And I whispered, “O Dream, I am pallid
And perished because of my passion.”
But the Wraith withered out, and the rifted
Gray hills gleaming over the granges,
Stood robed with moon-rainbows that shifted
And shimmered resplendent with changes!
While, for the dim ocean ledges,
The storm and the surges were blended,
Sheer down the bluff sides of the ridges
Spent winds and the waters descended.
The forests, the crags, and the forelands,
Grew sweet with the stars after raining;
But out in the north-lying moorlands,
I heard the lone plover complaining.
From these to Kiama, half-hidden
In a yellow sea-mist on the slopings
Of hills, by the torrents be-ridden,
I turned with my aches and my hopings,
Saying this—“There are those that are taken
By Fate to wear Love as a raiment
Whose texture is trouble with breaking
Of youth and no hope of repayment.”
poem by Henry Kendall
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Euterpe: A Cantanta
Argument.
Hail to thee, Sound!—The power of Euterpe in all the scenes of life—
in religion; in works of charity; in soothing troubles by means of music;
in all humane and high purposes; in war; in grief; in the social circle;
the children’s lullaby; the dance; the ballad; in conviviality;
when far from home; at evening—the whole ending with an allegorical chorus,
rejoicing at the building of a mighty hall erected for the recreation
of a nation destined to take no inconsiderable part in the future history
of the world.
Overture
No. 1 Chorus
All hail to thee, Sound! Since the time
Calliope’s son took the lyre,
And lulled in the heart of their clime
The demons of darkness and fire;
Since Eurydice’s lover brought tears
To the eyes of the Princes of Night,
Thou hast been, through the world’s weary years,
A marvellous source of delight—
Yea, a marvellous source of delight!
In the wind, in the wave, in the fall
Of the water, each note of thine dwells;
But Euterpe hath gathered from all
The sweetest to weave into spells.
She makes a miraculous power
Of thee with her magical skill;
And gives us, for bounty or dower,
The accents that soothe us or thrill!
Yea, the accents that soothe us or thrill!
All hail to thee, Sound! Let us thank
The great Giver of light and of life
For the music divine that we’ve drank,
In seasons of peace and of strife,
Let us gratefully think of the balm
That falls on humanity tired,
At the tones of the song or the psalm
From lips and from fingers inspired—
Yea, from lips and from fingers inspired.
No. 2 Quartette and Chorus
When, in her sacred fanes
God’s daughter, sweet Religion, prays,
Euterpe’s holier strains
Her thoughts from earth to heaven raise.
The organ notes sublime
Put every worldly dream to flight;
They sanctify the time,
And fill the place with hallowed light.
No. 3 Soprano Solo
Yea, and when that meek-eyed maiden
Men call Charity, comes fain
To raise up spirits, laden
With bleak poverty and pain:
Often, in her cause enlisted,
Music softens hearts like stones;
And the fallen are assisted
Through Euterpe’s wondrous tones.
No. 4 Orchestral Intermezzo
No. 5 Chorus
Beautiful is Sound devoted
To all ends humane and high;
And its sweetness never floated
Like a thing unheeded by.
Power it has on souls encrusted
With the selfishness of years;
Yea, and thousands Mammon-rusted,
Hear it, feel it, leave in tears.
No. 6 Choral Recitative
(Men’s voices only)
When on the battlefield, and in the sight
Of tens of thousands bent to smite and slay
Their human brothers, how the soldier’s heart
Must leap at sounds of martial music, fired
With all that spirit that the patriot loves
Who seeks to win, or nobly fall, for home!
No. 7 Triumphal March
No. 8 Funeral Chorus
Slowly and mournfully moves a procession,
Wearing the signs
Of sorrow, through loss, and it halts like a shadow
Of death in the pines.
Come from the fane that is filled with God’s presence,
Sad sounds and deep;
Holy Euterpe, she sings of our brother,
We listen and weep.
Death, like the Angel that passed over Egypt,
Struck at us sore;
Never again shall we turn at our loved one’s
Step at the door.
No. 9 Chorus
(Soprano voices only)
But, passing from sorrow, the spirit
Of Music, a glory, doth rove
Where it lightens the features of beauty,
And burns through the accents of love—
The passionate accents of love.
No. 10 Lullaby Song—Contralto
The night-shades gather, and the sea
Sends up a sound, sonorous, deep;
The plover’s wail comes down the lea;
By slope and vale the vapours weep,
And dew is on the tree;
And now where homesteads be,
The children fall asleep,
Asleep.
A low-voiced wind amongst the leaves,
The sighing leaves that mourn the Spring,
Like some lone spirit, flits and grieves,
And grieves and flits on fitful wing.
But where Song is a guest,
A lulling dreamy thing,
The children fall to rest,
To rest.
No. 11 Waltz Chorus
When the summer moon is beaming
On the stirless waters dreaming,
And the keen grey summits gleaming,
Through a silver starry haze;
In our homes to strains entrancing
To the steps, the quickly glancing
Steps of youths and maidens dancing,
Maidens light of foot as fays.
Then the waltz, whose rhythmic paces
Make melodious happy places,
Brings a brightness to young faces,
Brings a sweetness to the eyes.
Sounds that move us like enthralling
Accents, where the runnel falling,
Sends out flute-like voices calling,
Where the sweet wild moss-bed lies.
No. 12 Ballad—Tenor
When twilight glides with ghostly tread
Across the western heights,
And in the east the hills are red
With sunset’s fading lights;
Then music floats from cot and hall
Where social circles met,
By sweet Euterpe held in thrall—
Their daily cares forget.
What joy it is to watch the shine
That hallows beauty’s face
When woman sings the strains divine,
Whose passion floods the place!
Then how the thoughts and feelings rove
At song’s inspiring breath,
In homes made beautiful by love,
Or sanctified by death.
What visions come, what dreams arise,
What Edens youth will limn,
When leaning over her whose eyes
Have sweetened life for him!
For while she sings and while she plays,
And while her voice is low,
His fancy paints diviner days
Than any we can know.
No. 13 Drinking Song
(Men’s voices only)
But, hurrah! for the table that heavily groans
With the good things that keep in the life:
When we sing and we dance, and we drink to the tones
That are masculine, thorough and blithe.
Good luck to us all! Over walnuts and wine
We hear the rare songs that we know
Are as brimful of mirth as the spring is of shine,
And as healthy and hearty, we trow.
Then our glasses we charge to the ring of the stave
That the flush to our faces doth send;
For though life is a thing that winds up with the grave,
We’ll be jolly, my boys, to the end.
Hurrah! Hurrah!
Yes, jolly, my boys, to the end!
No. 14 Recitative—Bass
When far from friends, and home, and all the things
That bind a man to life, how dear to him
Is any old familiar sound that takes
Him back to spots where Love and Hope
In past days used to wander hand in hand
Across high-flowered meadows, and the paths
Whose borders shared the beauty of the spring,
And borrowed splendour from autumnal suns.
No. 15 Chorus
(The voices accompanied only by the
violins playing “Home, Sweet Home”.)
Then at sea, or in wild wood,
Then ashore or afloat,
All the scenes of his childhood
Come back at a note;
At the turn of a ballad,
At the tones of a song,
Cometh Memory, pallid
And speechless so long;
And she points with her finger
To phantom-like years,
And loveth to linger
In silence, in tears.
No. 16 Solo—Bass
In the yellow flame of evening sounds of music come and go,
Through the noises of the river, and the drifting of the snow;
In the yellow flame of evening, at the setting of the day,
Sounds that lighten, fall, and lighten, flicker, faint, and fade away;
What they are, behold, we know not, but their honey slakes and slays
Half the want which whitens manhood in the stress of alien days.
Even as a wondrous woman, struck with love and great desire,
Hast thou been to us, EUTERPE, half of tears and half of fire;
But thy joy is swift and fitful, and a subtle sense of pain
Sighs through thy melodious breathings, takes the rapture from thy strain.
In the yellow flame of evening sounds of music come and go.
Through the noises of the river, and the drifting of the snow.
No. 17 Recitative—Soprano
And thus it is that Music manifold,
In fanes, in Passion’s sanctuaries, or where
The social feast is held, is still the power
That bindeth heart to heart; and whether Grief,
Or Love, or Pleasure form the link, we know
’Tis still a bond that makes Humanity,
That wearied entity, a single whole,
And soothes the trouble of the heart bereaved,
And lulls the beatings in the breast that yearns,
And gives more gladness to the gladdest things.
No. 18 Finale—Chorus
Now a vision comes, O brothers, blended
With supremest sounds of harmony—
Comes, and shows a temple, stately, splendid,
In a radiant city by the sea.
Founders, fathers of a mighty nation,
Raised the walls, and built the royal dome,
Gleaming now from lofty, lordly station,
Like a dream of Athens, or of Rome!
And a splendour of sound,
A thunder of song,
Rolls sea-like around,
Comes sea-like along.
The ringing, and ringing, and ringing,
Of voices of choristers singing,
Inspired by a national joy,
Strike through the marvellous hall,
Fly by the aisle and the wall,
While the organ notes roam
From basement to dome—
Now low as a wail,
Now loud as a gale,
And as grand as the music that builded old Troy.
poem by Henry Kendall
Submitted by Poetry Lover
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The Lady And The Dame
So thou hast the art, good dame, thou swearest,
To keep Time's perishing touch at bay
From the roseate splendor of the cheek so tender,
And the silver threads from the gold away;
And the tell-tale years that have hurried by us
Shall tiptoe back, and, with kind good-will,
They shall take their traces from off our faces,
If we will trust to thy magic skill.
Thou speakest fairly; but if I listen
And buy thy secret and prove its truth,
Hast thou the potion and magic lotion
To give me also the heart of youth?
With the cheek of rose and the eye of beauty,
And the lustrous locks of life's lost prime,
Wilt thou bring thronging each hope and longing
That made the glory of that dead Time?
When the sap in the trees sets young buds bursting,
And the song of the birds fills the air like spray,
Will rivers of feeling come once more stealing
From the beautiful hills of the far-away?
Wilt thou demolish the tower of reason
And fling forever down into the dust,
The caution time brought me, the lessons life taught me,
And put in their places my old sweet trust?
If Time's footprint from my brow is driven,
Canst thou, too, take with thy subtle powers
The burden of thinking, and let me go drinking
The careless pleasures of youth's bright hours?
If silver threads from my tresses vanish,
If a glow once more in my pale cheek gleams,
Wilt thou slay duty and give back the beauty
Of days untroubled by aught but dreams?
When the soft, fair arms of the siren Summer
Encircle the earth in their languorous fold,
Will vast, deep oceans of sweet emotions
Surge through my veins as they surged of old?
Canst thou bring back from a day long vanished
The leaping pulse and the boundless aim?
I will pay thee double for all thy trouble,
If thou wilt restore all these, good dame.
poem by Ella Wheeler Wilcox
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To a Mountain
To thee, O father of the stately peaks,
Above me in the loftier light -- to thee,
Imperial brother of those awful hills
Whose feet are set in splendid spheres of flame,
Whose heads are where the gods are, and whose sides
Of strength are belted round with all the zones
Of all the world, I dedicate these songs.
And if, within the compass of this book,
There lives and glows ONE verse in which there beats
The pulse of wind and torrent -- if ONE line
Is here that like a running water sounds,
And seems an echo from the lands of leaf,
Be sure that line is thine. Here, in this home,
Away from men and books and all the schools,
I take thee for my Teacher. In thy voice
Of deathless majesty, I, kneeling, hear
God's grand authentic Gospel! Year by year,
The great sublime cantata of thy storm
Strikes through my spirit -- fills it with a life
Of startling beauty! Thou my Bible art
With holy leaves of rock, and flower, and tree,
And moss, and shining runnel. From each page
That helps to make thy awful volume, I
Have learned a noble lesson. In the psalm
Of thy grave winds, and in the liturgy
Of singing waters, lo! my soul has heard
The higher worship; and from thee, indeed,
The broad foundations of a finer hope
Were gathered in; and thou hast lifted up
The blind horizon for a larger faith!
Moreover, walking in exalted woods
Of naked glory, in the green and gold
Of forest sunshine, I have paused like one
With all the life transfigured: and a flood
Of light ineffable has made me feel
As felt the grand old prophets caught away
By flames of inspiration; but the words
Sufficient for the story of my Dream
Are far too splendid for poor human lips!
But thou, to whom I turn with reverent eyes --
O stately Father, whose majestic face
Shines far above the zone of wind and cloud,
Where high dominion of the morning is --
Thou hast the Song complete of which my songs
Are pallid adumbrations! Certain sounds
Of strong authentic sorrow in this book
May have the sob of upland torrents -- these,
And only these, may touch the great World's heart;
For, lo! they are the issues of that grief
Which makes a man more human, and his life
More like that frank exalted life of thine.
But in these pages there are other tones
In which thy large, superior voice is not --
Through which no beauty that resembles thine
Has ever shone. THESE are the broken words
Of blind occasions, when the World has come
Between me and my Dream. No song is here
Of mighty compass; for my singing robes
I've worn in stolen moments. All my days
Have been the days of a laborious life,
And ever on my struggling soul has burned
The fierce heat of this hurried sphere. But thou,
To whose fair majesty I dedicate
My book of rhymes -- thou hast the perfect rest
Which makes the heaven of the highest gods!
To thee the noises of this violent time
Are far, faint whispers; and, from age to age,
Within the world and yet apart from it,
Thou standest! Round thy lordly capes the sea
Rolls on with a superb indifference
For ever; in thy deep, green, gracious glens
The silver fountains sing for ever. Far
Above dim ghosts of waters in the caves,
The royal robe of morning on thy head
Abides for ever! Evermore the wind
Is thy august companion; and thy peers
Are cloud, and thunder, and the face sublime
Of blue mid-heaven! On thy awful brow
Is Deity; and in that voice of thine
There is the great imperial utterance
Of God for ever; and thy feet are set
Where evermore, through all the days and years,
There rolls the grand hymn of the deathless wave.
poem by Henry Kendall
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Choriambics
Love, what ailed thee to leave life that was made lovely, we thought, with love?
What sweet visions of sleep lured thee away, down from the light above?
What strange faces of dreams, voices that called, hands that were raised to wave,
Lured or led thee, alas, out of the sun, down to the sunless grave?
Ah, thy luminous eyes! once was their light fed with the fire of day;
Now their shadowy lids cover them close, hush them and hide away.
Ah, thy snow-coloured hands! once were they chains, mighty to bind me fast;
Now no blood in them burns, mindless of love, senseless of passion past.
Ah, thy beautiful hair! so was it once braided for me, for me;
Now for death is it crowned, only for death, lover and lord of thee.
Sweet, the kisses of death set on thy lips, colder are they than mine;
Colder surely than past kisses that love poured for thy lips as wine.
Lov'st thou death? is his face fairer than love's, brighter to look upon?
Seest thou light in his eyes, light by which love's pales and is overshone?
Lo the roses of death, grey as the dust, chiller of leaf than snow!
Why let fall from thy hand love's that were thine, roses that loved thee so?
Large red lilies of love, sceptral and tall, lovely for eyes to see;
Thornless blossom of love, full of the sun, fruits that were reared for thee.
Now death's poppies alone circle thy hair, girdle thy breasts as white;
Bloodless blossoms of death, leaves that have sprung never against the light.
Nay then, sleep if thou wilt; love is content; what should he do to weep?
Sweet was love to thee once; now in thine eyes sweeter than love is sleep.
poem by Algernon Charles Swinburne
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Dead-Maid's-Pool
Oh water, water-water deep and still,
In this hollow of the hill,
Thou helenge well o'er which the long reeds lean,
Here a stream and there a stream,
And thou so still, between,
Thro' thy coloured dream,
Thro' the drownèd face
Of this lone leafy place,
Down, down, so deep and chill,
I see the pebbles gleam!
Ash-tree, ash-tree,
Bending o'er the well,
Why there thou bendest,
Kind hearts can tell.
'Tis that the pool is deep,
'Tis that-a single leap,
And the pool closes:
And in the solitude
Of this wild mountain wood,
None, none, would hear her cry,
From this bank where she stood
To that peak in the sky
Where the cloud dozes.
Ash-tree, ash-tree,
That art so sweet and good,
If any creeping thing
Among the summer games in the wild roses
Fall from its airy swing,
(While all its pigmy kind
Watch from some imminent rose-leaf half uncurled)-
I know thou hast it full in mind
(While yet the drowning minim lives,
And blots the shining water where it strives),
To touch it with a finger soft and kind,
As when the gentle sun, ere day is hot,
Feels for a little shadow in a grot,
And gives it to the shades behind the world.
And oh! if some poor fool
Should seek the fatal pool,
Thine arms-ah, yes! I know
For this thou watchest days, and months, and years,
For this dost bend beside
The lone and lorn well-side,
The guardian angel of the doom below,
Content if, once an age, thy helping hand
May lift repentant madness to the land:
Content to hear the cry
Of living love from lips that would have died:
To seem awhile endowed
With all thy limbs did save,
And in that voice they drew out of the grave,
To feel thy dumb desire for once released aloud,
And all thy muffled century
Repaid in one wild hour of sobs, and smiles, and tears.
Aye, aye, I envy thee,
Pitiful ash-tree!
Water, water-water deep and still,
In the hollow of the hill,
Water, water, well I wot,
Thro' the weary hours,
Well I wot thee lying there,
As fair as false, as false as fair.
The crows they fly o'er,
The small birds flit about,
The stream it ripples in, the stream it ripples out,
But what eye ever knew
A rinkle wimple thee?
And what eye shall see
A rinkle wimple thee
Evermore?
Thro' thy gauds and mocks,
All thy thin enchantment thro'-
The green delusion of thy bowers,
The cold flush of thy feignèd flowers,
All the treacherous state
Of fair things small and great,
That are and are not,
Well I wot thee shining there,
As fair as false, as false as fair.
Thro' the liquid rocks,
Thro' the watery trees,
Thro' the grass that never grew,
Thro' a face God never made,
Thro' the frequent gain and loss
Of the cold cold shine and shade,
Thro' the subtle fern and moss,
Thro' the humless, hiveless bees,
Round the ghosts of buds asleep,
Thro' the disembodied rose,
Waving, waving in the deep,
Where never wind blows,
I look down, and see far down,
In clear depths that do nothing hide,
Green in green, and brown in brown,
The long fish turn and glide!
Ash-tree, ash-tree,
Bending o'er the water-
Ash-tree, ash-tree,
Hadst thou a daughter?
Ash-tree, ash-tree, let me draw near,
Ash-tree, ash-tree, a word in thine ear!
Thou art wizen and white, ash-tree;
Other trees have gone on,
Have gathered and grown,
Have bourgeoned and borne:
Thou hast wasted and worn.
Thy knots are all eyes;
Every knot a dumb eye,
That has seen a sight
And heard a cry.
Thy leaves are dry:
The summer has not gone by,
But they're withered and dead,
Like locks round a head
That is bald with a secret sin,
That is scorched by a hell within.
Thy skin
Is withered and wan,
Like a guilty man:
It was thin,
Aye, silken and thin,
It is houghed
And ploughed,
Like a murderer's skin.
Thou hast no shoots nor wands,
All thy arms turn to the deep,
All thy twigs are crooked,
Twined and twisted,
Fingered and fisted,
Like one who had looked
On wringing hands
'Till his hands were wrung in his sleep.
Pardon my doubt of thee,
What is this
In the very groove
Of thy right arm?
There is not a snake
So yellow and red,
There is not a toad
So sappy and dread!
It doth not move,
It doth not hiss-
Ash-tree-for God's sake-
Hast thou known
What hath not been said
And the summer sun
Cannot keep it warm,
And the living wood
Cannot shut it down!
And it grows out of thee
And will be told,
Bloody as blood,
And yellow as gold!
Ash-tree, ash-tree,
That once wert so green!
Ash-tree, ash-tree!
What hast thou seen?
Was I a mother-nay or aye?
Am I childless-aye nor nay?
Ash-tree, ash-tree,
Bending o'er the water!
Ash-tree, ash-tree,
Give me my daughter!
Curse the water,
Curse thee,
Ash-tree,
Bending o'er the water!
Leaf on the tree,
Flower on the stem,
Curse thee,
And curse them!
Trunk and shoot,
Herb and weed,
Bud and fruit,
Blossom and seed,
Above and below,
About and about,
Inside and out,
Grown and to grow,
Curse you all,
Great and small,
That cannot give back my daughter!
But if there were any,
Among so many,
Any small thing that did lie sweet for her,
Any newt or marish-worm that, shrinking
Under the pillow of the water weed,
Left her a cleaner bed,
Any least leaves that fell with little plashes,
And sinking, sinking,
Sank soft and slow, and settled on her lashes,
And did what was so meet for her,
Them I do not curse.
See, see up the glen,
The evening sun agen!
It falls upon the water,
It falls upon the grass,
Thro' the birches, thro' the firs,
Thro' the alders, catching gold,
Thro' the bracken and the brier,
Goes the evening fire
To the bush-linnet's nest.
There between us and the west,
Dost thou see the angels pass?
Thro' the air, with streaming hair,
The golden angels pass?
Hold, hold! for mercy, hold!
I know thee! ah, I know thee!
I know thou wilt not pass me so-
The gray old woman is ready to go.
Call me to thee, call me to thee,
My daughter! oh, my daughter!
poem by Sydney Thompson Dobell
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Campaspe
Turn from the ways of this Woman! Campaspe we call her by name -
She is fairer than flowers of the fire -
she is brighter than brightness of flame.
As a song that strikes swift to the heart
with the beat of the blood of the South,
And a light and a leap and a smart, is the play of her perilous mouth.
Her eyes are as splendours that break in the rain at the set of the sun,
But turn from the steps of Campaspe - a Woman to look at and shun!
Dost thou know of the cunning of Beauty? Take heed to thyself and beware
Of the trap in the droop in the raiment - the snare in the folds of the hair!
She is fulgent in flashes of pearl, the breeze with her breathing is sweet,
But fly from the face of the girl - there is death in the fall of her feet!
Is she maiden or marvel of marble? Oh, rather a tigress at wait
To pounce on thy soul for her pastime - a leopard for love or for hate.
Woman of shadow and furnace! She biteth her lips to restrain
Speech that springs out when she sleepeth,
by the stirs and the starts of her pain.
As music half-shapen of sorrow, with its wants and its infinite wail,
Is the voice of Campaspe, the beauty at bay with her passion dead-pale.
Go out from the courts of her loving, nor tempt the fierce dance of desire
Where thy life would be shrivelled like stubble
in the stress and the fervour of fire!
I know of one, gentle as moonlight - she is sad as the shine of the moon,
But touching the ways of her eyes are: she comes to my soul like a tune -
Like a tune that is filled with faint voices
of the loved and the lost and the lone,
Doth this stranger abide with my silence: like a tune with a tremulous tone.
The leopard, we call her, Campaspe! I pluck at a rose and I stir
To think of this sweet-hearted maiden - what name is too tender for her?
poem by Henry Kendall
Submitted by Poetry Lover
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Guilt Will Wilt The Sweetest Flower
[Song Lyric]
Guilt will wilt the sweetest flower,
Cause the very sun to glower,
Though the skies their tears may shower.
Guilt will wilt the sweetest flower.
Shame will tame the lion's power,
Make the boldest warrior cower,
Turn the taste of triumph sour.
Guilt will wilt the sweetest flower.
For each mister, miss, or madam,
Son or lover— this is so.
In the Bible Eve and Adam
Did discover long ago...
That guilt will wilt the sweetest flower,
Steal the pleasure from the hour,
Even in the greenest bower—
Guilt will wilt the sweetest flower.
poem by Harley White
Submitted by Poetry Lover
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The Glen of Arrawatta
A SKY of wind! And while these fitful gusts
Are beating round the windows in the cold,
With sullen sobs of rain, behold I shape
A settler’s story of the wild old times:
One told by camp-fires when the station drays
Were housed and hidden, forty years ago;
While swarthy drivers smoked their pipes, and drew,
And crowded round the friendly gleaming flame
That lured the dingo, howling, from his caves,
And brought sharp sudden feet about the brakes.
A tale of Love and Death. And shall I say
A tale of love in death—for all the patient eyes
That gathered darkness, watching for a son
And brother, never dreaming of the fate—
The fearful fate he met alone, unknown,
Within the ruthless Australasian wastes?
For in a far-off, sultry summer, rimmed
With thundercloud and red with forest fires,
All day, by ways uncouth and ledges rude,
The wild men held upon a stranger’s trail,
Which ran against the rivers and athwart
The gorges of the deep blue western hills.
And when a cloudy sunset, like the flame
In windy evenings on the Plains of Thirst
Beyond the dead banks of the far Barcoo,
Lay heavy down the topmost peaks, they came,
With pent-in breath and stealthy steps, and crouched,
Like snakes, amongst the grasses, till the night
Had covered face from face, and thrown the gloom
Of many shadows on the front of things.
There, in the shelter of a nameless glen,
Fenced round by cedars and the tangled growths
Of blackwood, stained with brown and shot with grey,
The jaded white man built his fire, and turned
His horse adrift amongst the water-pools
That trickled underneath the yellow leaves
And made a pleasant murmur, like the brooks
Of England through the sweet autumnal noons.
Then, after he had slaked his thirst and used
The forest fare, for which a healthful day
Of mountain life had brought a zest, he took
His axe, and shaped with boughs and wattle-forks
A wurley, fashioned like a bushman’s roof:
The door brought out athwart the strenuous flame
The back thatched in against a rising wind.
And while the sturdy hatchet filled the clifts
With sounds unknown, the immemorial haunts
Of echoes sent their lonely dwellers forth,
Who lived a life of wonder: flying round
And round the glen—what time the kangaroo
Leapt from his lair and huddled with the bats—
Far scattering down the wildly startled fells.
Then came the doleful owl; and evermore
The bleak morass gave out the bittern’s call,
The plover’s cry, and many a fitful wail
Of chilly omen, falling on the ear
Like those cold flaws of wind that come and go
An hour before the break of day.
Anon
The stranger held from toil, and, settling down,
He drew rough solace from his well-filled pipe,
And smoked into the night, revolving there
The primal questions of a squatter’s life;
For in the flats, a short day’s journey past
His present camp, his station yards were kept,
With many a lodge and paddock jutting forth
Across the heart of unnamed prairie-lands,
Now loud with bleating and the cattle bells,
And misty with the hut-fire’s daily smoke.
Wide spreading flats, and western spurs of hills
That dipped to plains of dim perpetual blue;
Bold summits set against the thunder heaps;
And slopes behacked and crushed by battling kine,
Where now the furious tumult of their feet
Gives back the dust, and up from glen and brake
Evokes fierce clamour, and becomes indeed
A token of the squatter’s daring life,
Which, growing inland—growing year by year—
Doth set us thinking in these latter days,
And makes one ponder of the lonely lands
Beyond the lonely tracks of Burke and Wills,
Where, when the wandering Stuart fixed his camps
In central wastes, afar from any home
Or haunt of man, and in the changeless midst
Of sullen deserts and the footless miles
Of sultry silence, all the ways about
Grew strangely vocal, and a marvellous noise
Became the wonder of the waxing glooms.
Now, after darkness, like a mighty spell
Amongst the hills and dim, dispeopled dells,
Had brought a stillness to the soul of things,
It came to pass that, from the secret depths
Of dripping gorges, many a runnel-voice
Came, mellowed with the silence, and remained
About the caves, a sweet though alien sound;
Now rising ever, like a fervent flute
In moony evenings, when the theme is love;
Now falling, as ye hear the Sunday bells
While hastening fieldward from the gleaming town.
Then fell a softer mood, and memory paused
With faithful love, amidst the sainted shrines
Of youth and passion in the valleys past
Of dear delights which never grow again.
And if the stranger (who had left behind
Far anxious homesteads in a wave-swept isle,
To face a fierce sea-circle day by day,
And hear at night the dark Atlantic’s moan)
Now took a hope and planned a swift return,
With wealth and health and with a youth unspent,
To those sweet ones that stayed with want at home,
Say who shall blame him—though the years are long,
And life is hard, and waiting makes the heart grow old?
Thus passed the time, until the moon serene
Stood over high dominion like a dream
Of peace: within the white, transfigured woods;
And o’er the vast dew-dripping wilderness
Of slopes illumined with her silent fires.
Then, far beyond the home of pale red leaves
And silver sluices, and the shining stems
Of runnel blooms, the dreamy wanderer saw,
The wilder for the vision of the moon,
Stark desolations and a waste of plain,
All smit by flame and broken with the storms;
Black ghosts of trees, and sapless trunks that stood
Harsh hollow channels of the fiery noise,
Which ran from bole to bole a year before,
And grew with ruin, and was like, indeed,
The roar of mighty winds with wintering streams
That foam about the limits of the land
And mix their swiftness with the flying seas.
Now, when the man had turned his face about
To take his rest, behold the gem-like eyes
Of ambushed wild things stared from bole and brake
With dumb amaze and faint-recurring glance,
And fear anon that drove them down the brush;
While from his den the dingo, like a scout
In sheltered ways, crept out and cowered near
To sniff the tokens of the stranger’s feast
And marvel at the shadows of the flame.
Thereafter grew the wind; and chafing depths
In distant waters sent a troubled cry
Across the slumb’rous forest; and the chill
Of coming rain was on the sleeper’s brow,
When, flat as reptiles hutted in the scrub,
A deadly crescent crawled to where he lay—
A band of fierce, fantastic savages
That, starting naked round the faded fire,
With sudden spears and swift terrific yells,
Came bounding wildly at the white man’s head,
And faced him, staring like a dream of Hell!
Here let me pass! I would not stay to tell
Of hopeless struggles under crushing blows;
Of how the surging fiends, with thickening strokes,
Howled round the stranger till they drained his strength;
How Love and Life stood face to face with Hate
And Death; and then how Death was left alone
With Night and Silence in the sobbing rains.
So, after many moons, the searchers found
The body mouldering in the mouldering dell
Amidst the fungi and the bleaching leaves,
And buried it, and raised a stony mound
Which took the mosses. Then the place became
The haunt of fearful legends and the lair
Of bats and adders.
There he lies and sleeps
From year to year—in soft Australian nights,
And through the furnaced noons, and in the times
Of wind and wet! Yet never mourner comes
To drop upon that grave the Christian’s tear
Or pluck the foul, dank weeds of death away.
But while the English autumn filled her lap
With faded gold, and while the reapers cooled
Their flame-red faces in the clover grass,
They looked for him at home: and when the frost
Had made a silence in the mourning lanes
And cooped the farmers by December fires,
They looked for him at home: and through the days
Which brought about the million-coloured Spring,
With moon-like splendours, in the garden plots,
They looked for him at home: while Summer danced,
A shining singer, through the tasselled corn,
They looked for him at home. From sun to sun
They waited. Season after season went,
And Memory wept upon the lonely moors,
And hope grew voiceless, and the watchers passed,
Like shadows, one by one away.
And he
Whose fate was hidden under forest leaves
And in the darkness of untrodden dells
Became a marvel. Often by the hearths
In winter nights, and when the wind was wild
Outside the casements, children heard the tale
Of how he left their native vales behind
(Where he had been a child himself) to shape
New fortunes for his father’s fallen house;
Of how he struggled—how his name became,
By fine devotion and unselfish zeal,
A name of beauty in a selfish land;
And then of how the aching hours went by,
With patient listeners praying for the step
Which never crossed the floor again. So passed
The tale to children; but the bitter end
Remained a wonder, like the unknown grave,
Alone with God and Silence in the hills.
poem by Henry Kendall
Submitted by Poetry Lover
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September in Australia
Grey Winter hath gone, like a wearisome guest,
And, behold, for repayment,
September comes in with the wind of the West
And the Spring in her raiment!
The ways of the frost have been filled of the flowers,
While the forest discovers
Wild wings, with the halo of hyaline hours,
And the music of lovers.
September, the maid with the swift, silver feet!
She glides, and she graces
The valleys of coolness, the slopes of the heat,
With her blossomy traces;
Sweet month, with a mouth that is made of a rose,
She lightens and lingers
In spots where the harp of the evening glows,
Attuned by her fingers.
The stream from its home in the hollow hill slips
In a darling old fashion;
And the day goeth down with a song on its lips
Whose key-note is passion;
Far out in the fierce, bitter front of the sea
I stand, and remember
Dead things that were brothers and sisters of thee,
Resplendent September.
The West, when it blows at the fall of the noon
And beats on the beaches,
Is filled with a tender and tremulous tune
That touches and teaches;
The stories of Youth, of the burden of Time,
And the death of Devotion,
Come back with the wind, and are themes of the rhyme
In the waves of the ocean.
We, having a secret to others unknown,
In the cool mountain-mosses,
May whisper together, September, alone
Of our loves and our losses.
One word for her beauty, and one for the grace
She gave to the hours;
And then we may kiss her, and suffer her face
To sleep with the flowers.
Oh, season of changes -- of shadow and shine --
September the splendid!
My song hath no music to mingle with thine,
And its burden is ended;
But thou, being born of the winds and the sun,
By mountain, by river,
Mayst lighten and listen, and loiter and run,
With thy voices for ever.
poem by Henry Kendall
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Juana
The night-wind shook the tapestry round an ancient palace-room,
And torches, as it rose and fell, waved thro' the gorgeous gloom,
And o'er a shadowy regal couch threw fitful gleams and red,
Where a woman with long raven hair sat watching by the dead.
Pale shone the features of the dead, yet glorious still to see,
Like a hunter or a chief struck down while his heart and step were free;
No shroud he wore, no robe of death, but there majestic lay,
Proudly and sadly glittering in royalty's array.
But she that with the dark hair watch'd by the cold slumberer's side,
On her wan cheek no beauty dwelt, and in her garb no pride;
Only her full impassion'd eyes as o'er that clay she bent,
A wildness and a tenderness in strange resplendence blent.
And as the swift thoughts cross'd her soul, like shadows of a cloud,
Amidst the silent room of death, the dreamer spoke aloud;
She spoke to him who could not hear, and cried, 'Thou yet wilt wake,
And learn my watchings and my tears, belov'd one! for thy sake.
'They told me this was death, but well I knew it could not be;
Fairest and stateliest of the earth! who spoke of death for thee?
They would have wrapp'd the funeral shroud thy gallant form around,
But I forbade–and there thou art, a monarch, robed and crown'd!
'With all thy bright locks gleaming still, their coronal beneath,
And thy brow so proudly beautiful–who said that this was death?
Silence hath been upon thy lips, and stillness round thee long,
But the hopeful spirit in my breast is all undimm'd and strong.
'I know thou hast not loved me yet; I am not fair like thee,
The very glance of whose clear eye threw round a light of glee!
A frail and drooping form is mine–a cold unsmiling cheek,–
Oh! I have but a woman's heart, wherewith thy heart to seek.
'But when thou wak'st, my prince, my lord! and hear'st how I have kept
A lonely vigil by thy side, and o'er thee pray'd and wept;
How in one long, deep dream of thee my nights and days have past,
Surely that humble, patient love must win back love at last!
'And thou wilt smile–my own, my own, shall be the sunny smile,
Which brightly fell, and joyously, on all but me erewhile!
No more in vain affection's thirst my weary soul shall pine–
Oh! years of hope deferr'd were paid by one fond glance of thine!
'Thou'lt meet me with that radiant look when thou com'st from the chase,
For me, for me, in festal halls it shall kindle o'er thy face!
Thou'lt reck no more tho' beauty's gift mine aspect may not bless;
In thy kind eyes this deep, deep love, shall give me loveliness.
'But wake! my heart within me burns, yet once more to rejoice
In the sound to which it ever leap'd, the music of thy voice:
Awake! I sit in solitude, that thy first look and tone,
And the gladness of thine opening eyes, may all be mine alone.'
In the still chambers of the dust, thus pour'd forth day by day,
The passion of that loving dream from a troubled soul found way,
Until the shadows of the grave had swept o'er every grace,
Left midst the awfulness of death on the princely form and face.
And slowly broke the fearful truth upon the watcher's breast,
And they bore away the royal dead with requiems to his rest,
With banners and with knightly plumes all waving in the wind,–
But a woman's broken heart was left in its lone despair behind.
poem by Felicia Dorothea Hemans
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Tribute To The Memory Of The Same Dog
LIE here, without a record of thy worth,
Beneath a covering of the common earth!
It is not from unwillingness to praise,
Or want of love, that here no Stone we raise;
More thou deserv'st; but 'this' man gives to man,
Brother to brother, 'this' is all we can.
Yet they to whom thy virtues made thee dear
Shall find thee through all changes of the year:
This Oak points out thy grave; the silent tree
Will gladly stand a monument of thee.
We grieved for thee, and wished thy end were past;
And willingly have laid thee here at last:
For thou hadst lived till everything that cheers
In thee had yielded to the weight of years;
Extreme old age had wasted thee away,
And left thee but a glimmering of the day;
Thy ears were deaf, and feeble were thy knees,--
I saw thee stagger in the summer breeze,
Too weak to stand against its sportive breath,
And ready for the gentlest stroke of death.
It came, and we were glad; yet tears were shed;
Both man and woman wept when thou wert dead;
Not only for a thousand thoughts that were,
Old household thoughts, in which thou hadst thy share;
But for some precious boons vouchsafed to thee,
Found scarcely anywhere in like degree!
For love, that comes wherever life and sense
Are given by God, in thee was most intense;
A chain of heart, a feeling of the mind,
A tender sympathy, which did thee bind
Not only to us Men, but to thy Kind:
Yea, for thy fellow-brutes in thee we saw
A soul of love, love's intellectual law:--
Hence, if we wept, it was not done in shame;
Our tears from passion and from reason came,
And, therefore, shalt thou be an honoured name!
poem by William Wordsworth
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