Campaspe
Turn from the ways of this Woman! Campaspe we call her by name -
She is fairer than flowers of the fire -
she is brighter than brightness of flame.
As a song that strikes swift to the heart
with the beat of the blood of the South,
And a light and a leap and a smart, is the play of her perilous mouth.
Her eyes are as splendours that break in the rain at the set of the sun,
But turn from the steps of Campaspe - a Woman to look at and shun!
Dost thou know of the cunning of Beauty? Take heed to thyself and beware
Of the trap in the droop in the raiment - the snare in the folds of the hair!
She is fulgent in flashes of pearl, the breeze with her breathing is sweet,
But fly from the face of the girl - there is death in the fall of her feet!
Is she maiden or marvel of marble? Oh, rather a tigress at wait
To pounce on thy soul for her pastime - a leopard for love or for hate.
Woman of shadow and furnace! She biteth her lips to restrain
Speech that springs out when she sleepeth,
by the stirs and the starts of her pain.
As music half-shapen of sorrow, with its wants and its infinite wail,
Is the voice of Campaspe, the beauty at bay with her passion dead-pale.
Go out from the courts of her loving, nor tempt the fierce dance of desire
Where thy life would be shrivelled like stubble
in the stress and the fervour of fire!
I know of one, gentle as moonlight - she is sad as the shine of the moon,
But touching the ways of her eyes are: she comes to my soul like a tune -
Like a tune that is filled with faint voices
of the loved and the lost and the lone,
Doth this stranger abide with my silence: like a tune with a tremulous tone.
The leopard, we call her, Campaspe! I pluck at a rose and I stir
To think of this sweet-hearted maiden - what name is too tender for her?
poem by Henry Kendall
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Related quotes
Cleone
Sing her a song of the sun:
Fill it with tones of the stream, —
Echoes of waters that run
Glad with the gladdening gleam.
Let it be sweeter than rain,
Lit by a tropical moon:
Light in the words of the strain,
Love in the ways of the tune.
Softer than seasons of sleep:
Dearer than life at its best!
Give her a ballad to keep,
Wove of the passionate West:
Give it and say of the hours —
“Haunted and hallowed of thee,
Flower-like woman of flowers,
What shall the end of them be?”
You that have loved her so much,
Loved her asleep and awake,
Trembled because of her touch,
What have you said for her sake?
Far in the falls of the day,
Down in the meadows of myrrh,
What has she left you to say
Filled with the beauty of her?
Take her the best of your thoughts,
Let them be gentle and grave,
Say, “I have come to thy courts,
Maiden, with all that I have.”
So she may turn with her sweet
Face to your love and to you,
Learning the way to repeat
Words that are brighter than dew.
poem by Henry Kendall
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Hearts First Word. I.
To sweeten a swift minute so
With such rare fragrance of sweet speech,
And make the after hours go
In a blank yearning each on each ;
To drain the springs till they be dry,
And then in anguish thirst for drink ;
So but to glimpse her robe thirst I,
And my soul hungers and I sink.
There is no word that we have said
Whereby the lips and heart arc fire;
No look the linked glances read
That held the springs of deep desire.
And yet the sounds her glad lips gave
Are on my soul vibrating still ;
Her eyes that swept me as a wave
Shine my soul's worship to fulfil.
Her hair, her eyes, her throat and chin-
Sweet hair, sweet eyes, sweet throat, so sweet,
So fair because the ways of sin
Have never known her perfect feet-
By what far ways and marvellous
May I such lovely heaven reach ?
What dread, dark seas and perilous
Lie 'twist love's silence and love's speech?
poem by Isaac Rosenberg
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Lilith
Strange is the song, and the soul that is singing
Falters because of the vision it sees;
Voice that is not of the living is ringing
Down in the depths where the darkness is clinging,
Even when Noon is the lord of the leas,
Fast, like a curse, to the ghosts of the trees!
Here in a mist that is parted in sunder,
Half with the darkness and half with the day;
Face of a woman, but face of a wonder,
Vivid and wild as a flame of the thunder,
Flashes and fades, and the wail of the grey
Water is loud on the straits of the bay!
Father, whose years have been many and weary—
Elder, whose life is as lovely as light
Shining in ways that are sterile and dreary—
Tell me the name of this beautiful peri,
Flashing on me like the wonderful white
Star, at the meeting of morning and night.
Look to thy Saviour, and down on thy knee, man,
Lean on the Lord, as the Zebedee leaned;
Daughter of hell is the neighbour of thee, man—
Lilith, of Adam the luminous leman!
Turn to the Christ to be succoured and screened,
Saved from the eyes of a marvellous fiend!
Serpent she is in the shape of a woman,
Brighter than woman, ineffably fair!
Shelter thyself from the splendour, and sue, man;
Light that was never a loveliness human
Lives in the face of this sinister snare,
Longing to strangle thy soul with her hair!
Lilith, who came to the father and bound him
Fast with her eyes in the first of the springs;
Lilith she is, but remember she drowned him,
Shedding her flood of gold tresses around him—
Lulled him to sleep with the lyric she sings:
Melody strange with unspeakable things!
Low is her voice, but beware of it ever,
Swift bitter death is the fruit of delay;
Never was song of its beauty—ah! never—
Heard on the mountain, or meadow, or river,
Not of the night is it, not of the day—
Fly from it, stranger, away and away.
Back on the hills are the blossom and feather,
Glory of noon is on valley and spire;
Here is the grace of magnificent weather,
Where is the woman from gulfs of the nether?
Where is the fiend with the face of desire?
Gone, with a cry, in miraculous fire!
Sound that was not of this world, or the spacious
Splendid blue heaven, has passed from the lea;
Dead is the voice of the devil audacious:
Only a dream is her music fallacious,
Here, in the song and the shadow of tree,
Down by the green and the gold of the sea.
poem by Henry Kendall
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Cards and Kisses
CUPID and my Campaspe play'd
At cards for kisses--Cupid paid:
He stakes his quiver, bow, and arrows,
His mother's doves, and team of sparrows;
Loses them too; then down he throws
The coral of his lips, the rose
Growing on 's cheek (but none knows how);
With these, the crystal of his brow,
And then the dimple of his chin:
All these did my Campaspe win.
At last he set her both his eyes--
She won, and Cupid blind did rise.
O Love! has she done this for thee?
What shall, alas! become of me?
Euterpe
CHILD of Light, the bright, the bird-like! wilt thou float and float to me,
Facing winds and sleets and waters, flying glimpses of the sea?
Down amongst the hills of tempest, where the elves of tumult roam—
Blown wet shadows of the summits, dim sonorous sprites of foam?
Here and here my days are wasted, shorn of leaf and stript of fruit:
Vexed because of speech half spoken, maiden with the marvellous lute!
Vexed because of songs half-shapen, smit with fire and mixed with pain:
Part of thee, and part of Sorrow, like a sunset pale with rain.
Child of Light, the bright, the bird-like! wilt thou float and float to me
Facing winds and sleets and waters, flying glimpses of the sea?
All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine—
All night long, amidst the burden of the lordly storm, that sings
High above the tumbled forelands, fleet and fierce with thunderings!
Then and then, my love, Euterpe, lips of life replete with dreams
Murmur for thy sweet, sharp fragments dying down Lethean streams:
Murmur for thy mouth’s marred music, splendid hints that burn and break,
Heavy with excess of beauty: murmur for thy music’s sake.
All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine.
In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow:
In the yellow flame of evening—at the setting of the day—
Sound that lightens, falls and lightens, flickers, faints and fades away.
I am famished of thy silence—broken for the tender note
Caught with its surpassing passion—caught and strangled in thy throat!
We have nought to help thy trouble—nought for that which lieth mute
On the harpstring and the lutestring and the spirit of the lute.
In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow.
Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?
What thou art, behold, I know not; but thy honey slakes and slays
Half the want which whitens manhood in the stress of alien days!
Even as a wondrous woman, struck with love and great desire,
Hast thou been to me, Euterpe! half of tears and half of fire.
But thy joy is swift and fitful; and a subtle sense of pain
Sighs through thy melodious breathing, takes the rapture from thy strain,
Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?
poem by Henry Kendall
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Cupid and My Campaspe
Cupid and my Campaspe played
At cards for kisses;
Cupid paid.
He stakes his quiver, bow, and arrows,
His mother's doves and team of sparrows,
Loses them too; then down he throws
The coral of his lip, the rose
Growing on's cheek (but none knows how),
With these the crystal of his brow,
And then the dimple of his chin:
All these did my Campaspe win.
At last he set her both his eyes;
She won, and Cupid blind did rise.
O Love! has she done this to thee?
What shall, alas, become of me?
Apelles' Song
Cupid and my Campaspe played
At cards for kisses; Cupid paid:
He stakes his quiver, bow, and arrows,
His mother's doves, and team of sparrows;
Loses them too; then down he throws
The coral of his lip, the rose
Growing on's cheek (but none knows how);
With these, the crystal of his brow,
And then the dimple on his chin;
All these did my Campaspe win:
And last he set her both his eyes -
She won, and Cupid blind did rise.
O Love! has she done this to thee?
What shall, alas! become of me?
Merope
FAR in the ways of the hyaline wastes—in the face of the splendid
Six of the sisters—the star-dowered sisters ineffably bright,
Merope sitteth, the shadow-like wife of a monarch unfriended
Of Ades—of Orcus, the fierce, the implacable god of the night.
Merope—fugitive Merope! lost to thyself and thy lover,
Cast, like a dream, out of thought, with the moons which have passed into sleep,
What shall avail thee? Alcyone’s tears, or the sight to discover
Of Sisyphus pallid for thee by the blue, bitter lights of the deep—
Pallid, but patient for sorrow? Oh, thou of the fire and the water,
Half with the flame of the sunset, and kin to the streams of the sea,
Hast thou the songs of old times for desire of thy dark-featured daughter,
Sweet with the lips of thy yearning, O Aethra! with tokens of thee—
Songs that would lull her, like kisses forgotten of silence where speech was
Less than the silence that bound it as passion is bound by a ban;
Seeing we know of thee, Mother, we turning and hearing how each was
Wrapt in the other ere Merope faltered and fell for a man?
Mortal she clave to, forgetting her birthright, forgetting the lordlike
Sons of the many-winged Father, and chiefs of the plume and the star,
Therefore, because that her sin was the grief of the grand and the godlike,
Sitteth thy child than a morning-moon bleaker, the faded, and far.
Ringed with the flower-like Six of the Seven, arrayed and anointed
Ever with beautiful pity, she watches, she weeps, and she wanes,
Blind as a flame on the hills of the Winter in hours appointed
For the life of the foam and the thunder—the strength of the imminent rains.
Who hath a portion, Alcyone, like her? Asterope, fairer
Than sunset on snow, and beloved of all brightness, say what is there left
Sadder and paler than Pleione’s daughter, disconsolate bearer
Of trouble that smites like a sword of the gods to the break of the heft?
Demeter, and Dryope, known to the forests, the falls, and the fountains,
Yearly, because of their walking and wailing and wringing of hands,
Are they as one with this woman?—of Hyrie, wild in the mountains,
Breaking her heart in the frosts and the fires of the uttermost lands?
These have their bitterness. This, for Persephone, that for Oechalian
Homes, and the lights of a kindness blown out with the stress of her shame:
One for her child, and one for her sin; but thou above all art an alien,
Girt with the halos that vex thee, and wrapt in a grief beyond name.
Yet sayeth Sisyphus—Sisyphus, stricken and chained of the minioned
Kings of great darkness, and trodden in dust by the feet of the Fates—
“Sweet are the ways of thy watching, and pallid and perished and pinioned,
Moon amongst maidens, I leap for thy love like a god at the gates—
Leap for the dreams of a rose of the heavens, and beat at the portals
Paved with the pain of unsatisfied pleadings for thee and for thine!
But Zeus is immutable Master, and these are the walls the immortals
Build for our sighing, and who may set lips at the lords and repine?
Therefore,” he saith, “I am sick for thee, Merope, faint for the tender
Touch of thy mouth, and the eyes like the lights of an altar to me;
But, lo, thou art far; and thy face is a still and a sorrowful splendour!
And the storm is abroad with the rain on the perilous straits of the sea.”
poem by Henry Kendall
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September in Australia
Grey Winter hath gone, like a wearisome guest,
And, behold, for repayment,
September comes in with the wind of the West
And the Spring in her raiment!
The ways of the frost have been filled of the flowers,
While the forest discovers
Wild wings, with the halo of hyaline hours,
And the music of lovers.
September, the maid with the swift, silver feet!
She glides, and she graces
The valleys of coolness, the slopes of the heat,
With her blossomy traces;
Sweet month, with a mouth that is made of a rose,
She lightens and lingers
In spots where the harp of the evening glows,
Attuned by her fingers.
The stream from its home in the hollow hill slips
In a darling old fashion;
And the day goeth down with a song on its lips
Whose key-note is passion;
Far out in the fierce, bitter front of the sea
I stand, and remember
Dead things that were brothers and sisters of thee,
Resplendent September.
The West, when it blows at the fall of the noon
And beats on the beaches,
Is filled with a tender and tremulous tune
That touches and teaches;
The stories of Youth, of the burden of Time,
And the death of Devotion,
Come back with the wind, and are themes of the rhyme
In the waves of the ocean.
We, having a secret to others unknown,
In the cool mountain-mosses,
May whisper together, September, alone
Of our loves and our losses.
One word for her beauty, and one for the grace
She gave to the hours;
And then we may kiss her, and suffer her face
To sleep with the flowers.
Oh, season of changes -- of shadow and shine --
September the splendid!
My song hath no music to mingle with thine,
And its burden is ended;
But thou, being born of the winds and the sun,
By mountain, by river,
Mayst lighten and listen, and loiter and run,
With thy voices for ever.
poem by Henry Kendall
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Mr. Moon
Written by jay kay, toby smith and stuart zender
Whooo wo wo now
Have you gone astray or lost your way?
You should have seen me yesterday,
Well i knew this kind of love was written in the stars
It's only once or twice that you're inline with mr.moon
Then it was you...
You took me on your cloud
Give me flowers for my pain
But with some degree my destiny seemed to slip away from me
Before i got to now your name...
Just give me a chance
I'll do what you want me to
Everybody wants to dance, so how come i can't dance with you
You really turn me on
You're the one that makes me smile...
It's mr moon who plays in tune,
Mr moon who knows
And if it's mr. moon who gives the sign then that's the sign that goes on
I never know what to do till i'm there with you....
Eh....all right on....
Did you lose your mind or for a day?
You don't remember anyway...
Like the waters of a dream encapsulate my mind
A place i haven't seen sits a the end of space and time
So lost in love...
Than i think i'm blind...
To purchanse upon this circumstance,
It's something of a miracle so spiritual it's verging on the physical...
Searching for a love i cannot find...
Oh, now i'm lost in your love...
Now i'm lost, and i don't know when to turn,
Now i'm lost in your, now i'm lost in your love...
Parira parira...parira parira...
(just play my tune, oh mr. moon)
Just play my tune, just play my tune
Just play my tune, just play my tune
Just play my tune, just play my tune
Ooooh la la, la lara lo la la, lalala...
Just give me a chance
I'll do what you want me to
Everybody wants to dance, so how come i can't dance with you
You really turn me on
You're the one that makes me smile...yeah......oh!
It's mr moon who plays in tune,
Mr moon who knows
And if it's mr. moon who gives the sign then that's the sign that goes on
I never know what to do till i'm there with you....
Eh, eh....oh now....
Oh mr. moon play that tune for me...
Oh mr. moon just play tune for me...
Why don't you play that tune that i can't get down, that i can't get down with this girl...
(oooooh.....)
Oh, that girl, you know she really, blows my, head apart,
And the sky and the stars, all, synkronized...
Eh no.... no no no, now me and her,
We are love...
We have synkronized...i know...
This is love...
This is love...
Oh now girl....you know... and the stars and moon have synkronized their love...
Ooooh, ooooh
Oh, come girl!
I wanna tell you how i love you since we came together yeah! oh yeah yeah yeah!
Oooh.... i wanna tell you how i love you since we came together...
Hey just play my tune, just play my tune, just play my tune...
Hey, hey now girl you know that our love is synkronized...
I got to tell you, whooo i got to tell you....
song performed by by Jamiroquai
Submitted by Lucian Velea
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The First Canzone Of The Convito
From The Italian Of Dante
I.
Ye who intelligent the Third Heaven move,
Hear the discourse which is within my heart,
Which cannot be declared, it seems so new.
The Heaven whose course follows your power and art,
Oh, gentle creatures that ye are! me drew,
And therefore may I dare to speak to you,
Even of the life which now I live--and yet
I pray that ye will hear me when I cry,
And tell of mine own heart this novelty;
How the lamenting Spirit moans in it, 10
And how a voice there murmurs against her
Who came on the refulgence of your sphere.
II.
A sweet Thought, which was once the life within
This heavy heart, man a time and oft
Went up before our Father’s feet, and there
It saw a glorious Lady throned aloft;
And its sweet talk of her my soul did win,
So that I said, ‘Thither I too will fare.’
That Thought is fled, and one doth now appear
Which tyrannizes me with such fierce stress,
That my heart trembles--ye may see it leap--
And on another Lady bids me keep
Mine eyes, and says--Who would have blessedness
Let him but look upon that Lady’s eyes,
Let him not fear the agony of sighs.
III.
This lowly Thought, which once would talk with me
Of a bright seraph sitting crowned on high,
Found such a cruel foe it died, and so
My Spirit wept, the grief is hot even now--
And said, Alas for me! how swift could flee
That piteous Thought which did my life console!
And the afflicted one ... questioning
Mine eyes, if such a Lady saw they never,
And why they would...
I said: ‘Beneath those eyes might stand for ever
He whom ... regards must kill with...
To have known their power stood me in little stead,
Those eyes have looked on me, and I am dead.’
IV.
‘Thou art not dead, but thou hast wandered,
Thou Soul of ours, who thyself dost fret,’
A Spirit of gentle Love beside me said;
For that fair Lady, whom thou dost regret,
Hath so transformed the life which thou hast led,
Thou scornest it, so worthless art thou made.
And see how meek, how pitiful, how staid,
Yet courteous, in her majesty she is.
And still call thou her Woman in thy thought;
Her whom, if thou thyself deceivest not,
Thou wilt behold decked with such loveliness,
That thou wilt cry [Love] only Lord, lo! here
Thy handmaiden, do what thou wilt with her.
V.
My song, I fear that thou wilt find but few
Who fitly shall conceive thy reasoning
Of such hard matter dost thou entertain.
Whence, if by misadventure chance should bring
Thee to base company, as chance may do,
Quite unaware of what thou dost contain,
I prithee comfort thy sweet self again,
My last delight; tell them that they are dull,
And bid them own that thou art beautiful.
poem by Percy Bysshe Shelley
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Catatonica
As our duet of love, a performance shown, is put upon display for vulgar eyes on the floor; the lights change with painted overlooks splashing their palette of watercolours over our moving bodies.
To the beat we dance, our tune a virgin, for the tune's beat that we dance to is no longer a mere dance away, our dance must fly with this tune in time with the tune's beat and in beat with our dance that we synced to this tune.
We tune our bodies in, tune them perfectly together with not just the beat and our dance, but with each other's minds and each other's hearts.
Within our thin, weak, skinny minds our thoughts think their own thoughts, deeper within our thought's tune and beat it dances inside a caved-in thought of the thinking tune's rhythmic beat timing itself to our dance.
Matching in the sky, our steps amaze, no tune can support us on its waves of notes and colons and no beat can out-beat us in it's own tragedy of percussion.
Our dance is a shaman of ritual love, packaged under the moon's eye for all to see and admire in its own tunefully-beating-dancing light.
We are going to dance forever, dance until there's no dance left in us, dance until our blood mixes with each others and our soul's diseases decay with one another's and we become the dance.
The tune we create in our minds is that of purity, no one will hear this tune except for us. Me and You.
The beats will never fade, no stamp stopped too sincerely, no stomp slacking too slowly.
We're going to dance, we're going to dance, we're going to dance. We're going to dance to our own beat, to our own tune, and to our own love.
poem by April Abigail
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In The Orchard
LEAVE go my hands, let me catch breath and see;
Let the dew-fall drench either side of me;
Clear apple-leaves are soft upon that moon
Seen sidelong like a blossom in the tree;
Ah God, ah God, that day should be so soon.
The grass is thick and cool, it lets us lie.
Kissed upon either cheek and either eye,
I turn to thee as some green afternoon
Turns toward sunset, and is loth to die;
Ah God, ah God, that day should be so soon.
Lie closer, lean your face upon my side,
Feel where the dew fell that has hardly dried,
Hear how the blood beats that went nigh to swoon;
The pleasure lives there when the sense has died;
Ah God, ah God, that day should be so soon.
O my fair lord, I charge you leave me this:
Is it not sweeter than a foolish kiss?
Nay take it then, my flower, my first in June,
My rose, so like a tender mouth it is:
Ah God, ah God, that day should be so soon.
Love, till dawn sunder night from day with fire,
Dividing my delight and my desire,
The crescent life and love the plenilune,
Love me though dusk begin and dark retire;
Ah God, ah God, that day should be so soon.
Ah, my heart fails, my blood draws back; I know,
When life runs over, life is near to go;
And with the slain of love love’s ways are strewn,
And with their blood, if love will have it so;
Ah God, ah God, that day should be so soon.
Ah, do thy will now; slay me if thou wilt;
There is no building now the walls are built,
No quarrying now the corner-stone is hewn,
No drinking now the vine’s whole blood is spilt;
Ah God, ah God, that day should be so soon.
Nay, slay me now; nay, for I will be slain;
Pluck thy red pleasure from the teeth of pain,
Break down thy vine ere yet grape-gatherers prune,
Slay me ere day can slay desire again;
Ah God, ah God, that day should be so soon.
Yea, with thy sweet lips, with thy sweet sword; yea,
Take life and all, for I will die, I say;
Love, I gave love, is life a better boon?
For sweet night’s sake I will not live till day;
Ah God, ah God, that day should be so soon.
Nay, I will sleep then only; nay, but go.
Ah sweet, too sweet to me, my sweet, I know
Love, sleep, and death go to the sweet same tune;
Hold my hair fast, and kiss me through it so.
Ah God, ah God, that day should be so soon.
poem by Algernon Charles Swinburne
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Cui Bono?
A CLAMOUR by day and a whisper by night,
And the Summer comes—with the shining noons,
With the ripple of leaves, and the passionate light
Of the falling suns and the rising moons.
And the ripple of leaves and the purple and red
Die for the grapes and the gleam of the wheat,
And then you may pause with the splendours, or tread
On the yellow of Autumn with lingering feet.
You may halt with the face to a flying sea,
Or stand like a gloom in the gloom of things,
When the moon drops down and the desolate lea
Is troubled with thunder and desolate wings.
But alas for the grey of the wintering eves,
And the pondering storms and the ruin of rains;
And alas for the Spring like a flame in the leaves,
And the green of the woods and the gold of the lanes!
For, seeing all pathos is mixed with our past,
And knowing all sadness of storm and of surge
Is salt with our tears for the faith that was cast
Away like a weed o’er a bottomless verge,
I am lost for these tokens, and wearied of ways
Wedded with ways that are waning amain,
Like those that are filled with the trouble that slays;
Having drunk of their life to the lees that are pain.
And yet I would write to you! I who have turned
Away with a bitter disguise in the eyes,
And bitten the lips that have trembled and burned
Alone for you, darling, and breaking with sighs.
Because I have touched with my fingers a dress
That was Beauty’s; because that the breath of thy mouth
Is sweetness that lingers; because of each tress
Showered down on thy shoulders; because of the drouth
That came in thy absence; because of the lights
In the Passion that grew to a level with thee—
Is it well that our lives have been filled with the nights
And the days which have made it a sorrow to be?
Yea, thus having tasted all love with thy lips,
And having the warmth of thy hand in mine own,
Is it well that we wander, like parallel ships,
With the silence between us, aloof and alone?
With my face to the wall shall I sleep and forget
The shadow, the sweet sense of slumber denies,
If even I marvel at kindness, and fret,
And start while the tears are all wet in mine eyes?
Oh, darling of mine, standing here with the Past,
Trampled under our feet in the bitterest ways,
Is this speech like a ghost that it keeps us aghast
On the track of the thorns and in alien days?
When I know of you, love, how you break with our pain,
And sob for the sorrow of sorrowful dreams,
Like a stranger who stands in the wind and the rain
And watches and wails by impassable streams:
Like a stranger who droops on a brink and deplores,
With famishing hands and frost in the feet,
For the laughter alive on the opposite shores
With the fervour of fire and the wind of the wheat.
poem by Henry Kendall
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On The Edge Of The Wilderness
Puellae.
Whence comest thou, and whither goest thou?
Abide! abide! longer the shadows grow;
What hopest thou the dark to thee will show?
Abide! abide! for we are happy here.
Amans.
Why should I name the land across the sea
Wherein I first took hold on misery?
Why should I name the land that flees from me?
Let me depart, since ye are happy here.
Puellae.
What wilt thou do within the desert place
Whereto thou turnest now thy careful face?
Stay but a while to tell us of thy case.
Abide! abide! for we are happy here.
Amans.
What, nigh the journey’s end shall I abide,
When in the waste mine own love wanders wide,
When from all men for me she still doth hide?
Let me depart, since ye are happy here.
Puellae.
Nay, nay; but rather she forgetteth thee,
To sit upon the shore of some warm sea,
Or in green gardens where sweet fountains be.
Abide! abide! for we are happy here.
Amans.
Will ye then keep me from the wilderness,
Where I at least, alone with my distress,
The quiet land of changing dreams may bless?
Let me depart, since ye are happy here.
Puellae.
Forget the false forgetter and be wise,
And ’mid these clinging hands and loving eyes,
Dream, not in vain, thou knowest paradise.
Abide! abide! for we are happy here.
Amans.
Ah! with your sweet eyes shorten not the day,
Nor let your gentle hands my journey stay!
Perchance love is not wholly cast away.
Let me depart, since ye are happy here.
Puellae.
Pluck love away as thou wouldst pluck a thorn
From out thy flesh; for why shouldst thou be born
To bear a life so wasted and forlorn?
Abide! abide! for we are happy here.
Amans.
Yea, why then was I born, since hope is pain,
And life a lingering death, and faith but vain,
And love the loss of all I seemed to gain?
Let me depart, since ye are happy here.
Puellae.
Dost thou believe that this shall ever be,
That in our land no face thou e’er shalt see,
No voice thou e’er shalt hear to gladden thee?
Abide! abide! for we are happy here.
Amans.
No longer do I know of good or bad,
I have forgotten that I once was glad;
I do but chase a dream that I have had.
Let me depart, since ye are happy here.
Puellae.
Stay! take one image for thy dreamful night;
Come, look at her, who in the world’s despite
Weeps for delaying love and lost delight.
Abide! abide! for we are happy here.
Amans.
Mock me not till to-morrow. Mock the dead,
They will not heed it, or turn round the head,
To note who faithless are, and who are wed.
Let me depart, since ye are happy here.
Puellae.
We mock thee not. Hast thou not heard of those
Whose faithful love the loved heart holds so close,
That death must wait till one word lets it loose?
Abide! abide! for we are happy here.
Amans.
I hear you not: the wind from off the waste
Sighs like a song that bids me make good haste
The wave of sweet forgetfulness to taste.
Let me depart, since ye are happy here.
Puellae.
Come back! like such a singer is the wind,
As to a sad tune sings fair words and kind,
That he with happy tears all eyes may blind!
Abide! abide! for we are happy here.
Amans.
Did I not hear her sweet voice cry from far,
That o’er the lonely waste fair fields there are,
Fair days that know not any change or care?
Let me depart, since ye are happy here.
Puellae.
Oh, no! not far thou heardest her, but nigh;
Nigh, ’twixt the waste’s edge and the darkling sky.
Turn back again, too soon it is to die.
Abide! a little while be happy here.
Amans.
How with the lapse of lone years could I strive,
And can I die now that thou biddest live?
What joy this space ’twixt birth and death can give.
Can we depart, who are so happy here?
poem by William Morris
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Thorgerda
LO, what a golden day it is!
The glad sun rives the sapphire deeps
Down to the dim pearl-floor’d abyss
Where, cold in death, my lover sleeps;
Crowns with soft fire his sea-drench’d hair,
Kisses with gold his lips death-pale,
Lets down from heaven a golden stair,
Whose steps methinks his soul doth scale.
This is my treasure. White and sweet,
He lies beneath my ardent eyne,
With heart that nevermore shall beat,
Nor lips press softly against mine.
How like a dream it seems to me,
The time when hand in hand we went
By hill and valley, I and he,
Lost in a trance of ravishment!
I and my lover here that lies
And sleeps the everlasting sleep,
We walk’d whilere in Paradise;
(Can it be true?) Our souls drank deep
Together of Love’s wonder-wine:
We saw the golden days go by,
Unheeding, for we were divine;
Love had advanced us to the sky.
And of that time no traces bin,
Save the still shape that once did hold
My lover’s soul, that shone therein,
As wine laughs in a vase of gold.
Cold, cold he lies, and answers not
Unto my speech; his mouth is cold
Whose kiss to mine was sweet and hot
As sunshine to a marigold.
And yet his pallid lips I press;
I fold his neck in my embrace;
I rain down kisses none the less
Upon his unresponsive face:
I call on him with all the fair
Flower-names that blossom out of love;
I knit sea-jewels in his hair;
I weave fair coronals above
The cold, sweet silver of his brow:
For this is all of him I have;
Nor any Future more than now
Shall give me back what Love once gave.
For from Death’s gate our lives divide;
His was the Galilean’s faith:
With those that serve the Crucified,
He shar’d the chance of Life and Death.
And so my eyes shall never light
Upon his star-soft eyes again;
Nor ever in the day or night,
By hill or valley, wood or plain,
Our hands shall meet afresh. His voice
Shall never with its silver tone
The sadness of my soul rejoice,
Nor his breast throb against my own.
His sight shall never unto me
Return whilst heaven and earth remain:
Though Time blend with Eternity,
Our lives shall never meet again,—
Never by gray or purple sea,
Never again in heavens of blue,
Never in this old earth—ah me!
Never, ah never! in the new.
For me, he treads the windless ways
Among the thick star-diamonds,
Where in the middle æther blaze
The Golden City’s pearl gate-fronds;
Sitteth, palm-crown’d and silver-shod,
Where in strange dwellings of the skies
The Christians to their Woman-God
Cease nevermore from psalmodies.
And I, I wait, with haggard eyes
And face grown awful for desire,
The coming of that fierce day’s rise
When from the cities of the fire
The Wolf shall come with blazing crest,
And many a giant arm’d for war;
When from the sanguine-streaming West,
Hell-flaming, speedeth Naglfar.
poem by John Howard Payne
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Beautiful Woman!
Beautiful like fresh flower,
Beautiful with rainbows in eyes,
Beautiful with shyness and smile,
beautiful woman!
Beautiful are the star like eyes
Deeper than deepest ocean,
Ocean of feelings and love,
Beautiful is that motherly heart!
Beautiful woman thy beauty is thy compassion,
Thy beauty is in patience and knowledge,
Thy beauty lies in flowerless lips with precious smile,
Beautiful woman, most abstract beauty,
Not that beauty felt by eyes
Nor that skin or hair,
Not that grace or style, beautiful woman,
you are the beauty!
Beautiful woman!
thy beauty shines
Moon in star studded sky,
Thy beauty flashes with every turn of your neck to the call of child,
like plant swing with
perfumed flower in the garden
When that beauty of heart beautifully expressed!
Where her beauty lies,
Is it in her body or mind,
Or is it in her heart soft and kind?
Who wants to get stick or bind,
That's why women race fast leaving wondering men behind!
poem by Ramdas Bhandarkar
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Silence (Part I)
Sometimes I see you as my child,
Sometimes I see you as my sweetheart,
And when I look into your eyes,
I see that tender and sweet smile,
And I want to say what’s in my heart,
And I want to tell you how I feel,
But my voice remains there, still,
And I just stare at your loving face,
And let the love from my heart,
Flow like a wild river in furious race,
to enfold your sweet and pure soul
with a sea of love and tenderness.
Sometimes there’s so much to say,
but nothing flows from my lips,
And only silence is there to stay,
And only the silence I should keep,
Because what I had to say was already said,
How words could express
never-ending love and tenderness?
How could I just say at one time,
I love you more than my own life?
And there remains the deep silence,
Silence and more silence,
to signal that divine presence,
of my silent love; my heart’s essence.
But this silence is not empty silence,
when divine love fills all my senses,
when nature’s beauty colours your soul,
and fades away all pity and woe.
Because when there is silence,
you can hear the silent language,
the heavenly music of my heart’s song,
God’s eternal music He’s been playing all along,
And in that silence you’ll hear my song,
The endless tune that my love sings,
with the sweetest notes in your luscious dreams,
which eternally flow like endless streams.
(2009)
poem by Roberto Echanes
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Fragoletta
O LOVE! what shall be said of thee?
The son of grief begot by joy?
Being sightless, wilt thou see?
Being sexless, wilt thou be
Maiden or boy?
I dreamed of strange lips yesterday
And cheeks wherein the ambiguous blood
Was like a rose’s—yea,
A rose’s when it lay
Within the bud.
What fields have bred thee, or what groves
Concealed thee, O mysterious flower,
O double rose of Love’s,
With leaves that lure the doves
From bud to bower?
I dare not kiss it, lest my lip
Press harder than an indrawn breath,
And all the sweet life slip
Forth, and the sweet leaves drip,
Bloodlike, in death.
O sole desire of my delight!
O sole delight of my desire!
Mine eyelids and eyesight
Feed on thee day and night
Like lips of fire.
Lean back thy throat of carven pearl,
Let thy mouth murmur like the dove’s;
Say, Venus hath no girl,
No front of female curl,
Among her Loves.
Thy sweet low bosom, thy close hair,
Thy strait soft flanks and slenderer feet,
Thy virginal strange air,
Are these not over fair
For Love to greet?
How should he greet thee? what new name,
Fit to move all men’s hearts, could move
Thee, deaf to love or shame,
Love’s sister, by the same
Mother as Love?
Ah sweet, the maiden’s mouth is cold,
Her breast-blossoms are simply red,
Her hair mere brown or gold,
Fold over simple fold
Binding her head.
Thy mouth is made of fire and wine,
Thy barren bosom takes my kiss
And turns my soul to thine
And turns thy lip to mine,
And mine it is.
Thou hast a serpent in thine hair,
In all the curls that close and cling;
And ah, thy breast-flower!
Ah love, thy mouth too fair
To kiss and sting!
Cleave to me, love me, kiss mine eyes,
Satiate thy lips with loving me;
Nay, for thou shalt not rise;
Lie still as Love that dies
For love of thee.
Mine arms are close about thine head,
My lips are fervent on thy face,
And where my kiss hath fed
Thy flower-like blood leaps red
To the kissed place.
O bitterness of things too sweet!
O broken singing of the dove!
Love’s wings are over fleet,
And like the panther’s feet
The feet of Love.
poem by Algernon Charles Swinburne
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Hermaphroditus
I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.
II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.
III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?
IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?
Au Musée du Louvre, Mars 1863.
poem by Algernon Charles Swinburne
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