Mooni

AH, to be by Mooni now!
Where the great dark hills of wonder,
Scarred with storm and cleft asunder
By the strong sword of the thunder,
Make a night on morning’s brow!
Just to stand where Nature’s face is
Flushed with power in forest places—
Where of God authentic trace is—
Ah, to be by Mooni now!

Just to be by Mooni’s springs!
There to stand, the shining sharer
Of that larger life, and rarer
Beauty caught from beauty fairer
Than the human face of things!
Soul of mine from sin abhorrent
Fain would hide by flashing current
Like a sister of the torrent,
Far away by Mooni’s springs.

He that is by Mooni now,
Sees the water-sapphires gleaming
Where the River Spirit, dreaming
Sleeps by fall and fountain streaming
Under lute of leaf and bough!
Hears, where stamp of storm with stress is,
Psalms from unseen wildernesses
Deep amongst far hill-recesses—
He that is by Mooni now.

Yea, for him by Mooni’s marge
Sings the yellow-haired September
With the face the gods remember
When the ridge is burnt to ember,
And the dumb sea chains the barge!
Where the mount like molten brass is,
Down beneath fern-feathered passes,
Noonday dew in cool green grasses
Gleams on him by Mooni’s marge.

Who that dwells by Mooni yet,
Feels, in flowerful forest arches,
Smiting wings and breath that parches
Where strong Summer’s path of march is
And the suns in thunder set?
Housed beneath the gracious kirtle
Of the shadowy water myrtle,
Winds may hiss with heat, and hurtle—
He is safe by Mooni yet!

Days there were when he who sings
(Dumb so long through passion’s losses)
Stood where Mooni’s water crosses
Shining tracts of green-haired mosses,
Like a soul with radiant wings;
Then the psalm the wind rehearses—
Then the song the stream disperses
Lent a beauty to his verses—
Who to-night of Mooni sings.

Ah, the theme—the sad, grey theme!
Certain days are not above me,
Certain hearts have ceased to love me,
Certain fancies fail to move me
Like the affluent morning dream.
Head whereon the white is stealing,
Heart whose hurts are past all healing,
Where is now the first pure feeling?
Ah, the theme—the sad, grey theme!

Sin and shame have left their trace!
He who mocks the mighty, gracious
Love of Christ, with eyes audacious,
Hunting after fires fallacious,
Wears the issue in his face.
Soul that flouted gift and Giver,
Like the broken Persian river,
Thou hast lost thy strength for ever!
Sin and shame have left their trace.

In the years that used to be,
When the large, supreme occasion
Brought the life of inspiration,
Like a god’s transfiguration
Was the shining change in me.
Then, where Mooni’s glory glances,
Clear diviner countenances
Beamed on me like blessed chances,
In the years that used to be.

Ah, the beauty of old ways!
Then the man who so resembled
Lords of light unstained, unhumbled,
Touched the skirts of Christ, nor trembled
At the grand benignant gaze!
Now he shrinks before the splendid
Face of Deity offended,
All the loveliness is ended!
All the beauty of old ways!

Still to be by Mooni cool—
Where the water-blossoms glister,
And, by gleaming vale and vista,
Sits the English April’s sister
Soft, and sweet, and wonderful.
Just to rest beyond the burning
Outer world—its sneers and spurning—
Ah! my heart—my heart is yearning
Still to be by Mooni cool:

Now, by Mooni’s fair hill heads,
Lo, the gold green lights are glowing,
Where, because no wind is blowing,
Fancy hears the flowers growing
In the herby watersheds!
Faint it is—the sound of thunder
From the torrents far thereunder,
Where the meeting mountains ponder—
Now, by Mooni’s fair hill heads:

Just to be where Mooni is,
Even where the fierce fall races
Down august unfathomed places,
Where of sun or moon no trace is,
And the streams of shadow hiss!
Have I not an ample reason
So to long for—sick of treason—
Something of the grand old season,
Just to be where Mooni is?

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Total Eclipse Of The Moon

Miles away from light at noon
Total eclipse of the moon
Many reasons to believe in life
Just listen what it's telling you
Come and have a look inside
Total eclipse of the moon
Don't be childish, don't be so cruel
I'm feeling just lonely without. without you
I can see the wide horizons
But debts have to be paid
Our ways will cross again someday
Believe, and come back to youI'll see you soon
Time doesn't say hello
Total eclipse of the moon
Many nights in our lives before
I was dreaming to be just besidebeside you
Total eclipse of the moonI'll see you soon

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Drought Year

That time of drought the embered air
burned to the roots of timber and grass.
The crackling lime-scrub would not bear
and Mooni Creek was sand that year.
The dingo's cry was strange to hear.

I heard the dingoes cry
in the scrub on the Thirty-mile Dry.
I saw the wedgetail take his fill
perching on the seething skull.
I saw the eel wither where he curled
in the last blood-drop of a spent world.

I heard the bone whisper in the hide
of the big red horse that lay where he died.
Prop that horse up, make him stand,
hoofs turned down in the bitter sand
make him stand at the gate of the Thirty-mile Dry.
Turn this way and you will die-
and strange and loud was the dingoes' cry.

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Mary Rivers

Path beside the silver waters, flashing in October’s sun—
Walk, by green and golden margins where the sister streamlets run—
Twenty shining springs have vanished, full of flower, and leaf, and bird,
Since the step of Mary Rivers in your lawny dell was heard!
Twenty white-haired Junes have left us—grey with frost and bleak with gale—
Since the hand of her we loved so plucked the blossoms in your dale.
Twenty summers, twenty autumns, from the grand old hills have passed,
With their robes of royal colour, since we saw the darling last.
Morning comes—the blessed morning! and the slow song of the sea,
Like a psalm from radiant altars, floats across a rose-red lea;
Then the fair, strong noonday blossoms, and the reaper seeks the cool
Valley of the moss and myrtle, and the glimmering water-pool.
Noonday flames and evening follows; and the lordly mountains rest
Heads arrayed with tenfold splendour on the rich heart of the West.
Evening walks with moon and music where the higher life has been;
But the face of Mary Rivers there will nevermore be seen.

Ah! when autumn dells are dewy, and the wave is very still,
And that grey ghost called the Twilight passes from the distant hill—
Even in the hallowed nightfall, when the fathers sit and dream,
And the splendid rose of heaven sees a sister in the stream—
Often do I watch the waters gleaming in a starry bay,
Thinking of a bygone beauty, and a season far away;
Musing on the grace that left us in a time of singing rain,
On the lady who will never walk amongst these heaths again.

Four there were, but two were taken; and this darling we deplore,
She was sweetest of the circle—she was dearest of the four!
In the daytime and the dewtime comes the phantom of her face:
None will ever sit where she did—none will ever fill her place.
With the passing of our Mary, like a sunset out of sight,
Passed away our pure first passion—all its life and all its light!
All that made the world a dreamland—all the glory and the glow
Of the fine, fresh, morning feeling vanished twenty years ago.

Girl, whose strange, unearthly beauty haunts us ever in our sleep,
Many griefs have worn our hearts out—we are now too tired to weep!
Time has tried us, years have changed us; but the sweetness shed by you
Falls upon our spirits daily, like divine, immortal dew.
Shining are our thoughts about you—of the blossoms past recall,
You are still the rose of lustre—still the fairest of them all;
In the sleep that brings the garland gathered from the bygone hours,
You are still our Mary Rivers—still the queen of all the flowers.

Let me ask, where none can hear me—When you passed into the shine,
And you heard a great love calling, did you know that it was mine?
In your life of light and music, tell me did you ever see,
Shining in a holy silence, what was as a flame in me?
Ah, my darling! no one saw it. Purer than untrodden dew
Was that first unhappy passion buried in the grave with you.
Bird and leaf will keep the secret—wind and wood will never tell
Men the thing that I have whispered. Mary Rivers, fare you well!

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The Austral Months

January

The first fair month! In singing Summer’s sphere
She glows, the eldest daughter of the year.
All light, all warmth, all passion, breaths of myrrh,
And subtle hints of rose-lands, come with her.
She is the warm, live month of lustre—she
Makes glad the land and lulls the strong, sad sea.
The highest hope comes with her. In her face
Of pure, clear colour lives exalted grace;
Her speech is beauty, and her radiant eyes
Are eloquent with splendid prophecies.


February

The bright-haired, blue-eyed last of Summer. Lo,
Her clear song lives in all the winds that blow;
The upland torrent and the lowland rill,
The stream of valley and the spring of hill,
The pools that slumber and the brooks that run
Where dense the leaves are, green the light of sun,
Take all her grace of voice and colour. She,
With rich warm vine-blood splashed from heel to knee,
Comes radiant through the yellow woodlands. Far
And near her sweet gifts shine like star by star.
She is the true Demeter. Life of root
Glows under her in gardens flushed with fruit;
She fills the fields with strength and passion—makes
A fire of lustre on the lawn-ringed lakes;
Her beauty awes the great wild sea; the height
Of grey magnificence takes strange delight
And softens at her presence, at the dear
Sweet face whose memory beams through all the year.


March

Clear upland voices, full of wind and stream,
Greet March, the sister of the flying beam
And speedy shadow. She, with rainbow crowned,
Lives in a sphere of songs of mazy sound.
The hymn of waters and the gale’s high tone,
With anthems from the thunder’s mountain throne,
Are with her ever. This, behold, is she
Who draws its great cry from the strong, sad sea;
She is the month of majesty. Her force
Is power that moves along a stately course,
Within the lines of order, like no wild
And lawless strength of winter’s fiercest child.
About her are the wind-whipped torrents; far
Above her gleams and flies the stormy star,
And round her, through the highlands and their rocks,
Rings loud the grand speech from the equinox.

April

The darling of Australia’s Autumn—now
Down dewy dells the strong, swift torrents flow!
This is the month of singing waters—here
A tender radiance fills the Southern year;
No bitter winter sets on herb and root,
Within these gracious glades, a frosty foot;
The spears of sleet, the arrows of the hail,
Are here unknown. But down the dark green dale
Of moss and myrtle, and the herby streams,
This April wanders in a home of dreams;
Her flower-soft name makes language falter. All
Her paths are soft and cool, and runnels fall
In music round her; and the woodlands sing
For evermore, with voice of wind and wing,
Because this is the month of beauty—this
The crowning grace of all the grace that is.

May

Now sings a cool, bland wind, where falls and flows
The runnel by the grave of last year’s rose;
Now, underneath the strong perennial leaves,
The first slow voice of wintering torrent grieves.
Now in a light like English August’s day,
Is seen the fair, sweet, chastened face of May;
She is the daughter of the year who stands
With Autumn’s last rich offerings in her hands;
Behind her gleams the ghost of April’s noon,
Before her is the far, faint dawn of June;
She lingers where the dells and dewy leas
Catch stormy sayings from the great bold seas;
Her nightly raiment is the misty fold
That zones her round with moonlight-coloured gold;
And in the day she sheds, from shining wings,
A tender heat that keeps the life in things.

June

Not like that month when, in imperial space,
The high, strong sun stares at the white world’s face;
Not like that haughty daughter of the year
Who moves, a splendour, in a splendid sphere;
But rather like a nymph of afternoon,
With cool, soft sunshine, comes Australian June.
She is the calm, sweet lady, from whose lips
No breath of living passion ever slips;
The wind that on her virgin forehead blows
Was born too late to speak of last year’s rose;
She never saw a blossom, but her eyes
Of tender beauty see blue, gracious skies;
She loves the mosses, and her feet have been
In woodlands where the leaves are always green;
Her days pass on with sea-songs, and her nights
Shine, full of stars, on lands of frosty lights.

July

High travelling winds, filled with the strong storm’s soul,
Are here, with dark, strange sayings from the Pole;
Now is the time when every great cave rings
With sharp, clear echoes caught from mountain springs;
This is the season when all torrents run
Beneath no bright, glad beauty of the sun.
Here, where the trace of last year’s green is lost,
Are haughty gales, and lordships of the frost.
Far down, by fields forlorn and forelands bleak,
Are wings that fly not, birds that never speak;
But in the deep hearts of the glens, unseen,
Stand grave, mute forests of eternal green;
And here the lady, born in wind and rain,
Comes oft to moan and clap her palms with pain.
This is our wild-faced July, in whose breast
Is never faultless light or perfect rest.

August

Across the range, by every scarred black fell,
Strong Winter blows his horn of wild farewell;
And in the glens, where yet there moves no wing,
A slow, sweet voice is singing of the Spring.
Yea, where the bright, quick woodland torrents run,
A music trembles under rain and sun.
The lips that breathe it are the lips of her
At whose dear touch the wan world’s pulses stir—
The nymph who sets the bow of promise high
And fills with warm life-light the bleak grey sky.
She is the fair-haired August. Ere she leaves
She brings the woodbine blossom round the eaves;
And where the bitter barbs of frost have been
She makes a beauty with her gold and green;
And, while a sea-song floats from bay and beach,
She sheds a mist of blossoms on the peach.

September
*


October

Where fountains sing and many waters meet,
October comes with blossom-trammelled feet.
She sheds green glory by the wayside rills
And clothes with grace the haughty-featured hills.
This is the queen of all the year. She brings
The pure chief beauty of our southern springs.
Fair lady of the yellow hair! Her breath
Starts flowers to life, and shames the storm to death;
Through tender nights and days of generous sun
By prospering woods her clear strong torrents run;
In far deep forests, where all life is mute,
Of leaf and bough she makes a touching lute.
Her life is lovely. Stream, and wind, and bird
Have seen her face—her marvellous voice have heard;
And, in strange tracts of wildwood, all day long,
They tell the story in surpassing song.


November

Now beats the first warm pulse of Summer—now
There shines great glory on the mountain’s brow.
The face of heaven in the western sky,
When falls the sun, is filled with Deity!
And while the first light floods the lake and lea,
The morning makes a marvel of the sea;
The strong leaves sing; and in the deep green zones
Of rock-bound glens the streams have many tones;
And where the evening-coloured waters pass,
Now glides November down fair falls of grass.
She is the wonder with the golden wings,
Who lays one hand in Summer’s—one in Spring’s;
About her hair a sunset radiance glows;
Her mouth is sister of the dewy rose;
And all the beauty of the pure blue skies
Has lent its lustre to her soft bright eyes.


December

The month whose face is holiness! She brings
With her the glory of majestic things.
What words of light, what high resplendent phrase
Have I for all the lustre of her days?
She comes, and carries in her shining sphere
August traditions of the world’s great year;
The noble tale which lifts the human race
Has made a morning of her sacred face.
Now in the emerald home of flower and wing
Clear summer streams their sweet hosannas sing;
The winds are full of anthems, and a lute
Speaks in the listening hills when night is mute
And through dim tracks where talks the royal tree
There floats a grand hymn from the mighty sea;
And where the grey, grave, pondering mountains stand
High music lives—the place is holy land!

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Narrara Creek

From the rainy hill-heads, where, in starts and in spasms,
Leaps wild the white torrent from chasms to chasms—
From the home of bold echoes, whose voices of wonder
Fly out of blind caverns struck black by high thunder—
Through gorges august, in whose nether recesses
Is heard the far psalm of unseen wildernesses—
Like a dominant spirit, a strong-handed sharer
Of spoil with the tempest, comes down the Narrara.
Yea, where the great sword of the hurricane cleaveth
The forested fells that the dark never leaveth—
By fierce-featured crags, in whose evil abysses
The clammy snake coils, and the flat adder hisses—
Past lordly rock temples, where Silence is riven
By the anthems supreme of the four winds of heaven—
It speeds, with the cry of the streams of the fountains
It chained to its sides, and dragged down from the mountains!

But when it goes forth from the slopes with a sally—
Being strengthened with tribute from many a valley—
It broadens and brightens, and thereupon marches
Above the stream sapphires and under green arches,
With the rhythm of majesty—careless of cumber—
Its might in repose and its fierceness in slumber—
Till it beams on the plains, where the wind is a bearer
Of words from the sea to the stately Narrara!

Narrara! grand son of the haughty hill torrent,
Too late in my day have I looked at thy current—
Too late in my life to discern and inherit
The soul of thy beauty, the joy of thy spirit!
With the years of the youth and the hairs of the hoary,
I sit like a shadow outside of thy glory;
Nor look with the morning-like feelings, O river,
That illumined the boy in the days gone for ever!

Ah! sad are the sounds of old ballads which borrow
One-half of their grief from the listener’s sorrow;
And sad are the eyes of the pilgrim who traces
The ruins of Time in revisited places;
But sadder than all is the sense of his losses
That cometh to one when a sudden age crosses
And cripples his manhood. So, stricken by fate, I
Felt older at thirty than some do at eighty.

Because I believe in the beautiful story,
The poem of Greece in the days of her glory—
That the high-seated Lord of the woods and the waters
Has peopled His world with His deified daughters—
That flowerful forests and waterways streaming
Are gracious with goddesses glowing and gleaming—
I pray that thy singing divinity, fairer
Than wonderful women, may listen, Narrara!

O spirit of sea-going currents!—thou, being
The child of immortals, all-knowing, all-seeing—
Thou hast at thy heart the dark truth that I borrow
For the song that I sing thee, no fanciful sorrow;
In the sight of thine eyes is the history written
Of Love smitten down as the strong leaf is smitten;
And before thee there goeth a phantom beseeching
For faculties forfeited—hopes beyond reaching.

Thou knowest, O sister of deities blazing
With splendour ineffable, beauty amazing,
What life the gods gave me—what largess I tasted—
The youth thrown away, and the faculties wasted.
I might, as thou seest, have stood in high places,
Instead of in pits where the brand of disgrace is,
A byword for scoffers—a butt and a caution,
With the grave of poor Burns and Maginn for my portion.
But the heart of the Father Supreme is offended,
And my life in the light of His favour is ended;
And, whipped by inflexible devils, I shiver,
With a hollow “Too late” in my hearing for ever;
But thou—being sinless, exalted, supernal,
The daughter of diademed gods, the eternal—
Shalt shine in thy waters when time and existence
Have dwindled, like stars, in unspeakable distance.

But the face of thy river—the torrented power
That smites at the rock while it fosters the flower—
Shall gleam in my dreams with the summer-look splendid,
And the beauty of woodlands and waterfalls blended;
And often I’ll think of far-forested noises,
And the emphasis deep of grand sea-going voices,
And turn to Narrara the eyes of a lover,
When the sorrowful days of my singing are over.

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Leichhardt

LORDLY harp, by lordly master wakened from majestic sleep,
Yet shall speak and yet shall sing the words which make the fathers weep!
Voice surpassing human voices—high, unearthly harmony—
Yet shall tell the tale of hero, in exalted years to be!
In the ranges, by the rivers, on the uplands, down the dells,
Where the sound of wind and wave is, where the mountain anthem swells,
Yet shall float the song of lustre, sweet with tears and fair with flame,
Shining with a theme of beauty, holy with our Leichhardt’s name!
Name of him who faced for science thirsty tracts of bitter glow,
Lurid lands that no one knows of—two-and-thirty years ago.

Born by hills of hard grey weather, far beyond the northern seas,
German mountains were his sponsors, and his mates were German trees;
Grandeur of the old-world forests passed into his radiant soul,
With the song of stormy crescents where the mighty waters roll.
Thus he came to be a brother of the river and the wood—
Thus the leaf, the bird, the blossom, grew a gracious sisterhood;
Nature led him to her children, in a space of light divine:
Kneeling down, he said—“My mother, let me be as one of thine!”
So she took him—thence she loved him—lodged him in her home of dreams,
Taught him what the trees were saying, schooled him in the speech of streams.

For her sake he crossed the waters—loving her, he left the place
Hallowed by his father’s ashes, and his human mother’s face—
Passed the seas and entered temples domed by skies of deathless beam,
Walled about by hills majestic, stately spires and peaks supreme!
Here he found a larger beauty—here the lovely lights were new
On the slopes of many flowers, down the gold-green dells of dew.
In the great august cathedral of his holy lady, he
Daily worshipped at her altars, nightly bent the reverent knee—
Heard the hymns of night and morning, learned the psalm of solitudes;
Knew that God was very near him—felt His presence in the woods!

But the starry angel, Science, from the home of glittering wings,
Came one day and talked to Nature by melodious mountain springs:
“Let thy son be mine,” she pleaded; “lend him for a space,” she said,
“So that he may earn the laurels I have woven for his head!”
And the lady, Nature, listened; and she took her loyal son
From the banks of moss and myrtle—led him to the Shining One!
Filled his lordly soul with gladness—told him of a spacious zone
Eye of man had never looked at, human foot had never known.
Then the angel, Science, beckoned, and he knelt and whispered low—
“I will follow where you lead me”—two-and-thirty years ago.

On the tracts of thirst and furnace—on the dumb, blind, burning plain,
Where the red earth gapes for moisture, and the wan leaves hiss for rain,
In a land of dry, fierce thunder, did he ever pause and dream
Of the cool green German valley and the singing German stream?
When the sun was as a menace, glaring from a sky of brass,
Did he ever rest, in visions, on a lap of German grass?
Past the waste of thorny terrors, did he reach a sphere of rills,
In a region yet untravelled, ringed by fair untrodden hills?
Was the spot where last he rested pleasant as an old-world lea?
Did the sweet winds come and lull him with the music of the sea?

Let us dream so—let us hope so! Haply in a cool green glade,
Far beyond the zone of furnace, Leichhardt’s sacred shell was laid!
Haply in some leafy valley, underneath blue, gracious skies,
In the sound of mountain water, the heroic traveller lies!
Down a dell of dewy myrtle, where the light is soft and green,
And a month like English April sits, an immemorial queen,
Let us think that he is resting—think that by a radiant grave
Ever come the songs of forest, and the voices of the wave!
Thus we want our sons to find him—find him under floral bowers,
Sleeping by the trees he loved so, covered with his darling flowers!

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Orara

THE STRONG sob of the chafing stream
That seaward fights its way
Down crags of glitter, dells of gleam,
Is in the hills to-day.

But far and faint, a grey-winged form
Hangs where the wild lights wane—
The phantom of a bygone storm,
A ghost of wind and rain.

The soft white feet of afternoon
Are on the shining meads,
The breeze is as a pleasant tune
Amongst the happy reeds.

The fierce, disastrous, flying fire,
That made the great caves ring,
And scarred the slope, and broke the spire,
Is a forgotten thing.

The air is full of mellow sounds,
The wet hill-heads are bright,
And down the fall of fragrant grounds
The deep ways flame with light.

A rose-red space of stream I see,
Past banks of tender fern;
A radiant brook, unknown to me
Beyond its upper turn:

The singing silver life I hear,
Whose home is in the green,
Far-folded woods of fountains clear,
Where I have never been.

Ah, brook above the upper bend,
I often long to stand
Where you in soft, cool shades descend
From the untrodden land!

Ah, folded woods, that hide the grace
Of moss and torrents strong,
I often wish to know the face
Of that which sings your song!

But I may linger, long, and look
Till night is over all:
My eyes will never see the brook,
Or sweet, strange waterfall.

The world is round me with its heat,
And toil, and cares that tire;
I cannot with my feeble feet
Climb after my desire.

But, on the lap of lands unseen,
Within a secret zone,
There shine diviner gold and green
Than man has ever known.

And where the silver waters sing
Down hushed and holy dells,
The flower of a celestial Spring,
A tenfold splendour, dwells.

Yea, in my dream of fall and brook
By far sweet forests furled,
I see that light for which I look
In vain through all the world—

The glory of a larger sky
On slopes of hills sublime,
That speak with God and morning, high
Above the ways of Time!

Ah! haply, in this sphere of change
Where shadows spoil the beam,
It would not do to climb that range
And test my radiant Dream.

The slightest glimpse of yonder place,
Untrodden and alone,
Might wholly kill that nameless grace
The charm of the unknown.

And therefore, though I look and long,
Perhaps the lot is bright
Which keeps the river of the song
A beauty out of sight

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To a Mountain

To thee, O father of the stately peaks,
Above me in the loftier light -- to thee,
Imperial brother of those awful hills
Whose feet are set in splendid spheres of flame,
Whose heads are where the gods are, and whose sides
Of strength are belted round with all the zones
Of all the world, I dedicate these songs.
And if, within the compass of this book,
There lives and glows ONE verse in which there beats
The pulse of wind and torrent -- if ONE line
Is here that like a running water sounds,
And seems an echo from the lands of leaf,
Be sure that line is thine. Here, in this home,
Away from men and books and all the schools,
I take thee for my Teacher. In thy voice
Of deathless majesty, I, kneeling, hear
God's grand authentic Gospel! Year by year,
The great sublime cantata of thy storm
Strikes through my spirit -- fills it with a life
Of startling beauty! Thou my Bible art
With holy leaves of rock, and flower, and tree,
And moss, and shining runnel. From each page
That helps to make thy awful volume, I
Have learned a noble lesson. In the psalm
Of thy grave winds, and in the liturgy
Of singing waters, lo! my soul has heard
The higher worship; and from thee, indeed,
The broad foundations of a finer hope
Were gathered in; and thou hast lifted up
The blind horizon for a larger faith!
Moreover, walking in exalted woods
Of naked glory, in the green and gold
Of forest sunshine, I have paused like one
With all the life transfigured: and a flood
Of light ineffable has made me feel
As felt the grand old prophets caught away
By flames of inspiration; but the words
Sufficient for the story of my Dream
Are far too splendid for poor human lips!
But thou, to whom I turn with reverent eyes --
O stately Father, whose majestic face
Shines far above the zone of wind and cloud,
Where high dominion of the morning is --
Thou hast the Song complete of which my songs
Are pallid adumbrations! Certain sounds
Of strong authentic sorrow in this book
May have the sob of upland torrents -- these,
And only these, may touch the great World's heart;
For, lo! they are the issues of that grief
Which makes a man more human, and his life
More like that frank exalted life of thine.
But in these pages there are other tones
In which thy large, superior voice is not --
Through which no beauty that resembles thine
Has ever shone. THESE are the broken words
Of blind occasions, when the World has come
Between me and my Dream. No song is here
Of mighty compass; for my singing robes
I've worn in stolen moments. All my days
Have been the days of a laborious life,
And ever on my struggling soul has burned
The fierce heat of this hurried sphere. But thou,
To whose fair majesty I dedicate
My book of rhymes -- thou hast the perfect rest
Which makes the heaven of the highest gods!
To thee the noises of this violent time
Are far, faint whispers; and, from age to age,
Within the world and yet apart from it,
Thou standest! Round thy lordly capes the sea
Rolls on with a superb indifference
For ever; in thy deep, green, gracious glens
The silver fountains sing for ever. Far
Above dim ghosts of waters in the caves,
The royal robe of morning on thy head
Abides for ever! Evermore the wind
Is thy august companion; and thy peers
Are cloud, and thunder, and the face sublime
Of blue mid-heaven! On thy awful brow
Is Deity; and in that voice of thine
There is the great imperial utterance
Of God for ever; and thy feet are set
Where evermore, through all the days and years,
There rolls the grand hymn of the deathless wave.

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In Memoriam~ -- Alice Fane Gunn Stenhouse

The grand, authentic songs that roll
Across grey widths of wild-faced sea,
The lordly anthems of the Pole,
Are loud upon the lea.

Yea, deep and full the South Wind sings
The mighty symphonies that make
A thunder at the mountain springs -
A whiteness on the lake.

And where the hermit hornet hums,
When Summer fires his wings with gold,
The hollow voice of August comes,
Across the rain and cold.

Now on the misty mountain tops,
Where gleams the crag and glares the fell,
Wild Winter, like one hunted, stops
And shouts a fierce farewell.

Keen fitful gusts shoot past the shore
And hiss by moor and moody mere -
The heralds bleak that come before
The turning of the year.

A sobbing spirit wanders where
By fits and starts the wild-fire shines;
Like one who walks in deep despair,
With Death amongst the pines.

And ah! the fine, majestic grief
Which fills the heart of forests lone,
And makes a lute of limb and leaf
Is human in its tone.

Too human for the thought to slip -
How every song that sorrow sings
Betrays the broad relationship
Of all created things.

Man's mournful speech, the wail of tree,
The words the winds and waters say,
Make up that general elegy,
Whose burden is decay.

To-night my soul looks back and sees,
Across wind-broken wastes of wave,
A widow on her bended knees
Beside a new-made grave.

A sufferer with a touching face
By love and grief made beautiful;
Whose rapt religion lights the place
Where death holds awful rule.

The fair, tired soul whose twofold grief
For child and father lends a tone
Of pathos to the pallid leaf
That sighs above the stone.

The large beloved heart whereon
She used to lean, lies still and cold,
Where, like a seraph, shines the sun
On flowerful green and gold.

I knew him well - the grand, the sweet,
Pure nature past all human praise;
The dear Gamaliel at whose feet
I sat in other days.

He, glorified by god-like lore,
First showed my soul Life's highest aim;
When, like one winged, I breathed - before
The years of sin and shame.

God called him Home. And, in the calm
Beyond our best possessions priced,
He passed, as floats a faultless psalm,
To his fair Father, Christ.

But left as solace for the hours
Of sorrow and the loss thereof;
A sister of the birds and flowers,
The daughter of his love.

She, like a stray sweet seraph, shed
A healing spirit, that flamed and flowed
As if about her bright young head
A crown of saintship glowed.

Suppressing, with sublime self-slight,
The awful face of that distress
Which fell upon her youth like blight,
She shone like happiness.

And, in the home so sanctified
By death in its most noble guise,
She kissed the lips of love, and dried
The tears in sorrow's eyes.

And helped the widowed heart to lean,
So broken up with human cares,
On one who must be felt and seen
By such pure souls as hers.

Moreover, having lived, and learned
The taste of Life's most bitter spring,
For all the sick this sister yearned -
The poor and suffering.

But though she had for every one
The phrase of comfort and the smile,
This shining daughter of the sun
Was dying all the while.

Yet self-withdrawn - held out of reach
Was grief; except when music blent
Its deep, divine, prophetic speech
With voice and instrument.

Then sometimes would escape a cry
From that dark other life of hers -
The half of her humanity -
And sob through sound and verse.

At last there came the holy touch,
With psalms from higher homes and hours;
And she who loved the flowers so much
Now sleeps amongst the flowers.

By hearse-like yews and grey-haired moss,
Where wails the wind in starts and fits,
Twice bowed and broken down with loss,
The wife, the mother sits.

God help her soul! She cannot see,
For very trouble, anything
Beyond this wild Gethsemane
Of swift, black suffering;

Except it be that faltering faith
Which leads the lips of life to say:
'There must be something past this death -
Lord, teach me how to pray!'

Ah, teach her, Lord! And shed through grief
The clear full light, the undefiled,
The blessing of the bright belief
Which sanctified her child.

Let me, a son of sin and doubt,
Whose feet are set in ways amiss -
Who cannot read Thy riddle out,
Just plead, and ask Thee this;

Give her the eyes to see the things -
The Life and Love I cannot see;
And lift her with the helping wings
Thou hast denied to me.

Yea, shining from the highest blue
On those that sing by Beulah's streams,
Shake on her thirsty soul the dew
Which brings immortal dreams.

So that her heart may find the great,
Pure faith for which it looks so long;
And learn the noble way to wait,
To suffer, and be strong.

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In Memory of Edward Butler

A voice of grave, deep emphasis
Is in the woods to-night;
No sound of radiant day is this,
No cadence of the light.
Here in the fall and flights of leaves
Against grey widths of sea,
The spirit of the forests grieves
For lost Persephone.
The fair divinity that roves
Where many waters sing
Doth miss her daughter of the groves —
The golden-headed Spring.
She cannot find the shining hand
That once the rose caressed;
There is no blossom on the land,
No bird in last year’s nest.

Here, where this strange Demeter weeps —
This large, sad life unseen —
Where July’s strong, wild torrent leaps
The wet hill-heads between,
I sit and listen to the grief,
The high, supreme distress,
Which sobs above the fallen leaf
Like human tenderness!

Where sighs the sedge and moans the marsh,
The hermit plover calls;
The voice of straitened streams is harsh
By windy mountain walls;
There is no gleam upon the hills
Of last October’s wings;
The shining lady of the rills
Is with forgotten things.

Now where the land’s worn face is grey
And storm is on the wave,
What flower is left to bear away
To Edward Butler’s grave?
What tender rose of song is here
That I may pluck and send
Across the hills and seas austere
To my lamented friend?

There is no blossom left at all;
But this white winter leaf,
Whose glad green life is past recall,
Is token of my grief.
Where love is tending growths of grace,
The first-born of the Spring,
Perhaps there may be found a place
For my pale offering.

For this heroic Irish heart
We miss so much to-day,
Whose life was of our lives a part,
What words have I to say?
Because I know the noble woe
That shrinks beneath the touch —
The pain of brothers stricken low —
I will not say too much.

But often in the lonely space
When night is on the land,
I dream of a departed face —
A gracious, vanished hand.
And when the solemn waters roll
Against the outer steep,
I see a great, benignant soul
Beside me in my sleep.

Yea, while the frost is on the ways
With barren banks austere,
The friend I knew in other days
Is often very near.
I do not hear a single tone;
But where this brother gleams,
The elders of the seasons flown
Are with me in my dreams.

The saintly face of Stenhouse turns —
His kind old eyes I see;
And Pell and Ridley from their urns
Arise and look at me.
By Butler’s side the lights reveal
The father of his fold,
I start from sleep in tears, and feel
That I am growing old.

Where Edward Butler sleeps, the wave
Is hardly ever heard;
But now the leaves above his grave
By August’s songs are stirred.
The slope beyond is green and still,
And in my dreams I dream
The hill is like an Irish hill
Beside an Irish stream.

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Sydney Exhibition Cantata

Songs of morning, with your breath
Sing the darkness now to death;
Radiant river, beaming bay,
Fair as Summer, shine to-day;
Flying torrent, falling slope, ~Chorus~
Wear the face as bright as Hope;
Wind and woodland, hill and sea,
Lift your voices - sing for glee!
Greet the guests your fame has won -
Put your brightest garments on.


~Recitative and Chorus~

Lo, they come - the lords unknown,
Sons of Peace, from every zone!
See above our waves unfurled
All the flags of all the world!
North and south and west and east
Gather in to grace our feast.
Shining nations! let them see
How like England we can be.
Mighty nations! let them view
Sons of generous sires in you.


~Solo - Tenor~

By the days that sound afar,
Sound, and shine like star by star;
By the grand old years aflame
With the fires of England's fame -
Heirs of those who fought for right
When the world's wronged face was white -
Meet these guests your fortune sends,
As your fathers met their friends;
Let the beauty of your race
Glow like morning in your face.


Part II


~Solo - Bass~

Where now a radiant city stands,
The dark oak used to wave,
The elfin harp of lonely lands
Above the wild man's grave;
Through windless woods, one clear, sweet stream
(Sing soft and very low)
Stole like the river of a dream
A hundred years ago.


~Solo - Alto~

Upon the hills that blaze to-day
With splendid dome and spire,
The naked hunter tracked his prey,
And slumbered by his fire.
Within the sound of shipless seas
The wild rose used to blow
About the feet of royal trees,
A hundred years ago.


~Solo - Soprano~

Ah! haply on some mossy slope,
Against the shining springs,
In those old days the angel Hope
Sat down with folded wings;
Perhaps she touched in dreams sublime,
In glory and in glow,
The skirts of this resplendent time,
A hundred years ago.


Part III


~Children~

A gracious morning on the hills of wet
And wind and mist her glittering feet has set;
The life and heat of light have chased away
Australia's dark, mysterious yesterday.
A great, glad glory now flows down and shines
On gold-green lands where waved funereal pines.


~Solo - Soprano~

And hence a fair dream goes before our gaze,
And lifts the skirts of the hereafter days,
And sees afar, as dreams alone can see,
The splendid marvel of the years to be.


Part IV


~Basses and Chorus~

Father, All-Bountiful, humbly we bend to Thee;
Heads are uncovered in sight of Thy face.
Here, in the flow of the psalms that ascend to Thee,
Teach us to live for the light of Thy grace.
Here, in the pause of the anthems of praise to Thee,
Master and Maker - pre-eminent Friend -
Teach us to look to Thee - give all our days to Thee,
Now and for evermore, world without end!

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Names Upon a Stone: (Inscribed to G. L. Fagan, Esq.)

ACROSS bleak widths of broken sea
A fierce north-easter breaks,
And makes a thunder on the lea—
A whiteness of the lakes.
Here, while beyond the rainy stream
The wild winds sobbing blow,
I see the river of my dream
Four wasted years ago.

Narrara of the waterfalls,
The darling of the hills,
Whose home is under mountain walls
By many-luted rills!
Her bright green nooks and channels cool
I never more may see;
But, ah! the Past was beautiful—
The sights that used to be.

There was a rock-pool in a glen
Beyond Narrara’s sands;
The mountains shut it in from men
In flowerful fairy lands;
But once we found its dwelling-place—
The lovely and the lone—
And, in a dream, I stooped to trace
Our names upon a stone.

Above us, where the star-like moss
Shone on the wet, green wall
That spanned the straitened stream across,
We saw the waterfall—
A silver singer far away,
By folded hills and hoar;
Its voice is in the woods to-day—
A voice I hear no more.

I wonder if the leaves that screen
The rock-pool of the past
Are yet as soft and cool and green
As when we saw them last!
I wonder if that tender thing,
The moss, has overgrown
The letters by the limpid spring—
Our names upon the stone!

Across the face of scenes we know
There may have come a change—
The places seen four years ago
Perhaps would now look strange.
To you, indeed, they cannot be
What haply once they were:
A friend beloved by you and me
No more will greet us there.

Because I know the filial grief
That shrinks beneath the touch—
The noble love whose words are brief—
I will not say too much;
But often when the night-winds strike
Across the sighing rills,
I think of him whose life was like
The rock-pool’s in the hills.

A beauty like the light of song
Is in my dreams, that show
The grand old man who lived so long
As spotless as the snow.
A fitting garland for the dead
I cannot compass yet;
But many things he did and said
I never will forget.

In dells where once we used to rove
The slow, sad water grieves;
And ever comes from glimmering grove
The liturgy of leaves.
But time and toil have marked my face,
My heart has older grown
Since, in the woods, I stooped to trace
Our names upon the stone.

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The Voice in the Wild Oak

Twelve years ago, when I could face
High heaven’s dome with different eyes—
In days full-flowered with hours of grace,
And nights not sad with sighs—
I wrote a song in which I strove
To shadow forth thy strain of woe,
Dark widowed sister of the grove!—
Twelve wasted years ago.
But youth was then too young to find
Those high authentic syllables,
Whose voice is like the wintering wind
By sunless mountain fells;
Nor had I sinned and suffered then
To that superlative degree
That I would rather seek, than men,
Wild fellowship with thee!

But he who hears this autumn day
Thy more than deep autumnal rhyme,
Is one whose hair was shot with grey
By Grief instead of Time.
He has no need, like many a bard,
To sing imaginary pain,
Because he bears, and finds it hard,
The punishment of Cain.

No more he sees the affluence
Which makes the heart of Nature glad;
For he has lost the fine, first sense
Of Beauty that he had.
The old delight God’s happy breeze
Was wont to give, to Grief has grown;
And therefore, Niobe of trees,
His song is like thine own!

But I, who am that perished soul,
Have wasted so these powers of mine,
That I can never write that whole,
Pure, perfect speech of thine.
Some lord of words august, supreme,
The grave, grand melody demands;
The dark translation of thy theme
I leave to other hands.

Yet here, where plovers nightly call
Across dim, melancholy leas—
Where comes by whistling fen and fall
The moan of far-off seas—
A grey, old Fancy often sits
And fills thy strong, strange rhyme by fits
With awful utterings.

Then times there are when all the words
Are like the sentences of one
Shut in by Fate from wind and birds
And light of stars and sun,
No dazzling dryad, but a dark
Dream-haunted spirit doomed to be
Imprisoned, crampt in bands of bark,
For all eternity.

Yea, like the speech of one aghast
At Immortality in chains,
What time the lordly storm rides past
With flames and arrowy rains:
Some wan Tithonus of the wood,
White with immeasurable years—
An awful ghost in solitude
With moaning moors and meres.

And when high thunder smites the hill
And hunts the wild dog to his den,
Thy cries, like maledictions, shrill
And shriek from glen to glen,
As if a frightful memory whipped
Thy soul for some infernal crime
That left it blasted, blind, and stript—
A dread to Death and Time!

But when the fair-haired August dies,
And flowers wax strong and beautiful,
Thy songs are stately harmonies
By wood-lights green and cool—
Most like the voice of one who shows
Through sufferings fierce, in fine relief,
A noble patience and repose—
A dignity in grief.

But, ah! conceptions fade away,
And still the life that lives in thee—
The soul of thy majestic lay—
Remains a mystery!
And he must speak the speech divine—
The language of the high-throned lords—
Who’d give that grand old theme of thine
Its sense in faultless words.

By hollow lands and sea-tracts harsh,
With ruin of the fourfold gale,
Where sighs the sedge and sobs the marsh,
Still wail thy lonely wail;
And, year by year, one step will break
The sleep of far hill-folded streams,
And seek, if only for thy sake
Thy home of many dreams.

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Lilith

Strange is the song, and the soul that is singing
Falters because of the vision it sees;
Voice that is not of the living is ringing
Down in the depths where the darkness is clinging,
Even when Noon is the lord of the leas,
Fast, like a curse, to the ghosts of the trees!
Here in a mist that is parted in sunder,
Half with the darkness and half with the day;
Face of a woman, but face of a wonder,
Vivid and wild as a flame of the thunder,
Flashes and fades, and the wail of the grey
Water is loud on the straits of the bay!

Father, whose years have been many and weary—
Elder, whose life is as lovely as light
Shining in ways that are sterile and dreary—
Tell me the name of this beautiful peri,
Flashing on me like the wonderful white
Star, at the meeting of morning and night.

Look to thy Saviour, and down on thy knee, man,
Lean on the Lord, as the Zebedee leaned;
Daughter of hell is the neighbour of thee, man—
Lilith, of Adam the luminous leman!
Turn to the Christ to be succoured and screened,
Saved from the eyes of a marvellous fiend!

Serpent she is in the shape of a woman,
Brighter than woman, ineffably fair!
Shelter thyself from the splendour, and sue, man;
Light that was never a loveliness human
Lives in the face of this sinister snare,
Longing to strangle thy soul with her hair!

Lilith, who came to the father and bound him
Fast with her eyes in the first of the springs;
Lilith she is, but remember she drowned him,
Shedding her flood of gold tresses around him—
Lulled him to sleep with the lyric she sings:
Melody strange with unspeakable things!

Low is her voice, but beware of it ever,
Swift bitter death is the fruit of delay;
Never was song of its beauty—ah! never—
Heard on the mountain, or meadow, or river,
Not of the night is it, not of the day—
Fly from it, stranger, away and away.

Back on the hills are the blossom and feather,
Glory of noon is on valley and spire;
Here is the grace of magnificent weather,
Where is the woman from gulfs of the nether?
Where is the fiend with the face of desire?
Gone, with a cry, in miraculous fire!

Sound that was not of this world, or the spacious
Splendid blue heaven, has passed from the lea;
Dead is the voice of the devil audacious:
Only a dream is her music fallacious,
Here, in the song and the shadow of tree,
Down by the green and the gold of the sea.

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~Araluen~

River, myrtle rimmed, and set
Deep amongst unfooted dells—
Daughter of grey hills of wet,
Born by mossed and yellow wells;
Now that soft September lays
Tender hands on thee and thine,
Let me think of blue-eyed days,
Star-like flowers and leaves of shine!

Cities soil the life with rust;
Water banks are cool and sweet;
River, tired of noise and dust,
Here I come to rest my feet.

Now the month from shade to sun
Fleets and sings supremest songs,
Now the wilful wood-winds run
Through the tangled cedar throngs.

Here are cushioned tufts and turns
Where the sumptuous noontide lies:
Here are seen by flags and ferns
Summer’s large, luxurious eyes.

On this spot wan Winter casts
Eyes of ruth, and spares its green
From his bitter sea-nursed blasts,
Spears of rain and hailstones keen.

Rather here abideth Spring,
Lady of a lovely land,
Dear to leaf and fluttering wing,
Deep in blooms—by breezes fanned.

Faithful friend beyond the main,
Friend that time nor change makes cold;
Now, like ghosts, return again
Pallid, perished days of old.

Ah, the days!—the old, old theme,
Never stale, but never new,
Floating like a pleasant dream,
Back to me and back to you.

Since we rested on these slopes
Seasons fierce have beaten down
Ardent loves and blossoming hopes—
Loves that lift and hopes that crown.

But, believe me, still mine eyes
Often fill with light that springs
From divinity, which lies
Ever at the heart of things.

Solace do I sometimes find
Where you used to hear with me
Songs of stream and forest wind,
Tones of wave and harp-like tree.

Araluen—home of dreams,
Fairer for its flowerful glade
Than the face of Persian streams
Or the slopes of Syrian shade;

Why should I still love it so,
Friend and brother far away?
Ask the winds that come and go,
What hath brought me here to-day.

Evermore of you I think,
When the leaves begin to fall,
Where our river breaks its brink,
And a rest is over all.

Evermore in quiet lands,
Friend of mine beyond the sea,
Memory comes with cunning hands,
Stays, and paints your face for me.

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The Curse of Mother Flood

Wizened the wood is, and wan is the way through it;
White as a corpse is the face of the fen;
Only blue adders abide in and stray through it—
Adders and venom and horrors to men.
Here is the “ghost of a garden” whose minister
Fosters strange blossoms that startle and scare.
Red as man’s blood is the sun that, with sinister
Flame, is a menace of hell in the air.
Wrinkled and haggard the hills are—the jags of them
Gape like to living and ominous things:
Storm and dry thunder cry out in the crags of them—
Fire, and the wind with a woe in its wings.
Never a moon without clammy-cold shroud on it
Hitherward comes, or a flower-like star!
Only the hiss of the tempest is loud on it—
Hiss, and the moan of a bitter sea bar.
Here on this waste, and to left and to right of it,
Never is lisp or the ripple of rain:
Fierce is the daytime and wild is the night of it,
Flame without limit and frost without wane!
Trees half alive, with the sense of a curse on them,
Shudder and shrink from the black heavy gale;
Ghastly, with boughs like the plumes of a hearse on them:
Barren of blossom and blasted with bale.

Under the cliff that stares down to the south of it—
Back by the horns of a hazardous hill,
Dumb is the gorge with a grave in the mouth of it
Still, as a corpse in a coffin is still.
Never there hovers a hope of the Spring by it—
Never a glimmer of yellow and green:
Only the bat with a whisper of wing by it
Flits like a life out of flesh and unseen.
Here are the growths that are livid and glutinous,
Speckled, and bloated with poisonous blood:
This is the haunt of the viper-breed mutinous:
Cursed with the curse of weird Catherine Flood.

He that hath looked on it—hurried aghast from it,
Hair of him frozen with horror straightway,
Chased by a sudden strange pestilent blast from it—
Where is the speech of him—what can he say?
Hath he not seen the fierce ghost of a hag in it?
Heard maledictions that startle the stars?
Dumb is his mouth as a mouth with a gag in it—
Mute is his life as a life within bars.
Just the one glimpse of that grey, shrieking woman there
Ringed by a circle of furnace and fiend!
He that went happy and healthy and human there—
Where shall the white leper fly to be cleaned?

Here, in a pit with indefinite doom on it,
Here, in the fumes of a feculent moat,
Under an alp with inscrutable gloom on it,
Squats the wild witch with a ghoul at her throat!
Black execration that cannot be spoken of—
Speech of red hell that would suffocate Song,
Starts from this terror with never a token of
Day and its loveliness all the year long.
Sin without name to it—man never heard of it—
Crime that would startle a fiend from his lair,
Blasted this Glen, and the leaf and the bird of it—
Where is there hope for it, Father, O where?

Far in the days of our fathers, the life in it
Blossomed and beamed in the sight of the sun:
Yellow and green and the purple were rife in it,
Singers of morning and waters that run.
Storm of the equinox shed no distress on it,
Thunder spoke softly, and summer-time left
Sunset’s forsaken bright beautiful dress on it—
Blessing that shone half the night in the cleft.
Hymns of the highlands—hosannas from hills by it,
Psalms of great forests made holy the spot:
Cool were the mosses and clear were the rills by it—
Far in the days when the Horror was not.

Twenty miles south is the strong, shining Hawkesbury—
Spacious and splendid, and lordly with blooms.
There, between mountains magnificent, walks bury
Miles of their beauty in green myrtle glooms.
There, in the dell, is the fountain with falls by it—
Falls, and a torrent of summering stream:
There is the cave with the hyaline halls by it—
Haunt of the echo and home of the dream.
Over the hill, by the marvellous base of it,
Wanders the wind with a song in its breath
Out to the sea with the gold on the face of it—
Twenty miles south of the Valley of Death.

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Wamberal

Just a shell, to which the seaweed glittering yet with greenness clings,
Like the song that once I loved so, softly of the old time sings -
Softly of the old time speaketh - bringing ever back to me
Sights of far-off lordly forelands - glimpses of the sounding sea!
Now the cliffs are all before me - now, indeed, do I behold
Shining growths on wild wet hillheads, quiet pools of green and gold.
And, across the gleaming beaches, lo! the mighty flow and fall
Of the great ingathering waters thundering under Wamberal!

Back there are the pondering mountains; there the dim, dumb ranges loom -
Ghostly shapes in dead grey vapour - half-seen peaks august with gloom.
There the voice of troubled torrents, hidden in unfathomed deeps,
Known to moss and faint green sunlight, wanders down the oozy steeps.
There the lake of many runnels nestles in a windless wild
Far amongst thick-folded forests, like a radiant human child.
And beyond surf-smitten uplands - high above the highest spur -
Lo! the clouds like tents of tempest on the crags of Kincumber!

Wamberal, the home of echoes! Hard against a streaming strand,
Sits the hill of blind black caverns, at the limits of the land.
Here the haughty water marches - here the flights of straitened sea
Make a noise like that of trumpets, breaking wide across the lea!
But behold, in yonder crescent that a ring of island locks
Are the gold and emerald cisterns shining moonlike in the rocks!
Clear, bright cisterns, zoned by mosses, where the faint wet blossoms dwell
With the leaf of many colours - down beside the starry shell.

Friend of mine beyond the mountains, here and here the perished days
Come like sad reproachful phantoms, in the deep grey evening haze -
Come like ghosts, and sit beside me when the noise of day is still,
And the rain is on the window, and the wind is on the hill.
Then they linger, but they speak not, while my memory roams and roams
Over scenes by death made sacred - other lands and other homes!
Places sanctified by sorrow - sweetened by the face of yore -
Face that you and I may look on (friend and brother) nevermore!

Seasons come with tender solace - time lacks neither light nor rest;
But the old thoughts were such ~dear~ ones, and the old days seem the best.
And to those who've loved and suffered, every pulse of wind or rain -
Every song with sadness in it, brings the peopled Past again.
Therefore, just this shell yet dripping, with this weed of green and grey,
Sets me thinking - sets me dreaming of the places far away;
Dreaming of the golden rockpools - of the foreland and the fall;
And the home behind the mountains looming over Wamberal.

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After Many Years

The song that once I dreamed about,
   The tender, touching thing,
As radiant as the rose without,
   The love of wind and wing:
The perfect verses, to the tune
   Of woodland music set,
As beautiful as afternoon,
   Remain unwritten yet.

It is too late to write them now --
   The ancient fire is cold;
No ardent lights illume the brow,
   As in the days of old.
I cannot dream the dream again;
   But, when the happy birds
Are singing in the sunny rain,
   I think I hear its words.

I think I hear the echo still
   Of long-forgotten tones,
When evening winds are on the hill
   And sunset fires the cones;
But only in the hours supreme,
   With songs of land and sea,
The lyrics of the leaf and stream,
   This echo comes to me.

No longer doth the earth reveal
   Her gracious green and gold;
I sit where youth was once, and feel
   That I am growing old.
The lustre from the face of things
   Is wearing all away;
Like one who halts with tired wings,
   I rest and muse to-day.

There is a river in the range
   I love to think about;
Perhaps the searching feet of change
   Have never found it out.
Ah! oftentimes I used to look
   Upon its banks, and long
To steal the beauty of that brook
   And put it in a song.

I wonder if the slopes of moss,
   In dreams so dear to me --
The falls of flower, and flower-like floss --
   Are as they used to be!
I wonder if the waterfalls,
   The singers far and fair,
That gleamed between the wet, green walls,
   Are still the marvels there!

Ah! let me hope that in that place
   Those old familiar things
To which I turn a wistful face
   Have never taken wings.
Let me retain the fancy still
   That, past the lordly range,
There always shines, in folds of hill,
   One spot secure from change!

I trust that yet the tender screen
   That shades a certain nook
Remains, with all its gold and green,
   The glory of the brook.
It hides a secret to the birds
   And waters only known:
The letters of two lovely words --
   A poem on a stone.

Perhaps the lady of the past
   Upon these lines may light,
The purest verses, and the last,
   That I may ever write:
She need not fear a word of blame:
   Her tale the flowers keep --
The wind that heard me breathe her name
   Has been for years asleep.

But in the night, and when the rain
   The troubled torrent fills,
I often think I see again
   The river in the hills;
And when the day is very near,
   And birds are on the wing,
My spirit fancies it can hear
   The song I cannot sing.

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Galatea

A SILVER slope, a fall of firs, a league of gleaming grasses,
And fiery cones, and sultry spurs, and swarthy pits and passes!

The long-haired Cyclops bated breath, and bit his lip and hearkened,
And dug and dragged the stone of death, by ways that dipped and darkened.

Across a tract of furnaced flints there came a wind of water,
From yellow banks with tender hints of Tethys’ white-armed daughter.

She sat amongst wild singing weeds, by beds of myrrh and moly;
And Acis made a flute of reeds, and drew its accents slowly;

And taught its spirit subtle sounds that leapt beyond suppression,
And paused and panted on the bounds of fierce and fitful passion.

Then he who shaped the cunning tune, by keen desire made bolder,
Fell fainting, like a fervent noon, upon the sea-nymph’s shoulder.

Sicilian suns had laid a dower of light and life about her:
Her beauty was a gracious flower—the heart fell dead without her.

“Ah, Galate,” said Polypheme, “I would that I could find thee
Some finest tone of hill or stream, wherewith to lull and bind thee!

“What lyre is left of marvellous range, whose subtle strings, containing
Some note supreme, might catch and change, or set thy passion waning?—

“Thy passion for the fair-haired youth whose fleet, light feet perplex me
By ledges rude, on paths uncouth, and broken ways that vex me?

“Ah, turn to me! else violent sleep shall track the cunning lover;
And thou wilt wait and thou wilt weep when I his haunts discover.”

But golden Galatea laughed, and Thosa’s son, like thunder,
Broke through a rifty runnel shaft, and dashed its rocks asunder,

And poised the bulk, and hurled the stone, and crushed the hidden Acis,
And struck with sorrow drear and lone the sweetest of all faces.

To Zeus, the mighty Father, she, with plaint and prayer, departed:
Then from fierce Aetna to the sea a fountained water started—

A lucent stream of lutes and lights—cool haunt of flower and feather,
Whose silver days and yellow nights made years of hallowed weather.

Here Galatea used to come, and rest beside the river;
Because, in faint, soft, blowing foam, her shepherd lived for ever.

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The Sydney International Exhibition

Now, while Orion, flaming south, doth set
A shining foot on hills of wind and wet—
Far haughty hills beyond the fountains cold
And dells of glimmering greenness manifold—
While August sings the advent of the Spring,
And in the calm is heard September’s wing,
The lordly voice of song I ask of thee,
High, deathless radiance—crowned Calliope!
What though we never hear the great god’s lays
Which made all music the Hellenic days—
What though the face of thy fair heaven beams
Still only on the crystal Grecian streams—
What though a sky of new, strange beauty shines
Where no white Dryad sings within the pines:
Here is a land whose large, imperial grace
Must tempt thee, goddess, in thine holy place!
Here are the dells of peace and plenilune,
The hills of morning and the slopes of noon;
Here are the waters dear to days of blue,
And dark-green hollows of the noontide dew;
Here lies the harp, by fragrant wood-winds fanned,
That waits the coming of thy quickening hand!
And shall Australia, framed and set in sea,
August with glory, wait in vain for thee?
Shall more than Tempe’s beauty be unsung
Because its shine is strange—its colours young?
No! by the full, live light which puts to shame
The far, fair splendours of Thessalian flame—
By yonder forest psalm which sinks and swells
Like that of Phocis, grave with oracles—
By deep prophetic winds that come and go
Where whispering springs of pondering mountains flow—
By lute-like leaves and many-languaged caves,
Where sounds the strong hosanna of the waves,
This great new majesty shall not remain
Unhonoured by the high immortal strain!
Soon, soon, the music of the southern lyre
Shall start and blossom with a speech like fire!
Soon, soon, shall flower and flow in flame divine
Thy songs, Apollo, and Euterpe, thine!
Strong, shining sons of Delphicus shall rise
With all their father’s glory in their eyes;
And then shall beam on yonder slopes and springs
The light that swims upon the light of things.
And therefore, lingering in a land of lawn,
I, standing here, a singer of the dawn,
With gaze upturned to where wan summits lie
Against the morning flowing up the sky—
Whose eyes in dreams of many colours see
A glittering vision of the years to be—
Do ask of thee, Calliope, one hour
Of life pre-eminent with perfect power,
That I may leave a song whose lonely rays
May shine hereafter from these songless days.

For now there breaks across the faint grey range
The rose-red dawning of a radiant change.
A soft, sweet voice is in the valleys deep,
Where darkness droops and sings itself to sleep.
The grave, mute woods, that yet the silence hold
Of dim, dead ages, gleam with hints of gold.
Yon eastern cape that meets the straitened wave—
A twofold tower above the whistling cave—
Whose strength in thunder shields the gentle lea,
And makes a white wrath of a league of sea,
Now wears the face of peace; and in the bay
The weak, spent voice of Winter dies away.
In every dell there is a whispering wing,
On every lawn a glimmer of the Spring;
By every hill are growths of tender green—
On every slope a fair, new life is seen;
And lo! beneath the morning’s blossoming fires,
The shining city of a hundred spires,
In mists of gold, by countless havens furled,
And glad with all the flags of all the world!

These are the shores, where, in a dream of fear,
Cathay saw darkness dwelling half the year!
These are the coasts that old fallacious tales
Chained down with ice and ringed with sleepless gales!
This is the land that, in the hour of awe,
From Indian peaks the rapt Venetian saw!
Here is the long grey line of strange sea wall
That checked the prow of the audacious Gaul,
What time he steered towards the southern snow,
From zone to zone, four hundred years ago!
By yonder gulf, whose marching waters meet
The wine-dark currents from the isles of heat,
Strong sons of Europe, in a far dim year,
Faced ghastly foes, and felt the alien spear!
There, in a later dawn, by shipless waves,
The tender grasses found forgotten graves.
Far in the west, beyond those hills sublime,
Dirk Hartog anchored in the olden time;
There, by a wild-faced bay, and in a cleft,
His shining name the fair-haired Northman left;
And, on those broad imperial waters, far
Beneath the lordly occidental star,
Sailed Tasman down a great and glowing space
Whose softer lights were like his lady’s face.
In dreams of her he roved from zone to zone,
And gave her lovely name to coasts unknown
And saw, in streaming sunset everywhere,
The curious beauty of her golden hair,
By flaming tracts of tropic afternoon,
Where in low heavens hangs a fourfold moon.
Here, on the tides of a resplendent year,
By capes of jasper, came the buccaneer.
Then, then, the wild men, flying from the beach,
First heard the clear, bold sounds of English speech;
And then first fell across a Southern plain
The broad, strong shadows of a Saxon train.
Near yonder wall of stately cliff, that braves
The arrogance of congregated waves,
The daring son of grey old Yorkshire stood
And dreamed in a majestic solitude,
What time a gentle April shed its showers,
Aflame with sunset, on the Bay of Flowers.
The noble seaman who withheld the hand,
And spared the Hector of his native land—
The single savage, yelling on the beach
The dark, strange curses of barbaric speech.
Exalted sailor! whose benignant phrase
Shines full of beauty in these latter days;
Who met the naked tribes of fiery skies
With great, divine compassion in his eyes;
Who died, like Him of hoary Nazareth,
That death august—the radiant martyr’s death;
Who in the last hour showed the Christian face
Whose crumbling beauty shamed the alien race.
In peace he sleeps where deep eternal calms
Lie round the land of heavy-fruited palms.
Lo! in that dell, behind a singing bar,
Where deep, pure pools of glittering waters are,
Beyond a mossy, yellow, gleaming glade,
The last of Forby Sutherland was laid—
The blue-eyed Saxon from the hills of snow
Who fell asleep a hundred years ago.
In flowerful shades, where gold and green are rife,
Still rests the shell of his forgotten life.
Far, far away, beneath some northern sky
The fathers of his humble household lie;
But by his lonely grave are sapphire streams,
And gracious woodlands, where the fire-fly gleams;
And ever comes across a silver lea
The hymn sublime of the eternal sea.

On that bold hill, against a broad blue stream,
Stood Arthur Phillip in a day of dream:
What time the mists of morning westward rolled,
And heaven flowered on a bay of gold!
Here, in the hour that shines and sounds afar,
Flamed first old England’s banner like a star;
Here, in a time august with prayer and praise,
Was born the nation of these splendid days;
And here this land’s majestic yesterday
Of immemorial silence died away.
Where are the woods that, ninety summers back,
Stood hoar with ages by the water-track?
Where are the valleys of the flashing wing,
The dim green margins and the glimmering spring?
Where now the warrior of the forest race,
His glaring war-paint and his fearless face?
The banks of April and the groves of bird,
The glades of silence and the pools unstirred,
The gleaming savage and the whistling spear,
Passed with the passing of a wild old year!
A single torrent singing by the wave,
A shadowy relic in a mountain cave,
A ghost of fire in immemorial hills,
The whittled tree by folded wayside rills,
The call of bird that hides in hollows far,
Where feet of thunder, wings of winter are—
Of all that Past, these wrecks of wind and rain,
These touching memories—these alone remain!

What sun is this that beams and broadens west?
What wonder this, in deathless glory dressed?
What strange, sweet harp of highest god took flame
And gave this Troy its life, its light, its name?
What awful lyre of marvellous power and range
Upraised this Ilion—wrought this dazzling change?
No shining singer of Hellenic dreams
Set yonder splendour by the morning streams!
No god who glimmers in a doubtful sphere
Shed glory there—created beauty here!
This is the city that our fathers framed—
These are the crescents by the elders named!
The human hands of strong, heroic men
Broke down the mountain, filled the gaping glen,
Ran streets through swamp, built banks against the foam,
And bent the arch and raised the lordly dome!
Here are the towers that the founders made!
Here are the temples where these Romans prayed!
Here stand the courts in which their leaders met!
Here are their homes, and here their altars yet!
Here sleep the grand old men whose lives sublime
Of thought and action shine and sound through time!
Who worked in darkness—onward fought their ways
To bring about these large majestic days—
Who left their sons the hearts and high desires
Which built this city of the hundred spires!

A stately Morning rises on the wing,
The hills take colour, and the valleys sing.
A strong September flames beyond the lea—
A silver vision on a silver sea.
A new Age, “cast in a diviner mould”,
Comes crowned with lustre, zoned and shod with gold!
What dream is this on lawny spaces set?
What miracle of dome and minaret?
What great mute majesty is this that takes
The first of morning ere the song-bird wakes?
Lo, this was built to honour gathering lands
By Celtic, Saxon, Australasian hands!
These are the halls where all the flags unfurled
Break into speech that welcomes all the world.
And lo, our friends are here from every zone—
From isles we dream of and from tracts unknown!
Here are the fathers from the stately space
Where Ireland is and England’s sacred face!
Here are the Norsemen from their strong sea-wall,
The grave, grand Teuton and the brilliant Gaul!
From green, sweet groves the dark-eyed Lusians sail,
And proud Iberia leaves the grape-flushed vale.
Here are the lords whose starry banner shines
From fierce Magellan to the Arctic pines.
Here come the strangers from the gates of day—
From hills of sunrise and from white Cathay.
The spicy islands send their swarthy sons,
The lofty North its mailed and mighty ones.
Venetian keels are floating on our sea;
Our eyes are glad with radiant Italy!
Yea, North and South, and glowing West and East,
Are gathering here to grace our splendid feast!
The chiefs from peaks august with Asian snow,
The elders born where regal roses grow,
Come hither, with the flower of that fair land
That blooms beyond the fiery tracts of sand
Where Syrian suns their angry lustres fling
Across blind channels of the bygone spring.
And on this great, auspicious day, the flowers
Of labour glorify majestic hours.

The singing angel from the starry sphere
Of dazzling Science shows his wonders here;
And Art, the dream-clad spirit, starts, and brings
From Fairyland her strange, sweet, glittering things.
Here are the works man did, what time his face
Was touched by God in some exalted place;
Here glows the splendour—here the marvel wrought
When Heaven flashed upon the maker’s thought!
Yea, here are all the miracles sublime—
The lights of Genius and the stars of Time!
And, being lifted by this noble noon,
Australia broadens like a tropic moon.
Her white, pure lustre beams across the zones;
The nations greet her from their awful thrones.
From hence the morning beauty of her name
Will shine afar, like an exceeding flame.
Her place will be with mighty lords, whose sway
Controls the thunder and the marching day.
Her crown will shine beside the crowns of kings
Who shape the seasons, rule the course of things,
The fame of her across the years to be
Will spread like light on a surpassing sea;
And graced with glory, girt with power august,
Her life will last till all things turn to dust.

To Thee the face of song is lifted now,
O Lord! to whom the awful mountains bow;
Whose hands, unseen, the tenfold storms control;
Whose thunders shake the spheres from pole to pole;
Who from Thy highest heaven lookest down,
The sea Thy footstool, and the sun Thy crown;
Around whose throne the deathless planets sing
Hosannas to their high, eternal King.
To Thee the soul of prayer this morning turns,
With faith that glitters, and with hope that burns!
And, in the moments of majestic calm
That fill the heart in pauses of the psalm,
She asks Thy blessing for this fair young land
That flowers within the hollow of Thine hand!
She seeks of Thee that boon, that gift sublime,
The Christian radiance, for this hope of Time!
And Thou wilt listen! and Thy face will bend
To smile upon us—Master, Father, Friend!
The Christ to whom pure pleading heart hath crept
Was human once, and in the darkness wept;
The gracious love that helped us long ago
Will on us like a summer sunrise flow,
And be a light to guide the nation’s feet
On holy paths—on sacred ways and sweet

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