Euterpe
CHILD of Light, the bright, the bird-like! wilt thou float and float to me,
Facing winds and sleets and waters, flying glimpses of the sea?
Down amongst the hills of tempest, where the elves of tumult roam—
Blown wet shadows of the summits, dim sonorous sprites of foam?
Here and here my days are wasted, shorn of leaf and stript of fruit:
Vexed because of speech half spoken, maiden with the marvellous lute!
Vexed because of songs half-shapen, smit with fire and mixed with pain:
Part of thee, and part of Sorrow, like a sunset pale with rain.
Child of Light, the bright, the bird-like! wilt thou float and float to me
Facing winds and sleets and waters, flying glimpses of the sea?
All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine—
All night long, amidst the burden of the lordly storm, that sings
High above the tumbled forelands, fleet and fierce with thunderings!
Then and then, my love, Euterpe, lips of life replete with dreams
Murmur for thy sweet, sharp fragments dying down Lethean streams:
Murmur for thy mouth’s marred music, splendid hints that burn and break,
Heavy with excess of beauty: murmur for thy music’s sake.
All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine.
In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow:
In the yellow flame of evening—at the setting of the day—
Sound that lightens, falls and lightens, flickers, faints and fades away.
I am famished of thy silence—broken for the tender note
Caught with its surpassing passion—caught and strangled in thy throat!
We have nought to help thy trouble—nought for that which lieth mute
On the harpstring and the lutestring and the spirit of the lute.
In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow.
Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?
What thou art, behold, I know not; but thy honey slakes and slays
Half the want which whitens manhood in the stress of alien days!
Even as a wondrous woman, struck with love and great desire,
Hast thou been to me, Euterpe! half of tears and half of fire.
But thy joy is swift and fitful; and a subtle sense of pain
Sighs through thy melodious breathing, takes the rapture from thy strain,
Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?
poem by Henry Kendall
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Related quotes
Euterpe: A Cantanta
Argument.
Hail to thee, Sound!—The power of Euterpe in all the scenes of life—
in religion; in works of charity; in soothing troubles by means of music;
in all humane and high purposes; in war; in grief; in the social circle;
the children’s lullaby; the dance; the ballad; in conviviality;
when far from home; at evening—the whole ending with an allegorical chorus,
rejoicing at the building of a mighty hall erected for the recreation
of a nation destined to take no inconsiderable part in the future history
of the world.
Overture
No. 1 Chorus
All hail to thee, Sound! Since the time
Calliope’s son took the lyre,
And lulled in the heart of their clime
The demons of darkness and fire;
Since Eurydice’s lover brought tears
To the eyes of the Princes of Night,
Thou hast been, through the world’s weary years,
A marvellous source of delight—
Yea, a marvellous source of delight!
In the wind, in the wave, in the fall
Of the water, each note of thine dwells;
But Euterpe hath gathered from all
The sweetest to weave into spells.
She makes a miraculous power
Of thee with her magical skill;
And gives us, for bounty or dower,
The accents that soothe us or thrill!
Yea, the accents that soothe us or thrill!
All hail to thee, Sound! Let us thank
The great Giver of light and of life
For the music divine that we’ve drank,
In seasons of peace and of strife,
Let us gratefully think of the balm
That falls on humanity tired,
At the tones of the song or the psalm
From lips and from fingers inspired—
Yea, from lips and from fingers inspired.
No. 2 Quartette and Chorus
When, in her sacred fanes
God’s daughter, sweet Religion, prays,
Euterpe’s holier strains
Her thoughts from earth to heaven raise.
The organ notes sublime
Put every worldly dream to flight;
They sanctify the time,
And fill the place with hallowed light.
No. 3 Soprano Solo
Yea, and when that meek-eyed maiden
Men call Charity, comes fain
To raise up spirits, laden
With bleak poverty and pain:
Often, in her cause enlisted,
Music softens hearts like stones;
And the fallen are assisted
Through Euterpe’s wondrous tones.
No. 4 Orchestral Intermezzo
No. 5 Chorus
Beautiful is Sound devoted
To all ends humane and high;
And its sweetness never floated
Like a thing unheeded by.
Power it has on souls encrusted
With the selfishness of years;
Yea, and thousands Mammon-rusted,
Hear it, feel it, leave in tears.
No. 6 Choral Recitative
(Men’s voices only)
When on the battlefield, and in the sight
Of tens of thousands bent to smite and slay
Their human brothers, how the soldier’s heart
Must leap at sounds of martial music, fired
With all that spirit that the patriot loves
Who seeks to win, or nobly fall, for home!
No. 7 Triumphal March
No. 8 Funeral Chorus
Slowly and mournfully moves a procession,
Wearing the signs
Of sorrow, through loss, and it halts like a shadow
Of death in the pines.
Come from the fane that is filled with God’s presence,
Sad sounds and deep;
Holy Euterpe, she sings of our brother,
We listen and weep.
Death, like the Angel that passed over Egypt,
Struck at us sore;
Never again shall we turn at our loved one’s
Step at the door.
No. 9 Chorus
(Soprano voices only)
But, passing from sorrow, the spirit
Of Music, a glory, doth rove
Where it lightens the features of beauty,
And burns through the accents of love—
The passionate accents of love.
No. 10 Lullaby Song—Contralto
The night-shades gather, and the sea
Sends up a sound, sonorous, deep;
The plover’s wail comes down the lea;
By slope and vale the vapours weep,
And dew is on the tree;
And now where homesteads be,
The children fall asleep,
Asleep.
A low-voiced wind amongst the leaves,
The sighing leaves that mourn the Spring,
Like some lone spirit, flits and grieves,
And grieves and flits on fitful wing.
But where Song is a guest,
A lulling dreamy thing,
The children fall to rest,
To rest.
No. 11 Waltz Chorus
When the summer moon is beaming
On the stirless waters dreaming,
And the keen grey summits gleaming,
Through a silver starry haze;
In our homes to strains entrancing
To the steps, the quickly glancing
Steps of youths and maidens dancing,
Maidens light of foot as fays.
Then the waltz, whose rhythmic paces
Make melodious happy places,
Brings a brightness to young faces,
Brings a sweetness to the eyes.
Sounds that move us like enthralling
Accents, where the runnel falling,
Sends out flute-like voices calling,
Where the sweet wild moss-bed lies.
No. 12 Ballad—Tenor
When twilight glides with ghostly tread
Across the western heights,
And in the east the hills are red
With sunset’s fading lights;
Then music floats from cot and hall
Where social circles met,
By sweet Euterpe held in thrall—
Their daily cares forget.
What joy it is to watch the shine
That hallows beauty’s face
When woman sings the strains divine,
Whose passion floods the place!
Then how the thoughts and feelings rove
At song’s inspiring breath,
In homes made beautiful by love,
Or sanctified by death.
What visions come, what dreams arise,
What Edens youth will limn,
When leaning over her whose eyes
Have sweetened life for him!
For while she sings and while she plays,
And while her voice is low,
His fancy paints diviner days
Than any we can know.
No. 13 Drinking Song
(Men’s voices only)
But, hurrah! for the table that heavily groans
With the good things that keep in the life:
When we sing and we dance, and we drink to the tones
That are masculine, thorough and blithe.
Good luck to us all! Over walnuts and wine
We hear the rare songs that we know
Are as brimful of mirth as the spring is of shine,
And as healthy and hearty, we trow.
Then our glasses we charge to the ring of the stave
That the flush to our faces doth send;
For though life is a thing that winds up with the grave,
We’ll be jolly, my boys, to the end.
Hurrah! Hurrah!
Yes, jolly, my boys, to the end!
No. 14 Recitative—Bass
When far from friends, and home, and all the things
That bind a man to life, how dear to him
Is any old familiar sound that takes
Him back to spots where Love and Hope
In past days used to wander hand in hand
Across high-flowered meadows, and the paths
Whose borders shared the beauty of the spring,
And borrowed splendour from autumnal suns.
No. 15 Chorus
(The voices accompanied only by the
violins playing “Home, Sweet Home”.)
Then at sea, or in wild wood,
Then ashore or afloat,
All the scenes of his childhood
Come back at a note;
At the turn of a ballad,
At the tones of a song,
Cometh Memory, pallid
And speechless so long;
And she points with her finger
To phantom-like years,
And loveth to linger
In silence, in tears.
No. 16 Solo—Bass
In the yellow flame of evening sounds of music come and go,
Through the noises of the river, and the drifting of the snow;
In the yellow flame of evening, at the setting of the day,
Sounds that lighten, fall, and lighten, flicker, faint, and fade away;
What they are, behold, we know not, but their honey slakes and slays
Half the want which whitens manhood in the stress of alien days.
Even as a wondrous woman, struck with love and great desire,
Hast thou been to us, EUTERPE, half of tears and half of fire;
But thy joy is swift and fitful, and a subtle sense of pain
Sighs through thy melodious breathings, takes the rapture from thy strain.
In the yellow flame of evening sounds of music come and go.
Through the noises of the river, and the drifting of the snow.
No. 17 Recitative—Soprano
And thus it is that Music manifold,
In fanes, in Passion’s sanctuaries, or where
The social feast is held, is still the power
That bindeth heart to heart; and whether Grief,
Or Love, or Pleasure form the link, we know
’Tis still a bond that makes Humanity,
That wearied entity, a single whole,
And soothes the trouble of the heart bereaved,
And lulls the beatings in the breast that yearns,
And gives more gladness to the gladdest things.
No. 18 Finale—Chorus
Now a vision comes, O brothers, blended
With supremest sounds of harmony—
Comes, and shows a temple, stately, splendid,
In a radiant city by the sea.
Founders, fathers of a mighty nation,
Raised the walls, and built the royal dome,
Gleaming now from lofty, lordly station,
Like a dream of Athens, or of Rome!
And a splendour of sound,
A thunder of song,
Rolls sea-like around,
Comes sea-like along.
The ringing, and ringing, and ringing,
Of voices of choristers singing,
Inspired by a national joy,
Strike through the marvellous hall,
Fly by the aisle and the wall,
While the organ notes roam
From basement to dome—
Now low as a wail,
Now loud as a gale,
And as grand as the music that builded old Troy.
poem by Henry Kendall
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To the Spirit of Music
I
The cool grass blowing in a breeze
Of April valleys sooms and sways;
On slopes that dip to quiet seas
Through far, faint drifts of yellowing haze.
I lie like one who, in a dream
Of sounds and splendid coloured things,
Seems lifted into life supreme
And has a sense of waxing wings.
For through a great arch-light which floods
And breaks and spreads and swims along
High royal-robed autumnal woods,
I hear a glorious sunset song.
But, ah, Euterpe! I that pause
And listen to the strain divine
Can never learn its words, because
I am no son of thine.
How sweet is wandering where the west
Is full of thee, what time the morn
Looks from his halls of rosy rest
Across green miles of gleaming corn!
How sweet are dreams in shady nooks,
When bees are out, and day is mute,
While down the dell there floats the brook’s
Fine echo of thy marvellous lute!
And oh, how sweet is that sad tune
Of thine, within the evening breeze,
Which roams beneath the mirrored moon
On silver-sleeping summer seas!
How blest are they whom thou hast crowned,
Thy priests — the lords who understand
The deep divinity of sound,
And live their lives in Wonderland!
These stand within thy courts and see
The light exceeding round thy throne,
But I — an alien unto thee —
I faint afar off, and alone.
II
In hills where the keen Thessalonian
Made clamour with horse and with horn,
In oracular woods the Dodonian —
The mystical maiden was born.
And the high, the Olympian seven,
Ringed round with ineffable flame,
Baptized her in halos of heaven,
And gave her her beautiful name.
And Delphicus, loving her, brought her
Immutable dower of dreams,
And clothed her with glory, and taught her
The words of the winds and the streams.
She dwelt with the echoes that dwell
In far immemorial hills;
She wove of their speeches a spell —
She borrowed the songs of the rills;
And anthems of forest and fire,
And passionate psalms of the rain
Had life in the life of the lyre,
And breath in its infinite strain.
In a fair, in a floral abode,
Of purple and yellow and red,
The voice of her floated and flowed,
The light of her lingered and spread,
And ever there slipt through the bars
Of the leaves of her luminous bowers,
Syllables splendid as stars,
And faultless as moon-litten flowers.
III
Lady of a land of wonder,
Daughter of the hill supernal,
Far from frost and far from thunder
Under sons and moons eternal!
Long ago the strong Immortals
Took her hence on wheels of fire,
Caught her up and shut their portals —
Floral maid with fervent lyre.
But stray fallen notes of brightness
Yet within our world are ringing,
Floating on the winds of lightness
Glorious fragments of her singing.
Bud of light, she shines above us;
But a few of starry pinions —
Passioned souls who are her lovers —
Dwell in her divine dominions.
Few they are, but in the centric
Fanes of Beauty hold their station;
Kings of music, lords authentic,
Of the worlds of Inspiration.
These are they to whom are given
Eyes to see the singing stream-land,
Far from earth and near to heaven,
Known to gods and men as Dreamland.
Mournful humanity, stricken and worn,
Toiling for peace in undignified days,
Set in a sphere with the shadows forlorn,
Seeing sublimity dimmed by a haze —
Mournful humanity wearing the sign
Of trouble with time and unequable things,
Long alienated from spaces divine,
Sometimes remembers that once it had wings.
Chiefly it is when the song and the light
Sweeten the heart of the summering west,
Music and glory that lend to the night
Glimpses of marvellous havens of rest.
Chiefly it is when the beautiful day
Dies with a sound on its lips like a psalm —
Anthem of loveliness drifting away
Over a sea of unspeakable calm.
Then Euterpe’s harmonies
In the ballad rich and rare,
Freighted with old memories,
Float upon the evening air —
Float, like shine in films of rain,
Full of past pathetic themes,
Tales of perished joy and pain,
Frail and faint as dreams in dreams.
Then to far-off homes we rove,
Homes of youth and hope and faith,
Beautiful with lights of love —
Sanctified by shrines of death.
Ah! and in that quiet hour
Soul by soul is borne away
Over tracts of leaf and flower,
Lit with a supernal day;
Over Music-world serene,
Spheres unknown to woes and wars,
Homes of wildernesses green,
Silver seas and golden shores;
Then, like spirits glorified,
Sweet to hear and bright to see,
Lords in Eden they abide
Robed with strange new majesty.
poem by Henry Kendall
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Song: Rarely, rarely, comest thou
Rarely, rarely, comest thou,
Spirit of Delight!
Wherefore hast thou left me now
Many a day and night?
Many a weary night and day
'Tis since thou are fled away.
How shall ever one like me
Win thee back again?
With the joyous and the free
Thou wilt scoff at pain.
Spirit false! thou hast forgot
All but those who need thee not.
As a lizard with the shade
Of a trembling leaf,
Thou with sorrow art dismay'd;
Even the sighs of grief
Reproach thee, that thou art not near,
And reproach thou wilt not hear.
Let me set my mournful ditty
To a merry measure;
Thou wilt never come for pity,
Thou wilt come for pleasure;
Pity then will cut away
Those cruel wings, and thou wilt stay.
I love all that thou lovest,
Spirit of Delight!
The fresh Earth in new leaves dress'd,
And the starry night;
Autumn evening, and the morn
When the golden mists are born.
I love snow, and all the forms
Of the radiant frost;
I love waves, and winds, and storms,
Everything almost
Which is Nature's, and may be
Untainted by man's misery.
I love tranquil solitude,
And such society
As is quiet, wise, and good;
Between thee and me
What difference? but thou dost possess
The things I seek, not love them less.
I love Love--though he has wings,
And like light can flee,
But above all other things,
Spirit, I love thee--
Thou art love and life! Oh come,
Make once more my heart thy home.
poem by Percy Bysshe Shelley
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Invocation
Rarely, rarely, comest thou,
Spirit of Delight!
Wherefore hast thou left me now
Many a day and night?
Many a weary night and day
'Tis since thou art fled away.
How shall ever one like me
Win thee back again?
With the joyous and the free
Thou wilt scoff at pain.
Spirit false! thou hast forgot
All but those who need thee not.
As a lizard with the shade
Of a trembling leaf,
Thou with sorrow art dismayed;
Even the sighs of grief
Reproach thee, that thou art not near,
And reproach thou wilt not hear.
Let me set my mournful ditty
To a merry measure;
Thou wilt never come for pity,
Thou wilt come for pleasure; -
Pity then will cut away
Those cruel wings, and thou wilt stay.
I love all that thou lovest,
Spirit of Delight!
The fresh Earth in new leaves dressed,
And the starry night;
Autumn evening, and the morn
When the golden mists are born.
I love snow and all the forms
Of the radiant frost;
I love waves, and winds, and storms,
Everything almost
Which is Nature's, and may be
Untainted by man's misery.
I love tranquil solitude,
And such society
As is quiet, wise, and good: -
Between thee and me
What diff'rence? but thou dost possess
The things I seek, not love them less.
I love Love -though he has wings,
And like light can flee,
But above all other things,
Spirit, I love thee -
Thou art love and life! O come!
Make once more my heart thy home!
poem by Percy Bysshe Shelley
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Song
Rarely, rarely comest thou,
Spirit of Delight!
Wherefore hast thou left me now
Many a day and night?
Many a weary night and day
'Tis since thou art fled away.
How shall ever one like me
Win thee back again?
With the joyous and the free
Thou wilt scoff at pain.
Spirit false! thou hast forgot
All but those who need thee not.
As a lizard with the shade
Of a trembling leaf,
Thou with sorrow art dismayed;
Even the sighs of grief
Reproach thee, that thou art not near,
And reproach thou wilt not her.
Let me set my mournful ditty
To a merry measure;--
Thou wilt never come for pity,
Thou wilt come for pleasure;
Pity then will cut away
Those cruel wings, and thou wilt stay.
I love all that thou lovest,
Spirit of Delight!
The fresh Earth in new leaves dressed,
And the starry night;
Autumn evening, and the morn
When the golden mists are born.
I love snow and all the forms
Of the radiant frost;
I love waves, and winds, and storms,
Everything almost
Which is Nature's, and may be
Untainted by man's misery.
I love tranquil solitude,
And such society
As is quiet, wise, and good;
Between thee and me
What difference? but thou dost possess
The things I seek, not love them less.
I love Love--though he has wings,
And like light can flee,
But above all other things,
Spirit, I love thee--
Thou art love and life! O come!
Make once more my heart thy home!
poem by Percy Bysshe Shelley
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My Friend
My friend, I am not what I seem. Seeming is but a garment I wear--a
care-woven garment that protects me from thy questionings and thee
from my negligence.
The 'I' in me, my friend, dwells in the house of silence, and
therein it shall remain for ever more, unperceived, unapproachable.
I would not have thee believe in what I say nor trust in what I
do--for my words are naught but thy own thoughts in sound and my
deeds thy own hopes in action.
When thou sayest, 'The wind bloweth eastward,' I say, 'Aye it doth
blow eastward'; for I would not have thee know that my mind doth
not dwell upon the wind but upon the sea.
Thou canst not understand my seafaring thoughts, nor would I have
thee understand. I would be at sea alone.
When it is day with thee, my friend, it is night with me; yet even
then I speak of the noontide that dances upon the hills and of
the purple shadow that steals its way across the valley; for thou
canst not hear the songs of my darkness nor see my wings beating
against the stars--and I fain would not have thee hear or see. I
would be with night alone.
When thou ascendest to thy Heaven I descend to my Hell--even then
thou callest to me across the unbridgeable gulf, 'My companion, my
comrade,' and I call back to thee, 'My comrade, my companion'--for
I would not have thee see my Hell. The flame would burn thy eyesight
and the smoke would crowd thy nostrils. And I love my Hell too
well to have thee visit it. I would be in Hell alone.
Thou lovest Truth and Beauty and Righteousness; and I for thy sake
say it is well and seemly to love these things. But in my heart
I laught at thy love. Yet I would not have thee see my laughter.
I would laugh alone.
My friend, thou art good and cautious and wise; nay, thou art
perfect--and I, too, speak with thee wisely and cautiously. And
yet I am mad. But I mask my madness. I would be mad alone.
My friend, thou art not my friend, but how shall I make thee
understand? My path is not thy path, yet together we walk, hand
in hand.
poem by Khalil Gibran
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Merope
FAR in the ways of the hyaline wastes—in the face of the splendid
Six of the sisters—the star-dowered sisters ineffably bright,
Merope sitteth, the shadow-like wife of a monarch unfriended
Of Ades—of Orcus, the fierce, the implacable god of the night.
Merope—fugitive Merope! lost to thyself and thy lover,
Cast, like a dream, out of thought, with the moons which have passed into sleep,
What shall avail thee? Alcyone’s tears, or the sight to discover
Of Sisyphus pallid for thee by the blue, bitter lights of the deep—
Pallid, but patient for sorrow? Oh, thou of the fire and the water,
Half with the flame of the sunset, and kin to the streams of the sea,
Hast thou the songs of old times for desire of thy dark-featured daughter,
Sweet with the lips of thy yearning, O Aethra! with tokens of thee—
Songs that would lull her, like kisses forgotten of silence where speech was
Less than the silence that bound it as passion is bound by a ban;
Seeing we know of thee, Mother, we turning and hearing how each was
Wrapt in the other ere Merope faltered and fell for a man?
Mortal she clave to, forgetting her birthright, forgetting the lordlike
Sons of the many-winged Father, and chiefs of the plume and the star,
Therefore, because that her sin was the grief of the grand and the godlike,
Sitteth thy child than a morning-moon bleaker, the faded, and far.
Ringed with the flower-like Six of the Seven, arrayed and anointed
Ever with beautiful pity, she watches, she weeps, and she wanes,
Blind as a flame on the hills of the Winter in hours appointed
For the life of the foam and the thunder—the strength of the imminent rains.
Who hath a portion, Alcyone, like her? Asterope, fairer
Than sunset on snow, and beloved of all brightness, say what is there left
Sadder and paler than Pleione’s daughter, disconsolate bearer
Of trouble that smites like a sword of the gods to the break of the heft?
Demeter, and Dryope, known to the forests, the falls, and the fountains,
Yearly, because of their walking and wailing and wringing of hands,
Are they as one with this woman?—of Hyrie, wild in the mountains,
Breaking her heart in the frosts and the fires of the uttermost lands?
These have their bitterness. This, for Persephone, that for Oechalian
Homes, and the lights of a kindness blown out with the stress of her shame:
One for her child, and one for her sin; but thou above all art an alien,
Girt with the halos that vex thee, and wrapt in a grief beyond name.
Yet sayeth Sisyphus—Sisyphus, stricken and chained of the minioned
Kings of great darkness, and trodden in dust by the feet of the Fates—
“Sweet are the ways of thy watching, and pallid and perished and pinioned,
Moon amongst maidens, I leap for thy love like a god at the gates—
Leap for the dreams of a rose of the heavens, and beat at the portals
Paved with the pain of unsatisfied pleadings for thee and for thine!
But Zeus is immutable Master, and these are the walls the immortals
Build for our sighing, and who may set lips at the lords and repine?
Therefore,” he saith, “I am sick for thee, Merope, faint for the tender
Touch of thy mouth, and the eyes like the lights of an altar to me;
But, lo, thou art far; and thy face is a still and a sorrowful splendour!
And the storm is abroad with the rain on the perilous straits of the sea.”
poem by Henry Kendall
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To his Friend Master R. L., In Praise of Music and Poetry
If music and sweet poetry agree,
As they must needs (the sister and the brother),
Then must the love be great 'twixt thee and me,
Because thou lov'st the one, and I the other.
Dowland to thee is dear, whose heavenly touch
Upon the lute doth ravish human sense;
Spenser to me, whose deep conceit is such
As, passing all conceit, needs no defence.
Thou lov'st to hear the sweet melodious sound
That Ph{oe}bus' lute (the queen of music), makes;
And I in deep delight am chiefly drown'd
Whenas himself to singing he betakes.
One god is god of both (as poets feign),
One knight loves both, and both in thee remai
poem by Richard Barnfield
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Night
SWIFTLY walk o'er the western wave,
Spirit of Night!
Out of the misty eastern cave,--
Where, all the long and lone daylight,
Thou wovest dreams of joy and fear
Which make thee terrible and dear,--
Swift be thy flight!
Wrap thy form in a mantle grey,
Star-inwrought!
Blind with thine hair the eyes of Day;
Kiss her until she be wearied out.
Then wander o'er city and sea and land,
Touching all with thine opiate wand--
Come, long-sought!
When I arose and saw the dawn,
I sigh'd for thee;
When light rode high, and the dew was gone,
And noon lay heavy on flower and tree,
And the weary Day turn'd to his rest,
Lingering like an unloved guest,
I sigh'd for thee.
Thy brother Death came, and cried,
'Wouldst thou me?'
Thy sweet child Sleep, the filmy-eyed,
Murmur'd like a noontide bee,
'Shall I nestle near thy side?
Wouldst thou me?'--And I replied,
'No, not thee!'
Death will come when thou art dead,
Soon, too soon--
Sleep will come when thou art fled.
Of neither would I ask the boon
I ask of thee, beloved Night--
Swift be thine approaching flight,
Come soon, soon!
poem by Percy Bysshe Shelley
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In San Lorenzo
Is thine hour come to wake, O slumbering Night?
Hath not the Dawn a message in thine ear?
Though thou be stone and sleep, yet shalt thou hear
When the word falls from heaven--Let there be light.
Thou knowest we would not do thee the despite
To wake thee while the old sorrow and shame were near;
We spake not loud for thy sake, and for fear
Lest thou shouldst lose the rest that was thy right,
The blessing given thee that was thine alone,
The happiness to sleep and to be stone:
Nay, we kept silence of thee for thy sake
Albeit we knew thee alive, and left with thee
The great good gift to feel not nor to see;
But will not yet thine Angel bid thee wake?
poem by Algernon Charles Swinburne
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To Her Sea-Faring Lover
SHALL I thus ever long, and be no whit the neare?
And shall I still complain to thee, the which me will not hear?
Alas! say nay! say nay! and be no more so dumb,
But open thou thy manly mouth and say that thou wilt come:
Whereby my heart may think, although I see not thee,
That thou wilt come--thy word so sware--if thou a live man be.
The roaring hugy waves they threaten my poor ghost,
And toss thee up and down the seas in danger to be lost.
Shall they not make me fear that they have swallowed thee?
--But as thou art most sure alive, so wilt thou come to me.
Whereby I shall go see thy ship ride on the strand,
And think and say Lo where he comes and Sure here will he land:
And then I shall lift up to thee my little hand,
And thou shalt think thine heart in ease, in health to see me stand.
And if thou come indeed (as Christ thee send to do!)
Those arms which miss thee now shall then embrace [and hold] thee too:
Each vein to every joint the lively blood shall spread
Which now for want of thy glad sight doth show full pale and dead.
But if thou slip thy troth, and do not come at all,
As minutes in the clock do strike so call for death I shall:
To please both thy false heart and rid myself from woe,
That rather had to die in troth than live forsaken so!
poem by Anonymous Olde English
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Of Child With Bird At The Bush
My little bird, how canst thou sit
And sing amidst so many thorns?
Let me a hold upon thee get,
My love with honour thee adorns.
Thou art at present little worth,
Five farthings none will give for thee,
But pr'ythee, little bird, come forth,
Thou of more value art to me.
'Tis true it is sunshine to-day,
To-morrow birds will have a storm;
My pretty one come thou away,
My bosom then shall keep thee warm.
Thou subject are to cold o'nights,
When darkness is thy covering;
At days thy danger's great by kites,
How can'st thou then sit there and sing?
Thy food is scarce and scanty too,
'Tis worms and trash which thou dost eat;
Thy present state I pity do,
Come, I'll provide thee better meat.
I'll feed thee with white bread and milk,
And sugar plums, if them thou crave.
I'll cover thee with finest silk,
That from the cold I may thee save.
My father's palace shall be thine,
Yea, in it thou shalt sit and sing;
My little bird, if thou'lt be mine,
The whole year round shall be thy spring.
I'll teach thee all the notes at court,
Unthought-of music thou shalt play;
And all that thither do resort,
Shall praise thee for it every day.
I'll keep thee safe from cat and cur,
No manner o' harm shall come to thee;
Yea, I will be thy succourer,
My bosom shall thy cabin be.
But lo, behold, the bird is gone;
These charmings would not make her yield;
The child's left at the bush alone,
The bird flies yonder o'er the field.
Comparison.
This child of Christ an emblem is,
The bird to sinners I compare,
The thorns are like those sins of his
Which do surround him everywhere.
Her songs, her food, and sunshine day,
Are emblems of those foolish toys,
Which to destruction lead the way,
The fruit of worldly, empty joys.
The arguments this child doth choose
To draw to him a bird thus wild,
Shows Christ familiar speech doth use
To make's to him be reconciled.
The bird in that she takes her wing,
To speed her from him after all,
Shows us vain man loves any thing
Much better than the heavenly call.
poem by John Bunyan
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The Grief Of Love
Love, I am sick for thee, sick with an absolute grief,
Sick with the thought of thy eyes and lips and bosom.
All the beauty I saw, I see to my hurt revealed.
All that I felt I feel to--day for my pain and sorrow.
Love, I would fain forget thee, hide thee in deeper night,
Shut thee where no thought is, in the grave with tears.
Love, I would turn my face to the wall and, if needs be, die;
Death less cruel were than thy eyes which have blinded me.
Since thou art gone from me, glory is gone from my life;
Dumb are the woods and streams, and dumb the voice of my soul;
Dead are the flowers we loved, blackened and sere with blight;
Earth is frost--bound under my foot where our footsteps trod.
Give me back for my sorrow the days of senseless peace,
Days when I thought not of thee, or thought in wisdom;
Let me see thee once more as thou to my folly wert,
A woman senseless as sounding brass or as tinkling cymbal.
Why didst thou show me thy heart, which I thought not of?
Why didst thou bare me thy soul, who to me wert soulless?
Why didst thou kiss my mouth, when my mouth did mock?
Why didst thou speak to my lips of love, ere my lips had spoken?
Love, thou hast made me thine, thine, and in my despite,
Laying thy hand on my heart in the soft Spring weather;
Love, thou hast bought my soul at a price, the price of thine,
Never again to mock at love, ah, never, never!
poem by Wilfrid Scawen Blunt
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Night Song
WHEN on thy pillow lying,
Half listen, I implore,
And at my lute's soft sighing,
Sleep on! what wouldst thou more?
For at my lute's soft sighing
The stars their blessings pour
On feelings never-dying;
Sleep on! what wouldst thou more?
Those feelings never-dying
My spirit aid to soar
From earthly conflicts trying;
Sleep on! what wouldst thou more?
From earthly conflicts trying
Thou driv'st me to this shore;
Through thee I'm thither flying,--
Sleep on! what wouldst thou more?
Through thee I'm hither flying,
Thou wilt not list before
In slumbers thou art lying:
Sleep on! what wouldst thou more?
poem by Johann Wolfgang von Goethe
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To A Skylark
Hail to thee, blithe Spirit!
Bird thou never wert,
That from Heaven, or near it,
Pourest thy full heart
In profuse strains of unpremeditated art.
Higher still and higher
From the earth thou springest
Like a cloud of fire;
The blue deep thou wingest,
And singing still dost soar, and soaring ever singest.
In the golden lightning
Of the sunken sun
O'er which clouds are bright'ning,
Thou dost float and run,
Like an unbodied joy whose race is just begun.
The pale purple even
Melts around thy flight;
Like a star of Heaven
In the broad daylight
Thou art unseen, but yet I hear thy shrill delight:
Keen as are the arrows
Of that silver sphere,
Whose intense lamp narrows
In the white dawn clear
Until we hardly see--we feel that it is there.
All the earth and air
With thy voice is loud.
As, when night is bare,
From one lonely cloud
The moon rains out her beams, and heaven is overflowed.
What thou art we know not;
What is most like thee?
From rainbow clouds there flow not
Drops so bright to see
As from thy presence showers a rain of melody.
Like a poet hidden
In the light of thought,
Singing hymns unbidden,
Till the world is wrought
To sympathy with hopes and fears it heeded not:
Like a high-born maiden
In a palace tower,
Soothing her love-laden
Soul in secret hour
With music sweet as love, which overflows her bower:
Like a glow-worm golden
In a dell of dew,
Scattering unbeholden
Its aerial hue
Among the flowers and grass, which screen it from the view:
Like a rose embowered
In its own green leaves,
By warm winds deflowered,
Till the scent it gives
Makes faint with too much sweet these heavy-winged thieves.
Sound of vernal showers
On the twinkling grass,
Rain-awakened flowers,
All that ever was
Joyous, and clear, and fresh, thy music doth surpass.
Teach us, sprite or bird,
What sweet thoughts are thine:
I have never heard
Praise of love or wine
That panted forth a flood of rapture so divine.
Chorus hymeneal
Or triumphal chaunt
Matched with thine, would be all
But an empty vaunt--
A thing wherein we feel there is some hidden want.
What objects are the fountains
Of thy happy strain?
What fields, or waves, or mountains?
What shapes of sky or plain?
What love of thine own kind? what ignorance of pain?
With thy clear keen joyance
Languor cannot be:
Shadow of annoyance
Never came near thee:
Thou lovest, but ne'er knew love's sad satiety.
Waking or asleep,
Thou of death must deem
Things more true and deep
Than we mortals dream,
Or how could thy notes flow in such a crystal stream?
We look before and after,
And pine for what is not:
Our sincerest laughter
With some pain is fraught;
Our sweetest songs are those that tell of saddest thought.
Yet if we could scorn
Hate, and pride, and fear;
If we were things born
Not to shed a tear,
I know not how thy joy we ever should come near.
Better than all measures
Of delightful sound,
Better than all treasures
That in books are found,
Thy skill to poet were, thou scorner of the ground!
Teach me half the gladness
That thy brain must know,
Such harmonious madness
From my lips would flow
The world should listen then, as I am listening now!
poem by Percy Bysshe Shelley
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Campaspe
Turn from the ways of this Woman! Campaspe we call her by name -
She is fairer than flowers of the fire -
she is brighter than brightness of flame.
As a song that strikes swift to the heart
with the beat of the blood of the South,
And a light and a leap and a smart, is the play of her perilous mouth.
Her eyes are as splendours that break in the rain at the set of the sun,
But turn from the steps of Campaspe - a Woman to look at and shun!
Dost thou know of the cunning of Beauty? Take heed to thyself and beware
Of the trap in the droop in the raiment - the snare in the folds of the hair!
She is fulgent in flashes of pearl, the breeze with her breathing is sweet,
But fly from the face of the girl - there is death in the fall of her feet!
Is she maiden or marvel of marble? Oh, rather a tigress at wait
To pounce on thy soul for her pastime - a leopard for love or for hate.
Woman of shadow and furnace! She biteth her lips to restrain
Speech that springs out when she sleepeth,
by the stirs and the starts of her pain.
As music half-shapen of sorrow, with its wants and its infinite wail,
Is the voice of Campaspe, the beauty at bay with her passion dead-pale.
Go out from the courts of her loving, nor tempt the fierce dance of desire
Where thy life would be shrivelled like stubble
in the stress and the fervour of fire!
I know of one, gentle as moonlight - she is sad as the shine of the moon,
But touching the ways of her eyes are: she comes to my soul like a tune -
Like a tune that is filled with faint voices
of the loved and the lost and the lone,
Doth this stranger abide with my silence: like a tune with a tremulous tone.
The leopard, we call her, Campaspe! I pluck at a rose and I stir
To think of this sweet-hearted maiden - what name is too tender for her?
poem by Henry Kendall
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West Wind, The
Beneath the forest's skirts I rest,
Whose branching pines rise dark and high,
And hear the breezes of the West
Among the threaded foliage sigh.
Sweet Zephyr! why that sound of wo?
Is not thy home among the flowers?
Do not the bright June roses blow,
To meet thy kiss at morning hours?
And lo! thy glorious realm outspread--
Yon stretching valleys, green and gay,
And yon free hilltops, o'er whose head
The loose white clouds are borne away.
And there the full broad river runs,
And many a fount wells fresh and sweet,
To cool thee when the mid-day suns
Have made thee faint beneath their heat.
Thou wind of joy, and youth, and love;
Spirit of the new wakened year!
The sun in his blue realm above
Smooths a bright path when thou art here.
In lawns the murmuring bee is heard,
The wooing ring-dove in the shade;
On thy soft breath, the new-fledged bird
Takes wing, half happy, half afraid.
Ah! thou art like our wayward race;--
When not a shade of pain or ill
Dims the bright smile of Nature's face,
Thou lov'st to sigh and murmur still.
poem by William Cullen Bryant
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The West Wind
Beneath the forest's skirts I rest,
Whose branching pines rise dark and high,
And hear the breezes of the West
Among the threaded foliage sigh.
Sweet Zephyr! why that sound of wo?
Is not thy home among the flowers?
Do not the bright June roses blow,
To meet thy kiss at morning hours?
And lo! thy glorious realm outspread
Yon stretching valleys, green and gay,
And yon free hilltops, o'er whose head
The loose white clouds are borne away.
And there the full broad river runs,
And many a fount wells fresh and sweet,
To cool thee when the mid-day suns
Have made thee faint beneath their heat.
Thou wind of joy, and youth, and love;
Spirit of the new wakened year!
The sun in his blue realm above
Smooths a bright path when thou art here.
In lawns the murmuring bee is heard,
The wooing ring-dove in the shade;
On thy soft breath, the new-fledged bird
Takes wing, half happy, half afraid.
Ah! thou art like our wayward race;
When not a shade of pain or ill
Dims the bright smile of Nature's face,
Thou lov'st to sigh and murmur still.
poem by William Cullen Bryant
Submitted by Veronica Serbanoiu
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In Memory of Walter Savage Landor
Back to the flower-town, side by side,
The bright months bring,
New-born, the bridegroom and the bride,
Freedom and spring.
The sweet land laughs from sea to sea,
Filled full of sun;
All things come back to her, being free;
All things but one.
In many a tender wheaten plot
Flowers that were dead
Live, and old suns revive; but not
That holier head.
By this white wandering waste of sea,
Far north, I hear
One face shall never turn to me
As once this year:
Shall never smile and turn and rest
On mine as there,
Nor one most sacred hand be prest
Upon my hair.
I came as one whose thoughts half linger,
Half run before;
The youngest to the oldest singer
That England bore.
I found him whom I shall not find
Till all grief end,
In holiest age our mightiest mind,
Father and friend.
But thou, if anything endure,
If hope there be,
O spirit that man's life left pure,
Man's death set free,
Not with disdain of days that were
Look earthward now;
Let dreams revive the reverend hair,
The imperial brow;
Come back in sleep, for in the life
Where thou art not
We find none like thee. Time and strife
And the world's lot
Move thee no more; but love at least
And reverent heart
May move thee, royal and released,
Soul, as thou art.
And thou, his Florence, to thy trust
Receive and keep,
Keep safe his dedicated dust,
His sacred sleep.
So shall thy lovers, come from far,
Mix with thy name
As morning-star with evening-star
His faultless fame.
poem by Algernon Charles Swinburne
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His Indian Love to Diogo Alvarez
ON HIS DEPARTURE FROM BAHIA
When thou stoodst amidst thy countrymen
Our captive and our foe,
What voice of pity was it then
That check'd the fatal blow?
When the name of the mighty 'Man of Fire'
Re-echoed to the sky,
And our chiefs forgot their deadly ire—
Who hail'd thy victory?
What voice like the softest, sweetest note
That rings from the slender white bird's throat,
Has soothed thee so oft to rest?
And thou hast said, so tenderly,
That to sit among willow isles with me
Was to be ever blest!
Oh! have we not wander'd in silent night
When the thick dews fell from the weeping bough;
And then these eyes, like the stars, were bright—
But are wet like those mournful branches now.
Like the leafless plant that twines around
The forest tree so fair and high,
And when in that withering clasp 'tis bound,
Leaves the blighted trunk to die,—
Thy vows round my trusting heart have bound,
And now thou leav'st me to misery!
Thou wilt not return—thy words are vain!
Thou wilt cross the deep blue sea;
And some dark-eyed maid of thy native Spain
Will hold thee far from me.
The summer will come, and our willow shore
Will hear the merman sing;
But thou wilt list to his song no more
When the rocks with his music ring:
He will murmur thy falsehood to every cave—
Or will tell of thy death on the stormy wave.
Ah! no; ah! no; 'tis of mine he'll tell—
I will weep no more—farewell!—farewell!
Look from thy bark, how I follow afar;
How I scorn the winds' and the billows' war;—
I sink! the waves ring loudly my knell;
My sorrows are passing—farewell!—farewell!
poem by Louisa Stuart Costello
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