Homage To Sextus Propertius - I
Shades of Callimachus, Coan ghosts of Philetas
It is in your grove I would walk,
I who come first from the clear font
Bringing the Grecian orgies into Italy,
and the dance into Italy.
Who hath taught you so subtle a measure,
in what hall have you heard it;
What foot beat out your time-bar,
what water has mellowed your whistles ?
Out-weariers of Apollo will, as we know, continue their
Martian generalities,
We have kept our erasers in order.
A new-fangled chariot follows the flower-hung horses;
A young Muse with young loves clustered about her
ascends with me into the aether, . . .
And there is no high-road to the Muses.
Annalists will continue to record Roman reputations,
Celebrities from the Trans-Caucasus will belaud Roman celebrities
And expound the distentions of Empire,
But for something to read in normal circumstances?
For a few pages brought down from the forked hill unsullied?
I ask a wreath which will not crush my head.
And there is no hurry about it;
I shall have, doubtless, a boom after my funeral,
Seeing that long standing increases all things
regardless of quality.
And who would have known the towers
pulled down by a deal-wood horse;
Or of Achilles withstaying waters by Simois
Or of Hector spattering wheel-rims,
Or of Polydmantus, by Scamander, or Helenas and
Deiphoibos?
Their door-yards would scarcely know them, or Paris.
Small talk O Ilion, and O Troad
twice taken by Oetian gods,
If Homer had not stated your case!
And I also among the later nephews of this city
shall have my dog's day,
With no stone upon my contemptible sepulchre;
My vote coming from the temple of Phoebus in Lycia, at Patara,
And in the mean time my songs will travel,
And the devirginated young ladies will enjoy them
when they have got over the strangeness,
For Orpheus tamed the wild beasts
and held up the Threician river;
And Citharaon shook up the rocks by Thebes
and danced them into a bulwark at his pleasure,
And you, O Polyphemus? Did harsh Galatea almost
Turn to your dripping horses, because of a tune, under Aetna?
We must look into the matter.
Bacchus and Apollo in favour of it,
There will be a crowd of young women doing homage to my palaver,
Though my house is not propped up by Taenarian
columns from Laconia (associated with Neptune and Cerberus),
Though it is not stretched upon gilded beams;
My orchards do not lie level and wide
as the forests of Phaecia,
the luxurious and Ionian,
Nor are my caverns stuffed stiff with a Marcian vintage,
My cellar does not date from Numa Pompilius,
Nor bristle with wine jars,
Nor is it equipped with a frigidaire patent;
Yet the companions of the Muses
will keep their collective nose in my books,
And weary with historical data, they will turn to my dance tune.
Happy who are mentioned in my pamphlets,
the songs shall be a fine tomb-stone over their beauty.
But against this ?
Neither expensive pyramids scraping the stars in their route,
Nor houses modelled upon that of Jove in East Elis,
Nor the monumental effigies of Mausolus,
are a complete elucidation of death.
Flame burns, rain sinks into the cracks
And they all go to rack ruin beneath the thud of the years.
Stands genius a deathless adornment,
a name not to be worn out with the years.
poem by Ezra Pound
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Related quotes
Propertius's Bid For Immortality
Horace: Book III, Ode 3
"Carminis interea nostri redæmus in orbem---"
Let us return, then, for a time,
To our accustomed round of rhyme;
And let my songs' familiar art
Not fail to move my lady's heart.
They say that Orpheus with his lute
Had power to tame the wildest brute;
That "Vatiations on a Theme"
Of his would stay the swiftest stream.
They say that by the minstrel's song
Cithæron's rocks were moved along
To Thebes, where, as you may recall,
They formed themselves to frame a wall.
And Galatea, lovely maid,
Beneath wild Etna's fastness stayed
Her horses, dripping with the mere,
Those Polypheman songs to hear.
What marvel, then, since Bacchus and
Apollo grasp me by the hand,
That all the maidens you have heard
Should hang upon my slightest word?
Tænerian columns in my home
Are not; nor any golden dome;
No parks have I, nor Marcian spring,
Nor orchards--nay, nor anything.
The Muses, though, are friends of mine;
Some readers love my lyric line;
And never is Callipoe
Awearied by my poetry.
O happy she whose meed of praise
Hath fallen upon my sheaf of lays!
And every song of mine is sent
To be thy beauty's monument.
The Pyramids that point the sky,
The House of Jove that soars so high,
Mausolus' tomb--they are not free
From Death his final penalty.
For fire or rain shall steal away
The crumbling glory of their day;
But fame for wit can never die,
And gosh! I was a gay old guy!
poem by Franklin P. Adams
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Homage To Sextus Propertius - II
I had been seen in the shade, recumbent on cushioned Helicon,
The water dripping from Bellerophon's horse,
Alba, your kings, and the realm your folk
have constructed with such industry
Shall be yawned out on my lyre with such industry.
My little mouth shall gobble in such great fountains,
'Wherefrom father Ennius, sitting before I came, hath drunk.'
I had rehearsed the Curian brothers, and made remarks
on the Horatian javelin
(Near Q. H. Flaccus' book-stall).
'Of’ royal Aemilia, drawn on the memorial raft,
'Of’ the victorious delay of Fabius, and the left-handed
battle at Cannae,
Of lares fleeing the 'Roman seat' . . .
I had sung of all these
And of Hannibal,
and of Jove protected by geese.
And Phoebus looking upon me from the Castalian tree,
Said then 'You idiot! What are you doing with that water:
‘Who has ordered a book about heroes?
'You need, Propertius, not think
'About acquiring that sort of a reputation.
'Soft fields must be worn by small wheels,
'Your pamphlets will be thrown, thrown often into a chair
'Where a girl waits alone for her lover;
'Why wrench your page out of its course?
'No keel will sink with your genius
'Let another oar churn the water,
'Another wheel, the arena; mid-crowd is as bad as mid-sea.'
He had spoken, and pointed me a place with his plectrum:
Orgies of vintages, an earthern image of Silenus
Strengthened with rushes, Tegaean Pan,
The small birds of the Cytharean mother,
their Punic faces dyed in the Gorgon's lake;
Nine girls, from as many countrysides
bearing her offerings in their unhardened hands,
Such my cohort and setting. And she bound ivy to his thyrsos;
Fitted song to the strings;
Roses twined in her hands.
And one among them looked at me with face offended,
Calliope:
'Content ever to move with white swans!
'Nor will the noise of high horses lead you ever to battle;
Nor will the public criers ever have your name;
in their classic horns,
'Nor Mars shout you in the wood at Aeonium,
Nor where Rome ruins German riches,
'Nor where the Rhine flows with barbarous blood,
and flood carries wounded Suevi.
'Obviously crowned lovers at unknown doors,
'Night dogs, the marks of a drunken scurry,
'These are your images, and from you the sorcerizing of
shut-in young ladies,
'The wounding of austere men by chicane.'
Thus Mistress Calliope,
Dabbling her hands in the fount, thus she
Stiffened our face with the backwash of Philetas the Coan.
poem by Ezra Pound
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Were I A Horse
A balding man my hair is gray decades ago it was brown
Were I a horse I'm sure by now that I would have been put down
I feel so very stiff and old father time is catching up on me
And I for one don't fear life's end what is to be will be.
I was not any good at sports I cannot dance and sing
I'm just your average ordinary bloke not much good at anything
They say only the good die young and I still linger on
And better people by far than I deceased, forgotten and gone.
Were I a horse I'd have been put down that may seem crude to say
But that's what happens to most horses when they have had their day
Most horses save for the lucky few not allowed to grow old and die
I feel grateful to be still around more living I'll enjoy.
Were I a horse I'd have been put down for dog or cat food maybe
The knacker takes the worn out horse the Reaper will claim me
The years on me begin to tell my fastest pace is slow
And I was in the prime of life some thirty years ago.
poem by Francis Duggan
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Forever Young
Lets dance in style, lets dance for a while
Heaven can wait were only watching the skies
Hoping for the best but expecting the worst
Are you going to drop the bomb or not?
Let us die young or let us live forever
We dont have the power but we never say never
Sitting in a sandpit, life is a short trip
The musics for the sad men
Can you imagine when this race is won
Turn our golden faces into the sun
Praising our leaders were getting in tune
The musics played by the madmen
Forever young, I want to be forever young
Do you really want to live forever, forever and ever
Some are like water, some are like the heat
Some are a melody and some are the beat
Sooner or later they all will be gone
Why dont they stay young
Its so hard to get old without a cause
I dont want to perish like a fading horse
Youth is like diamonds in the sun
And dimonds are forever
So many adventures couldnt happen today
So many songs we forgot to play
So many dreams are swinging out of the blue
We let them come true
Gold/1982
song performed by by Alphaville
Submitted by Lucian Velea
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Numa Pompilius
O well is thee! King Numa,
Within thy secret cave,
Where thy bones are ever moistened
By sad Egeria’s wave;
None now have power to pilfer
The treasure of thy tomb,
And reveal the institutions
And secret Rites of Rome.
O blessed be the Senate
That stowed those books away,
Curst be the attempt of Niebuhr
To drag them into day;
Light be the pressure, Numa,
Around thy watery bed,
May no perplexing problems
Infest thy kingly head!
As thus I blessed King Numa
And struggled hard with sleep,
I felt unwonted chillness
O’er all my members creep;
Before mine eyes in fragments
The fireplace seemed to roll,
The chillness left my body
And slid into my soul.
Deep in Egeria's grotto
I saw the darksome well;
I slowly sunk to Numa,
But why I cannot tell.
"What! Livest thou still, old Sabine,
With thy mysterious wife?"
"Yes, here beneath the surface,
We lead a torpid life.
But little think the Critics
Who nullify old Rome,
That in these benumbing waters
I always lived at home.
Never was I a Sabine,
Or lived like men above;
No mortal wight was Numa,
Who quelled the fear of Jove.
Before my day the Romans
Served gods of wood and stone,
But what each man had fashioned
That worshipped he alone;
With care he saved the silver,
With pains the mould designed,
He loved and feared the offspring
Of his pocket and his mind.
To him he went for counsel
And then to Common Sense;
When both of these had failed him
He took to tossing pence;
But I forbade all tossing,
Made men enquire of beasts,
Pulled down all private idols
And set up public priests.
Birds, too,’ said I, ‘are holy,
They show us things to come,
They have more subtle spirits
Than wooden idols dumb.
No longer burn your incense
Before your private shrine,
My Vestals are most careful
To feed the flame divine;
Dismiss all fear of idols,
Of demons, and of gods,
My Augurs will protect you
With their long crooked rods.
(With such the careful shepherd
Drags lambs from ditches deep;
With such he points to heaven
When they are fast asleep.)
O, trust me, those same Augurs
Know more about the stars
Than you whose only business
Is everlasting wars.
How can you be religious,
How can they work for bread?
You sinners must be shriven,
My Augurs must be fed.
You know dividing labour
To nations riches brings,
So let my Augurs shrive you
While you mind earthly things.
Your case I’ve set before you,
You see the thing to do,
If you fork out the needful,
They do your job for you.’
With this and other speeches
I brought the people round,
Till not a single Roman
In Jove’s house can be found.
For well he knows each evening
When bells in steeples toll,
’Tis a sign that well-paid Augurs
Are helping on his soul.
’Twas this that kept ’em quiet
Through all my fabled reign,
Till quarrelsome young Tullus
Brought battles back again.
Thus my cold-blooded doctrines
The fear of Jove could quell,
Wonder not then to find me
Alive here in a well."
poem by James Clerk Maxwell
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Homage To Sextus Propertius - VIII
Jove, be merciful to that unfortunate woman
Or an ornamental death will be held to your debit,
The time is come, the air heaves in torridity,
The dry earth pants against the canicular heat,
But this heat is not the root of the matter:
She did not respect all the gods;
Such derelictions have destroyed other young ladies aforetime,
And what they swore in the cupboard
wind and wave scattered away.
Was Venus exacerbated by the existence of a comparable equal?
Is the ornamental goddess full of envy?
Have you contempted Juno's Pelasgian temples,
Have you denied Pallas good eyes ?
Or is it my tongue that wrongs you
with perpetual ascription of graces?
There comes, it seems, and at any rate
through perils, (so many) and of a vexed life,
The gentler hour of an ultimate day.
Io mooed the first years with averted head,
And now drinks Nile water like a god,
Ino in her young days fled pellmell out of Thebes,
Andromeda was offered to a sea-serpent
and respectably married to Perseus,
Callisto, disguised as a bear,
wandered through the Arcadian prairies
While a black veil was over her stars,
What if your fates are accelerated,
your quiet hour put forward,
You may find interment pleasing,
You will say that you succumbed to a danger identical,
charmingly identical, with Semele's,
And believe it, and she also will believe it,
being expert from experience,
And amid all the gloried and storied beauties of Maeonia
There shall be none in a better seat, not
one denying your prestige,
Now you may bear fate's stroke unperturbed,
Or Jove, harsh as he is, may turn aside your ultimate day.
Old lecher, let not Juno get wind of the matter,
Or perhaps Juno herself will go under,
If the young lady is taken?
There will be, in any case, a stir on Olympus.
poem by Ezra Pound
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The Coupling
beware the water
beware the wine
the ingredient life of two...
is but a stitch in time
don’t water the fermented wine
don’t pollute the infusion vine
essence of fine cultivated grapes
sacred secret time held hallowed
taste sensual coupling embracing
essence selected chosen wine
plays sanctified soul embracing
songs in recipient mind
it was the finest harvest
it was a legendary year
so due seasons come regardless
so a summer none could impair
put the bottle in the rack now
please lock the wine cellar door
let ingredients mallow mature blend together
attain taste of age fine wine delectably is better
stone wine cellar is cold and timeless
stone purpose staunch does not falter alter
cooper still makes art form oaken casks
barrels bent shaped oaken ribs time censure
a choice wine must serve requisite time
an impassioned soul be flesh entwined
embodiment at discretion of inspired creator
sensitivity in tune with judgment of majestic maker
poem by Terence George Craddock
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The Wanderer's Storm-Song
He whom thou ne'er leavest, Genius,
Feels no dread within his heart
At the tempest or the rain.
He whom thou ne'er leavest, Genius,
Will to the rain-clouds,
Will to the hailstorm,
Sing in reply
As the lark sings,
Oh thou on high!
Him whom thou ne'er leavest, Genius,
Thou wilt raise above the mud-track
With thy fiery pinions.
He will wander,
As, with flowery feet,
Over Deucalion's dark flood,
Python-slaying, light, glorious,
Pythius Apollo.
Him whom thou ne'er leavest, Genius,
Thou wilt place upon thy fleecy pinion
When he sleepeth on the rock,--
Thou wilt shelter with thy guardian wing
In the forest's midnight hour.
Him whom thou ne'er leavest, Genius,
Thou wilt wrap up warmly
In the snow-drift;
Tow'rd the warmth approach the Muses,
Tow'rd the warmth approach the Graces.
Ye Muses, hover round me!
Ye Graces also!
That is water, that is earth,
And the son of water and of earth
Over which I wander,
Like the gods.
Ye are pure, like the heart of the water,
Ye are pure like the marrow of earth,
Hov'ring round me, while I hover
Over water, o'er the earth
Like the gods.
Shall he, then, return,
The small, the dark, the fiery peasant?
Shall he, then, return, waiting
Only thy gifts, oh Father Bromius,
And brightly gleaming, warmth-spreading fire?
Return with joy?
And I, whom ye attended,
Ye Muses and ye Graces,
Whom all awaits that ye,
Ye Muses and ye Graces,
Of circling bliss in life
Have glorified--shall I
Return dejected?
Father Bromius!
Thourt the Genius,
Genius of ages,
Thou'rt what inward glow
To Pindar was,
What to the world
Phoebus Apollo.
Woe! Woe Inward warmth,
Spirit-warmth,
Central-point!
Gl ow, and vie with
Phoebus Apollo!
Coldly soon
His regal look
Over thee will swiftly glide,--
Envy-struck
Linger o'er the cedar's strength,
Which, to flourish,
Waits him not.
Why doth my lay name thee the last?
Thee, from whom it began,
Thee, in whom it endeth,
Thee, from whom it flows,
Jupiter Pluvius!
Tow'rd thee streams my song.
And a Castalian spring
Runs as a fellow-brook,
Runs to the idle ones,
Mortal, happy ones,
Apart from thee,
Who cov'rest me around,
Jupiter Pluvius!
Not by the elm-tree
Him didst thou visit,
With the pair of doves
Held in his gentle arm,--
With the beauteous garland of roses,--
Caressing him, so blest in his flowers,
Anacreon,
Storm-breathing godhead!
Not in the poplar grove,
Near the Sybaris' strand,
Not on the mountain's
Sun-illumined brow
Didst thou seize him,
The flower-singing,
Honey-breathing,
Sweetly nodding
Theocritus.
When the wheels were rattling,
Wheel on wheel tow'rd the goal,
High arose
The sound of the lash
Of youths with victory glowing,
In the dust rolling,
As from the mountain fall
Showers of stones in the vale--
Then thy soul was brightly glowing, Pindar--
Glowing? Poor heart!
There, on the hill,--
Heavenly might!
But enough glow
Thither to wend,
Where is my cot!
poem by Johann Wolfgang von Goethe
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Absent Tune
In everything we do lies a melody
that absent tune we cannot hear.
Some call it the rhythm of life
that follows us step by step
as we walk our life through.
Love has a crazy beat,
which we all dance to,
young and old, no matter who.
Whether it be winter, spring, summer or fall.
Love’s crazy beat captures us all
and makes us dance to its tune.
Like life’s absent melody
we cannot hear it,
only feel its tug on our shoulder
that makes us turn around
and dance to its tune.
We cannot resist no matter what
as it is part of life’s melody
that absent tune we cannot hear.
The one we must always obey
whenever it rings in our ear.
12 July 2009
poem by David Harris
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The Threshold Stone
WHEN I went to live in the little house,
That stands on the hilltop alone,
What touched me most of all
Was neither roof nor wall,
But the smooth, worn face of its old threshold stone.
For when I entered that little house,
With its four rooms cool in the heat,
And its windows clean and bright,
There it lay, new-washed and white,
With its tale of the coming and the going of feet.
Then I lost count of time in that little house,
And the world and its things all about,
And I hearkened there, alone,
To the footfalls on that stone,
Of the young coming in and the old going out.
And the folk that had dwelt in that little house,
They were mute, spectre-mute, at my side —
The young man, strong and bold,
And the grey man, wise and old,
And the little, pinched woman and the new-made bride.
Oh, often in haste to that little house
Came love in the night-time alone,
And dallied there a while,
With a little, wistful smile,
And with feather-weight feet on the old threshold stone.
And men hurried home to that little house
When the round of the daytime was o'er
With its worry, heat and noise,
And kissed their girls and boys,
And the patient little mothers that waited at the door.
Though I dwell now no more in that little house
That stands on the hilltop alone,
Yet this I got from it —
This human story writ
On the smooth, worn face of its old threshold stone.
Though they take stone from stone in that little house,
Making litter of all it has been.
Yet they shall not destroy
All the grief, all the joy,
All the youth, all the love that its threshold has seen.
poem by Roderic Quinn
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The House Of Dust: Part 02: 09: Interlude
The days, the nights, flow one by one above us,
The hours go silently over our lifted faces,
We are like dreamers who walk beneath a sea.
Beneath high walls we flow in the sun together.
We sleep, we wake, we laugh, we pursue, we flee.
We sit at tables and sip our morning coffee,
We read the papers for tales of lust or crime.
The door swings shut behind the latest comer.
We set our watches, regard the time.
What have we done? I close my eyes, remember
The great machine whose sinister brain before me
Smote and smote with a rhythmic beat.
My hands have torn down walls, the stone and plaster.
I dropped great beams to the dusty street.
My eyes are worn with measuring cloths of purple,
And golden cloths, and wavering cloths, and pale.
I dream of a crowd of faces, white with menace.
Hands reach up to tear me. My brain will fail.
Here, where the walls go down beneath our picks,
These walls whose windows gap against the sky,
Atom by atom of flesh and brain and marble
Will build a glittering tower before we die . . .
The young boy whistles, hurrying down the street,
The young girl hums beneath her breath.
One goes out to beauty, and does not know it.
And one goes out to death.
poem by Conrad Potter Aiken
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Like Rain
I stood today on that ironwork footbridge
over the White Cart and its blooming banks.
Your river was running the wrong way again
around the old village and under the stars
down by the ruins under blue skies
through purples and yellows and lilacs.
and the sun was the sun of a June too long flown
and your bridge was an archway made of stone,
It was nowhere near Paisley or these bass-beat days,
yet only a blink or a heartbeat away.
I saw you between those two lochs we know so well.
You stood on the arch there and looked east and west,
your eyes full of distance, and heart light with dreaming
that flooded the air of the dance hall
where I saw in your eyes what all young lovers seek
when we danced close and slow for the last time.
Too young on the scene then I saw it all too late.
Though graced by it there and remembering now
is more than enough, dear, I finally know it
as the archway retreats and the old town hall fades
and the riverside riches of Paisley impose
just only these few sweet reminders
in this town where we’re blind to each other once more
and where time, falls like rain through my fingers
July 2008
The Funeral of Sarpedon
Zeus mourns deeply:
Patroklos has killed Sarpedon.
Now Patroklos and the Achaians rush on
to snatch up the body, to dishonour it.
But Zeus doesn't tolerate that at all.
Though he let his favourite child be killed
this the Law required
he'll at least honour him after death.
So he now sends Apollo down to the plain
with instructions about how the body should be tended.
Apollo reverently raises the hero's body
and carries it in sorrow to the river.
He washes the dust and blood away,
heals the terrible wounds so there's no trace left,
pours perfume of ambrosia over it,
and dresses it in radiant Olympian robes.
He bleaches the skin, and with a pearl comb
combs out the jet black hair.
He spreads and arranges the beautiful limbs.
Now he looks like a young king, a royal charioteer-
twenty-five or twenty-six years old-
resting himself after winning
the prize in a famous race,
his chariot all gold and his horses the fastest.
Having finished his task this way,
Apollo calls for the two brothers,
Sleep and Death, and orders them
to take the body to Lykia, the rich country.
So the two brothers, Sleep and Death,
set off on foot toward the rich country, Lykia;
and when they reached the door
of the king's palace,
they handed over the honoured body
and then returned to their other concerns.
And once the body was received in the palace
the sad burial began, with processions and honours and dirges,
with many libations from sacred vessels,
with all pomp and circumstance.
Then skilled workers from the city
and celebrated craftsmen in stone
came to make the tombstone and the tomb.
poem by Constantine P. Cavafy
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To Mr. Bleecker
Yes, I invok'd the Muses' aid
To help me write, for 'tis their trade;
But only think, ungrateful Muses,
They sent dame Iris with excuses,
They'd other business for to follow,
Beg'd I'd apply to God Apollo.
The God said, as heav'n's charioteer,
He had no time to mind us here;
Said if we rac'd round earth like Phoebus
One day, it sadly would fatigue us;
Yet we expect, when tir'd at night,
He'd stay from bed to help us write:
Nor need we ask his sister Phoebe,
For turning round had made her giddy;
Her inspiration would confuse us,
So counsell'd us to coax the Muses.
Quite disappointed at this lecture
I left his worship sipping nectar;
But, pettishly as I left his dome,
It chanc'd I met the Goddess Wisdom.
No wonder she is wife, 'tis said
She was the product of Jove's head.
'Bright Queen,' said I, 'in these abodes
'I beg'd a favour of the Gods:
'They wish'd the poets at the devil,
'And the nine ladies were uncivil:
'Apollo told me he was lazy,
'And call'd his sister Phoebe crazy.
'Permit me then your kind protection;
'From you I cannot fear rejection.'
Tritonia gave me smiles and nods,
(The unsual compliments of Gods,)
And look'd benign as rising sun,
Which gave me courage to go on.
'---Oh Goddess! let your powerful arms
'Keep young Ulyssus from all harms;
'Attend him in each strange adventure,
'And be, in human form, his mentor:
'Oh bid him shun Circean feasts,
'Whose magic pow'r turns men to beasts;
'Nor let him touch the fatal tree,
'Lest he forget Penelope:
'Keep him from a Calypso's arms,
'And all the treacherous Syren's charms:
'In Cyclop cells let him not enter;
'Permit him not at games to venture;
'Sure as he does, he is undone,
'Each sharper is a lestrigon;
'Nor city luxury inure him,
'To be a modern epicurian;
'(For Temperance, celestial maid,
'Is still a virtue of the shade:)
'And dire diseases burn each vein
'Of those who Temperance prophane,
'And kill her sacred beeves in vain.
'The Grecians once to Pluto's glooms
'So sunk for slaughter'd hecatombs.
'If men believ'd in transmigration,
'How would it spare the brute creation?
'But, Goddess! let him soon return,
'Nor twice ten years in absence mourn;
'To those who love, a month appears
'As long as twenty tedious years.'
Minerva rais'd her ægis high,
That blaz'd effulgence thro' the sky,
And, smiling took the common oath,
To be immensely kind to both;
Then down from heaven's pure æther flew
Swifter than light---in search of you.
poem by Ann Eliza Bleecker from The Posthumous Works of Ann Eliza Bleecker
Submitted by Veronica Serbanoiu
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Bring Back The Time
You sit alone in your room;
your mind wanders
to the sound of a tune.
A tune that was a hit
so long ago when you were young.
You remember the first time you heard it,
and where you were at the time.
Suddenly a memory springs
from the back of your mind.
Coloured lights and dancing feet
move across your mind.
Your wish now is
bring back the time.
Bring back the days
you remember so well.
Days when there was
a new dance craze every week,
when groups played instruments
before the synthesiser was born,
when songs had lyrics
that everyone could sing
and a tune everyone could hum.
Bring back the teenage time
before the years flew away.
Now in reality I sit and smile,
wishfully thinking I could
bring back the time.
poem by David Harris
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The Prodigal Son
Young man—
Young man—
Your arm’s too short to box with God.
But Jesus spake in a parable, and he said:
A certain man had two sons.
Jesus didn’t give this man a name,
But his name is God Almighty.
And Jesus didn’t call these sons by name,
But ev’ry young man,
Ev’rywhere,
Is one of these two sons.
And the younger son said to his father,
He said: Father, divide up the property,
And give me my portion now.
And the father with tears in his eyes said: Son,
Don’t leave your father’s house.
But the boy was stubborn in his head,
And haughty in his heart,
And he took his share of his father’s goods,
And went into a far-off country.
There comes a time,
There comes a time
When ev’ry young man looks out from his father’s house,
Longing for that far-off country.
And the young man journeyed on his way,
And he said to himself as he travelled along:
This sure is an easy road,
Nothing like the rough furrows behind my father’s plow.
Young man—
Young man—
Smooth and easy is the road
That leads to hell and destruction.
Down grade all the way,
The further you travel, the faster you go.
No need to trudge and sweat and toil,
Just slip and slide and slip and slide
Till you bang up against hell’s iron gate.
And the younger son kept travelling along,
Till at night-time he came to a city.
And the city was bright in the night-time like day,
The streets all crowded with people,
Brass bands and string bands a-playing,
And ev’rywhere the young man turned
There was singing and laughing and dancing.
And he stopped a passer-by and he said:
Tell me what city is this?
And the passer-by laughed and said: Don’t you know?
This is Babylon, Babylon,
That great city of Babylon.
Come on, my friend, and go along with me.
And the young man joined the crowd.
Young man—
Young man—
You’re never lonesome in Babylon.
You can always join a crowd in Babylon.
Young man—
Young man—
You can never be alone in Babylon,
Alone with your Jesus in Babylon.
You can never find a place, a lonesome place,
A lonesome place to go down on your knees,
And talk with your God, in Babylon.
You’re always in a crowd in Babylon.
And the young man went with his new-found friend,
And bought himself some brand new clothes,
And he spent his days in the drinking dens,
Swallowing the fires of hell.
And he spent his nights in the gambling dens,
Throwing dice with the devil for his soul.
And he met up with the women of Babylon.
Oh, the women of Babylon!
Dressed in yellow and purple and scarlet,
Loaded with rings and earrings and bracelets,
Their lips like a honeycomb dripping with honey,
Perfumed and sweet-smelling like a jasmine flower;
And the jasmine smell of the Babylon women
Got in his nostrils and went to his head,
And he wasted his substance in riotous living,
In the evening, in the black and dark of night,
With the sweet-sinning women of Babylon.
And they stripped him of his money,
And they stripped him of his clothes,
And they left him broke and ragged
In the streets of Babylon.
Then the young man joined another crowd—
The beggars and lepers of Babylon.
And he went to feeding swine,
And he was hungrier than the hogs;
He got down on his belly in the mire and mud
And ate the husks with the hogs.
And not a hog was too low to turn up his nose
At the man in the mire of Babylon.
Then the young man came to himself—
He came to himself and said:
In my father’s house are many mansions,
Ev’ry servant in his house has bread to eat,
Ev’ry servant in his house has a place to sleep;
I will arise and go to my father.
And his father saw him afar off,
And he ran up the road to meet him.
He put clean clothes upon his back,
And a golden chain around his neck,
He made a feast and killed the fatted calf,
And invited the neighbors in.
Oh-o-oh, sinner,
When you’re mingling with the crowd in Babylon—
Drinking the wine of Babylon—
Running with the women of Babylon—
You forget about God, and you laugh at Death.
Today you’ve got the strength of a bull in your neck
And the strength of a bear in your arms,
But some o’ these days, some o’ these days,
You’ll have a hand-to-hand struggle with bony Death,
And Death is bound to win.
Young man, come away from Babylon,
That hell-border city of Babylon.
Leave the dancing and gambling of Babylon,
The wine and whiskey of Babylon,
The hot-mouthed women of Babylon;
Fall down on your knees,
And say in your heart:
I will arise and go to my Father.
poem by James Weldon Johnson
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The Host Of The Air
O'DRISCOLL drove with a song
The wild duck and the drake
From the tall and the tufted reeds
Of the drear Hart Lake.
And he saw how the reeds grew dark
At the coming of night-tide,
And dreamed of the long dim hair
Of Bridget his bride.
He heard while he sang and dreamed
A piper piping away,
And never was piping so sad,
And never was piping so gay.
And he saw young men and young girls
Who danced on a level place,
And Bridget his bride among them,
With a sad and a gay face.
The dancers crowded about him
And many a sweet thing said,
And a young man brought him red wine
And a young girl white bread.
But Bridget drew him by the sleeve
Away from the merry bands,
To old men playing at cards
With a twinkling of ancient hands.
The bread and the wine had a doom,
For these were the host of the air;
He sat and played in a dream
Of her long dim hair.
He played with the merry old men
And thought not of evil chance,
Until one bore Bridget his bride
Away from the merry dance.
He bore her away in his atms,
The handsomest young man there,
And his neck and his breast and his arms
Were drowned in her long dim hair.
O'Driscoll scattered the cards
And out of his dream awoke:
Old men and young men and young girls
Were gone like a drifting smoke;
But he heard high up in the air
A piper piping away,
And never was piping so sad,
And never was piping so gay.
poem by William Butler Yeats
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The Muse Of Life
Black and white horses,
Black and white cows,
All that muses is about life;
Cos', the wind blows to where it is directed.
Brown and white horses,
Brown and white cows,
The muse of life teaches us many tricks;
But, i've got rain and sunshine to crown the day.
The muse of a moose,
The bloom of a flower,
The blues of mankind to take the pieces;
The muse of life teaches many.
'The dish washer is not in the Bible'! !
Shouted the lone-ranger in need of love;
But, all that muses is about life.
Of cows and horses,
Of men and women,
Of Black and White Race to fill the earth;
Yes, all that muses is about life.
poem by Edward Kofi Louis
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The Phantom Ball
You remember the hall on the corner?
To-night as I walked down street
I heard the sound of music,
And the rhythmic beat and beat,
In time to the pulsing measure
Of lightly tripping feet.
And I turned and entered the doorway-
It was years since I had been there-
Years, and life seemed altered:
Pleasure had changed to care.
But again I was hearing the music
And watching the dancers fair.
And then, as I stood and listened,
The music lost its glee;
And instead of the merry waltzers
There were ghosts of the Used-to-be-
Ghosts of the pleasure-seekers
Who once had danced with me.
Oh, 'twas a ghastly picture!
Oh, 'twas a gruesome crowd!
Each bearing a skull on his shoulder,
Each trailing a long white shroud,
As they whirled in the dance together,
And the music shrieked aloud.
As they danced, their dry bones rattled
Like shutters in a blast;
And they stared from eyeless sockets
On me as they circled past;
And the music that kept them whirling
Was a funeral dirge played fast.
Some of them wore their face-cloths,
Others were rotted away.
Some had mould on their garments,
And some seemed dead but a day.
Corpses all, but I knew them
As friends, once blithe and gay.
Beauty and strength and manhood-
And this was the end of it all:
Nothing but phantoms whirling
In a ghastly skeleton ball.
But the music ceased-and they vanished,
And I came away from the hall.
poem by Ella Wheeler Wilcox
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Homage To Sextus Propertius - V
1
Now if ever it is time to cleanse Helicon;
to lead Emathian horses afield,
And to name over the census of my chiefs in the Roman camp.
If I have not the faculty, 'The bare attempt would be praise-worthy.'
'In the things of similar magnitude
the mere will to act is sufficient.'
The primitive ages sang Venus,
the last sings of a tumult,
And I also will sing war when this matter of a girl is exhausted.
I with my beak hauled ashore would proceed in a more stately manner,
My Muse is eager to instruct me in a new gamut, or gambetto,
Up, up my soul, from your lowly cantilation,
put on a timely vigour.
Oh august Pierides! Now for a large-mouthed product.
Thus:
'The Euphrates denies its protection to the Parthian and
apologizes for Crassus,'
And 'It is, I think, India which now gives necks to your triumph,'
And so forth, Augustus. 'Virgin Arabia shakes in her inmost dwelling.'
If any land shrink into a distant seacoast,
it is a mere postponement of your domination.
And I shall follow the camp, I shall be duly celebrated
for singing the affairs of your cavalry.
May the fates watch over my day.
2
Yet you ask on what account I write so many love-lyrics
And whence this soft book comes into my mouth.
Neither Calliope nor Apollo sung these things into my ear,
My genius is no more than a girl.
If she with ivory fingers drive a tune through the lyre,
We look at the process.
How easy the moving fingers; if hair is mussed on her forehead,
If she goes in a gleam of Cos, in a slither of dyed stuff,
There is a volume in the matter; if her eyelids sink into sleep,
There are new jobs for the author;
And if she plays with me with her shirt off,
We shall construct many Iliads.
And whatever she does or says
We shall spin long yarns out of nothing.
Thus much the fates have allotted me, and if, Maecenas,
I were able to lead heroes into armour, I would not,
Neither would I warble of Titans, nor of Ossa
spiked onto Olympus,
Nor of causeways over Pelion,
Nor of Thebes in its ancient respectability,
nor of Homer's reputation in Pergamus,
Nor of Xerxes' two-barreled kingdom, nor of Remus and his royal family,
Nor of dignified Carthaginian characters,
Nor of Welsh mines and the profit Marus had out of them,
I should remember Caesar's affairs . . .
for a background,
Although Callimachus did without them,
and without Theseus,
Without an inferno, without Achilles attended of gods,
Without Ixion, and without the sons of Menoetius and
the Argo and without Jove's grave and the Titans.
And my ventricles do not palpitate to Caesarial ore rotundas,
Nor to the tune of the Phrygian fathers.
Sailor, of winds; a plowman, concerning his oxen;
Soldier, the enumeration of wounds; the sheep-feeder, of ewes;
We, in our narrow bed, turning aside from battles:
Each man where he can, wearing out the day in his manner.
3
It is noble to die of love, and honourable to remain
uncuckolded for a season.
And she speaks ill of light women,
and will not praise Homer
Because Helen's conduct is 'unsuitable'.
poem by Ezra Pound
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