
Homage To Sextus Propertius - II
I had been seen in the shade, recumbent on cushioned Helicon,
The water dripping from Bellerophon's horse,
Alba, your kings, and the realm your folk
have constructed with such industry
Shall be yawned out on my lyre with such industry.
My little mouth shall gobble in such great fountains,
'Wherefrom father Ennius, sitting before I came, hath drunk.'
I had rehearsed the Curian brothers, and made remarks
on the Horatian javelin
(Near Q. H. Flaccus' book-stall).
'Of’ royal Aemilia, drawn on the memorial raft,
'Of’ the victorious delay of Fabius, and the left-handed
battle at Cannae,
Of lares fleeing the 'Roman seat' . . .
I had sung of all these
And of Hannibal,
and of Jove protected by geese.
And Phoebus looking upon me from the Castalian tree,
Said then 'You idiot! What are you doing with that water:
‘Who has ordered a book about heroes?
'You need, Propertius, not think
'About acquiring that sort of a reputation.
'Soft fields must be worn by small wheels,
'Your pamphlets will be thrown, thrown often into a chair
'Where a girl waits alone for her lover;
'Why wrench your page out of its course?
'No keel will sink with your genius
'Let another oar churn the water,
'Another wheel, the arena; mid-crowd is as bad as mid-sea.'
He had spoken, and pointed me a place with his plectrum:
Orgies of vintages, an earthern image of Silenus
Strengthened with rushes, Tegaean Pan,
The small birds of the Cytharean mother,
their Punic faces dyed in the Gorgon's lake;
Nine girls, from as many countrysides
bearing her offerings in their unhardened hands,
Such my cohort and setting. And she bound ivy to his thyrsos;
Fitted song to the strings;
Roses twined in her hands.
And one among them looked at me with face offended,
Calliope:
'Content ever to move with white swans!
'Nor will the noise of high horses lead you ever to battle;
Nor will the public criers ever have your name;
in their classic horns,
'Nor Mars shout you in the wood at Aeonium,
Nor where Rome ruins German riches,
'Nor where the Rhine flows with barbarous blood,
and flood carries wounded Suevi.
'Obviously crowned lovers at unknown doors,
'Night dogs, the marks of a drunken scurry,
'These are your images, and from you the sorcerizing of
shut-in young ladies,
'The wounding of austere men by chicane.'
Thus Mistress Calliope,
Dabbling her hands in the fount, thus she
Stiffened our face with the backwash of Philetas the Coan.
poem by Ezra Pound

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Related quotes
Don't Ask For Water
I hate this old place
And what it represents
And I hate who I was
And who I ended up since
But if you learned how to swim in case you'd drowned
Don't ask her for the water
Cause she'll swallow you down
And she's ten miles of peace
And the hardest of nights
And her belfry's got arch
But her rooftops all right
But down here in the sewer
I'm smelling a rat
Don't ask her for the Whiskey
Cause her waters all that
And what horses we rode
Through what somber fields
With our lovers at war
And the dust on their heels
And the infidels screamed, ?it's all but a lie?
Don't ask her for the water,
Cause she'll teach you to cry
Don't ask her for the water
Cause she'll teach you to cry
And her weapon of choice is a red-patterned dress
And a sac full of stones
With her hands on her chest
And a book full of quotes
And a tight fastened lip
Don't ask her for the water
Cause you'll sink like a ship
Don't ask her for the water
Cause you'll sink like a ship
song performed by by Ryan Adams

Submitted by Lucian Velea
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While He see the two playing there
How much I miss
Kyla and Tinkie today
that now plays at another place
and I see the big black dog
and the very small white one
with her big eyes
that run together
in immortal fields
and the small one hops up and down
in the long green grass
while she tries to keep up
and make barking noises
and it’s Kyla that herds off Tinkie
like a mother looking after a small one.
At a stream
with clear transparent water
small Tinkie waits patiently
with her pink tongue
hanging out of her mouth
while Kyla swims like a otter
up and down
and barks her greetings
to a African red knobbed coot
who drifts with babies
on the water
and in the shade
of a big old willow tree
is the Creator of all things
and there’s a smile
that goes from His mouth
past His eyes
while He watches
the two playing there.
poem by Gert Strydom

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Homage To Sextus Propertius - I
Shades of Callimachus, Coan ghosts of Philetas
It is in your grove I would walk,
I who come first from the clear font
Bringing the Grecian orgies into Italy,
and the dance into Italy.
Who hath taught you so subtle a measure,
in what hall have you heard it;
What foot beat out your time-bar,
what water has mellowed your whistles ?
Out-weariers of Apollo will, as we know, continue their
Martian generalities,
We have kept our erasers in order.
A new-fangled chariot follows the flower-hung horses;
A young Muse with young loves clustered about her
ascends with me into the aether, . . .
And there is no high-road to the Muses.
Annalists will continue to record Roman reputations,
Celebrities from the Trans-Caucasus will belaud Roman celebrities
And expound the distentions of Empire,
But for something to read in normal circumstances?
For a few pages brought down from the forked hill unsullied?
I ask a wreath which will not crush my head.
And there is no hurry about it;
I shall have, doubtless, a boom after my funeral,
Seeing that long standing increases all things
regardless of quality.
And who would have known the towers
pulled down by a deal-wood horse;
Or of Achilles withstaying waters by Simois
Or of Hector spattering wheel-rims,
Or of Polydmantus, by Scamander, or Helenas and
Deiphoibos?
Their door-yards would scarcely know them, or Paris.
Small talk O Ilion, and O Troad
twice taken by Oetian gods,
If Homer had not stated your case!
And I also among the later nephews of this city
shall have my dog's day,
With no stone upon my contemptible sepulchre;
My vote coming from the temple of Phoebus in Lycia, at Patara,
And in the mean time my songs will travel,
And the devirginated young ladies will enjoy them
when they have got over the strangeness,
For Orpheus tamed the wild beasts
and held up the Threician river;
And Citharaon shook up the rocks by Thebes
and danced them into a bulwark at his pleasure,
And you, O Polyphemus? Did harsh Galatea almost
Turn to your dripping horses, because of a tune, under Aetna?
We must look into the matter.
Bacchus and Apollo in favour of it,
There will be a crowd of young women doing homage to my palaver,
Though my house is not propped up by Taenarian
columns from Laconia (associated with Neptune and Cerberus),
Though it is not stretched upon gilded beams;
My orchards do not lie level and wide
as the forests of Phaecia,
the luxurious and Ionian,
Nor are my caverns stuffed stiff with a Marcian vintage,
My cellar does not date from Numa Pompilius,
Nor bristle with wine jars,
Nor is it equipped with a frigidaire patent;
Yet the companions of the Muses
will keep their collective nose in my books,
And weary with historical data, they will turn to my dance tune.
Happy who are mentioned in my pamphlets,
the songs shall be a fine tomb-stone over their beauty.
But against this ?
Neither expensive pyramids scraping the stars in their route,
Nor houses modelled upon that of Jove in East Elis,
Nor the monumental effigies of Mausolus,
are a complete elucidation of death.
Flame burns, rain sinks into the cracks
And they all go to rack ruin beneath the thud of the years.
Stands genius a deathless adornment,
a name not to be worn out with the years.
poem by Ezra Pound

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Dont Ask For The Water
I hate this old place
And what it represents
And I hate who I was
And who I ended up since
But if you learned how to swim in case youd drowned
Dont ask her for the water
Cause shell swallow you down
And shes ten miles of peace
And the hardest of nights
And her belfrys got arch
But her rooftops all right
But down here in the sewer
Im smelling a rat
Dont ask her for the whiskey
Cause her waters all that
And what horses we rode
Through what somber fields
With our lovers at war
And the dust on their heels
And the infidels screamed its all but a lie
Dont ask her for the water
Cause shell teach you to cry
Dont ask her for the water
Cause shell teach you to cry
And her weapon of choice is a red patterned dress
And a sac full of stones
With her hands on her chest
And a book full of quotes
And a tight fastened lip
Dont ask her for the water
Cause youll sink like a ship
Dont ask her for the water
Cause youll sink like a ship
song performed by by Ryan Adams

Submitted by Lucian Velea
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Top Taps
At the Royal Festival Hall, on the third floor,
There is an experience which I just adore.
Every time that I visit there, I always choose
To wash my hands under the taps in their loos.
Out of the tap, the water suddenly gushes;
On to my waiting hands, hot water rushes.
Into the basin, water froths and foams:
I really wish we had these taps at home.
Round my wrists, the white water swirls
Like a precious bracelet, made of pearl.
Bubbles coat my hands, just like a glove:
It is a sensation which I simply love.
By the bubbles, my hands are massaged.
Luckily, for these loos, there isn't a charge.
With these taps, I am a little obsessed.
These are the taps which I love the best!
poem by Angela Wybrow

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Homage To Sextus Propertius - VI
When, when, and whenever death closes our eyelids,
Moving naked over Acheron
Upon the one raft, victor and conquered together,
Marius and Jugurtha together,
one tangle of shadows.
Caesar plots against India,
Tigris and Euphrates shall, from now on, flow at his bidding,
Tibet shall be full of Roman policemen,
The Parthians shall get used to our statuary
and acquire a Roman religion;
One raft on the veiled flood of Acheron,
Marius and Jugurtha together.
Nor at my funeral either will there be any long trail,
bearing ancestral lares and images;
No trumpets filled with my emptiness,
Nor shall it be on an Atalic bed;
The perfumed cloths shall be absent.
A small plebeian procession.
Enough, enough and in plenty
There will be three books at my obsequies
Which I take, my not unworthy gift, to Persephone.
You will follow the bare scarified breast
Nor will you be weary of calling my name, nor too weary
To place the last kiss on my lips
When the Syrian onyx is broken.
‘He who is now vacant dust
'Was once the slave of one passion:'
Give that much inscription
‘Death why tardily come?'
You, sometimes, will lament a lost friend,
For it is a custom:
This care for past men,
Since Adonis was gored in Idalia, and the Cytharean
Ran crying with out-spread hair,
In vain, you call back the shade,
In vain, Cynthia. Vain call to unanswering shadow,
Small talk comes from small bones.
poem by Ezra Pound

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Fairy tale queen [Crăiasa din poveste]
White and brightly shining mists
Spins the moon, like airy shields,
Then it spreads them over streams
And across the fallow fields.
Flowers gather on the loom
Where the spider web is thrown
Hanging on the black night's gown
Many beads of precious stone.
Near the lake, on which the clouds
Warped a shade as black as night,
Which the waves break here and there
As if they were balls of light,
Putting the tall reed aside
Bends the maiden, shy and grave,
Throwing roses red like blood
Over the enchanted wave.
Looks ahead to see a face
Where the water's really stirred,
For the lake has been spellbound
By Saint Wednesday's witty word.
And to make the face come out
She is throwing roses young
For they all are surely charmed
By Saint Friday's clever tongue.
She is looking... Her blonde hair
And her face are lit by moon,
While within her deep blue eyes
Fairy tales will gather soon.
poem by Mihai Eminescu, translated by Octavian Cocoş

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Shametown
I see the world through the eyes of an idiot
Talkin big white trash (? )
Before the girls an boys inside of my soul
They take my path (? )
In the mirror there I see my fathers face in glass
I know I am not anyone yet too afraid to ask
I will pawn you my watch
Pawn you my chain
Pawn you my new diamond ring
Pawn you my watch
Pawn you my chain
Pawn you yeah most anything
Get your clogs on the floor
Step up step up step up an do more
Hey little girl is your door still open
The devil still inside
Seen your face he left the place
Took everything inside
Hey by the way I forgot to mention
I let it just slip out
Today is the day of salvation
An aint gonna tell no lie
Some through the water
Some through the flood
Some by the fire
But all through his blood
Some through the water
Some through the flood
Some by the bullet
But all through his blood
song performed by by 16 Horsepower

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Liberty... (Dont Betray Me Now!)
Liberty...
dont betray me now.
i have paid your price,
in bodies burning,
and mouths that tremble.
in toil and struggle,
in sweat and faith.
take not thy hand from my heart,
for you have spoken to me with eyes.
eyes that see the beauty
of the common, and simple.
eyes that drink equality,
seeing hands joined in darkened rooms.
eyes that pray common prayers.
who am i to have a face?
who are these faces,
giving dignity to names?
history written in warm blood,
on the farmhouse walls,
on the factory floors,
in the carpenter's apron!
i am the voice of what should have been...
what could have been!
i am family handed down to family,
i am equity and justice.
i am the black hand taking down
the all white sign...
i am the horses of Crazy Horse,
Sitting Bull, and Cochise.
i am the mill worker's only son,
going to college.
i am the daughter of the minister,
marching for women's rights.
i am the young man in prison,
teaching himself to read!
i am the sound
of machines shut down,
of fields left unplowed,
of courtrooms empty.
i am the bodies of the young men,
killed in your napalm wars...
i am the mother and father,
burying their only son.
i am the rage of the poor,
with calloused hands torn.
i am the housing projects,
the trailer parks,
and the prisons full.
i am the cities gone mad,
with despair and grief.
i am the spirit of rebellion,
and the body of revolution!
i am the scientist, the doctor,
the preacher, and the drunkard.
i am the free thinker,
daring to question.
i am the man alone,
who dares to stand and defy.
i am the voices of the grandfathers,
and grandmothers,
crying out from their graves.
i am the migrant worker,
the bedpan emptier,
the garbage man,
and the small town sheriff...
the stink of injustice,
and the vote not counted.
Liberty, o Liberty,
turn not your face...
for i am the breath and the blood,
that moves your body!
i am the prayer too long unprayed...
one hand in a fist,
and the other left open!
poem by Eric Cockrell

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Drive (For Daddy Gene)
It was painted red
The stripe was white
It was 18 feet from bow to stern light
It was 2nd hand, from a dealer in Atlanta
I rode up with daddy when he went there to get her
We put on a shine, put on a border
Built out of love, but made for the water
We ran her for years, til' the transim got rotten
A piece of my child hood will never be forgoten
It was just an old plywood boat
A 75 Johnson, an electric choke
A young boy two hands on the wheel
I can't replace the way it made me feel
I would turn her sharp, I would make it wide
He said you can't be the way a old wood boat rides
Just a little lake across the Alabama line
But I was king of the ocean
When Daddy let me drive
Just an old half ton short bed ford
My Uncle bought new in 64
Daddy got it ridin cause the engine was smoking
A couple of burnt valves and he had it going
He'd let me drive her when we haul off a load
Off a dirt strip where we'd dump trash
Off of thickpin road
I'd sit up in the seat and stretch my feet to the pedals
Smiling like a hero
Who just receivied his medal
It was just an old hand me down ford
With 3 speed on the column and a dent in the door
A young boy two hands on the wheel
I can't replace the way it made me feel
I would press that clutch, and I would keep it right
He would say just a little slower son
Your doing just fine
Just a little dirt road with trash on each side
But I was Mario Andretti
When Daddy let me drive
Im all grown up now
3 daughters of my own
I let them drive my old jeep
Across the pasture at our home
Maybe one day they'll reach back in their file
And pull out that old memory
And think of me and smile
And say
It was just an old worn out jeep
Rusty old four doors
Hot on my feet
A young girl two hands on the wheel
I can't replace the way it made me feel
and he'd say Turn it left, and steer it right
Straighten up girl,now your doing just fine
Just a little valley by the river where we'd ride
But I was high on a mountain
When Daddy let me drive
Daddy let me drive
Oh he let me drive
She's just old plywood boat
With a 75 johnson
And electric choke
song performed by by Alan Jackson

Submitted by Lucian Velea
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Homage To Sextus Propertius - V
1
Now if ever it is time to cleanse Helicon;
to lead Emathian horses afield,
And to name over the census of my chiefs in the Roman camp.
If I have not the faculty, 'The bare attempt would be praise-worthy.'
'In the things of similar magnitude
the mere will to act is sufficient.'
The primitive ages sang Venus,
the last sings of a tumult,
And I also will sing war when this matter of a girl is exhausted.
I with my beak hauled ashore would proceed in a more stately manner,
My Muse is eager to instruct me in a new gamut, or gambetto,
Up, up my soul, from your lowly cantilation,
put on a timely vigour.
Oh august Pierides! Now for a large-mouthed product.
Thus:
'The Euphrates denies its protection to the Parthian and
apologizes for Crassus,'
And 'It is, I think, India which now gives necks to your triumph,'
And so forth, Augustus. 'Virgin Arabia shakes in her inmost dwelling.'
If any land shrink into a distant seacoast,
it is a mere postponement of your domination.
And I shall follow the camp, I shall be duly celebrated
for singing the affairs of your cavalry.
May the fates watch over my day.
2
Yet you ask on what account I write so many love-lyrics
And whence this soft book comes into my mouth.
Neither Calliope nor Apollo sung these things into my ear,
My genius is no more than a girl.
If she with ivory fingers drive a tune through the lyre,
We look at the process.
How easy the moving fingers; if hair is mussed on her forehead,
If she goes in a gleam of Cos, in a slither of dyed stuff,
There is a volume in the matter; if her eyelids sink into sleep,
There are new jobs for the author;
And if she plays with me with her shirt off,
We shall construct many Iliads.
And whatever she does or says
We shall spin long yarns out of nothing.
Thus much the fates have allotted me, and if, Maecenas,
I were able to lead heroes into armour, I would not,
Neither would I warble of Titans, nor of Ossa
spiked onto Olympus,
Nor of causeways over Pelion,
Nor of Thebes in its ancient respectability,
nor of Homer's reputation in Pergamus,
Nor of Xerxes' two-barreled kingdom, nor of Remus and his royal family,
Nor of dignified Carthaginian characters,
Nor of Welsh mines and the profit Marus had out of them,
I should remember Caesar's affairs . . .
for a background,
Although Callimachus did without them,
and without Theseus,
Without an inferno, without Achilles attended of gods,
Without Ixion, and without the sons of Menoetius and
the Argo and without Jove's grave and the Titans.
And my ventricles do not palpitate to Caesarial ore rotundas,
Nor to the tune of the Phrygian fathers.
Sailor, of winds; a plowman, concerning his oxen;
Soldier, the enumeration of wounds; the sheep-feeder, of ewes;
We, in our narrow bed, turning aside from battles:
Each man where he can, wearing out the day in his manner.
3
It is noble to die of love, and honourable to remain
uncuckolded for a season.
And she speaks ill of light women,
and will not praise Homer
Because Helen's conduct is 'unsuitable'.
poem by Ezra Pound

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The Wanderer's Storm-Song
He whom thou ne'er leavest, Genius,
Feels no dread within his heart
At the tempest or the rain.
He whom thou ne'er leavest, Genius,
Will to the rain-clouds,
Will to the hailstorm,
Sing in reply
As the lark sings,
Oh thou on high!
Him whom thou ne'er leavest, Genius,
Thou wilt raise above the mud-track
With thy fiery pinions.
He will wander,
As, with flowery feet,
Over Deucalion's dark flood,
Python-slaying, light, glorious,
Pythius Apollo.
Him whom thou ne'er leavest, Genius,
Thou wilt place upon thy fleecy pinion
When he sleepeth on the rock,--
Thou wilt shelter with thy guardian wing
In the forest's midnight hour.
Him whom thou ne'er leavest, Genius,
Thou wilt wrap up warmly
In the snow-drift;
Tow'rd the warmth approach the Muses,
Tow'rd the warmth approach the Graces.
Ye Muses, hover round me!
Ye Graces also!
That is water, that is earth,
And the son of water and of earth
Over which I wander,
Like the gods.
Ye are pure, like the heart of the water,
Ye are pure like the marrow of earth,
Hov'ring round me, while I hover
Over water, o'er the earth
Like the gods.
Shall he, then, return,
The small, the dark, the fiery peasant?
Shall he, then, return, waiting
Only thy gifts, oh Father Bromius,
And brightly gleaming, warmth-spreading fire?
Return with joy?
And I, whom ye attended,
Ye Muses and ye Graces,
Whom all awaits that ye,
Ye Muses and ye Graces,
Of circling bliss in life
Have glorified--shall I
Return dejected?
Father Bromius!
Thourt the Genius,
Genius of ages,
Thou'rt what inward glow
To Pindar was,
What to the world
Phoebus Apollo.
Woe! Woe Inward warmth,
Spirit-warmth,
Central-point!
Gl ow, and vie with
Phoebus Apollo!
Coldly soon
His regal look
Over thee will swiftly glide,--
Envy-struck
Linger o'er the cedar's strength,
Which, to flourish,
Waits him not.
Why doth my lay name thee the last?
Thee, from whom it began,
Thee, in whom it endeth,
Thee, from whom it flows,
Jupiter Pluvius!
Tow'rd thee streams my song.
And a Castalian spring
Runs as a fellow-brook,
Runs to the idle ones,
Mortal, happy ones,
Apart from thee,
Who cov'rest me around,
Jupiter Pluvius!
Not by the elm-tree
Him didst thou visit,
With the pair of doves
Held in his gentle arm,--
With the beauteous garland of roses,--
Caressing him, so blest in his flowers,
Anacreon,
Storm-breathing godhead!
Not in the poplar grove,
Near the Sybaris' strand,
Not on the mountain's
Sun-illumined brow
Didst thou seize him,
The flower-singing,
Honey-breathing,
Sweetly nodding
Theocritus.
When the wheels were rattling,
Wheel on wheel tow'rd the goal,
High arose
The sound of the lash
Of youths with victory glowing,
In the dust rolling,
As from the mountain fall
Showers of stones in the vale--
Then thy soul was brightly glowing, Pindar--
Glowing? Poor heart!
There, on the hill,--
Heavenly might!
But enough glow
Thither to wend,
Where is my cot!
poem by Johann Wolfgang von Goethe

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Dripping Water
Dripping water, dripping water,
everywhere!
from the horizon of heaven,
on the land, on the sand,
makes me happy, and so elated,
Dripping water, dripping water,
everywhere!
from the dark black clouds,
on the leaves, on the tress,
gives them a slow quick bath,
Dripping water, dripping water,
everywhere!
from the thunderstruck light,
on the eyes, on the cheeks,
makes everyone to turn the face up!
Dripping water, dripping water,
everywhere!
from the beauty of sky,
onthe mud, on the rivers,
makes musical splashes when gets strike,
Dripping water, dripping water,
everywhere!
from the love of vast scream,
to the beautiful murmors of land,
makes me sing, and dance.
poem by Tayyeba Mustafa

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My City Of Ruins
Theres a blood red circle
On the cold dark ground
And the rain is falling down
The church doors blown open
I can hear the organs song
But the congregations gone
My city of ruins
My city of ruins
Now the sweet veils of mercy
Drift through the evening trees
Young men on the corner
Like scattered leaves
The boarded up windows
The hustlers and thieves
While my brothers down on his knees
My city of ruins
My city of ruins
Come on rise up!
Come on rise up!
Now theres tears on the pillow
Darling where we slept
And you took my heart when you left
Without your sweet kiss
My soul is lost, my friend
Now tell me how do I begin again?
My citys in ruins
My citys in ruins
Now with these hands
I pray lord
With these hands
For the strength lord
With these hands
For the faith lord
With these hands
I pray lord
With these hands
For the strength lord
With these hands
For the faith lord
With these hands
Come on rise up!
Come on rise up!
Rise up
song performed by by Bruce Springsteen

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Blonde curly head
When you run joyous into the garden
the whole world lies open before you
while it's autumn, leaves are stripped from branches
and you look great-eyed at the small lizard
where it hides in a small hole in the wall,
and you notice a pool with big Koi fish
that watches you from beneath the water of the pond
and then you try to touch and feel
with your small hands and the water is cool,
while you catch a small frog
and press that animal against your cheek,
while it feels as if eternity is lingering there
and suddenly it jumps from your wet hands
as a strange wet thing.
poem by Gert Strydom

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Stratton Water
“O HAVE you seen the Stratton flood
That's great with rain to-day?
It runs beneath your wall, Lord Sands,
Full of the new-mown hay.
“I led your hounds to Hutton bank
To bathe at early morn:
They got their bath by Borrowbrake
Above the standing corn.”
Out from the castle-stair Lord Sands
Looked up the western lea;
The rook was grieving on her nest,
The flood was round her tree.
Over the castle-wall Lord Sands
Looked down the eastern hill:
The stakes swam free among the boats,
The flood was rising still.
“What's yonder far below that lies
So white against the slope?”
“O it's a sail o' your bonny barks
The waters have washed up.”
“But I have never a sail so white,
And the water's not yet there.”
“O it's the swans o' your bonny lake
The rising flood doth scare.”
“The swans they would not hold so still,
So high they would not win.”
“O it's Joyce my wife has spread her smock
And fears to fetch it in.”
“Nay, knave, it's neither sail nor swans,
Nor aught that you can say;
For though your wife might leave her smock,
Herself she'd bring away.”
Lord Sands has passed the turret-stair,
The court, and yard, and all;
The kine were in the byre that day,
The nags were in the stall.
Lord Sands has won the weltering slope
Whereon the white shape lay:
The clouds were still above the hill,
And the shape was still as they.
Oh pleasant is the gaze of life
And sad is death's blind head;
But awful are the living eyes
In the face of one thought dead!
“In God's name, Janet, is it me
Thy ghost has come to seek?”
“Nay, wait another hour, Lord Sands,—
Be sure my ghost shall speak.”
A moment stood he as a stone,
Then grovelled to his knee.
“O Janet, O my love, my love,
Rise up and come with me!”
“O once before you bade me come,
And it's here you have brought me!
“O many's the sweet word, Lord Sands,
You've spoken oft to me;
But all that I have from you to-day
Is the rain on my body.
“And many's the good gift, Lord Sands,
You've promised oft to me;
But the gift of yours I keep to-day
Is the babe in my body.
“O it's not in any earthly bed
That first my babe I'll see;
For I have brought my body here
That the flood may cover me.”
His face was close against her face,
His hands of hers were fain:
O her wet cheeks were hot with tears,
Her wet hands cold with rain.
“They told me you were dead, Janet,—
How could I guess the lie?”
“They told me you were false, Lord Sands,—
What could I do but die?”
“Now keep you well, my brother Giles,—
Through you I deemed her dead!
As wan as your towers seem to-day,
To-morrow they'll be red.
“Look down, look down, my false mother,
That bade me not to grieve:
You'll look up when our marriage fires
Are lit to-morrow eve:
“O more than one and more than two
The sorrow of this shall see:
But it's to-morrow, love, for them,—
To-day's for thee and me.”
He's drawn her face between his hands
And her pale mouth to his:
No bird that was so still that day
Chirps sweeter than his kiss.
The flood was creeping round their feet.
“O Janet, come away!
The hall is warm for the marriage-rite,
The bed for the birthday.”
“Nay, but I hear your mother cry,
‘Go bring this bride to bed!
And would she christen her babe unborn,
So wet she comes to wed?’
“I'll be your wife to cross your door
And meet your mother's e'e.
We plighted troth to wed i' the kirk,
And it's there you'll wed with me.”
He's ta'en her by the short girdle
And by the dripping sleeve:
“Go fetch Sir Jock my mother's priest,—
You'll ask of him no leave.
“O it's one half-hour to reach the kirk
And one for the marriage-rite;
And kirk and castle and castle-lands
Shall be our babe's to-night.”
“The flood's in the kirkyard, Lord Sands,
And round the belfry-stair.”
“I bade you fetch the priest,” he said,
“Myself shall bring him there.
“It's for the lilt of wedding bells
We'll have the hail to pour,
And for the clink of bridle-reins
The plashing of the oar.”
Beneath them on the nether hill
A boat was floating wide:
Lord Sands swam out and caught the oars
And rowed to the hill-side.
He's wrapped her in a green mantle
And set her softly in;
Her hair was wet upon her face,
Her face was grey and thin;
And “Oh!” she said, “lie still, my babe,
It's out you must not win!”
But woe's my heart for Father John
As hard as he might pray,
There seemed no help but Noah's ark
Or Jonah's fish that day.
The first strokes that the oars struck
Were over the broad leas;
The next strokes that the oars struck
They pushed beneath the trees;
The last stroke that the oars struck,
The good boat's head was met,
And there the gate of the kirk-yard
Stood like a ferry-gate.
He's set his hand upon the bar
And lightly leaped within:
He's lifted her to his left shoulder,
Her knees beside his chin.
The graves lay deep beneath the flood
Under the rain alone;
And when the foot-stone made him slip,
He held by the head-stone.
The empty boat thrawed i' the wind,
Against the postern tied.
“Hold still, you've brought my love with me,
You shall take back my bride.”
But woe's my heart for Father John
And the saints he clamoured to!
There's never a saint but Christopher
Might hale such buttocks through!
And “Oh!” she said, “on men's shoulders
I well had thought to wend,
And well to travel with a priest,
But not to have cared or ken'd.
“And oh!” she said, “it's well this way
That I thought to have fared,—
Not to have lighted at the kirk
But stopped in the kirkyard.
“For it's oh and oh I prayed to God,
Whose rest I hoped to win,
That when to-night at your board-head
You'd bid the feast begin,
This water past your window-sill
Might bear my body in.”
Now make the white bed warm and soft
And greet the merry morn;
The night the mother should have died,
The young son shall be born.
poem by Dante Gabriel Rossetti

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Lost At Sea.
You remember now the sound of the sea,
The crashing of waves, the white and grey
Gulls in the sky. Mother said, don’t go too
Far out; keep an eye on the young ones.
The cold water made you hop about when
It first went over your bare feet. You knew
Where the young ones were, you could see
Them there at the water’s edge running in
And out as the cold water chased them.
The beach was crowded; the crowds seemed
To occupy each area with their deckchairs,
Windbreakers and towels spread on the sand.
The bright sun shone down heavily; the air
Was still. And Mother’s voice loudly shouting,
Where’s Baba? Where’s she gone? And the
Place she was with the others was without
Her presence now; the panic gripped you.
Your eyes scanned the beach and sea; you ran
Along the beach near the water’s edge gazing
Out at the wide expanse of ocean, ignoring the
Passing ships on the horizon, the sailing boats,
The far out swimmers, just looking for Baba,
Your eyes searching each face, each child, every
Little one running on the beach or out at sea out
Of reach. Mother came running down the beach
Towards you, her face red with effort, her mouth
Screaming out words carried off by the other
Sounds and the sea’s call, pointing out at ocean’s
Hold as a man came up and out of the waves,
Water dripping, eyes wide, and in his arms, Baba
Limp and her swaying head, hair hanging wet,
Seeming lost to you, small arms swinging, dead.
poem by Terry Collett

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To His Lute
If ever in the sylvan shade
A song immortal we have made,
Come now, O lute, I prithee come,
Inspire a song of Latium!
A Lesbian first thy glories proved;
In arms and in repose he loved
To sweep thy dulcet strings, and raise
His voice in Love's and Liber's praise.
The Muses, too, and him who clings
To Mother Venus' apron-strings,
And Lycus beautiful, he sung
In those old days when you were young.
O shell, that art the ornament
Of Phoebus, bringing sweet content
To Jove, and soothing troubles all,--
Come and requite me, when I call!
poem by Eugene Field

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Horace To His Lute
If ever in the sylvan shade
A song immortal we have made,
Come now, O lute, I pri' thee come--
Inspire a song of Latium.
A Lesbian first thy glories proved--
In arms and in repose he loved
To sweep thy dulcet strings and raise
His voice in Love's and Liber's praise;
The Muses, too, and him who clings
To Mother Venus' apron-strings,
And Lycus beautiful, he sung
In those old days when you were young.
O shell, that art the ornament
Of Phoebus, bringing sweet content
To Jove, and soothing troubles all--
Come and requite me, when I call!
poem by Eugene Field

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The Knitters
IN companies or lone
They bend their heads, their hands
They busy with their gear,
Accomplishing the stitch
That turns the stocking-heel,
Or closes up the toe,
These knitters at their doors.
Their talk 's of nothing else
But what was told before
Sundown and gone sundown,
While goats bleat from the hill,
And men are tramping home,
By knitters at their doors.
And we who go this way
A benediction take
From hands that ply this task
For the ten thousandth time
Of knitters at their doors.
Since we who deem our days
Most varied, come to own
That all the works we do
Repeat a wonted toil:
May it be done as theirs
Who turn the stocking-heel,
And close the stocking-toe,
With grace and in content,
These knitters at their doors.
The Charm
Uisge cloiche gan irraidh
WATER, I did not seek you,
Water of hollow stone;
I crossed no one's acre to find you
You were where my geese lie down.
I dip my fingers and sprinkle,
While three times over I say,
'Chance-bound and chance-found water
Can take a numbness away.'
The numbness that leaves me vacant
Of thought and will and deed
Like the moveless clock that I gaze on-
It will go where the ravens breed.
I empty the stone; on the morrow
I shall rise with spirit alive;
Gallant amongst the gallant,
I shall speak and lead and strive.
In search there is no warrant,
By chance is the charm shown:
Water, I did not seek you,
Water of hollow stone!
poem by Padraic Colum

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