
Homage To Sextus Propertius - V
1
Now if ever it is time to cleanse Helicon;
to lead Emathian horses afield,
And to name over the census of my chiefs in the Roman camp.
If I have not the faculty, 'The bare attempt would be praise-worthy.'
'In the things of similar magnitude
the mere will to act is sufficient.'
The primitive ages sang Venus,
the last sings of a tumult,
And I also will sing war when this matter of a girl is exhausted.
I with my beak hauled ashore would proceed in a more stately manner,
My Muse is eager to instruct me in a new gamut, or gambetto,
Up, up my soul, from your lowly cantilation,
put on a timely vigour.
Oh august Pierides! Now for a large-mouthed product.
Thus:
'The Euphrates denies its protection to the Parthian and
apologizes for Crassus,'
And 'It is, I think, India which now gives necks to your triumph,'
And so forth, Augustus. 'Virgin Arabia shakes in her inmost dwelling.'
If any land shrink into a distant seacoast,
it is a mere postponement of your domination.
And I shall follow the camp, I shall be duly celebrated
for singing the affairs of your cavalry.
May the fates watch over my day.
2
Yet you ask on what account I write so many love-lyrics
And whence this soft book comes into my mouth.
Neither Calliope nor Apollo sung these things into my ear,
My genius is no more than a girl.
If she with ivory fingers drive a tune through the lyre,
We look at the process.
How easy the moving fingers; if hair is mussed on her forehead,
If she goes in a gleam of Cos, in a slither of dyed stuff,
There is a volume in the matter; if her eyelids sink into sleep,
There are new jobs for the author;
And if she plays with me with her shirt off,
We shall construct many Iliads.
And whatever she does or says
We shall spin long yarns out of nothing.
Thus much the fates have allotted me, and if, Maecenas,
I were able to lead heroes into armour, I would not,
Neither would I warble of Titans, nor of Ossa
spiked onto Olympus,
Nor of causeways over Pelion,
Nor of Thebes in its ancient respectability,
nor of Homer's reputation in Pergamus,
Nor of Xerxes' two-barreled kingdom, nor of Remus and his royal family,
Nor of dignified Carthaginian characters,
Nor of Welsh mines and the profit Marus had out of them,
I should remember Caesar's affairs . . .
for a background,
Although Callimachus did without them,
and without Theseus,
Without an inferno, without Achilles attended of gods,
Without Ixion, and without the sons of Menoetius and
the Argo and without Jove's grave and the Titans.
And my ventricles do not palpitate to Caesarial ore rotundas,
Nor to the tune of the Phrygian fathers.
Sailor, of winds; a plowman, concerning his oxen;
Soldier, the enumeration of wounds; the sheep-feeder, of ewes;
We, in our narrow bed, turning aside from battles:
Each man where he can, wearing out the day in his manner.
3
It is noble to die of love, and honourable to remain
uncuckolded for a season.
And she speaks ill of light women,
and will not praise Homer
Because Helen's conduct is 'unsuitable'.
poem by Ezra Pound

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Homage To Sextus Propertius - II
I had been seen in the shade, recumbent on cushioned Helicon,
The water dripping from Bellerophon's horse,
Alba, your kings, and the realm your folk
have constructed with such industry
Shall be yawned out on my lyre with such industry.
My little mouth shall gobble in such great fountains,
'Wherefrom father Ennius, sitting before I came, hath drunk.'
I had rehearsed the Curian brothers, and made remarks
on the Horatian javelin
(Near Q. H. Flaccus' book-stall).
'Of’ royal Aemilia, drawn on the memorial raft,
'Of’ the victorious delay of Fabius, and the left-handed
battle at Cannae,
Of lares fleeing the 'Roman seat' . . .
I had sung of all these
And of Hannibal,
and of Jove protected by geese.
And Phoebus looking upon me from the Castalian tree,
Said then 'You idiot! What are you doing with that water:
‘Who has ordered a book about heroes?
'You need, Propertius, not think
'About acquiring that sort of a reputation.
'Soft fields must be worn by small wheels,
'Your pamphlets will be thrown, thrown often into a chair
'Where a girl waits alone for her lover;
'Why wrench your page out of its course?
'No keel will sink with your genius
'Let another oar churn the water,
'Another wheel, the arena; mid-crowd is as bad as mid-sea.'
He had spoken, and pointed me a place with his plectrum:
Orgies of vintages, an earthern image of Silenus
Strengthened with rushes, Tegaean Pan,
The small birds of the Cytharean mother,
their Punic faces dyed in the Gorgon's lake;
Nine girls, from as many countrysides
bearing her offerings in their unhardened hands,
Such my cohort and setting. And she bound ivy to his thyrsos;
Fitted song to the strings;
Roses twined in her hands.
And one among them looked at me with face offended,
Calliope:
'Content ever to move with white swans!
'Nor will the noise of high horses lead you ever to battle;
Nor will the public criers ever have your name;
in their classic horns,
'Nor Mars shout you in the wood at Aeonium,
Nor where Rome ruins German riches,
'Nor where the Rhine flows with barbarous blood,
and flood carries wounded Suevi.
'Obviously crowned lovers at unknown doors,
'Night dogs, the marks of a drunken scurry,
'These are your images, and from you the sorcerizing of
shut-in young ladies,
'The wounding of austere men by chicane.'
Thus Mistress Calliope,
Dabbling her hands in the fount, thus she
Stiffened our face with the backwash of Philetas the Coan.
poem by Ezra Pound

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To Mr. Pope
To praise, and still with just respect to praise
A Bard triumphant in immortal bays,
The Learn'd to show, the Sensible commend,
Yet still preserve the province of the Friend,
What life, what vigour must the lines require?
What Music tune them, what affection fire?
O might thy Genius in my bosom shine!
Thou should'st not fail of numbers worthy thine;
The brightest Ancients might at once agree,
To sing within my lays, and sing of thee.
Horace himself wou'd own thou dost excell
In candid arts to play the Critic well.
Ovid himself might wish to sing the Dame,
Whom Windsor-Forest sees a gliding stream:
On silver feet, with annual Osier crown'd,
She runs for ever thro' Poetic ground.
How flame the glories of Belinda's Hair,
Made by thy Muse the envy of the Fair?
Less shone the tresses Ægypt's Princess wore,
Which sweet Callimachus so sung before.
Here courtly trifles set the world at odds;
Belles war with Beaus, and Whims descend for Gods.
The new Machines, in names of ridicule,
Mock the grave frenzy of the Chimick fool.
But know, ye fair, a point conceal'd with art,
The Sylphs and Gnomes are but a woman's heart.
The Graces stand in sight; a Satyr-train,
Peeps o'er their head, and laughs behind the scene.
In Fame's fair Temple o'er the boldest wits,
Inshrin'd on high, the sacred Virgil sits,
And sits in measures, such as Virgil's Muse,
To place thee near him, might be fond to chuse.
How might he tune th' alternate reed with thee,
Perhaps a Strephon thou, a Daphnis he;
While some old Damon, o'er the vulgar wise,
Thinks he deserves, and thou deserv'st the Prize.
Rapt with the thought, my fancy seeks the plains,
And turns me shepherd while I hear the strains.
Indulgent nurse of ev'ry tender gale,
Parent of flowrets, old Arcadia hail!
Here in the cool my limbs at ease I spread,
Here let thy Poplars whisper o'er my head!
Still slide thy waters soft among the trees,
Thy Aspins quiver in a breathing breeze!
Smile, all ye valleys, in eternal spring,
Be hush'd, ye winds! while Pope and Virgil sing.
In English lays, and all sublimely great,
Thy Homer warms with all his ancient heat;
He shines in Council, thunders in the fight,
And flames with ev'ry sense of great delight.
Long has that Poet reign'd, and long unknown,
Like Monarchs sparkling on a distant throne;
In all the majesty of Greek retir'd,
Himself unknown, his mighty name admir'd;
His language failing, wrapt him round with night;
Thine, rais'd by thee, recalls the work to light.
So wealthy Mines, that ages long before
Fed the large realms around with golden Oar,
When choak'd by sinking banks, no more appear,
And shepherds only say, The mines were here:
Should some rich youth (if nature warm his heart,
And all his projects stand inform'd with art)
Here clear the caves, there ope the leading vein;
The mines detected flame with gold again.
How vast, how copious are thy new designs!
How ev'ry Music varies in thy lines!
Still, as I read, I feel my bosom beat,
And rise in raptures by another's heat.
Thus in the wood, when summer dress'd the days,
When Windsor lent us tuneful hours of ease,
Our ears the lark, the thrush, the turtle blest,
And Philomela sweetest o'er the rest:
The shades resound with song—O softly tread,
While a whole season warbles round my head.
This to my friend—and when a friend inspires,
My silent harp its master's hand requires,
Shakes off the dust, and makes these rocks resound;
For fortune plac'd me in unfertile ground.
Far from the joys that with my soul agree,
From wit, from learning—very far from thee.
Here moss-grown trees expand the smallest leaf;
Here half an Acre's corn is half a sheaf;
Here hills with naked heads the tempest meet,
Rocks at their sides, and torrents at their feet;
Or lazy lakes, unconscious of a flood,
Whose dull, brown Naiads ever sleep in mud.
Yet here Content can dwell, and learned ease,
A Friend delight me, and an Author please;
Ev'n here I sing, when Pope supplies the theme,
Shew my own love, tho' not increase his fame.
poem by Thomas Parnell

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Homer And Laertes
Laertes: Gods help thee! and restore to thee thy sight!
My good old guest, I am more old than thou,
Yet have outlived by many years my son
Odysseus and the chaste Penelope.
Homer: Hither I come to visit thee and sing
His wanderings and his wisdom, tho my voice
Be not the voice it was.
Laertes: First let us taste
My old sound wine, and break my bread less old,
But old enough for teeth like thine and mine.
Homer: So be it! I sing best when such good cheer
Refreshes me, and such a friend as thou.
Laertes: Far hast thou wandered since we met, and told
Strange stories. Wert thou not afraid some God
Or Goddess should have siez'd upon thy ear
For talking what thou toldest of their pranks.
Homer: They often came about me while I slept
And brought me dreams, none painful, none profane;
They loved thy son, and for his sake loved me.
Laertes: Apollo, I well know, was much thy friend.
Homer: He did not treat me quite as Marsyas
Was treated by him: lest he should, I sang
His praise in my best chaunt: for Gods love praise.
Laertes: Have they enricht thee? for I see thy cloak is ragged.
Homer: Ragged cloak is poet's garb.
Laertes: I have two better; one of them for thee.
Penelope, who died five years ago,
Spun it; her husband wore it only once
And but one year, the anniversary
Of their espousal.
Homer: Wear it will I not,
But I will hang it on the brightest nail
Of the first temple where Apollo sits,
Golden-hair'd, in his glory.
Laertes: So thou shalt
If so it please thee: yet we first will quaff
The gift of Bakkos, for methinks his gifts
Are quite as welcome to the sons of song
And cheer them oftener.
(Girl enters.)
Maiden! come thou nigh
And sit thee down, and thou shalt hear a song
After a while which Gods may listen to;
But place the flask upon the board and wait
Until the stranger hath allaid his thirst,
For poets, grasshoppers, and nightingales
Sing cheerily but when the throat is moist.
Homer: I sang to maidens in my prime; again
(But not before the morrow) will I sing:
Let me repose this noontide, since in sooth
Wine, a sweet remedy for weariness,
Helps to uplift its burden.
Laertes: Lie then down
Along you mat bestrown with rosemary.
And, Agatha, do thou bring speedily
The two large ewers, and fill brimfull the bath
Capacious; that of brass; Penelope's
Own bath, wherein she laught to see her boy
Paddle, like cygnet with its broad black oars,
Nor shunn'd the chilly water he threw up
Against her face . . he who grew soon so sage!
Then do thou, maiden, from hot cauldron pour
Enough to make it soothing to the feet;
After, bring store of rushes, and long leaves
Of cane sweet-smelling, from the inland bank
Of that famed river far across the sea
Opposite, to our eyes invisible.
Be sure thou smoothen with both hands his couch
Who has the power to make both young and old
Live throughout ages.
Agatha: And look well throughout?
Laertes: Aye, aye, and better than they lookt before.
May thou rest well, old wanderer! Even the Gods
Repose, the Sun himself sinks down to rest.
poem by Walter Savage Landor

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May this mortal sing Your praise?
Mighty God Whom heavenly angels worship
may this mere mortal sing out Your praise?
For All Glorious God You are worth it.
Sing out my soul and His anthem raise!
I will tell salvations wondrous story
and of the way that He came to this earth
For this Awesome God in His great glory
entered our world when born by virgin birth.
Sing, yes sing of Him Who came to save you.
Hung there upon the cross and forgave you.
Died for you as though all the blame was His
Sing, for no greater love has man than this.
He is the Lord of every nation,
And the Ancient of Eternal Days.
He is the Author of our Salvation
So let us bring to Him our songs of praise

Eclogue IV
POLLIO
Muses of Sicily, essay we now
A somewhat loftier task! Not all men love
Coppice or lowly tamarisk: sing we woods,
Woods worthy of a Consul let them be.
Now the last age by Cumae's Sibyl sung
Has come and gone, and the majestic roll
Of circling centuries begins anew:
Justice returns, returns old Saturn's reign,
With a new breed of men sent down from heaven.
Only do thou, at the boy's birth in whom
The iron shall cease, the golden race arise,
Befriend him, chaste Lucina; 'tis thine own
Apollo reigns. And in thy consulate,
This glorious age, O Pollio, shall begin,
And the months enter on their mighty march.
Under thy guidance, whatso tracks remain
Of our old wickedness, once done away,
Shall free the earth from never-ceasing fear.
He shall receive the life of gods, and see
Heroes with gods commingling, and himself
Be seen of them, and with his father's worth
Reign o'er a world at peace. For thee, O boy,
First shall the earth, untilled, pour freely forth
Her childish gifts, the gadding ivy-spray
With foxglove and Egyptian bean-flower mixed,
And laughing-eyed acanthus. Of themselves,
Untended, will the she-goats then bring home
Their udders swollen with milk, while flocks afield
Shall of the monstrous lion have no fear.
Thy very cradle shall pour forth for thee
Caressing flowers. The serpent too shall die,
Die shall the treacherous poison-plant, and far
And wide Assyrian spices spring. But soon
As thou hast skill to read of heroes' fame,
And of thy father's deeds, and inly learn
What virtue is, the plain by slow degrees
With waving corn-crops shall to golden grow,
From the wild briar shall hang the blushing grape,
And stubborn oaks sweat honey-dew. Nathless
Yet shall there lurk within of ancient wrong
Some traces, bidding tempt the deep with ships,
Gird towns with walls, with furrows cleave the earth.
Therewith a second Tiphys shall there be,
Her hero-freight a second Argo bear;
New wars too shall arise, and once again
Some great Achilles to some Troy be sent.
Then, when the mellowing years have made thee man,
No more shall mariner sail, nor pine-tree bark
Ply traffic on the sea, but every land
Shall all things bear alike: the glebe no more
Shall feel the harrow's grip, nor vine the hook;
The sturdy ploughman shall loose yoke from steer,
Nor wool with varying colours learn to lie;
But in the meadows shall the ram himself,
Now with soft flush of purple, now with tint
Of yellow saffron, teach his fleece to shine.
While clothed in natural scarlet graze the lambs.
'Such still, such ages weave ye, as ye run,'
Sang to their spindles the consenting Fates
By Destiny's unalterable decree.
Assume thy greatness, for the time draws nigh,
Dear child of gods, great progeny of Jove!
See how it totters- the world's orbed might,
Earth, and wide ocean, and the vault profound,
All, see, enraptured of the coming time!
Ah! might such length of days to me be given,
And breath suffice me to rehearse thy deeds,
Nor Thracian Orpheus should out-sing me then,
Nor Linus, though his mother this, and that
His sire should aid- Orpheus Calliope,
And Linus fair Apollo. Nay, though Pan,
With Arcady for judge, my claim contest,
With Arcady for judge great Pan himself
Should own him foiled, and from the field retire.
Begin to greet thy mother with a smile,
O baby-boy! ten months of weariness
For thee she bore: O baby-boy, begin!
For him, on whom his parents have not smiled,
Gods deem not worthy of their board or bed.
Eclogue 4: Pollio
POLLIO
Muses of Sicily, essay we now
A somewhat loftier task! Not all men love
Coppice or lowly tamarisk: sing we woods,
Woods worthy of a Consul let them be.
Now the last age by Cumae's Sibyl sung
Has come and gone, and the majestic roll
Of circling centuries begins anew:
Justice returns, returns old Saturn's reign,
With a new breed of men sent down from heaven.
Only do thou, at the boy's birth in whom
The iron shall cease, the golden race arise,
Befriend him, chaste Lucina; 'tis thine own
Apollo reigns. And in thy consulate,
This glorious age, O Pollio, shall begin,
And the months enter on their mighty march.
Under thy guidance, whatso tracks remain
Of our old wickedness, once done away,
Shall free the earth from never-ceasing fear.
He shall receive the life of gods, and see
Heroes with gods commingling, and himself
Be seen of them, and with his father's worth
Reign o'er a world at peace. For thee, O boy,
First shall the earth, untilled, pour freely forth
Her childish gifts, the gadding ivy-spray
With foxglove and Egyptian bean-flower mixed,
And laughing-eyed acanthus. Of themselves,
Untended, will the she-goats then bring home
Their udders swollen with milk, while flocks afield
Shall of the monstrous lion have no fear.
Thy very cradle shall pour forth for thee
Caressing flowers. The serpent too shall die,
Die shall the treacherous poison-plant, and far
And wide Assyrian spices spring. But soon
As thou hast skill to read of heroes' fame,
And of thy father's deeds, and inly learn
What virtue is, the plain by slow degrees
With waving corn-crops shall to golden grow,
From the wild briar shall hang the blushing grape,
And stubborn oaks sweat honey-dew. Nathless
Yet shall there lurk within of ancient wrong
Some traces, bidding tempt the deep with ships,
Gird towns with walls, with furrows cleave the earth.
Therewith a second Tiphys shall there be,
Her hero-freight a second Argo bear;
New wars too shall arise, and once again
Some great Achilles to some Troy be sent.
Then, when the mellowing years have made thee man,
No more shall mariner sail, nor pine-tree bark
Ply traffic on the sea, but every land
Shall all things bear alike: the glebe no more
Shall feel the harrow's grip, nor vine the hook;
The sturdy ploughman shall loose yoke from steer,
Nor wool with varying colours learn to lie;
But in the meadows shall the ram himself,
Now with soft flush of purple, now with tint
Of yellow saffron, teach his fleece to shine.
While clothed in natural scarlet graze the lambs.
'Such still, such ages weave ye, as ye run,'
Sang to their spindles the consenting Fates
By Destiny's unalterable decree.
Assume thy greatness, for the time draws nigh,
Dear child of gods, great progeny of Jove!
See how it totters- the world's orbed might,
Earth, and wide ocean, and the vault profound,
All, see, enraptured of the coming time!
Ah! might such length of days to me be given,
And breath suffice me to rehearse thy deeds,
Nor Thracian Orpheus should out-sing me then,
Nor Linus, though his mother this, and that
His sire should aid- Orpheus Calliope,
And Linus fair Apollo. Nay, though Pan,
With Arcady for judge, my claim contest,
With Arcady for judge great Pan himself
Should own him foiled, and from the field retire.
Begin to greet thy mother with a smile,
O baby-boy! ten months of weariness
For thee she bore: O baby-boy, begin!
For him, on whom his parents have not smiled,
Gods deem not worthy of their board or bed.
poem by Publius Vergilius Maro

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Homage To Sextus Propertius - XII
Who, who will be the next man to entrust his girl to a friend?
Love interferes with fidelities;
The gods have brought shame on their relatives;
Each man wants the pomegranate for himself;
Amiable and harmonious people are pushed incontinent into duels,
A Trojan and adulterous person came to Menelaus under the rites of hospitium,
And there was a case in Colchis, Jason and that woman in Colchis;
And besides, Lynceus,
you were drunk.
Could you endure such promiscuity?
She was not renowned for fidelity;
But to jab a knife in my vitals, to have passed on a swig of poison,
Preferable, my dear boy, my dear Lynceus,
Comrade, comrade of my life, of my purse, of my person;
But in one bed, in one bed alone, my dear Lynceus
I deprecate your attendance;
I would ask a like boon of Jove.
And you write of Achelous, who contended with Hercules,
You write of Adrastus' horses and the funeral rites of Achenor,
And you will not leave off imitating Aeschylus.
Though you make a hash of Antimachus,
You think you are going to do Homer.
And still a girl scorns the gods,
Of all these young women
not one has enquired the cause of the world,
Nor the modus of lunar eclipses
Nor whether there be any patch left of us
After we cross the infernal ripples,
nor if the thunder fall from predestination;
Nor anything else of importance.
Upon the Actian marshes Virgil is Phoebus' chief of police,
He can tabulate Caesar's great ships.
He thrills to Ilian arms,
He shakes the Trojan weapons of Aeneas,
And casts stores on Lavinian beaches.
Make way, ye Roman authors,
clear the street, ye Greeks,
For a much larger Iliad is on the course of construction
(and to Imperial order)
Clear the streets, O ye Greeks!
And you also follow him 'neath Phrygian pine shade:
Thyrsis and Daphnis upon whittled reeds,
And how ten sins can corrupt young maidens;
Kids for a bribe and pressed udders,
Happy selling poor loves for cheap apples.
Tityrus might have sung the same vixen;
Corydon tempted Alexis,
Head farmers do likewise, and lying weary amid their oats
They get praise from tolerant Hamadryads.'
Go on, to Ascraeus' prescription, the ancient, respected, Wordsworthian:
‘A flat field for rushes, grapes grow on the slope.'
And behold me, small fortune left in my house.
Me, who had no general for a grandfather!
I shall triumph among young ladies of indeterminate character,
My talent acclaimed in their banquets,
I shall be honoured with yesterday's wreaths.
And the god strikes to the marrow.
Like a trained and performing tortoise,
I would make verse in your fashion, if she should command it,
With her husband asking a remission of sentence,
And even this infamy would not attract numerous readers
Were there an erudite or violent passion,
For the nobleness of the populace brooks nothing below its own altitude.
One must have resonance, resonance and sonority . . .
like a goose.
Varro sang Jason's expedition,
Varro, of his great passion Leucadia,
There is song in the parchment; Catullus the highly indecorous,
Of Lesbia, known above Helen;
And in the dyed pages of Calvus,
Calvus mourning Quintilia,
And but now Gallus had sung of Lycoris.
Fair, fairest Lycoris
The waters of Styx poured over the wound:
And now Propertius of Cynthia, taking his stand among these.
poem by Ezra Pound

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Insomnia. Homer. Taut canvas.
Insomnia. Homer. Taut canvas.
Half the catalogue of ships is mine:
that flight of cranes, long stretched-out line,
that once rose, out of Hellas.
To an alien land, like a phalanx of cranes –
Foam of the gods on the heads of kings –
Where do you sail? What would the things
of Troy, be to you, Achaeans, without Helen?
The sea, or Homer – all moves by love’s glow.
Which should I hear? Now Homer is silent,
and the Black Sea thundering its oratory, turbulent,
and, surging, roars against my pillow.
poem by Osip Emilevich Mandelstam

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To Maecenas
MAECENAS, you, beneath the myrtle shade,
Read o'er what poets sung, and shepherds play'd.
What felt those poets but you feel the same?
Does not your soul possess the sacred flame?
Their noble strains your equal genius shares
In softer language, and diviner airs.
While Homer paints, lo! circumfus'd in air,
Celestial Gods in mortal forms appear;
Swift as they move hear each recess rebound,
Heav'n quakes, earth trembles, and the shores resound.
Great Sire of verse, before my mortal eyes,
The lightnings blaze across the vaulted skies,
And, as the thunder shakes the heav'nly plains,
A deep felt horror thrills through all my veins.
When gentler strains demand thy graceful song,
The length'ning line moves languishing along.
When great Patroclus courts Achilles' aid,
The grateful tribute of my tears is paid;
Prone on the shore he feels the pangs of love,
And stern Pelides tend'rest passions move.
Great Maro's strain in heav'nly numbers flows,
The Nine inspire, and all the bosom glows.
O could I rival thine and Virgil's page,
Or claim the Muses with the Mantuan Sage;
Soon the same beauties should my mind adorn,
And the same ardors in my soul should burn:
Then should my song in bolder notes arise,
And all my numbers pleasingly surprise;
But here I sit, and mourn a grov'ling mind,
That fain would mount, and ride upon the wind.
Not you, my friend, these plaintive strains become,
Not you, whose bosom is the Muses home;
When they from tow'ring Helicon retire,
They fan in you the bright immortal fire,
But I less happy, cannot raise the song,
The fault'ring music dies upon my tongue.
The happier Terence* all the choir inspir'd,
His soul replenish'd, and his bosom fir'd;
But say, ye Muses, why this partial grace,
To one alone of Afric's sable race;
From age to age transmitting thus his name
With the finest glory in the rolls of fame?
Thy virtues, great Maecenas! shall be sung
In praise of him, from whom those virtues sprung:
While blooming wreaths around thy temples spread,
I'll snatch a laurel from thine honour'd head,
While you indulgent smile upon the deed.
*He was an African by birth.
As long as Thames in streams majestic flows,
Or Naiads in their oozy beds repose
While Phoebus reigns above the starry train
While bright Aurora purples o'er the main,
So long, great Sir, the muse thy praise shall sing,
So long thy praise shal' make Parnassus ring:
Then grant, Maecenas, thy paternal rays,
Hear me propitious, and defend my lays.
poem by Phillis Wheatley

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Homage To Sextus Propertius - I
Shades of Callimachus, Coan ghosts of Philetas
It is in your grove I would walk,
I who come first from the clear font
Bringing the Grecian orgies into Italy,
and the dance into Italy.
Who hath taught you so subtle a measure,
in what hall have you heard it;
What foot beat out your time-bar,
what water has mellowed your whistles ?
Out-weariers of Apollo will, as we know, continue their
Martian generalities,
We have kept our erasers in order.
A new-fangled chariot follows the flower-hung horses;
A young Muse with young loves clustered about her
ascends with me into the aether, . . .
And there is no high-road to the Muses.
Annalists will continue to record Roman reputations,
Celebrities from the Trans-Caucasus will belaud Roman celebrities
And expound the distentions of Empire,
But for something to read in normal circumstances?
For a few pages brought down from the forked hill unsullied?
I ask a wreath which will not crush my head.
And there is no hurry about it;
I shall have, doubtless, a boom after my funeral,
Seeing that long standing increases all things
regardless of quality.
And who would have known the towers
pulled down by a deal-wood horse;
Or of Achilles withstaying waters by Simois
Or of Hector spattering wheel-rims,
Or of Polydmantus, by Scamander, or Helenas and
Deiphoibos?
Their door-yards would scarcely know them, or Paris.
Small talk O Ilion, and O Troad
twice taken by Oetian gods,
If Homer had not stated your case!
And I also among the later nephews of this city
shall have my dog's day,
With no stone upon my contemptible sepulchre;
My vote coming from the temple of Phoebus in Lycia, at Patara,
And in the mean time my songs will travel,
And the devirginated young ladies will enjoy them
when they have got over the strangeness,
For Orpheus tamed the wild beasts
and held up the Threician river;
And Citharaon shook up the rocks by Thebes
and danced them into a bulwark at his pleasure,
And you, O Polyphemus? Did harsh Galatea almost
Turn to your dripping horses, because of a tune, under Aetna?
We must look into the matter.
Bacchus and Apollo in favour of it,
There will be a crowd of young women doing homage to my palaver,
Though my house is not propped up by Taenarian
columns from Laconia (associated with Neptune and Cerberus),
Though it is not stretched upon gilded beams;
My orchards do not lie level and wide
as the forests of Phaecia,
the luxurious and Ionian,
Nor are my caverns stuffed stiff with a Marcian vintage,
My cellar does not date from Numa Pompilius,
Nor bristle with wine jars,
Nor is it equipped with a frigidaire patent;
Yet the companions of the Muses
will keep their collective nose in my books,
And weary with historical data, they will turn to my dance tune.
Happy who are mentioned in my pamphlets,
the songs shall be a fine tomb-stone over their beauty.
But against this ?
Neither expensive pyramids scraping the stars in their route,
Nor houses modelled upon that of Jove in East Elis,
Nor the monumental effigies of Mausolus,
are a complete elucidation of death.
Flame burns, rain sinks into the cracks
And they all go to rack ruin beneath the thud of the years.
Stands genius a deathless adornment,
a name not to be worn out with the years.
poem by Ezra Pound

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Advice
AD ARIUSTUM FUSCUM
I
Horace: Book I, Ode 22.
'_Integer vitae sclerisque purus_'-
_Take it from me: A guy who's square,
His chances always are the best.
I'm in the know, for I've been there,
And that's no ancient Roman jest._
What time he hits the hay to rest
There's nothing on his mind but hair,
No javelin upon his chest-
_Take it from me, a guy who's square._
There's nothing that can throw a scare
Into the contents of his vest;
His name is Eva I-Don't-Care;
_His chances always are the best._
Why, once, when I was way out West,
Singing to Lalage, a bear
Came up, and I was some distressed-
_I'm in the know, for I've been there._
But back he went into his lair,
(Cage, corner, den, retreat, nook, nest) ,
And left me to 'The Maiden's Prayer'-
_And that's no ancient Roman jest._
In Newtonville or Cedar Crest,
In Cincinnati or Eau Claire,
I'll warble till I am a pest,
'My Lalage'-no matter where-
_Take it from me! _
II
Fuscus, my friend, take it from me-
I know the world and what it's made of-
One on the square has naught to be
Afraid of.
The Moorish bows and javelins? Nope.
Such deadly things need not alarm him.
Why, even arrows dipped in dope
Can't harm him!
He's safe in any clime or land,
Desert or river, hill or valley;
Safe in all places on the Rand-
McNally.
Why, one day in my Sabine grot,
I sang for Lalage to hear me;
A wolf came in and he did not
Come near me!
Ah, set me on the sunless plain,
In China, Norway, or Matanzas,
Ay, place me anywhere from Maine
To Kansas.
Still of my Lalage I'll sing,
Where'er the Fates may chance to dropp me;
And nobody nor anything
Shall stop me.
poem by Franklin P. Adams

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The Fury Of Beautiful Bones
Sing me a thrush, bone.
Sing me a nest of cup and pestle.
Sing me a sweetbread fr an old grandfather.
Sing me a foot and a doorknob, for you are my love.
Oh sing, bone bag man, sing.
Your head is what I remember that August
you were in love with another woman but
that didn't matter. I was the guy of your
bones, your fingers long and nubby, your
forehead a beacon, bare as marble and I worried
you like an odor because you had not quite forgotten,
bone bag man, garlic in the North End,
the book you dedicated, naked as a fish,
naked as someone drowning into his own mouth.
I wonder, Mr. Bone man, what you're thinking
of your fury now, gone sour as a sinking whale,
crawling up the alphabet on her own bones.
Am I in your ear still singing songs in the rain,
me of the death rattle, me of the magnolias,
me of the sawdust tavern at the city's edge.
Women have lovely bones, arms, neck, thigh
and I admire them also, but your bones
supersede loveliness. They are the tough
ones that get broken and reset. I just can't
answer for you, only for your bones,
round rulers, round nudgers, round poles,
numb nubkins, the sword of sugar.
I feel the skull, Mr. Skeleton, living its
own life in its own skin.
poem by Anne Sexton

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Video
Sometimes I shave my legs and sometimes I dont
Sometimes I comb my hair and sometimes I wont
Depend on how the wind blows I might even paint my toes
It really just depends on whatever feels good in my soul
Im not the average girl from your video
And I aint built like a supermodel
But, I learned to love myself unconditionally
Because I am a queen
Im not the average girl from your video
My worth is not determined by the price of my clothes
No matter what Im wearing I will always be india aria
When I look in the mirror the only one there is me
Every freckle on my face is where its supposed to be
And I know our creator didnt make no mistakes on me
My feet, my thighs, my lips, my eyes; Im lovin what I see
Im not the average girl from your video
And I aint built like a supermodel
But, I learned to love myself unconditionally
Because I am a queen
Im not the average girl from your video
My worth is not determined by the price of my clothes
No matter what Im wearing I will always be india aria
Am I less of a lady if I dont wear pantyhose?
My mama said a lady aint what she wears but, what she knows
But, Ive drawn a conclusion, its all an illusion, confusions the name of the
Game
A misconception, a vast deception
Somethings gotta change
Dont be offended this is all my opinion
Aint nothing that Im sayin law
This is a true confession of a life learned lesson I was sent here to share wit
Yall
So get in where you fit in go on and shine
Free your mind, nows the time
Put your salt on the shelf
Go on and love yourself
cuz everythings gonna be all right
Im not the average girl from your video
And I aint built like a supermodel
But, I learned to love myself unconditionally
Because I am a queen
Im not the average girl from your video
My worth is not determined by the price of my clothes
No matter what Im wearing I will always be india aria
Keep your fancy drinks and your expensive minks
I dont need that to have a good time
Keep your expensive car and your caviar
All I need is my guitar
Keep your crisp style and your pistol
Id rather have a pretty piece of crystal
Dont need your silicon I prefer my own
What God gave me is just fine
Im not the average girl from your video
And I aint built like a supermodel
But, I learned to love myself unconditionally
Because I am a queen
Im not the average girl from your video
My worth is not determined by the price of my clothes
No matter what Im wearing I will always be india aria
--------------------------------------------------------------------------------
If you find some error in the lyrics,
Would you please submit the right lyrics to me? thank you.
The lyrics is provided by carrie [email protected]
song performed by by India Arie

Submitted by Lucian Velea
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From Anacreon
I wish to tune my quivering lyre
To deed of fame and notes of fire;
To echo, from its rising swell,
How heroes fought and nations fell,
When Atreus' sons advanced to war,
Or Tyrian Cadmus roved afar;
But still, to martial strains unknown,
My lyre recurs to love alone.
Fired with the hope of future fame,
I seek some nobler hero's name;
The dying chords are strung anew,
To war, to war, my harp is due.
With glowing strings, the epic strain
To Jove's great son I raise again;
Alcides and his glorious deeds,
Beneath whose arm the Hydra bleeds.
All, all in vain; my wayward lyre
Wakes silver notes of soft desire.
Adieu, ye chiefs renown'd in arms!
Adieu the clang of war's alarms!
To other deeds my soul is strung,
And sweeter notes shall now be sung;
My harp shall all its powers reveal,
To tell the tale my heart must feel;
Love, Love alone, my lyre shall claim,
In songs of bliss and sighs of flame.
Villanelle
Apollo left the golden Muse
And shepherded a mortal's sheep,
Theocritus of Syracuse!
To mock the giant swain that woo's
The sea-nymph in the sunny deep,
Apollo left the golden Muse.
Afield he drove his lambs and ewes,
Where Milon and where Battus reap,
Theocritus of Syracuse!
To watch thy tunny-fishers cruise
Below the dim Sicilian steep
Apollo left the golden Muse.
Ye twain did loiter in the dews,
Ye slept the swain's unfever'd sleep,
Theocritus of Syracuse!
That Time might half with HIS confuse
Thy songs,--like his, that laugh and leap, -
Theocritus of Syracuse,
Apollo left the golden Muse!
poem by Andrew Lang

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Girl in my guitar
she comes to me every night into my dreams, .. the same as the night be-fore
dressed up she dances and sings all here words to me so presish and sweet
she is the one I adore...
i wake from the dream with her there laying sound asleep like the every night before
i know when she sleeps she can tell thats shes next to me as she pulls her self closer
inside of my arms
oh love you are my girl.....
forever you have my heart
for as long as were on this world...
you 'll be the girl in my guitar
no matter how long apart...
no matter just where you are....
your the best that i've had by far.....
ohhh the girl in my guitar.....
the girl in my guitar
(VERSE 2)
she lights up a room like a the the sun reflecting off the moon.. like a lantern that burns
inside
shes the furnace that warms all the cold that i 've felt before the feelings she create for
me it's so hard to hide
her sweet supple lips to her goosebump-giving fingertips keeps the spark that we share
alive..
her silk flowing hair to the sexy little things she wears...keeps me excited til the
moment she arrives
(CHORUS B)
ohh love you are my girl....
forever you have my heart.....
as long as were on this world, ..
you'll be the girl in my guitar...
no matter how long apart...
no matter where you are...
your the best that i've had by far....
ohhh the girl in my guitar...
the girl in my guitar
(VERSE 3)
the love that we share and the way that she shows she cares it's never been shown
before
like an angel above she has showered me with endless love shes my drug of choice
she keeps me coming back for more
i'll sing her her song as she lays there she'll sing along... with every word i say..
as two melt to one all my defenses all overcome for we'll be together forever never
been this sure
(CHORUS 3)
ohh love you are my girl....
forever you have my heart.....
as long as were on this world, ..
you'll be the girl in my guitar...
no matter how long apart...
no matter where you are...
your the best that i've had by far....
ohhh the girl in my guitar...
the girl in my guitar
the girl in my guitar...
poem by Michael Murphy

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Freo
Goddess Freo charms hearts fertile;
Forming entwined fates.
Crowned with summer's life giving sun;
Breath she'll seize on sight.
In fragrant blossom and flowers,
She is to be found.
Cures for sorrow in her do seek;
Know love seldom seen.
Muse-sounds she makes so sweet and soft;
Moving to be heard,
Pride of heroes on paths to walk;
Promised by one's days,
Mortal pleasures and man's great wants,
Masses in the mind,
Put forth gifts to please heaven's belle;
Praise duly her name.
poem by Christian Lacdael

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An Ode To The King, At His Returning From Scotland To The Queen, After His Coronation There
Rouse up thy self, my gentle Muse,
Though now our green conceits be gray,
And yet once more do not refuse
To take thy Phrygian Harp, and play
In honour of this chearful Day.
Make first a Song of Joy and Love,
Which chastely flame in Royal Eyes;
Then tune it to the Spheres above
When the benignest Stars do rise,
And sweet Conjunctions grace the Skies.
To this let all good Hearts resound,
While Diadems invest his Head:
Long may he live, whose Life doth bound
More then his Laws, and better Lead
By high Example, then by Dread.
Long may He round about Him see
His Roses and His Lillies bloom:
Long may His only Dear and He
Joy in Ideas of their own,
And Kingdoms Hopes so timely sown;
Long may they both contend to prove,
That best of Crowns is such a Love.
poem by Henry Wotton

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Her Right Name
As Nancy at her toilette sat,
Admiring this, and blaming that,
Tell me, she said, but tell me true,
The nymph who could your heart subdue.
What sort of charms does she possess?
Absolve me, fair one, I'll confess
With pleasure, I replied: Her hair,
In ringlets rather dark than fair,
Does down her ivory bosom roll,
And hiding half adorns the whole,
In her high forehead's fair half round
Love sits, in open triumph crown'd;
He, in the dimple of her chin,
In private state, by friends is seen.
Her eyes are neither black nor grey,
Nor fierce nor feeble is their ray;
Their dubious lustre seems to show
Something that speaks nor yes nor no.
Her lips no living bard, I weet,
May say how red, how round, how sweet:
Old Homer only could indite
Their vagrant grace and soft delight:
They stand recorded in his book,
When Helen smiled, and Hebe spoke -
The gypsy, turning to her glass,
Too plainly show'd she knew the face;
And which am I most like, she said,
Your Cloe or your Nut-brown Maid!
poem by Matthew Prior

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A Dirge of Joy
Oh! this is a joyful dirge, my friends, and this is a hymn of praise;
And this is a clamour of Victory, and a pæan of Ancient Days.
It isn’t a Yelp of the Battlefield; nor a Howl of the Bounding Wave,
But an ode to the Things that the War has Killed, and a lay of the Festive Grave.
’Tis a triolet of the Tomb, you bet, and a whoop because of Despair,
And it’s sung as I stand on my hoary head and wave my legs in the air!
Oh! I dance on the grave of the Suffragette (I dance on my hands and dome),
And the Sanctity-of-the-Marriage-Tie and the Breaking-Up-of-the-Home.
And I dance on the grave of the weird White-Slave that died when the war began;
And Better-Protection-for-Women-and-Girls, and Men-Made-Laws-for-Man!
Oh, I dance on the Liberal Lady’s grave and the Labour Woman’s, too;
And the grave of the Female lie and shriek, with a dance that is wild and new.
And my only regret in this song-a-let as I dance over dale and hill,
Is the Yarn-of-the-Wife and the Tale-of-the-Girl that never a war can kill.
Oh, I dance on the grave of the want-ter-write, and I dance on the Tomb of the Sneer,
And poet-and-author-and-critic, too, who used to be great round here.
But “Old Mother Often” (“Mother of Ten”) and “Parent” escaped from the grave—
And “Pro Bono Publico” liveth again, as “Victis,” or “Honour the Brave.”
Oh, lightly I danced upon Politics’ grave where the Friend of the Candidate slept,
And over the Female Political Devil, oh wildly I bounded and leapt.
But this dance shall be nothing compared with the dance of the spook of the writer who sings
On the grave of the bard and the Bulletin’s grave, out there at the Finish of Things!
poem by Henry Lawson

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