To Hope
Oh! take, young Seraph, take thy harp,
And play to me so cheerily;
For grief is dark, and care is sharp,
And life wears on so wearily.
Oh! take thy harp!
Oh! sing as thou wert wont to do,
When, all youth's sunny season long,
I sat and listened to thy song,
And yet 'twas ever, ever new,
With magic in its heaven-tuned string—
The future bliss thy constant theme.
Oh! then each little woe took wing
Away, like phantoms of a dream;
As if each sound
That flutter'd round,
Had floated over Lethe's stream!
By all those bright and happy hours
We spent in life's sweet eastern bow'rs,
Where thou wouldst sit and smile, and show,
Ere buds were come, where flowers would blow,
And oft anticipate the rise
Of life's warm sun that scaled the skies;
By many a story of love and glory,
And friendships promised oft to me;
By all the faith I lent to thee,—
Oh! take, young Seraph, take thy harp,
And play to me so cheerily;
For grief is dark, and care is sharp,
And life wears on so wearily.
Oh! take thy harp!
Perchance the strings will sound less clear,
That long have lain neglected by
In sorrow's misty atmosphere;
It ne'er may speak as it hath spoken
Such joyous notes so brisk and high;
But are its golden chords all broken?
Are there not some, though weak and low,
To play a lullaby to woe?
But thou canst sing of love no more,
For Celia show'd that dream was vain;
And many a fancied bliss is o'er,
That comes not e'en in dreams again.
Alas! alas!
How pleasures pass,
And leave thee now no subject, save
The peace and bliss beyond the grave!
Then be thy flight among the skies:
Take, then, oh! take the skylark's wing,
And leave dull earth, and heavenward rise
O'er all its tearful clouds, and sing
On skylark's wing!
Another life-spring there adorns
Another youth—without the dread
Of cruel care, whose crown of thorns
Is here for manhood's aching head.
Oh! there are realms of welcome day,
A world where tears are wiped away!
Then be thy flight among the skies:
Take, then, oh! take the skylark's wing,
And leave dull earth, and heavenward rise
O'er all its tearful clouds, and sing
On skylark's wing!
poem by Thomas Hood
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Related quotes
The Grave Of A Poetess
I stood beside thy lowly grave;
Spring-odours breath'd around,
And music, in the river-wave,
Pass'd with a lulling sound.
All happy things that love the sun,
In the bright air glanc'd by,
And a glad murmur seem'd to run
Thro' the soft azure sky.
Fresh leaves were on the ivy-bough
That fring'd the ruins near;
Young voices were abroad–but thou
Their sweetness couldst not hear.
And mournful grew my heart for thee,
Thou in whose woman's mind
The ray that brightens earth and sea,
The light of song was shrined.
Mournful, that thou wert slumbering low,
With a dread curtain drawn
Between thee and the golden glow
Of this world's vernal dawn.
Parted from all the song and bloom
Thou wouldst have lov'd so well,
To thee the sunshine round thy tomb
Was but a broken spell.
The bird, the insect on the wing,
In their bright reckless play,
Might feel the flush and life of spring,–
And thou wert pass'd away!
But then, ev'n then, a nobler thought
O'er my vain sadness came;
Th' immortal spirit woke, and wrought
Within my thrilling frame.
Surely on lovelier things, I said,
Thou must have look'd ere now,
Than all that round our pathway shed
Odours and hues below.
The shadows of the tomb are here,
Yet beautiful is earth!
What see'st thou then where no dim fear,
No haunting dream hath birth?
Here a vain love to passing flowers
Thou gav'st–but where thou art,
The sway is not with changeful hours,
There love and death must part.
Thou hast left sorrow in thy song,
A voice not loud, but deep!
The glorious bowers of earth among,
How often didst thou weep!
Where couldst thou fix on mortal ground
Thy tender thoughts and high?–
Now peace the woman's heart hath found,
And joy the poet's eye.
poem by Felicia Dorothea Hemans
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To a friend, on being asked for some verses
I thought the Soul of Song had made
This heart of mine her sepulchre;
For all her golden dreams had fled,
And I could win no note from her.
But when for thee thou bid'st her sing,
That spell dissolves her icy chain;
She slowly plumes her drooping wing,
And strikes her shattered chords again.
For more than lifeless would she be,
If thou shouldst bid her wake in vain;
And lost her chords, if still for thee
She could not wake one living strain.
For thee -- that hours of deep distress,
And days of gloom with kindness lit,
Till half I blessed the bitterness
That gave me thee to sweeten it.
For thee -- that when, despairing long,
I said, "No friend has earth for me,"
Didst bid the tones die on my tongue,
And I could utter, "only thee."
For thee -- that when my mother earth
Shall call me to her sheltering breast,
Of all I know wilt weep alone
Above my nameless place of rest.
But see! her wings refuse to fly;
Her chords are harsh from silence long;
Alas! thy gentle sorcery
Hath summoned but the ghost of Song.
She hovers o'er her living tomb,
She seeks once more her grave and chain,
As spectres haunt the midnight gloom:
Sweet friend, awake her not again.
If o'er the wind harp's gentle strings
The threatening tempest rudely flies,
It does not wake more thrilling strains --
The chords are rent, the music dies.
Thus is my harp, thus is my song --
I woo in vain its sweetness fled,
The storms have swept the chords too long,
The music of my soul is dead.
poem by Anne Lynch Botta from Poems (1848)
Submitted by Veronica Serbanoiu
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Skylark
She flies through cobalt colored skies
Filtered with sunlit colored rays
When she soars
Hearts also soar
Free spirit on the wing
With a song so sweet to sing
In a forested evening shade
With odors of fall and her song in the glade
Softly the forest children appear
To see skylark not on the wing
But yet with a beautiful song
So sweet to sing.
Even So
THE DAYS go by—the days go by,
Sadly and wearily to die:
Each with its burden of small cares,
Each with its sad gift of gray hairs
For those who sit, like me, and sigh,
“The days go by! The days go by!”
Ah, nevermore on shining plumes,
Shedding a rain of rare perfumes
That men call memories, they are borne
As in life’s many-visioned morn,
When Love sang in the myrtle-blooms—
Ah, nevermore on shining plumes!
Where is my life? Where is my life?
The morning of my youth was rife
With promise of a golden day.
Where have my hopes gone? Where are they—
The passion and the splendid strife?
Where is my life? Where is my life?
My thoughts take hue from this wild day,
And, like the skies, are ashen gray;
The sharp rain, falling constantly,
Lashes with whips of steel the sea:
What words are left for Hope to say?
My thoughts take hue from this wild day.
I dreamt—my life is all a dream!—
That I should sing a song supreme
To gladden all sad eyes that weep,
And take the Harp to Time, and sweep
Its chords to some eternal theme.
I dreamt—my life is all a dream.
The world is very old and wan—
The sun that once so brightly shone
Is now as pale as the pale moon.
I would that Death came swift and soon;
For all my dreams are dead and gone.
The world is very old and wan.
The world is young, the world is strong,
But I in dreams have wandered long.
God lives. What can Death do to me
The sun is shining on the sea.
Yet shall I sing my splendid song—
The world is young, the world is strong.
poem by Victor James Daley
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The Days go by
THE DAYS go by—the days go by,
Sadly and wearily to die:
Each with its burden of small cares,
Each with its sad gift of gray hairs
For those who sit, like me, and sigh,
“The days go by! The days go by!”
Ah, nevermore on shining plumes,
Shedding a rain of rare perfumes
That men call memories, they are borne
As in life’s many-visioned morn,
When Love sang in the myrtle-blooms—
Ah, nevermore on shining plumes!
Where is my life? Where is my life?
The morning of my youth was rife
With promise of a golden day.
Where have my hopes gone? Where are they—
The passion and the splendid strife?
Where is my life? Where is my life?
My thoughts take hue from this wild day,
And, like the skies, are ashen gray;
The sharp rain, falling constantly,
Lashes with whips of steel the sea:
What words are left for Hope to say?
My thoughts take hue from this wild day.
I dreamt—my life is all a dream!—
That I should sing a song supreme
To gladden all sad eyes that weep,
And take the Harp to Time, and sweep
Its chords to some eternal theme.
I dreamt—my life is all a dream.
The world is very old and wan—
The sun that once so brightly shone
Is now as pale as the pale moon.
I would that Death came swift and soon;
For all my dreams are dead and gone.
The world is very old and wan.
. . . . .
The world is young, the world is strong,
But I in dreams have wandered long.
God lives. What can Death do to me
The sun is shining on the sea.
Yet shall I sing my splendid song—
The world is young, the world is strong.
poem by Victor James Daley
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Sing, Sweet Harp
Sing, sweet Harp, oh sing to me
Some song of ancient days,
Whose sounds, in this sad memory,
Long-buried dreams shall raise; --
Some lay that tells of vanish'd fame,
Whose light once round us shone,
Of noble pride, now turn'd to shame,
And hopes for ever gone.
Sing, sad Harp, thus sing to me;
Alike our doom is cast,
Both lost to all but memory,
We live but in the past.
How mournfully the midnight air
Among thy chords doth sigh,
As if it sought some echo there,
Of voices long gone by; --
Of chieftains, now forgot, who seem'd
The foremost then in fame;
Of Bards who, once immortal deem'd,
Now sleep without a name.
In vain, sad Harp, the midnight air
Among thy chords doth sigh;
In vain it seeks an echo there
Of voices long gone by.
Couldst thou but call those spirits round,
Who once, in bower and hall,
Sate listening to thy magic sound,
Now mute and mouldering all; --
But, no; they would but wake to weep
Their children's slavery;
Then leave them in their dreamless sleep,
The dead, at least are free!
Hush, hush, sad Harp, that dreary tone,
That knell of Freedom's day;
Or, listening to its death-like moan,
Let me, too, die away.
poem by Thomas Moore
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My Gentle Harp
My gentle Harp, once more I waken
The sweetness of thy slumbering strain;
In tears our last farewell was taken,
And now in tears we meet again.
No light of joy hath o'er thee broken,
But, like those harps whose heavenly skill
Of slavery, dark as thine, hath spoken,
Thou hang'st upon the willows still.
And yet, since last thy chord resounded,
An hour of peace and triumph came,
And many an ardent bosom bounded
With hopes -- that now are turn'd to shame.
Yet even then, while Peace was singing
Her halcyon song o'er land and sea,
Though joy and hope to others bringing,
She only brought new tears to thee.
Then, who can ask for notes of pleasure,
My drooping Harp, from chords like thine?
Alas, the lark's gay morning measure
As ill would suit the swan's decline!
Or how shall I, who love, who bless thee,
Invoke thy breath for Freedom's strains,
When even the wreaths in which I dress thee
Are sadly mix'd -- half flowers, half chains?
But come -- if yet thy frame can borrow
One breath of joy, oh, breathe for me,
And show the world, in chains and sorrow,
How sweet thy music still can be;
How gaily, even 'mid gloom surrounding,
Thou yet canst wake at pleasure's thrill --
Like Memnon's broken image sounding,
'Mid desolation tunefull still!
poem by Thomas Moore
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Jewish Lullaby
My harp is on the willow-tree,
Else would I sing, O love, to thee
A song of long-ago--
Perchance the song that Miriam sung
Ere yet Judea's heart was wrung
By centuries of woe.
I ate my crust in tears to-day,
As scourged I went upon my way--
And yet my darling smiled;
Ay, beating at my breast, he laughed--
My anguish curdled not the draught--
'T was sweet with love, my child!
The shadow of the centuries lies
Deep in thy dark and mournful eyes--
But, hush! and close them now;
And in the dreams that thou shalt dream
The light of other days shall seem
To glorify thy brow!
Our harp is on the willow-tree--
I have no song to sing to thee,
As shadows round us roll;
But, hush and sleep, and thou shalt hear
Jehovah's voice that speaks to cheer
Judea's fainting soul!
poem by Eugene Field
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Songs In Sleep
If I could frame for you in cunning words
The songs my heart in sleep is often singing,
You'd fancy, love, an orquestra of birds
Upon their quivering throats the dawn were bringing.
Now in some wild, weird flush of melody
I'd feign the skylark, with his music sifting
The final films of nightshade from the lea,
And all the waking world to heaven uplifting.
Then, ere the lengthening liquid solo went--
In skylark fashion--out of hearing o'er us,
I'd mock with skill, as sweet as my intent,
Thrustle and blackbird coming in for chorus.
There's not a strain of joy the birds could sing,
I could not set to words that I've been dreaming;
But when I wake, alas! they all take wing,
And leave of music but the empty seeming.
Believe me, love, I sing to you, in sleep,
Songs that if voiced would waken you to pleasure;
Would you could hear them in your dreams, and keep
Their inner meaning, though you missed the measure.
poem by Anonymous Americas
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The Skylark
The earth was green, the sky was blue:
I saw and heard one sunny morn,
A skylark hang between the two,
A singing speck above the corn;
A stage below, in gay accord,
White butterflies danced on the wing,
And still the singing skylark soared,
And silent sank and soared to sing.
The cornfield stretched a tender green
To right and left beside my walks;
I knew he had a nest unseen
Somewhere among the million stalks:
And as I paused to hear his song,
While swift the sunny moments slid,
Perhaps his mate sat listening long,
And listened longer than I did.
poem by Christina Georgina Rossetti
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The Origin of the Harp
Tis believed that this Harp, which I wake now for thee
Was a Siren of old, who sung under the sea;
And who often, at eve, through the bright waters roved,
To meet, on the green shore, a youth whom she loved.
But she loved him in vain, for he left her to weep,
And in tears, all the night, her gold tresses to steep,
Till heaven look'd with pity on true-love so warm,
And changed to this soft Harp the sea-maiden's form.
Still her bosom rose fair -- still her cheeks smiled the same --
While her sea-beauties gracefully form'd the light
And her hair, as, let loose, o'er her white arm it fell,
Was changed to bright chords uttering melody's spell.
Hence it came, that this soft Harp so long hath been known
To mingle love's language with sorrow's sad tone;
Till thou didst divide them, and teach the fond lay
To speak love when I'm near thee, and grief when away.
poem by Thomas Moore
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Broken Wing
Today I watched a robin
In our front yard
I thought by now that they schold all be gone.
With winter round the corner
Snow on its way
Surely something must be wrong.
Then in that old oak tree I finally saw her
Where she sat gazing down upon her mate
And the song that she was singing
Seemed to say Ill be right here
Id like to go, but your loves made me stay.
Hes got a broken wing
And thats why he cant fly
She just cant leave him there
So she stays by his side
Theyre just like you and me
Oh you shouldve heard her sing
They wont give up
Its just a broken wing.
I wish we all could learn
What they seem to have found
To love our families
When trouble comes around
Ill bet that God saw fit
To show them unto me
Him on the ground
Her in that tree.
Hes got a broken wing
And thats why he cant fly
She just cant leave him there
So she stays by his side
Theyre just like you and me
Oh you shouldve heard her sing
They wont give up
We wont give up
They wont give up
Its just a broken wing.
Ooooooooh...
Its just a broken wing.
song performed by by LeAnn Rimes
Submitted by Lucian Velea
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A Green Cornfield
The earth was green, the sky was blue:
I saw and heard one sunny morn
A skylark hang betweent he two,
A singing speck above the corn;
A stage below, in gay accord,
White butterflies danced on the wing,
And still the singing skylark soared,
And silent sank and soared to sing.
The cornfield stretched a tender green
To right and left beside my walks;
I knew he had a nest unseen
Somewhere among the million stalks.
And as I paused to hear his song
While swift the sunny moments slid,
Perhaps his mate sat listening long,
And listened longer than I did.
poem by Christina Georgina Rossetti
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The Sky-Lark’s Song
WINGED voice to tell the skies of earth,
Dear earth-born lark, sing on, sing clear,
Sing into heaven that she may hear
;Sing what thou wilt, so she but know
Thine ecstasy of summer mirth
And think ''Tis from the world below!'
Instant, old wont returns fresh brought,
And her desire goes seeking me,
For whom her whole world used to be
And all my world for sake of her;
She cannot think an earthward thought
That shall not seem my messenger.
She will be glad for love, and smile,
Saying 'Thank God for joy like ours:
Saying 'There come the kind home hours:
His work-day will be sped ere long,
That keeps him hence this little while.
'Sing, lark, until she know thy song.
Sing of the earth, but sing no care,
Sing thine own measureless content;
She will remember what it meant;
Griefs are too base, but, carolling thus,
Thou with thy joy mayst reach her there,
And she joy too remembering us.
poem by Augusta Davies Webster
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A Souless Singer
Hail! throstle, by thy ringing voice descried,
Not by the wanderings of the tuneless wing!
Now once again where forkëd boughs divide,
Lost in green leafage thou dost perch and sing:
Trilling, shrilling, far and wide,
``It is Spring.''
Thy matins peal long ere the rosy dawn
Unfolds its hull and burgeons into light;
Nor cease thy vespers till from darkling lawn
The silent shadows steal away in flight,
And the star-lit tent is drawn
Round the Night.
Is it in Heaven, or mid-way of the Earth,
Thou learn'st to outvoice, outnumber all the Nine?
What is the secret of thy madcap mirth?
Wilt thou not tell it me, and make it mine?
What is all my singing worth,
Matched with thine?
If heedless mortals only understood
What the prerogatives of real renown,
Hearing thee warble in umbrageous wood,
Or in the dingles of the rolling down,
It is thou, not I, that should
Wear the Crown.
And yet perchance more deep and more divine
The insufficiency of my poor strain.
One single solitary note is thine:
Weak though they haply be, yet I have twain.
Joy is all thy song; of mine
Half is pain.
Thou with thy carol flatterest the Year
But when it frolics into happy bloom:
Only those notes hast thou, wild chanticleer,
That with their thoughtlessness can banish gloom
From its cradle; I, a tear
For its tomb.
Thou with the blossom and bud and baby leaf,
Heartless of woe, dost revel and rejoice,
But for sere sorrow and the pensive sheaf
Lackest, for all thy minstrelsy, the voice:
There are seasons when sweet grief
Is our choice.
So, throstle, be the very voice of Spring,
And bring back rapture to the wrinkled bole!
Of all life's chords joy is the leading string,
And happiness is much, but not the whole.
Leave it then to me to sing
To the soul!
poem by Alfred Austin
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The Babylonian Captivity
By far Euphrates’ stream we state,
A weary band of herded slaves,
And over Judah’s fallen estate
We wept into the passing waves.
On willow-boughs that o’er us bent
Our once glad-sounding harps were hung,
That but the wild wind, as it went,
Might grieve their wailful chords among.
But they who spoiled us—even they
Who wasted us with daily wrongs,
To make them mirth did asking say:
“Come sing us one of Zion’s songs!”
How can with us the will remain
To strike the harp with fettered hand?
How can we sing a joyful strain
As captives in a foreign land?
And when, Jerussalem! We let
Thy memory pass on Time’s grey wing,
May our right hands at once forget
Their mastery o’er the sounding string!
Yea, let our tongues to song be dumb,
As in a dull and voiceless dream,
Till to thy courts again we come
And thy redemption be the theme!
Then, Edom, thou shalt get thy wound!
For thou, on Zion’s evil day,
Saidst—“Raze her beauty to the ground,
And captive drive her sons away!”
And lo! Yet fiercer visions rise,
The day is fixed, the hour is known,
When, Babylon! Thy fateful skies
Shall raid red wrath and ruin down!
Till by thy towers all overthrown,
Thy daughters, desolate as we,
Each with her shame shall sit alone,
With shame and wild-faced misery!
And then may the avenger dash
Thy children’s heads against stones;
For so, ’mid Zion’s falling crash,
Didst thou with all our little ones.
poem by Charles Harpur
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Sing To Me
Sing to me! Something of sunlight and bloom,
I am so compassed with sorrow and gloom,
I am so sick with the world’s noisse and strife, -
Sing of the beauty and brightness of life –
Sing to me, sing to me!
Sing to me! Something that’s jubilant, glad!
I am so weary, my soul so sad.
All my earth riches are covered with rust,
All my bright dreams are but ashes and dust.
Sing to me, sing to me!
Sing og the blossoms that open in spring,
How the sweet flowers blow, and the long lichens cling,
Say, though the winter is round about me,
There are bright summers and springs yet to be.
Sing to me, sing to me!
Sing me a song full of hope and of truth,
Brimming with all the sweet fancies of youth!
Say, though my sorrow I may not forget,
I have not quite done with happiness yet.
Sing to me, sing to me!
Lay your soft fingers just here, on my cheek;
Turn the light lower – there- no, do not speak,
But sing! My heart thrills at your beautiful voice;
Sing till I turn from my grief and rejoice.
Sing to me, sing to me!
poem by Ella Wheeler Wilcox
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The Ideal
"How the shadow the Ideal throws before it darkens the actual." -- Zanoni
"La vie est un sommeil, l'amour en est le rêve;."
A sad, sweet dream; it fell upon my soul
When song and thought first woke their echoes there,
Swaying my spirit to its wild control,
And with the shadow of a fond despair
Darkening the fountain of my young life's stream --
It haunts me still, and yet I know 'tis but a dream.
Whence art thou, shadowy presence, that canst hide
From my charmed sight the glorious things of earth?
A mirage o'er life's desert dost thou glide?
Or, with those glimmerings of a former birth,
A "trailing cloud of glory," hast thou come
From some bright world afar, our unremembered home?
I know thou dwell'st not in this dull cold Real,
I know thy home is in some brighter sphere;
I know I shall not meet thee, my Ideal!
In the dark wanderings that await me here --
Why comes thy gentle image then to me,
Wasting my night of life in one long dream of thee!
The city's peopled solitude, the glare
Of festal halls, moonlight and music's tone,
All breathe the sad refrain thou art not there;
And even with Nature, I am still alone;
With joy I watch her summer bloom depart --
I love drear winter's reign -- 'tis winter in my heart.
And if I sigh upon my brow to see
The deepening shadow of Time's fleeting wing,
'Tis for the youth I might not give to thee, --
The vanished brightness of my first sweet spring;
That I might give thee not the joyous form,
Unsworn by bitter tears, unblighted by the storm.
And when the hearts I should be proud to win,
Breathe, in those tones that woman holds so dear,
Words of impassioned homage unto mine,
Coldly and harsh they fall upon my ear;
And as I listen to the fervent vow,
My weary heart replies, "Alas! it is not thou!"
And when the thoughts within my spirit glow,
That would outpour themselves in words of fire,
If some kind influence bade the music flow,
Like that which woke the notes of Memnon's lyre;
Thou, sunlight of my life! wakest not the lay --
And song within my heart unuttered dies away.
Depart, oh shadow! fatal dream, depart!
Go, I conjure thee; leave me this poor life,
And I will meet with firm, heroic heart,
Its threatening storms and its tumultuous strife,
And with the Poet-Seer will see thee stand,
To welcome my approach to thine own Spirit-land.
poem by Anne Lynch Botta from Poems (1848)
Submitted by Veronica Serbanoiu
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The Nest
That was the skylark we heard
Singing so high,
The little quivering bird
We saw, and the sky.
The earth was drenched with sun,
The sky was drenched with song;
We lay in the grass and listened,
Long and long and long.
I said, 'What a spell it is
Has made her rise
To pour out her world of bliss
In that world of skies!'
You said, 'What a spell must pass
Between sky and plain,
Since she finds in this world of grass
Her nest again!'
poem by Edith Nesbit
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Fill The Goblet Again: A Song
Fill the goblet again! for I never before
Felt the glow which now gladdens my heart to its core;
Let us drink!--who would not?--since, through life's varied round,
In the goblet alone no deception is found.
I have tried in its turn all that life can supply;
I have bask'd in the beam of a dark rolling eye;
I have loved!--who has not?--but what heart can declare
That pleasure existed while passion was there?
In the days of my youth, when the heart's in its spring,
And dreams that affection can never take wing,
I had friends!--who has not?--but what tongue will avow,
That friends, rosy wine! are so faithful as thou?
The heart of a mistress some boy may estrange,
Friendship shifts with the sunbeam--thou never canst change;
Thou grow'st old--who does not?--but on earth what appears,
Whose virtues, like thine, still increase with its years?
Yet if blest to the utmost that love can bestow,
Should a rival bow down to our idol below,
We aree jealous!--who is not?--thou hast no such alloy;
For the more that enjoy thee, the more we enjoy.
Then the season of youth and its vanities past,
For refuge we fly to the goblet at last;
There we find--do we not?--in the flow of the soul,
That truth, as of yore, is confined to the bowl.
When the box of Pandora was opened on earth,
And Misery's triumph commenced over Mirth,
Hope was left,--was she not?--but the goblet we kiss,
And care not for Hope, who are certain of bliss.
Long life to the grape! for when summer is flown,
The age of our nectar shall gladden our own:
We must die--who shall not?--May our sins be forgiven,
And Hebe shall never be idle in heaven.