Sing, Sweet Harp
Sing, sweet Harp, oh sing to me
Some song of ancient days,
Whose sounds, in this sad memory,
Long-buried dreams shall raise; --
Some lay that tells of vanish'd fame,
Whose light once round us shone,
Of noble pride, now turn'd to shame,
And hopes for ever gone.
Sing, sad Harp, thus sing to me;
Alike our doom is cast,
Both lost to all but memory,
We live but in the past.
How mournfully the midnight air
Among thy chords doth sigh,
As if it sought some echo there,
Of voices long gone by; --
Of chieftains, now forgot, who seem'd
The foremost then in fame;
Of Bards who, once immortal deem'd,
Now sleep without a name.
In vain, sad Harp, the midnight air
Among thy chords doth sigh;
In vain it seeks an echo there
Of voices long gone by.
Couldst thou but call those spirits round,
Who once, in bower and hall,
Sate listening to thy magic sound,
Now mute and mouldering all; --
But, no; they would but wake to weep
Their children's slavery;
Then leave them in their dreamless sleep,
The dead, at least are free!
Hush, hush, sad Harp, that dreary tone,
That knell of Freedom's day;
Or, listening to its death-like moan,
Let me, too, die away.
poem by Thomas Moore
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Related quotes
To a friend, on being asked for some verses
I thought the Soul of Song had made
This heart of mine her sepulchre;
For all her golden dreams had fled,
And I could win no note from her.
But when for thee thou bid'st her sing,
That spell dissolves her icy chain;
She slowly plumes her drooping wing,
And strikes her shattered chords again.
For more than lifeless would she be,
If thou shouldst bid her wake in vain;
And lost her chords, if still for thee
She could not wake one living strain.
For thee -- that hours of deep distress,
And days of gloom with kindness lit,
Till half I blessed the bitterness
That gave me thee to sweeten it.
For thee -- that when, despairing long,
I said, "No friend has earth for me,"
Didst bid the tones die on my tongue,
And I could utter, "only thee."
For thee -- that when my mother earth
Shall call me to her sheltering breast,
Of all I know wilt weep alone
Above my nameless place of rest.
But see! her wings refuse to fly;
Her chords are harsh from silence long;
Alas! thy gentle sorcery
Hath summoned but the ghost of Song.
She hovers o'er her living tomb,
She seeks once more her grave and chain,
As spectres haunt the midnight gloom:
Sweet friend, awake her not again.
If o'er the wind harp's gentle strings
The threatening tempest rudely flies,
It does not wake more thrilling strains --
The chords are rent, the music dies.
Thus is my harp, thus is my song --
I woo in vain its sweetness fled,
The storms have swept the chords too long,
The music of my soul is dead.
poem by Anne Lynch Botta from Poems (1848)
Submitted by Veronica Serbanoiu
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Jewish Lullaby
My harp is on the willow-tree,
Else would I sing, O love, to thee
A song of long-ago--
Perchance the song that Miriam sung
Ere yet Judea's heart was wrung
By centuries of woe.
I ate my crust in tears to-day,
As scourged I went upon my way--
And yet my darling smiled;
Ay, beating at my breast, he laughed--
My anguish curdled not the draught--
'T was sweet with love, my child!
The shadow of the centuries lies
Deep in thy dark and mournful eyes--
But, hush! and close them now;
And in the dreams that thou shalt dream
The light of other days shall seem
To glorify thy brow!
Our harp is on the willow-tree--
I have no song to sing to thee,
As shadows round us roll;
But, hush and sleep, and thou shalt hear
Jehovah's voice that speaks to cheer
Judea's fainting soul!
poem by Eugene Field
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Where Are They?
I came to the halls of my fathers, and asked, “Where are they?”
and the echoes answered “where.”
Where are they? where! they all are gone,
Whose smiles were wont to answer mine,
When in the hours that long have flown,
These halls were fond affection's shrine?
Gray moss is on the smooth flag-stone,
That once was worn with bounding feet,
When eyes, now dim, all brightly shone,
And minstrel's song resounded sweet.
The harp still decks the mouldering walls,
With all its tuneful chords unstrung,
And silent are the echoing halls,
Where oft the merry laugh has rung.
Where now are all the lips and eyes,
Whose smiles once cheer'd my native bower?
And where are those whose parting sighs,
I've treasured many a weary hour?
There many a cheek was wet with tears,
And choking voices sigh'd adieu,
But now no friendly form appears,
Of all the wanderer's childhood knew.
I called, Where are they? but in vain—
There was no friend to greet me there—
The harp's last chord then burst in twain,
And echo only answer'd “Where?”
poem by Elizabeth Margaret Chandler from Poetical Works (1836)
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Dear Harp of my Country
Dear Harp of my Country! in darkness I found thee,
The cold chain of Silence had hung o'er thee long.
When proudly, my own Island Harp, I unbound thee,
And gave all thy chords to light, freedom, and song.
The warm lay of love and the light note of gladness
Have waken'd thy fondest, thy livliest thrill,
But, so oft hast thou echoed the deep sigh of sadness,
That even in thy mirth it will steal from thee still.
Dear Harp of my country! farewell to thy numbers,
This sweet wreath of song is the last we shall twine!
Go, sleep with the sunshine of Fame on thy slumbers,
Till touch'd by some hand less unworthy than mine.
If the pulse of the patriot, soldier, or lover,
Have throbb'd at our lay, 'tis thy glory alone;
I was but as the wind, passing heedlessly over,
And all the wild sweetness I waked was thy own.
poem by Thomas Moore
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To Hope
Oh! take, young Seraph, take thy harp,
And play to me so cheerily;
For grief is dark, and care is sharp,
And life wears on so wearily.
Oh! take thy harp!
Oh! sing as thou wert wont to do,
When, all youth's sunny season long,
I sat and listened to thy song,
And yet 'twas ever, ever new,
With magic in its heaven-tuned string—
The future bliss thy constant theme.
Oh! then each little woe took wing
Away, like phantoms of a dream;
As if each sound
That flutter'd round,
Had floated over Lethe's stream!
By all those bright and happy hours
We spent in life's sweet eastern bow'rs,
Where thou wouldst sit and smile, and show,
Ere buds were come, where flowers would blow,
And oft anticipate the rise
Of life's warm sun that scaled the skies;
By many a story of love and glory,
And friendships promised oft to me;
By all the faith I lent to thee,—
Oh! take, young Seraph, take thy harp,
And play to me so cheerily;
For grief is dark, and care is sharp,
And life wears on so wearily.
Oh! take thy harp!
Perchance the strings will sound less clear,
That long have lain neglected by
In sorrow's misty atmosphere;
It ne'er may speak as it hath spoken
Such joyous notes so brisk and high;
But are its golden chords all broken?
Are there not some, though weak and low,
To play a lullaby to woe?
But thou canst sing of love no more,
For Celia show'd that dream was vain;
And many a fancied bliss is o'er,
That comes not e'en in dreams again.
Alas! alas!
How pleasures pass,
And leave thee now no subject, save
The peace and bliss beyond the grave!
Then be thy flight among the skies:
Take, then, oh! take the skylark's wing,
And leave dull earth, and heavenward rise
O'er all its tearful clouds, and sing
On skylark's wing!
Another life-spring there adorns
Another youth—without the dread
Of cruel care, whose crown of thorns
Is here for manhood's aching head.
Oh! there are realms of welcome day,
A world where tears are wiped away!
Then be thy flight among the skies:
Take, then, oh! take the skylark's wing,
And leave dull earth, and heavenward rise
O'er all its tearful clouds, and sing
On skylark's wing!
poem by Thomas Hood
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Touch the Sleeping Strings Again
Say not, O say not, we are strangers,
By freak chance together brought;
Remind me not of lurking dangers
In wreaths of friendship quickly wrought.
Some sweet attraction draws me to you;
From Memory's harp strange murmurs flow;
And something makes me think I knew you
Beyond the sea of Long Ago.
Touch the sleeping strings and
tell me, tell me whether,
Thence comes music sweet and low:
Did not we walk some shore together
Beyond the sea of Long Ago?
Your eyes, in bashful glances falling,
Light up a landscape far away;
Your voice-- to hear it is recalling
A sweet but long forgotten lay.
When all the year was pleasant weather,
And none had heard of pain or woe,
Did not we sing this tune together
Beyond the sea of Long Ago?
Think not, although I speak so boldly,
That idle words are on my tongue;
Receive my greeting not so coldly,
Nor hush the harp that would have sung;
For lightly touched, as by a feather,
The sleeping strings will thrill, I know:
Were not our spririts linked together
Beyond the sea of Long Ago?
poem by Henry Clay Work
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The Origin of the Harp
Tis believed that this Harp, which I wake now for thee
Was a Siren of old, who sung under the sea;
And who often, at eve, through the bright waters roved,
To meet, on the green shore, a youth whom she loved.
But she loved him in vain, for he left her to weep,
And in tears, all the night, her gold tresses to steep,
Till heaven look'd with pity on true-love so warm,
And changed to this soft Harp the sea-maiden's form.
Still her bosom rose fair -- still her cheeks smiled the same --
While her sea-beauties gracefully form'd the light
And her hair, as, let loose, o'er her white arm it fell,
Was changed to bright chords uttering melody's spell.
Hence it came, that this soft Harp so long hath been known
To mingle love's language with sorrow's sad tone;
Till thou didst divide them, and teach the fond lay
To speak love when I'm near thee, and grief when away.
poem by Thomas Moore
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The Silent Melody
"BRING me my broken harp," he said;
"We both are wrecks,-- but as ye will,--
Though all its ringing tones have fled,
Their echoes linger round it still;
It had some golden strings, I know,
But that was long-- how long!-- ago.
"I cannot see its tarnished gold,
I cannot hear its vanished tone,
Scarce can my trembling fingers hold
The pillared frame so long their own;
We both are wrecks,-- awhile ago
It had some silver strings, I know,
"But on them Time too long has played
The solemn strain that knows no change,
And where of old my fingers strayed
The chords they find are new and strange,--
Yes! iron strings,-- I know,-- I know,--
We both are wrecks of long ago.
"We both are wrecks,-- a shattered pair,
Strange to ourselves in time's disguise
What say ye to the lovesick air
That brought the tears from Marian's eyes?
Ay! trust me,-- under breasts of snow
Hearts could be melted long ago!
"Or will ye hear the storm-song's crash
That from his dreams the soldier woke,
And bade him face the lightning flash
When battle's cloud in thunder broke?
Wrecks,-- nought but wrecks!-- the time was when
We two were worth a thousand men!"
And so the broken harp they bring
With pitying smiles that none could blame;
Alas there's not a single string
Of all that filled the tarnished frame!
But see! like children overjoyed,
His fingers rambling through the void!
"I clasp thee! Ay . . . mine ancient lyre. . .
Nay, guide my wandering fingers. . . There!
They love to dally with the wire
As Isaac played with Esan's hair. . . .
Hush! ye shall hear the famous tune
That Marina called the Breath of June!"
And so they softly gather round:
Rapt in his tuneful trance he seems:
His fingers move: but not a sound!
A silence like the song of dreams. . . .
"There! ye have heard the air," he cries,
"That brought the tears from Marina's eyes!"
Ah, smile not at his fond conceit,
Nor deem his fancy wrought in vain;
To him the unreal sounds are sweet,--
No discord mars the silent strain
Scored on life's latest, starlit page--
The voiceless melody of age.
Sweet are the lips of all that sing,
When Nature's music breathes unsought,
But never yet could voice or string
So truly shape our tenderest thought
As when by life's decaying fire
Our fingers sweep the stringless lyre!
poem by Oliver Wendell Holmes
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The Days go by
THE DAYS go by—the days go by,
Sadly and wearily to die:
Each with its burden of small cares,
Each with its sad gift of gray hairs
For those who sit, like me, and sigh,
“The days go by! The days go by!”
Ah, nevermore on shining plumes,
Shedding a rain of rare perfumes
That men call memories, they are borne
As in life’s many-visioned morn,
When Love sang in the myrtle-blooms—
Ah, nevermore on shining plumes!
Where is my life? Where is my life?
The morning of my youth was rife
With promise of a golden day.
Where have my hopes gone? Where are they—
The passion and the splendid strife?
Where is my life? Where is my life?
My thoughts take hue from this wild day,
And, like the skies, are ashen gray;
The sharp rain, falling constantly,
Lashes with whips of steel the sea:
What words are left for Hope to say?
My thoughts take hue from this wild day.
I dreamt—my life is all a dream!—
That I should sing a song supreme
To gladden all sad eyes that weep,
And take the Harp to Time, and sweep
Its chords to some eternal theme.
I dreamt—my life is all a dream.
The world is very old and wan—
The sun that once so brightly shone
Is now as pale as the pale moon.
I would that Death came swift and soon;
For all my dreams are dead and gone.
The world is very old and wan.
. . . . .
The world is young, the world is strong,
But I in dreams have wandered long.
God lives. What can Death do to me
The sun is shining on the sea.
Yet shall I sing my splendid song—
The world is young, the world is strong.
poem by Victor James Daley
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Even So
THE DAYS go by—the days go by,
Sadly and wearily to die:
Each with its burden of small cares,
Each with its sad gift of gray hairs
For those who sit, like me, and sigh,
“The days go by! The days go by!”
Ah, nevermore on shining plumes,
Shedding a rain of rare perfumes
That men call memories, they are borne
As in life’s many-visioned morn,
When Love sang in the myrtle-blooms—
Ah, nevermore on shining plumes!
Where is my life? Where is my life?
The morning of my youth was rife
With promise of a golden day.
Where have my hopes gone? Where are they—
The passion and the splendid strife?
Where is my life? Where is my life?
My thoughts take hue from this wild day,
And, like the skies, are ashen gray;
The sharp rain, falling constantly,
Lashes with whips of steel the sea:
What words are left for Hope to say?
My thoughts take hue from this wild day.
I dreamt—my life is all a dream!—
That I should sing a song supreme
To gladden all sad eyes that weep,
And take the Harp to Time, and sweep
Its chords to some eternal theme.
I dreamt—my life is all a dream.
The world is very old and wan—
The sun that once so brightly shone
Is now as pale as the pale moon.
I would that Death came swift and soon;
For all my dreams are dead and gone.
The world is very old and wan.
The world is young, the world is strong,
But I in dreams have wandered long.
God lives. What can Death do to me
The sun is shining on the sea.
Yet shall I sing my splendid song—
The world is young, the world is strong.
poem by Victor James Daley
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The Harp Of The Minstrel
The harp of the minstrel has never a tone
As sad as the song in his bosom to-night,
For the magical touch of his fingers alone
Can not waken the echoes that breathe it aright;
But oh! as the smile of the moon may impart
A sorrow to one in an alien clime,
Let the light of the melody fall on the heart,
And cadence his grief into musical rhyme.
The faces have faded, the eyes have grown dim
That once were his passionate love and his pride;
And alas! all the smiles that once blossomed for him
Have fallen away as the flowers have died.
The hands that entwined him the laureate's wreath
And crowned him with fame in the long, long ago,
Like the laurels are withered and folded beneath
The grass and the stubble--the frost and the snow.
Then sigh, if thou wilt, as the whispering strings
Strive ever in vain for the utterance clear,
And think of the sorrowful spirit that sings,
And jewel the song with the gem of a tear.
For the harp of the minstrel has never a tone
As sad as the song in his bosom tonight,
And the magical touch of his fingers alone
Can not waken the echoes that breathe it aright.
poem by James Whitcomb Riley
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The Minstrel Boy
The Minstrel-Boy to the war is gone,
In the ranks of death you'll find him;
His father's sword he has girded on,
And his wild harp slung behind him.
"Land of song!" said the warrior-bard,
"Though all the world betrays thee,
One sword, at least, thy rights shall guard,
One faithful harp shall praise thee!"
The Minstrel fell! -- but the foeman's chain
Could not bring his proud soul under;
The harp he loved ne'er spoke again,
For he tore its chords asunder;
And said, "No chains shall sully thee,
Thou soul of love and bravery!
Thy songs were made for the pure and free,
They shall never sound in slavery."
poem by Thomas Moore
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Harps We Love
The harp we love hath a royal burst!
Its strings are mighty forest trees;
And branches, swaying to and fro,
Are fingers sounding symphonies.
The harp we love hath a solemn sound!
And rocks amongst the shallow seas
Are strings from which the rolling waves
Draw forth their stirring harmonies.
The harp we love hath a low sweet voice!
Its strings are in the bosom deep,
And Love will press those hidden chords
When all the baser passions sleep.
poem by Henry Kendall
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The Ruin And Its Flowers
Sweets of the wild! that breathe and bloom,
On this lone tow'r, this ivy'd wall;
Lend to the gale a rich perfume,
And grace the ruin in its fall;
Tho' doom'd, remote from careless eye,
To smile, to flourish, and to die,
In solitude sublime,
Oh! ever may the spring renew,
Your balmy scent and glowing hue,
To deck the robe of time!
Breathe, fragrance! breathe, enrich the air,
Tho' wasted on its wing unknown!
Blow, flow'rets! blow, tho' vainly fair,
Neglected and alone!
These tow'rs, that long withstood the blast,
These mossy tow'rs are mouldering fast,
While Flora's children stay;
To mantle o'er the lonely pile,
To gild destruction with a smile,
And beautify decay!
Sweets of the wild! uncultur'd blowing,
Neglected in luxuriance glowing;
From the dark ruins frowning near,
Your charms in brighter tints appear,
And richer blush assume;
You smile with softer beauty crown'd,
Whilst, all is desolate around,
Like sun-shine on a tomb!
Thou hoary pile! majestic still,
Memento of departed fame!
While roving o'er the moss-clad hill,
I ponder on thine ancient name!
Here grandeur, beauty, valour, sleep,
That here, so oft have shone supreme;
While glory, honor, fancy, weep,
That vanish'd is the golden dream!
Where are the banners, waving proud,
To kiss the summer-gale of ev'n?
All purple as the morning-cloud,
All streaming to the winds of heav'n!
Where is the harp, by rapture strung,
To melting song, or martial story?
Where are the lays the minstrel sung,
To loveliness, or glory?
Lorn echo of these mouldering walls,
To thee no festal measure calls;
No music thro' the desert-halls,
Awakes thee to rejoice!
How still thy sleep! as death profound,
As if, within this lonely round,
A step-a note-a whisper'd sound,
Had ne'er arous'd thy voice!
Thou hear'st the zephyr murmuring, dying,
Thou hear'st the foliage waving, sighing;
But ne'er again shall harp, or song,
These dark, deserted courts along,
Disturb thy calm repose;
The harp is broke, the song is fled,
The voice is hush'd, the bard is dead;
And never shall thy tones repeat,
Or lofty strain, or carol sweet,
With plaintive close!
Proud castle! tho' the days are flown,
When once thy tow'rs in glory shone;
When music thro' thy turrets rung,
When banners o'er thy ramparts hung,
Tho' 'midst thine arches, frowning lone,
Stern desolation rear his throne;
And silence, deep and awful, reign,
Where echoed once the choral strain;
Yet oft, dark ruin! ling'ring here,
The muse will hail thee with a tear;
Here, when the moon-light, quiv'ring, beams,
And thro' the fringing ivy streams,
And softens ev'ry shade sublime,
And mellows ev'ry tint of time,
Oh ! here shall contemplation love,
Unseen, and undisturb'd, to rove;
And bending o'er some mossy tomb,
Where valor sleeps, or beauties bloom,
Shall weep for glory's transient day,
And grandeur's evanescent ray!
And list'ning to the swelling blast,
Shall wake the spirit of the past,
Call up the forms of ages fled,
Of warriors and of minstrels dead;
Who sought the field, who struck the lyre,
With all ambition's kindling fire!
Nor wilt thou, Spring! refuse to breathe,
Soft odours on this desert-air;
Refuse to twine thine earliest wreath,
And fringe these tow'rs with garlands fair
Sweets of the wild, oh! ever bloom,
Unheeded on this ivy'd wall!
Lend to the gale a rich perfume,
And grace the ruin in its fall!
Thus, round Misfortune's holy head,
Would Pity wreaths of honor spread;
Like you, thus blooming on this lonely pile,
She seeks despair, with heart-reviving smile!
poem by Felicia Dorothea Hemans
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I Heard Immanuel Singing
(The poem shows the Master, with his work done, singing to free his heart in Heaven.)
I heard Immanuel singing
Within his own good lands,
I saw him bend above his harp.
I watched his wandering hands
Lost amid the harp-strings;
Sweet, sweet I heard him play.
His wounds were altogether healed.
Old things had passed away.
All things were new, but music.
The blood of David ran
Within the Son of David,
Our God, the Son of Man.
He was ruddy like a shepherd.
His bold young face, how fair.
Apollo of the silver bow
Had not such flowing hair.
I saw Immanuel singing
On a tree-girdled hill.
The glad remembering branches
Dimly echoed still
The grand new song proclaiming
The Lamb that had been slain.
New-built, the Holy City
Gleamed in the murmuring plain.
The crowning hours were over.
The pageants all were past.
Within the many mansions
The hosts, grown still at last,
In homes of holy mystery
Slept long by crooning springs
Or waked to peaceful glory,
A universe of Kings.
He left his people happy.
He wandered free to sigh
Alone in lowly friendship
With the green grass and the sky.
He murmured ancient music
His red heart burned to sing
Because his perfect conquest
Had grown a weary thing.
No chant of gilded triumph—
His lonely song was made
Of Art's deliberate freedom;
Of minor chords arrayed
In soft and shadowy colors
That once were radiant flowers:—
The Rose of Sharon, bleeding
In Olive-shadowed bowers:—
And all the other roses
In the songs of East and West
Of love and war and worshipping,
And every shield and crest
Of thistle or of lotus
Or sacred lily wrought
In creeds and psalms and palaces
And temples of white thought:—
All these he sang, half-smiling
And weeping as he smiled,
Laughing, talking to his harp
As to a new-born child:—
As though the arts forgotten
But bloomed to prophecy
These careless, fearless harp-strings,
New-crying in the sky.
"When this his hour of sorrow
For flowers and Arts of men
Has passed in ghostly music,"
I asked my wild heart then—
What will he sing to-morrow,
What wonder, all his own
Alone, set free, rejoicing,
With a green hill for his throne?
What will he sing to-morrow
What wonder all his own
Alone, set free, rejoicing,
With a green hill for his throne?
poem by Vachel Lindsay
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Give Me the Harp of Epic Song
Give me the harp of epic song,
Which Homer's finger thrill'd along;
But tear away the sanguine string,
For war is not the theme I sing.
Proclaim the laws of festal rite,
I'm monarch of the board tonight;
And all around shall brim as high,
And quaff the tide as deep as I!
And when the cluster's mellowing dews
Their warm, enchanting balm infuse,
Our feet shall catch th' elastic bound,
And reel us through the dance's round.
Oh Bacchus! we shall sing to thee,
In wild but sweet ebriety!
And flash around such sparks of thought,
As Bacchus could alone have taught!
Then give the harp of epic song,
Which Homer's finger thrill'd along;
But tear away the sanguine string,
For war is not the theme I sing!
Sing To Me
Sing to me! Something of sunlight and bloom,
I am so compassed with sorrow and gloom,
I am so sick with the world’s noisse and strife, -
Sing of the beauty and brightness of life –
Sing to me, sing to me!
Sing to me! Something that’s jubilant, glad!
I am so weary, my soul so sad.
All my earth riches are covered with rust,
All my bright dreams are but ashes and dust.
Sing to me, sing to me!
Sing og the blossoms that open in spring,
How the sweet flowers blow, and the long lichens cling,
Say, though the winter is round about me,
There are bright summers and springs yet to be.
Sing to me, sing to me!
Sing me a song full of hope and of truth,
Brimming with all the sweet fancies of youth!
Say, though my sorrow I may not forget,
I have not quite done with happiness yet.
Sing to me, sing to me!
Lay your soft fingers just here, on my cheek;
Turn the light lower – there- no, do not speak,
But sing! My heart thrills at your beautiful voice;
Sing till I turn from my grief and rejoice.
Sing to me, sing to me!
poem by Ella Wheeler Wilcox
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My Nimble Moon
So lovely you grace the height of glory,
Repeating nightly to the listening earth the wondrous story.
I read in your looks a knowing judge of love,
A knowledge acquired by eyes peering long from above.
Then, with pretty flight, you perch the throne
And listen to the musings of the owl in his somber tone.
His song to you makes the crickets sing,
And a harp plays as God tunes the strings.
Gleam forever, moon of my fancy dreams,
For never are the droplets of sunlight as sweet as they seem.
poem by Albert Price
Submitted by Poetry Lover
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Farewell To The Muse
Thou Power! who hast ruled me through Infancy's days,
Young offspring of Fancy, 'tis time we should part;
Then rise on the gale this the last of my lays,
The coldest effusion which springs from my heart.
This bosom, responsive to rapture no more,
Shall hush thy wild notes, nor implore thee to sing;
The feelings of childhood, which taught thee to soar,
Are wafted far distant on Apathy's wing.
Though simple the themes of my rude flowing Lyre,
Yet even these themes are departed for ever;
No more beam the eyes which my dream could inspire,
My visions are flown, to return, alas, never!
When drain'd is the nectar which gladdens the bowl,
How vain is the effort delight to prolong!
When cold is the beauty which dwelt in my soul,
What magic of Fancy can lengthen my song?
Can the lips sing of Love in the desert alone,
Of kisses and smiles which they now must resign?
Or dwell with delight on the hours that are flown?
Ah, no! for those hours can no longer be mine.
Can they speak of the friends that I lived but to love?
Ah, surely Affection ennobles the strain!
But how can my numbers in sympathy move,
When I scarcely can hope to behold them again?
Can I sing of the deeds which my Fathers have done,
And raise my loud harp to the fame of my Sires?
For glories like theirs, oh, how faint is my tone!
For Heroes' exploits how unequal my fires!
Untouch'd, then, my Lyre shall reply to the blast--
'Tis hush'd; and my feeble endeavors are o'er;
And those who have heard it will pardon the past,
When they know that its murmurs shall vibrate no more.
And soon shall its wild erring notes be forgot,
Since early affection and love is o'ercast:
Oh! blest had my Fate been, and happy my lot,
Had the first strain of love been the dearest, the last.
Farewell, my young Muse! since we now can ne'er meet;
If our songs have been languid, they surely are few:
Let us hope that the present at least will be sweet--
The present--which seals our eternal Adieu.
Voices In The Sky
Bluebird, flying high
Tell me what you sing
If you could talk to me
What news would you bring
Of voices in the sky
Nightingale, hovering high
Harmonize the wind
Darkness, your symphony
I can hear you sing
Of voices in the sky
Just what is happening to me
I lie awake with the sound of the sea
Calling to me
Old man, passing by
Tell me what you sing
Though your voice be faint
I am listening
Voices in the sky
Children with a skipping rope
Tell me what you sing
Play time is nearly gone
The bells about to ring
Voices in the sky
Just what is happening to me
I lie awake with the sound of the sea
Calling to me
Bluebird, flying high
Tell me what you sing
If you could talk to me
What news would you bring
Of voices in the sky
Voices in the sky
Voices in the sky
Voices in the sky
song performed by by Moody Blues
Submitted by Lucian Velea
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