The Strange Music
Other loves may sink and settle, other loves may loose and slack,
But I wander like a minstrel with a harp upon my back,
Though the harp be on my bosom, though I finger and I fret,
Still, my hope is all before me; for I cannot play it yet.
In your strings is hid a music that no hand hath e'er let fall,
In your soul is sealed a pleasure that you have not known at all;
Pleasure subtle as your spirit, strange and slender as your frame,
Fiercer than the pain that folds you, softer than your sorrow's name.
Not as mine, my soul's annointed, not as mine the rude and light
Easy mirth of many faces, swaggering pride of song and fight;
Something stranger, something sweeter, something waiting you afar,
Secret as your stricken senses, magic as your sorrows are.
But on this, God's harp supernal, stretched but to be stricken once,
Hoary time is a beginner, Life a bungler, Death a dunce.
But I will not fear to match them - no by God, I will not fear,
I will learn you, I will play you and the stars stand still to hear.
poem by Gilbert Keith Chesterton
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Related quotes
The Strange Music
Other loves may sink and settle, other loves may loose and slack,
But I wander like a minstrel with a harp upon my back,
Though the harp be on my bosom, though I finger and I fret,
Still, my hope is all before me; for I cannot play it yet.
In your strings is hid a music that no hand hath e'er let fall,
In your soul is sealed a pleasure that you have not known at all;
Pleasure subtle as your spirit, strange and slender as your frame,
Fiercer than the pain that folds you, softer than your sorrow's name.
Not as mine, my soul's annointed, not as mine the rude and light
Easy mirth of many faces, swaggering pride of song and fight;
Something stranger, something sweeter, something waiting you afar,
Secret as your stricken senses, magic as your sorrows are.
But on this, God's harp supernal, stretched but to be stricken once,
Hoary time is a beginner, Life a bungler, Death a dunce.
But I will not fear to match them - no by God, I will not fear,
I will learn you, I will play you and the stars stand still to hear.
poem by G.K. Chesterton
Submitted by Veronica Serbanoiu
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The Master-Player
AN old worn harp that had been played
Till all its strings were loose and frayed,
Joy, Hate and Fear, each one essayed,
To play. But each in turn had found
No sweet responsiveness of sound
Then Love the Master-Player came
With heaving breast and eyes aflame;
The harp he took all undismayed,
Smote on its strings, still strange to song,
And brought forth music sweet and strong.
poem by Paul Laurence Dunbar
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Unstrung
My skies were blue, and my sun was bright,
And, with fingers tender and strong and light,
He woke up the music that slept before—
Echoing, echoing evermore!
By-and-by, my skies grew grey;—
No master-touch on the harp-strings lay,—
Dead silence cradled the notes divine:
His soul had wander'd away from mine.
Idly, o'er strange harps swept his hand,
Seeking for music more wild and grand.
He wearied at last of his fruitless quest,
And he came again to my harp for rest.
But the dust lay thick on the golden wires,
And they would not thrill to the old desires.
The chords, so broken and jarred with pain,
Could never be tender and sweet again.
poem by Ada Cambridge
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The Harp Of The Minstrel
The harp of the minstrel has never a tone
As sad as the song in his bosom to-night,
For the magical touch of his fingers alone
Can not waken the echoes that breathe it aright;
But oh! as the smile of the moon may impart
A sorrow to one in an alien clime,
Let the light of the melody fall on the heart,
And cadence his grief into musical rhyme.
The faces have faded, the eyes have grown dim
That once were his passionate love and his pride;
And alas! all the smiles that once blossomed for him
Have fallen away as the flowers have died.
The hands that entwined him the laureate's wreath
And crowned him with fame in the long, long ago,
Like the laurels are withered and folded beneath
The grass and the stubble--the frost and the snow.
Then sigh, if thou wilt, as the whispering strings
Strive ever in vain for the utterance clear,
And think of the sorrowful spirit that sings,
And jewel the song with the gem of a tear.
For the harp of the minstrel has never a tone
As sad as the song in his bosom tonight,
And the magical touch of his fingers alone
Can not waken the echoes that breathe it aright.
poem by James Whitcomb Riley
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Joseph Dixon
Who carved this shattered harp on my stone?
I died to you, no doubt. But how many harps and pianos
Wired I and tightened and disentangled for you,
Making them sweet again -- with tuning fork or without?
Oh well! A harp leaps out of the ear of a man, you say,
But whence the ear that orders the length of the strings
To a magic of numbers flying before your thought
Through a door that closes against your breathless wonder?
Is there no Ear round the ear of a man, that it senses
Through strings and columns of air the soul of sound?
I thrill as I call it a tuning fork that catches
The waves of mingled music and light from afar,
The antennae of Thought that listens through utmost space.
Surely the concord that ruled my spirit is proof
Of an Ear that tuned me, able to tune me over
And use me again if I am worthy to use.
poem by Edgar Lee Masters
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Harps We Love
The harp we love hath a royal burst!
Its strings are mighty forest trees;
And branches, swaying to and fro,
Are fingers sounding symphonies.
The harp we love hath a solemn sound!
And rocks amongst the shallow seas
Are strings from which the rolling waves
Draw forth their stirring harmonies.
The harp we love hath a low sweet voice!
Its strings are in the bosom deep,
And Love will press those hidden chords
When all the baser passions sleep.
poem by Henry Kendall
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Song Of The Harp
Angel play upon your harp.
Play it soft and clear.
If I listen long enough
maybe I will hear
all the tones that vibrate,
reaching through the spheres.
Angel play upon your harp
sweet music for my ears.
All the sounds that reach our young
are not too heavenly.
Their music is just so much noise,
I know it cannot be
music that an angel plays,
music that is sweet.
All they seem to want is
a steady throbbing beat.
Angel play upon your harp.
Play it night and day.
Maybe they might listen
to the silken tones you play.
poem by Edwina Reizer
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Clara Morris (Written for a Benefit Given Mrs. Morris)
The Radiant Ruler of Mystic Regions
Where souls of artists are fitted for birth,
Gathered together their lovely legions
And fashioned a woman to shine on earth.
They bathed her in splendor
They made her tender:
They gave her a nature both sweet and wild.
They gave her emotions
Like storm stirred oceans,
And they gave her the heart of a little child.
These Radiant Rulers (who are not human
Nor yet divine like the gods above)
Poured all their gifts in the soul of a woman
That fragile vessel meant only for love.
Still more they taught her,
Still more they brought her-
Till they gave her the world for a harp one day,
And they bade her string it-
They bade her ring it,
While the stars all wondered to hear her play.
She touched the strings in a master fashion,
She uttered the cry of a world's despair.
Its long-hid secret, its pent-up passion,
She gave to the winds in a vibrant air.
For ah! the heart of her,
That was the art of her,
Great with the feeling that makes men kin.
Art unapproachable,
Art all uncoachable,
Fragrance and flame from the spirit within.
The earth turns ever an ear unheeding
To the sorrows of art, as it cries for more:
And she played on the harp till her hands were bleeding
And her brow was bruised by the laurels she wore.
She knew the trend of it,
She knew the end of it.
Men heard the music and men felt the thrill.
Bound to the altar
Of art, could she falter?
Then came a silence-the music was still.
And yet in the echoes we seem to hear it
In waves unbroken it circles the earth:
And we catch in the light of her dauntless spirit
A gleam from the center that gave her birth.
Still is the fame of her
Felt in the name of her.
But low lies the harp that once thrilled to her strain.
No hand has taken it,
No hand can waken it-
For the soul of her art was her secret of pain.
poem by Ella Wheeler Wilcox
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The Rosary
Not on the lute, nor harp of many strings
Shall all men praise the Master of all song.
Our life is brief, one saith, and art is long;
And skilled must be the laureates of kings.
Silent, O lips that utter foolish things!
Rest, awkward fingers striking all notes wrong!
How from your toil shall issue, white and strong,
Music like that God's chosen poet sings?
There is one harp that any hand can play,
And from its strings what harmonies arise!
There is one song that any mouth can say, --
A song that lingers when all singing dies.
When on their beads our Mother's children pray
Immortal music charms the grateful skies.
poem by Joyce Kilmer
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The Minstrel Boy
The Minstrel-Boy to the war is gone,
In the ranks of death you'll find him;
His father's sword he has girded on,
And his wild harp slung behind him.
"Land of song!" said the warrior-bard,
"Though all the world betrays thee,
One sword, at least, thy rights shall guard,
One faithful harp shall praise thee!"
The Minstrel fell! -- but the foeman's chain
Could not bring his proud soul under;
The harp he loved ne'er spoke again,
For he tore its chords asunder;
And said, "No chains shall sully thee,
Thou soul of love and bravery!
Thy songs were made for the pure and free,
They shall never sound in slavery."
poem by Thomas Moore
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Little David
Little david, play on your harp
Hallelu, hallelu, little david
Play on your harp, hallelujah
Little david, play on your harp
Hallelu, hallelu, little david
Play on your harp, hallelujah
Hey now, I dont know for sure
Its gets said, I got told
Some one said that the streets of heaven
Are paved with solid gold
It must make a might fine road
Little david
Little david, play on your harp
Hallelu, hallelu, hallelujah
Play on your harp, hallelujah
song performed by by James Taylor
Submitted by Lucian Velea
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O, Little David, Play on Your Harp
O, Little David, play on your harp,
That ivory harp with the golden strings
And sing as you did in Jewry Land,
Of the Prince of Peace and the God of Love
And the coming Christ Immanuel.
O, Little David, play on your harp.
A seething world is gone stark mad;
And is drunk with the blood,
Gorged with the flesh,
Blinded with the ashes
Of her millions of dead.
From out it all and over all
There stands, years old and fully grown,
A monster in the guise of man.
He is of war and not of war;
Born in peace,
Nurtured in arrogant pride and greed,
World-creature is he and native to no land.
And war itself is merciful
When measured by his deeds.
Beneath the Crescent
Lie a people maimed;
Their only sin--
That they worship God.
On Russia's steppes
Is a race in tears;
Their one offense--
That they would be themselves.
On Flander's plains
Is a nation raped;
A bleeding gift
Of "Kultur's" conquering creed.
And in every land
Are black folk scourged;
Their only crime--
That they dare be men.
O, Little David, play on your harp,
That ivory harp with the golden strings
And psalm anew your songs of Peace,
Of the soothing calm of a Brotherly Love,
And the saving grace of a Mighty God.
O, Little David, play on your harp.
poem by Joseph Seamon Cotter
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Shadows within Shadows
Come with me in the shadows, come
Way beyond the caravan way
Drum out the fear and hear the drum
Play minstrel play; play minstrel play
Burn the candles ‘n smell 'em burn
Daylight is gone, this is your day
Learn the music that shadows learn
Play minstrel play; play minstrel play
Romance in shadows sweet romance
Sway to music, let your heart sway
Dance with dancers, join in their dance
Play minstrel play; play minstrel play
Come with me in the shadows, come
Play minstrel play; play minstrel play
__________________________________
Shadow Sonnet
Giudelines found here:
http: //www.shadowpoetry.com/resources/wip/types.html
poem by Amera Andersen
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She Lays It All On The Line
Her hair is red
And her eyes are green
Shes soft and tender
But she can be mean
She knows what it takes to keep me
Right on track
And when it comes to loven
She dont hold nothn back....
When she loves me..
Shes nearly out of control...
When she loves me...
It come from deep in her soul...
When she loves me...
I know shes all mine...
When my baby loves me,
She lays it all on the line.
Out honky tonkyin
Where the lights are down low...
She always ask the band...
To play somethingn real slow..
When we get home I know shell
Take up the slack...
Cause when it comes to lovein
She dont hold nothin back....
When she loves me
It the things that she says,
When she loves me,
Shes way out on the edge,
When she loves me,
I lose track of time
When my baby loves me,
She lays it all on the line.
My baby taught me somethin
Everybody should learn
When you play with fire,
Its alright to get burned,
You really dont mine it
If you lose or you win
The only way to do it
Is to get out on that limb
song performed by by George Strait
Submitted by Lucian Velea
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My Gentle Harp
My gentle Harp, once more I waken
The sweetness of thy slumbering strain;
In tears our last farewell was taken,
And now in tears we meet again.
No light of joy hath o'er thee broken,
But, like those harps whose heavenly skill
Of slavery, dark as thine, hath spoken,
Thou hang'st upon the willows still.
And yet, since last thy chord resounded,
An hour of peace and triumph came,
And many an ardent bosom bounded
With hopes -- that now are turn'd to shame.
Yet even then, while Peace was singing
Her halcyon song o'er land and sea,
Though joy and hope to others bringing,
She only brought new tears to thee.
Then, who can ask for notes of pleasure,
My drooping Harp, from chords like thine?
Alas, the lark's gay morning measure
As ill would suit the swan's decline!
Or how shall I, who love, who bless thee,
Invoke thy breath for Freedom's strains,
When even the wreaths in which I dress thee
Are sadly mix'd -- half flowers, half chains?
But come -- if yet thy frame can borrow
One breath of joy, oh, breathe for me,
And show the world, in chains and sorrow,
How sweet thy music still can be;
How gaily, even 'mid gloom surrounding,
Thou yet canst wake at pleasure's thrill --
Like Memnon's broken image sounding,
'Mid desolation tunefull still!
poem by Thomas Moore
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My soul is dark
I
My soul is dark—Oh! quickly string
The harp I yet can brook to hear;
And let thy gentle fingers fling
Its melting murmurs o'er mine ear.—
If in this heart a hope be dear,
That sound shall charm it forth again—
If in these eyes there lurk a tear,
'Twill flow—and cease to burn my brain—
II
But bid the strain be wild and deep,
Nor let thy notes of joy be first—
I tell thee—Minstrel! I must weep,
Or else this heavy heart will burst—
For it hath been by sorrow nurst,
And ached in sleepless silence long—
And now 'tis doom'd to know the worst,
And break at once—or yield to song.
poem by Byron (1815)
Submitted by Veronica Serbanoiu
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The Musicians
The strings of my heart were strung by Pleasure,
And I laughed when the music fell on my ear,
For he and Mirth played a joyful measure,
And they played so loud that I could not hear
The wailing and mourning of souls a-weary -
The strains of sorrow that floated around,
For my heart's notes rang out loud and cheery,
And I heard no other sound.
Mirth and Pleasure, the music brothers,
Played louder and louder in joyful glee;
But sometimes a discord was heard by others -
Though only the rhythm was heard by me.
Louder and louder, faster and faster
The hands of the brothers played strain on strain,
When all of a sudden a Mighty Master
Swept them aside; and Pain,
Pain, the musician, the soul-refiner,
Restrung the strings of my quivering heart,
And the air that he played was a plaintive minor,
So sad that the tear-drops were forced to start;
Each note was an echo of awful anguish,
As shrill as solemn, as sharp as slow,
And my soul for a reason seemed to languish
And faint with its weight of woe.
With skilful hands that were never weary,
This Master of Music played strain on strain,
And between the bars of the miserere,
He drew up the strings of my heart again,
And I was filled with a vague, strange wonder,
To see that they did not snap in two.
'They are drawn so tight, they will break assunder, '
I thought, but instead, they grew,
In the hands of the Master, firmer and stronger;
And I could hear on the stilly air -
Now my ears were deafened by Mirth no longer -
The sound of sorrow, and grief, and despair;
And my soul grew kinder and tender to others,
My nature grew sweeter, my mind grew broad,
And I held all men to be my brothers,
Linked by the chastening rod.
My soul was lifted to God and heaven,
And when on my heart-strings fell again
The hands of Mirth, and Pleasure, even,
There was never a discord to mar the strain.
For Pain, the musician, and soul-refiner,
Attuned the strings with a master hand,
And whether the music be major or minor,
It is always sweet and grand.
poem by Ella Wheeler Wilcox
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Shall the Harp Then Be Silent
Shall the Harp then be silent, when he who first gave
To our country a name, is withdrawn from all eyes?
Shall a Minstrel of Erin stand mute by the grave
Where the first -- where the last of her Patriots lies?
No -- faint though the death-song may fall from his lips,
Though his Harp, like his soul, may with shadows be crost,
Yet, yet shall it sound, 'mid a nation's eclipse,
And proclaim to the world what a star hath been lost; --
What a union of all the affections and powers
By which life is exalted, embellish'd, refined,
Was embraced in that spirit -- whose centre was ours,
While its mighty circumference circled mankind.
Oh, who that loves Erin, or who that can see,
Through the waste of her annals, that epoch sublime --
Like a pyramid raised in the desert -- where he
And his glory stand out to the eyes of all time;
That one lucid interval, snatch'd from the gloom
And the madness of ages, when fill'd with his soul,
A Nation o'erleap'd the dark bounds of her doom,
And for one sacred instant, touch'd Liberty's goal?
Who, that ever hath heard him -- hath drunk at the source
Of that wonderful eloquence, all Erin's own,
In whose high-thoughted daring, the fire, and the force,
And the yet untamed spring of her spirit are shown?
An eloquence rich, wheresoever its wave
Wander'd free and triumphant, with thoughts that shone through
As clear as the brook's "stone of lustre," and gave,
With the flash of the gem, its solidity too.
Who, what ever approach'd him, when free from the crowd,
In a home full of love, he delighted to read
'Mong the trees which a nation had given, and which bow'd,
As if each brought a new civic crown for his head --
Is there one, who hath thus, through his orbit of life
But at distance observed him -- through glory, through blame,
In the calm of retreat, in the grandeur of strife,
Whether shining or clouded, still high and the same? --
Oh no, not a heart that e'er knew him but mourns
Deep, deep, o'er the grave where such glory is shrined --
O'er a monument Fame will preserve 'mong the urns
Of the wisest, the bravest, the best of mankind!
poem by Thomas Moore
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My Soul Is Dark
My soul is dark -- Oh! quickly string
The harp I yet can brook to hear;
And let thy gentle fingers fling
Its melting murmurs o'er mine ear.
If in this heart a hope be dear,
That sound shall charm it forth again:
If in these eyes there lurk a tear,
'Twill flow, and cease to burn my brain.
But bid the strain be wild and deep,
Nor let thy notes of joy be first;
I tell thee, minstrel, I must weep,
Or else this heavy heart will burst;
For it hath been by sorrow nursed,
And ached in sleepless silence long;
And now 'tis doom'd to know the worst,
And break at once -- or yield to song.
poem by Byron from Hebrew Melodies (April 1815)
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Oh! Blame Not the Bard
Oh! blame not the bard, if he fly to the bowers
Where Pleasure lies, carelessly smiling at Fame;
He was born for much more, and in happier hours
His soul might have burn'd with a holier flame.
The string, that now languishes loose o'er the lyre,
Might have bent a proud bow to the warrior's dart;
And the lip, which now breathes but the song of desire
Might have pour'd the full tide of a patriot's heart.
But alas for his country! -- her pride is gone by,
And that spirit is broken which never would bend;
O'er the ruin her children in secret must sigh,
For 'tis treason to love her, and death to defend.
Unprized are her sons, till they've learn'd to betray;
Undistinguish'd they live, if they shame not their sires;
And the torch, that would light them through dignity's way,
Must be caught from the pile where their country expires.
Then blame not the bard, if in pleasure's soft dream
He should try to forget what he never can heal:
Oh! give but a hope -- let a vista but gleam
Through the gloom of his country, and mark how he'll feel!
That instant, his heart at her shrine would lay down
Every passion it nursed, every bliss it adored;
While the myrtle, now idly entwined with his crown,
Like the wreath of Harmodius, should cover his sword.
But though glory be gone, and though hope fade away,
Thy name, loved Erin, shall live in his songs;
Not even in the hour when his heart is most gay
Will he lose the remembrance of thee and thy wrongs.
The stranger shall hear thy lament on his plains;
The sign of thy harp shall be sent o'er the deep,
Till thy masters themselves, as they rivet thy chains,
Shall pause at the song of their captive, and weep!
poem by Thomas Moore
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