The Origin of the Harp
Tis believed that this Harp, which I wake now for thee
Was a Siren of old, who sung under the sea;
And who often, at eve, through the bright waters roved,
To meet, on the green shore, a youth whom she loved.
But she loved him in vain, for he left her to weep,
And in tears, all the night, her gold tresses to steep,
Till heaven look'd with pity on true-love so warm,
And changed to this soft Harp the sea-maiden's form.
Still her bosom rose fair -- still her cheeks smiled the same --
While her sea-beauties gracefully form'd the light
And her hair, as, let loose, o'er her white arm it fell,
Was changed to bright chords uttering melody's spell.
Hence it came, that this soft Harp so long hath been known
To mingle love's language with sorrow's sad tone;
Till thou didst divide them, and teach the fond lay
To speak love when I'm near thee, and grief when away.
poem by Thomas Moore
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Related quotes
To a friend, on being asked for some verses
I thought the Soul of Song had made
This heart of mine her sepulchre;
For all her golden dreams had fled,
And I could win no note from her.
But when for thee thou bid'st her sing,
That spell dissolves her icy chain;
She slowly plumes her drooping wing,
And strikes her shattered chords again.
For more than lifeless would she be,
If thou shouldst bid her wake in vain;
And lost her chords, if still for thee
She could not wake one living strain.
For thee -- that hours of deep distress,
And days of gloom with kindness lit,
Till half I blessed the bitterness
That gave me thee to sweeten it.
For thee -- that when, despairing long,
I said, "No friend has earth for me,"
Didst bid the tones die on my tongue,
And I could utter, "only thee."
For thee -- that when my mother earth
Shall call me to her sheltering breast,
Of all I know wilt weep alone
Above my nameless place of rest.
But see! her wings refuse to fly;
Her chords are harsh from silence long;
Alas! thy gentle sorcery
Hath summoned but the ghost of Song.
She hovers o'er her living tomb,
She seeks once more her grave and chain,
As spectres haunt the midnight gloom:
Sweet friend, awake her not again.
If o'er the wind harp's gentle strings
The threatening tempest rudely flies,
It does not wake more thrilling strains --
The chords are rent, the music dies.
Thus is my harp, thus is my song --
I woo in vain its sweetness fled,
The storms have swept the chords too long,
The music of my soul is dead.
poem by Anne Lynch Botta from Poems (1848)
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The Picture Of Sappho
I.
THOU! whose impassion'd face
The Painter loves to trace,
Theme of the Sculptor's art and Poet's story--
How many a wand'ring thought
Thy loveliness hath brought,
Warming the heart with its imagined glory!
II.
Yet, was it History's truth,
That tale of wasted youth,
Of endless grief, and Love forsaken pining?
What wert thou, thou whose woe
The old traditions show
With Fame's cold light around thee vainly shining?
III.
Didst thou indeed sit there
In languid lone despair--
Thy harp neglected by thee idly lying--
Thy soft and earnest gaze
Watching the lingering rays
In the far west, where summer-day was dying--
IV.
While with low rustling wings,
Among the quivering strings
The murmuring breeze faint melody was making,
As though it wooed thy hand
To strike with new command,
Or mourn'd with thee because thy heart was breaking?
V.
Didst thou, as day by day
Roll'd heavily away,
And left thee anxious, nerveless, and dejected,
Wandering thro' bowers beloved--
Roving where he had roved--
Yearn for his presence, as for one expected?
VI.
Didst thou, with fond wild eyes
Fix'd on the starry skies,
Wait feverishly for each new day to waken--
Trusting some glorious morn
Might witness his return,
Unwilling to believe thyself forsaken?
VII.
And when conviction came,
Chilling that heart of flame,
Didst thou, O saddest of earth's grieving daughters !
From the Leucadian steep
Dash, with a desperate leap,
And hide thyself within the whelming waters?
VIII.
Yea, in their hollow breast
Thy heart at length found rest!
The ever-moving waves above thee closing--
The winds, whose ruffling sigh
Swept the blue waters by,
Disturb'd thee not!--thou wert in peace reposing!
IX.
Such is the tale they tell!
Vain was thy beauty's spell--
Vain all the praise thy song could still inspire--
Though many a happy band
Rung with less skilful hand
The borrowed love-notes of thy echoing lyre.
X.
FAME, to thy breaking heart
No comfort could impart,
In vain thy brow the laurel wreath was wearing;
One grief and one alone
Could bow thy bright head down--
Thou wert a WOMAN, and wert left despairing!
poem by Caroline Elizabeth Sarah Norton
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Dear Harp of my Country
Dear Harp of my Country! in darkness I found thee,
The cold chain of Silence had hung o'er thee long.
When proudly, my own Island Harp, I unbound thee,
And gave all thy chords to light, freedom, and song.
The warm lay of love and the light note of gladness
Have waken'd thy fondest, thy livliest thrill,
But, so oft hast thou echoed the deep sigh of sadness,
That even in thy mirth it will steal from thee still.
Dear Harp of my country! farewell to thy numbers,
This sweet wreath of song is the last we shall twine!
Go, sleep with the sunshine of Fame on thy slumbers,
Till touch'd by some hand less unworthy than mine.
If the pulse of the patriot, soldier, or lover,
Have throbb'd at our lay, 'tis thy glory alone;
I was but as the wind, passing heedlessly over,
And all the wild sweetness I waked was thy own.
poem by Thomas Moore
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The Minstrel Boy
The Minstrel-Boy to the war is gone,
In the ranks of death you'll find him;
His father's sword he has girded on,
And his wild harp slung behind him.
"Land of song!" said the warrior-bard,
"Though all the world betrays thee,
One sword, at least, thy rights shall guard,
One faithful harp shall praise thee!"
The Minstrel fell! -- but the foeman's chain
Could not bring his proud soul under;
The harp he loved ne'er spoke again,
For he tore its chords asunder;
And said, "No chains shall sully thee,
Thou soul of love and bravery!
Thy songs were made for the pure and free,
They shall never sound in slavery."
poem by Thomas Moore
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My Gentle Harp
My gentle Harp, once more I waken
The sweetness of thy slumbering strain;
In tears our last farewell was taken,
And now in tears we meet again.
No light of joy hath o'er thee broken,
But, like those harps whose heavenly skill
Of slavery, dark as thine, hath spoken,
Thou hang'st upon the willows still.
And yet, since last thy chord resounded,
An hour of peace and triumph came,
And many an ardent bosom bounded
With hopes -- that now are turn'd to shame.
Yet even then, while Peace was singing
Her halcyon song o'er land and sea,
Though joy and hope to others bringing,
She only brought new tears to thee.
Then, who can ask for notes of pleasure,
My drooping Harp, from chords like thine?
Alas, the lark's gay morning measure
As ill would suit the swan's decline!
Or how shall I, who love, who bless thee,
Invoke thy breath for Freedom's strains,
When even the wreaths in which I dress thee
Are sadly mix'd -- half flowers, half chains?
But come -- if yet thy frame can borrow
One breath of joy, oh, breathe for me,
And show the world, in chains and sorrow,
How sweet thy music still can be;
How gaily, even 'mid gloom surrounding,
Thou yet canst wake at pleasure's thrill --
Like Memnon's broken image sounding,
'Mid desolation tunefull still!
poem by Thomas Moore
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Song.—Thy form was fair
Thy form was fair, thine eye was bright,
Thy voice was melody;
Around thee beam'd the purest light
Of love's own sky.
Each word that trembled on thy tongue
Was sweet, was dear to me;
A spell in those soft numbers hung
That drew my soul to thee.
Thy form, thy voice, thine eyes are now
As beauteous and as fair;
But though still blooming is thy brow,
Love is not there.
And though as sweet thy voice be yet,
I treasure not the tone;
It cannot bid my heart forget—
Its tenderness is gone!
poem by Louisa Stuart Costello
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Verses To A Child
O raise those eyes to me again
And smile again so joyously,
And fear not, love; it was not pain
Nor grief that drew these tears from me;
Beloved child, thou canst not tell
The thoughts that in my bosom dwell
Whene'er I look on thee!
Thou knowest not that a glance of thine
Can bring back long departed years
And that thy blue eyes' magic shine
Can overflow my own with tears,
And that each feature soft and fair
And every curl of golden hair,
Some sweet remembrance bears.
Just then thou didst recall to me
A distant long forgotten scene,
One smile, and one sweet word from thee
Dispelled the years that rolled between;
I was a little child again,
And every after joy and pain
Seemed never to have been.
Tall forest trees waved over me,
To hide me from the heat of day,
And by my side a child like thee
Among the summer flowerets lay.
He was thy sire, thou merry child.
Like thee he spoke, like thee he smiled,
Like thee he used to play.
O those were calm and happy days,
We loved each other fondly then;
But human love too soon decays,
And ours can never bloom again.
I never thought to see the day
When Florian's friendship would decay
Like those of colder men.
Now, Flora, thou hast but begun
To sail on life's deceitful sea,
O do not err as I have done,
For I have trusted foolishly;
The faith of every friend I loved
I never doubted till I proved
Their heart's inconstancy.
'Tis mournful to look back upon
Those long departed joys and cares,
But I will weep since thou alone
Art witness to my streaming tears.
This lingering love will not depart,
I cannot banish from my heart
The friend of childish years.
But though thy father loves me not,
Yet I shall still be loved by thee,
And though I am by him forgot,
Say wilt thou not remember me!
I will not cause thy heart to ache;
For thy regretted father's sake
I'll love and cherish thee.
poem by Anne Brontë
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Harps We Love
The harp we love hath a royal burst!
Its strings are mighty forest trees;
And branches, swaying to and fro,
Are fingers sounding symphonies.
The harp we love hath a solemn sound!
And rocks amongst the shallow seas
Are strings from which the rolling waves
Draw forth their stirring harmonies.
The harp we love hath a low sweet voice!
Its strings are in the bosom deep,
And Love will press those hidden chords
When all the baser passions sleep.
poem by Henry Kendall
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To Hope
Oh! take, young Seraph, take thy harp,
And play to me so cheerily;
For grief is dark, and care is sharp,
And life wears on so wearily.
Oh! take thy harp!
Oh! sing as thou wert wont to do,
When, all youth's sunny season long,
I sat and listened to thy song,
And yet 'twas ever, ever new,
With magic in its heaven-tuned string—
The future bliss thy constant theme.
Oh! then each little woe took wing
Away, like phantoms of a dream;
As if each sound
That flutter'd round,
Had floated over Lethe's stream!
By all those bright and happy hours
We spent in life's sweet eastern bow'rs,
Where thou wouldst sit and smile, and show,
Ere buds were come, where flowers would blow,
And oft anticipate the rise
Of life's warm sun that scaled the skies;
By many a story of love and glory,
And friendships promised oft to me;
By all the faith I lent to thee,—
Oh! take, young Seraph, take thy harp,
And play to me so cheerily;
For grief is dark, and care is sharp,
And life wears on so wearily.
Oh! take thy harp!
Perchance the strings will sound less clear,
That long have lain neglected by
In sorrow's misty atmosphere;
It ne'er may speak as it hath spoken
Such joyous notes so brisk and high;
But are its golden chords all broken?
Are there not some, though weak and low,
To play a lullaby to woe?
But thou canst sing of love no more,
For Celia show'd that dream was vain;
And many a fancied bliss is o'er,
That comes not e'en in dreams again.
Alas! alas!
How pleasures pass,
And leave thee now no subject, save
The peace and bliss beyond the grave!
Then be thy flight among the skies:
Take, then, oh! take the skylark's wing,
And leave dull earth, and heavenward rise
O'er all its tearful clouds, and sing
On skylark's wing!
Another life-spring there adorns
Another youth—without the dread
Of cruel care, whose crown of thorns
Is here for manhood's aching head.
Oh! there are realms of welcome day,
A world where tears are wiped away!
Then be thy flight among the skies:
Take, then, oh! take the skylark's wing,
And leave dull earth, and heavenward rise
O'er all its tearful clouds, and sing
On skylark's wing!
poem by Thomas Hood
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La Grisette
As Clemence! when I saw thee last
Trip down the Rue de Seine,
And turning, when thy form had past,
I said, 'We meet again,'--
I dreamed not in that idle glance
Thy latest image came,
And only left to memory's trance
A shadow and a name.
The few strange words my lips had taught
Thy timid voice to speak,
Their gentler signs, which often brought
Fresh roses to thy cheek,
The trailing of thy long loose hair
Bent o'er my couch of pain,
All, all returned, more sweet, more fair;
Oh, had we met again!
I walked where saint and virgin keep
The vigil lights of Heaven,
I knew that thou hadst woes to weep,
And sins to be forgiven;
I watched where Genevieve was laid,
I knelt by Mary's shrine,
Beside me low, soft voices prayed;
Alas! but where was thine?
And when the morning sun was bright,
When wind and wave were calm,
And flamed, in thousand-tinted light,
The rose of Notre Dame,
I wandered through the haunts of men,
From Boulevard to Quai,
Till, frowning o'er Saint Etienne,
The Pantheon's shadow lay.
In vain, in vain; we meet no more,
Nor dream what fates befall;
And long upon the stranger's shore
My voice on thee may call,
When years have clothed the line in moss
That tells thy name and days,
And withered, on thy simple cross,
The wreaths of Pere-la-Chaise!
poem by Oliver Wendell Holmes
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To the Fair Clarinda
Fair lovely Maid, or if that Title be
Too weak, too Feminine for Nobler thee,
Permit a Name that more Approaches Truth:
And let me call thee, Lovely Charming Youth.
This last will justifie my soft complaint,
While that may serve to lessen my constraint;
And without Blushes I the Youth persue,
When so much beauteous Woman is in view.
Against thy Charms we struggle but in vain
With thy deluding Form thou giv'st us pain,
While the bright Nymph betrays us to the Swain.
In pity to our Sex sure thou wer't sent,
That we might Love, and yet be Innocent:
For sure no Crime with thee we can commit;
Or if we shou'd - thy Form excuses it.
For who, that gathers fairest Flowers believes
A Snake lies hid beneath the Fragrant Leaves.
Though beauteous Wonder of a different kind,
Soft Cloris with the dear Alexis join'd;
When e'er the Manly part of thee, wou'd plead
Though tempts us with the Image of the Maid,
While we the noblest Passions do extend
The Love to Hermes, Aphrodite the Friend.v
poem by Aphra Behn
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The Child's Last Sleep
Thou sleepest but when wilt thou wake, fair child?
When the fawn awakes in the forest wild?
When the lark's wing mounts with the breeze of morn?
When the first rich breath of the rose is born?
Lovely thou sleepest, yet something lies
Too deep and still on thy soft-seal'd eyes,
Mournful, tho' sweet, is thy rest to see
When will the hour of thy rising be?
Not when the fawn wakes, not when the lark
On the crimson cloud of the morn floats dark
Grief with vain passionate tears hath wet
The hair, shedding gleams from thy pale brow yet;
Love with sad kisses, unfelt, hath press'd
Thy meek dropt eyelids and quiet breast;
And the glad spring, calling out bird and bee,
Shall colour all blossoms, fair child! but thee.
Thou'rt gone from us, bright one! that thou shouldst die,
And life be left to the butterfly!
Thou'rt gone, as a dew-drop is swept from the bough
Oh! for the world where thy home is now!
How may we love but in doubt and fear,
How may we anchor our fond hearts here;
How should e'en joy but a trembler be,
Beautiful dust! when we look on thee?
poem by Felicia Dorothea Hemans
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The Wood Fairy’s Well
“Thou hast been to the forest, thou sorrowing maiden,
Where Summer reigns Queen in her fairest array,
Where the green earth with sunshine and fragrance is laden,
And birds make sweet music throughout the long day.
Each step thou hast taken has been over flowers,
Of forms full of beauty—of perfumes most rare,
Why comest thou home, then, with footsteps so weary,
No smiles on thy lip, and no buds in thy hair?”
“Ah! my walk through the wild-wood has been full of sadness,
My thoughts were with him who there oft used to rove,
That stranger with bright eyes and smiles full of gladness
Who first taught my young heart the power of love.
He had promised to come to me ere the bright summer
With roses and sunshine had decked hill and lea.
I, simple and trusting, believed in that promise,
But summer has come, and, alas! where is he?”
“Yes, simple and trusting—ah! child, the old story!
Say, when will thy sex learn that man can forget?
Thy lover was highborn, and thou art but lowly,
Ere this he’s forgotten that ever you met;
But, methought, as I watch’d thee to-day slowly treading
With step full of sadness yon green shady dell,
Thou didst pause by the brink of its bright crystal treasure,
Say, what didst thou see in our Wood Fairy’s Well?”
“No sparkles of promise for me gemmed its surface,
I saw that the rose from my cheek had nigh fled,
That the eyes whose light he never weaned of praising,
Are dimmed by the tears that I for him have shed;
And I felt as I gazed that it would be far better,
E’en though I might grieve to my heart’s inmost core,
That he should forget than, returning to seek me,
Should find me thus changed, and then love me no more.”
“What! love thee no more!—say, to love thee forever!
See, true to my vows, I am here by thy side,
Quick to bear thee away to a fair home of splendor,
To reign there its mistress, my own gentle bride!”
Oh! moment of bliss to that girl heart, grief laden,
The lover so mourned for, no ingrate had grown,
Despite absence and change he stood there by the maiden,
With faith still unshaken and true as her own.
poem by Rosanna Eleanor Leprohon
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Sonnet IX
TO THE COUNTESS HELÉNE ZAVADOWSKY.
WHEN our young Queen put on her rightful crown
In Gothic Westminster's long-hallow'd walls,
The eye upon no lovelier sight look'd down
Than thou, fair Russian! Memory still recalls
The soft light of thy sapphire-colour'd eyes,
The rich twine of thy simply-braided hair,
And the low murmur of the crowd's surprise
To see thee pass along so strangely fair.
Nor didst thou charm by looks and smiles alone,--
Thy 'broken English' had its share of grace;
For something in thy accent and thy tone
So match'd the beauty of thy gentle face,
We seem'd to hear our old familiar words
Set to some foreign lute or harp's melodious chords!
poem by Caroline Elizabeth Sarah Norton
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Weep Not, My Wanton
WEEP not, my wanton, smile upon my knee:
When thou art old there's grief enough for thee.
Mother's wag, pretty boy,
Father's sorrow, father's joy.
When thy father first did see
Such a boy by him and me,
He was glad, I was woe:
Fortune changèd made him so,
When he left his pretty boy,
Last his sorrow, first his joy.
Weep not, my wanton, smile upon my knee:
When thou art old there's grief enough for thee.
Streaming tears that never stint,
Like pearl drops from a flint,
Fell by course from his eyes,
That one another's place supplies:
Thus he grieved in every part,Tears of blood fell from his heart,
When he left his pretty boy,
Father's sorrow, father's joy.
Weep not, my wanton, smile upon my knee:
When thou art old there's grief enough for thee.
The wanton smiled, father wept;
Mother cried, baby lept;
More he crowed, more we cried;
Nature could not sorrow hide.
He must go, he must kiss
Child and mother, baby bliss;
For he left his pretty boy,
Father's sorrow, father's joy.
Weep not, my wanton, smile upon my knee:
When thou art old there's grief enough for thee.
poem by Robert Greene
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The Sea to the Shore
Lo, I have loved thee long, long have I yearned and entreated!
Tell me how I may win thee, tell me how I must woo.
Shall I creep to thy white feet, in guise of a humble lover ?
Shall I croon in mild petition, murmuring vows anew ?
Shall I stretch my arms unto thee, biding thy maiden coyness,
Under the silver of morning, under the purple of night ?
Taming my ancient rudeness, checking my heady clamor
Thus, is it thus I must woo thee, oh, my delight?
Nay, 'tis no way of the sea thus to be meekly suitor
I shall storm thee away with laughter wrapped in my beard of snow,
With the wildest of billows for chords I shall harp thee a song for thy bridal,
A mighty lyric of love that feared not nor would forego!
With a red-gold wedding ring, mined from the caves of sunset,
Fast shall I bind thy faith to my faith evermore,
And the stars will wait on our pleasure, the great north wind will trumpet
A thunderous marriage march for the nuptials of sea and shore.
poem by Lucy Maud Montgomery
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Though the Last Glimpse of Erin With Sorrow I See
Though the last glimpse of Erin with sorrow I see,
Yet wherever thou art shall seem Erin to me;
In exile thy bosom shall still be my home,
And thine eyes make my climate wherever we roam.
To the gloom of some desert or cold rocky shore,
Where the eye of the stranger can haunt us no more,
I will fly with my Coulin, and think the rough wind
Less rude than the foes we leave frowning behind.
And I'll gaze on thy gold hair as graceful it wreathes,
And hang o'er thy soft harp, as wildly it breathes;
Nor dread that the cold-hearted Saxon will tear
One chord from that harp, or one lock from that hair.
poem by Thomas Moore
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Eros
As when untaught and blind,
To the mute stone the pagan bows his knee,
Spirit of Love! phantom of my own mind!
So have I worshipped thee!
When first a laughing child,
I gazed on nature with a wondering eye,
I learned of her in calm and tempest wild,
This thirst for sympathy.
I saw the flowers appear,
And spread their petals out to meet the sun,
The dew-drops on their glistening leaves draw near
And mingle into one.
And if a harp was stirred
By the soft pulses of some wandering sound,
Attuned to the same key, then I have heard
Its chords untouched respond.
Fast through the vaulted sky,
Giving no sound or light, when storms were loud,
I saw the electric cloud in silence fly, --
Seeking its sister cloud.
I saw the winds, the sea,
And all the hosts of heaven in bright array,
Governed by this sweet law of sympathy,
Roll on their destined way.
And then my spirit pined,
And, like the sea-shell for its parent sea,
Moaned for those kindred souls it could not find,
And panted to be free.
And then came wild despair,
And laid her palsying hand upon my soul,
And her dread ministers were with her there,
The dagger and the bowl.
Oh God of life and light,
Thou who didst stay my hand in that dread hour,
Thou who didst save me in that fearful night,
Of maddening passion's power!
Before thy throne I bow;
I tear my worshipped idols from their shrine;
I give to thee, though bruised and aching now,
This heart, -- oh! make it thine.
I've sought to fill in vain
Its lonely, silent depths with human love:
Help me to cast away each earthly claim
And rise to thee above.
poem by Anne Lynch Botta from Poems (1848)
Submitted by Veronica Serbanoiu
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The Grief Of Love
Love, I am sick for thee, sick with an absolute grief,
Sick with the thought of thy eyes and lips and bosom.
All the beauty I saw, I see to my hurt revealed.
All that I felt I feel to--day for my pain and sorrow.
Love, I would fain forget thee, hide thee in deeper night,
Shut thee where no thought is, in the grave with tears.
Love, I would turn my face to the wall and, if needs be, die;
Death less cruel were than thy eyes which have blinded me.
Since thou art gone from me, glory is gone from my life;
Dumb are the woods and streams, and dumb the voice of my soul;
Dead are the flowers we loved, blackened and sere with blight;
Earth is frost--bound under my foot where our footsteps trod.
Give me back for my sorrow the days of senseless peace,
Days when I thought not of thee, or thought in wisdom;
Let me see thee once more as thou to my folly wert,
A woman senseless as sounding brass or as tinkling cymbal.
Why didst thou show me thy heart, which I thought not of?
Why didst thou bare me thy soul, who to me wert soulless?
Why didst thou kiss my mouth, when my mouth did mock?
Why didst thou speak to my lips of love, ere my lips had spoken?
Love, thou hast made me thine, thine, and in my despite,
Laying thy hand on my heart in the soft Spring weather;
Love, thou hast bought my soul at a price, the price of thine,
Never again to mock at love, ah, never, never!
poem by Wilfrid Scawen Blunt
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To Thyrza: And Thou Art Dead, As Young And Fair
And thou art dead, as young and fair
As aught of mortal birth;
And form so soft, and charms so rare,
Too soon return'd to Earth!
Though Earth received them in her bed
And o'er the spot the crowd may tread
In carelessness or mirth,
There is an eye which could not brook
A moment on that grave to look.
I will not ask where thou liest low,
Nor gaze upon the spot;
There flowers or weeds at will may grow,
So I behold them not:
It is enough for me to prove
That what I loved, and long must love,
Like common earth can rot;
To me there needs no stone to tell,
'Tis Nothing that I loved so well.
Yet did I love thee to the last
As fervently as thou,
Who didst not change through all the past,
And cans't not alter now.
The love where Death has set his seal,
Nor age can chill, nor rival steal,
Nor falsehood disavow:
And, what were worse, thou canst not see
Or wrong, or change, or fault in me.
The better days of life were ours;
The worst can be but mine:
The sun that cheers, the storm that lowers,
Shall never more be thine.
The silence of that dreamless sleep
I envy now too much to weep;
Nor need I to repine,
That all those charms have pass'd away
I might have watch'd through long decay.
The flower in ripen'd bloom unmatch'd
Must fall the earliest prey;
Though by no hand untimely snatch'd,
The leaves must drop away:
And yet it were a greater grief
To watch it withering, leaf by leaf,
Than see it pluck'd to-day;
Since earthly eye but ill can bear
To trace the change to foul from fair.
I know not if I could have borne
To see thy beauties fade;
The night that followed such a morn
Had worn a deeper shade:
Thy day without a cloud hath passed
And thou wert lovely to the last;
Extinguish'd, not decay'd;
As stars that shoot along the sky
Shine brightest as they fall from high.
As once I wept, if I could weep,
My tears might well be shed,
To think I was not near to keep
One vigil o'er thy bed;
To gaze, how fondly! on thy face,
To fold thee in a faint embrace,
Uphold thy drooping head;
And show that love, however vain,
Nor thou nor I can feel again.
Yet how much less it were to gain,
Though thou hast left me free,
The loveliest things that still remain,
Than thus remember thee!
The all of thine that cannot die
Through dark and dread Eternity
Returns again to me,
And more thy buried love endears
Than aught except its living years.