
The Reeds of Runnymede
Magna Charta, June 15, 1215
At Runnymede, At Runnymede,
What say the reeds at Runnymede?
The lissom reeds that give and take,
That bend so far, but never break,
They keep the sleepy Thames awake
With tales of John at Runnymede.
At Runnymede, at Runnymede,
Oh, hear the reeds at Runnymede:--
"You mustn't sell, delay, deny,
A freeman's right or liberty.
It makes the stubborn Englishry,
We saw 'em roused at Runnymede!
"When through our ranks the Barons came,
With little thought of praise or blame,
But resolute to pay a game,
They lumbered up to Runnymede;
And there they launched in solid time
The first attack on Right Divine--
The curt, uncompromising 'Sign!'
That settled John at Runnymede.
"At Runnymede, at Runnymede,
Your rights were won at Runnymede!
No freeman shall be fined or bound,
Or dispossessed or freehold ground,
Except by lawful judgment found
And passed upon him by his peers.
Forget not, after all these years,
The Charter Signed at Runnymede."
And still when Mob or Monarch lays
Too rude hand on English ways,
The whisper wakes, the shudder plays,
Across the reeds at Runnymede.
And Tames, that knows the moods of kings,
And crowds and priests and suchlike things,
Rolls deep and dreadful as he brings
Their warning down from Runnymede!
poem by Rudyard Kipling

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Analogy
(To ——)
HAD you lived when a tyrant King
Strove to make all the slaves of one,
With Nobles and with Churchmen you
Had stood unflinching, pure and true,
To annihilate that hateful thing
Green Runnymede beat out of John?
Had you lived when a wanton crew,
Flash scoundrels of a day outdone,
Trod down the toilers birth derides,
With Cromwell and his Ironsides
The brave days had discovered you,
Where Naseby saw the Gallants run?
And yet you, — this same knight in list
For Freedom in her narrow dawn
Against that One, against those Few,
Vile King, vile Nobles — you, yet you
Stand by the bloody Capitalist,
Fight with the pander Gentleman!
poem by Francis William Lauderdale Adams

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Banner Of Men Who Were Free
Flag of the great republic, banner of men who were free!
Carried aloft for freedom in many a bloody gorge;
Torn by the shot of tyrants in battle by land and sea,
The rallying hope of our fathers by Valley Forge.
But what is it but a rag, save it emblem the higher law?
Striped with the red of blood, flecked with the stars of war.
The ensign of might alone, to be held by the people in awe,
And cursed by savage chieftans in lands afar.
Little we owe to the England of this her lesser day,
But much to the field of Naseby, the spirit of Runnymede;
The bold adventurous Angles, who never shrank from the fray
When Liberty cried aloud in her hour of need.
Aloft on the dome of truth, in the city of brotherly love,
A sign to the world of hate, of Christ enthroned in the state,
Symbol of peace, like the olive leaf and the messenger dove,
Flew the flag of our fathers--the sign of a just debate!
But they dare to raise its standard on a field where the battle smoke,
Is rent with the groans of the slain, like the fallen of Lexington;
Where the eagles have traveled afar from the vultures of war which croak
O'er the bodies of those who died for the prize that it should have won?
Flag of a noble race, no longer our flag in truth,
Borne by a hostile hand in a cause of shame,
Give us the banner that flapped in the eyes of the nation's youth
And sent a thrill through the world of its faultless flame!
Yet, if its soul shall perish, take it for what it was --
For the shroud of those who worship the dead ideal;
Dead to lie with the dead beneath the recurrent grass,
No longer to grieve for the lost and no more to feel.
poem by Edgar Lee Masters

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One Of The Signers
O storied vale of Merrimac
Rejoice through all thy shade and shine,
And from his century's sleep call back
A brave and honored son of thine.
Unveil his effigy between
The living and the dead to-day;
The fathers of the Old Thirteen
Shall witness bear as spirits may.
Unseen, unheard, his gray compeers
The shades of Lee and Jefferson,
Wise Franklin reverend with his years
And Carroll, lord of Carrollton!
Be thine henceforth a pride of place
Beyond thy namesake's over-sea,
Where scarce a stone is left to trace
The Holy House of Amesbury.
A prouder memory lingers round
The birthplace of thy true man here
Than that which haunts the refuge found
By Arthur's mythic Guinevere.
The plain deal table where he sat
And signed a nation's title-deed
Is dearer now to fame than that
Which bore the scroll of Runnymede.
Long as, on Freedom's natal morn,
Shall ring the Independence bells,
Give to thy dwellers yet unborn
The lesson which his image tells.
For in that hour of Destiny,
Which tried the men of bravest stock,
He knew the end alone must be
A free land or a traitor's block.
Among those picked and chosen men
Than his, who here first drew his breath,
No firmer fingers held the pen
Which wrote for liberty or death.
Not for their hearths and homes alone,
But for the world their work was done;
On all the winds their thought has flown
Through all the circuit of the sun.
We trace its flight by broken chains,
By songs of grateful Labor still;
To-day, in all her holy fanes,
It rings the bells of freed Brazil.
O hills that watched his boyhood's home,
O earth and air that nursed him, give,
In this memorial semblance, room
To him who shall its bronze outlive!
And thou, O Land he loved, rejoice
That in the countless years to come,
Whenever Freedom needs a voice,
These sculptured lips shall not be dumb!
poem by John Greenleaf Whittier

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The Old Issue
October 9, 1899 -- Outbreak of Boer War
Here is nothing new nor aught unproven," say the Trumpets,
"Many feet have worn it and the road is old indeed.
"It is the King--the King we schooled aforetime! "
(Trumpets in the marshes-in the eyot at Runnymede!)
"Here is neither haste, nor hate, nor anger," peal the Trumpets,
"Pardon for his penitence or pity for his fall.
"It is the King!"--inexorable Trumpets--
(Trumpets round the scaffold af the dawning by Whitehall!)
. . . . . . .
"He hath veiled the Crown And hid the Scepter," warn (he Trum pets,
"He hath changed the fashion of the lies that cloak his will.
"Hard die the Kings--ah hard--dooms hard!" declare the Trumpets,
Trumpets at the gang-plank where the brawling troop-decks fill!
Ancient and Unteachable, abide--abide the Trumpets!
Once again the Trumpets, for the shuddering ground-swell brings
Clamour over ocean of the harsh, pursuing Trumpets--
Trumpets of the Vanguard that have sworn no truce with Kings!
All we have of freedom, all we use or know--
This our fathers bought for us long and long ago.
Ancient Right unnoticed as the breath we draw--
Leave to live by no man's leave, underneath the Law.
Lance and torch and tumult, steel and grey-goose wing
Wrenched it, inch and ell and all, slowly from the king.
Till our fathers 'stablished,, after bloody years,
How our King is one with us, first among his peers.
So they bought us freedom-not at little cost--
Wherefore must we watch the King, lest our gain be lost.
Over all things certain, this is sure indeed,
Suffer not the old King: for we know the breed.
Give no ear to bondsmen bidding us endure.
Whining "He is weak and far"; crying "Time will cure."
(Time himself is witness, till the battle joins,
Deeper strikes the rottenness in the people's loins.)
Give no heed to bondsmen masking war with peace.
Suffer not the old King here or overseas.
They that beg us barter--wait his yielding mood--
Pledge the years we hold in trust-pawn our brother's blood--
Howso' great their clamour, whatsoe'er their claim,
Suffer not the old King under any name!
Here is naught unproven--here is naught to learn.
It is written what shall fall if the King return.
He shall mark our goings, question whence we came,
Set his guards about us, as in Freedom's name.
He shall take a tribute, toll of all our ware;
He shall change our gold for arms--arms we may not bear.
He shall break his Judges if they cross his word;
He shall rule above the Law calling on the Lord.
He shall peep and mutter; and the night shall bring
Watchers 'neath our window, lest we mock the King --
Hate and all division; hosts of hurrying spies;
Money poured in secret, carrion breeding flies.
Strangers of his counsel, hirelings of his pay,
These shall deal our Justice: sell-deny-delay.
We shall drink dishonour, we shall eat abuse
For the Land we look to--for the Tongue we use.
We shall take our station, dirt beneath his feet,
While his hired captains jeer us in the street.
Cruel in the shadow, crafty in the sun,
Far beyond his borders shall his teachings run.
Sloven, sullen, savage, secret, uncontrolled,
Laying on a new land evil of the old--
Long-forgotten bondage, dwarfing heart and brain--
All our fathers died to loose he shall bind again.
Here is nought at venture, random nor untrue
Swings the wheel full-circle, brims the cup anew.
Here is naught unproven, here is nothing hid:
Step for step and word for word--so the old Kings did!
Step by step, and word by word: who is ruled may read.
Suffer not the old Kings: for we know the breed--
All the right they promise--all the wrong they bring.
Stewards of the Judgment, suffer not this King!
poem by Rudyard Kipling

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To Englishmen
You flung your taunt across the wave;
We bore it as became us,
Well knowing that the fettered slave
Left friendly lips no option save
To pity or to blame us.
You scoffed our plea. 'Mere lack of will,
Not lack of power,' you told us:
We showed our free-state records; still
You mocked, confounding good and ill,
Slave-haters and slaveholders.
We struck at Slavery; to the verge
Of power and means we checked it;
Lo! — presto, change! its claims you urge,
Send greetings to it o'er the surge,
And comfort and protect it.
But yesterday you scarce could shake,
In slave-abhorring rigor,
Our Northern palms for conscience' sake:
To-day you clasp the hands that ache
With 'walloping the nigger!'
O Englishmen! — in hope and creed,
In blood and tongue our brothers!
We too are heirs of Runnymede;
And Shakespeare's fame and Cromwell's deed
Are not alone our mother's.
'Thicker than water,' in one rill
Through centuries of story
Our Saxon blood has flowed, and still
We share with you its good and ill,
The shadow and the glory.
Joint heirs and kinfolk, leagues of wave
Nor length of years can part us:
Your right is ours to shrine and grave,
The common freehold of the brave,
The gift of saints and martyrs.
Our very sins and follies teach
Our kindred frail and human:
We carp at faults with bitter speech,
The while, for one unshared by each,
We have a score in common.
We bowed the heart, if not the knee,
To England's Queen, God bless her!
We praised you when your slaves went free:
We seek to unchain ours. Will ye
Join hands with the oppressor?
And is it Christian England cheers
The bruiser, not the bruisëd?
And must she run, despite the tears
And prayers of eighteen hundred years,
Amuck in Slavery's crusade?
Oh, black disgrace! Oh, shame and loss
Too deep for tongue to phrase on!
Tear from your flag its holy cross,
And in your van of battle toss
The pirate's skull-bone blazon!
poem by John Greenleaf Whittier

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To The Reformers Of England
GOD bless ye, brothers! in the fight
Ye 're waging now, ye cannot fail,
For better is your sense of right
Than king-craft's triple mail.
Than tyrant's law, or bigot's ban,
More mighty is your simplest word;
The free heart of an honest man
Than crosier or the sword.
Go, let your blinded Church rehearse
The lesson it has learned so well;
It moves not with its prayer or curse
The gates of heaven or hell.
Let the State scaffold rise again;
Did Freedom die when Russell died?
Forget ye how the blood of Vane
From earth's green bosom cried?
The great hearts of your olden time
Are beating with you, full and strong;
All holy memories and sublime
And glorious round ye throng.
The bluff, bold men of Runnymede
Are with ye still in times like these;
The shades of England's mighty dead,
Your cloud of witnesses!
The truths ye urge are borne abroad
By every wind and every tide;
The voice of Nature and of God
Speaks out upon your side.
The weapons which your hands have found
Are those which Heaven itself has wrought,
Light, Truth, and Love; your battle-ground
The free, broad field of Thought.
No partial, selfish purpose breaks
The simple beauty of your plan,
Nor lie from throne or altar shakes
Your steady faith in man.
The languid pulse of England starts
And bounds beneath your words of power,
The beating of her million hearts
Is with you at this hour!
O ye who, with undoubting eyes,
Through present cloud and gathering storm,
Behold the span of Freedom's skies,
And sunshine soft and warm;
Press bravely onward! not in vain
Your generous trust in human-kind;
The good which bloodshed could not gain
Your peaceful zeal shall find.
Press on! the triumph shall be won
Of common rights and equal laws,
The glorious dream of Harrington,
And Sidney's good old cause.
Blessing the cotter and the crown,
Sweetening worn Labor's bitter cup;
And, plucking not the highest down,
Lifting the lowest up.
Press on! and we who may not share
The toil or glory of your fight
May ask, at least, in earnest prayer,
God's blessing on the right!
poem by John Greenleaf Whittier

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Magna Carta
I'll tell of the Magna Charter
As were signed at the Barons' command
On Runningmead Island in t' middle of t' Thames
By King John, as were known as "Lack Land."
Some say it were wrong of the Barons
Their will on the King so to thrust,
But you'll see if you look at both sides of the case
That they had to do something, or bust.
For John, from the moment they crowned him,
Started acting so cunning and sly,
Being King, of course, he couldn't do wrong,
But, by gum, he'd a proper good try.
He squandered the ratepayers' money,
All their cattle and corn did he take,
'Til there wasn't a morsel of bread in the land,
And folk had to manage on cake.
The way he behaved to young Arthur
Went to show as his feelings was bad;
He tried to get Hubert to poke out his eyes,
Which is no way to treat a young lad.
It were all right him being a tyrant
To vassals and folks of that class,
But he tried on his tricks with the Barons an' all,
And that's where he made a 'faux pas'.
He started bombarding their castles,
And burning them over their head,
'Til there wasn't enough castles left to go round,
And they had to sleep six in a bed.
So they went to the King in a body,
And their spokesman, Fitzwalter by name,
He opened the 'ole in his 'elmet and said,
Conciliatory like, " What's the game?"
The King starts to shilly and shally,
He sits and he haws and he hums,
'Til the Barons in rage started gnashing their teeth,
And them with no teeth gnashed their gums
Said Fitz, through the 'ole in his 'elmet,
"It was you as put us in this plight."
And the King having nothing to say to this, murmured
"Leave your address and I'll write".
This angered the gallant Fitzwalter;
He stamped on the floor with his foot,
And were starting to give John a rare ticking off,
When the 'ole in his 'elmet fell shut.
"We'll get him a Magna Charter,"
Said Fitz when his face he had freed;
Said the Barons "That's right and if one's not enough,
Get a couple and happen they'll breed.''
So they set about making a Charter,
When at finish they'd got it drawn up,
It looked like a paper on cattle disease,
Or the entries for t' Waterloo Cup.
Next day, King John, all unsuspecting,
And having the afternoon free,
To Runningmead Island had taken a boat,
And were having some shrimps for his tea.
He'd just pulled the 'ead off a big 'un,
And were pinching its tail with his thumb,
When up came a barge load of Barons, who said,
"We thought you'd be here so we've come"
When they told him they'd brought Magna Charter,
The King seemed to go kind of limp,
But minding his manners he took off his hat
And said " Thanks very much, have a shrimp."
" You'd best sign at once," said Fitzwalter,
" If you don't, I'll tell thee for a start
The next coronation will happen quite soon,
And you won't be there to take part."
So they spread Charter out on t' tea table,
And John signed his name like a lamb,
His writing in places was sticky and thick
Through dipping his pen in the jam.
And it's through that there Magna Charter,
As were signed by the Barons of old,
That in England to-day we can do what we like,
So long as we do what we're told.
poem by Marriott Edgar

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The Black Swan
When the swans turned my sister into a swan
I would go to the lake, at night, from milking:
The sun would look out through the reeds like a swan,
A swan's red beak; and the beak would open
And inside there was darkness, the stars and the moon.
Out on the lake, a girl would laugh.
"Sister, here is your porridge, sister,"
I would call; and the reeds would whisper,
"Go to sleep, go to sleep, little swan."
My legs were all hard and webbed, and the silky
Hairs of my wings sank away like stars
In the ripples that ran in and out of the reeds:
I heard through the lap and hiss of water
Someone's "Sister . . . sister," far away on the shore,
And then as I opened my beak to answer
I heard my harsh laugh go out to the shore
And saw - saw at last, swimming up from the green
Low mounds of the lake, the white stone swans:
The white, named swans . . . "It is all a dream,"
I whispered, and reached from the down of the pallet
To the lap and hiss of the floor.
And "Sleep, little sister," the swan all sang
From the moon and stars and frogs of the floor.
But the swan my sister called, "Sleep at last, little sister,"
And stroked all night, with a black wing, my wings.
poem by Randall Jarrell

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The New Knighthood
Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"
Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."
Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."
"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"
Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."
Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."
Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."
Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."
Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."
And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!
poem by Rudyard Kipling

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The Curse Of The Charter-Breakers
IN Westminster's royal halls,
Robed in their pontificals,
England's ancient prelates stood
For the people's right and good.
Closed around the waiting crowd,
Dark and still, like winter's cloud;
King and council, lord and knight,
Squire and yeoman, stood in sight;
Stood to hear the priest rehearse,
In God's name, the Church's curse,
By the tapers round them lit,
Slowly, sternly uttering it.
'Right of voice in framing laws,
Right of peers to try each cause;
Peasant homestead, mean and small,
Sacred as the monarch's hall, —
'Whoso lays his hand on these,
England's ancient liberties;
Whoso breaks, by word or deed,
England's vow at Runnymede;
'Be he Prince or belted knight,
Whatsoe'er his rank or might,
If the highest, then the worst,
Let him live and die accursed.
'Thou, who to Thy Church hast given
Keys alike, of hell and heaven,
Make our word and witness sure,
Let the curse we speak endure!'
Silent, while that curse was said,
Every bare and listening head
Bowed in reverent awe, and then
All the people said, Amen!
Seven times the bells have tolled,
For the centuries gray and old,
Since that stoled and mitred band
Cursed the tyrants of their land.
Since the priesthood, like a tower,
Stood between the poor and power;
And the wronged and trodden down
Blessed the abbot's shaven crown.
Gone, thank God, their wizard spell,
Lost, their keys of heaven and hell;
Yet I sigh for men as bold
As those bearded priests of old.
Now, too oft the priesthood wait
At the threshold of the state;
Waiting for the beck and nod
Of its power as law and God.
Fraud exults, while solemn words
Sanctify his stolen hoards;
Slavery laughs, while ghostly lips
Bless his manacles and whips.
Not on them the poor rely,
Not to them looks liberty,
Who with fawning falsehood cower
To the wrong, when clothed with power.
Oh, to see them meanly cling,
Round the master, round the king,
Sported with, and sold and bought, —
Pitifuller sight is not!
Tell me not that this must be:
God's true priest is always free;
Free, the needed truth to speak,
Right the wronged, and raise the weak.
Not to fawn on wealth and state,
Leaving Lazarus at the gate;
Not to peddle creeds like wares;
Got to mutter hireling prayers;
Nor to paint the new life's bliss
On the sable ground of this;
Golden streets for idle knave,
Sabbath rest for weary slave!
Not for words and works like these,
Priest of God, thy mission is;
But to make earth's desert glad,
In its Eden greenness clad;
And to level manhood bring
Lord and peasant, serf and king;
And the Christ of God to find
In the humblest of thy kind!.
Thine to work as well as pray,
Clearing thorny wrongs away;
Plucking up the weeds of sin,
Letting heaven's warm sunshine in;
Watching on the hills of Faith.;
Listening what the spirit saith,
Of the dim-seen light afar,
Growing like a nearing star.
God's interpreter art thou,
To the waiting ones below;
'Twixt them and its light midway
Heralding the better day;
Catching gleams of temple spires,
Hearing notes of angel choirs,
Where, as yet unseen of them,
Comes the New Jerusalem!
Like the seer of Patmos gazing,
On the glory downward blazing;
Till upon Earth's grateful sod
Rests the City of our God!
--
poem by John Greenleaf Whittier

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Another Acrostic ( In the style of Father William )
"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"
"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."
poem by Lewis Carroll

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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton

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The Relic
TOKEN Of friendship true and tried,
From one whose fiery heart of youth
With mine has beaten, side by side,
For Liberty and Truth;
With honest pride the gift I take,
And prize it for the giver's sake.
But not alone because it tells
Of generous hand and heart sincere;
Around that gift of friendship dwells
A memory doubly dear;
Earth's noblest aim, man's holiest thought,
With that memorial frail inwrought!
Pure thoughts and sweet like flowers unfold,
And precious memories round it cling,
Even as the Prophet's rod of old
In beauty blossoming:
And buds of feeling, pure and good,
Spring from its cold unconscious wood.
Relic of Freedom's shrine! a brand
Plucked from its burning! let it be
Dear as a jewel from the hand
Of a lost friend to me!
Flower of a perished garland left,
Of life and beauty unbereft!
Oh, if the young enthusiast bears,
O'er weary waste and sea, the stone
Which crumbled from the Forum's stairs,
Or round the Parthenon;
Or olive-bough from some wild tree
Hung over old Thermopylæ:
If leaflets from some hero's tomb,
Or moss-wreath torn from ruins hoary;
Or faded flowers whose sisters bloom
On fields renowned in story;
Or fragment from the Alhambra's crest,
Or the gray rock by Druids blessed;
Sad Erin's shamrock greenly growing
Where Freedom led her stalwart kern,
Or Scotia's 'rough bur thistle' blowing
On Bruce's Bannockburn;
Or Runnymede's wild English rose,
Or lichen plucked from Sempach's snows!
If it be true that things like these
To heart and eye bright visions bring,
Shall not far holier memories
To this memorial cling?
Which needs no mellowing mist of time
To hide the crimson stains of crime!
Wreck of a temple, unprofaned;
Of courts where Peace with Freedom trod,
Lifting on high, with hands unstained,
Thanksgiving unto God;
Where Mercy's voice of love was pleading
For human hearts in bondage bleeding!
Where, midst the sound of rushing feet
And curses on the night-air flung,
That pleading voice rose calm and sweet
From woman's earnest tongue;
And Riot turned his scowling glance,
Awed, from her tranquil countenance!
That temple now in ruin lies!
The fire-stain on its shattered wall,
And open to the changing skies
Its black and roofless hall,
It stands before a nation's sight
A gravestone over buried Right!
But from that ruin, as of old,
The fire-scorched stones themselves are crying,
And from their ashes white and cold
Its timbers are replying!
A voice which slavery cannot kill
Speaks from the crumbling arches still!
And even this relic from thy shrine,
O holy Freedom! hath to me
A potent power, a voice and sign
To testify of thee;
And, grasping it, methinks I feel
A deeper faith, a stronger zeal.
And not unlike that mystic rod,
Of old stretched o'er the Egyptian wave,
Which opened, in the strength of God,
A pathway for the slave,
It yet may point the bondman's way,
And turn the spoiler from his prey.
poem by John Greenleaf Whittier

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Intimacy
I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.
poem by Tim Stensloff

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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan

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Grandfather Says
"Sit in my hand."
I'm ten.
I can't see him,
but I hear him breathing
in the dark.
It's after dinner playtime.
We're outside,
hidden by trees and shrubbery.
He calls it hide-and-seek,
but only my little sister seeks us
as we hide
and she can't find us,
as grandfather picks me up
and rubs his hands between my legs.
I only feel a vague stirring
at the edge of my consciousness.
I don't know what it is,
but I like it.
It gives me pleasure
that I can't identify.
It's not like eating candy,
but it's just as bad,
because I had to lie to grandmother
when she asked,
"What do you do out there?"
"Where?" I answered.
Then I said, "Oh, play hide-and-seek."
She looked hard at me,
then she said, "That was the last time.
I'm stopping that game."
So it ended and I forgot.
Ten years passed, thirtyfive,
when I began to reconstruct the past.
When I asked myself
why I was attracted to men who disgusted me
I traveled back through time
to the dark and heavy breathing part of my life
I thought was gone,
but it had only sunk from view
into the quicksand of my mind.
It was pulling me down
and there I found grandfather waiting,
his hand outstretched to lift me up,
naked and wet
where he rubbed me.
"I'll do anything for you," he whispered,
"but let you go."
And I cried, "Yes," then "No."
"I don't understand how you can do this to me.
I'm only ten years old,"
and he said, "That's old enough to know."
Avenue C
BY B. CLAYTON, J HENDRICKS AND D. LAMBERT
--------------------------------------------------------------------------------
Brass: N. Y. I dig
Reeds: What about it?
Brass: N. Y. is big
Reeds: People tout it
Brass: I flip my wig
Reeds: What about?
Brass: 'Bout a street I dig
Piano (Basie's solo): One day I was walkin' n'
Finally came upon a series of alphabet streets
A-B-C and D, but I went for "C"
The most of the hard-to-forget streets
It's really and truly the dilly of all m'pet streets
Tenor sax: Hey, hey, hey everybody now
Brass: Come go walkin' with me now
Walk up avenue C now
Chicks all lookin' so pretty
They don't give me no pity
Avenue C is the grooviest in the city
Tenor sax: I never dug an avenue so enjoyable to me
"C" Avenue is groovy
Yes it was groovy as it could be
Brass: Walk with me down Avenue C
Tenor sax: Man I really hope to say
Brass: Come on baby, while we ramble
Walk beside me while we ramble
Tenor sax: You dig it too I feel you do
What a scenic hike
It's a walk that you're bound to like
Brass: Y'got "B" on the one side
Reeds: "A"
Brass: "D" on the other
Reeds: "B"
Brass: "C" in the middle
Reeds: "C"
Brass and Reeds: Baby!
Trumpet: The reason that you're feelin' so down, babe
Is 'cause you live in Stuyvesant Town, babe
I dug you down in Hamilton Fish, babe
And realized that you were my dish, babe
Walkin' home and you can walk with me
Walkin' hand in hand up Avenue C, Oh babe
And while we're walkin' we can do some talkin'
While the people dig us wonderin' what we're puttin' down
While we, happy as we can be, glide on
Takin' life in stride up to Murphy Park there beside the river
Brass: Well our feet got rhythm
Reeds: Pure pedal syncopation
Brass: 'N when we walk with 'em
Reeds: Demandin' admiration
Brass: Well our step is snappy
Reeds: Dig people step aside now
Brass: Because we're so happy
Reeds: We're takin' life in stride now
Brass: Avenue C your vibrations are followin' me. Oh yes
Reeds: Everybody busily lookin'
Brass: Yes yes
Reeds: Me and baby steadily cookin'
Brass: Yes yes
Reeds: Start at one end talkin' and movin'
Brass: Yes yes
Reeds: To the other wiggin' and groovin'
Brass: So come
Reeds: You should
Brass: And view
Reeds: I would
Brass: This Ave-
Reeds: You could
Brass: Venue
Reeds: It's good
Brass: Walk on
Reeds: "C" Avenue, see it my way
Brass: Talk on
Reeds: No better view on a highway
Ensemble: Big town you don't know 'till you see it
Brass: Walk on
Reeds: I never saw such a wonderful sight
Drum break
Ensemble: You're gonna love it
Break
Brass: I'm hip, you'll flip
Reeds: When you dig it you'll stop and linger
Brass: You'll pop your top
Reeds: What a pleasure and what a swinger
Ensemble: Go dig it cop that view it's bound to thrill you
(Come on, come on, go)
Go dig it cop that view it's bound to thrill you
(Come on, come on, now, go)
Go dig it cop that view it's bound to thrill you
Go dig it cop that view it's bound to thrill you
song performed by by Barry Manilow

Submitted by Lucian Velea
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Us Two
Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.
"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.
"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.
"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.
"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."
So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.
poem by Alan Alexander Milne

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Remarks About Kings
"God said I am tired of kings." -- EMERSON
God said, "I am tired of kings,"--
But that was a long while ago!
And meantime man said, "No,--
I like their looks in their robes and rings."
So he crowned a few more,
And they went on playing the game as before,
Fighting and spoiling things.
Man said, "I am tired of kings!
Sons of the robber-chiefs of yore,
They make me pay for their lust and their war;
I am the puppet, they pull the strings;
The blood of my heart is the wine they drink.
I will govern myself for awhile I think,
And see what that brings!"
Then God, who made the first remark,
Smiled in the dark.
poem by Henry Van Dyke

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Lead "me" to "me
What is this place?
Where have I reached?
I stand infront
The mirror,
As a stranger
Stares back at me.
Do I know her?
Have we met before?
Why do I see in her traces of' me'?
Or is this…
The new ‘me"?
Do I like her?
Brazen she stands…
Her hair wind swept,
Her eyes, wild
No longer windows
To the divinity of her soul.
But her smile has
Traces of "me".
That strange
Devil in "me".
As I shudder in peril,
Where have I reached?
Its miles and miles of mist,
Paths untread,
Lonely beings.
But…
Its this mysterious "me"
Which terrifies my soul.
Did I ever want to be
"her"?
Do I have a choice?
Is it too late to decide,
Revert, run back?
Where did I lose the "me"
I was so proud about?
Pray, give me your magic hand
Do lead "me to"me"…
For without "you" holding "me"
I remain not even "me"
Daddy…
your little 'ai'is all lost
Please lead "me" to "me"….
poem by Anjali Kakati

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