Slumber Song

Some day, if I should ever lose you,
will you be able then to go to sleep
without me softly whispering above you
like night air stirring in the linden tree?

Without my waking here and watching
and saying words as tender as eyelids
that come to rest weightlessly upon your breast,
upon your sleeping limbs, upon your lips?

Without my touching you and leaving you
alone with what is yours, like a summer garden
that is overflowing with masses
of melissa and star-anise?


Translated by Albert Ernest Flemming

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In The Beginning

Ever since those wondrous days of Creation
our Lord God sleeps: we are His sleep.
And He accepted this in His indulgence,
resigned to rest among the distant stars.

Our actions stopped Him from reacting,
for His fist-tight hand is numbed by sleep,
and the times brought in the age of heroes
during which our dark hearts plundered Him.

Sometimes He appears as if tormented,
and His body jerks as if plagued by pain;
but these spells are always outweighed by the
number of His countless other worlds.


Translated by Albert Ernest Flemming

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The Song Of The Beggar

I am always going from door to door,
whether in rain or heat,
and sometimes I will lay my right ear in
the palm of my right hand.
And as I speak my voice seems strange as if
it were alien to me,

for I'm not certain whose voice is crying:
mine or someone else's.
I cry for a pittance to sustain me.
The poets cry for more.

In the end I conceal my entire face
and cover both my eyes;
there it lies in my hands with all its weight
and looks as if at rest,
so no one may think I had no place where-
upon to lay my head.


Translated by Albert Ernest Flemming

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Falling Stars

Do you remember still the falling stars
that like swift horses through the heavens raced
and suddenly leaped across the hurdles
of our wishes--do you recall? And we
did make so many! For there were countless numbers
of stars: each time we looked above we were
astounded by the swiftness of their daring play,
while in our hearts we felt safe and secure
watching these brilliant bodies disintegrate,
knowing somehow we had survived their fall.


Translated by Albert Ernest Flemming

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Night (This night, agitated by the growing storm)

This night, agitated by the growing storm,
how it has suddenly expanded its dimensions--,
that ordinarily would have gone unnoticed,
like a cloth folded, and hidden in the folds of time.

Where the stars give resistance it does not stop there,
neither does it begin within the forest's depths,
nor show upon the surface of my face
nor with your appearance.

The lamps keep swaying, fully unaware:
is our light lying?
Is night the only reality
that has endured through thousands of years?

Translated by Albert Ernest Flemming

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Sleep On Her Lap!

Laying in the garden putting my head on her lap
Feeling her love in this charming nap
Below the tree, garden full of flowers
Dreaming in her love droping like rain showers

Touching my hair with her beautiful hand
Giving peace to my sleep in her fantasy land
Waking in the need of her desperate love
Smiling with the sparkling eyes, my above

Kiss on my lips, Hands on my cheeks
Her beauty and love is all what I seeks
Letting me sleep, stoping me to say
Wishing her heart, Forever this love stay

Caring for my sleep in her bed of roses,
The more I sleep, The more she gets closes!

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Night (O you whose countenance)

Night. O you whose countenance, dissolved
in deepness, hovers above my face.
You who are the heaviest counterweight
to my astounding contemplation.

Night, that trembles as reflected in my eyes,
but in itself strong;
inexhaustible creation, dominant,
enduring beyond the earth's endurance;

Night, full of newly created stars that leave
trails of fire streaming from their seams
as they soar in inaudible adventure
through interstellar space:

how, overshadowed by your all-embracing vastness,
I appear minute!---
Yet, being one with the ever more darkening earth,
I dare to be in you.


Translated by Albert Ernest Flemming

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Song Of The Orphan

I am no one and never will be anyone,
for I am far too small to claim to be;
not even later.

Mothers and Fathers,
take pity on me.

I fear it will not pay to raise me:
I shall fall victim to the mower's scythe.
No one can find me useful now: I am too young,
and tomorrow will be too late.

I only have one dress,
worn thin and faded,
but it will last an eternity
even before God, perhaps.

I only have this whispy hair
(that always remained the same)
yet once was someone's dearest love.

Now he has nothing that he loves.


Translated by Albert Ernest Flemming

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Weep you no more, sad fountains

Weep you no more, sad fountains;
What need you flow so fast?
Look how the snowy mountains
Heaven's sun doth gently waste.
But my sun's heavenly eyes
View not your weeping,
That now lies sleeping
Softly, now softly lies
Sleeping.

Sleep is a reconciling,
A rest that peace begets:
Doth not the sun rise smiling
When fair at even he sets?
Rest you then, rest, sad eyes,
Melt not in weeping,
While she lies sleeping
Softly, now softly lies
Sleeping.

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Charles Kingsley

Oh! That We Two Were Maying

1 Oh! that we two were Maying
2 Down the stream of the soft spring breeze;
3 Like children with violets playing
4 In the shade of the whispering trees.

5 Oh! that we two sat dreaming
6 On the sward of some sheep-trimmed down,
7 Watching the white mist steaming
8 Over river and mead and town.

9 Oh! that we two lay sleeping
10 In our nest in the churchyard sod,
11 With our limbs at rest on the quiet earth's breast,
12 And our souls at home with God!

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I Love The Smell Of Maggie In The Morning

To wake with you each morning,
Such a pleasant thought that is.
Waking on a winter's day,
for winter becomes the bedroom,
waking with you beside me in your bed,
my arms embracing you
gently from behind.
Your body warming mine.
Your hair against my cheek.
Your fragrance in my breath.
The taste of you still on my lips.
And last night's memory of you
stirring in my groin.
You wake and, smiling sleepily,
turn into me and peck softly at my mouth,
with merest touch of tongue,
for ours are morning breaths.
Then, fondling with your eyes in bed,
and touching a finger to my cheek,
you bite your bottom lip
and barely, ever so slightly,
shake your head.

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Lament (O how all things are far removed)

O how all things are far removed
and long have passed away.
I do believe the star,
whose light my face reflects,
is dead and has been so
for many thousand years.

I had a vision of a passing boat
and heard some voices saying disquieting things.
I heard a clock strike in some distant house...
but in which house?...

I long to quiet my anxious heart
and stand beneath the sky's immensity.
I long to pray...
And one of all the stars
must still exist.
I do believe that I would know
which one alone
endured,
and which like a white city stands
at the ray's end shining in the heavens.


Translated by Albert Ernest Flemming

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Song

(From the diaries of Malte Laurids Brigge)


You, whom I do not tell that all night long
I lie weeping,
whose very being makes me feel wanting
like a cradle.

You, who do not tell me, that you lie awake
thinking of me:--
what, if we carried all these longings within us
without ever being overwhelmed by them,
letting them pass?

Look at these lovers, tormented by love,
when first they begin confessing,
how soon they lie!

You make me feel alone. I try imagining:
one moment it is you, then it's the soaring wind;
a fragrance comes and goes but never lasts.
Oh, within my arms I lost all whom I loved!
Only you remain, always reborn again.
For since I never held you, I hold you fast.


Translated by Albert Ernest Flemming

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The Neighbor

Strange violin, why do you follow me?
In how many foreign cities did you
speak of your lonely nights and those of mine.
Are you being played by hundreds? Or by one?

Do in all great cities men exist
who tormented and in deep despair
would have sought the river but for you?
And why does your playing always reach me?

Why is it that I am always neighbor
to those lost ones who are forced to sing
and to say: Life is infinitely heavier
than the heaviness of all things.


Translated by Albert Ernest Flemming

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My Garden

I've a garden, a garden of dreams,

Where the cool breeze whispering sways
Softly the apple-sprays,

And from leaves that shimmer and quiver
Down on mine eyelids streams
A slumber-river.

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The Tree of Waking Life

The tree that says with elation,
'I think I'll fly instead.
Although there's but water in my roots
to last me through the day,
today will be the finest day
I've ever seen or heard of.'
Is the tree I sing my ode to,
The Tree of Waking Life.

The tree upon whose branches
I am so tempted to rest,
but it laughs and calls me foolish,
and gives but one suggestion.
'Men are not meant to be reflections,
but forms of their very own.
Not shadows of their fathers,
but explorers of this stone.'

The tree that will die
from its curious internal lust,
and will curl a fulfilled smile
across its bark encrusted lips,
and sleep as a child with steady mind,
The Tree of Waking Life.
The tree that says with elation,

'I think I'll fly instead.
there is but water in my roots
to last me through the day,
but today will be the finest day
for I will fly today.'

Is the tree I sing my ode to,
The Tree of Waking Life.

The tree upon whose branches
I am so tempted to rest,
but it laughs and calls me foolish,
and gives but one suggestion.

'Men are not meant to be reflections,
but forms of their very own.
Not shadows of their fathers,
but explorers of this stone.'

And as the sun begins to set
and its leaves begin to wilt
when its too weak to control its flight
it will sleep the sleep of a pleasant child
the Tree of Waking Life.

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The Last Supper

They are assembled, astonished and disturbed
round him, who like a sage resolved his fate,
and now leaves those to whom he most belonged,
leaving and passing by them like a stranger.
The loneliness of old comes over him
which helped mature him for his deepest acts;
now will he once again walk through the olive grove,
and those who love him still will flee before his sight.

To this last supper he has summoned them,
and (like a shot that scatters birds from trees)
their hands draw back from reaching for the loaves
upon his word: they fly across to him;
they flutter, frightened, round the supper table
searching for an escape. But he is present
everywhere like an all-pervading twilight-hour.

[On seeing Leonardo da Vinci's "Last Supper", Milan 1904.]


Translated by Albert Ernest Flemming

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Extinguish Thou My Eyes

Extinguish Thou my eyes:I still can see Thee,
deprive my ears of sound:I still can hear Thee,
and without feet I still can come to Thee,
and without voice I still can call to Thee.

Sever my arms from me, I still will hold Thee
with all my heart as with a single hand,
arrest my heart, my brain will keep on beating,
and Should Thy fire at last my brain consume,
the flowing of my blood will carry Thee.


Translated by Albert Ernest Flemming

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To Mary

I sleep with thee, and wake with thee,
And yet thou art not there;
I fill my arms with thoughts of thee,
And press the common air.
Thy eyes are gazing upon mine,
When thou art out of sight;
My lips are always touching thine,
At morning, noon, and night.

I think and speak of other things
To keep my mind at rest:
But still to thee my memory clings
Like love in woman's breast.
I hide it from the world's wide eye,
And think and speak contrary;
But soft the wind comes from the sky,
And whispers tales of Mary.

The night wind whispers in my ear,
The moons shines in my face;
A burden still of chilling fear
I find in every place.
The breeze is whispering in the bush,
And the dews fall from the tree,
All sighing on, and will not hush,
Some pleasant tales of thee.

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Heartbeat

Only mouths are we. Who sings the distant heart
which safely exists in the center of all things?
His giant heartbeat is diverted in us
into little pulses. And his giant grief
is, like his giant jubilation, far too
great for us. And so we tear ourselves away
from him time after time, remaining only
mouths. But unexepectedly and secretly
the giant heartbeat enters our being,
so that we scream ----,
and are transformed in being and in countenance.


Translated by Albert Ernest Flemming

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Tears, John Dowland's Third and Last Book of Songs or Airs

WEEP you no more, sad fountains;
   What need you flow so fast?
Look how the snowy mountains
   Heaven's sun doth gently waste!
But my Sun's heavenly eyes
   View not your weeping,
   That now lies sleeping
Softly, now softly lies
   Sleeping.

Sleep is a reconciling,
   A rest that peace begets;
Doth not the sun rise smiling
   When fair at even he sets?
Rest you then, rest, sad eyes!
   Melt not in weeping,
   While she lies sleeping
Softly, now softly lies
   Sleeping.

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