
Yes, The Awful Thresholds
Yes, the awful thresholds.
The taboos of lace and razorwire
that threshed our blood like kings of the waxing year,
queens that were crowned like the full moon in broken windows.
And you, dark one, hidden familiar, switchblade,
last crescent of my torment when all else had failed,
bloodsister of the same wound I've been dying of ever since
as if this life were the greatest affliction
that could have been visited upon either one of us
by the closed doors that drove us away
like scapegoats and pariahs, the untouchables
of an infernal caste of homeless innocents.
How could I ever forgive the boundary stones of their skulls
for what they did to you with their false prophecies
and promised lands, the hatred of your savagery
when you were mauled by the snakepits
incarnated in the hands and the glands of the toxic fathers
who brought their drunkenness like garbage barges
to the bed of a terrified girl to waste her
as they had themselves as if you'd been born to be trashed.
The deepest outrages and sorrows in life
have had their tongues cut out, and over the course
of many demented stars, the light evaporates from their eyes
like the last grey thread of smoke from a candle
dipped in flesh, and the soul, no longer a spinal cord
of serpent fire burning like a fuse toward
some apocalyptic illumination that would right
the errors of perception in the awareness of heaven
that washed you and I like motes and cinders,
the crumbs of dreams clinging to the end of an eyelash
out of its field of vision as if we were never meant to be seen.
O my lover, my salve, my muse and anti-self,
my heart still burns in the cold out here alone
in these broken starfields under these shattered chandeliers
lucid as ice-storms in the abandoned ballrooms
of the scarecrows that once used to dance here
until they broke into flames like strawdogs
at an outlawed ghost dance that promised to return
all those things to us that we had irrevocably lost.
Where have you gone? Is it warm, there?
Do they leave you alone to nurse your heart
back into feeling something remotely human again?
Even at this late date, your gesture of silence
still humbles my voice like a night bird
I haven't heard before, as you ask for nothing
in the darkness, knowing as I know,
it would only make you more vulnerable to joy
and joy's an arrow fletched with our own flight feathers.
And though, even now, wherever you are,
it would probably make you wince like a black rose
waiting for a pearl of blood to appear
where you pierced your eyelid on a thorn of the moon
in lieu of a tear you couldn't show to anyone but me
without them breaking it like a mirror they didn't want to see,
I have to say it, because you have to know,
though we've grown old apart, and I don't even know
if we're still the same astronomical catastrophe of fireflies
trying to keep each other warm in the immensity of the solitude
we once huddled in like a cold furnace of the heart,
waiting for a new world, anyone but this,
like a new universe to hatch out of a cosmic urn
though we both knew matchbooks don't just
suddenly flare into fire-breathing dragons
out of the ashes of creatures like us
who could not forgive our childhoods
for abandoning us to the ferocity of their absence.
I have to say it, as if I were threshing arrows
like stalks of wheat in Virgo, what
an unlikely blessing of a sphinx you were
among so many obvious curses in utero.
And you must know, though I say it in broken glass
that never learned to cry, that I really did love you
even if I never said it at the time for fear you'd mistake me
for the others who did to excuse what they took from you
and never returned. Thousands of miles away
and more light years than the journey could keep up with,
in this open field, leftover for the birds and the worms
and the homeless weeds that are turning it into a refugee camp,
I stand like a hypocrite under a harvest moon in silence
and think of all the empty silos I've tried to be grateful for
as if I'd broken bread with them in order to learn
how to live on less than nothing but this vengeance
that still burns inside of me like the vow of a vacuum
that has yet to be fulfilled whether nature abhors it or not.
poem by Patrick White

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And Though It's Dark And Cold Now
And though it’s dark and cold now
in this ice palace of broken windows
that don’t know whether to bite their lips
or cut their wrists like a suicide
that took it one step too far
like an eclipse that went into exile
I remember the swell and release
of your breasts in moonlight,
rising and falling like a lunar tide.
I remember coiling my finger around
the soft chestnut tendrils of your hair
as if I were dialling a long distance call
to someone I knew light years from here
who was living her dream
like the black sheep of a shepherd moon
she was giving her life up to.
You were an atmosphere on the nightshift
on the intensive care unit of a hospital
applying a cool poultice of moonlight
to the volcanic burns
of more terminal passions
than I ever aroused in you.
Or thought I ever could.
Though time stopped
dead in its tracks like a coma
whenever I was around you
and everything the good doctors
found incurably bad about me
suddenly went into remission,
I knew I was merely
a minor miracle in your life.
Intermission. Time out. One day
every four years to tune up the calendar
A blue moon in late October
after the harvest’s in
and the small birds
are gleaning the rags of a garden.
Canada geese in the cornfields
shredding the last documents
of an abandoned embassy heading south.
We were Indian summer
together for awhile both knowing
the frost would come soon enough
and one morning I would wake up
and look through the window
on your side of the bed
and say, hey, look, it’s snowing
and you wouldn’t be there.
And when the time came, you weren’t.
And I spent the next six years of my life
numb with understanding
in the snake pit of a Zen morphine drip
blessing the beauty of the knife
and the wound you left me with
like a thorn of light under the eyelids
of a new moon in full eclipse.
An eyepatch over the third eye
of an enlightened planet
that felt just like any other
starless night on earth without you.
And though I hurt like a lamp
that couldn’t see you
even when the sun shone at midnight
I knew enough about attachment even then
not to hold up hope
like a cage to the wind.
I never laid a trap line
along the path you took to leave.
I let the silence and the solitude
I returned to like a night bird
to a white-out deep in the woods
efface your footprints in the snow.
I knew I had to stay.
And I knew you had to go.
That one mile east is one mile west
like two feet going in opposite directions
down a road that doesn’t have any.
And though sometimes I look
at the moon these days
and say to myself
what a little scar it is
to cover so much
that’s dark and wounded
about the human heart,
I still haven’t changed the broken windows
I often find myself standing before
to take a long, good, hard,
dark, radiant look at life
to see if it’s still crying outside,
for a thermal-paned, fire-walled website
prophetically updating the virtual weather.
I’m still throwing stones
with loveletters attached to your absence
like the moon through the windows
of a glass palace in an ice-age
I know will thaw by itself in time
like the whirling Castle of Arianrhod,
the hot gem of Celtic heaven shining
in the afterlife of the Northern Crown
down upon these small human acts
of estranged encounters with our own kind
where we meet each other in passing
at the gate of a cosmic garden
that no one was tending at the time,
and long after the one has gone their way
and the other has gone inside.
Long after the flowers have died
that were strewn across
each others’s paths through life
like the spring on a windy night;
no matter how vulnerable it makes us
to being a prime candidate
among many with their sensible shoes on
to firewalk barefoot
on a starmap of burning thorns
into the darkness of enlightenment
to stay attached to the unattainable
the way we both were to the same stars.
Even when the morning glory
overruns the New England asters,
we leave the gates thereafter open
as if the whole heart of the dark matter
of why we love and suffer, bloom
and come to fruition
in the light of each other
as if the aurora borealis
that mystified our nights on earth
with the sheen of cool Persian silks of insight
blowing over the flesh and blood of mystic serpents
then die back into our brief lifespan
like a solar flare back into its sunspots
were still hanging
on one star
one eye
one wing
one prayer
one hinge.
poem by Patrick White

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I'll Wear This Robe
I'll wear this robe like a desert;
and release the hinges on the gate
that is closing like a rib cage
on the heart of the nightbird
that returns to the silence
like water taken from a river.
I'll pour the moon out of its stone cup
and let this vine of eyes,
this bone of light
wander where it will
in search of a face in the darkness
sweeter than the blood-vows of wine.
These flowers aren't the rags
of the legends of radiance
and a dragon doesn't waste eclipses
on the blind.
The wind opens its hand
and I disappear like a gust of crows
in the startled night groves.
I will drag this empty robe of blood along the ground
like a wounded sky,
a desolate poppy
broken like a kite
on the power lines of its dreams.
I don't know what hurt me;
so long, so long ago I was a child,
and now I am a man, and aging
and the water snarls
and bares its fangs of frost,
and impales my heart
inflamed with grief for so much that has passed
without understanding
on the horns of the moon.
My ignorance has been
deeply authorized by life
and more and more often now
my blood coagulates into roses
and seals my mouth with wax
like a regal mandate
to succeed myself in silence
and let my throne
avalanche down the mountain
like just another rockslide,
another round of asteroids,
another fallen temple
freaked with mystic ore that never made it to the surface.
You ask me where I've been
like a road you befriended along the way,
but I'd have to know where I was going
to tell you that
and I've come to the end of myself
like starlight in a loaf of bread,
a candle that burnt like a voice in the night
to obviate the emptiness,
to warm the abyss momentarily
with the glow of our human divinity,
to say we were here once
like the flower in the field,
the star over the hill,
the face in the window
that watches as we pass
like the shadow of a bird
cast by the flames of a hidden fire,
a pulse of the moon,
the eyelid of a wave
that imagined the sea beneath it
before it broke like a vision
on this shore of flesh
where everything must be abandoned.
I want to be with you
like your eyes are
if you'll let me be.
I want to silver my breath
in the longest night
of your loneliest fountain.
And many have sworn,
and many along the way
have perished like echoes and flowers
at the insistence of a rootless word.
And there have been nights,
eras of darkness and sorrow
drawn from a stranger's well
that have bent the path I took,
and scattered my footprints
like refugees and colonists
that turned native
like an exhausted emotion
when their loneliness went wild and crazy
in a solitude even the moon couldn't fill.
And I have stared
long and deeply into the abyss of the night
and felt the stars stub themselves out
in the sandy hourglass of my ashtray heart.
How desperately
I have rummaged through
this encyclopedia of lives
to find one that wasn't a prelude to tears,
my heart a lost boot,
laced with a snapped spinal cord,
its mouth
muzzled like a junkyard dog
with an elastic band
to keep body and soul together,
only to proofread sky after sky,
page after page of stars
pricked out in braille,
fingering my name
carved in funereal kells and runes
on another boundary stone.
Nothing binds me.
No one wants my heart enough
to consult it like a map
to where I'm buried like gold
under the tongue of a dangerous angel
who wants to wake up beside you
like a spear of fire
I will fall upon like life, like a lover,
to wound my way back into paradise.
poem by Patrick White

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Not Quite Dawn
Not quite dawn, night seeping out of the blue,
troubled sleep, no stars, and you, a week gone,
the whole universe applying its laws to your absence
which is the silence everything returns to like water.
I have never touched you, so my fingertips
can still play you into existence on a keyboard,
though the loss of your voice is a dead bird,
and I am a loose thread of blood in a labyrinth
of motherboards and micro-chips like me
who can’t find a way out of themselves without
turning away like a planet from its own stars.
How quickly the light comes, and the darkness
bleeds away like a love-letter under the door.
No eyes. No hands. No skin. No hair. I am
not even the ashes of a cleft witching wand
that went looking for water and caught fire instead,
and we have shared only the light of the mind
that paints a world with the shadows of a ghost,
and might only be the last habit of an amputee to leave,
a mere mime of the way our eyes make us see.
And yet the heart hurts as if you once were flesh,
and I am awake as if another bed denied me my own,
and I am angry and sad, scared and alone as if
the universe were shy one comet, one bead,
one firefly among billions who shone for me
and that light was brighter somehow than a galaxy.
The day grows a new skin over your absence,
and I am as out of place, out of time, as a streetlamp
still shining down on its feet in the morning.
And there could be a thousand and one reasons
you don’t write back, why the black crow caws,
the sky is a concrete rose, the blood of the poppy
runs along the gypsy blade of its undulant smile.
From the heights, I can see a small, blue egg
smashed on the rocks below, a gesture of ruin;
from the depths, the remnants of a shattered star,
and all I can do is stare into the relentless images,
a word without a mouth, like the new moon
shucked from my tongue like a black pearl.
poem by Patrick White

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I Gently Took The Strawberry Heart
I gently took the strawberry heart
of the bird with the broken neck
and buried it in a shrine of leaves and grass.
And in a low voice, whispered a blessing.
Under the window of an illusion
like a song you can only hear once
and it's good for a lifetime of listening,
I buried you with your wings together in prayer.
And I prayed to know what to pray for.
I prayed to know what to ask that could ease
the burden of the earth on a nightbird's journey
flying solo deeper into the dark
than even the stars or these eyeless words can go.
And I know death returns even the worst of us
to our innocence again, though our bones
come crashing down like childhood kites around us.
And the flight feathers of the aerial acrobatics
of our love lyrics run out of ink
when there's no one in the dark
to sing for anymore, no stars
to chart where you've gone,
no sign from the heavens you're not alone,
no ghost of smoke from a distant fire
I can summon to a seance of lingering desire
that would console you in the flesh again
like a candle in your solitude reaching out
to the pain of a stranger in the shadows
to make your wound cry out in bliss
as you once did from a greener bough
than this dead branch I sing from now
when we thought blossoms were the answer
to everything we didn't understand at the time
that could befall us like fledglings in the spring
who didn't know what autumn would bring
like an ice-storm in its wake
to things that break against the sky
like the cold-hearted lie of a window
that wasn't open and didn't go on forever.
And though I ask the weather for news of you,
if the wind might have heard
a word or two in passing, all
the silence does is deepen your absence
and teach me not to cling to things
like birds and flowers on the wing.
But if grief is all I can know of you now
I'll console myself with sorrow.
I'll hold onto it like the string of a kite
soaring among the constellations.
I won't let go. I'll play the line out
like a flying fish I caught in Pisces
and hauling it into a lifeboat with a net
I'll take the hook of the moon out of your mouth
and throw you back into the depths like a muse
swimming among the stars like a siren
that keeps calling me to the rocks
like an astronaut to these mountains on the moon
I keep hurling through this earthly view
of a window from the inside out
that breaks just like the shell of a cosmic egg
unfolding a loveletter with a wingspan of light
that penetrates this dark forever
like the third eye of a needle in a haystack
of begging bowls I won't abandon like the nests
of nightbirds with flightplans
that feather our falling into the abyss
of the unbelievable with starmaps
and the beacons of homing metaphors
that make our disappearance inconceivable.
I'll live like the return address on an envelope
with a mouthful of silence for a voice
and wait for you to answer me again
like a songbird at the spring equinox
through a broken window in a house of pain.
And though it hurts worse when the candles go out
I'll refuse to turn my heart away
from your reflection in everything I see.
Everything I hear and do and say.
Everything that was as true as a night sky about you.
poem by Patrick White

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I Flesh Your Spirit Out In Starmud
I flesh your spirit out in starmud. No creator.
No created. Between the leaf and the sky
I mix the colour of your eyes on the palette
of a rainbow that let's the darkness
sit at the same fire it does. Because the spirit is free.
I hang crescent moons from your earlobes.
I release the sacred deltas of small night creeks
into your veins, and talk to deserts on the moon
about the manes of sidereal lions for your hair.
I search the darkening hills at night for a black rose
with eyelids as cool as mushrooms, and lips,
that are more the wings of auguries, birds and bows
disappearing into the distance to imagine you
than they are the words and arrows
of a flightless heart dipped in stars that don't ignite.
I'm a blind man in a room, painting eyes,
trying to grow flowers out of last year's fragrances,
interpret every syllable and sacred pixel
of your red ochre glyphs of lipstick
I used to bury myself in when I lived in caves with bears
and rubbed the stuff all over my face
like blood and corn flowers under the hearthstone.
Now I'm a dragon rising from my urn of ashes
like a volcano of serpent-fire out of the chrysalis
of my crystal skull, looking for signs, hints, clues,
any whisper of linear B as to who you are
in the shadows of the sundials of the mountains
you go walking with at night with your dogs.
And the stars you must see in the clear-eyed desert
when the temperature drops and all you've got
to keep you warm from the inside out is not
you in my arms, but this small dropp of blood
in our chests, this cosmic thermometer of a heart
on the night ward of a perilous greenhouse.
And I went to a cactus with thorns like a voodoo doll
with oracular powers to ask about the shape
of the body I should root you in like an hourglass in sand
and she said to me, a rootless peach tree on the moon.
And ever since, I've touched your skin
with eyes at the end of my fingertips
like a new world gnostic gospel for the blind
that can see you in the flesh, naked, sublime
like a desert island it would be worth drowning for
just to be washed up on the curvature of your dunes
like a starfish when the mind comes back to its senses
like the first sign of life on the moon in a long time.
You emerge like wild irises of hydrogen out of
this cloud of unknowing, this cocoon of nebularity
like one star among many in an almost perfect vacuum.
I can see you. I can almost taste you. I can feel
your last lover trying to squeeze into the chrysalis
of the infinite straitjacket of your last exorcism
as if he'd finally run out of dawns as alibis
for why he didn't want to leave just yet. Who
hasn't stood in the doorway of Orion
sinking down in the west? For some
the threshold's the longest part of the journey
and they make a nadir of everything at zenith
by letting their horizons down like a crosswalk
waiting for a change of colour blind traffic lights
that don't know, for all that Stop. Go. Maybe so.,
anymore about passage than the road does
or a starmap that always certain of where it's going
but never has a reason why it should
jump the gun like a star and get ahead of its light
like a car on a long dark dusty country road at night,
one headlight out, trying not to hit a doe
in the glare of the sun at midnight
on its way out of town, whether that's up, down,
or omnidirectionally radiant as the Pleiades in tears.
Drift and mingle, merge, enhance,
dance, glance, shadow and glow,
still more ghost around you than I am a mirror,
I know what it means to be summoned to a seance
and not know what to wear. What lifemask to put on
like a Mason jar full of fireflies trying to decide
what constellation has the fewest short circuits in it
and is the least likely to lead anyone astray
when the lights go on and off like a fickle tranformer
or a Cepheid variable that was just born that way.
And here, now, your ears and your hands, your arms
and bones of your own that don't owe a thing
to anyone else's bird cage after the bird has flown.
And now I think I've got the eyes just right
but it's the heart calling its rivers back to it
like the sea I can't quite find the likeness of
even when I appeal to the most ancient galaxies
in the Hubble mirror for a similitude of love
that might serve as the understudy of a metaphor
in an expanding universe that keeps exceeding
the boundary stones of the stars at zenith
and even the chipped cup of the moon full
and a skull that used to juggle mirrors
like shattered insights into reality for those
so spiritually inclined at harvest time to listen
to the blue moonrise peering through the cedars
like an effulgent pearl of wisdom shedding her skin
like a mystic in rapture on the dark side she keeps to herself.
poem by Patrick White

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When Rage Broke Down Into Tears
When rage broke down into tears
over the shattered chandeliers of stars
that crashed against your windowpane
before they thawed in the furnace
of a Promethean thief of fire
human enough to burn,
and you cried, yes you did, I was there,
I took the splinter of light out of your eye
with the corner of the sky where Venus
goes down in the west like the crumb
of a radiant dream that wanted to break
loaves and fishes with the masses
only to find you were swimming through glass;
you cried as if all the birds in the world
had died under your windowsill
like the words to the song
you were dancing to at the time.
And you picked them up one by one
and cradled them in your hand
like a midwife with a manger
and stroked their soft bodies with your finger
as if you would give their lives back to them again
by way of apology for being human
in an ice age of rain
that had lost its purpose in life
like the seeds of flowers on the moon.
And that’s when the wind, that’s always
the moment when the wind cools your eyes
like a glassblower dipping crystal blue birds
in the fountains and watersheds of the moon
and strews your path with the flight feathers
of a nightbird that can see beyond a starmap
fireflies shining in the distance.
And you suddenly realize
a thousand and one ways home ahead of you
like a Nazca landing strip
for alien artists blown off course
into the third eye of a spiritual hurricane.
And you can’t help but fly through it
like an open window into your soul
seeking repose and shelter
among the human totems
of more habitable emotions
scratching fish, birds, monkeys, spiders
jaguars, flowers, trees, fallible people out
in the desert plains of coastal Peru.
Zoomorphic geoglyphs of greeting and return
in every conceivable sign of life
as if the whole planet came out
all at the same time to say hello
and welcome back
like a vow they kept for you
until your myth of origin
returned to its fulfilment,
a nightbird singing
in a rootless tree on the moon,
as if love, rage, life, joy,
death, separation and sorrow
were all pilgrims of one voice.
A pageant of medieval notes
bearing the banners of knights
the hoods and habits of monks,
unholy vocables of middle English
on the tip of your tongue
like the wicks
of holy candles at a black mass
where a young girl dances naked
around a pale fire on the moon
as a flower blooms in the flames,
or sparrows on a stave of power lines,
when the music makes its return journey
like Canada geese in the spring
bearing the souls of the underworld back
like the eyes and stars
and new moons of the dead
to the night of the living
making love in the dark.
Pelvis to pelvis,
heart to heart,
crescent to crescent,
two halves of a broken wishbone
conjoined again into one harp,
one cithara, one guitar
in the ashes of a blue moon,
the second harvest of loaves and fishes
at the spring and autumn equinox.
Every year a new zodiac,
the growth rings in a tree.
Something protean about memory.
The dark matrix of the muse.
A wavelength with its tail in its mouth
that doesn’t ricochet off anything else.
Lamentations, bewitchment, rapture,
time in the hold of the abyss
for not mastering your own powers.
You either cast the spell for yourself
or you wind up gilled
in your own sidereal nets,
a firefly in spider webs of dark matter,
and it’s not likely
you’re being hauled into a life boat.
There are realities, there are windows,
some broken, some whole
even the moon won’t dare look through.
And there are rooms in a palace of water
that move like fish on the moon,
and starmaps that are used to start a fire.
Birds that are the sacred syllables of the sky
that nest in chimneys like hash pipes,
every one of them the Rosetta Stone
to a language of your own
only you can learn for yourself
even if you’re the only one
who was ever born to speak it.
Most people sip spit
from other people’s wishing wells
but they’re always two echos shy of an original
and it’s enough if they put a seashell up to their ears
like a hearing aid to listen to the ocean,
a tidal pool dying like a starfish
out of water and sky,
a shore-hugger that’s afraid
to go along with the ebb and neap
of the dream that gives a pulse to the moon,
your own mindstream
returning to its homeless source
to realize that life and death are both redundant.
That whatever passes away, stays.
And that which doesn’t, goes.
And there are places so deeply secret
that everybody thinks they know
what’s happening to them as it unfolds.
But this is just a way of using knowledge
to keep your eyes closed to the world.
Only a fool would build a gate
and live in a guardhouse
of sword swallowers and fire-eaters
to keep the birds out of the garden.
Or a refugee camp for turtles.
True clarity doesn’t know the light
for what it is.
Reality is as blind to its own translucency
as a painted window.
Two blades of stargrass in a hurricane.
But if you were to take them away
like the long and short straws
of something to win or loose
like the luck of the draw
and chew on them like cud
to get to the deeper meaning
you might get a gesture of it,
you might get the flavour of it
like a dry wad of gum
stuck to the bottom
of a school room desk,
but you wouldn’t get the use of it,
for any reason at all
that should or should not concern anyone.
Have you ever noticed
that time might be
an hourglass full to the brim on top
but it always begins at the peak
of an inverted pyramid
stuck like an arrowhead
in a flesh wound of sand that’s bleeding out?
What’s the point of trying
to claw your way up the heap
to the top of the bottom
when even Sisyphus knows
enough about absurdity
to realize the mountain
climbs its own reflection
all the way down like an avalanche
of all those little rocks
you used to roll up a hill
convinced you were getting somewhere.
And it’s true there’s a different universe
in every grain of sand
and every grain of sand is us.
So why go looking
for what’s already been found?
In any universe there’s no up or down.
And everywhere anywhere you are
from the smallest pebble on the beach
to the most radiant star beyond reach
the gates of the lost
are the end of the search.
poem by Patrick White

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The Guardian and BloodRose
BloodRose,
Rose of my love,
My love for Dark moon,
Dark as my heart,
Black as my soul,
And gave me my rose.
The rose of blood,
With petals soft and black,
Never as a rose so beautiful,
Grown not in light,
But under a dark moon lit sky.
Guardian,
Yes a guardian of BloodRose,
With teeth long and sharp,
Claws hard as diamonds,
Scales as dark as night.
My dear sweet guardian,
Guardian black as my heart,
Fire in your eyes,
Shadows in your soul,
A dragon of the dark moon.
A single rose,
With petals so fare,
As dark as my heart,
I now hold in my hand,
The rose of blood.
You are my darkness,
Fear of this love,
This love for you,
Love for darkness,
The cold shadows in my heart
That makes me yearn for you.
Now as you lay dying,
I hold a single rose,
The rose you gave me,
And as I hold it tight,
The thorns slice my hand,
Covered with blood,
My blood.
I have one fear,
The fear of death,
Symbol of my lost love,
Rose as dark as me,
Laying in a pool of blood,
Blood from me.
As I lay dying,
I remember my name,
BloodRose,
I am the rose of blood,
And I died of my own creation.
A creation of perfect beauty,
Petals dark black,
Thorns like small daggers,
Grown from my love,
My love for a dragon,
A dragon as dark as my heart.
Even in my death,
I think of you,
And the rose you gave me,
The rose that killed me,
The Rose of Blood.
poem by Nicolette Gonzalez

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Broken Down
By simon climie & dennis morgan
Everything was wonderful when you were in my life.
Yesterday we were on a roll, baby, then we end up in a fight.
Everywhere I look, I see problems, where I never seen before.
The cracks in the sidewalk, when I get home my key dont even fit the door.
The moon dont shine, its broken down.
The clouds are crying, theyre broken down.
The car wont start, its broken down.
And this shattered heart, its broken down.
My whole damn world, its broken down.
Since you left me girl, Ive broken down.
Stepped outside into the night, I took a walk around the block.
I stopped by the church that I used to go inside but even that door was locked.
So I came back home, feeling so alone, a light had burned out in the hall.
My tv is broke, said Im out of smoke, theres no one I can even call.
Chorus
Said my whole damn world, its broken down.
Since you left me girl, Ive broken down.
Till you come back, come back to me, Im going to be broken down.
Till you come back, come back to me, Im going to be broken down.
Chorus
I mean my whole damn world, its broken down.
Since you left me girl, Ive broken down.
My whole damn world, its broken down.
Since you left me girl, its broken down.
song performed by by Eric Clapton

Submitted by Lucian Velea
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Journey
I’m on some kind of journey
but I don’t know where it’s going;
I’m growing wings and shedding them,
and I’m true to every thought in my head.
I’ve got a heart, worn down at heels,
a used voodoo doll quilled like a native,
a meteorically battered planet
that wobbles between a kiss and a fist
in the way it keeps running itself around.
I spend too much time alone.
There are no obstructions in any direction;
and barefoot, I’m walking on stars and poppies,
talking to myself like a candle,
weaving my way among the shadows
like a fish through the supple harps
of the silver river reeds. I see
that I’m taking a bath in my own grave
to wash the soiled skies of the painted world
off my eyes, to behold
the brief career of the leaf of life
and how the light gusts out from the windows
like curtains and bird-nets. Life is short
and the new temple never gets further built
than a hole and a single cornerstone, the rest
left to the business of the earth,
all that beauty and magnificence,
unravelled among the mud weavers.
I was inoculated against death
by a splinter of the moon;
by how little time there is for love,
for the root to get drunk
on the fruits of enlightenment and compassion,
by how little I will ever know
of the road to the doorway I stepped through
to stand in awe before the moonspill
on the raven blue waters,
and to look so deeply into the eyes of a woman
who has just conceded an island in her passage,
and the fragrance of unheard music
that I am a pillar of wonder
before the unsayable
as she lets dropp her shadows and feathers of light,
and the blood-god assumes
his flowering crown of fire
to enhance the splendours of his courtly intensities.
What I have lost in the river
I will find in the river
and what I have taken from the sky
I will give back to the sky,
and there shall come a day
when the eclipse will be the brighter mirror,
and the darkness that overtakes me now
will be a gate of stars to a water palace
where the dragonflies and waterlilies
are the sceptres and crowns of a human divinity
that will endure like a whisper of radiance,
a more haunting taste of light,
the rumour of a black rose
that outshines the angels
that coax the lanterns out of the night.
I will evaporate like the flaring of fireflies
on the windy shore of a trembling lake,
like the blue hat plume of smoke
from a gallant winter chimney
into the vastness of my own mind
like a waterbird without a trace into a sweeter, wilder solitude.
And these words will come and go
like the tides of the ocean I was,
like the providential leaves
of unfurling fortune-cookies,
like an avalanche of gold
washed down from the mountain upstream.
I write them in flowing diamond,
I write them in auroras of blood,
in dawns bluer than the iris of a peacock’s eye,
in fire and water and the mystic inks of the night
in the fleeting, indelible dream
of doors and hands and moons,
in warm breath on a cold window,
in a halo of comets
smeared into light by the sun,
in the sidereal wines that bled from bitter wounds,
I have said what it was mine to say
on a page of the wind
that whistled through me like life
greening the sands of the hourglass
with visions that ripened the bell of blood in my heart
to fall like wisdom from its tower
toward a fallible paradise
that won’t leave me as I am for long.
And I will jump again
into this cauldron of joys and sorrows
to string my spinal cord
over the abyss of the guitar-shaped universe,
walking upright
to plead with my own answers
to thaw like a mirror
estranged from the world it reflects
in the self-effacing flames
of the passionate gardens that dance on the wicks.
The awakening seed
echoes these flowers of fire
in the valley of a voice in the furnace
that lies down in the cool grass
by a stream of idle stars
and arrays its vagrant heart
like a breeze of blood in the dust
to the refugees in the shadows.
They move like eyelids
through all the phases of the moon
from an unspooled well of darkness
to the slash of a razor of light
to the threshing of the full harvest
in the siloes of the nightwind
enthroned like a breath of life
in the midst of its own dispersal.
poem by Patrick White

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Long Ago
Long ago I learned to forgive
yesterday’s shadows
like the daggers of a dead assassin
I melted down into bells
without occasion to sing.
I was tenderly adamant
about the need for compassion
and hung them from the loftiest towers
like iron fruit or rain frozen in its descent.
Only the conceptualists
indulge in perfect virtues
and mine, at best,
are improvised approximations
of the dark whispers
of the blind fish
that swim in the watersheds of my heart.
And there was no other way
of pouring the infection out of the wound
except by inviting the maggots to the feast.
I reproached them all
with the wisdom of a mirror
for relishing the worst of me.
It’s hard to remember sometimes
that even flies have a dignity of their own,
if no honey,
and even the city rose
turns into an old, well-thumbed book eventually,
an index of celebrity desecrations.
I kept my eclipses and dragons
up my bounteous sleeves
and took the trembling stagefright of the stars
cowering behind their cardboard hills seriously.
Whatever the mind realm,
whatever facet of the jewel turning in the growlight,
whatever feather of the spirit
soaring overhead with a twig of fire
or groping below like a star-nosed mole,
my heart turned into a lifeboat, a well, a telescope,
and I hauled everyone up and in and out of themselves
until the moon began to look like a pulley
and there was an echo in the siloes
of my exhortative sufficiency.
Sometimes the galaxies were easier to save than the candles,
but I applied my whips and swans lovingly
I was a good oar on a seaworthy vessel
and eventually my heart turned into a rudder.
I launched every pulse in the name of the unknown
and soon found myself a stranger
in the eyes of the people who had climbed to safety
up the nets and rope-ladders
I learned to fashion from my spinal cord.
I wasn’t a rudder on a lifeboat anymore;
I was a dead shark, dorsal down,
lethal, a meat-plough.
Nobody knew me as I was.
I struggled deeply within myself
to assume the throne of my isolation,
my heart freaked by the hazard of random lightning strikes,
challenged by demons
I could not win against,
crescent moons that broke off in my throat and voice like teeth.
I became the nightwatchman
of pleading shadows laid out
like corpses in a morgue,
a lamp in the arms of its own journey,
while their bodies walked around delinquently.
And the shining was black, the light,
an eerie pollen of the night,
an indelible soot lasered like destiny
on the sheets and sails of a soul I could never wash out,
a luminosity that just didn’t open
the moths and flowers like letters
but rewrote them, a transformative mirror,
an eclipse of the sun
that rises within at midnight,
an illumination that didn’t just reflect
but imagined the things of the world into being
and went on changing them,
mutating them,
seer and seen alike
on the same side of the mirror
that suggested them into existence inconceivably,
though there was no existence
or non-existence
to exit or enter by.
My seeing grew cold and impersonal,
space, a straitjacket of glass,
my heart, an ancient ice-berg on the moon,
and with a shriek of mouthless perception
my blood was blanched into flowing diamond.
I dared to look upon suffering,
my own and the pantomime of others,
as the flaring of a brutal creative fire
that wracked the world in an unwitnessed dream
lonelier than the wind without a star or a candle.
And I knew it was saying me
behind the mask
of every hopeless word I uttered.
And I saw at the dark gate
that reason was only another peer of the realm,
and there was an infinitude of skys and windows beyond
that my eyes hadn’t grown into yet,
flying like a bird into the vision
until only the vision remained,
and there were intimate metals in every rock
that had been confided into being like a secret.
Reason was merely a prim shadow
in the cosmic fire-womb
of the original madness
to make the hidden known,
whispering the world
into its own ear like a blasting cap.
Everything exists to know the hidden
as a robe of its own blood,
the taste of stars in the sap of the sugar maples in spring,
whether the cool mushrooms of her lips
that she offers up in the night
under the evergreens
are dangerously hallucinogenic,
or tenderly toxic, white angel or fly agaric.
I found it important to learn
what doesn’t make me happy,
and then to learn
that there isn’t anything that would
as I long as I persisted
in looking for the meaning of my joy,
the replicable reason
that would let me breed it
like a butterfly or a silkworm in captivity.
Now bliss comes when it does
naked and adorned,
impoverished and squandering,
and my heart is more of an empty, open hand
than a fist clenched around
something it feared to lose.
Haven’t you noticed the sad drinkers
in the all night taverns
who age faster than the wine in their glasses
as soon as they start
to con the god into staying,
make a cage of the tree
to snare the elusive nightbird
that enhances their darkness
with a voice hinged to a doorway of light?
And the theorists trying to sweep
the ashes of stars
immolated in their own light like moths
off their thresholds with tweezers?
And those who live like pharaohs
under pyramids of quicksand
they’ve made of their hearts
anticipating afterlives
that look a lot like this one
when the bandages will come off
like the brittle eyelids
of a shedding rose
and the bull harps will seed the moon again
and the echo at the end of the dream
won’t be just the voice of another used beginning.
poem by Patrick White

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Your Eyes For Awhile
Your eyes for awhile
were the only eyes
I could see through
to catch a glimpse of god;
were windows into my own soul
that I could look through from the outside
without throwing the moon
through my reflection like a stone
in the hand of an angry boy.
And it was always as true
as the way your heart grew
that you could love strangers
easier than I do even now
after all these years of learning how
to talk to mirrors in their own language.
And you were not one woman
but all women forever
when I saw you once
bending down like the dusk
to touch the last of the flowers
as if you would never see them again.
As serene as the evening
there was no labour in your beauty
and I swear when I saw you that night
I felt as if I were the whole world watching
time put a finger to its lips
and pour its fountain
into the flow of your body
as if it were the sum of all passage.
And though I was your friend in all things
every evening since
the candle went out
in the lantern of a lost tomorrow
I have walked out into abandoned fields alone
and asked the saddest questions
of the most distant stars
knowing there is not enough light sometimes
even in the eyes of God
to be a companion of our sorrows.
And the questions grow longer
as the darkness deepens
the echo of my longing
in a well as dry as my skull
and closes its gates like scars.
And then those nights come
like a life or a day
or even just this moment
when I stop asking
why human suffering
is always indescribably true
and joyful as an irreproachable buffoon
sword-dancing alone with the moon
who writes me dangerous loveletters
as if she were the Lady of the Lake
receiving me back
like a funeral ship
into this mysterium of you,
I can almost believe that you know
even though the night mocks the crow
that pines for mercy
and turns its lightless face toward you
as if it could still feel
the warmth of the sun at midnight
in your eyes again
like the afterlife of light
playing with fireflies in the abyss
now that the summer constellations have gone down;
that somehow you must know
like a guitar
on the far side of a room
where someone is singing
as if they had their ear
to the womb
of your irrevocable absence
that binds me to you with every breath
I take for two
as if I had learned to live on death
to keep you alive in me
where you still flow through the seasons
on the nightstreams of my blood
like blossoms and leaves and stars
and the moon leaves no scars on the water;
must know. Or a demon’s a kinder face
to bestow on the darkness
than a black hole without eyes,
though it’s taken many, long, painful years
for the night to share the light with its jewels again
and as many schools as there are fools to fill them
that even just one
of those slightly compassionate smiles
you would send across the room
to cool the furnace of my heart
with the lightness of one snowflake,
one feather
gracing a change in the weather,
knew more about love
as a raindropp knows the sea
than all of us
who have been washed up
on this cold, lonely shore together
thinking we may have been saved
for something more
than this tidal longing
to brave the sea again
and even if doomed to drown
as I have learned
from this shale of pain
that has carbon-dated the eras
of my missing you
like a life that didn’t
flash before my eyes
as I went down for good with everything,
to thank-you, o, yes,
with nothing but love and light in my heart
and your face in the eye of my solitude
as I stand before the sea in gratitude
to thank-you
as you well knew one day I could
for the generosity of the wound
that has run like my life
down these eyes
these windows
this page
these empty mirrors
of autumn rain
that have wept for years without you
just to see you again
for one moment more
than the time I have left
to know that I never will.
poem by Patrick White

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Were There Stars
Were there stars in your hair that night?
I cannot remember,
so taken with your face
and the mystery and the silence and the sorrow
of the tender bell in your eyes
that could summon ghosts
of yesterday's embodiments to the fire
of any passion that lost itself prophetically
at a rave of shadows among the trees.
You eased out of your wardrobe of rivers
like a snake on the moon
sloughing its skin like the eclipse
of a far more vulnerable shining,
and I couldn't tell if you were
a doe or a lynx
stepping out of the alder groves warily
to lap the moonlight
that flaked the shore
with the silver petals of an undulant rose
older and darker than night blood.
I could feel the danger within you,
the abyss of the early grave
that waited for you like a key
to come in out of the pain
that bled you like a shadow
pouring out of an open wound
that whispered to you like a secret scream
only the dead who owned you could hear.
Your hunger desperately sought salvation
from the eyes
that pleaded with you
to blow yourself out like a candle,
cancel the inevitability of your suffering
with the shudder and sigh of sex.
We lay down naked together
by the willow-stained waters
in that summer of flesh
and sought oblivion from each other
like two compatible cremations
that concealed a ravenous phoenix
ending its fast of fire.
Purified by the depth and darkness
of your intensities,
I burned in you
and felt the flames
of a dangerous angel
who had broken her afterlife like a curfew
flow over me
like dawn at a keyboard of feathers.
Your breasts still come up overnight
like supple mushrooms against my chest
and the moist heat of your mouth
throbbing with flowers like July
as you seized your joy
from the agony of the roots you tormented
to give up their dead
like bruised cherries.
I have never died as fully since
at the insistence
of any woman's appetite
nor known a night so final,
so brutal with time and beauty
as the pendulous moon swung
like an executioner's ax
over the nape of its own reflection
swanning on the waters.
We made love as if
we were both defying
the truth we didn't need to say.
I wanted to plead with you,
I wanted to call out into your emptiness
like a beseeching bird
disappearing into a dark valley,
but my voice ran ahead of its echo like light
and the things I would have asked you
not to do
had already been achieved.
Heroin, your asp,
at the funeral I stood back
beyond the baffled wreaths of flowers
and the ambivalent silence
of the modest gathering that mourned you,
maculate in the shadows
of the Japanese plum tree
we once made love under
and I kissed the rose of your blood
shedding in mine
like a wound
my love was never sword enough to heal
as they closed
and boarded you over like a well.
I spent the night like an empty vase
beside your grave
until the stars that bloomed above you like wildflowers
thawed my tears in the morning light.
I walked out of the cemetery
through the hard harps and spears
of its iron gates
and I have never been back.
The years since have been
chameleonic as a hooker
who plys her art
on the stairs of a temple
even the priests of my lust
are forbidden to enter,
but as you said I would
as you lay with me that night
like a knife beside the sea,
I have returned to you over and over again
like a witching wand
looking for water in hell,
like a cult of one to a lost island
that holds you like a secret
and wept like a candle of honey
in the dark hive of your unanswerable silence,
intoning the names
of an impossible god
on a rosary of black suns
until my heart hangs like a bell
dumb with grief
looking up at the stars
you rinsed like a tide from your hair.
And I lean on the crutch and the crook
of a shepherd's question,
looking everywhere for you
like the wind
sweeping the shadows of fireflies
like the fall of hair from your eyes
that night you tore yourself away from me
like a veil of blood and sorrows
wounded by the terrible light
of the black pearl
that ripened within you like the skull
of a full eclipse.
O my poor, broken angel,
you might have been fat and frumpy by now
if you had lived.
I could have watched your beauty
shed like the moon over the years,
and smile like an island
to remember how lost I was in your tides once,
a constellation of starfish
tumbled like dice in your dark undertow,
trying to shine, god, how
I tried to shine for you, how
I ached to embrace your planet safely
in the mandala of an empowering radiance
that could show you
I was worth living for
if nothing else.
Given the freedom
of the emptiness that engulfed us both,
we could have lived within each other,
we could have evolved our own atmospheres,
appointed our own stars,
written our own myths of origin
on the black pages of that journal of skies
where you scribbled down the events
of your pre-emptive afterlife
as if you wanted to make your ghost indelible.
As it was, the only thing I could do,
was take you in
like the last breath of a summer night
I could never let go of
without following it
like a shadow of you into death.
I haven't wished for much over the years,
and the dreams have come and gone as they will,
and my hair has gone gray
and my eyes are looped like powerlines
and the sad bells of a heavy solitude
that has yoked me to the grindstone of the turning world
to mill the stars like a tide
on the blood wheel of a worn heart.
I finally burned and broke all the weeping mirrors
I consulted like half-assed mediums
to see if I could restore you somehow
to the more intimate shining of that last night
you turned and ran back,
your shoes in your hand,
to make sure your final kiss would endure like a temple.
You pitied the agony of shapeshifting
you knew the black water ahead
was about to go through
as it smashed like goblets and crystal chandeliers
on the roaring skulls of the rocks.
You pitied me because you knew I loved you,
because you knew you were already
a future memory
and I was a prophecy from the past
that had ridden beyond itself like light
to illuminate nothing but your absence
measured in the filaments and lifelines
of eyeless oceans
like a seabird
circling a blind lighthouse on the moon.
poem by Patrick White

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Anyone Can Say What They Feel
Anyone can say what they feel
but how few can sing what they dream.
You put your heart into any art
and people will follow you like a bloodstream.
In self defence against the omnipotence
of being interdependently originated,
you can substantiate your absence
to prove you're not living in the same world
we all do, but where's that going to get you in the end?
You can true your delusions anyway you want
but that's not going to clear you for the truth.
The destroyed see deeper than those who survived.
That man puts a straitjacket on
everytime he says he's arrived.
Just because it's absurd doesn't mean
it isn't believable. Me sitting here
writing this to a caste of albino stars
I haven't reconfigured into a constellation yet
because my imagination keeps shape-shifting me
like a gust of fireflies into myriad myths of origin
since I realized, cosmically speaking, one size
doesn't fit all like a house of transformation
in an Etruscan zodiac. Or a prayer wheel.
Or the ecliptic of a mystic head band
still bound to the skull of a Druid who died young.
Fifty years, a poet, but I don't expect
this is as mad as it's going to get.
I've been deepening my ignorance aesthetically
for light years, but when I cry for things I regret
my tears are still wet, and my mindstream suggests
there was no other way of flowing at the time.
I hang on the hook of the moon prophetically
until the pain grows profound
and ten scribes in a tower write it all down.
I am blessed. I am cursed. I am hunted and ignored.
I love disingenuously to keep from being bored.
And when there's nothing else for the fire to feed on
I offer it my body, my soul, my solitude
and the rare acquiescence of a tumultuous mind
like the third eye of a hurricane with a corneal implant.
I don't keep the impersonality of what I feel about life
in a little drawer with a skull on a keychain
I use to master the coffin doors of the slumlords
that won't open of their own accord
like rosebuds in a rusty locket that's come unhinged.
I don't pour the ocean into a teacup anymore
as much as I used to and there's a little more wisdom
in my love lyrics I haven't completely
taken to heart yet, but I'm trying. I stand
an intimate distance away from the things I cherish.
I'm dying as we all are, but it doesn' t feel
as if I'm going to perish. My emotions are ageless
and inspiration's only the whisper of a star away
and though my dark energy keeps expanding the starfields
further apart, so I have to walk further
to find a wild flower I can identify with,
the dark's beginning to shine like a black candle
with my spinal cord dipped in serpent fire
like a total eclipse of dragon's blood as its wick.
I rave like the vision of a sacred clown who's become
the misfit of his own crazy wisdom, heretically so,
to live up to the standards of my own disobedience,
a saintly truant in the labyrinths of spiritual malfeasance.
A shepherd of wolves, I don't drive the stars
up into the high fields like a small herd of scapegoats
like a hard rock on a mountain keeping
its fossils to itself like apocalyptic alibis
for the silence in the voice of the void that unwords me.
No truth ever mattered a damn to me
if it defeated people who were just trying
to get on with not knowing what to do with their lives.
No beauty ever took my breath away for long
that wasn't emotionally siderealized
or hadn't drowned like a sorceress on an island
in the oceans of the black rose of a new moon.
I prefer to look at the blessings of life
through a broken window more than
the polished mirror of a purified mind
blinded by its own blazing to the diamonds
that pour like stars from the eyes of weeping meteors
that have initiated the extinction
of too many, too much, without rancour
for the fragility of the afterlives in the ashes
that emerged from the inside out
into the available dimensions of a random future.
Time might observe the protocols of its waterclocks
for some who still drink from wishing wells
and hourglasses that are always pouring another
for the road, but in the intimacy of my solitude
time acts extemperaneously upon my heart
like a stranger who could always feel his way past
what he didn't know about what could hurt him
if he ever stopped long enough anywhere to find out.
I'm grateful to the abyss for the black hole
in the centre of my life that can't be fulfilled
galaxy after galaxy at a feast of light that keeps
my appetite for the moonrise of the mystery
intrigued and hungry. My mind was never an experiment
nor my heart the rube of experience.
I didn't map the rain to know where to go.
I let the mountain be my goat-footed guide to the top
and when it came time to come down,
I won my wings falling toward paradise
with more joy in taking the plunge
than I relished in the angelic aviary of my arrival
where nobody jumps unless they've got a parachute on.
Buff the risk with a safety net or you'll candle
like a daylily all the way down into an early grave
people used to say to me when I was a young precipice
ferociously faithful to exploring the nether depths of myself
like a comet jumping the orbitals of a dark halo
to shed a little light like a petal of the sun
on why I'd rather perish in the night like a firestorm
on a purple passage of the wind, than blossom
like the wildflower of a savage mystic
in the genetically engineered garden of a false dawn.
poem by Patrick White

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I Stand Where The Listening Begins
I stand where the listening begins
as if my voice were just another one of the echoes
and my tongue were the tip of an edgy precipice
that doesn't dare make a move
over an immeasurable abyss of eyes
that nobody belongs to.
This is a seeing that's older than the stars
that were born of it
like a mirror is born of the shining.
Like a body is born of the mind
and takes on the shape of a universe
as an expressionist gesture of classical reserve.
In the great ocean of being before it turned into everyone
our eyes weren't beaded like two drops of water
strung through our nose
like a statement we were trying to make.
They were waves.
Waves of water.
Waves of light.
Waves of thought and feeling.
They were waterbirds that came and went
without leaving.
They were meteorological events
in the emotional life of the sea
when it played alone with itself like weather.
We didn't evolve hands to prove we had a grip on things.
We didn't evolve brains to prove we were intelligent.
We're not nuggets of insight
panned from the mindstream
that runs down the world mountain
in a rush of gold.
I stand where I can hear the night
breathing like a shadow in its own darkness
and whatever I am not
is as real as whatever I am.
And my sorrows dropp away
like the black fruit of ruined bells
and my joys know a freedom
no holy war ever deserved.
Here my death answers to my life
and not the other way around.
My beginnings are not justified by my ends
and my solitude is so wholly itself
it embraces everything
as if it were space
and time were its only friend.
This is a poetic state.
A dynamic mode of creative annihilation.
This is a phoenix blooming in its own fire.
This is life.
This is the universe full of bright ideas
that come to it like stars in the darkness.
This is the white mare of the full moon in the high field
with the gates open
like wings growing out of her shoulders.
This is a space that is so spontaneously immediate
that you receive the reply
long before you've even asked the question.
It doesn't take thousands of thoughtyears
for the light to get here.
A flower blooms.
A star comes out.
It's as simple as that.
You lift one veil of the mystery like an eyelid.
Nothing has a history.
The old man remembers nothing.
The old woman forgets her name.
Once they were seabeds of meaning.
Now they're just water.
And everything is ok with that.
People go grey
and turn into clouds in the mountains
just to catch the last of the light
and give their lives some colour.
And then it's night again
and the dancing chandeliers of the stars
that are burning like legends
to make a name and a myth for themselves
fall like constellations to earth
and shatter like the rainbows of youth.
Every dawn has a taste of the sunset in it.
What's the end of anything
if not the dark side of its beginnings?
I am the fool of a freedom
that lets things be whatever they want to be
deep within the heavy fruit of a compassionate heart
that ripens in its own lucidity.
There are worms.
There are birds.
There's a green star in the apple core.
My skin is the chameleon of the sun going down.
I know how to swim through stone and water.
There are fish in my treetops
and birds in my roots
and when I drown
it's the sun in the sea
and nothing ever really goes out.
Everytime I open my mouth to sing
this is where the muse
puts a finger to her lips
to teach me what I'm talking about.
I'm a star when I write.
First I let go of the light.
And then the children point fingers at me
and say in mutual recognition
of the stories they make up on the go
there you are
just as we foretold.
It's the same way with water
when it's lost in a desert of sand and stars.
Sometimes it takes a mirage to find your way home.
Death gapes like the jawbone of a mummy
and writes like a pyramid
as if it wanted to make all things last forever.
But when life picks up the pen
around the fires of the stars
to whisper into its own ear
things that only solitude
can suggest to the night
its poems are always tents on the move.
The moon sailing paper lifeboats down a river
like waterlilies
blooming in the pale flames
of their lunar immolations
as if each were a white phoenix
rising above its own ashes and smoke
like someone dreaming of swans.
poem by Patrick White

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A Fluctuation In The Cosmic Void
A fluctuation in the cosmic void,
a wink of atoms,
a fallen eyelash of light,
the seeing of a lifetime
nothing but candle vapour,
ghost-water on the moon,
the exhalation of a vagrant star
looking for its lost constellation
like a berry or a gem
that had wandered off road
from the vine of a crown.
The eye that regards all
as it rises like a blue mystic sun
over the morning eyelids
of the remote hills
waking up in the arms of their shadows
demands exposure of the sky,
a clarity pure enough for stars
as it turns the day over
like the palm of a hand
to reveal how our lifestreams
join and break
at the junction of sacred rivers.
And the vision,
the illusion of the way I see life,
the romantic intoning
into the bell of the abyss
for a hopeless beauty that died like a bird,
the lostness and the loneliness,
the unknown sorrow
that seems to bleed out of the air
like a black rose born to grieve
for the separations of long ago,
and the child in the brutal fire
that pleads at a window
weeping in the heat
for rescue from an afterlife without salvation,
all that the heart features
in the deepest silence of the night,
nothing but the auroral trash
of an over ionized mind
trying to touch its own burns tenderly.
Until I became the knowing
even my own ignorance
didn't recognize me.
Until I vastly improved
the integrity of my lies,
every mirror I looked into
like a woman's eyes
was corrupt,
the prelude to a death certificate
in lipstick, a thorn of honey
that dripped like the fangs of the moon
with mysterious toxins and elixirs
that could scald and bleach the heart
or restore it with the kiss of a silver herb
grown in the garden of a cool eclipse.
My bitterness and fear
have made me less susceptible
to the empty boats that arrive
to take me on like some kind of foreign export,
a cargo of ashes and stars,
the bodybags
of the casualties and refugees
that perished in an unknown holy war of one
that I can't stop waging
against a universe that won't let me in,
but my solitude
could defeat me with a feather,
could shock the fool I am to hide
with the shadow of a wing
breaking the spell of this birdless sky
that seems to go on forever beyond the wind
like a caravan of rain
that's outwalked the longest known road
into a wilderness
of rootless trees in big city back alleys.
When the rose
has been stripped down to its claws and horns,
how few have the eyes
to keep yearning?
Let me drown in tears of fire,
in wells of thoughtful quicksand,
rack me on the iron in my blood
and stub my cherished stars out
like angry pincers applied to my feet
like a firewalk through a snakepit
and I will confess to nothing
but an earnest ignorance,
I will not betray the abyss
where I buried myself like nuclear waste.
I will remain true
to the merciless emptiness
I uttered to myself like a vow
I didn't know if I could keep
four decades ago.
Now I lay my head down to dream
on a stone pillow full of stars
that shine like rare metals in the night,
and when I wake
I seem to know less
about everything it took me a lifetime to master
than when I first
abandoned my eyes
like oceans on the moon to see
inconceivably, what has become of me in my absence.
poem by Patrick White

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So Lifetime After Lifetime
So lifetime after lifetime, sorceress of shadows and dreams
you step out of the dark wood of yourself,
a shy doe, a mournful lighthouse and a warning off the coast
of your infinite solitude, you, the singing bird
on the green bough of your flute pouring yourself
like sorrow over the eye of the sea, your tears,
the ancient wells of an eternal longing unanswered by the secret stars
that have entrusted their radiance to you, fireflies
drowning their light in your black candles,
the blind music of your lonely flowing. Is your flute, a bone, then,
and this rose I bring you, this heart, this blood
that has turned into a goblet of luminous wine,
drunk on the wonder and the missing in your phantom music,
is this rose nothing but a wound, a coffin-flower,
the unmarked grave of a mystic embryo?
Do you fear the tenderness, the meeting? Does the moon
strike at her own reflection in the mirror of her midnight waters
to wander like an orphan along her lifeless shores?
Boy and man, you murder me on the steps of your serpent shrine,
your eyes, cold glass, eclipses of crystal, your spirit
that once drew in the light like breath,
now a slow glacier, an age of ice
pushing your heart before it like a boulder,
like a temple-stone that one night flew out of the abyss
and buried itself like a meteor, a charred jewel, the demon seed
of a religion without saviours, your implacable creed
scriptures of blood in a mouthless book
that only love can open. Once there were swallows in the tree of life,
asylums of celebrants greeting the morning in their madness,
in the garden, in Eden, hurled through that first dawn
like a young girl's heart trembling like a dropp of light on a blade of grass.
Now your voice is a gypsy-crow on a dead branch,
your music, confession without atonement, your flute
without leaves, without orchards, an eyeless spring,
buried in its manger-cloth for years, nothing
but a crib-death, a broken wand, a phoenix
that has lost its faith in fire under the weight of its own ashes.
Beloved, again and again you kill me
in this dance of slayer and slain, tear out
this page of love like a like a child's tongue, like a mute heresy
you are doomed to rewrite forever
in the indelible inks of your seeing.
Do you dip your pen like a water-bird drinking
from its own image, putting out your eyes
to deepen the darkness, the scars of your sin
the lightless letters of a hidden language
pricked out on your skin, black stars and braille tattoos?
The pages and the years may turn like wings and hinges,
and a thousand deaths, all your own,
tome the field with gravestones,
breathless flutes and hollow bones, ancient futures;
and you the only mistress of those solitary realms; still,
your legend will remain moonless and sunless,
the story of a night sky, the eyelid of a black rose,
that couldn't break into light. Until
love stands beside the heartwell of another
as if it were its own sacred fountain,
one blood, one wind-mingled music
playing the waves like plectra, and raises the rim
of the single goblet to its lips and tastes,
only silence answers the terrible vastness,
only death graces the obscenity of these loveless wastes.
poem by Patrick White

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And This Night
And this night that is ending,
bruising into the blue of an impossible rose,
and the windows opening their eyes to the light
that pales the stars from the sky like dreams;
and a man trying to keep the starving candle in his skull
from going out, the emptiness of the dark from demanding
oblivion from the day, the mouth of the morning
no beginning, but the start of a busy grave;
how can he tell his heart what his eyes already see
in the mirrors that mourn like hired grief,
some distant galaxy expanding into space,
some island of light in the forsaken depths of time,
that he's already the ghost of a future memory,
that a silo of ashes isn't enough to feed the flame
of the fire he's cherished in the boat of his hands
like a wounded bird he taught to sing for years,
and how to fly higher than the world is kind
like a hawk with broken wings, or an injured mind?
I see eyes in the dark soaked up like rain,
wildflowers in a field, the keys of unbound clocks,
and they're staring at me on a rocky precipice alone,
the lip of a vast abyss where even the winds don't go,
and they seem to know who I am, and why I must suffer
more deeply than the words of an eloquent man
who no longer answers his pain in silver tongues
but stands voiceless in the gulf of the silence before him,
mute, broken, baffled, a ladder stripped of rungs.
poem by Patrick White

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Faceless This Time Of Night
Faceless this time of night, my skin evaporates like dry ice
into a deepening sense of containment
by a dark space with distant cities of light
trying to colonize the Pythagorean fireflies of Cretona,
or the shimmering mirage of Port Angeles
dancing like a seance at the foot of the mountains
across a hundred miles of the Georgia Strait at night,
the immensity of the freedom that dwarfs the stars
with the sheer magnitude of the labour before them.
The fragility of a spinal cord traversing the abyss
of a one-stringed box guitar made of cardboard
when you were a kid, the mere filament
of an anachronistic light bulb with the lifespan
of the wick of an apostate candle at a black mass,
disappointed it wasn't born a flower,
but a weed more at home among the stars
that uprooted it from its intimacy with the earth
like a kindred spirit of light
that must wander through its own solitude
like music at night from an open window
in the life of the mind to reach out to them
like a tendril of smoke from the embering nugget
of the heart nesting in a private crown of fire
that abdicated its empire of ashes for a single note
of the night bird's longing to sing back up
like a bell for a sad universe that's always on the road.
I hear crying in the distance, the dark lament of the hills.
The night creek weeping unseen through hidden valleys.
I can taste the deaths and sorrows, the broken promises
of the rain, drifting like the fragrance of a waterlily
like a star reflected on the undivined watershed of its tears
saturating the air. Matter a condensation of the light,
I can feel life moving through this body, this flesh,
this scrap of starmud, a rush of water, a gust of stars,
a purple passage of blood, a breath of fire and wind,
and the earth, not solid, but real, animating all my limbs,
my vital organs like the ripening fruit of a rootless tree
as if time wept like a bell in me as well, and its tears,
heavy with the weight of too many separations,
yet wise in the ways of the sky, sweetened the fall to come.
poem by Patrick White

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Sometimes The Intimacy Of The Silence
Sometimes the intimacy of the silence
can grow so profoundly intense
it seems impersonal. Or the heat of life
burn like the dry ice of the holy ghost
as you shudder with spiritual chills in the cold.
And when you see things whole in and of themselves
it's always as if you were looking through a broken window.
Truly fulfilled, you realize everything you're missing.
The more you explore the mystery of what you're doing
just walking around on the earth, aware
of your awareness, the more of a stranger
you seem to yourself, decultified of your identity.
The birches are glowing in skin tight moonlight
and there are sixties hash burns in their white leotards
and the leaves are falling and the river's flowing
and the Canada geese are sowing themselves
in the wake of the plough of the moon
like black and white sunflowers seeds further south again
and my heart is saturated with autumn's sad sugars
like a mournful apple at the pathos of their passage
as if time had abandoned everything and all
the solitary soul can do is harvest the loss like a human
with a romantic sense of irony as we dance
on the graves of the dead to celebrate
the bright vacancy, dark abundance of our starmud
occluding and enlightening our solitude
until you're enthralled to conclude, the darker the night,
the brighter the light. And appearances are only deceptive
to those who haven't broken on through to
the other side of the mirroring awareness yet like a hymen
over a virgin black hole that's all iris with no pupil
so all it can ever see are moondogs of exclusion
that begin to look like haloes after awhile.
I'll write an epithalamion on my wedding night with death,
but while I'm alive I like to toy with euphoric elegies
that weep like old rivers in the discrete depths
of their watersheds. I spend hours by myself
watching the spiders of time stringing contellations
like bird nets between the sacred upper branches
of the aspens to catch fish on the fly the way I
wait for insights to start riffing on the blues guitar
in the corner jamming with the silence of itself
like a poignant wildflower blooming unfashionably late.
If you stare intensely enough into the emptiness,
if your focus is searing enough to burn holes in space,
seemingly self-contained things will emerge like particles
you can elaborate in time and space like the fractals
of worlds within worlds engendered by your own seeing.
But turn the light down, turn your eyes away, dissipate
your concentration, everything reverts to the wavelengths
of the flying carpets unwoven on the waning loom of the moon.
Things done. Things undone. Does the water remember
the growth rings of its ripples, does the snake cling
to the loss of its skin, or fire reminisce in its ashes?
Or scars in autumn long for the springtime of their wounds?
Nights like this sensation haunts me like the ghost
of an amputated heart I dedicated to poetry to add my pulse
to a dying art like the blood of a noble enemy who knew
without saying, the only way to keep the calling alive
was to practice an excruciating discipline of heretical infidelity.
And that's why I'm out here alone in the woods,
still trying to think my way out of the bone box of my decline
by taking my mind off things by letting go
of the paradigms and symbols that kept me afloat
like the lifeboats and wandering starmaps
of the habitable planets of the past bobbing
like the prophetic skulls of black walnuts back down
the mindstream to Mitylene in Lesbos
where Orpheus still dreams of singing himself
back up from the detritus of his cosmic dismemberments
like Vega in the lyrical grip of a dreamcatcher
casting spells like a widow's veils on the water
to snare the stars like a fisherman who drowned on the moon.
poem by Patrick White

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Of A Broken Heart
If only I die
Just once in my life
If only to try
To take a guess, to be the best
A feeling I hide
That runs this world, that keeps us alive
I want you to climb with me
Until I die of a broken heart
A broken heart
Until I die of a broken heart
A broken heart
Until I die
The heart of a child
Is in your hands now
So lets see you smile
cause Im not impressed with your loneliness
And its been a while
Since you forgave all your changes made
So lets count the miles together
Until I die of a broken heart
A broken heart
Until I die of a broken heart
A broken heart
Until I die of a broken heart
A broken heart
Until I die
If only I die
Just once in my life
If only to try together
Until I die of a broken heart
A broken heart
Until I die of a broken heart
A broken heart
Until I die of a broken heart
A broken heart
Until I die
song performed by by Zwan

Submitted by Lucian Velea
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