Patrick White

And Though It's Dark And Cold Now

And though it’s dark and cold now
in this ice palace of broken windows
that don’t know whether to bite their lips
or cut their wrists like a suicide
that took it one step too far
like an eclipse that went into exile
I remember the swell and release
of your breasts in moonlight,
rising and falling like a lunar tide.
I remember coiling my finger around
the soft chestnut tendrils of your hair
as if I were dialling a long distance call
to someone I knew light years from here
who was living her dream
like the black sheep of a shepherd moon
she was giving her life up to.
You were an atmosphere on the nightshift
on the intensive care unit of a hospital
applying a cool poultice of moonlight
to the volcanic burns
of more terminal passions
than I ever aroused in you.
Or thought I ever could.
Though time stopped
dead in its tracks like a coma
whenever I was around you
and everything the good doctors
found incurably bad about me
suddenly went into remission,
I knew I was merely
a minor miracle in your life.
Intermission. Time out. One day
every four years to tune up the calendar
A blue moon in late October
after the harvest’s in
and the small birds
are gleaning the rags of a garden.
Canada geese in the cornfields
shredding the last documents
of an abandoned embassy heading south.
We were Indian summer
together for awhile both knowing
the frost would come soon enough
and one morning I would wake up
and look through the window
on your side of the bed
and say, hey, look, it’s snowing
and you wouldn’t be there.
And when the time came, you weren’t.
And I spent the next six years of my life
numb with understanding
in the snake pit of a Zen morphine drip
blessing the beauty of the knife
and the wound you left me with
like a thorn of light under the eyelids
of a new moon in full eclipse.
An eyepatch over the third eye
of an enlightened planet
that felt just like any other
starless night on earth without you.
And though I hurt like a lamp
that couldn’t see you
even when the sun shone at midnight
I knew enough about attachment even then
not to hold up hope
like a cage to the wind.
I never laid a trap line
along the path you took to leave.
I let the silence and the solitude
I returned to like a night bird
to a white-out deep in the woods
efface your footprints in the snow.
I knew I had to stay.
And I knew you had to go.
That one mile east is one mile west
like two feet going in opposite directions
down a road that doesn’t have any.
And though sometimes I look
at the moon these days
and say to myself
what a little scar it is
to cover so much
that’s dark and wounded
about the human heart,
I still haven’t changed the broken windows
I often find myself standing before
to take a long, good, hard,
dark, radiant look at life
to see if it’s still crying outside,
for a thermal-paned, fire-walled website
prophetically updating the virtual weather.
I’m still throwing stones
with loveletters attached to your absence
like the moon through the windows
of a glass palace in an ice-age
I know will thaw by itself in time
like the whirling Castle of Arianrhod,
the hot gem of Celtic heaven shining
in the afterlife of the Northern Crown
down upon these small human acts
of estranged encounters with our own kind
where we meet each other in passing
at the gate of a cosmic garden
that no one was tending at the time,
and long after the one has gone their way
and the other has gone inside.
Long after the flowers have died
that were strewn across
each others’s paths through life
like the spring on a windy night;
no matter how vulnerable it makes us
to being a prime candidate
among many with their sensible shoes on
to firewalk barefoot
on a starmap of burning thorns
into the darkness of enlightenment
to stay attached to the unattainable
the way we both were to the same stars.
Even when the morning glory
overruns the New England asters,
we leave the gates thereafter open
as if the whole heart of the dark matter
of why we love and suffer, bloom
and come to fruition
in the light of each other
as if the aurora borealis
that mystified our nights on earth
with the sheen of cool Persian silks of insight
blowing over the flesh and blood of mystic serpents
then die back into our brief lifespan
like a solar flare back into its sunspots
were still hanging
on one star
one eye
one wing
one prayer
one hinge.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share

Related quotes

Patrick White

Nightbird On A Winter Branch

Nightbird on a winter branch.
Dark blossom of the new moon,
Last kiss on the eyelids of the dead
As the snow falls like apple bloom.

I see you’ve left the door ajar:
The backdoor of an eclipse
To let the first crescent of the light out.
The sacred syllable of the mistfits

Lost in the silence and the solitude
You raise like heretical mystics into songs
That only you alone can sing
So that each in their homelessness belongs

To the false dawn of the same secret
They weep over like empty lockets
That stole the moon from their windows
As they burned at the stake, rockets

Martyred in the fire of the holy books
That inspire them deeper into exile
This late at night far from anywhere
Distance is measured by the mile

And not the wingspan of the light-years
It’s taken me to write this.
Like a bird that flew out of the darkness,
That left no trace of the witness

As it blew a kiss of sudden insight.
A word in passing from the dead
About who’s behind the death mask
Of the snow that’s covering my head

Like the polar ice cap of a planet
With the prophetic wisdom of a skull.
Life in the birthmark of the new.
Death in the harvest of the moon at full.

Emptiness devoid of all light.
The first sign of renewal in the urn
Of a nightbird on a winter branch.
Diamonds of ice and insight that burn

Like coal in the eyes of a snow man
With the passion of a phoenix born
A star in the cold furnace of the sky.
Where every passage is a rite of return

That hides its brightest jewels
blossoming like enlightenment on the wing
In the dark ore of a nightbird
When a deathmask opens its mouth to sing.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share
Patrick White

If Only I Could Remember You As You Were

If only I could remember you as you were
for a few, brief radiant moments as indelible
as light in space and not as time would have it
the way things have changed. To see you
lingering in the doorway on a winter night,
the snow lying lightly on your hair like the Pleiades
over your shoulder descending below the treeline
as if it knew more about saying good-bye than you did,
and o how I loved you for it. If only I could
remember that lonely ghost of a mirage
that hovered over the watershed of your tears
and looked at me like the first lifeboat
you'd seen in a thousand years respond
to your s.o.s. in a hourglass. If only I could remember
the fragrance of the summer rain on your skin
as if it had mistaken you for one of the flowers
and how I used to like wiping your tears away
with my opposable thumb like plum blossoms from your cheeks.

Eternity coming to the surface of time
like old corduroy roads and bones in a makeshift graveyard.
Not likely I'll ever see you again in this life
but if only I could remember you before circumstance
underwhelmed itself and killed the ambiance
of our last dance by turning all the lights on at once.
But there you go, no help for it. The nightbird
transits the moon and the eternal sky as is said in Zen
doesn't inhibit the flight of the white clouds.
And this moment, too, though it's endured
a thousand deaths to come to this afterlife,
always saying good-bye to some aspect of you
that symbolizes the evanescence of love and life
in metaphors that buff the open wound
like scar tissue on the moon, like fireflies
welding living insights into the dead brain coral
of this encyclopedic coma life
can sometimes seem without you, even after
all these ensuing misadventures it would take a fire
and half a dozen bottles of wine to tell you about
if only I could remember you as you once were
like the lamb that laid down with the lion without fear.

For light years, images of you have flashed out of the abyss
as sharp and quick and vital as moonlight
wielding a sabre, or a bird quickened by a purpose
out of the unknown into the unknown
and I recognize them as blossoms that have blown
far from the tree that was lovelier
than the whole orchard to me, though angels
attended upon it like scripture from its roots to its leaves,
you were the locust tree with your demonic thorns
I wanted to tear my heart on like a rag of blood
on the galactic razorwire that encircled your heart
like a storm of dark matter with unlimited potential
for creative destruction that got the light out of the way
long enough for us to see what glowed behind it.
If only I could remember you as you were
when we both made eye-contact with each other
like exo-planets in the void, and understood spontaneously
it wasn't going to take much of a wavelength
for either of us to understand this immediately
as if we could read each other's shadows like Mayan calendars.

Water hemlock, wild parsnip, sometimes
the memories scald like volcanic dew on bare skin,
but seldom have I ever regretted
that I lived through you for awhile,
when the stars raged in my heart like a madman
obsessed by the crazy wisdom of a woman
who had the wingspan of a bow on a bent event horizon
but knew enough about compassion
to push the burning arrow of my fascination with her
all the way through like a blood sacrifice to love and life
and the mystery that moved in the darkness up ahead
like the fork in the road that separated us,
like a wishbone that had granted all it had to give.

How tenderly painful the brevity of what
we actually relive again as if some moments in life
are illuminated by a different light than that
we read by in bed late into the night
looking for translucency in the windows of insight
that keep on opening their eyes in this recurrent dream
like the black waterlilies of new moons coming into bloom.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share
Patrick White

You Were The Intimacy

You were the intimacy
of the things I loved
that were so impossibly far away
I could never reach out and touch them
except by touching you.
In the long silence of these past thirty-seven years
I have never been able to look at people again
the way I used to see them before I met you.
There's a fear in the way I love them
that I learned
from living your absence.
A deep black wounded space within
that has sadly outgrown the stars
like October outlives its fireflies.
And every threshold I've crossed ever since
has turned into a long road
with a precipice at the end of my spinal cord
swaying like the first night I met you
on the Capilano Suspension Bridge
and you said
the only way
to overcome your fear of falling
is to have the courage to jump.
And I laughed and said
staring into the gorge
and the thin silver water down below
what's to fear
if you know how to fall toward paradise?
And you knew right away
I was your kind of challenge.
And I knew you wanted
to sword-dance with razorblades
you laid out like the Tarot
later back at your place
as if you wanted to convince yourself
you were still silly enough to believe in tomorrow.
The candle beside the cards on the floor
didn't turn out to be
enough of a lighthouse
to warn us of the approaching storm.
We were sincere in the darkness
for a little while
astounded by the expert innocence
of our mindless flesh.
You shone like the sun at midnight
and I came undone like Icarus
to prove I was falling
without regrets
like a spent star
into the singularity
of a whole new universe
where everything that didn't happen in this one
came uncannily true in the next
for both of us
as if we were at last worthy
in each others' arms
of our own happiness.
When happiness is brave
it's bliss.
And when it's afraid
there's nothing sadder
than a gift that was never opened.
Joy is a warrior that risked hoping
there was nothing left dying for.
Sorrow comes up with a million reasons.
The only way of life
is not making a way of life.
Nor making
not making a way of life
a way.
One day you just get off the road
and start taking the long way home through the starfields.
You stop looking in the mirror
to see if you still have eyes.
For years after your death
no matter what I looked at
I always saw the same thing.
The black clarity
of your existential absence
staring me in the face
without turning me into stone
because that would have been mercy.
Try how I might
I could never quite
shut the lid on your coffin
or accept
that you were buried in me for good
or that my blood burned
like the infernal red
of an emergency exit
to show me the way out
of heaven and hell
by falling on them both
like a two-edged sword
that killed me deeper into life
than your death ever did.
Either life's unfair
or I'm not man enough
to live up to your suicide
but I remember how I used to love
feeling the weight
of the nightstream of your hair
as it poured through my hand
like a landscape that could feel
for the first time in a long time
water running in the dry creekbeds of its lifelines.
Things woke up.
And I saw the flowers
among the thorns
that had been guarding them
like the secret names of God
you had to know
to get past the burning angels
through the gates
of your sad return to Eden alone.
The eloquence of your flesh
when you walked on the earth
as if your heart danced to your blood
like an old song we both knew
now a broken harp of bone,
a wounded guitar,
someone laid down for good.
A prophetic skull
without a future
anyone can foretell.
The full moon going down
like a spare penny
into a dry wishing well.
Me looking at the dark hills
like the contours of your corpse laid out
under a collapsed tent
as they wheeled you into the ambulance
to spend your first vast impossibly long night in the morgue
among the dead
who don't catch their breath
or break their bodies like bread
alone in the stillness
that can't distinguish one death from another.
However I wept for you
all the hard bitter baffled tears
all the sweet radiant wellsprings
that washed the dust like stars
off the wings of the birds
that had laboured to carry the souls of the dead
far to the west
when I remembered
how blessed I really was
that things had been
so beautifully dangerous for awhile.
And all the dark fathomless watersheds of lucidity
I drowned in like a eye in a grail
looking for butterflies in a suicide note.
All the black pearls
the diamond skulls
the eclipsed chalices
all the precious jewels of my grieving
that death hoarded underground
nothing in the end
but nameless water
frozen between the cracks
of a gravestone as old as the moon.
I remember how I loved your ice-blue eyes
and how they burned with an Arctic clarity
you had to dress warmly for
if you didn't want to suffer from frost-bite
but there's more nightshade in them now
than chicory
when I look into them like tundral flowers
and the light turns hurtful and eerie
when I recall how the melting snow
washed itself clean of itself
all those years ago
when we didn't know
what all this meant.
It's of little relevance
that we once loved each other
the way we did
and once you've exhausted
the meaning of signs
like galaxies expanding
ever more deeply into space
less significance.
What does it look like from Mars?
Your death was a koan
not a fortune-cookie
and the koan broke me
like a man it couldn't understand
rationally.
There is no scar for you.
You will always be
this open wound inside of me.
When I look at the stars
I can't dissociate beauty from absurdity.
I cherish their clarity
as something that can't be
contaminated by my eyes
when they're nothing
but two black holes in space
a snake-bite of the light
in the middle of my face
like a colon without the following:
the kind of faith
that makes what little is left
so incommensurably greater than what's been lost.
I can see the blue morning glory in the garden
as if moonlight had turned to skin
just to feel what it's like to flower
but I can't forget the frost
that fell like your death over all of it
when I went so numb
space turned into glass
and time pulled the blind down on the window.
I closed my eyes like a mirror
content to let the stars make sense
of their own reflections.
I gave up on directions
and burned my starmaps
and followed who I was
without caring what I became.
Absolutes of ice
spread like cataracts
over the relativities of the river
that went on flowing
as if nothing had changed
and my life was still a dream without eyelids.
A ghost would be easier to deal with
than the fact
that you don't exist anymore
except as bare bones
denuded of the world
like yarrow sticks
thrown before the Book of Changes.
But then I expect
you'd exorcise yourself
at a suggestion of the night
that the stars would be so much brighter
if you only blew out the candleflame.
You'd do it just to see
if things got better.
You'd leave me in the dark again
staring at the stars
like white ink
on a black loveletter
you left unsigned
as you disappeared into death
like your last breath on a cold windowpane.
I've long since forgiven you my solitude.
I've long since forgiven you
the severity of the wisdom
that hardened my eyes
like diamonds in the darkness
that could cut through anything
except my attachment to you.
I have forgiven you
for the way I have grown through suffering
to realize
how much I owe your death
and the terrible eyeless abyss that followed it
like an enlightened insight
into the impersonal nature of compassion.
I have forgiven you
the way I am spontaneously compelled
to love a world that is so estranged from me
I feel like water on the moon
trying to imagine what it must be like
to fall like rain on the intimate earth
with a reasonable expectation
of coming up flowers
that weren't destined
to be laid on your grave.
I've gone grey gathering them up
and bringing them to you
like bouquets of paints and brushes
that are ready at hand
should you ever wish
to pick them up again
and show me what the world looks like
without a body for a picture-frame
as you play the part of the upstart genius
who lived the black farce of creative pain
like the agony of the wick
burning at the stake like a heretic
between the flesh of the wax
and the spiritual aspirations of the candleflame
thrusting spears into space at the stars
as if the only way you could ever know God
if you ever met up
was by the scars.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share
Patrick White

Your Eyes For Awhile

Your eyes for awhile
were the only eyes
I could see through
to catch a glimpse of god;
were windows into my own soul
that I could look through from the outside
without throwing the moon
through my reflection like a stone
in the hand of an angry boy.
And it was always as true
as the way your heart grew
that you could love strangers
easier than I do even now
after all these years of learning how
to talk to mirrors in their own language.
And you were not one woman
but all women forever
when I saw you once
bending down like the dusk
to touch the last of the flowers
as if you would never see them again.
As serene as the evening
there was no labour in your beauty
and I swear when I saw you that night
I felt as if I were the whole world watching
time put a finger to its lips
and pour its fountain
into the flow of your body
as if it were the sum of all passage.
And though I was your friend in all things
every evening since
the candle went out
in the lantern of a lost tomorrow
I have walked out into abandoned fields alone
and asked the saddest questions
of the most distant stars
knowing there is not enough light sometimes
even in the eyes of God
to be a companion of our sorrows.
And the questions grow longer
as the darkness deepens
the echo of my longing
in a well as dry as my skull
and closes its gates like scars.
And then those nights come
like a life or a day
or even just this moment
when I stop asking
why human suffering
is always indescribably true
and joyful as an irreproachable buffoon
sword-dancing alone with the moon
who writes me dangerous loveletters
as if she were the Lady of the Lake
receiving me back
like a funeral ship
into this mysterium of you,
I can almost believe that you know
even though the night mocks the crow
that pines for mercy
and turns its lightless face toward you
as if it could still feel
the warmth of the sun at midnight
in your eyes again
like the afterlife of light
playing with fireflies in the abyss
now that the summer constellations have gone down;
that somehow you must know
like a guitar
on the far side of a room
where someone is singing
as if they had their ear
to the womb
of your irrevocable absence
that binds me to you with every breath
I take for two
as if I had learned to live on death
to keep you alive in me
where you still flow through the seasons
on the nightstreams of my blood
like blossoms and leaves and stars
and the moon leaves no scars on the water;
must know. Or a demon’s a kinder face
to bestow on the darkness
than a black hole without eyes,
though it’s taken many, long, painful years
for the night to share the light with its jewels again
and as many schools as there are fools to fill them
that even just one
of those slightly compassionate smiles
you would send across the room
to cool the furnace of my heart
with the lightness of one snowflake,
one feather
gracing a change in the weather,
knew more about love
as a raindropp knows the sea
than all of us
who have been washed up
on this cold, lonely shore together
thinking we may have been saved
for something more
than this tidal longing
to brave the sea again
and even if doomed to drown
as I have learned
from this shale of pain
that has carbon-dated the eras
of my missing you
like a life that didn’t
flash before my eyes
as I went down for good with everything,
to thank-you, o, yes,
with nothing but love and light in my heart
and your face in the eye of my solitude
as I stand before the sea in gratitude
to thank-you
as you well knew one day I could
for the generosity of the wound
that has run like my life
down these eyes
these windows
this page
these empty mirrors
of autumn rain
that have wept for years without you
just to see you again
for one moment more
than the time I have left
to know that I never will.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share
Patrick White

The Lament Of The Last Train Whistle

The lament of the last train whistle
has disappeared into the distance
mournfully looking for its lost child.
October night in the woods
around an old fire pit of prophetic skulls
blowing ghosts of smoke in my face
that bring me to tears, a neolithic calendar
of all the old and new moons that have passed.
So many, so much, that used to matter
doesn't anymore. Dream figures
that shed their skins like the longer wavelengths
of watersnakes in an infra-red mindscape
of serpent fire dying like the sun
that can tell the hour by the taste of its ashes.
I throw more well-dried thresholds on the fire
like branches that used to be green with the tears
of sweeter departures and arrivals over the years.

All the light's jumped from orbitals
of the tree rings that sag like bags
under the eyes knotted like islands
in the heartwood of their xylem and phloem.
Here where the river parts like long hair
on the skull of a stone, I sit like a demon
in a sacred place, clarified, alert, and alone
as any nocturnal animal in the woods.
The chalkdust of my bones trying
to connect the stars to their constellations
snagged in the trees like the rags of spiderwebs
on the blackboard of a starmap as wide as the sky
and deep as the subconscious of the Burgess Shale.

It's not a betrayal to let go of your faith
when you had none in the first place
and you don't need a parachute on the edge of space
to plunge from paradise, or a weather balloon
of a bad Christian poet to shepherd Dante
like a moon out of hell. Be yourself,
especially when nobody's watching
except that same drone in the sky
that occasionally flashes a flake of silver off
its stone cold third eye to flint your awareness
that it's still there in the cosmic background
like a witness to your dreams and schemes
for a luxuriously appointed life of enlightenment.

Be yourself. The direct copulative imperative
that has supplanted the light as the first word
out of the mouth of creation. Be yourself.
And then let there be light by the side of a good fire
to let you see who that is as acutely
as you can see in the dark who that is not.

The migration of the Canada geese might seem
a broken rosary of new moons calling out
the names of God to you, and one unknown,
or silhouetted against the moon they might
suggest the afterbirth attached to a cut umbilical cord
and your heart might feel reborn somewhere
in the autumn of your life, a child of the fire,
a flower in the full bloom of its solitude
dancing with its own mercurial apparition
on the waters of life in the mindstream
always out of season enough to lag behind
so it can tell the time by the widening gaps in its passage
as it's waiting for the night to catch up to its own shining
like a thief of fire unchained from the rock
that broke the glass window of its transfixed seeing
with a meteor in the hands of an enlightened delinquent.

Or you might read the falling leaves as occult lifelines
on a Tarot deck of overlapping lifespans
like the scales of a dragon playing solitaire
beside the small inferno of a signal fire to the stars,
to let them know you're coming faster
than the time it takes for a thought to make it
all the way to death and back to birth again
as if you were pinging your emotions
like stray wavelengths from the oceans of your awareness
off the horns of the moon the way
you used to skip rocks out over the sea as a boy
to see how long they would keep on going
like a waterclock of stone before they sank
like the flying fish of the hard, cold facts of life back into
the numinous depths of your collective unknowing
where the stars aren't fixed to anything that isn't
flowing along with them like the wind on the mindstream
or a small fire catching its breath in the silence and the solitude
of so much radiance, before it's on its way again for good.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share
Patrick White

Stranger In The Leaving

Stranger in the leaving
than you were before you came.
Is it not always so
when people separate?
Lovers who knew each other intimately for years
close their gates to each other
and say each others' name
as if they weren't philosopher's stones anymore.
And the base metal outweighs the gold that comes of it.
Alone with the alone
in the abyss of the absolutes
what was vivid and vital
turns numb as glass
and what was mystically specific about the other
is no longer a shrine that holds the secret name of God.
Stranger in the leaving
than you were before you came.
You leave with some of my memes
as I leave with some of yours
and we are both no doubt slightly changed for good
by the reciprocity of the encounter
like hydrogen and oxygen make water.
Though now it's all tears frozen on the moon.
Good-bye my lovely
I shall miss your eyes and your skin
and the thrill of your dangerous heart.
I will miss your wounded mouth
I tried to heal with messianic kisses
that never walked on anything but the earth.
And there's no blame
you couldn't fit my lunar month
into your solar calendar.
We had everything in common except time
and our faults were as compatible as our virtues.
I will miss the rumours of alien life in the wavelengths of your hair.
I shall miss losing myself like a firefly
in the wishing wells of your eyes
even if now my own seem more
like impact craters in the prophetic skull of the moon
when I consider what's leaving like an atmosphere from this mindscape.
And I shall always remember
that your heart was as generous as your breasts
and whenever we made love
how the earthly was the envy of the spiritual fact.
You didn't want anyone to know you were gentle.
Not even me.
But I could see through that mask
eyebrow to eyebrow with you
as if we both were intent on showing the same face to the earth
like the crescent fangs of a Georgia moon that said
don't step on me
because we were afraid.
More than enough to have you in the nude
I wasn't a glutton for your nakedness
that demanded you take your illusions off
to prove you loved me.
It would have been an irreverence
beyond the aspirations of heresy
to witness you renewing your virginity
like the new moon bathing in a sea of shadows.
I never tried to pry the petals of the flowers open
before they were ready to bloom.
I was never the ant
that told the peony what to do.
I never tried to look under the closed eyelids of the rose
to see what it was dreaming.
Though I'm not into voodoo
I never desecrated
the bird shrines
of your involuntary taboos.
But now I look in your eyes
and see that yesterday
is less vivid than tomorrow
though neither of them has happened yet.
The new moon is all potential
The full moon all used up.
There are effigies of potential
standing like scarecrows
in late autumn cornfields
and paragons of actuality
who love to star in constellations
that make them out to be the hero.
I try to stay
and I end up going.
I try to go
and the earth moves underfoot.
The root feels the death of its flower
as the autumn stars turn into frost
and burn its petals like old loveletters
to the immensities that didn't have time to read them.
The harmonies of life
are distinguished from the harmonies of death
by a single breath
taken in
and turned out
into the vast expanses of where it came from in the first place.
And the spirit that isn't shy of its own lucidity
knows that everything it illuminates
whether by day or by night
has the lifespan of light
and light is the brainchild of the darkness.
So even when the lights go out
like people and candles
and us
the shadows go on blooming
and even when the stars
are a gust of ghosts at our heels
the dust is rich
with the memory of all the roads
that once got lost in us
trying to find their way back home
like blood and fire and spirit
as if their final destination
were always the place they started from.
And if in the lightyears ahead
you should ever wonder if I remember you
be deeply assured
I shall remember you
as if every footstep I took
were a threshold of this homelessness
I am brave enough to cross without you.
And I shall thank you for this courage
inspired by the muse of your absence
and the feel of my blood Doppler-shift toward
long meditative wavelengths of red
that stream from the intensity
of the wounded white-hot blue of a renewed beginning.
You can't teach a bird to fly in a cage
or snakes to bite other people.
But when I first met you
it was as if the serpent-fire at the base of my spinal cord
that was running to keep its thoughts aloft like kites
suddenly had wings
and all my dirt-bag myths
that crawled on the earth among the lowest
were elevated into constellations
that burned like dragons among the chandeliers.
And when the muses of life well up in me like water
as they will
and ask me back
for all the tears they've shed on the sorrow
of the way things had to be
between you and me
for them and us
to happen the way we did
I will show them the eternal flame
of the nightwaterlily
blooming in the clear fire
of its lonely lucidity
not even the rain
the dragon brings
can aspire to put out.
I will show them the sun.
I will show them the moon.
And I'll say
you see?
That's us forever.
That swan in the heart of a phoenix.
And they will be well-pleased with the beauty of the lies
I use to shadow the truth with compassionate alibis
for why the flowers fall.
Sometimes it's the bird that swims through stone
and the snake that flys
in a profusion of fire and water
shadow and form
darkness and light
intensity and death
madness and wisdom.
Sometimes you meet someone
and you realize
this fallible flesh just as it is
is the deepest longing of the spirit fulfilled
like light in a perishable garden.
That there are no flaming swords
in the hands of the angels
at the wounded gates of our exile
trying to keep anything in or out.
Stranger in the leaving
than you were before you came.
The knowledge we have of each other
might want to keep things the same
but like all living things
in this garden of creation
the only way to sustain our innocence
is change.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share
Patrick White

Over And Over And Over Again

Over and over and over again
you return to me each time
made more beautiful by the pain
I embrace you with
like the aura of fireflies
in the afterlife of the lightning
that was struck by you.
Over and over and over again
I have watched the birds leave in the fall
and come back in the spring
and whether they were coming or going
especially at midnight when you couldn't see them
high overhead like the souls of the dead
I've always heard the same longing in their call
for something I've never been able to wholly comprehend
except as the way I miss you
on this journey without end
where the destination isn't always
the friend of the road
as the stars foretold it would be.

And I don't know why
I always associate pain with lucidity
like the price of shattered glass
when you hurl the moon through it
from the inside
to let the light in through the damage
and you back into my life again
like the radiant sorrow of a lonely tomorrow
that today already lives in vain
like a weathervane
trying to give the wind a direction
it's never taken before.

Over and over and over again
I have looked for your hidden mystery
in the history of gone
for some living intimacy that lives on
but I've run out of doors and gates and windows
flowers and skies I can leave open
hoping you might find your way back in somehow
from those spaces greater than skin that fit you now
like the dress you were buried in.

The random singularity of death's one demand
might shake the tree
into the soft hooves of the highest fruit
that gallop off like wild horses
spooked by their own windfall into the silence
but over and over and over again
I turn the fact that you once existed
like a jewel I once knew from the inside
into an act of insight
that over and over and over again
rocks me like the aftershock of an earthquake
as if your death weren't once but many
and I would live my way through them all
listening to the geese depart at night in the fall
wondering which one embodied your soul
like a star-bound angel in earthly feathers
and whether you noticed me as you left

over and over and over again
standing in the light by the window
a tiny dark figure down below
listening for you in the darkness
like a vase of full of ashes
wishing it had wings.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share

Blindfold

this is the time in my life
when all i see is you.
a time in my life, when
i don't know what to do.

you touched my life like no one could
and my life turned from light to dark blue.

what will it take for you to love me?
there is so much more to me
than the human eye can see.

my love for you is like the light
yellow moon, rising in the east
and like the bright orange sun
going down in the west.
24 hours in all its glory
this is my love, this is my story.


if you was to take off the blindfold
so that you could see
you would surely fall in love with me.
for my love is so deep and so wide
that it covers the entire sky.

when i go to bed at night
there you are in plain sight.
and when i wake in the morning
and open up my eyes
i see you standing by my side.

you are with me 24/7, and makes me
feel like i'm in heaven.

so all i ask is that you take
a chance with me.
and i will set your heart free.

poem by Louis RamsReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share
Patrick White

This Is An Old Sorrow

This is an old sorrow, almost beautiful in the way
it underwhelms me from above, a sky caving in
like a circus tent under the weight of the rain,
a ghost of fruit that could not bear the weight of its tears.
This is a random sadness that's got me as its only friend
when it thaws like a mirror
looking back over its shoulder
at its glacial past, ex-lovers, friends, certain pets,
and eyes that were glass weeping
in the intense mystic heat of a blast furnace full of stars
for how little they understood at the time, things pass
like Canada geese migrating across the moon
like a river you can't step into twice.
Though it doesn't make any sense to say so.
This is an ancient sorrow. And though one direction
is as good as many, I'm still following
the herds of the grazing stars as far north as I can.

O we shall sit down on the good earth half lotus sometime
and cry together for the wound of being alive.
The rose has teeth. And celebrate the scars
in the herb garden as if they were crescent moons.
Or the eyes of a powerful wraith of sadness
saturating the atmosphere with the pathos
of a lament that's been sublimely burning
through its heart for lightyears
like some deep emptiness it knows can never be filled.

As if God would never be enough for herself
and the whole of the universe were
one long maternity of endless creation
that is manifested in its entirety in each one of us
the way the moon's reflected in a dropp of blood
hanging from the thorn of a rose
with the last of two beautiful sunsets for eyes
like the sheen of auroral silk glancing off the scales
of a black watersnake at nightfall when the swallows go in
and the bats come out on the nightshift
like the winged heels of some demonic messenger
with minions that squeal in a frequency too high to hear.

But however you send it, by sound or by silence,
by light or by night, be assured the message you send
however time and space bend things
is the message that's received, like a bee by a flower
or a star by the eye that transcribes it creatively
into hieroglyphic metaphors of picture-music
following a dream grammar of starmud
with a bird stuck in its voice like a phoenix in the Arctic.

Time washes the dust of the road off
by shedding the moonlight like a snake's skin
and skinny-dipping in the fathomless lakes of eternity
it finds along the way like eyes along the mindstream
full of stars and fireflies and what blooms in the soil of its sorrows
beside the stairs at the back doors of all those tomorrows
that left the way they came without saying good-bye.

Volcanic lunar oceans that are only as deep
as the dark tears I have left within me
when I dip the leaking cup of my heart
like the goblet of an impact crater
into a watershed of compassion that looks like the holy grail
and share it with my fellow mirages in this desert of stars
as if they were all as thirsty as I am and everyone
deep down inside somewhere within them
like the green star you can find at the core of an apple,
had a fountain within them like a moon dial or a wine glass
they smashed on the high notes of the nightbirds
just to express their joy as a kind of defiance
in the face of their lots in life, though, in fact
nothing is longer or shorter than anything else in eternity
just as there's only so much time and then there is forever.
And it's the black magic in the roots of a demon
that blossoms like Venus in the west
or New England asters up around Westport in the fall.

And though there's something beautiful in this sadness
that eludes me like a Braille starmap
I can't quite put my finger on to see what's shining
like Aldebaran through the tree line of a bride in a widow's veils,
as I listen to a whisper of flesh
pleading in the darkness not to be excluded
from the presence of time, or left behind by the spirit
like a false clue of cast off rags on a hawthorn bush
to say where it's gone forever and ever and ever
as if whatever the spirit and the flesh had
going on between them never mattered,
whenever the clarity cuts through
the thin-skinned mirror like this
as if it were trying to slash my eyes open
like an insight into what's beyond the obvious,
immediately out of a wounded mouth
I am healed by the balm in a voice of compassion
that rises sweetly like the new moon from the womb
of a scarred guitar that didn't know it had such music in it.

And it says in moonlit windows and nightbirds
that make all the dreaming children wake up and listen
to the intimate strangers that speak as gently as fireflies
to the vast nightskies of their own imaginations,
that the world that casts these shadows on your wall
like a crow preening its feathers, or a bell
that's lost its faith in knowing, and plunges like an apple
into its next afterlife, are merely the holy petals
and sacred syllables taken like pages from the Book of Life
left out like an orchard in a nightwind for every one to read
like a story each of us writes for ourselves
to help us drift gently off into sleep again
to find out how it all ends in a dream that goes on forever
like the fragrance of lilac in an old woman's memories
or the marrow of the apple bloom
that clings like the moon to our bones
or stars to the flypaper stairwells of our chromosomes.

No other way to explain the shining of this sadness deep within
as if my very blood mourned the passing of the things
that have drowned and disappeared into it over the years
like honey-bees in the lees at the bottom of a black tulip
full of rainwater, and by that I know
this is a sadness common to all
that's worthy of the stars in its windows,
and the dreams in the mirrors that paint our faces
like quick watercolour life studies of rainbows in tears.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share

Finding

From the candles and dumb shadows,
And the house where love had died,
I stole to the vast moonlight
And the whispering life outside.
But I found no lips of comfort,
No home in the moon's light
(I, little and lone and frightened
In the unfriendly night),
And no meaning in the voices. . . .
Far over the lands and through
The dark, beyond the ocean,
I willed to think of you!
For I knew, had you been with me
I'd have known the words of night,
Found peace of heart, gone gladly
In comfort of that light.

Oh! the wind with soft beguiling
Would have stolen my thought away;
And the night, subtly smiling,
Came by the silver way;
And the moon came down and danced to me,
And her robe was white and flying;
And trees bent their heads to me
Mysteriously crying;
And dead voices wept around me;
And dead soft fingers thrilled;
And the little gods whispered. . . .
But ever
Desperately I willed;
Till all grew soft and far
And silent . . .
And suddenly
I found you white and radiant,
Sleeping quietly,
Far out through the tides of darkness.
And I there in that great light
Was alone no more, nor fearful;
For there, in the homely night,
Was no thought else that mattered,
And nothing else was true,
But the white fire of moonlight,
And a white dream of you.

poem by Rupert Brooke (1909)Report problemRelated quotes
Submitted by Veronica Serbanoiu
Vote! | Copy!

Share
Patrick White

If Only I Could Remember Things For Awhile

If only I could remember things for awhile
as they were before they changed. Savour them.
Let the flavour of the jewel
that's been ripening in my voice
wash through my mouth
like the mystic blaze of a star sapphire
and every word I say be a firefly of insight
that can shed some light on dark matter.

Would that my tears fell fruitfully enough
to feed the world, that one dropp of my blood
after years of preparing the potion, were enough
to immunize a whole planet from affliction.
And what marvels would my eyes not delight
in showing anyone, if they could astonish the blind
like an orbiting telescope that's just had
its cataracts removed
like the reflection of the moon peeled
like an albino eclipse off the black mirror of the lake
only to discover that all this time they groped through the dark
like star-nosed moles, it was their own face that got in the way
of what was shining. If only my hands
knew how to build like the birds
and my bones were strong crossbeams and rafters,
what palaces of light and water and air
would my heart not offer to the homeless
like the growth rings of a maple tree
that threw them the keys like winged samara
and said, move in, its yours. It's built on bedrock
not the quicksand cornerstone of a slum lord.

For the lonely sitting with their cats and their elbows
in half-opened windows, observing
the pigeons and the stars for memorable events,
I would break this long fast of my solitude
like black Slavic peasant bread with strangers
who sat above the salt at the table
as my honoured guests, and ask them, eye to eye,
heart to heart, all ears, as if I were a radio telescope
listening like Seti, if they've heard any news back yet
from Bellatrix or Rigel, and which
of Jupiter's shepherd moons is hiding
a secret affair with life that everyone's dying to know.

It's heart-breaking that we can't all bring our tears to bear
into one cloud weeping over a drought like a dry creekbed
where we're all hibernating in our own starmud
like toads and frogs waiting for flashfloods of the next rain
to underwhelm us like gravestones in a makeshift cemetery.
What would the world be like if we could
walk up a long country road at night far from ourselves
and not have to ask the roadkill for directions in life?
As if we were sure enough where we were going
to risk being followed by the lost like a starcluster of fireflies
within the compass of everyone's bearings, not
out there somewhere like the ghost of a spaced-out lighthouse
but like the porchlight of nearby farm on a summer night
that draws living things out of the dark like the full moon to it,
even if it just be gnats in the air, bats, or Luna moths,
what a seance of life we could be to each other
as if we left the screen door unlatched
for any lunatic of the light on the road this late at night
who might wander in like the seeds of new themes on the wind
to enrich the bright vacancy of our dark abundance
with a starmap to where our buried treasure lies hidden
like diamonds in the ore of the hearthstones of our hearts.

If I could take the whole of my darkness
and enchant its snakepits into the wavelengths
of the light I would have emanate out of me
like the rainbow body of a Tibetan rinpoche
entrusted with the wisdom of the Himalayas
to seek a low place among the stars like a sea
that all things flow down into like the shining images
we retain of ourselves like the reverberations
of experienced luminaries echoing
like seasoned birds to each other
in the valleys and black holes of tears and death below.

Sacred syllables of immortal butterflies
in the orchards of morning and moonrise.
I would shine down upon the abyss of the lovers
like a water star from the bottom up
of all the burning bridges they have yet to cross
like Aldebaran at zenith, or Cygnus at nadir,
to get them to the other side
of what binds them to each other
like water and air, light, earth and fire,
and each moment of my life, every step
I risked anew, I would become the way
that's never taken itself before this deep into the mystery
of what it means to be alive and everywhere
be endangered by the beauty of our own awareness.

Instead of breathing for the dead as long as I can
underwater on the moon, I would invite them
to make a new birthmark in new medium
that calls them back from the night like light
from the scattered ashes of the empty urn of a star
coming together again in a gravitational womb
of their own remains, where everyone achieves
the all consuming illumination of their endless afterlives
by opening the koan of a single flower
in the light of their darkest hour of perennial insight.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share
Patrick White

I Have Become My Own Season

I have become my own season
living through these renewable eras of you
that come and go
like the fragrances of passing stars
that sometimes stop by the gate
to talk about the garden blooming late.
Some flowers wait for the moon to open,
to throw their arms around space
as if they could encompass everything
in the brief embrace of their petals,
and their seeing is one eye under multiple eyelids
as they burn like jewels in the night
to keep it all shining and bright.
But I've worn out the elbows
of my insatiable longing
on the windowsills of a different insight.
Saddened by the distance, the time, the circumstances,
delinquent desires still hanging out their shingles
like green apples on a dead branch in winter,
withering like the inconsolable eyes of old men
who have died like sons
and now must die like fathers,
mine is the darker radiance
of the faint halo of light
around a black hole
that summons everything
down into it like the sea
sitting below its own salt
at a stranger's table.
You can't look into
the black mirrors in my house
with your eyes open
because they only reflect
what's on the back of your eyelids
where the only light is your own
and you are the road
and the lantern you go by
and everything you feel and think and imagine
is your own true face without skin
not the gate between outside and in.
How could I ever recognize you
in these dark spaces
if it weren't for the trees
and the stars and the moon
and the night stream that runs through me
like a lifeline on the palm of my hand
down from the mountains
in a rush of diamonds and gold
that pour out like the pent-up emotions
of a sword that's just been pulled from a stone?
And how hugely alone the night is
when you love someone as they are
and you realize without effort
that if you hold them a moment in their transience
you hold them like a star in a locket of water
that tastes like the past.
There are people
like treebound barrels of rain
and then there are people like me
who leak out of their lives
like radioactive water
that couldn't pool the pain
long enough to stop the meltdown
long enough to cool the brain,
long enough to let it kill me.
Now in the darkness
seeded with the dust of black dwarfs
trying to clench a fist of coal into diamonds
my auroras are weeping neon dew
like a cheap enlightenment
all over the watercolours of dawn.
And I'm wondering
what kind of an afterlife is this
that I might have foregone
if I were indifferent
to how my solitude deranges me
like a lost continent
wandering through its own mindscapes
like an extinguished star
that wants to make up
just for one luminous moment
a constellation of its own
that doesn't wait upon anyone's eyes
for the themes of its seeing.
And though the skies have changed
like the slides of childhood dreams
with every blink of an eyelid
whenever night approaches me
and asks to sit by my fire
and let the flames and the smoke
of our past lives
speak for the both of us
I look up to give my eyes
like two drops of water
back to their oceanic immensities
and it's always unattainably you
that is shining
like a woman in the window
of a secret house of the zodiac
far off the beaten path
that leads everywhere like a firefly.
And your stars speak to me
as if my flesh were light again
and my heart
that bumps its way through the dark
already a lamp beyond
the Lazarus of wax
that's buried in his own lucidities
like a candle I left for dead.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share

Rip The Night Away

If it ain't natural, then it ain't real
Ohh we gon' be kickin' tonight
We gon' be sipping tonight
Ripping the night away (rip the night away)
Ohh, when the time is right
Another full moon light
We rip the night away (rip the night away)
If this was the last joint, that we ever rolled up tight,
I'd want to be with good friends, underneath that open sky,
Play some mellow music, throw our dreams into the fire,
Release all the demons, and our souls are uprising
Oh we gon' be kickin' tonight
We gon' be sipping tonight
Ripping the night away (rip the night away)
Oh, when the time is right
Another full moon light
We rip the night away (rip the night away)
Oh we gon' be kickin' tonight
We gon' be sipping tonight
Ripping the night away (rip the night away)
Oh, when the time is right
Another full moon light
We rip the night away (rip the night away)
There's nothing in the world like some good times and good vibes
Surrounded with your friends and your family by your side
All the time you spent together going out havin' fun
Doin' the things you do, this life style's got us on the run
Life's too precious every moment make it count
Some days you're on the top some day's you're down and out
This life's a gift, I'm gonna shine my light
So sit back, relax, get high, with us and kick it with us tonight
Oh we gon' be kickin' tonight
We gon' be sipping tonight
Ripping the night away (rip the night away)
Oh, when the time is right
Another full moon light
We rip the night away (rip the night away)
Oh we gon' be kickin' tonight
We gon' be sipping tonight
Ripping the night away (rip the night away)
Oh, when the time is right
Another full moon light
We rip the night away (rip the night away)
(Rip the night away)
Burning, burning, burning
(Rip the night away)
Burning, burning, burning
(Rip the night away)
Burning, the night away
Take me to the mountain high, where I can smoke a bowl in peace while I drive
I'm on a
Back road with my sunroof open, on the way to meet the friends, we'll gather and tokin', and we
Build a fire and chill for the night, get drunk on old times and roll a few, what I like we just,
Sit there, fire and reminisce 'bout the best days of our lives and we be the ones blazin'
Oh we gon' be kickin' tonight
We gon' be sipping tonight
Ripping the night away (rip the night away)
Oh, when the time is right
Another full moon light
We rip the night away (rip the night away)
Oh we gon' be kickin' tonight
We gon' be sipping tonight
Ripping the night away (rip the night away)
Oh, when the time is right
Another full moon light
We rip the night away (rip the night away)

song performed by by Kottonmouth KingsReport problemRelated quotes
Submitted by Lucian Velea
Vote! | Copy!

Share
Patrick White

There's A Black Lotus In My Heart

There's a black lotus in my heart, black hole
of enlightenment, black waterstar, sacred eclipse.
Nothing worth attaining that isn't unattainable.
And all the gates are upside down and backwards.
Albino starmaps with black dots shining
on the other side of the mirror, zodiacs
of black matter looping back on themselves
like solar auroras of the sun that rises at midnight.
I don't know what all this means. I may have gone
too far into exile and actually managed to get
to the dark side of the moon. Or I'm a warehouse
of shadows at noon that have lost track of the time
like blind sundials that feel they're being followed.

The light illuminates, but I bloom nocturnally.
I've got the burn marks of stars all over my skin.
I work on the nightshift at the foundry of a constellation
busy pouring itself out like iron and oxygen, blood and air,
forged out the afterlives of hydrogen I've gathered over the years.
A fire-womb engendering one you fill with water.
Fire the midwife of its own daughter. I'm envious
of creative immolations I know I'll never attain.
Though my left brain is in full communication with the right
and I'm a full moon of the bright vacancy, dark abundance
of both sides, and the harvest is ripe, I'm always
a star ahead of my light, so I don't end up
like a dead school furnace in the basement
writing my memoirs like a manuscript of ashes in an urn.

Deconstruct me wholly down to my last atom
and I promise you, if that's all I've got to work with
like one stem cell to another at the beginning
of a matrix of causes and conditions into which
we'll be placed by a Hox gene assessing the chi
of which direction our eyes should face, and how many
degrees of separation there should be between our ears,
I promise you, I'll still burn with the fireflies
and the supernovas like a blind prophet
who saw two wavelengths copulating like snakes
and has been tied at this stake of of a spine,
an oracular heretic of both sexes in synchrony
like the hybrid of a phoenix and a waterbird
burning in visionary serpent fire ever since
for the sake of a muse that always comes
in the nick of time like rain on the moon to my rescue.

When it's night in the diamond of my third eye
is the light not more mystically enhanced by the darkness,
more mystically specific than the white wash of the sun?
The moon is the mitochondrian that tempers
the toxicity of the light so the nucleus of the solar system
can blaze with alien oxygen meteorically across the night.
The black mirror, brighter than the white,
shows you your reflection on the inside
where you're arrayed like a faceless world
that's given up trying to second guess
who's the unerring witness under the lifemask
of the surreal cosmology that doesn't recognize
it's not a self, at first glance, and that all physics
is the psychology of ridding yourself of the delusion
you can, even if you're riding a flying carpet
out into this desert of stars to sweep the constellations away
like mirages that have been throwing bad meat
down your holy wells like sacred crocodiles.

Ignite even so much as a matchbook at this distance
or turn on a flashlight to see what's in the dark
as if you were looking for your mind with your mind on the light
even though it's as abundantly clear as your eyes it's night out,
and the billions of stars in the next closest galaxy,
Messier 31, at eleven o'clock above the middle star
in Andromeda on the rocks, and two million light years
of enlightenment will gently recede back into the cosmic hiss
and disappear from your field of view subliminally
knowing, because the timing's yours, you're a daylily
covering your insight with the petals of your own hands
because you don't know how to open them sidereally yet
from the outside in, where your darkness shines
and the night you turn your face away from
like the bright side of the moon blinds you
by a reflected glory to the radiance of the origins
of your own vision, deep within, where it all begins
emanating stars of the darkness of your own eyes.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share
Patrick White

Things Might Be Drifting Away

Things might be drifting away
like an empty lifeboat
with nothing left to save
but the memory of moonlight
on the rush of a wave of the heart
that rose and fell
like a bell of insight on the night watch
that said all's well all's well for the night.
And so it was for a while.

Time might seem
that it's overstaying its welcome
and you've become the estranged guest
of a bad dream
in your own bed
in the thirteenth house of the zodiac
where the dispossessed
shack up with the misbegotten
and the ghosts of everything you've forgotten
don't give you any rest
until all that you've cursed
out of anger and need
has been immensely forgiven and blessed.
And perhaps it appears
you've been the rogue star
of a sign in long exile
far away from now
and that might account
for your misplaced trust in mirrors
and your lack of confidence in star maps.

Happiness just happens
like good luck and grace
and the creative inspiration
to rejoice in your time and place here
as if the purpose of your voice
were always to praise
even on the darkest of days
when the only thing
that shone in your eyes
weren't the stars you kept
locked away in your tears
like the face paint of clowns
or the crown jewels of the Pleiades
but a bitter farce of black holes
in the veils of the mirage
that eclipsed your enlightenment
with a starless night
it's impossible to get beyond.
And so it may well be
for those who've been
as far gone for as long you have.

But even the blind are shining
though they can't see it
and the deaf are still singing
though they can't hear it
and the dead are still living
though they can't feel it.
And those who have given up seeking
still find what they were looking for
like a loveletter with a return address
and an open door that recognizes them
like the prodigal threshold
of a homeless human
about to cross one more
like the last step of a long journey
that lost its way back in all directions
like the radiance of a star in space and time
that never took its eye off the past.

We cherish the flowers of summer that bloom last
more poignantly than those of the spring
because we feel our own hour of farewell
in the progress of their passing.
The sadness of an earthly excellence
fulfilled and surpassed
we see in the shedding of the aster's petals
and in the lowering of the wild rose's eyelids
and in the lengthening of the black walnut's shadows
that move like cool water
across the dry grass of a late afternoon
signs of the same night approaching us.
And we know it will be dusk soon.

We'll look up at the blue moon in late October
and whether the silos are full or empty
wonder if every harvest
wears the same death mask we do
with the smile of a scythe on its face
or if the goddess of the grain
bears true witness to
the perennial innocence of death
in the way she enhances
the white spectre of the first frost
to shock the garden down to its roots
with the same koan she uses
to enlighten the dew on the stargrass.

And you might dread the coming excruciations
of the scarecrow immolated on the pyre
of its own substance
like the short straw of flesh
that once sustained it
lost in a draw with death.
And come to scorn your heart like an urn
filled with ashes in the aftermath
of the same fire that once filled it
so full of desire to bloom
it could no more contain itself
than a seed can keep a secret from the spring.

You could see it that way.
And who among those clinging
like a blue atmosphere
to this homeless grain of dust
in the vastness of these sidereal immensities
within and without
that animate us like starmud
to join in this dance of life and death
like a legacy of shining
that can't be washed out of our eyes
though tears have fallen for lightyears
on the root fires of what we've loved and lost.
Who among these
could say you were wrong?

Because no river's flowing
the wrong way to the sea
in this reunion of arrivals and departures
at the stations of our afterlives
on this wheel of birth and death.
We're all going to make it back
to where we came from
one way or another.
Some like rain.
Some like ice.
Some like snow.
Some like the lingering ghost
of morning mist on the lake
that's gone before noon
and some like water on the moon.
The flowing of the river
summoned by the sea
to the source of its coming and going
is the calling of life everywhere
to transcend itself
by passing into the unknown
like the available dimension of a future
that's no further beyond us
than the past is
in the light of distant stars.

The sword doesn't wound itself.
Fire doesn't burn itself.
Water doesn't drown in itself.
And life doesn't bleed out of itself
like the dream of a fortune-telling poppy
or a water clock that's run itself to ground.

The eye isn't the seeing.
The ear isn't the hearing.
The tongue isn't the tasting.
The skin isn't the touching.
The voice isn't the saying.
The brain isn't the thinking.
The heart isn't the feeling
anymore than life
is the carrying in
and death is the bearing out.
The darkness isn't a lack of light
and the light isn't the absence of night.
Death is unborn.
Life is unperishing.
Formless in a world of forms.
Two wavelengths of the same awareness.

You say you can see night gathering
under the door you're afraid to answer
long before anyone knocks
and though you dream by your own light
you don't know who's casting the shadows.
Is sorrow any younger in the heart of a child
than it is in the memory of an old man?
Joy any less vivid in the eyes of an old woman
attending to the flowers in her garden
than it is in a girl having tea with her dolls?
Is this day not as new to the widow
as it is to the newly-wed?
Experience is the capstone and dunce-cap
of the sum of destructions
that made us who we are today.
And in life it's the brilliance of our failures
that throws more light on the dark matter
of the issue before us
than all the star power
of the blazing successes
that blind us to our own shining.

You step out of a backlit doorway
into the dark
and slowly the darkness grows
the eyes you need to see the stars.
And maybe death is like that.
Nothing to look at but black
until we blow the candle out
that's been misleading us all the way.
Maybe that's why the jaws of skulls
are always caught gaping at something
that's more than they can say.
But look at the expressions on their faces.
Maybe their eyes
are too overwhelmed by what they're seeing
to want to get in the way.
You could see it like that.
You could see it through the eyes of the rain.
You can taste it on the tongue of a candle flame.
You can read it from right to left
in the Kufic script of the wind.
You can hear it in what the stars are whispering
through the keyholes in the pyramids.
You can feel it all around you
like bubbles of skin and air.
Like empty rooms with atmosphere.
As many ways and roads and rivers as there are
that flow into it down the world mountain
back to the sea
back to the same undifferentiated watershed
of these myriads of mystic specificity
and who could number them all
as many as the stars
or all the grains of sand
of all the deserts and beaches on earth
as many as the dead of every kind who've come and gone
all that blood mind passion dream and imagination
all those tears all that despair lucidity and apprehension
love and familial affection
all that waste and hatred and emotional sewage
dissolved wholly back into the sea
like a watercolour left out in the rain
like a name written on water
by a poet who died young
in a foreign language far away from home
just as birth arrays the universe before us
and says make of it what you can
so death approaches no less a peer of life
than we are in our relationship with all things
and offers us
the same great creative opportunity life does.
Green bough.
Dead branch.
Sunset.
Moon rise.
The hidden night bird alights
on either alike
and folding its wings
like gates and books
and the eyelids of those who dream
at the beginning and end
of a long dark radiant journey,
sings.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share
Patrick White

Yes, The Awful Thresholds

Yes, the awful thresholds.
The taboos of lace and razorwire
that threshed our blood like kings of the waxing year,
queens that were crowned like the full moon in broken windows.
And you, dark one, hidden familiar, switchblade,
last crescent of my torment when all else had failed,
bloodsister of the same wound I've been dying of ever since
as if this life were the greatest affliction
that could have been visited upon either one of us
by the closed doors that drove us away
like scapegoats and pariahs, the untouchables
of an infernal caste of homeless innocents.
How could I ever forgive the boundary stones of their skulls
for what they did to you with their false prophecies
and promised lands, the hatred of your savagery
when you were mauled by the snakepits
incarnated in the hands and the glands of the toxic fathers
who brought their drunkenness like garbage barges
to the bed of a terrified girl to waste her
as they had themselves as if you'd been born to be trashed.

The deepest outrages and sorrows in life
have had their tongues cut out, and over the course
of many demented stars, the light evaporates from their eyes
like the last grey thread of smoke from a candle
dipped in flesh, and the soul, no longer a spinal cord
of serpent fire burning like a fuse toward
some apocalyptic illumination that would right
the errors of perception in the awareness of heaven
that washed you and I like motes and cinders,
the crumbs of dreams clinging to the end of an eyelash
out of its field of vision as if we were never meant to be seen.

O my lover, my salve, my muse and anti-self,
my heart still burns in the cold out here alone
in these broken starfields under these shattered chandeliers
lucid as ice-storms in the abandoned ballrooms
of the scarecrows that once used to dance here
until they broke into flames like strawdogs
at an outlawed ghost dance that promised to return
all those things to us that we had irrevocably lost.
Where have you gone? Is it warm, there?
Do they leave you alone to nurse your heart
back into feeling something remotely human again?
Even at this late date, your gesture of silence
still humbles my voice like a night bird
I haven't heard before, as you ask for nothing
in the darkness, knowing as I know,
it would only make you more vulnerable to joy
and joy's an arrow fletched with our own flight feathers.

And though, even now, wherever you are,
it would probably make you wince like a black rose
waiting for a pearl of blood to appear
where you pierced your eyelid on a thorn of the moon
in lieu of a tear you couldn't show to anyone but me
without them breaking it like a mirror they didn't want to see,
I have to say it, because you have to know,
though we've grown old apart, and I don't even know
if we're still the same astronomical catastrophe of fireflies
trying to keep each other warm in the immensity of the solitude
we once huddled in like a cold furnace of the heart,
waiting for a new world, anyone but this,
like a new universe to hatch out of a cosmic urn
though we both knew matchbooks don't just
suddenly flare into fire-breathing dragons
out of the ashes of creatures like us
who could not forgive our childhoods
for abandoning us to the ferocity of their absence.

I have to say it, as if I were threshing arrows
like stalks of wheat in Virgo, what
an unlikely blessing of a sphinx you were
among so many obvious curses in utero.
And you must know, though I say it in broken glass
that never learned to cry, that I really did love you
even if I never said it at the time for fear you'd mistake me
for the others who did to excuse what they took from you
and never returned. Thousands of miles away
and more light years than the journey could keep up with,
in this open field, leftover for the birds and the worms
and the homeless weeds that are turning it into a refugee camp,
I stand like a hypocrite under a harvest moon in silence
and think of all the empty silos I've tried to be grateful for
as if I'd broken bread with them in order to learn
how to live on less than nothing but this vengeance
that still burns inside of me like the vow of a vacuum
that has yet to be fulfilled whether nature abhors it or not.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share
Patrick White

In You

In you I come to the end of roads,
and an alphabet of burning wings
falls from an indigo sky
like meteors trying to write
the unsayable in a slash of light,
in a language of luminous scars
the night beatifies with mystic knowledge
that wants to name you
so deeply in thresholds and stars
the charged silence
is giving birth to an indelible mouth,
a doorway of blood,
an ancient grammar of fire
the wind puts on like a robe
to scry the darkness for a voice
that could fill the goblets
of the moon's dead seas
with the wine of a radiant wound,
so much within me
already the tongue of a bell
that can taste you like blackberries.
The whole of you
in every single dropp of your eyes,
you are the black swan
of the eclipse that rares its reflection in water,
the dark orchid in the shadow of the dragon
that sways like a bell in the night,
even your absence a shape of cherishing,
a harvest of shadows beyond the light
of the lamp that burns for you.
Within the deepest abyss of myself
where the heart stands alone
like a single black pillar
in the twilight wasteland of the world,
a mysterious temple to the ultimacy
of having been here once
to suffer the passage of form and time,
everything a gesture of space
that thaws back into itself,
I have written your name
in the hourglass of my blood
like a whisper of secret ink
that once voiced the light to be
and shook the stars like wheat
out of its blind abundance
and will be remembered forever
as the first intimacy of the sea,
and there is the rumour
of a dream in the air,
the fragrance of an approach,
that out of an ocean of light
the tide will embody a woman
like the shore of an island
littered with fingertips and kisses
enmeshed like galaxies and starfish
in the exhalation of her veils
and our lips will meet like archers,
and our bodies will sing like arrows
sunk like orchards through the heart
and long after the last flame of life is shed,
the night will silence the birds
in the groves where we bled like poppies
to open the gates of the mystery
like keys and rain, or the rosary of black pearls
that chants its prayers to the night
like the slow alarm of autumn geese
in the eyes of a human face.
I try to say what can't be said,
pouring my spirit
into the wineskin of every word,
but my heart is a larger apple
than the bough of my voice can bear,
and the silence
that would erect temples everywhere like flowers
spun from the auroral silks of my soul
and perfume the air with the pollen of sacred fireflies,
every emotion a priest with a shaven head
to honour the moon
climbing the stairwell within me
of a million horizons at once
in every breathless step,
falls away behind me like the wake of a sinking ship
that lowers me into my coffin like a lifeboat
or a message in a bottle
that pleads like wine with the emptiness
for an alphabet that isn't in arrears to time
to say you to the night
in a lightning breath of life beyond
these elemental likenesses I carve
from a quarry of stars.
And I know I ask for immortal children
from a human womb,
and wide as my powers are
to exceed the sky with homing birds,
to adorn the dead branch with windows
that dazzle the roots of dawn,
I am the ashes of a black star in daylight,
a stone man with a chain for a tongue
when I try to swim like Atlantis
through the depths of your shining within
and the last word, the last life
to flash across my mind as I drown
again and again like a pulse
in the embrace of your beauty
is always the world as it is
before anything was said.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share
Patrick White

Something Continental Within Me Rising

Something continental within me rising.
Atlantis, surfacing. Pangaea coming back together,
synarthritically, after diversifying its sentient life forms,
from the preludes of the Burgess Shale
to the double-beamed diplodeci of Patagonia.
I can feel the shoulders of an ancient ocean
heaving up beneath me like a Leviathan of life
with the power to smash headlong through
the hull of the lifeboat of my psyche, or tip me
like a seal off this last ice floe I'm clinging to in the Arctic
with four polar bears, Henry Hudson, and a terrified tern.

Sublimely underwhelmed, everything I once transcended
crossing a burning bridge of stars in a long firewalk
now subscended like the underside of a leaf or a starmap
as if my vision of life, and this thread of blood,
this small mindstream at night I am in it, is being
woven and unravelled by the moon I'm giving birth to
in a fire womb of an underwater fumarole
umbilically connected to the magmatic core of the earth,
hydrogen sulphide mythically inflating the scale of life.

I'm heading into a bloodstorm with a ragged poem
like a flag of surrender for a sail on a life raft I lashed together
from the available driftwood that washed up on my shores
like the contorted corpses of those who had drowned in agony,
trying, as I have, for light years, to get to the other side before I die
in this tidal pool of shore-hugging ego that esteems itself
the third eye of the great nightsea beyond it
and when it's full of stars, the parabolic mirror
of a reflecting telescope in orbit around itself like a deer fly.

The earth is turning into quicksand under my feet.
O, earth, gape! A touch Marlovian, perhaps,
and a sound magician might make a demi-god,
but demi-gods don't always make the most sound magicians.
My skyscrapers are loosing their footing
like needles skipping grooves across an old fashioned record
of the celestial spheres, striated by retreating glaciers
trying to revive the last word of their literary careers,
like fireflies with enfibulators come to jump start their art
too late, too late, to go south with the other birds.

The mourning dove flees, but the crow winters with its heart
like a continent of coal deep freezing into diamonds
when a dark muse seizes it by the throat like an eclipse
and it cries out in the starless night of the uncomprehending abyss
across the ice-glazed eyelids of the blood-stained snows,
I am the ocean in the eye of a black rose.
I am the prophetic passion of fire in the skull of a dragon.
I am the dark lantern the arks of the stars
send out before themselves as if their myths of origin
were all ahead of them like a time capsule of eyes
to be opened sometime in the future when the light
makes land fall like the Norse at L'anse aux Meadows
before the fishermen anglicized Medusa from the French
in Jelly Fish Cove at the northern tip of Newfoundland.

I am the spectral blazing of the silver heart of the moon.
I am the compassionate ice palace of an Inuit embassy,
an igloo in tears, giving sanctuary to the snow blind ghosts
that can wander the tundra for years like exiled dolmens
following the spectral fires of the auroral borealis
without any sign of a seance rising like smoke
from more accommodating fires on the shamanic horizon
of a mystic trickster that ate the eyes of the snow fox
so it could see in the dark the traps that had been laid for it.

Long before I became the funereal usher
greeting the new comers at the one-way exits of the dead,
I was the gateless gate at the entrance of the living
to the longest white nights of their lives in a northern paradise
where nothing was forbidden and the great oracular snake
that Blake said in his prophetic books would arise in Canada
found it too cold to survive and perished
like a wavelength of dark energy red shifted toward the light
in a six month long nightmare no fire could revive it from
like the hallucinogenic smelling salts of the volcano
it coiled around for visionary warmth at Delphi.
But I can tell by the tattoos on the skin it shed
what it would have said if it had been more adaptable
and let more serpent fire go to its head in this cold climate
like chimney sparks among the stars
shining above its last chakra circumpolarly like Draco
growing wings like a wivern of wild grape vines
wrapped around the axis mundi of the wounded earth.

I can heal. I can soothe. I can seduce you to my love.
I can move like a scar over the surface of the earth.
I can run like a wild northern river roiling in the moonlight
I can linger like a ripple in the oilslick of the Alberta tar sands,
or a perma frost speed bump on an asphalt highway in the spring.
I can be the dark angel in your way who drives
a spear of light through your heart so you can
never really tell if you're just another Barbie
toying with nirvana, or a real voodoo doll in the night
with a deeper insight into the dark arts of cursing and blessing
than either of the shallower mirrors and scenic vistas
of your blood and tears could have managed
on the same event horizon where they stand on the threshold
of a black hole they dare not enter on their own.
I am the alpha. I am the omega of shapeshifters
I am a dynamic equilibrium of fire and water
at peace with themselves without compromising
the other's nature for rising up or flowing down.
When my feet are in the stars, my head is on the ground.
I am the balancing act of a sacred clown
chequered like a chessboard calendar
of the days and nights of my life
I've danced with the full,
I've danced with the new moons
as if my ends always came before my beginnings.
Extinction the prelude of inception,
not the false dawn of its epilogue.
Clarity doesn't engender an opposite.
It isn't reality. It isn't a lack of deception.
It just means enlightenment and delusion
have both ceased to exist
as you make your exit, laughing,
with a real tear painted on your cheek that hasn't dried yet.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share
Patrick White

Were There Stars

Were there stars in your hair that night?
I cannot remember,
so taken with your face
and the mystery and the silence and the sorrow
of the tender bell in your eyes
that could summon ghosts
of yesterday's embodiments to the fire
of any passion that lost itself prophetically
at a rave of shadows among the trees.
You eased out of your wardrobe of rivers
like a snake on the moon
sloughing its skin like the eclipse
of a far more vulnerable shining,
and I couldn't tell if you were
a doe or a lynx
stepping out of the alder groves warily
to lap the moonlight
that flaked the shore
with the silver petals of an undulant rose
older and darker than night blood.
I could feel the danger within you,
the abyss of the early grave
that waited for you like a key
to come in out of the pain
that bled you like a shadow
pouring out of an open wound
that whispered to you like a secret scream
only the dead who owned you could hear.
Your hunger desperately sought salvation
from the eyes
that pleaded with you
to blow yourself out like a candle,
cancel the inevitability of your suffering
with the shudder and sigh of sex.
We lay down naked together
by the willow-stained waters
in that summer of flesh
and sought oblivion from each other
like two compatible cremations
that concealed a ravenous phoenix
ending its fast of fire.
Purified by the depth and darkness
of your intensities,
I burned in you
and felt the flames
of a dangerous angel
who had broken her afterlife like a curfew
flow over me
like dawn at a keyboard of feathers.
Your breasts still come up overnight
like supple mushrooms against my chest
and the moist heat of your mouth
throbbing with flowers like July
as you seized your joy
from the agony of the roots you tormented
to give up their dead
like bruised cherries.
I have never died as fully since
at the insistence
of any woman's appetite
nor known a night so final,
so brutal with time and beauty
as the pendulous moon swung
like an executioner's ax
over the nape of its own reflection
swanning on the waters.
We made love as if
we were both defying
the truth we didn't need to say.
I wanted to plead with you,
I wanted to call out into your emptiness
like a beseeching bird
disappearing into a dark valley,
but my voice ran ahead of its echo like light
and the things I would have asked you
not to do
had already been achieved.
Heroin, your asp,
at the funeral I stood back
beyond the baffled wreaths of flowers
and the ambivalent silence
of the modest gathering that mourned you,
maculate in the shadows
of the Japanese plum tree
we once made love under
and I kissed the rose of your blood
shedding in mine
like a wound
my love was never sword enough to heal
as they closed
and boarded you over like a well.
I spent the night like an empty vase
beside your grave
until the stars that bloomed above you like wildflowers
thawed my tears in the morning light.
I walked out of the cemetery
through the hard harps and spears
of its iron gates
and I have never been back.
The years since have been
chameleonic as a hooker
who plys her art
on the stairs of a temple
even the priests of my lust
are forbidden to enter,
but as you said I would
as you lay with me that night
like a knife beside the sea,
I have returned to you over and over again
like a witching wand
looking for water in hell,
like a cult of one to a lost island
that holds you like a secret
and wept like a candle of honey
in the dark hive of your unanswerable silence,
intoning the names
of an impossible god
on a rosary of black suns
until my heart hangs like a bell
dumb with grief
looking up at the stars
you rinsed like a tide from your hair.
And I lean on the crutch and the crook
of a shepherd's question,
looking everywhere for you
like the wind
sweeping the shadows of fireflies
like the fall of hair from your eyes
that night you tore yourself away from me
like a veil of blood and sorrows
wounded by the terrible light
of the black pearl
that ripened within you like the skull
of a full eclipse.
O my poor, broken angel,
you might have been fat and frumpy by now
if you had lived.
I could have watched your beauty
shed like the moon over the years,
and smile like an island
to remember how lost I was in your tides once,
a constellation of starfish
tumbled like dice in your dark undertow,
trying to shine, god, how
I tried to shine for you, how
I ached to embrace your planet safely
in the mandala of an empowering radiance
that could show you
I was worth living for
if nothing else.
Given the freedom
of the emptiness that engulfed us both,
we could have lived within each other,
we could have evolved our own atmospheres,
appointed our own stars,
written our own myths of origin
on the black pages of that journal of skies
where you scribbled down the events
of your pre-emptive afterlife
as if you wanted to make your ghost indelible.
As it was, the only thing I could do,
was take you in
like the last breath of a summer night
I could never let go of
without following it
like a shadow of you into death.
I haven't wished for much over the years,
and the dreams have come and gone as they will,
and my hair has gone gray
and my eyes are looped like powerlines
and the sad bells of a heavy solitude
that has yoked me to the grindstone of the turning world
to mill the stars like a tide
on the blood wheel of a worn heart.
I finally burned and broke all the weeping mirrors
I consulted like half-assed mediums
to see if I could restore you somehow
to the more intimate shining of that last night
you turned and ran back,
your shoes in your hand,
to make sure your final kiss would endure like a temple.
You pitied the agony of shapeshifting
you knew the black water ahead
was about to go through
as it smashed like goblets and crystal chandeliers
on the roaring skulls of the rocks.
You pitied me because you knew I loved you,
because you knew you were already
a future memory
and I was a prophecy from the past
that had ridden beyond itself like light
to illuminate nothing but your absence
measured in the filaments and lifelines
of eyeless oceans
like a seabird
circling a blind lighthouse on the moon.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share
Patrick White

Over Here, You See

Over here, you see, this is where I keep
a hospice for the strawdogs and voodoo dolls
that wander in off the road like spiritual emergencies
that have had enough of being used at sacred rituals.
I made peace between my blessings and my curses,
blew the angels off the heads of the pins
they were dancing on like the axes of uninhabitable planets
stuck through my eyes, the splintered glass
of wreckless stars it took more than light years of tears
to wash from my seeing when everything looked so painful
and the angels were grinding reflecting mirrors
to give corneal transplants to the way I looked at things.
Away with the blessings. Away with the curses.
The doves and the crows, the veils and the bars,
and the way some stars burnt like meteor showers,
chimney sparks, with the radiant of a welder's arc
trying to repair the rip in the hull of my heart in drydock
whenever I scuttled it like the moon on a coral reef.

And this is the matrix of the lost and found
of all I've known and seen and couldn't find
any other context for other than the artificial paradise
of this womb in waiting everything that hasn't happened yet.
There are generations of orphans here
with toyboxes full of the enduring relics
their mothers left like endearing fossils
of a love that never came back to claim them.
Petrified butterflies among the sea life of the Burgess Shale.
I keep a place for them in my heart like a pressed flower
until they can root on their own, and bloom
like a star they can follow anywhere, and it's home.

This is the dark closet where I hang my skeletons
like a wardrobe of mannequins that have worn
my skin from time to time like the flying carpets
of world-creating cosmic membranes blowing
shapeshifting bubbles into hyperspace like alternative lives
that occasionally pop on the razorwire of their umbilical cords
like prophylactic thorns on the miscarriage of a rose
as never to have existed, as Sophocles said,
is the best part of life, bar none. Whether you're dressed
like a zodiacal king in the cochineal robes of the universe,
or wear the richer rags of a man who walks naked.

And you don't want to know what's in there,
but over here in this chamber next to where
the picture-music has a sound proof room of its own
when its rehearsing the silence of the mystery that beguiles it
like a lyric of blood in deep irreconcilable exile,
if you look through this little mica window
you can see the dragons glassblowing their tears
as delicate and fragile as the rain that falls
like chandeliers from a lunar watershed just below
the manic desiccations on the sun-baked surface
of a reflected glory that doesn't come
with dedicated flowers devoted to hummingbirds
that showed them the sweetness of life in surreal replication.

And this water palace has a thousand rooms
with great bay windows and walls that can speak
of the great events of tragedy and bliss
they've witnessed discretely in a cosmic context,
hung with heavy velvet curtains of blood
and tapestries of loose ends the moon unweaves at night
into a million separate wavelengths of enlightenment
it will gather on a loom of blood into the narrative unity
of tomorrow when the tide draws back like an arrow on a bow.

But there's one floorless, wall-less windowless room
ageless as eternity and bigger than the abyss
that's lit by the dendritic candelabra of fireflies and stars
coming into blossom nocturnally like an apple tree
on a cold night in spring, I especially want you to see.
This is the doorless niche of my solitude I burn in like a candle.
This is the inexplicable emptiness in my heart
that's learned to cherish the abyss with open arms,
not just as space, though learning that is wisdom,
but as living people and inanimate things, stars,
leaves, ants, wolves and windows expressing forms
to console themselves in the pervasiveness of their isolation
by taking a hidden secret and making it known
as the black waters of earth long for the moon as a companion.
And this is where I have enshrined your dark radiance
like a telescope in an observatory buzzing with stars
at the prolixity of wild flowers opening themselves up
like loveletters they received anonymously in the night.
This is the sacred grove of the silver-tongued silence
where the birds of insight ripen the fruits of their longing
like windfalls of jewels in the ores of the darkness like eyes
that have sweetened and deepened their seeing enough
to orient the Parthenon to the rising of the Pleiades
liberated like a flock of doves flying off everywhere
in the ubiquitous directions of prayer voiced by the light
of the sailing ones nursing the catasterism of the heart
risking a more enlightened suicide
by falling in love from ever greater
mythologically inspired heights in the depths
of my astronomical awareness of the shining that is you
as if you were the only mirror in the room I can look into
and see way more than the eclipse of myself
than I ever expected to.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
Vote! | Copy!

Share