
Long Ago
Long ago I learned to forgive
yesterday’s shadows
like the daggers of a dead assassin
I melted down into bells
without occasion to sing.
I was tenderly adamant
about the need for compassion
and hung them from the loftiest towers
like iron fruit or rain frozen in its descent.
Only the conceptualists
indulge in perfect virtues
and mine, at best,
are improvised approximations
of the dark whispers
of the blind fish
that swim in the watersheds of my heart.
And there was no other way
of pouring the infection out of the wound
except by inviting the maggots to the feast.
I reproached them all
with the wisdom of a mirror
for relishing the worst of me.
It’s hard to remember sometimes
that even flies have a dignity of their own,
if no honey,
and even the city rose
turns into an old, well-thumbed book eventually,
an index of celebrity desecrations.
I kept my eclipses and dragons
up my bounteous sleeves
and took the trembling stagefright of the stars
cowering behind their cardboard hills seriously.
Whatever the mind realm,
whatever facet of the jewel turning in the growlight,
whatever feather of the spirit
soaring overhead with a twig of fire
or groping below like a star-nosed mole,
my heart turned into a lifeboat, a well, a telescope,
and I hauled everyone up and in and out of themselves
until the moon began to look like a pulley
and there was an echo in the siloes
of my exhortative sufficiency.
Sometimes the galaxies were easier to save than the candles,
but I applied my whips and swans lovingly
I was a good oar on a seaworthy vessel
and eventually my heart turned into a rudder.
I launched every pulse in the name of the unknown
and soon found myself a stranger
in the eyes of the people who had climbed to safety
up the nets and rope-ladders
I learned to fashion from my spinal cord.
I wasn’t a rudder on a lifeboat anymore;
I was a dead shark, dorsal down,
lethal, a meat-plough.
Nobody knew me as I was.
I struggled deeply within myself
to assume the throne of my isolation,
my heart freaked by the hazard of random lightning strikes,
challenged by demons
I could not win against,
crescent moons that broke off in my throat and voice like teeth.
I became the nightwatchman
of pleading shadows laid out
like corpses in a morgue,
a lamp in the arms of its own journey,
while their bodies walked around delinquently.
And the shining was black, the light,
an eerie pollen of the night,
an indelible soot lasered like destiny
on the sheets and sails of a soul I could never wash out,
a luminosity that just didn’t open
the moths and flowers like letters
but rewrote them, a transformative mirror,
an eclipse of the sun
that rises within at midnight,
an illumination that didn’t just reflect
but imagined the things of the world into being
and went on changing them,
mutating them,
seer and seen alike
on the same side of the mirror
that suggested them into existence inconceivably,
though there was no existence
or non-existence
to exit or enter by.
My seeing grew cold and impersonal,
space, a straitjacket of glass,
my heart, an ancient ice-berg on the moon,
and with a shriek of mouthless perception
my blood was blanched into flowing diamond.
I dared to look upon suffering,
my own and the pantomime of others,
as the flaring of a brutal creative fire
that wracked the world in an unwitnessed dream
lonelier than the wind without a star or a candle.
And I knew it was saying me
behind the mask
of every hopeless word I uttered.
And I saw at the dark gate
that reason was only another peer of the realm,
and there was an infinitude of skys and windows beyond
that my eyes hadn’t grown into yet,
flying like a bird into the vision
until only the vision remained,
and there were intimate metals in every rock
that had been confided into being like a secret.
Reason was merely a prim shadow
in the cosmic fire-womb
of the original madness
to make the hidden known,
whispering the world
into its own ear like a blasting cap.
Everything exists to know the hidden
as a robe of its own blood,
the taste of stars in the sap of the sugar maples in spring,
whether the cool mushrooms of her lips
that she offers up in the night
under the evergreens
are dangerously hallucinogenic,
or tenderly toxic, white angel or fly agaric.
I found it important to learn
what doesn’t make me happy,
and then to learn
that there isn’t anything that would
as I long as I persisted
in looking for the meaning of my joy,
the replicable reason
that would let me breed it
like a butterfly or a silkworm in captivity.
Now bliss comes when it does
naked and adorned,
impoverished and squandering,
and my heart is more of an empty, open hand
than a fist clenched around
something it feared to lose.
Haven’t you noticed the sad drinkers
in the all night taverns
who age faster than the wine in their glasses
as soon as they start
to con the god into staying,
make a cage of the tree
to snare the elusive nightbird
that enhances their darkness
with a voice hinged to a doorway of light?
And the theorists trying to sweep
the ashes of stars
immolated in their own light like moths
off their thresholds with tweezers?
And those who live like pharaohs
under pyramids of quicksand
they’ve made of their hearts
anticipating afterlives
that look a lot like this one
when the bandages will come off
like the brittle eyelids
of a shedding rose
and the bull harps will seed the moon again
and the echo at the end of the dream
won’t be just the voice of another used beginning.
poem by Patrick White

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In You
In you I come to the end of roads,
and an alphabet of burning wings
falls from an indigo sky
like meteors trying to write
the unsayable in a slash of light,
in a language of luminous scars
the night beatifies with mystic knowledge
that wants to name you
so deeply in thresholds and stars
the charged silence
is giving birth to an indelible mouth,
a doorway of blood,
an ancient grammar of fire
the wind puts on like a robe
to scry the darkness for a voice
that could fill the goblets
of the moon's dead seas
with the wine of a radiant wound,
so much within me
already the tongue of a bell
that can taste you like blackberries.
The whole of you
in every single dropp of your eyes,
you are the black swan
of the eclipse that rares its reflection in water,
the dark orchid in the shadow of the dragon
that sways like a bell in the night,
even your absence a shape of cherishing,
a harvest of shadows beyond the light
of the lamp that burns for you.
Within the deepest abyss of myself
where the heart stands alone
like a single black pillar
in the twilight wasteland of the world,
a mysterious temple to the ultimacy
of having been here once
to suffer the passage of form and time,
everything a gesture of space
that thaws back into itself,
I have written your name
in the hourglass of my blood
like a whisper of secret ink
that once voiced the light to be
and shook the stars like wheat
out of its blind abundance
and will be remembered forever
as the first intimacy of the sea,
and there is the rumour
of a dream in the air,
the fragrance of an approach,
that out of an ocean of light
the tide will embody a woman
like the shore of an island
littered with fingertips and kisses
enmeshed like galaxies and starfish
in the exhalation of her veils
and our lips will meet like archers,
and our bodies will sing like arrows
sunk like orchards through the heart
and long after the last flame of life is shed,
the night will silence the birds
in the groves where we bled like poppies
to open the gates of the mystery
like keys and rain, or the rosary of black pearls
that chants its prayers to the night
like the slow alarm of autumn geese
in the eyes of a human face.
I try to say what can't be said,
pouring my spirit
into the wineskin of every word,
but my heart is a larger apple
than the bough of my voice can bear,
and the silence
that would erect temples everywhere like flowers
spun from the auroral silks of my soul
and perfume the air with the pollen of sacred fireflies,
every emotion a priest with a shaven head
to honour the moon
climbing the stairwell within me
of a million horizons at once
in every breathless step,
falls away behind me like the wake of a sinking ship
that lowers me into my coffin like a lifeboat
or a message in a bottle
that pleads like wine with the emptiness
for an alphabet that isn't in arrears to time
to say you to the night
in a lightning breath of life beyond
these elemental likenesses I carve
from a quarry of stars.
And I know I ask for immortal children
from a human womb,
and wide as my powers are
to exceed the sky with homing birds,
to adorn the dead branch with windows
that dazzle the roots of dawn,
I am the ashes of a black star in daylight,
a stone man with a chain for a tongue
when I try to swim like Atlantis
through the depths of your shining within
and the last word, the last life
to flash across my mind as I drown
again and again like a pulse
in the embrace of your beauty
is always the world as it is
before anything was said.
poem by Patrick White

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A Fluctuation In The Cosmic Void
A fluctuation in the cosmic void,
a wink of atoms,
a fallen eyelash of light,
the seeing of a lifetime
nothing but candle vapour,
ghost-water on the moon,
the exhalation of a vagrant star
looking for its lost constellation
like a berry or a gem
that had wandered off road
from the vine of a crown.
The eye that regards all
as it rises like a blue mystic sun
over the morning eyelids
of the remote hills
waking up in the arms of their shadows
demands exposure of the sky,
a clarity pure enough for stars
as it turns the day over
like the palm of a hand
to reveal how our lifestreams
join and break
at the junction of sacred rivers.
And the vision,
the illusion of the way I see life,
the romantic intoning
into the bell of the abyss
for a hopeless beauty that died like a bird,
the lostness and the loneliness,
the unknown sorrow
that seems to bleed out of the air
like a black rose born to grieve
for the separations of long ago,
and the child in the brutal fire
that pleads at a window
weeping in the heat
for rescue from an afterlife without salvation,
all that the heart features
in the deepest silence of the night,
nothing but the auroral trash
of an over ionized mind
trying to touch its own burns tenderly.
Until I became the knowing
even my own ignorance
didn't recognize me.
Until I vastly improved
the integrity of my lies,
every mirror I looked into
like a woman's eyes
was corrupt,
the prelude to a death certificate
in lipstick, a thorn of honey
that dripped like the fangs of the moon
with mysterious toxins and elixirs
that could scald and bleach the heart
or restore it with the kiss of a silver herb
grown in the garden of a cool eclipse.
My bitterness and fear
have made me less susceptible
to the empty boats that arrive
to take me on like some kind of foreign export,
a cargo of ashes and stars,
the bodybags
of the casualties and refugees
that perished in an unknown holy war of one
that I can't stop waging
against a universe that won't let me in,
but my solitude
could defeat me with a feather,
could shock the fool I am to hide
with the shadow of a wing
breaking the spell of this birdless sky
that seems to go on forever beyond the wind
like a caravan of rain
that's outwalked the longest known road
into a wilderness
of rootless trees in big city back alleys.
When the rose
has been stripped down to its claws and horns,
how few have the eyes
to keep yearning?
Let me drown in tears of fire,
in wells of thoughtful quicksand,
rack me on the iron in my blood
and stub my cherished stars out
like angry pincers applied to my feet
like a firewalk through a snakepit
and I will confess to nothing
but an earnest ignorance,
I will not betray the abyss
where I buried myself like nuclear waste.
I will remain true
to the merciless emptiness
I uttered to myself like a vow
I didn't know if I could keep
four decades ago.
Now I lay my head down to dream
on a stone pillow full of stars
that shine like rare metals in the night,
and when I wake
I seem to know less
about everything it took me a lifetime to master
than when I first
abandoned my eyes
like oceans on the moon to see
inconceivably, what has become of me in my absence.
poem by Patrick White

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Lighting It Up And Blowing It Out
Lighting it up and blowing it out
I try to make my way through the dark
by beginning at the end
as if the coming and the going
were the same door
or good-bye were the first thing
you would say to a friend.
I approach things like a night stream
as if my death were already achieved
and behind me.
And all the atoms of my being
dancing like frenzied gnats
in the sunset glow of a last eye-beam
are certifiably primordial
and any one of them
when they lose it in the light
could begin a world.
And what can you say more of a life
that dreams of what it is
than it's the taste of the same wine
in many different cups?
And as any fox knows
the grape is always sweetest
when you can taste it with your eyes.
Though why foxes eat grapes is anyone's guess
but life makes itself up as it goes
like music in a fish's earlobes.
It feathers its themes in fire and light
and goes up in smoke
like the ghost of a tree
looking for habitable planets among the stars.
New wounds with innocent root-room for old scars.
Chalking the cue to bank the long shot
you're trying to spin off into
the deep, dark pockets
of your game-winning afterlife.
And I don't believe in much anymore
though that hasn't stopped me from crying
like a slow window trying to keep
the stars from leaking out of me
as if there were a black hole
somewhere in my heart
waiting for an iris to make it an eye
whose seeing might be a new way of healing
what can't be healed.
Once here. Here forever.
But whether we're the eternal children of forever
or just another breath on the night air
that doesn't even know we live,
even death is just another way of killing time here.
When everywhere's the center of everything else,
the centre holds,
things don't fall apart.
They disappear.
And that's the mystic art
of knowing how to make the most out of existence
by offering no resistance
to the rocks in your own mindstream
that part the waters like the thoughts
of an exile in the promised land
who can't go back the way she came.
The river can't step into the same you twice.
And in every direction
your eyes have ever burned like stars
you can see the dark jewel of your own life
from the inside
before it breaks into light.
Sometimes I'm the lonely sign
on the only path to nowhere
and others I'm positively amniotic
with the schools of my blue lucidity
the albino dolphins of the moon leap through
without a chance of changing their colour.
A flower of prophetic blood bleaches my skull.
I swallow the snakefire of my last eclipse
like a lump of coal
I'm trying to turn into a diamond
that doesn't burn
and never sloughs its skin.
Reality isn't a religion or a science,
or the back and front of a mirror
that doesn't know whose eyes its looking through.
Religion: how many angels can dance on the head of a pin?
Science: how many pins can dance on the head of an angel?
Totem poles on a telephone booth where no one ever picks up.
Voodoo dolls that hex the cause of their effects.
The apple bloom on the tree of knowledge
lets go of its flightless wings
and follows the wind
like the eyelids of unfeathered angels
who opened their eyes like flawless fruit
as they fell toward paradise
without a parachute of smokey virtue
or the scale of a snake for a vice.
Emergence into the open
like a hidden secret revealed
is the engine of evolution
that empowers the dark matter
of this incorporeal starmud
to arise like the high note of a bird
that's flown beyond the night in its voice
like light beyond its myth of origin.
And the peduncle is lost in the ensuing phylum
as a madman is lost in the scream
that woke up the asylum,
or a god is lost in his own creation.
And the mountains listen
to the holy voices
in the valleys of their shadows
they deepen as they arise
like the guests of an echoless calling
to greet the unknown host.
It's what the moon feels
when she fondles her locket of water
and memories pull at her heartstrings
like tides on earth
and music is the way she recalls
the sirens that used to sing
like the brides of empty lifeboats
that prayed like smashed guitars
for the night to sow the seedless sea with stars.
And in every fish that swims through fire
like the sacred response of life
to the longing in its own desire
she knows they got their wish.
Fireflies in the ashes of the phoenix tree.
And the eggs of cosmic words
like serpents in a bird's nest
learning to fly like dragons
that have just swallowed the moon.
And it's one thing to pull the sword from the stone
but it's a greater power than magic and proof
with no urge to rule
that summons the butterfly from its cocoon
by giving the fool who inches toward the truth
along the green branch toward the apple-bloom
that already tastes like the forbidden fruit
of some radical insight
the whole orchard in a pair of wings
and more than enough night and light on its palette
to start a revolution in seeing among the flowers
who still labour in the chains of their roots
to turn their earthbound lucidities into stars
who might look back for a change
with eyes that have gathered like water out of the shining
and taste the light in the honey
that kissed their eyelids into gold
long before the night was old
and it wasn't enough just to see them.
When you opened your eyes
in the burning clarity of your lone vision
before this matrix of space and time
gave birth to the world
you were free to be whatever you could see.
That's when the light first spoke to you
in the mother-tongue of your seeing
and your voice broke
like a secret name in the mirror
that didn't know who you were
and the moon on nightwater
the thief at the window
your breath like stars on the cold, night air
summoned the whole of being
in every particulate shard
and radiant plinth of the mirror
to drive your shining into the shadows
so myriad things can appear as they are.
Many eyes open. Night. An eclipse. One star.
And the darkness an anti-romantic
in love with the moon from afar.
poem by Patrick White

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Small, Warm Birds
Small, warm birds of feeling,
a profound tenderness,
something to cherish
in the loneliness of being human
in these vast, cold spaces,
as I read your words
like poppies in my blood again.
What stars could I call upon,
what roses could I ask for their skin,
what darkness charge with radiance,
what ploy of dancing buddhas
could I summon
to let you know
you are all my sky within,
and the assent of my soul in the morning
and the bough of my homing at night,
that there is within me a blind fire,
an invisible flame
that consumes me in the ferocious beauty
of its unseen flowering
even in a flurry of faces
and the business tugging the donkey of the day
braying like a knot in a stream of wood,
and all the objects and forms of the world
are burning mirrors I look into to see
the black pearl of your mystic presence within me,
the irridescent luster of your shining,
how you are a message in a bottle from ultimacy,
and a dark shrine of desire
that can wake the valley dragons
with the fragrance of your eyes on the wind.
I want to kiss your kneecaps;
I want to crush cool mushrooms against your lips
and feel my kisses break like bread,
I want to feel my mouth
blossoming on the nape of your neck
and my breath blowing across the shy wheatfields
of the softest gestures of hair on your skin,
I want to taste the silk
of the inside of your thighs
as if it were the flavour of an intimate paradise,
and approach your breasts like crowns,
and under a full moon
tenderly turn the sacred soil of your sex with my tongue
like a stranger in the doorway
of an infinite longing to make you shudder
like the void into light
with sexual eclipses on the back of your eyelids
that will fill you like a palace of water with stars.
I am the luminosity and shadow
of your green lamp that glows like the sea,
and my voice wants to bleed like black cherries
over the alluvial plain of your stomach
and touch you like a prophet
running his fingertips slowly over the pages of a holy book,
savouring the revelations
that throb like a pulse in space;
and there are storms that want to exhaust themselves
over the blue thresholds of your hills
and root their lightning in your body
like a tree of light, a new map of rivers
for your blood to follow back to me
like the echo of thunder in a well.
And all through the day
with its curbs and functions
I imagine the lilt of your fingers
on the rim of a coffee cup,
the cougar in the glance of your eyes,
the way you put a knife down on the table
like a smile without a script
and what it would be like
to circumnavigate the equator of your waist
with a rosary of kisses
to raise you like a sunken continent
out of your depths
and explore all your tides and passages
with the fervour of a dolphin in a bay of wine.
I want to be tangled like a kite
in the turmoil of your hair,
the night watchman of your dreams,
the one who notices
what no one else looks for,
the stone of the small grave
you sweep with your eyelashes
when the leaves of autumn
lie down with the shadows of spring
and the virgin windows of your tears
that no one has ever looked through
weep like glass over the secret root
of a flower only a child could see.
Beyond reason, gates, words,
where the bridges take off their shoes
to admire their feet in the water
and the waterlilies kiss the thorn
of the star that tore them like skin
and whisper ancient pollens to the night
softer than flour and saffron,
and everything I say to you
isn’t a wound in the light,
a mouthful of shadows,
a bell of water with a fish for a tongue,
fleets of butterflies
learning how to sail the oceans of the rose
like the keels and wings
of love-letters you can read in the dark,
I want to fold you in my arms like the moon
and pan the nocturnal urgencies of your eyes
for a gold rush of fireflies
in the all night boomtowns
of a heart that struck it rich
digging a hole to bury its dead.
poem by Patrick White

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As If Beyond Death
As if beyond death today,
as if I lay already under the eyelid of the moon,
the echo of my heart
pumping shadows
through my perfectly preserved corpse
in a silence that's never known the wind,
a fallen wharf without arrivals or departures,
and sad enough not to care why,
blood on the dolphin in the black tide
that pours me out of the horseshoe of the bay
like a road from its boot,
wipes me like the pollen and dust of dark matter
off the windowsills of the constellations,
my unknown mass crucial
to the cosmic contractions
that might give birth to the world again,
and I'm here alone in the high field
drowning in the twilight with the wildflowers
and the sky a last exhalation of the blue-green luster
that flirts with the mystic violet
on a homing crow's head
as the shadows assemble the wings
of a total eclipse
and a new dragon is born of the pain
that shrieks like lightning in the mouth of the abyss,
a torn animal
peeled out of its own skin like an eye
to add its darkness to the furnace of the black rose
that roars in the night
to blood the hungry mirror
with the thorns and talons of clarity,
to feed the wound of its existence
its existence.
And when I walk to the end of myself
through the golden rod and waist-high asters,
the seed of the stars that sleep with the daughters of men,
some of the flowers close up like fists and kisses
and others grasp themselves like a key
to a door that the whole universe can walk through,
and there are strange birds
flying from the eyes
in the rising skull of the moon
that sing like the pyres of cremated guitars
that died like trees in their solitude
and even the gates are weeping like wild dogs.
And there's a wind, intelligent, dark
the ghost of an ancient serpent
horned without ears,
an ocean of mind that exceeds itself like a wave
that howls like a secret it can't tell itself,
like a root blind to its own flowers,
that wants to lead my voice away in chains,
that wants my tongue to try
like a leaf in the updraft of a fire storm
to scream its agony out in the night
so that even the furthest star shudders
with the horror of its final liberation
like an arrow through the throat of a caged hawk.
poem by Patrick White

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I Sit At My Window
I sit at my window
trying to translate the Kufic script
of the shadows of the trees on the snow,
smoking the invisible ink of the light
over the flame of my mind
to clarify my seeing
by realizing there is no deep or shallow
in the fathomless depths of I am,
nothing hidden, nothing revealed.
And it's not so much that I am in the presence of the world,
but that the presence, the world, is me,
and if I go looking for it,
only my fingerprints will be found
like these violet shadows dusted by the snow
under my multitudinous mugshot in the mirror.
So I open my mind and my eye, my heart and my hand
and let things arise as they will,
knowing that even this is a blunder
that advances my tardy illumination by another eclipse.
This morning blue is the taste of the sky
and I am alive again at my desk
to wonder who or what or why I might be
this wondering spontaneity
circling like a bird in the abyss,
feathered by feeling and thought
for a tree or a meaning to perch in
that hasn't already been struck
by the lightning of my homeless insight.
Indwelling energy in the turmoil of a terrible silence,
I am an ambassador of water to an unknown star
that foils my blood with light the closer I approach
and I don't know what the message is
or who it's from, but every time I deliver it,
my head comes off like the moon.
At some point you have to give up looking
to go on seeing, you must
come to a full stop
if you want to liberate the pen
that indicts you like an assassin
with his ear to the wall.
So I go by night, unheeded and alone,
a constellation of my own
that doesn't read the braille of itself
reflected like direction in the starchart on the lake,
cored like eyes into the dice of my bones,
or mummified by a legend in a straitjacket
interred in the long-standing consensus of a guess,
knowing I would only be following my own footprints
like the shadows of these words
that flow from the trees in the snow.
And there are squirrels that leap from branch to branch
of these arboreal letters like commas
that don't know where they go
and wrens that perch like quotation marks
around things that can never be said
that everyone claims they know
as they call out their name
like the echoless vocabulary
of a febrile grammar in a mad dream
as if their whole life were ingathered into one last scream
that might shatter the mirror of the way things inevitably seem.
I listen to the world and hear in each person and form
the mindstream moving through the night
like the voice of a mystic alphabet
returning to the sea
with news of itself
whispered into its own ear.
And if sometimes the stars think
my seeing goes too far,
my seeking exceeds the bounds of the light,
as it turns planets like doorknobs
to open new rooms in a dark mansion
that stands like an abandoned cornerstone of the night on a hill
waiting for me to return like a lost threshold,
or the faceless side of the moon to a window,
then let me here and now confess to my own denial
and knock on the door of the next false address
to see if I can find who wrote
this loveletter that slashes me open like a smile
and reads me out loud to the stars on the wind
as if I were the last flare from an empty lifeboat.
poem by Patrick White

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Black Fire
Evaporating in a black fire.
Don't want to drink the night from the window again.
Won't be a chain trying to escape itself
when I'm already free,
but what an affront of mirrors to be so diminished
because the lions of fire, the dragons
that flare from the eye of the black sun,
their shadows spanning the heartless abyss
of their ferocious lucidities,
pitched their wings like huge, black tents of night
at the gates of the wide-eyed gazelles of emotion
they could bed freely under the moon,
unspool in the blue grass silvered by the wind,
their eyelids waning like a glass of wine.
In the obvious light of the morning
they will run from lesser hunters
mistaking the truce of nightblood
on the horn of the moon
for a rag of surrender, a gesture of clarity
like a star in a well,
the signet of an ancient moment
when the abyss returns to itself
like the echo of a wounded voice
to heal at the foot of a throne of shadows.
Though I could have stung like a serpent,
I was the wind at your heel once, once
like the wind I would have sowed the path before you
with seeds that would have bloomed like the eyes of the stars,
I would have saturated the air with lachrymose diamonds,
and poured the oil of the only lantern of my afterlife out like rain
so you could have shone like a rainbow at night
and your roots were luminously charged
with vital urges of mystic lightning.
I would have come to you like a flashflood of silver on the moon
and run the labyrinth of dry creekbeds
that scar the lifelines on your palm.
I would have kissed the black rose awake from its dream
of being stoned for a miscreance of the light,
and held the nightsky up to its beauty
like the forbidden side of a mirror
to jewel the eclipse you wear like a face.
I would have lain down beside you
like the shore of an unmapped island beside the sea
and answered every wave of your incoming tide
with a nightbird in the mouth of a bell of blood
that ripened in a watchtower on the moon,
but every kiss was a translucent jellyfish,
the auroral rose of an ambivalent Medusa
rooted in the lethal snakepit,
the toxic electricity of her stoned hair,
the trawling storm of her decapitated tresses
when the truth struck like an unexpected fang of light.
Now you spend your time
trying to tie knots in your spinal cord
like the severed filament of the moon,
trying to wick amputated candles in the darkness
that might help you grope your way
back to your head
like the black hole that became of the star
that went looking for its lost planet
like a blind shepherd startled awake by the howling of wolves
running across the sky in a wilder freedom
above the timberline of your eyelashes,
tinkling in the glass womb of your brittle shining
like the tungsten crumbs of a burnt-out dream.
Even now you don't understand
how you can pour so much of yourself into yourself
like an ingrown hair, your love
merely an idea infatuated with itself
that your eyeshadow festers like a palette of gangrene
and like me the vision won't paint you again
in the vivid constellations and kells of braille
you insisted on reading backwards
in the troubled mirror of your own perversity.
No rose in the shadow of the black Pegasus
born from the blood that pours from the vase of your neck
like a dead bouquet of poppies, no inspiration
in the petrified skulls of your past lovers
scattered like the beads of a broken rosary at your feet
you once fingered carelessly
like the writing on the wall.
poem by Patrick White

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I'll Wear This Robe
I'll wear this robe like a desert;
and release the hinges on the gate
that is closing like a rib cage
on the heart of the nightbird
that returns to the silence
like water taken from a river.
I'll pour the moon out of its stone cup
and let this vine of eyes,
this bone of light
wander where it will
in search of a face in the darkness
sweeter than the blood-vows of wine.
These flowers aren't the rags
of the legends of radiance
and a dragon doesn't waste eclipses
on the blind.
The wind opens its hand
and I disappear like a gust of crows
in the startled night groves.
I will drag this empty robe of blood along the ground
like a wounded sky,
a desolate poppy
broken like a kite
on the power lines of its dreams.
I don't know what hurt me;
so long, so long ago I was a child,
and now I am a man, and aging
and the water snarls
and bares its fangs of frost,
and impales my heart
inflamed with grief for so much that has passed
without understanding
on the horns of the moon.
My ignorance has been
deeply authorized by life
and more and more often now
my blood coagulates into roses
and seals my mouth with wax
like a regal mandate
to succeed myself in silence
and let my throne
avalanche down the mountain
like just another rockslide,
another round of asteroids,
another fallen temple
freaked with mystic ore that never made it to the surface.
You ask me where I've been
like a road you befriended along the way,
but I'd have to know where I was going
to tell you that
and I've come to the end of myself
like starlight in a loaf of bread,
a candle that burnt like a voice in the night
to obviate the emptiness,
to warm the abyss momentarily
with the glow of our human divinity,
to say we were here once
like the flower in the field,
the star over the hill,
the face in the window
that watches as we pass
like the shadow of a bird
cast by the flames of a hidden fire,
a pulse of the moon,
the eyelid of a wave
that imagined the sea beneath it
before it broke like a vision
on this shore of flesh
where everything must be abandoned.
I want to be with you
like your eyes are
if you'll let me be.
I want to silver my breath
in the longest night
of your loneliest fountain.
And many have sworn,
and many along the way
have perished like echoes and flowers
at the insistence of a rootless word.
And there have been nights,
eras of darkness and sorrow
drawn from a stranger's well
that have bent the path I took,
and scattered my footprints
like refugees and colonists
that turned native
like an exhausted emotion
when their loneliness went wild and crazy
in a solitude even the moon couldn't fill.
And I have stared
long and deeply into the abyss of the night
and felt the stars stub themselves out
in the sandy hourglass of my ashtray heart.
How desperately
I have rummaged through
this encyclopedia of lives
to find one that wasn't a prelude to tears,
my heart a lost boot,
laced with a snapped spinal cord,
its mouth
muzzled like a junkyard dog
with an elastic band
to keep body and soul together,
only to proofread sky after sky,
page after page of stars
pricked out in braille,
fingering my name
carved in funereal kells and runes
on another boundary stone.
Nothing binds me.
No one wants my heart enough
to consult it like a map
to where I'm buried like gold
under the tongue of a dangerous angel
who wants to wake up beside you
like a spear of fire
I will fall upon like life, like a lover,
to wound my way back into paradise.
poem by Patrick White

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My Lonely Island Music
My lonely island music,
already I see in your eyes, devastation in the dead zone,
skulls littering the field, autumns wandering away
weeping like windows that mistook themselves for the sky
and murdered a bird. Mystic September, vamp of this vision,
how could the moon not leap from my tongue
in praise of the world that shines through you
bathing alone in the dawn of every moment, utterly
alive, your beauty the page of a unwritten scripture
poised in the ink at the nib of every blade of grass to say
beyond the saying
what can’t be said. How unbearably sad
in this defeated hour that so few know the truth
that walks ahead of them like their own footprints
returning to the door they left by, already lost,
their houses, foundation stones of quicksand. Get it right in the seed,
get it right in the root of the eye, let the wind
take the ashes, sweep the shadows from the stairs,
and all the moons of yesterday are caravans of blossoms on the water.
Get it wrong and you’re a widow plundering corpses
for wedding rings and pocket-watches, black rain
on the open eyes of the dead. Devoid of transcendence
in the mirroring awareness, on a diet of fire,
you’ll end up combing your hair with a ladder.
Can you hear this bell of green before it rings, can you see
the painting in your blood before the brush is lifted
like a maggot of consciousness to the rose?
If you can, then check your shadow at the threshold
and walk naked into the far fields of your seeing, your feet
on the ground, your head in the stars; if you can’t,
you’re deepening your ignorance by ignoring your depths,
your light passes over itself like an eclipse or the hand
of a black magician, conjuring. Peril in the seeing.
A mask of frost over the surgical face of the heart. Understand
deeply and with authority that this dream cannot be understood,
taste this dream for yourself and look once
into the brilliant darkness that lies beyond wisdom and forsaking
and acknowledge in a crown of water
you are queen of that, your own teacherless realms.
Can’t you feel the roots of the black orchid of this space
wounding the soil with the stars of another night-sky
already opening above and below you? Rightly and brightly,
you are that opening, the sum of all the awareness of the whole of your life
expressed in the unborn no-point of a star of perception in space,
blue knowledge beyond the scope of the death-sighted.
Why study your own legends like snapped twigs on the trail
and send yourself in a straitjacket to school
when you already know by heart
the book of the breath you must live? Open your fist. Where
did it go? What’s in your hand? Do you understand? Our lives
are the shadows of birds sown like seed across the skies,
fish-maps printed on water, compasses looking for directions
that don’t exist. We are brief and we are vital, pilgrims
on a bridge of ancient zeroes, angels under every stone,
gypsies at home. Hold your life up like a match to a mirror in a dark room
to see whose face it is
then blow yourself out like an orchard
before blazing becomes a kind of blindness.
Put the world to your lips like a finger
in the black clarity of the silence. Do you see, do you see
the white songbird of the moon enter the throat of the well
to flaunt its plumage privately in an empty theater,
the roar of the ghosts of the infinite aeons for applause,
the sound of one hand clapping? Anciently, you were so
and now you are so
and tomorrow after tomorrow you shall be so, hidden
right under your own nose, calling yourself like a girl to her friend
when the game is over to come out of hiding. Most people
never understand more than a keyhole and a whisper of themselves,
trembling behind the dangerous doors of their own names
when they’re called to come out and play
with a universe that begins in every moment,
a fire-fly in a canning jar. They graze on the fodder of illusions,
domesticated by their own cupboards and cowardice,
peopling the wilderness beyond their artificial paradise
with demons that threaten to behead them in a palace coup
for the genuine liberation of an empty throne.
The blossom doesn’t know its own beginning,
nor the snowflake, its end. Can you find your true face
in this mirror of echoes,
the one you wore before the birth of silence?
I shall come looking for you like the wind
and I shall find you among trees and flowers
and among the grasses of the fields
and in the living light that breathes over the harvest
and in the water-mind of the stream that flexes the reeds
and playfully graces the ripe honey of the sun
with a sweetness unknown to the business of bees. No inside, no outside,
everywhere I step is the arrival and the walking of my blood
the whole of the way to you from whom I cannot be separated,
slipped like a letter under a door that opens, a mouth in space,
to paint the moon on an eye of scarlet water. One leaf falling,
the whole history of the world
in the way I love you by letting go; in the way
when you are closest, your heart, the thunder
of subtle intimacies in a lost well,
I drown in the vastness like a bird in the reflection of the sky,
happy refugees all along the side-roads of my nerves,
my mind, a fool of the moon, all parade and passage.
Do you understand? Not different, not the same,
we are rain on a window, faces beyond
the blindness of mirrors that use our eyes to see.
In every feather, in every leaf, in every flight of the word
ten thousand dawns, all of the earth,
this emptiness within emptiness singing to itself in the void.
poem by Patrick White

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Journey
I’m on some kind of journey
but I don’t know where it’s going;
I’m growing wings and shedding them,
and I’m true to every thought in my head.
I’ve got a heart, worn down at heels,
a used voodoo doll quilled like a native,
a meteorically battered planet
that wobbles between a kiss and a fist
in the way it keeps running itself around.
I spend too much time alone.
There are no obstructions in any direction;
and barefoot, I’m walking on stars and poppies,
talking to myself like a candle,
weaving my way among the shadows
like a fish through the supple harps
of the silver river reeds. I see
that I’m taking a bath in my own grave
to wash the soiled skies of the painted world
off my eyes, to behold
the brief career of the leaf of life
and how the light gusts out from the windows
like curtains and bird-nets. Life is short
and the new temple never gets further built
than a hole and a single cornerstone, the rest
left to the business of the earth,
all that beauty and magnificence,
unravelled among the mud weavers.
I was inoculated against death
by a splinter of the moon;
by how little time there is for love,
for the root to get drunk
on the fruits of enlightenment and compassion,
by how little I will ever know
of the road to the doorway I stepped through
to stand in awe before the moonspill
on the raven blue waters,
and to look so deeply into the eyes of a woman
who has just conceded an island in her passage,
and the fragrance of unheard music
that I am a pillar of wonder
before the unsayable
as she lets dropp her shadows and feathers of light,
and the blood-god assumes
his flowering crown of fire
to enhance the splendours of his courtly intensities.
What I have lost in the river
I will find in the river
and what I have taken from the sky
I will give back to the sky,
and there shall come a day
when the eclipse will be the brighter mirror,
and the darkness that overtakes me now
will be a gate of stars to a water palace
where the dragonflies and waterlilies
are the sceptres and crowns of a human divinity
that will endure like a whisper of radiance,
a more haunting taste of light,
the rumour of a black rose
that outshines the angels
that coax the lanterns out of the night.
I will evaporate like the flaring of fireflies
on the windy shore of a trembling lake,
like the blue hat plume of smoke
from a gallant winter chimney
into the vastness of my own mind
like a waterbird without a trace into a sweeter, wilder solitude.
And these words will come and go
like the tides of the ocean I was,
like the providential leaves
of unfurling fortune-cookies,
like an avalanche of gold
washed down from the mountain upstream.
I write them in flowing diamond,
I write them in auroras of blood,
in dawns bluer than the iris of a peacock’s eye,
in fire and water and the mystic inks of the night
in the fleeting, indelible dream
of doors and hands and moons,
in warm breath on a cold window,
in a halo of comets
smeared into light by the sun,
in the sidereal wines that bled from bitter wounds,
I have said what it was mine to say
on a page of the wind
that whistled through me like life
greening the sands of the hourglass
with visions that ripened the bell of blood in my heart
to fall like wisdom from its tower
toward a fallible paradise
that won’t leave me as I am for long.
And I will jump again
into this cauldron of joys and sorrows
to string my spinal cord
over the abyss of the guitar-shaped universe,
walking upright
to plead with my own answers
to thaw like a mirror
estranged from the world it reflects
in the self-effacing flames
of the passionate gardens that dance on the wicks.
The awakening seed
echoes these flowers of fire
in the valley of a voice in the furnace
that lies down in the cool grass
by a stream of idle stars
and arrays its vagrant heart
like a breeze of blood in the dust
to the refugees in the shadows.
They move like eyelids
through all the phases of the moon
from an unspooled well of darkness
to the slash of a razor of light
to the threshing of the full harvest
in the siloes of the nightwind
enthroned like a breath of life
in the midst of its own dispersal.
poem by Patrick White

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Not Even The Light
Not even the light of the stars
shining like the keys to the ancient love-letters
bound among the secret jewels
of the queen of heaven
penetrates me as deeply as you do.
The planet wheels into the night
bearing its burden of humans
murdering each other
to enforce one state of ignorance
upon another
as the rabid bees
strafe the demented flowers
on the far side of the world
for enriching their radioactive pollen,
convinced in their madness
more honey than blood will flow from the wound.
I walk by myself
along the brittle banks of a frozen stream
among the detonations of the cattails
waiting like Napoleonic cannoneers
to stoke the charge of the next volley.
The snow in the sunset
is stained a spectral apricot
that disappears like breath on a cold window
and the sky is vast with my insignificance.
Two or three decades of life left,
if I'm lucky,
and though I have tried to use my time
to leave a gift for someone I will never meet,
long ago I realized
there is no way of assessing
what they will find
after the coffin closes like an eyelid
on this long, dark, radiant brevity
that once shone like the moon
in the ores of my blood.
Like the wandering of this rivulet
my heart has always been
a pilgrim without a shrine
and the direction of prayer has encompassed all
like a man getting up off his knees
and walking through an open door
to drink from the cup of his lover
in the shadows of the autumn willow
that sways like kite-tails
from the flights of fire
she ignites among the stars
that gather in the dark like strangers
before their own ghosts.
What the wind
has torn away from me like apple-bloom,
like poems, like smoke and leaf, like skies,
like tears and blood and faith
it has replaced
with these deeper revelations of you
that hang like a windfall of scarlet bells
from the branch of a dead tree in winter.
The wine of your life and light
has matured in the ferocious crucibles of the sun
and you have been poured out
like the passion of a sword
to cleave the stone of my heart
with these truant rivers of wounded silver
that flow through me like blood.
A young breeze
tries to hone the edge of its blade
on the rising moon
as a black ribbon of water
runs like a snake of oil
between the enclosing jaws
and cataracts of ice,
tiny wavelets scaling its skin
scintillant with the small commotions of stars overhead.
The bush wolves
have been nosing for muskrat
and you can almost taste the steam
rising from hot meat on the air.
I squeak like a pulley through the virgin snow,
following the banks of my own meandering,
owing nothing of myself to anyone,
wholly my own solitude,
as I pass through the gates
of the enclosing darkness
trying to enter the abyss and the mystery
of what I have lived so precariously
over the last sixty-three years,
what it means, if anything,
to be a human among these paper birches
on an island in the stream,
looking up at the intimate unattainability
of the stars,
knowing you are growing old,
that death is more populous with friends
than life, that love
has sloughed you so many times
like a viper's skin,
like the phases of the moon,
like a shrine of smoke and ashes,
that the phoenix hesitates
to robe itself in the full glory
of its former plumes of fire.
My mother will die soon.
I must say it,
voice it in my blood
to be able to bear it
and my children are clouds in the world
that no longer look for their reflections
in the eyes of the lake they arose from
as if they were merely breathed out.
And how in any god's name
can a man define the absence
he has grown to be,
except he standardize his own spinal cord
as the only measure of loss
he has to go by?
And even after
all the millennia of my walking,
standing up,
I'm still only six feet closer to the stars
though my mind can embody all of space
in a solitary thought.
And the deep, inner silence
in the empty throne-room of my heart
where even the most profound events of my life
are seen to be ultimately no more
than the antics of a jester
playing with shadows,
turns out after all to be
just another mode of weeping.
It takes a lifetime
for a dropp of water
to gather the courage to fall
from the tip of a blade of stargrass,
and the tongue has tears
the eyes know nothing of.
I admire the cool crimson
on the brushes of the ground willow
as they try to catch my likeness
on the ice-primed canvas of the snow,
but suggest
to portray me as I lived
they need to be loaded with blood not paint.
Like the moon
I have worn the same blossom
as a face
for years now
and I still don't know the fruit
that ripens beneath it;
whether my life has sweetened
in orchards of light,
or black dwarf of the forbidden apple
on a dead tree,
I taste like a full eclipse.
And what could it change even if I did know?
When the diaspora of my starseed
breaks bread
at a harvest of thorns;
who is the host
and who is the guest
and who asks for a menu?
And no matter how far from home
the journey takes him,
whether down a dead-end alley
or further than the stars
was there ever a man
who didn't walk to his own funeral
like a bell
looking for any beginning
that might not be lost in the end?
Or does the snake
that takes its tail in its mouth
as a gesture of eternity
eventually end up swallowing
its own head
like this stream before me
making its way to the sea?
I stepped across a star sill
through a vertical door into life
and in the leaving of it
I shall knock from the inside
on a door that's horizontal
to continue my descent toward earth
down a ladder of thresholds;
and what began so earnestly
among family and friends and lovers
will be concluded by a stranger
who will wear my name like a gravestone.
But here among the tangle
of these fallen trees, their roots
fleshed out
and washed like a corpse
by the water and the snow,
Venus peers through the fingers
of the branches above
where two crows have paired
like quotation marks
around the hearsay of the night
though I am left speechless
by the random beauty of the scene,
as if my voice had been released like a bird
into its own most intimate, inward vision
and that vision were everywhere you like the sky
it disappears into like I do
everytime my heart is opened
like one of the lockets of time
and I stare into your eyes
and the universe stares back
as you breathe out the night with all of its stars
and then I breathe you in
just as a golden feather of the moon
lands without a ripple
or unravelling wake
on the mirror of these lonely, black waters
I have followed deep into the darkness
like the urgent secret of my own lifestream,
and I know it's you. I know it's you.
poem by Patrick White

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The Serpent
The serpent sits enthroned
at the top of its own stairwell,
helically reposing in its own empyrean
like an August hawk
coiling up its own thermals;
its fangs, a stargate
to an unknown afterlife, emancipation,
and the jewel of its head,
the first stone thrown,
a small planet without
the eyelid of a sky,
a nugget of mystic uranium,
looped in a turban of orbits,
a sacred arrowhead
that flys from itself like a bow
drawn back long before the wind
knew its first feather.
Lethal healer,
the sword that kills is the sword that saves.
This morning,
the drubbing of the rain on a tin roof,
the hiss of traffic
flaring like matches down the sleek asphalt,
if I were to say
I want the emotional life of space,
I don't know if I'd mean it,
but I'm so weary
of being this slow crisis of a bird
mesmerized by the swaying eyes
of the black lightning
that has caught me in the net
it weaves of my own nerves,
I want to douse my heart
in the next providential tide of tears
like a torch I put out in the night
to see better in the dark.
I asked for wings
and my spine was adorned with fire.
I asked for water
and I'm a fish on the wind.
and now this desert I hoped to remain,
a craze of sand,
has grown teeth
and is overgrazing the starfields like pyramids.
I don't think
I will ever recover
from the wound I received
like the hidden twin of the moon,
trying to love the world, myself, women, people.
Every word was a road, a pulse, an eye,
a dropp of blood
I could ride to the end of and beyond
into the implacable subtlety
of my own empty, ageless temples
where even the silence isn't ghost enough
to conjure a medium
to jar the table as a sign,
and death is buried in its own vacuity
like an embryo in a mask without eyes.
I was bound by my own boundlessness,
my nerves, wicks in the abyss
that enhanced the darkness
by cleaving me like a tree
vision after vision,
another world
with every blink of the eye
that wiped the mirror clean of me like an ax
until I understood
that even the most enlightened watersheds of wisdom
are just a smear of perception
on the least dropp of that splendor
I went looking for like a cloud
saturated with the ancient seas of the moon
that was covered by my own looking.
I lay at the bottom
of my oceanic odyssey,
trying not to sink,
but I wanted to give something back
for what I felt I had received;
not an ethic or a metaphysic,
but a spontaneous action of the blood
that remembers it was once a rose.
I wanted to return spring like a water-key to the moon;
I wanted to harvest the shadows
of my own non-existence
and break bread
with the famine of ghosts
that came like royalty to beg food from their servant,
blind doors standing on the thresholds of awareness
asking me to address myself
to the terrible openness
of their unanswerable need.
I have eaten my own ashes
in the furnace of every star
I have ever looked upon.
I have drowned in the wells
of the faceless, fathomless mirrors,
and every woman I have ever drunk from
was a grail with an enigmatic black pearl in it
lustrous as the moon in eclipse.
O promises of bliss
that tuned the webs of the spiders
like a guitarist with perfect pitch
to the frequency of my spinal cord
that I might entangle a star
in the silk of my conceiving;
that I might seize a firefly
in the fangs of my thought
and taste the honey of the lantern
that lit my dark corner
in the era of the moment.
O sweetest of lies to ripen with longing
like the eyes of a child in the darkness
far from home.
I was trying to find a road
that fit my walking like shoes on a mountain;
I was trying to walk on water with mystic crutches;
I was looking for an arrow
dipped in the blood of a serpent with wings,
set aflame by a demonic star
and feathered by spiritual fire
to restring me like a bow
severed like the branch of a sacred grove
by the oracular blade of the moon.
I was too deeply sheathed in the truth
to appreciate the arcane sagacity of my lies.
I stood like a shadow in the burning doorway of my own fire
and looked deeply into the night
to answer my own knocking
like the echo of a stranger in the darkness,
walking away from someone who didn't know
how to greet himself.
I was a tree crucified on a man,
a vandal in the shrine of the moment,
bleeding like stained-glass,
a rosary of vertebrae and skulls
reconstructed in the future museum of now
I played myself into like a funeral plan.
Now everywhere the wind is a pilgrim,
I leave my heart like a shrine
I will never return to.
And the sadness, and the solitude
and the vastness of my insignificance
is the shadow of a bird on a cloud.
The only way to perfect my defeat
was to sit at the feet of my most cherished delusion
like a rootless flower watching over a coffin,
then rise like the wind
from the rubbish of the shedding,
the loneliest pillar and sole cornerstone of the sky.
Now my apish profundities
no longer crack fleas of light like stars
I picked out of God's burning beard
with the forceps of the moon.
Now I am infested with constellations.
I no longer turn the pages of the waterlilies
like the holy books of an inspired swamp.
I no longer seep down to the river
to drink from the moon
like a serpent at the water's edge
and watch the panicked angels jumping
from the reflection of an uncrossed bridge
that collapsed like a covenant with hell.
I no longer shred my heart
like a secret document
in an abandoned embassy of swans
looking for asylum further south,
tormented by the unattainability
of a woman's beauty,
looking for sanctuary
in the ashes of a black sail
that flared like a poppy with passion
at every gust of desire
that silvered the trembling grass
with sidereal aspirations.
Why bother to laminate your lovers, your legends?
Let them go like autumn leaves and smoke,
the last breath you took
before you were interred
like a scream in the larynx of a deaf-mute,
a foreign currency you couldn't spend at home.
Naked is the only way to dress for the rain,
but it doesn't matter which
from the wardrobe of all your many lies
you wear to the fire that waits for you
like a fledgling waits for its plumage.
And this is a long river
and this is a long day and a night
and maybe only the silence is listening
to what the stars are preaching
from the pulpits of the flowers,
and this that says me now
is just the promo for the intensive care ward
of a new religion
the founders are always the first to betray;
but when I truly let go
it was my falling
that taught me to patch my shoes with the sky.
And have you come this far,
passed through this many gates
for wisdom, compassion, freedom,
wandered aimlessly until you could not tell
the stars from the sand,
the journey from the arrival,
suffered worse than all the things you cannot say
until you forgot what you were looking for
in the first place, until
you despised what you craved the most?
I don't remember how long I slept
before my dreaming woke me up
and I realized
no fool could defame my solitude
and that life
was only the story of a scar
looking for the knife that inflicted it
like a shadow
in the forsaken valleys
of the mountains of the moon.
Looking for a pearl of light
I had to plunge into a darkness
deeper than anything
my eyes had ever given birth to before.
I had to swallow the key before I could open the door.
poem by Patrick White

Submitted by Poetry Lover
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Yes, The Awful Thresholds
Yes, the awful thresholds.
The taboos of lace and razorwire
that threshed our blood like kings of the waxing year,
queens that were crowned like the full moon in broken windows.
And you, dark one, hidden familiar, switchblade,
last crescent of my torment when all else had failed,
bloodsister of the same wound I've been dying of ever since
as if this life were the greatest affliction
that could have been visited upon either one of us
by the closed doors that drove us away
like scapegoats and pariahs, the untouchables
of an infernal caste of homeless innocents.
How could I ever forgive the boundary stones of their skulls
for what they did to you with their false prophecies
and promised lands, the hatred of your savagery
when you were mauled by the snakepits
incarnated in the hands and the glands of the toxic fathers
who brought their drunkenness like garbage barges
to the bed of a terrified girl to waste her
as they had themselves as if you'd been born to be trashed.
The deepest outrages and sorrows in life
have had their tongues cut out, and over the course
of many demented stars, the light evaporates from their eyes
like the last grey thread of smoke from a candle
dipped in flesh, and the soul, no longer a spinal cord
of serpent fire burning like a fuse toward
some apocalyptic illumination that would right
the errors of perception in the awareness of heaven
that washed you and I like motes and cinders,
the crumbs of dreams clinging to the end of an eyelash
out of its field of vision as if we were never meant to be seen.
O my lover, my salve, my muse and anti-self,
my heart still burns in the cold out here alone
in these broken starfields under these shattered chandeliers
lucid as ice-storms in the abandoned ballrooms
of the scarecrows that once used to dance here
until they broke into flames like strawdogs
at an outlawed ghost dance that promised to return
all those things to us that we had irrevocably lost.
Where have you gone? Is it warm, there?
Do they leave you alone to nurse your heart
back into feeling something remotely human again?
Even at this late date, your gesture of silence
still humbles my voice like a night bird
I haven't heard before, as you ask for nothing
in the darkness, knowing as I know,
it would only make you more vulnerable to joy
and joy's an arrow fletched with our own flight feathers.
And though, even now, wherever you are,
it would probably make you wince like a black rose
waiting for a pearl of blood to appear
where you pierced your eyelid on a thorn of the moon
in lieu of a tear you couldn't show to anyone but me
without them breaking it like a mirror they didn't want to see,
I have to say it, because you have to know,
though we've grown old apart, and I don't even know
if we're still the same astronomical catastrophe of fireflies
trying to keep each other warm in the immensity of the solitude
we once huddled in like a cold furnace of the heart,
waiting for a new world, anyone but this,
like a new universe to hatch out of a cosmic urn
though we both knew matchbooks don't just
suddenly flare into fire-breathing dragons
out of the ashes of creatures like us
who could not forgive our childhoods
for abandoning us to the ferocity of their absence.
I have to say it, as if I were threshing arrows
like stalks of wheat in Virgo, what
an unlikely blessing of a sphinx you were
among so many obvious curses in utero.
And you must know, though I say it in broken glass
that never learned to cry, that I really did love you
even if I never said it at the time for fear you'd mistake me
for the others who did to excuse what they took from you
and never returned. Thousands of miles away
and more light years than the journey could keep up with,
in this open field, leftover for the birds and the worms
and the homeless weeds that are turning it into a refugee camp,
I stand like a hypocrite under a harvest moon in silence
and think of all the empty silos I've tried to be grateful for
as if I'd broken bread with them in order to learn
how to live on less than nothing but this vengeance
that still burns inside of me like the vow of a vacuum
that has yet to be fulfilled whether nature abhors it or not.
poem by Patrick White

Submitted by Poetry Lover
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Let Me Be Worthy Of The River
Let me be worthy of the river
and the strange ores that glow at night,
buried like teachers in the mountain;
let my blood always taste of the moon
and my heart burn like a black rose,
like the poem in the fire
that sweetened the sky with a flower of smoke,
for the wisdom of the generously unattainable,
and transcend the hell that shadows the folly
of not being foolish.
May the stars,
when they gather in gardens
water the roots of my seeing from clear fountains
and the wind bleed like ink from my pen
when I'm wounded by the beauty and the terror
of my helplessness.
When I am large, spacious, profound,
let me sit like the universe
on the throne of a seed
that lies in the dirt;
and when I am small, brief,
a trinket of light in a flash of ephemera,
robe me in the lion skin of the night sky
and ennoble me
with delusion and enlightenment
on this road of ghosts.
Whatever befall,
let me perish or prosper as a human
who insists upon the divinity of all
and burns and rises
for the heresy and truth of it.
Let anyone born be accounted a hero,
a lifeboat that hauled the world aboard
when the seas raged in the womb
to give birth to suffering;
and may I always be entrusted
with the ancient shales of dark courage it takes
to look into the dragon's eyes
and not be horrified
by the ferocity of the freedom
that thaws space
like an hourglass in the rain.
And should love occur
to shape the blade of the moon
on the anvil of my heart,
and a cauldron of passionate visions
scald the eyes with intimate glimpses
of myriad heavens and hells,
all truer than reason,
may my bitterness pass
like the eclipse of an hour,
a left-handed blessing,
no vinegar of injured illusion
accept the sad surrender of the wine
like the death poppy of a folded flag,
no tar of judgment and denial
feather the dream with stone pillows,
no abyss under the brief era of an eyelid,
make me too petty or afraid
to dance with my skin off
engulfed like the wind
in secret sails of mystic fire.
There's always a clown, a jester
who rides beside the hero like an anti-self,
a thoroughbred and a dray
yoked to the little red wagon of the heart
like two thieves either side
of an unwitnessed crucifixion,
two dadaphors, two torches
disposed like opposable hinges
on a door that opens like water
at the whisper of a key.
Let me be the clown-prince
of my own idiotic profundities then,
let me survive my way into the wisdom
of the inspired fools
who know that anything they ask for
from the stolen bounty of the king
is just another absurdity in disguise,
that even laughter isn't a lifeline.
I've always had my heart
caught in my throat
like a bird in a chimney,
a cork in a wine-bottle,
a habitable planet in a black hole.
I have loved and befriended
almost anyone
who would let me
and seen their evanescence,
their transigence, their vagrancy, their passage
through this mansion of space
with the amazing windows and chandeliers,
the sad brevity of the things they cherished.
Blind to restorative grails,
I have not sought the meaning of life,
I have not hunted the dragon with nets,
knowing reality is meaningless
because it has no fingers,
it doesn't point to anything beyond itself,
nor bear witness in a mirror,
but I have walked in the peacock robes
of the twilight sky, all eyes,
in the gardens of the life of meaning,
past the hushed bloodtalk of the roses,
and seen for myself
that there are flowers with petals of water
and roots of fire
that drink the stars like rain.
Meaning dethrones the flowers like bottle-caps
and there's no refund on the empties.
Night puts its hands over your eyes
and asks you to guess;
and there's no end of the mystery,
no end of the blessing
of sitting under a tree
looking up at a star
wondering what human beings,
what you are doing on earth;
what a thought is, an emotion,
the blade of grass beside you,
everything alone together
in the silent boat of the rising moon
docking at its own reflection
as if the port were always in the voyage,
understanding
merely an expression of the intensity
of our not knowing.
The answers come and go,
governments, religions, arts, sciences, fortune-cookies,
like parking meters, like waterbirds,
like oceans on the moon.
Life is the lock that opens the key,
the skymouth of the dream that woke itself up
talking in its sleep,
trying to remember the dreamer.
Like the fleets and caravans
of the seeds on the autumn wind
we are the purest expression
of a universe
that answers us with ourselves
when we ask for a sign.
Like cherries that ripen in the silence
of the deepening night,
turning our tears to wine,
our darkness into eyes,
may my shadows always be worthy
of the light that casts them.
Sixty-three years a human being,
sixty-three years of suffering and doubt,
of boredom and magmatic intensities,
of mystic elation and mythic insignificance,
of anger, danger, risk, defeat and victory,
of saying and seeing,
of trying to kiss the shadow of my pain away
by deepening my ignorance
and progressing backwards
through the re-runs of old eclipses
that once gorged on the moon like dragons.
Tonight the wind howls bitterly outside
and the stars seem eras away in the cold
as if the intimacy I have felt with their shining
since I was a boy
were just another leaf torn from the tree.
It's rare to catch a glimpse of your agony,
to see that even the brightest fountains
of your efflorescence
are rooted in a wounded watershed
that has never known the colour of your eyes.
I don't need to be forgiven
for being born;
and I won't be poured
like a tidal wine
into a life that isn't mine
however many cracks appear in the cup,
however I recede and leak out of myself,
my blood isn't anyone else's signature,
and this walking to nowhere I call a poem,
no one's footprints following me but my own.
How should it be otherwise
that I fall like rain
to appease this rumour of life
like a fire in my roots
and flash through the creekbeds
of my own flowing
like time returning to its hidden source
with news of nothing?
An echo of light
looking for its lost voice like a star,
I don't need to prove myself to the night
like a theory in the heart of a passing stranger
and space is the only death mask
that is the true likeness of my face.
No more than the light and the rain
that open the seeds like love-letters,
I don't need to know
what I will become
or what was revealed behind me in the dark,
but let me be worthy
of this wounded boat of the moment
with its cargo of eyes
enduring the burden and inspiration
of the voyage
like illegal refugees
with forged passports to Atlantis;
and if I must be accounted
one of the martyrs of absurdity,
then let me be as generous as wings
to the worms in my name
that blindly tilled the soil
of a rootless country.
poem by Patrick White

Submitted by Poetry Lover
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Let Me Be Worthy
Let me be worthy of the river
and the strange ores that glow at night,
buried like teachers in the mountain;
let my blood always taste of the moon
and my heart burn like a black rose,
like the poem in the fire
that sweetened the sky with a flower of smoke,
for the wisdom of the generously unattainable,
and transcend the hell that shadows the folly
of not being foolish.
May the stars,
when they gather in gardens
water the roots of my seeing from clear fountains
and the wind bleed like ink from my pen
when I’m wounded by the beauty and the terror
of my helplessness.
When I am large, spacious, profound,
let me sit like the universe
on the throne of a seed
that lies in the dirt;
and when I am small, brief,
a trinket of light in a flash of ephemera,
robe me in the lion skin of the night sky
and ennoble me
with delusion and enlightenment
on this road of ghosts.
Whatever befall,
let me perish or prosper as a human
who insists upon the divinity of all
and burns and rises
for the heresy and truth of it.
Let anyone born be accounted a hero,
a lifeboat that hauled the world aboard
when the seas raged in the womb
to give birth to suffering;
and may I always be entrusted
with the ancient shales of dark courage it takes
to look into the dragon’s eyes
and not be horrified
by the ferocity of the freedom
that thaws space
like an hourglass in the rain.
And should love occur
to shape the blade of the moon
on the anvil of my heart,
and a cauldron of passionate visions
scald the eyes with intimate glimpses
of myriad heavens and hells,
all truer than reason,
may my bitterness pass
like the eclipse of an hour,
a left-handed blessing,
no vinegar of injured illusion
accept the sad surrender of the wine
like the death poppy of a folded flag,
no tar of judgment and denial
feather the dream with stone pillows,
no abyss under the brief era of an eyelid,
make me too petty or afraid
to dance with my skin off
engulfed like the wind
in secret sails of mystic fire.
There’s always a clown, a jester
who rides beside the hero like an anti-self,
a thoroughbred and a dray
yoked to the little red wagon of the heart
like two thieves either side
of an unwitnessed crucifixion,
two dadaphors, two torches
disposed like opposible hinges
on a door that opens like water
at the whisper of a key.
Let me be the clown-prince
of my own idiotic profundities then,
let me survive my way into the wisdom
of the inspired fools
who know that anything they ask for
from the stolen bounty of the king
is just another absurdity in disguise,
that even laughter isn’t a lifeline.
I’ve always had my heart
caught in my throat
like a bird in a chimney,
a cork in a wine-bottle,
a habitable planet in a black hole.
I have loved and befriended
almost anyone
who would let me
and seen their evanescence,
their transience, their vagrancy, their passage
through this mansion of space
with the amazing windows and chandeliers,
the sad brevity of the things they cherished.
Blind to restorative grails,
I have not sought the meaning of life,
I have not hunted the dragon with nets,
knowing reality is meaningless
because it has no fingers,
it doesn’t point to anything beyond itself,
nor bear witness in a mirror,
but I have walked in the peacock robes
of the twilight sky, all eyes,
in the gardens of the life of meaning,
past the hushed bloodtalk of the roses,
and seen for myself
that there are flowers with petals of water
and roots of fire
that drink the stars like rain.
Meaning dethrones the flowers like bottle-caps
and there’s no refund on the empties.
Night puts its hands over your eyes
and asks you to guess;
and there’s no end of the mystery,
no end of the blessing
of sitting under a tree
looking up at a star
wondering what human beings,
what you are doing on earth;
what a thought is, an emotion,
the blade of grass beside you,
everything alone together
in the silent boat of the rising moon
docking at its own reflection
as if the port were always in the voyage,
understanding
merely an expression of the intensity
of our not knowing.
The answers come and go,
governments, religions, arts, sciences, fortune-cookies,
like parking meters, like waterbirds,
like oceans on the moon.
Life is the lock that opens the key,
the skymouth of the dream that woke itself up
talking in its sleep,
trying to remember the dreamer.
Like the fleets and caravans
of the seeds on the autumn wind
we are the purest expression
of a universe
that answers us with ourselves
when we ask for a sign.
Like cherries that ripen in the silence
of the deepening night,
turning our tears to wine,
our darkness into eyes,
may my shadows always be worthy
of the light that casts them.
Fifty-seven years a human being,
fifty-seven years of suffering and doubt,
of boredom and magmatic intensities,
of mystic elation and mythic insignificance,
of anger, danger, risk, defeat and victory,
of saying and seeing,
of trying to kiss the shadow of my pain away
by deepening my ignorance
and progressing backwards
through the re-runs of old eclipses
that once gorged on the moon like dragons.
Tonight the wind howls bitterly outside
and the stars seem eras away in the cold
as if the intimacy I have felt with their shining
since I was a boy
were just another leaf torn from the tree.
It’s rare to catch a glimpse of your agony,
to see that even the brightest fountains
of your efflorescence
are rooted in a wounded watershed
that has never known the colour of your eyes.
I don’t need to be forgiven
for being born;
and I won’t be poured
like a tidal wine
into a life that isn’t mine
however many cracks appear in the cup,
however I recede and leak out of myself,
my blood isn’t anyone else’s signature,
and this walking to nowhere I call a poem,
no one’s footprints following me but my own.
How should it be otherwise
that I fall like rain
to appease this rumour of life
like a fire in my roots
and flash through the creekbeds
of my own flowing
like time returning to its hidden source
with news of nothing?
An echo of light
looking for its lost voice like a star,
I don’t need to prove myself to the night
like a theory in the heart of a passing stranger
and space is the only death mask
that is the true likeness of my face.
No more than the light and the rain
that open the seeds like love-letters,
I don’t need to know
what I will become
or what was revealed behind me in the dark,
but let me be worthy
of this wounded boat of the moment
with its cargo of eyes
enduring the burden and inspiration
of the voyage
like illegal refugees
with forged passports to Atlantis;
and if I must be accounted
one of the martyrs of absurdity,
then let me be as generous as wings
to the worms in my name
that blindly tilled the soil
of a rootless country.
poem by Patrick White

Submitted by Poetry Lover
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I Miss You
I miss you like a burn victim misses his face, misses the sky he used to wear like skin. I think I'm dying tonight; Friday night, wandering from unfinished room to unfinished room, trying on coffins, looking at death in the shedding mirrors, wondering what my life has amounted to, a raindropp in the desert, trying to green the hourglass time raises to its lips, twin goblets, drunk on sand. I want to bleed like a bell for the unfathomable reservoirs of human pain that have yet to be endured as the original tears of life, the rocks weeping, and even the mountain eventually burying its proud face in the hands of its valley. I have heard the stars weeping, and been crippled by compassion for the wounded rose of blood, all the petals and eyelids and tongues that have tasted themselves on the thorn. If I have ever been a lantern on the road, a star you could follow home like a river, a tree that stood over you for the night, a shadow that summoned you into the light, black honey buffed with the flowers of revised constellations taking their seats in the revolutionary parliaments of the night, now I'm a kind of indecipherable braille hanging like black holes and severed chandeliers of pleading cherries beseeching wicks and filaments from astringent space. Look at what life has done to me; look at what happened to the candle. O just once more to yearn like the moon for a beginning, for an eyeless passion that hasn't seen itself out to the end like a ladder of worn thresholds ribbed like a man. I have drunk from the fountains of great teachers, great spirits, enormous suggestions of the soul that have emptied me like the echo of the world into a vastness as impersonal as the first word of creation and I have tried to be brave enough to see deeply into the night in my voice, the clarities and luminosities that have their seasons in the high fields, the wells that lament the aging of the morning brides torn like tents, the cocoons of the light abandoned like the exhalation of a last breath, I have tried to add my understanding like a planet that could thrive like a torch in a mansion of secret wines. I have tried to say whatever I was becoming without wringing the moonlight out of the tide. I have not lied about the poppies in their dream gowns of evanescent fire; or transgressed the humble shrines of the grass, or forgotten the progress of the girl robed in swans and willows in the eyes of the crone. And I have been withered too much by suffering to be flattered by the tendril of my name growing like smoke on the lips of the seeds. I assumed my throne like a pauper where the fire burned the clearest, and established the realm of my seeing in the crumb of a dream I rubbed from my eyes whenever I awoke to the illimitable domains of my nothingness. And I have counted the prophetic skulls of the demon moons as if they were a forbidden rosary that pearled the darkness, and been amazed at my affinity for the hopelessness of their vilified freedom. I sleep with an eyelash like a sword between myself and evil, one fuse unlit, one world that hasn't gone off like a rocket at Halloween. But when I consider true goodness in others, cooling like sweet bread on the summer starsills of their openness, I am always left feeling dangerously intelligent by contrast, and lacking, as if all modes of virtue were the happy sluglines of compromised yesterdays I use to start fires in an iron heart on a winter morning. Though I be condemned to the subtleties of the most intimate torments, incommunicable agonies of erosive condemnation, there is still a lie I won't tell myself to be worthy of heaven, because I will not dust the earth with my wings, I will not corrupt the integrity of the suffering of my humanity with any paradise that isn't born of its substance. I will not fail the rag of my poor flesh even on the eve of defeat, the tattered sail of blood that turns this boat of bones into the wind to come round again in a salvo of ferocious defiance. A gesture of the air, no doubt; a lethal folly, but the plank of my nature. So keep your angels away from me until I am a peer of the struggle, until I have won a parity from intensities I could never defeat. Until my humanity is an indelible word in the mouth of God, an ink, a wine, a thread of blood, that stains the lips of God with the inexplicable mystery of my contradictory existence. So much undergone, so much of becoming and transcendence embodied and dissolved in the shapes of shadow, blood and water, and love through it all, tears and laughter, the mingling of illumination and eclipse, one firefly of the spirit thawing glaciers and fierce eras of brutal evolution, one thought snuffing the stars like an eyelid. I love the heresy of vaulting the horns of the moon, the first and last crescents of the dilemmic parentheses that enclose me like an aside to an actor prompted offstage by the whisper of his own understudy dying ambiguously in the very next scene. What's a flower, what's a life, but a play on tour, directed by the cuts and takes of the wind and the light? Everyone in the audience, alive and wounded, sentenced, is on death row where every star that shines through the bars is the sprinkling syringe of a fatal injection, or the motherlode of the mystically deranged.
I miss you. I could love you so perfectly; even the errors in harmony. I could be the pillar of a temple of water; I could be sufficient for your sake, a curtain of shadows on the moon to cool the hot swan of the light that sails through a window wide as space. I could be something more in your presence, something I've never been before; the whole cosmos out to the most estranged star, hanging like a dropp of water from a heron's beak, a witching-wand that trembles with watersheds everytime it divines you. I think of gently taking the moon in my teeth, of kissing you on the neck behind your ear, of the season in your hair, the supple concession of your lips, undoing the star yokes on the beast that draws the wagon of this corpse to wander off road in the bestial freedom of its ecstatic vagrancy. I could know you like a fish knows the moon, underwater, could swim to you from here, or rise to your hooks as if they were stars, and swallow, or be a dragon heaving off its lake like a robe of water with wildflowers and the open eyes of the rain shaken from the folds of the eclipses and eras of its wings. You could empower me to risk an excruciating excellence of devotion; an eloquence and exquisitivity of perception that would compel my eye to turn the light around and look inwards like a black hole for the firefly in the casket of its telescope. However far I walked through a desert of lunar salt, excoriated by ferocious purities like a bone with the wind for marrow, no two footprints of mine would ever be the same, nor would the moon, so much like the heart, ever drink its own commingling of light and shadow from the same cup twice. I think of the things that could be; the air saturated with light trying to fall like rain; the blood efflorescent with poppies, with gypsy profligates, outraging the startled goodness of the wheat by dancing lasciviously with fire. Out of the air, out of space, out of time, living on nothing, I can almost make you happen before me like an event so intensely imagined the curtain had to open on a troupe of improv stars on tour among the constellations. The abyss of an eyelash away, I can almost touch you, taste you, feel you reach out for me like a bay of space, hear you call my name like a homing bird sliding like love-letter under the doorsill of the wind. Grief can call people like that, but it is love that is the gate-mouth of my answering, it is love that conjures you out of this galactic cauldron where I cannot pull this sword of light from the stone of my heart like a letter without bleeding like a crimson sea of candlewax to verify the seal of your enthronement in the kiss of every impression. The truth is too brief, and the lies are too long to be the suitable luggage of love. I'd need something like a seed, a cocoon, an eye, a lantern, a star to travel radiantly through this darkness as fragile as a kite held aloft by a feather of fire, my spinal cord in your hands, or strung across the musical snakepit of a lifeboat guitar like a powerline, or a clown riding the bicycle of his glasses. The seas once gone from the moon, love alone can keep the whisper of water alive.
I saw the full moon in the window through black winter branches, and I thought of you in sadness and love, and wondered if your eyes fell upon it like rain as mine did.
poem by Patrick White

Submitted by Poetry Lover
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The Guardian and BloodRose
BloodRose,
Rose of my love,
My love for Dark moon,
Dark as my heart,
Black as my soul,
And gave me my rose.
The rose of blood,
With petals soft and black,
Never as a rose so beautiful,
Grown not in light,
But under a dark moon lit sky.
Guardian,
Yes a guardian of BloodRose,
With teeth long and sharp,
Claws hard as diamonds,
Scales as dark as night.
My dear sweet guardian,
Guardian black as my heart,
Fire in your eyes,
Shadows in your soul,
A dragon of the dark moon.
A single rose,
With petals so fare,
As dark as my heart,
I now hold in my hand,
The rose of blood.
You are my darkness,
Fear of this love,
This love for you,
Love for darkness,
The cold shadows in my heart
That makes me yearn for you.
Now as you lay dying,
I hold a single rose,
The rose you gave me,
And as I hold it tight,
The thorns slice my hand,
Covered with blood,
My blood.
I have one fear,
The fear of death,
Symbol of my lost love,
Rose as dark as me,
Laying in a pool of blood,
Blood from me.
As I lay dying,
I remember my name,
BloodRose,
I am the rose of blood,
And I died of my own creation.
A creation of perfect beauty,
Petals dark black,
Thorns like small daggers,
Grown from my love,
My love for a dragon,
A dragon as dark as my heart.
Even in my death,
I think of you,
And the rose you gave me,
The rose that killed me,
The Rose of Blood.
poem by Nicolette Gonzalez

Submitted by Poetry Lover
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Things Might Be Drifting Away
Things might be drifting away
like an empty lifeboat
with nothing left to save
but the memory of moonlight
on the rush of a wave of the heart
that rose and fell
like a bell of insight on the night watch
that said all's well all's well for the night.
And so it was for a while.
Time might seem
that it's overstaying its welcome
and you've become the estranged guest
of a bad dream
in your own bed
in the thirteenth house of the zodiac
where the dispossessed
shack up with the misbegotten
and the ghosts of everything you've forgotten
don't give you any rest
until all that you've cursed
out of anger and need
has been immensely forgiven and blessed.
And perhaps it appears
you've been the rogue star
of a sign in long exile
far away from now
and that might account
for your misplaced trust in mirrors
and your lack of confidence in star maps.
Happiness just happens
like good luck and grace
and the creative inspiration
to rejoice in your time and place here
as if the purpose of your voice
were always to praise
even on the darkest of days
when the only thing
that shone in your eyes
weren't the stars you kept
locked away in your tears
like the face paint of clowns
or the crown jewels of the Pleiades
but a bitter farce of black holes
in the veils of the mirage
that eclipsed your enlightenment
with a starless night
it's impossible to get beyond.
And so it may well be
for those who've been
as far gone for as long you have.
But even the blind are shining
though they can't see it
and the deaf are still singing
though they can't hear it
and the dead are still living
though they can't feel it.
And those who have given up seeking
still find what they were looking for
like a loveletter with a return address
and an open door that recognizes them
like the prodigal threshold
of a homeless human
about to cross one more
like the last step of a long journey
that lost its way back in all directions
like the radiance of a star in space and time
that never took its eye off the past.
We cherish the flowers of summer that bloom last
more poignantly than those of the spring
because we feel our own hour of farewell
in the progress of their passing.
The sadness of an earthly excellence
fulfilled and surpassed
we see in the shedding of the aster's petals
and in the lowering of the wild rose's eyelids
and in the lengthening of the black walnut's shadows
that move like cool water
across the dry grass of a late afternoon
signs of the same night approaching us.
And we know it will be dusk soon.
We'll look up at the blue moon in late October
and whether the silos are full or empty
wonder if every harvest
wears the same death mask we do
with the smile of a scythe on its face
or if the goddess of the grain
bears true witness to
the perennial innocence of death
in the way she enhances
the white spectre of the first frost
to shock the garden down to its roots
with the same koan she uses
to enlighten the dew on the stargrass.
And you might dread the coming excruciations
of the scarecrow immolated on the pyre
of its own substance
like the short straw of flesh
that once sustained it
lost in a draw with death.
And come to scorn your heart like an urn
filled with ashes in the aftermath
of the same fire that once filled it
so full of desire to bloom
it could no more contain itself
than a seed can keep a secret from the spring.
You could see it that way.
And who among those clinging
like a blue atmosphere
to this homeless grain of dust
in the vastness of these sidereal immensities
within and without
that animate us like starmud
to join in this dance of life and death
like a legacy of shining
that can't be washed out of our eyes
though tears have fallen for lightyears
on the root fires of what we've loved and lost.
Who among these
could say you were wrong?
Because no river's flowing
the wrong way to the sea
in this reunion of arrivals and departures
at the stations of our afterlives
on this wheel of birth and death.
We're all going to make it back
to where we came from
one way or another.
Some like rain.
Some like ice.
Some like snow.
Some like the lingering ghost
of morning mist on the lake
that's gone before noon
and some like water on the moon.
The flowing of the river
summoned by the sea
to the source of its coming and going
is the calling of life everywhere
to transcend itself
by passing into the unknown
like the available dimension of a future
that's no further beyond us
than the past is
in the light of distant stars.
The sword doesn't wound itself.
Fire doesn't burn itself.
Water doesn't drown in itself.
And life doesn't bleed out of itself
like the dream of a fortune-telling poppy
or a water clock that's run itself to ground.
The eye isn't the seeing.
The ear isn't the hearing.
The tongue isn't the tasting.
The skin isn't the touching.
The voice isn't the saying.
The brain isn't the thinking.
The heart isn't the feeling
anymore than life
is the carrying in
and death is the bearing out.
The darkness isn't a lack of light
and the light isn't the absence of night.
Death is unborn.
Life is unperishing.
Formless in a world of forms.
Two wavelengths of the same awareness.
You say you can see night gathering
under the door you're afraid to answer
long before anyone knocks
and though you dream by your own light
you don't know who's casting the shadows.
Is sorrow any younger in the heart of a child
than it is in the memory of an old man?
Joy any less vivid in the eyes of an old woman
attending to the flowers in her garden
than it is in a girl having tea with her dolls?
Is this day not as new to the widow
as it is to the newly-wed?
Experience is the capstone and dunce-cap
of the sum of destructions
that made us who we are today.
And in life it's the brilliance of our failures
that throws more light on the dark matter
of the issue before us
than all the star power
of the blazing successes
that blind us to our own shining.
You step out of a backlit doorway
into the dark
and slowly the darkness grows
the eyes you need to see the stars.
And maybe death is like that.
Nothing to look at but black
until we blow the candle out
that's been misleading us all the way.
Maybe that's why the jaws of skulls
are always caught gaping at something
that's more than they can say.
But look at the expressions on their faces.
Maybe their eyes
are too overwhelmed by what they're seeing
to want to get in the way.
You could see it like that.
You could see it through the eyes of the rain.
You can taste it on the tongue of a candle flame.
You can read it from right to left
in the Kufic script of the wind.
You can hear it in what the stars are whispering
through the keyholes in the pyramids.
You can feel it all around you
like bubbles of skin and air.
Like empty rooms with atmosphere.
As many ways and roads and rivers as there are
that flow into it down the world mountain
back to the sea
back to the same undifferentiated watershed
of these myriads of mystic specificity
and who could number them all
as many as the stars
or all the grains of sand
of all the deserts and beaches on earth
as many as the dead of every kind who've come and gone
all that blood mind passion dream and imagination
all those tears all that despair lucidity and apprehension
love and familial affection
all that waste and hatred and emotional sewage
dissolved wholly back into the sea
like a watercolour left out in the rain
like a name written on water
by a poet who died young
in a foreign language far away from home
just as birth arrays the universe before us
and says make of it what you can
so death approaches no less a peer of life
than we are in our relationship with all things
and offers us
the same great creative opportunity life does.
Green bough.
Dead branch.
Sunset.
Moon rise.
The hidden night bird alights
on either alike
and folding its wings
like gates and books
and the eyelids of those who dream
at the beginning and end
of a long dark radiant journey,
sings.
poem by Patrick White

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So Lifetime After Lifetime
So lifetime after lifetime, sorceress of shadows and dreams
you step out of the dark wood of yourself,
a shy doe, a mournful lighthouse and a warning off the coast
of your infinite solitude, you, the singing bird
on the green bough of your flute pouring yourself
like sorrow over the eye of the sea, your tears,
the ancient wells of an eternal longing unanswered by the secret stars
that have entrusted their radiance to you, fireflies
drowning their light in your black candles,
the blind music of your lonely flowing. Is your flute, a bone, then,
and this rose I bring you, this heart, this blood
that has turned into a goblet of luminous wine,
drunk on the wonder and the missing in your phantom music,
is this rose nothing but a wound, a coffin-flower,
the unmarked grave of a mystic embryo?
Do you fear the tenderness, the meeting? Does the moon
strike at her own reflection in the mirror of her midnight waters
to wander like an orphan along her lifeless shores?
Boy and man, you murder me on the steps of your serpent shrine,
your eyes, cold glass, eclipses of crystal, your spirit
that once drew in the light like breath,
now a slow glacier, an age of ice
pushing your heart before it like a boulder,
like a temple-stone that one night flew out of the abyss
and buried itself like a meteor, a charred jewel, the demon seed
of a religion without saviours, your implacable creed
scriptures of blood in a mouthless book
that only love can open. Once there were swallows in the tree of life,
asylums of celebrants greeting the morning in their madness,
in the garden, in Eden, hurled through that first dawn
like a young girl's heart trembling like a dropp of light on a blade of grass.
Now your voice is a gypsy-crow on a dead branch,
your music, confession without atonement, your flute
without leaves, without orchards, an eyeless spring,
buried in its manger-cloth for years, nothing
but a crib-death, a broken wand, a phoenix
that has lost its faith in fire under the weight of its own ashes.
Beloved, again and again you kill me
in this dance of slayer and slain, tear out
this page of love like a like a child's tongue, like a mute heresy
you are doomed to rewrite forever
in the indelible inks of your seeing.
Do you dip your pen like a water-bird drinking
from its own image, putting out your eyes
to deepen the darkness, the scars of your sin
the lightless letters of a hidden language
pricked out on your skin, black stars and braille tattoos?
The pages and the years may turn like wings and hinges,
and a thousand deaths, all your own,
tome the field with gravestones,
breathless flutes and hollow bones, ancient futures;
and you the only mistress of those solitary realms; still,
your legend will remain moonless and sunless,
the story of a night sky, the eyelid of a black rose,
that couldn't break into light. Until
love stands beside the heartwell of another
as if it were its own sacred fountain,
one blood, one wind-mingled music
playing the waves like plectra, and raises the rim
of the single goblet to its lips and tastes,
only silence answers the terrible vastness,
only death graces the obscenity of these loveless wastes.
poem by Patrick White

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And There Is One Voice
And there is one voice among many,
one I remember as mine
among so many drops of rain, so many stars,
so many leaves, flames, feathers, flowers,
and the teen-age girl in so many corners of the darkness
skeining her pencil webs across the page
to catch something, a butterfly hunting spiders
that won’t understand her,
and the lovers that have sifted downstream
from the radiant watersheds of their mountain plateaus
like silt over the laryngal deltas of my saying,
black pollen of extinguished stars
I carry around in the medicine bag of my afterlife
like mystic winds to keep the sails up
like the eyelids of a blind rose.
So many skies have enthroned themselves within me over the years,
so many waves and planets and legends of darkness
and the shipwrecks and shores of the weather,
and the storms and the birds, and the shriek of the lightning,
so many dawns and sunsets
and the strutting peacocks in the twilight,
and the sumptuous nights with their illicit luminosities,
so many banners of burning straw
as I look for the one needle of light
that was the gate and the eye and the mouth and the voice
of what most closely resembled me for awhile,
before I learned how to slough my skin
and the hauntings of the black poppies who long to be clear began,
and what was one threshold for a poet in solitude
turned into a palatial labyrinth of doors
that swung on their hinges in space like birds and tongues and bells
all the homeless whose last address will be a gravestone,
all the hapless, broken wretches
who keep trying again like losing bottle-caps,
and the women who came to the mike
to sing like an ambulance,
and the atrocities, the murders, the obscenity, the weeping,
that grabbed at my throat like severed hands
to scream of the horrors and sorrows
in the bloody braille and crippled signage of slaughtered flowers.
There was a boy. He was sixteen. And a prelude
that grained him out of a black cloud
that swirled around his feet like a snakepit
and pearled him into an eclipse
that time held up to the moon like a crow,
like a telescope silvered by the eyes of the night,
a black mirror that parted the veils of the obvious
like a woman’s legs
and went looking like a silo of infinite space
that echoed like a famine
into what he was the name of.
And he discovered he was nothing but the shadow of the world,
deaf mailmen, reluctant debutantes, car thieves
with the souls of hunted deer,
hookers whose blood glowed like neon
to fill the pleading mouths of a nest of empty wallets,
and the arrogant, the boring, the vicious,
the scholastic tidal pools who conjectured
about the existence of the great sea of being
that overwhelmed them day and night,
and the arsonists who walked in the rain of their distant exile
playing with their hearts like matches,
and the bruised violets who hide their eyes
under the sodden leaf of an autumn journal
that reads like the last ocean on the moon,
and the treacherous, the bitter, the liars
whose quivers of feathered asps
broke like arrows against the stone lions of the truth,
and the assassins who waited
like the thorn of a sundial to blood their shadows
in the eyeless witnesses of the crimes of noon
and the reformers who wanted to cover the earth in leather,
put shoes on the world
and wore out like flying carpets,
and those who were born to salt the field
and those who were born to sow,
and the rootless wildflowers
that gathered on the corners of concrete cities
like fire on the wind
only to be threshed by the blades of the moon,
cut down by the scarlet scythes of harvest squad cars.
And he has lingered among the opals and sapphires
and on the stairwells of water
that coiled like rivers and women
through the hovels of fire and ash
that consumed him like the memories of a phoenix
that had gone out like a pilot light,
and drunk the stars and eaten the radioactive meat
out of his own skull
like an enlightened begging bowl,
and come undone like a bell of wine in space
like a drunk shapeshifter, a staggering compass
on the high wire of his spinal cord
when his locks were moved by one of the keys of the mystery
that attuned him to the voice of his freedom
in a vast, starless abyss
that wiped the universe off the mirror
like the last breath of the light
to prove he was irrevocably dead.
And through all of this he has been a podium, a stage,
the gaping ellipse of the clear light of the void
auditioning another dream for the talent show,
an advance scout in the night
following rumours of stardom
across the appellant deserts of the moon
like thought chains of migrating geese
trying to remember their lines
like the secret names of God
on the rosaries of their long farewells,
and the only way to be anything
when he turned the light inward
was to agree that everyone had the answer but him,
that even the darkness that dyed
the clarity of his waters with night
to detonate the fireflies like blasting caps
wasn’t a robe of his own
but the nocturnal paint rag of of the sky
that has been making him sit for his portrait like space
for the last forty-seven years
of writing shadows on the road like poems
that haven’t stopped crying for him ever since.
poem by Patrick White

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