
Not Quite Dawn
Not quite dawn, night seeping out of the blue,
troubled sleep, no stars, and you, a week gone,
the whole universe applying its laws to your absence
which is the silence everything returns to like water.
I have never touched you, so my fingertips
can still play you into existence on a keyboard,
though the loss of your voice is a dead bird,
and I am a loose thread of blood in a labyrinth
of motherboards and micro-chips like me
who can’t find a way out of themselves without
turning away like a planet from its own stars.
How quickly the light comes, and the darkness
bleeds away like a love-letter under the door.
No eyes. No hands. No skin. No hair. I am
not even the ashes of a cleft witching wand
that went looking for water and caught fire instead,
and we have shared only the light of the mind
that paints a world with the shadows of a ghost,
and might only be the last habit of an amputee to leave,
a mere mime of the way our eyes make us see.
And yet the heart hurts as if you once were flesh,
and I am awake as if another bed denied me my own,
and I am angry and sad, scared and alone as if
the universe were shy one comet, one bead,
one firefly among billions who shone for me
and that light was brighter somehow than a galaxy.
The day grows a new skin over your absence,
and I am as out of place, out of time, as a streetlamp
still shining down on its feet in the morning.
And there could be a thousand and one reasons
you don’t write back, why the black crow caws,
the sky is a concrete rose, the blood of the poppy
runs along the gypsy blade of its undulant smile.
From the heights, I can see a small, blue egg
smashed on the rocks below, a gesture of ruin;
from the depths, the remnants of a shattered star,
and all I can do is stare into the relentless images,
a word without a mouth, like the new moon
shucked from my tongue like a black pearl.
poem by Patrick White

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Deep In The Night
Deep in the night that shells its husk of blue
to pan the nuggets of its stars from a darker stream,
the heart an executioner with a fistful of pardons,
and the soft, moist, lulling of the evening air,
the threshing of slow fish,
I'm enthroned alone in a crucial palace of light
that realigns its domains to the borders of the wind,
and I don't want to feel lonely but I do,
and I don't want to miss so many, so many faces
stripped from the bough like a savaged telephone-book,
so many feathers of light drifting through the shadows of their names,
and the black granite of the uncarved bell
that turtles the blood under the eyelid of the knowing,
that makes my eyes want to scream
until the pillars of the dead sea fall like rotten salt:
how long can one road endure the passage of everything
walking life off into the stars that measure the miles in skulls?
Was I young? Were you there in the brindled moonlight?
Did I remember how to love you well; did I see with long eyes
how you rose out of the chest of the hills like a spirit leaving,
the blue effulgence of your nebulous departure
almost a cocoon of morning mist, the last breath of a lake
as if an indigo thistle released its silk to the wind
or a dandelion relinquished its ivory mane?
Were you the soul of me that lingered by gates and wharves?
Have you come back now with your bells of blood and lamps of flesh?
Can I feel again the leaves of the silver herbs
in the gardens of your fingertips?
Touch me like the breaking of a fast,
find me like a river in the night,
the dazzled theme of a wandering valley,
and pour your journey into mine like stars into a vine,
shadows running down the worn convictions of the stairs,
the midnight wines of old eclipses in the goblets of your eyes.
Once for the flame that dances on the wick of the tongue,
Once for the orchards that plead with the heart for birds,
Once for the envelope that read the letter it married,
and you, by the river, a sapphire among rocks,
tender blue grass in the translucent water-skin of the night,
loving me once as if your hands were autumns full of departure
and your eyes, the gulf of the world in your eyes, your eyes
were the soft flowing of the dark honeys
that leak from the wounded hives
we carry like knives to the grave.
Distinguished among broken clocks,
sultry and bitter, a quarantined bay of refugee stars,
caught in the threshing blades of a circular waterfall,
a mess of tents I've furloughed across the milky distances
like a chain-letter from a secret constellation to you,
I blue the intimate spaces between us with time
and patch the maps with the confluence of our lifelines
and try to restore the eyes in the sockets of our bridges
under a brow of swallows in the dusk. And I remember
all the names of the flowers, all the names of the stars,
all the badges of love that heaven and earth once offered
in lieu of the reasons why
love bares the skin of a poppy
to the teeth of the hunting sun
and then flares like a firefly
over the water-lamps of the moon,
but when it dies of its own self-inflicted wounds,
slashed by shadows among the ripe fruit of its vowels,
and the seed wasn't asked and the harvest had no choice
there are always two skies,
one bound by roots, the other, eyes,
at the back of every voice.
poem by Patrick White

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In You
In you I come to the end of roads,
and an alphabet of burning wings
falls from an indigo sky
like meteors trying to write
the unsayable in a slash of light,
in a language of luminous scars
the night beatifies with mystic knowledge
that wants to name you
so deeply in thresholds and stars
the charged silence
is giving birth to an indelible mouth,
a doorway of blood,
an ancient grammar of fire
the wind puts on like a robe
to scry the darkness for a voice
that could fill the goblets
of the moon's dead seas
with the wine of a radiant wound,
so much within me
already the tongue of a bell
that can taste you like blackberries.
The whole of you
in every single dropp of your eyes,
you are the black swan
of the eclipse that rares its reflection in water,
the dark orchid in the shadow of the dragon
that sways like a bell in the night,
even your absence a shape of cherishing,
a harvest of shadows beyond the light
of the lamp that burns for you.
Within the deepest abyss of myself
where the heart stands alone
like a single black pillar
in the twilight wasteland of the world,
a mysterious temple to the ultimacy
of having been here once
to suffer the passage of form and time,
everything a gesture of space
that thaws back into itself,
I have written your name
in the hourglass of my blood
like a whisper of secret ink
that once voiced the light to be
and shook the stars like wheat
out of its blind abundance
and will be remembered forever
as the first intimacy of the sea,
and there is the rumour
of a dream in the air,
the fragrance of an approach,
that out of an ocean of light
the tide will embody a woman
like the shore of an island
littered with fingertips and kisses
enmeshed like galaxies and starfish
in the exhalation of her veils
and our lips will meet like archers,
and our bodies will sing like arrows
sunk like orchards through the heart
and long after the last flame of life is shed,
the night will silence the birds
in the groves where we bled like poppies
to open the gates of the mystery
like keys and rain, or the rosary of black pearls
that chants its prayers to the night
like the slow alarm of autumn geese
in the eyes of a human face.
I try to say what can't be said,
pouring my spirit
into the wineskin of every word,
but my heart is a larger apple
than the bough of my voice can bear,
and the silence
that would erect temples everywhere like flowers
spun from the auroral silks of my soul
and perfume the air with the pollen of sacred fireflies,
every emotion a priest with a shaven head
to honour the moon
climbing the stairwell within me
of a million horizons at once
in every breathless step,
falls away behind me like the wake of a sinking ship
that lowers me into my coffin like a lifeboat
or a message in a bottle
that pleads like wine with the emptiness
for an alphabet that isn't in arrears to time
to say you to the night
in a lightning breath of life beyond
these elemental likenesses I carve
from a quarry of stars.
And I know I ask for immortal children
from a human womb,
and wide as my powers are
to exceed the sky with homing birds,
to adorn the dead branch with windows
that dazzle the roots of dawn,
I am the ashes of a black star in daylight,
a stone man with a chain for a tongue
when I try to swim like Atlantis
through the depths of your shining within
and the last word, the last life
to flash across my mind as I drown
again and again like a pulse
in the embrace of your beauty
is always the world as it is
before anything was said.
poem by Patrick White

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Were There Stars
Were there stars in your hair that night?
I cannot remember,
so taken with your face
and the mystery and the silence and the sorrow
of the tender bell in your eyes
that could summon ghosts
of yesterday's embodiments to the fire
of any passion that lost itself prophetically
at a rave of shadows among the trees.
You eased out of your wardrobe of rivers
like a snake on the moon
sloughing its skin like the eclipse
of a far more vulnerable shining,
and I couldn't tell if you were
a doe or a lynx
stepping out of the alder groves warily
to lap the moonlight
that flaked the shore
with the silver petals of an undulant rose
older and darker than night blood.
I could feel the danger within you,
the abyss of the early grave
that waited for you like a key
to come in out of the pain
that bled you like a shadow
pouring out of an open wound
that whispered to you like a secret scream
only the dead who owned you could hear.
Your hunger desperately sought salvation
from the eyes
that pleaded with you
to blow yourself out like a candle,
cancel the inevitability of your suffering
with the shudder and sigh of sex.
We lay down naked together
by the willow-stained waters
in that summer of flesh
and sought oblivion from each other
like two compatible cremations
that concealed a ravenous phoenix
ending its fast of fire.
Purified by the depth and darkness
of your intensities,
I burned in you
and felt the flames
of a dangerous angel
who had broken her afterlife like a curfew
flow over me
like dawn at a keyboard of feathers.
Your breasts still come up overnight
like supple mushrooms against my chest
and the moist heat of your mouth
throbbing with flowers like July
as you seized your joy
from the agony of the roots you tormented
to give up their dead
like bruised cherries.
I have never died as fully since
at the insistence
of any woman's appetite
nor known a night so final,
so brutal with time and beauty
as the pendulous moon swung
like an executioner's ax
over the nape of its own reflection
swanning on the waters.
We made love as if
we were both defying
the truth we didn't need to say.
I wanted to plead with you,
I wanted to call out into your emptiness
like a beseeching bird
disappearing into a dark valley,
but my voice ran ahead of its echo like light
and the things I would have asked you
not to do
had already been achieved.
Heroin, your asp,
at the funeral I stood back
beyond the baffled wreaths of flowers
and the ambivalent silence
of the modest gathering that mourned you,
maculate in the shadows
of the Japanese plum tree
we once made love under
and I kissed the rose of your blood
shedding in mine
like a wound
my love was never sword enough to heal
as they closed
and boarded you over like a well.
I spent the night like an empty vase
beside your grave
until the stars that bloomed above you like wildflowers
thawed my tears in the morning light.
I walked out of the cemetery
through the hard harps and spears
of its iron gates
and I have never been back.
The years since have been
chameleonic as a hooker
who plys her art
on the stairs of a temple
even the priests of my lust
are forbidden to enter,
but as you said I would
as you lay with me that night
like a knife beside the sea,
I have returned to you over and over again
like a witching wand
looking for water in hell,
like a cult of one to a lost island
that holds you like a secret
and wept like a candle of honey
in the dark hive of your unanswerable silence,
intoning the names
of an impossible god
on a rosary of black suns
until my heart hangs like a bell
dumb with grief
looking up at the stars
you rinsed like a tide from your hair.
And I lean on the crutch and the crook
of a shepherd's question,
looking everywhere for you
like the wind
sweeping the shadows of fireflies
like the fall of hair from your eyes
that night you tore yourself away from me
like a veil of blood and sorrows
wounded by the terrible light
of the black pearl
that ripened within you like the skull
of a full eclipse.
O my poor, broken angel,
you might have been fat and frumpy by now
if you had lived.
I could have watched your beauty
shed like the moon over the years,
and smile like an island
to remember how lost I was in your tides once,
a constellation of starfish
tumbled like dice in your dark undertow,
trying to shine, god, how
I tried to shine for you, how
I ached to embrace your planet safely
in the mandala of an empowering radiance
that could show you
I was worth living for
if nothing else.
Given the freedom
of the emptiness that engulfed us both,
we could have lived within each other,
we could have evolved our own atmospheres,
appointed our own stars,
written our own myths of origin
on the black pages of that journal of skies
where you scribbled down the events
of your pre-emptive afterlife
as if you wanted to make your ghost indelible.
As it was, the only thing I could do,
was take you in
like the last breath of a summer night
I could never let go of
without following it
like a shadow of you into death.
I haven't wished for much over the years,
and the dreams have come and gone as they will,
and my hair has gone gray
and my eyes are looped like powerlines
and the sad bells of a heavy solitude
that has yoked me to the grindstone of the turning world
to mill the stars like a tide
on the blood wheel of a worn heart.
I finally burned and broke all the weeping mirrors
I consulted like half-assed mediums
to see if I could restore you somehow
to the more intimate shining of that last night
you turned and ran back,
your shoes in your hand,
to make sure your final kiss would endure like a temple.
You pitied the agony of shapeshifting
you knew the black water ahead
was about to go through
as it smashed like goblets and crystal chandeliers
on the roaring skulls of the rocks.
You pitied me because you knew I loved you,
because you knew you were already
a future memory
and I was a prophecy from the past
that had ridden beyond itself like light
to illuminate nothing but your absence
measured in the filaments and lifelines
of eyeless oceans
like a seabird
circling a blind lighthouse on the moon.
poem by Patrick White

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I Turn Out The Lights
I turn out the lights and lie down to sleep
and you open up within me like a lotus of fire
blooming in the darkness of a vast inner space
that has become my only skin, tattooed with stars
as I play solitaire with destiny, using your Tarot
of chameleonic constellations as a firing squad.
Little threads of joy and fear shudder through me,
revelation and lightning, fireflies going off,
the blasting caps of greater detonations yet to come,
and your face is before me, apparition and aurora,
the moon reflected on undulant water,
a jewel turning in the light of itself, blue eyes, full lips,
the blonde smoke of your hair on your cheek
disappearing somewhere as if a match had just been put out,
and your smile, your beautiful, wide, forgiving smile
that seems to flow from the warmest sugars
of an abundant heart; what dawn over a lake
has ever touched me silently like that?
One look at you and I am hurled into another more spiritual dawn
like a bird bewildered into singing by the strange joy
that threatens to consume him in the soaring radiance.
And though I cannot say you, you are the secret
I discern in the stars when they stop to whisper through the trees
to the bones of the holy man humbled on the hill
of his own insignificance; and then you are the only exaltation
that can raise him up again to shine above the night.
Always within me you summon like a bell; you
draw me out of myself like a genie torn from a lamp; my blood
heaves helplessly to the urgent clock of your tides,
teems with life and washes up on the shores
of mysterious realms where you are always the enchantress of the island;
what man or creature could I not become for you,
immersed as I am in the wine of your being? You are
the fullness of woman in the prime of her mystery, the vase of your body,
the shrine of a human divinity that generation after generation
inspires adoration from the brute
that comes, awed and shy of first fire, to lay pink tulips on the staircase,
grails and goblets gathered to be filled by the reeling honey
of your presence, the fire that burns without burning
and leaves even the wind love-sick and longing for ashes. Human,
you are five petals of fire; divine, one flower.
Break, then, if I must; in loving you, I'll break.
And should you never love me back and the air turn glass
and shatter
into a million splinters of emotion that settle at the bottom of the heart,
the broken wineglass, the crippled flower,
severed from its stem, or the moon,
scoured from its reflection on the eyeless river by clouds,
never know the laughter of your fountain, still
in every fractured piece of me
the whole of your face, in time and out, would shine
as it did in the dark before the light began. You are not a mirage
shimmering over vipers in these circumstantial sands
and I am not a candle in a hurricane. Though I love,
I know the world, its gardens and atrocities, its wounded doors
and urgent windows flowing with lace and longing.
It doesn't have much time for itself, busy as it is,
trying to hide the loss; it's looking for its eyes with its eyes,
its head with its head, its feet with its feet.
I've pulled the thorn from my heart, the worm from the rose,
the nail from my hand. I've gone mad and madder still,
looked up at hell out of the depths of my despair
and envied such exalted heights. And then it's all turned radiant
for no more reason than a dream, something nameless changes,
even as we plan a way into ourselves, or out,
suddenly an unknown light breaks through, and we have our eyes.
One moment of you, one firefly, in the vastness
I was falling through and galaxies ignited all around me;
the dead branch blossomed, the singing bird came
and the day was no longer a spoonful of ashes. Call it
what you will, pour it into any cup, plastic, crystal, or clay,
or drink it from your hands: it's still the wine, it's still the moon; it's still
always and only you that makes this confusion of stars and birds
in the treetops, this picture-music, this drunk dream, this tavern
that is an outcast's shrine to joy
raise a glass
to the sun in his blood that shines at midnight.
poem by Patrick White

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Small, Warm Birds
Small, warm birds of feeling,
a profound tenderness,
something to cherish
in the loneliness of being human
in these vast, cold spaces,
as I read your words
like poppies in my blood again.
What stars could I call upon,
what roses could I ask for their skin,
what darkness charge with radiance,
what ploy of dancing buddhas
could I summon
to let you know
you are all my sky within,
and the assent of my soul in the morning
and the bough of my homing at night,
that there is within me a blind fire,
an invisible flame
that consumes me in the ferocious beauty
of its unseen flowering
even in a flurry of faces
and the business tugging the donkey of the day
braying like a knot in a stream of wood,
and all the objects and forms of the world
are burning mirrors I look into to see
the black pearl of your mystic presence within me,
the irridescent luster of your shining,
how you are a message in a bottle from ultimacy,
and a dark shrine of desire
that can wake the valley dragons
with the fragrance of your eyes on the wind.
I want to kiss your kneecaps;
I want to crush cool mushrooms against your lips
and feel my kisses break like bread,
I want to feel my mouth
blossoming on the nape of your neck
and my breath blowing across the shy wheatfields
of the softest gestures of hair on your skin,
I want to taste the silk
of the inside of your thighs
as if it were the flavour of an intimate paradise,
and approach your breasts like crowns,
and under a full moon
tenderly turn the sacred soil of your sex with my tongue
like a stranger in the doorway
of an infinite longing to make you shudder
like the void into light
with sexual eclipses on the back of your eyelids
that will fill you like a palace of water with stars.
I am the luminosity and shadow
of your green lamp that glows like the sea,
and my voice wants to bleed like black cherries
over the alluvial plain of your stomach
and touch you like a prophet
running his fingertips slowly over the pages of a holy book,
savouring the revelations
that throb like a pulse in space;
and there are storms that want to exhaust themselves
over the blue thresholds of your hills
and root their lightning in your body
like a tree of light, a new map of rivers
for your blood to follow back to me
like the echo of thunder in a well.
And all through the day
with its curbs and functions
I imagine the lilt of your fingers
on the rim of a coffee cup,
the cougar in the glance of your eyes,
the way you put a knife down on the table
like a smile without a script
and what it would be like
to circumnavigate the equator of your waist
with a rosary of kisses
to raise you like a sunken continent
out of your depths
and explore all your tides and passages
with the fervour of a dolphin in a bay of wine.
I want to be tangled like a kite
in the turmoil of your hair,
the night watchman of your dreams,
the one who notices
what no one else looks for,
the stone of the small grave
you sweep with your eyelashes
when the leaves of autumn
lie down with the shadows of spring
and the virgin windows of your tears
that no one has ever looked through
weep like glass over the secret root
of a flower only a child could see.
Beyond reason, gates, words,
where the bridges take off their shoes
to admire their feet in the water
and the waterlilies kiss the thorn
of the star that tore them like skin
and whisper ancient pollens to the night
softer than flour and saffron,
and everything I say to you
isn’t a wound in the light,
a mouthful of shadows,
a bell of water with a fish for a tongue,
fleets of butterflies
learning how to sail the oceans of the rose
like the keels and wings
of love-letters you can read in the dark,
I want to fold you in my arms like the moon
and pan the nocturnal urgencies of your eyes
for a gold rush of fireflies
in the all night boomtowns
of a heart that struck it rich
digging a hole to bury its dead.
poem by Patrick White

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Black Fire
Evaporating in a black fire.
Don't want to drink the night from the window again.
Won't be a chain trying to escape itself
when I'm already free,
but what an affront of mirrors to be so diminished
because the lions of fire, the dragons
that flare from the eye of the black sun,
their shadows spanning the heartless abyss
of their ferocious lucidities,
pitched their wings like huge, black tents of night
at the gates of the wide-eyed gazelles of emotion
they could bed freely under the moon,
unspool in the blue grass silvered by the wind,
their eyelids waning like a glass of wine.
In the obvious light of the morning
they will run from lesser hunters
mistaking the truce of nightblood
on the horn of the moon
for a rag of surrender, a gesture of clarity
like a star in a well,
the signet of an ancient moment
when the abyss returns to itself
like the echo of a wounded voice
to heal at the foot of a throne of shadows.
Though I could have stung like a serpent,
I was the wind at your heel once, once
like the wind I would have sowed the path before you
with seeds that would have bloomed like the eyes of the stars,
I would have saturated the air with lachrymose diamonds,
and poured the oil of the only lantern of my afterlife out like rain
so you could have shone like a rainbow at night
and your roots were luminously charged
with vital urges of mystic lightning.
I would have come to you like a flashflood of silver on the moon
and run the labyrinth of dry creekbeds
that scar the lifelines on your palm.
I would have kissed the black rose awake from its dream
of being stoned for a miscreance of the light,
and held the nightsky up to its beauty
like the forbidden side of a mirror
to jewel the eclipse you wear like a face.
I would have lain down beside you
like the shore of an unmapped island beside the sea
and answered every wave of your incoming tide
with a nightbird in the mouth of a bell of blood
that ripened in a watchtower on the moon,
but every kiss was a translucent jellyfish,
the auroral rose of an ambivalent Medusa
rooted in the lethal snakepit,
the toxic electricity of her stoned hair,
the trawling storm of her decapitated tresses
when the truth struck like an unexpected fang of light.
Now you spend your time
trying to tie knots in your spinal cord
like the severed filament of the moon,
trying to wick amputated candles in the darkness
that might help you grope your way
back to your head
like the black hole that became of the star
that went looking for its lost planet
like a blind shepherd startled awake by the howling of wolves
running across the sky in a wilder freedom
above the timberline of your eyelashes,
tinkling in the glass womb of your brittle shining
like the tungsten crumbs of a burnt-out dream.
Even now you don't understand
how you can pour so much of yourself into yourself
like an ingrown hair, your love
merely an idea infatuated with itself
that your eyeshadow festers like a palette of gangrene
and like me the vision won't paint you again
in the vivid constellations and kells of braille
you insisted on reading backwards
in the troubled mirror of your own perversity.
No rose in the shadow of the black Pegasus
born from the blood that pours from the vase of your neck
like a dead bouquet of poppies, no inspiration
in the petrified skulls of your past lovers
scattered like the beads of a broken rosary at your feet
you once fingered carelessly
like the writing on the wall.
poem by Patrick White

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Musing In The Aftermath
Everything sings, the shadows of the winter branches against the streetlamp
laced on the windowpane ribboned by dirt, backddoors and rooftops
and yet I am enveloped in this silence without wings, this voice
that valleys the universe like a dropp of water down the spine of a leaf
to the root of no flower, no heart, no simple mystery of the night
maturing into stars. I’m in a room with books, paintings, lamps,
plants, computers, easels and cats. Things are neither right nor wrong
though I flatter myself that I have grown from mistake to mistake,
defeat to defeat and cloak the sum of all my failures
in the unconvincing authority of experience.
It’s rude to take your masks off in the light.
I try to see myself in the darkness like a star
with too much to say that loves to give its hiding place away. Forgive
this indiscretion of my solitude, but my name has obligations
and there’s nothing in the house to eat but swans.
Soon enough there’ll be a term to all these spectral visions
that add their shadows to the lead migrations of my thought
and traverse the motionless deserts of the skull-faced moon.
And what can I say to the pilgrims who come to visit my heart,
all these lean feelings without deceit or art
who crowd around the miracle like damaged mystics and moths
hoping their agony will be immolated in the serene ferocity of the void?
Space is only the rough draft of my emptiness
and ghosts confer in the wings like uninspired actors or lie detectors trying to interpret the crimes of my last passion play. Before I was born
to cross the sky in a blue coffin with a black rose
among all these islands of light, I was the ashes of a bird
in the cold furnace of my life, a jest of the indifferent wind
that toys with the lamp and candle of my seeing.
Now, in every word, among a hundred million burning stars,
it’s enough to watch a vagrant firefly, a constellation of one
blind the universe in a single flash with marvel
as I slide down the helical bannisters of every descending starwell
toward the dark by which the dark is known.
Together with everyone I heed the mystery alone
and I don’t know how I got this way
or if I’m a shadow or a wing, the gesture of anything,
but when the moon is in my window, the night arrayed,
musing in the aftermath of life’s homely escapade,
a little afraid, I feel someone dying, and I sing.
poem by Patrick White

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As If Beyond Death
As if beyond death today,
as if I lay already under the eyelid of the moon,
the echo of my heart
pumping shadows
through my perfectly preserved corpse
in a silence that's never known the wind,
a fallen wharf without arrivals or departures,
and sad enough not to care why,
blood on the dolphin in the black tide
that pours me out of the horseshoe of the bay
like a road from its boot,
wipes me like the pollen and dust of dark matter
off the windowsills of the constellations,
my unknown mass crucial
to the cosmic contractions
that might give birth to the world again,
and I'm here alone in the high field
drowning in the twilight with the wildflowers
and the sky a last exhalation of the blue-green luster
that flirts with the mystic violet
on a homing crow's head
as the shadows assemble the wings
of a total eclipse
and a new dragon is born of the pain
that shrieks like lightning in the mouth of the abyss,
a torn animal
peeled out of its own skin like an eye
to add its darkness to the furnace of the black rose
that roars in the night
to blood the hungry mirror
with the thorns and talons of clarity,
to feed the wound of its existence
its existence.
And when I walk to the end of myself
through the golden rod and waist-high asters,
the seed of the stars that sleep with the daughters of men,
some of the flowers close up like fists and kisses
and others grasp themselves like a key
to a door that the whole universe can walk through,
and there are strange birds
flying from the eyes
in the rising skull of the moon
that sing like the pyres of cremated guitars
that died like trees in their solitude
and even the gates are weeping like wild dogs.
And there's a wind, intelligent, dark
the ghost of an ancient serpent
horned without ears,
an ocean of mind that exceeds itself like a wave
that howls like a secret it can't tell itself,
like a root blind to its own flowers,
that wants to lead my voice away in chains,
that wants my tongue to try
like a leaf in the updraft of a fire storm
to scream its agony out in the night
so that even the furthest star shudders
with the horror of its final liberation
like an arrow through the throat of a caged hawk.
poem by Patrick White

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I Woke Up Saying Your Name
I woke up saying your name
but in the course of the day forgot.
I should have forgiven you sooner
but my tongue was a noose and a knot.
I should have let you fool my eyes
but not my heart. No Grecian urn
but just the same
I loved the shapely vase of your body
and the fact that my ashes weren’t buried in it.
But those bouquets of angry snakes
you kept trying to arrange
into a Zen garden in Kyoto
or a hair do in Mycenean Greece
kept me looking for an antidote for years
to all those estranged wavelengths
of a gamma ray burst
I stood like a nuclear meltdown in the way of,
though I poured my blood out like heavy water
to get you to stop and cool down.
What it is is what it is only
if you don’t factor in what it’s not.
Otherwise, in the bigger picture,
what it is is just as much what it’s not.
And who can assess
what didn’t go down between us?
I’m sitting on a cold rock down by the Tay River
freezing my proverbials off
because I like being alone with the stars
at three in the morning
because they don’t ask for an explanation
about why I’m up so late
so many light years from home.
And they don’t ask me to translate my scars,
the dead word into the living,
back into wounds
they couldn’t relate to anyway.
And I don’t need to tell them
if you’re going to open yourself up to someone,
if you’re going to bloom, if
you’re going to shine
a rose, a star,
you’re bound to taste your own thorns
or the splinters of broken chandeliers
on your tongue, or a dog
with porcupine quills in its mouth,
howling at the dark side of the moon
as the greater of two faith healers.
Though neither the stars nor I
are into comparative mortality.
And as I approach death and love aimlessly
looking at the stars timelessly alone
I don’t bemoan my brevity anymore
and they don’t flash their eternity in my face.
There’s just stars and eyes for awhile
and both of us agree
death and eternity are none of our business.
There’s just this little bit of heat and light
that flares like a matchbook for a minute
and then goes out
like a holybook, a firefly,
a poem or a flower
burning in its own ashes, smothered
in its own smoke like a pillow
over a dream in a skull
that effaced itself like stars
packed into a snowman that thaws
according to cosmic laws
not meant for our eyes only.
And God, the Zeitgeist,
the Universal Id knows,
how we’ve both tried
to enlighten these lumps of coal,
these sorry excuses for eyes
into diamonds that flow
with love and compassion.
How we have laboured like Sisyphus
to haul what’s deep underground,
the dark ore within us,
up into mountains of light
only to watch it run down again
rivers and rain
into the great night seas beyond
like a heart-mind continuum.
A leaf and a starmap on a lifestream.
We have advanced into our retrogression
like everything else in the universe,
big heavy methane planets
with shepherd moons
that cast their shadows
like beauty spots on Saturn,
and our axes toppled like Neptune’s.
poem by Patrick White

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Not Even The Light
Not even the light of the stars
shining like the keys to the ancient love-letters
bound among the secret jewels
of the queen of heaven
penetrates me as deeply as you do.
The planet wheels into the night
bearing its burden of humans
murdering each other
to enforce one state of ignorance
upon another
as the rabid bees
strafe the demented flowers
on the far side of the world
for enriching their radioactive pollen,
convinced in their madness
more honey than blood will flow from the wound.
I walk by myself
along the brittle banks of a frozen stream
among the detonations of the cattails
waiting like Napoleonic cannoneers
to stoke the charge of the next volley.
The snow in the sunset
is stained a spectral apricot
that disappears like breath on a cold window
and the sky is vast with my insignificance.
Two or three decades of life left,
if I'm lucky,
and though I have tried to use my time
to leave a gift for someone I will never meet,
long ago I realized
there is no way of assessing
what they will find
after the coffin closes like an eyelid
on this long, dark, radiant brevity
that once shone like the moon
in the ores of my blood.
Like the wandering of this rivulet
my heart has always been
a pilgrim without a shrine
and the direction of prayer has encompassed all
like a man getting up off his knees
and walking through an open door
to drink from the cup of his lover
in the shadows of the autumn willow
that sways like kite-tails
from the flights of fire
she ignites among the stars
that gather in the dark like strangers
before their own ghosts.
What the wind
has torn away from me like apple-bloom,
like poems, like smoke and leaf, like skies,
like tears and blood and faith
it has replaced
with these deeper revelations of you
that hang like a windfall of scarlet bells
from the branch of a dead tree in winter.
The wine of your life and light
has matured in the ferocious crucibles of the sun
and you have been poured out
like the passion of a sword
to cleave the stone of my heart
with these truant rivers of wounded silver
that flow through me like blood.
A young breeze
tries to hone the edge of its blade
on the rising moon
as a black ribbon of water
runs like a snake of oil
between the enclosing jaws
and cataracts of ice,
tiny wavelets scaling its skin
scintillant with the small commotions of stars overhead.
The bush wolves
have been nosing for muskrat
and you can almost taste the steam
rising from hot meat on the air.
I squeak like a pulley through the virgin snow,
following the banks of my own meandering,
owing nothing of myself to anyone,
wholly my own solitude,
as I pass through the gates
of the enclosing darkness
trying to enter the abyss and the mystery
of what I have lived so precariously
over the last sixty-three years,
what it means, if anything,
to be a human among these paper birches
on an island in the stream,
looking up at the intimate unattainability
of the stars,
knowing you are growing old,
that death is more populous with friends
than life, that love
has sloughed you so many times
like a viper's skin,
like the phases of the moon,
like a shrine of smoke and ashes,
that the phoenix hesitates
to robe itself in the full glory
of its former plumes of fire.
My mother will die soon.
I must say it,
voice it in my blood
to be able to bear it
and my children are clouds in the world
that no longer look for their reflections
in the eyes of the lake they arose from
as if they were merely breathed out.
And how in any god's name
can a man define the absence
he has grown to be,
except he standardize his own spinal cord
as the only measure of loss
he has to go by?
And even after
all the millennia of my walking,
standing up,
I'm still only six feet closer to the stars
though my mind can embody all of space
in a solitary thought.
And the deep, inner silence
in the empty throne-room of my heart
where even the most profound events of my life
are seen to be ultimately no more
than the antics of a jester
playing with shadows,
turns out after all to be
just another mode of weeping.
It takes a lifetime
for a dropp of water
to gather the courage to fall
from the tip of a blade of stargrass,
and the tongue has tears
the eyes know nothing of.
I admire the cool crimson
on the brushes of the ground willow
as they try to catch my likeness
on the ice-primed canvas of the snow,
but suggest
to portray me as I lived
they need to be loaded with blood not paint.
Like the moon
I have worn the same blossom
as a face
for years now
and I still don't know the fruit
that ripens beneath it;
whether my life has sweetened
in orchards of light,
or black dwarf of the forbidden apple
on a dead tree,
I taste like a full eclipse.
And what could it change even if I did know?
When the diaspora of my starseed
breaks bread
at a harvest of thorns;
who is the host
and who is the guest
and who asks for a menu?
And no matter how far from home
the journey takes him,
whether down a dead-end alley
or further than the stars
was there ever a man
who didn't walk to his own funeral
like a bell
looking for any beginning
that might not be lost in the end?
Or does the snake
that takes its tail in its mouth
as a gesture of eternity
eventually end up swallowing
its own head
like this stream before me
making its way to the sea?
I stepped across a star sill
through a vertical door into life
and in the leaving of it
I shall knock from the inside
on a door that's horizontal
to continue my descent toward earth
down a ladder of thresholds;
and what began so earnestly
among family and friends and lovers
will be concluded by a stranger
who will wear my name like a gravestone.
But here among the tangle
of these fallen trees, their roots
fleshed out
and washed like a corpse
by the water and the snow,
Venus peers through the fingers
of the branches above
where two crows have paired
like quotation marks
around the hearsay of the night
though I am left speechless
by the random beauty of the scene,
as if my voice had been released like a bird
into its own most intimate, inward vision
and that vision were everywhere you like the sky
it disappears into like I do
everytime my heart is opened
like one of the lockets of time
and I stare into your eyes
and the universe stares back
as you breathe out the night with all of its stars
and then I breathe you in
just as a golden feather of the moon
lands without a ripple
or unravelling wake
on the mirror of these lonely, black waters
I have followed deep into the darkness
like the urgent secret of my own lifestream,
and I know it's you. I know it's you.
poem by Patrick White

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Just Me Since You've Been Gone
I can't look at the stars anymore
Did dawn turn the sunlight on?
Is that blue moon as sad as before
Or is it just me since you've been gone.
My rose tinted specs are broken
I shiver in the cold light of day
The Shakespeare in me has awoken
Alas, I'm an extra
In loves' great play.
Was that the stage I died upon
Or is it just me since you've been gone.
My world is in black and white
My colours have run away,
An angry wind has stolen my kite
And I can't chase rainbows today.
Is it in my stars?
Or too much time in bars
When nightmares still linger on.
Is it Karma
Disarming this charmer
Or is it just me since you've been gone.
I'm in the dark
Where a light once shone.
I'm crying when the world thinks I'm clowning
I'm dead in the water not drowning.
No, it's just me since you've been gone
Feel free to just walk on.
poem by Kevin East

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Things Might Be Drifting Away
Things might be drifting away
like an empty lifeboat
with nothing left to save
but the memory of moonlight
on the rush of a wave of the heart
that rose and fell
like a bell of insight on the night watch
that said all's well all's well for the night.
And so it was for a while.
Time might seem
that it's overstaying its welcome
and you've become the estranged guest
of a bad dream
in your own bed
in the thirteenth house of the zodiac
where the dispossessed
shack up with the misbegotten
and the ghosts of everything you've forgotten
don't give you any rest
until all that you've cursed
out of anger and need
has been immensely forgiven and blessed.
And perhaps it appears
you've been the rogue star
of a sign in long exile
far away from now
and that might account
for your misplaced trust in mirrors
and your lack of confidence in star maps.
Happiness just happens
like good luck and grace
and the creative inspiration
to rejoice in your time and place here
as if the purpose of your voice
were always to praise
even on the darkest of days
when the only thing
that shone in your eyes
weren't the stars you kept
locked away in your tears
like the face paint of clowns
or the crown jewels of the Pleiades
but a bitter farce of black holes
in the veils of the mirage
that eclipsed your enlightenment
with a starless night
it's impossible to get beyond.
And so it may well be
for those who've been
as far gone for as long you have.
But even the blind are shining
though they can't see it
and the deaf are still singing
though they can't hear it
and the dead are still living
though they can't feel it.
And those who have given up seeking
still find what they were looking for
like a loveletter with a return address
and an open door that recognizes them
like the prodigal threshold
of a homeless human
about to cross one more
like the last step of a long journey
that lost its way back in all directions
like the radiance of a star in space and time
that never took its eye off the past.
We cherish the flowers of summer that bloom last
more poignantly than those of the spring
because we feel our own hour of farewell
in the progress of their passing.
The sadness of an earthly excellence
fulfilled and surpassed
we see in the shedding of the aster's petals
and in the lowering of the wild rose's eyelids
and in the lengthening of the black walnut's shadows
that move like cool water
across the dry grass of a late afternoon
signs of the same night approaching us.
And we know it will be dusk soon.
We'll look up at the blue moon in late October
and whether the silos are full or empty
wonder if every harvest
wears the same death mask we do
with the smile of a scythe on its face
or if the goddess of the grain
bears true witness to
the perennial innocence of death
in the way she enhances
the white spectre of the first frost
to shock the garden down to its roots
with the same koan she uses
to enlighten the dew on the stargrass.
And you might dread the coming excruciations
of the scarecrow immolated on the pyre
of its own substance
like the short straw of flesh
that once sustained it
lost in a draw with death.
And come to scorn your heart like an urn
filled with ashes in the aftermath
of the same fire that once filled it
so full of desire to bloom
it could no more contain itself
than a seed can keep a secret from the spring.
You could see it that way.
And who among those clinging
like a blue atmosphere
to this homeless grain of dust
in the vastness of these sidereal immensities
within and without
that animate us like starmud
to join in this dance of life and death
like a legacy of shining
that can't be washed out of our eyes
though tears have fallen for lightyears
on the root fires of what we've loved and lost.
Who among these
could say you were wrong?
Because no river's flowing
the wrong way to the sea
in this reunion of arrivals and departures
at the stations of our afterlives
on this wheel of birth and death.
We're all going to make it back
to where we came from
one way or another.
Some like rain.
Some like ice.
Some like snow.
Some like the lingering ghost
of morning mist on the lake
that's gone before noon
and some like water on the moon.
The flowing of the river
summoned by the sea
to the source of its coming and going
is the calling of life everywhere
to transcend itself
by passing into the unknown
like the available dimension of a future
that's no further beyond us
than the past is
in the light of distant stars.
The sword doesn't wound itself.
Fire doesn't burn itself.
Water doesn't drown in itself.
And life doesn't bleed out of itself
like the dream of a fortune-telling poppy
or a water clock that's run itself to ground.
The eye isn't the seeing.
The ear isn't the hearing.
The tongue isn't the tasting.
The skin isn't the touching.
The voice isn't the saying.
The brain isn't the thinking.
The heart isn't the feeling
anymore than life
is the carrying in
and death is the bearing out.
The darkness isn't a lack of light
and the light isn't the absence of night.
Death is unborn.
Life is unperishing.
Formless in a world of forms.
Two wavelengths of the same awareness.
You say you can see night gathering
under the door you're afraid to answer
long before anyone knocks
and though you dream by your own light
you don't know who's casting the shadows.
Is sorrow any younger in the heart of a child
than it is in the memory of an old man?
Joy any less vivid in the eyes of an old woman
attending to the flowers in her garden
than it is in a girl having tea with her dolls?
Is this day not as new to the widow
as it is to the newly-wed?
Experience is the capstone and dunce-cap
of the sum of destructions
that made us who we are today.
And in life it's the brilliance of our failures
that throws more light on the dark matter
of the issue before us
than all the star power
of the blazing successes
that blind us to our own shining.
You step out of a backlit doorway
into the dark
and slowly the darkness grows
the eyes you need to see the stars.
And maybe death is like that.
Nothing to look at but black
until we blow the candle out
that's been misleading us all the way.
Maybe that's why the jaws of skulls
are always caught gaping at something
that's more than they can say.
But look at the expressions on their faces.
Maybe their eyes
are too overwhelmed by what they're seeing
to want to get in the way.
You could see it like that.
You could see it through the eyes of the rain.
You can taste it on the tongue of a candle flame.
You can read it from right to left
in the Kufic script of the wind.
You can hear it in what the stars are whispering
through the keyholes in the pyramids.
You can feel it all around you
like bubbles of skin and air.
Like empty rooms with atmosphere.
As many ways and roads and rivers as there are
that flow into it down the world mountain
back to the sea
back to the same undifferentiated watershed
of these myriads of mystic specificity
and who could number them all
as many as the stars
or all the grains of sand
of all the deserts and beaches on earth
as many as the dead of every kind who've come and gone
all that blood mind passion dream and imagination
all those tears all that despair lucidity and apprehension
love and familial affection
all that waste and hatred and emotional sewage
dissolved wholly back into the sea
like a watercolour left out in the rain
like a name written on water
by a poet who died young
in a foreign language far away from home
just as birth arrays the universe before us
and says make of it what you can
so death approaches no less a peer of life
than we are in our relationship with all things
and offers us
the same great creative opportunity life does.
Green bough.
Dead branch.
Sunset.
Moon rise.
The hidden night bird alights
on either alike
and folding its wings
like gates and books
and the eyelids of those who dream
at the beginning and end
of a long dark radiant journey,
sings.
poem by Patrick White

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So Lifetime After Lifetime
So lifetime after lifetime, sorceress of shadows and dreams
you step out of the dark wood of yourself,
a shy doe, a mournful lighthouse and a warning off the coast
of your infinite solitude, you, the singing bird
on the green bough of your flute pouring yourself
like sorrow over the eye of the sea, your tears,
the ancient wells of an eternal longing unanswered by the secret stars
that have entrusted their radiance to you, fireflies
drowning their light in your black candles,
the blind music of your lonely flowing. Is your flute, a bone, then,
and this rose I bring you, this heart, this blood
that has turned into a goblet of luminous wine,
drunk on the wonder and the missing in your phantom music,
is this rose nothing but a wound, a coffin-flower,
the unmarked grave of a mystic embryo?
Do you fear the tenderness, the meeting? Does the moon
strike at her own reflection in the mirror of her midnight waters
to wander like an orphan along her lifeless shores?
Boy and man, you murder me on the steps of your serpent shrine,
your eyes, cold glass, eclipses of crystal, your spirit
that once drew in the light like breath,
now a slow glacier, an age of ice
pushing your heart before it like a boulder,
like a temple-stone that one night flew out of the abyss
and buried itself like a meteor, a charred jewel, the demon seed
of a religion without saviours, your implacable creed
scriptures of blood in a mouthless book
that only love can open. Once there were swallows in the tree of life,
asylums of celebrants greeting the morning in their madness,
in the garden, in Eden, hurled through that first dawn
like a young girl's heart trembling like a dropp of light on a blade of grass.
Now your voice is a gypsy-crow on a dead branch,
your music, confession without atonement, your flute
without leaves, without orchards, an eyeless spring,
buried in its manger-cloth for years, nothing
but a crib-death, a broken wand, a phoenix
that has lost its faith in fire under the weight of its own ashes.
Beloved, again and again you kill me
in this dance of slayer and slain, tear out
this page of love like a like a child's tongue, like a mute heresy
you are doomed to rewrite forever
in the indelible inks of your seeing.
Do you dip your pen like a water-bird drinking
from its own image, putting out your eyes
to deepen the darkness, the scars of your sin
the lightless letters of a hidden language
pricked out on your skin, black stars and braille tattoos?
The pages and the years may turn like wings and hinges,
and a thousand deaths, all your own,
tome the field with gravestones,
breathless flutes and hollow bones, ancient futures;
and you the only mistress of those solitary realms; still,
your legend will remain moonless and sunless,
the story of a night sky, the eyelid of a black rose,
that couldn't break into light. Until
love stands beside the heartwell of another
as if it were its own sacred fountain,
one blood, one wind-mingled music
playing the waves like plectra, and raises the rim
of the single goblet to its lips and tastes,
only silence answers the terrible vastness,
only death graces the obscenity of these loveless wastes.
poem by Patrick White

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Between the Creator and Me
I look through my body
at the world, the stars, moons,
stars beyond stars
I know there are stars, moons
stars beyond stars too
circling all within my finite self
this temporary sphere I am crowned with
the aura that shines from these
trillion of cells
all the moving atoms,
electrons, protons,
the universe inside and out
I look at them
from my infinite self
god the puppeteer
skillfully playing
the beginning, the end
I came out of the two walls
the human brain is kept in
to take a peep at myself, the universe
the moons, suns, universe,
stars beyond stars
I find a galaxy I possess
so many stars, moons, suns
the cells blazing with life, light
all working out of my control
as I join god to take
a look at his worlds
a meteor flashes by
a cell loses hold
flushed by blood to another world
all the stars, moons,
universe outside and inside
all the cells that I own
that soon would squeeze me out
to join the plane
where I could view
the beat of the universe
standing beside god
witnessing all his designs
wondering all the motives
behind his pupputeering
the moons, the suns, the universe
the cells acting out his drama round and round
casting off light
I saw a star burst
light light years away
the cancer patient
carrying a cell
that too has burst
soon to cast that black hole
over the finite self
the infinite journeys to
rest on another finite self
the universe
I stand by the creator
to look at his puppeteering
wondering his motives in his design
my mind flying outside the brain
I look at the the world, universe,
stars, moon, meteors, stars beyond stars
and myself that
swing with stars, moons,
stars beyond stars
poem by John Tiong Chunghoo

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Outside Myself
I look through my body
at the world, the stars, moons,
stars beyond stars
I know there are stars, moons
stars beyond stars too
circling all within my finite self
this temporary sphere I am crowned with
the aura that shines from these
trillion of cells
all the moving atoms,
electrons, protons,
the universe inside and out
I look at them
from my infinite self
god the puppeteer
skillfully playing
the beginning, the end
I came out of the two walls
the human brain is kept in
to take a peep at myself, the universe
the moons, suns, universe,
stars beyond stars
I find a galaxy I possess
so many stars, moons, suns
the cells blazing with life, light
all working out of my control
as I join god to take
a look at his worlds
a meteor flashes by
a cell loses hold
flushed by blood to another world
all the stars, moons,
universe outside and inside
all the cells that I own
that soon would squeeze me out
to join the plane
where I could view
the beat of the universe
standing beside god
witnessing all his designs
wondering all the motives
behind his pupputeering
the moons, the suns, the universe
the cells acting out his drama round and round
casting off light
I saw a star burst
light light years away
the cancer patient
carrying a cell
that too has burst
soon to cast that black hole
over the finite self
the infinite journeys to
rest on another finite self
the universe
I stand by the creator
to look at his puppeteering
wondering his motives in his design
my mind flying outside the brain
I look at the the world, universe,
stars, moon, meteors, stars beyond stars
and myself that
swing with stars, moons,
stars beyond stars
poem by John Tiong Chunghoo

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Burning World, Take Me
Burning world, take me, fold me in your flaming arms
and let me disappear into the unforgiving night.
Among these blind, here, in their black eggs,
eyeless birds who nest in their own ignorance,
I am the leper of light they drive out
with the stone of the moon, the wolf
with the mystic wound that will not heal until the last star
is born of the bleeding. Return me to the cold, brutal beauty
of your mineral wilderness, my bones on Venus
and my skull an abandoned planet circling the sun at midnight.
Let my eyes be the last of my tears to fall
and my blood be strewn like a gypsy scarf across the darkness.
Erase all trace of me as you do the path of the water-stars
who walk here among the dead like spirits from another world
intrigued by our passing. Pygmies in a circus,
cannibals and emperors all, leaping from thought to thought
rock to rock in the lifestream
to the applause of future funerals, o let them fade
like the idiot savants of last night’s dream, meaning nothing
but what they meant to themselves,
trying to jump their own distorted shadows.
What difference between the venom of the bee and its luminous honey
to these whose flaring in the vastness
was the kingdom of a match? At most
lightning on a water droplet shaken from a blade of grass.
Did they think the great fires of being flowed like blood
around their carbon hearts? Sweet world,
bestow your flowerless garden upon me and let me forget
the holy wars of their tiny gods against my solitude.
Didn’t they see, so full of themselves,
there was never any room in their arks and shrines and coffins
moored like lifeboats to the rotting dock
they built like a bridge to nowhere?
I never meant to be unkind or rise from the depths
in waves of light and blood that wiped them out
like the mythical monster of a shore-bound sailor
too far out deep down to be confirmed by their disbelief
or worse, their shallow faith. Leave them, undisturbed
to the shadows of things they trade in
like spiritual money. I wish them no worse, no better
than who they think they are, little prophets
inveighing against the purity of my absence.
The dark mirror is better, brighter, more abundant
than the poverty of their trembling reflections,
mere nothingness more tender than their lies.
poem by Patrick White

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First The Tenderness
First the tenderness; I feel the tenderness,
the downy edge of the leaf, the eyelash,
the green tooth of the leaf
gently opening its mouth to the air,
its flag of being high in the branches
unfurling like a sky of its own,
startled by the taste of the first star.
Every dropp of rain that falls
is a jester's cap,
three bells and a splash and that's me
learning how to swim in this new space
with an ark and a flood, you
the dove with the leaf in its beak, returning.
Then I check a little calendar of razor-blades
to see if any of the days
are holy days circled in my blood,
if I'm late for a sacrifice somewhere,
if there's a landmine waiting
like a spiny sea urchin buried in the sand,
glass petals shed from a broken rose,
waiting for me to take my boots off
and walk barefoot dazzled along your shore.
You are honey and wheat, and, angry,
a small storm that bleachs lightning white.
Brave despite myself,
your beauty crowns me King of Fools,
and though I meant to disguise my helplessness
by standing my ground like a iron thorn,
I can already feel the earth turning to quicksand
beneath my feet,
and tremors of an approaching earthquake
that might heave me up out of the sea
like a new mountain.
And it's too early to tell
if it's demons or angels
that prod my heart
with their taunting spears of fire,
or if they're just bored,
hanging out on call,
like a gang of crows
pecking at the seed
I left hope against hope on the moon,
but to judge from the way I feel
like a new element
discovered first on the sun,
all my cells and molecules assuming
a new paradigm, a new mandala,
a new configuration of shining,
an unknown constellation in the doorway,
through either end of the telescope,
they seem to mean business.
Fear rolls out its black carpet
and blood rolls out its red,
but only love walks freely in the starfields,
making its own path in the going
and when I think of you,
I pale like a planet
in the labyrinths of a shadowless dawn,
I am the toy of tides of light,
a rootless island
broken like bread
from the continent I thought I was.
Unless broken from the whole loaf
nothing can be shared, and nothing
can feed the heart
that has not been broken
among the hands of the hungry.
I have seen you as a harvest day in September,
your pulse a windfall of poppies and apples,
your radiance, flying fish
and water goblets shattered translucently on the wave,
a white mare in the mirror trampling a glass serpent,
you were the pure blue of a troubled morning
melting the first frost
on the wild, New England asters
that bloomed among the grounded planets
of an abandoned apple tree
somewhere in New Hampshire;
I thought you were a window of honey
saturated in its own light,
that only the rarest of eyes
that came like bees back to the hive of your heart
could look through.
Now the moon is out. Now
I see the ghost of the water-lily ride the darkness
like the soul of a doomed ship
unloading its cargo in the depths,
or the second blue moon in October
silvering the fields
it threshes with a blessing.
First, the tenderness; I feel the tenderness
overwhelm me in gentle enigmas
of fireflies and small eclipses,
random ignitions of the mystery
that this should be so at all,
and it's as if I could stand beside my heart
astounded by the course of its flowing
as all its rivers run suddenly down to you
like a sea on the moon,
and like the feathers of a stormbird
every sail, every burning paper lifeboat,
every next breath
is a longing off your unmapped coast
and a lighthouse of reason
bawling its warning into the fog
that the star that guides my spirit luminously ignores.
And though my ignorance at this juncture
is a stairwell of wind at a crossroads
and I approach you like a tuning fork
trying to harmonize my ashes
like the urn of a burnt guitar
to sing to you out of the shadows of a summer night,
to touch you with leaves and stars,
to lace the air with the black fragrance
of smouldering roses alluring as the wine of a drunk mystic,
and the beast putting on
his brightest golden chain and collar
to greet your progress through his zoo of desires,
slowly I raise my fingertips to your secret braille of scars
to read the contours of the kells
you have elaborated from your suffering;
the symmetries of passion and solitude,
blood and tears
that ink the mingling of your silent scripture
in the shrine of your deepest intimacy.
First, the tenderness, I feel the tenderness
of a bridge for its stream,
of a fountain on the sun
watching a new comet
rinse the darkness out of its hair with light,
of a tree for its chandelier of ripe cherries
glowing brighter than blood in the night.
And I may be junkmail
on the doorstep to the threshold of your heart,
a wizard shy of magic,
or a kite tangled like a misplaced note
in a stave of humming powerlines,
and I've fallen
on the thorns and swords and obelisks
of my delusions more than once,
lost like a single straw in a stack of needles,
drowned diving
for tiny moons in hard shells on the bottom,
and no one grows fat on the feast
in a crumb of light,
and a rumour of love
is not the burning bush
of prophecy and inspiration in the valley of a woman,
and you are not the blue love letter
of an atmosphere I could take for granted,
but I risk slipping myself under your horizon
like the wingspan
of a homing bird in the dusk,
risk stepping out from the trees into the open
to drink from your reflection
from the waters of a midnight lake
that has eclipsed every other vision
that has intoxicated me indelibly
from the very first sip
to let you know while we live and breathe and love and hope,
though hope is seldom a road that arrives,
the first tenderness; I feel the first tenderness
of being enabled, empowered
by this transfigurative gust of grace
that turns the galaxies deep within me like well-wheels,
to summon the images, wraiths, forms of the world,
as it arrays its jewels
on the flying carpets of life,
to compare with your beauty,
to embody these auroral aspects of you
that play me like a keyboard of light
in the likeness of a woman
whose smile
though it were as many as the leaves of fall,
and eyes
though their shining
outnumber the morning asters,
have never failed to startle me
into realizing everything
I am missing in life and love.
poem by Patrick White

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Stars On The Water
(Rodney Crowell)
Down in Louisiana bayous by and by
A peirot pole or your natural soul
Keeps you tied to a tree high tide
Beer joint lights come on
And then crowd starts rollin' in
Pretty soon you got stars on the water
You got stars on the water
You got stars on the water
When it rains
Beaumont to Biloxi sea breeze at your door
Gypsy rains dang hurricanes
White silver sandy shores
Blue light lounge is shinin'
Why out on the pier
Makes it look just like stars on the water
Just like stars on the water
Just like stars on the water
When it rains
When it's midnight down in Mobile
Shining moon beams on the bay
They come from miles around
To dance the jukebox down
Th hear the good time sounds they play
And all across the harbor night life shinin' on
Makes you feel just like stars on the water
Just like stars on the water
Just like stars on the water
When it rains
song performed by by George Strait

Submitted by Lucian Velea
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There's A Black Lotus In My Heart
There's a black lotus in my heart, black hole
of enlightenment, black waterstar, sacred eclipse.
Nothing worth attaining that isn't unattainable.
And all the gates are upside down and backwards.
Albino starmaps with black dots shining
on the other side of the mirror, zodiacs
of black matter looping back on themselves
like solar auroras of the sun that rises at midnight.
I don't know what all this means. I may have gone
too far into exile and actually managed to get
to the dark side of the moon. Or I'm a warehouse
of shadows at noon that have lost track of the time
like blind sundials that feel they're being followed.
The light illuminates, but I bloom nocturnally.
I've got the burn marks of stars all over my skin.
I work on the nightshift at the foundry of a constellation
busy pouring itself out like iron and oxygen, blood and air,
forged out the afterlives of hydrogen I've gathered over the years.
A fire-womb engendering one you fill with water.
Fire the midwife of its own daughter. I'm envious
of creative immolations I know I'll never attain.
Though my left brain is in full communication with the right
and I'm a full moon of the bright vacancy, dark abundance
of both sides, and the harvest is ripe, I'm always
a star ahead of my light, so I don't end up
like a dead school furnace in the basement
writing my memoirs like a manuscript of ashes in an urn.
Deconstruct me wholly down to my last atom
and I promise you, if that's all I've got to work with
like one stem cell to another at the beginning
of a matrix of causes and conditions into which
we'll be placed by a Hox gene assessing the chi
of which direction our eyes should face, and how many
degrees of separation there should be between our ears,
I promise you, I'll still burn with the fireflies
and the supernovas like a blind prophet
who saw two wavelengths copulating like snakes
and has been tied at this stake of of a spine,
an oracular heretic of both sexes in synchrony
like the hybrid of a phoenix and a waterbird
burning in visionary serpent fire ever since
for the sake of a muse that always comes
in the nick of time like rain on the moon to my rescue.
When it's night in the diamond of my third eye
is the light not more mystically enhanced by the darkness,
more mystically specific than the white wash of the sun?
The moon is the mitochondrian that tempers
the toxicity of the light so the nucleus of the solar system
can blaze with alien oxygen meteorically across the night.
The black mirror, brighter than the white,
shows you your reflection on the inside
where you're arrayed like a faceless world
that's given up trying to second guess
who's the unerring witness under the lifemask
of the surreal cosmology that doesn't recognize
it's not a self, at first glance, and that all physics
is the psychology of ridding yourself of the delusion
you can, even if you're riding a flying carpet
out into this desert of stars to sweep the constellations away
like mirages that have been throwing bad meat
down your holy wells like sacred crocodiles.
Ignite even so much as a matchbook at this distance
or turn on a flashlight to see what's in the dark
as if you were looking for your mind with your mind on the light
even though it's as abundantly clear as your eyes it's night out,
and the billions of stars in the next closest galaxy,
Messier 31, at eleven o'clock above the middle star
in Andromeda on the rocks, and two million light years
of enlightenment will gently recede back into the cosmic hiss
and disappear from your field of view subliminally
knowing, because the timing's yours, you're a daylily
covering your insight with the petals of your own hands
because you don't know how to open them sidereally yet
from the outside in, where your darkness shines
and the night you turn your face away from
like the bright side of the moon blinds you
by a reflected glory to the radiance of the origins
of your own vision, deep within, where it all begins
emanating stars of the darkness of your own eyes.
poem by Patrick White

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I Flesh Your Spirit Out In Starmud
I flesh your spirit out in starmud. No creator.
No created. Between the leaf and the sky
I mix the colour of your eyes on the palette
of a rainbow that let's the darkness
sit at the same fire it does. Because the spirit is free.
I hang crescent moons from your earlobes.
I release the sacred deltas of small night creeks
into your veins, and talk to deserts on the moon
about the manes of sidereal lions for your hair.
I search the darkening hills at night for a black rose
with eyelids as cool as mushrooms, and lips,
that are more the wings of auguries, birds and bows
disappearing into the distance to imagine you
than they are the words and arrows
of a flightless heart dipped in stars that don't ignite.
I'm a blind man in a room, painting eyes,
trying to grow flowers out of last year's fragrances,
interpret every syllable and sacred pixel
of your red ochre glyphs of lipstick
I used to bury myself in when I lived in caves with bears
and rubbed the stuff all over my face
like blood and corn flowers under the hearthstone.
Now I'm a dragon rising from my urn of ashes
like a volcano of serpent-fire out of the chrysalis
of my crystal skull, looking for signs, hints, clues,
any whisper of linear B as to who you are
in the shadows of the sundials of the mountains
you go walking with at night with your dogs.
And the stars you must see in the clear-eyed desert
when the temperature drops and all you've got
to keep you warm from the inside out is not
you in my arms, but this small dropp of blood
in our chests, this cosmic thermometer of a heart
on the night ward of a perilous greenhouse.
And I went to a cactus with thorns like a voodoo doll
with oracular powers to ask about the shape
of the body I should root you in like an hourglass in sand
and she said to me, a rootless peach tree on the moon.
And ever since, I've touched your skin
with eyes at the end of my fingertips
like a new world gnostic gospel for the blind
that can see you in the flesh, naked, sublime
like a desert island it would be worth drowning for
just to be washed up on the curvature of your dunes
like a starfish when the mind comes back to its senses
like the first sign of life on the moon in a long time.
You emerge like wild irises of hydrogen out of
this cloud of unknowing, this cocoon of nebularity
like one star among many in an almost perfect vacuum.
I can see you. I can almost taste you. I can feel
your last lover trying to squeeze into the chrysalis
of the infinite straitjacket of your last exorcism
as if he'd finally run out of dawns as alibis
for why he didn't want to leave just yet. Who
hasn't stood in the doorway of Orion
sinking down in the west? For some
the threshold's the longest part of the journey
and they make a nadir of everything at zenith
by letting their horizons down like a crosswalk
waiting for a change of colour blind traffic lights
that don't know, for all that Stop. Go. Maybe so.,
anymore about passage than the road does
or a starmap that always certain of where it's going
but never has a reason why it should
jump the gun like a star and get ahead of its light
like a car on a long dark dusty country road at night,
one headlight out, trying not to hit a doe
in the glare of the sun at midnight
on its way out of town, whether that's up, down,
or omnidirectionally radiant as the Pleiades in tears.
Drift and mingle, merge, enhance,
dance, glance, shadow and glow,
still more ghost around you than I am a mirror,
I know what it means to be summoned to a seance
and not know what to wear. What lifemask to put on
like a Mason jar full of fireflies trying to decide
what constellation has the fewest short circuits in it
and is the least likely to lead anyone astray
when the lights go on and off like a fickle tranformer
or a Cepheid variable that was just born that way.
And here, now, your ears and your hands, your arms
and bones of your own that don't owe a thing
to anyone else's bird cage after the bird has flown.
And now I think I've got the eyes just right
but it's the heart calling its rivers back to it
like the sea I can't quite find the likeness of
even when I appeal to the most ancient galaxies
in the Hubble mirror for a similitude of love
that might serve as the understudy of a metaphor
in an expanding universe that keeps exceeding
the boundary stones of the stars at zenith
and even the chipped cup of the moon full
and a skull that used to juggle mirrors
like shattered insights into reality for those
so spiritually inclined at harvest time to listen
to the blue moonrise peering through the cedars
like an effulgent pearl of wisdom shedding her skin
like a mystic in rapture on the dark side she keeps to herself.
poem by Patrick White

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