
And There Is One Voice
And there is one voice among many,
one I remember as mine
among so many drops of rain, so many stars,
so many leaves, flames, feathers, flowers,
and the teen-age girl in so many corners of the darkness
skeining her pencil webs across the page
to catch something, a butterfly hunting spiders
that won’t understand her,
and the lovers that have sifted downstream
from the radiant watersheds of their mountain plateaus
like silt over the laryngal deltas of my saying,
black pollen of extinguished stars
I carry around in the medicine bag of my afterlife
like mystic winds to keep the sails up
like the eyelids of a blind rose.
So many skies have enthroned themselves within me over the years,
so many waves and planets and legends of darkness
and the shipwrecks and shores of the weather,
and the storms and the birds, and the shriek of the lightning,
so many dawns and sunsets
and the strutting peacocks in the twilight,
and the sumptuous nights with their illicit luminosities,
so many banners of burning straw
as I look for the one needle of light
that was the gate and the eye and the mouth and the voice
of what most closely resembled me for awhile,
before I learned how to slough my skin
and the hauntings of the black poppies who long to be clear began,
and what was one threshold for a poet in solitude
turned into a palatial labyrinth of doors
that swung on their hinges in space like birds and tongues and bells
all the homeless whose last address will be a gravestone,
all the hapless, broken wretches
who keep trying again like losing bottle-caps,
and the women who came to the mike
to sing like an ambulance,
and the atrocities, the murders, the obscenity, the weeping,
that grabbed at my throat like severed hands
to scream of the horrors and sorrows
in the bloody braille and crippled signage of slaughtered flowers.
There was a boy. He was sixteen. And a prelude
that grained him out of a black cloud
that swirled around his feet like a snakepit
and pearled him into an eclipse
that time held up to the moon like a crow,
like a telescope silvered by the eyes of the night,
a black mirror that parted the veils of the obvious
like a woman’s legs
and went looking like a silo of infinite space
that echoed like a famine
into what he was the name of.
And he discovered he was nothing but the shadow of the world,
deaf mailmen, reluctant debutantes, car thieves
with the souls of hunted deer,
hookers whose blood glowed like neon
to fill the pleading mouths of a nest of empty wallets,
and the arrogant, the boring, the vicious,
the scholastic tidal pools who conjectured
about the existence of the great sea of being
that overwhelmed them day and night,
and the arsonists who walked in the rain of their distant exile
playing with their hearts like matches,
and the bruised violets who hide their eyes
under the sodden leaf of an autumn journal
that reads like the last ocean on the moon,
and the treacherous, the bitter, the liars
whose quivers of feathered asps
broke like arrows against the stone lions of the truth,
and the assassins who waited
like the thorn of a sundial to blood their shadows
in the eyeless witnesses of the crimes of noon
and the reformers who wanted to cover the earth in leather,
put shoes on the world
and wore out like flying carpets,
and those who were born to salt the field
and those who were born to sow,
and the rootless wildflowers
that gathered on the corners of concrete cities
like fire on the wind
only to be threshed by the blades of the moon,
cut down by the scarlet scythes of harvest squad cars.
And he has lingered among the opals and sapphires
and on the stairwells of water
that coiled like rivers and women
through the hovels of fire and ash
that consumed him like the memories of a phoenix
that had gone out like a pilot light,
and drunk the stars and eaten the radioactive meat
out of his own skull
like an enlightened begging bowl,
and come undone like a bell of wine in space
like a drunk shapeshifter, a staggering compass
on the high wire of his spinal cord
when his locks were moved by one of the keys of the mystery
that attuned him to the voice of his freedom
in a vast, starless abyss
that wiped the universe off the mirror
like the last breath of the light
to prove he was irrevocably dead.
And through all of this he has been a podium, a stage,
the gaping ellipse of the clear light of the void
auditioning another dream for the talent show,
an advance scout in the night
following rumours of stardom
across the appellant deserts of the moon
like thought chains of migrating geese
trying to remember their lines
like the secret names of God
on the rosaries of their long farewells,
and the only way to be anything
when he turned the light inward
was to agree that everyone had the answer but him,
that even the darkness that dyed
the clarity of his waters with night
to detonate the fireflies like blasting caps
wasn’t a robe of his own
but the nocturnal paint rag of of the sky
that has been making him sit for his portrait like space
for the last forty-seven years
of writing shadows on the road like poems
that haven’t stopped crying for him ever since.
poem by Patrick White

Submitted by Poetry Lover
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Related quotes

There Is One Voice
And there is one voice among many,
one I remember as mine
among so many drops of rain, so many stars,
so many leaves, flames, feathers, flowers,
and the teen-age girl in so many corners of her darkness
skeining her pencil webs across the page
to catch something, a butterfly hunting spiders
that won't understand her,
and the lovers that have sifted downstream
from the radiant watersheds of their mountain plateaus
like silt over the laryngal deltas of my saying,
black pollen of extinguished stars
I carry around in the medicine bag of my afterlife
like mystic winds to keep the sails up
like the eyelids of a blind rose.
So many skies have enthroned themselves within me over the years,
so many waves and planets and legends of darkness
and the shipwrecks and shores of the weather,
and the storms and the birds, and the shriek of the lightning,
so many dawns and sunsets
and the strutting peacocks in the twilight,
and the sumptuous nights with their illicit luminosities,
so many banners of burning straw
as I look for the one needle of light
that was the gate and the eye and the mouth and the voice
of what most closely resembled me for awhile,
before I learned how to slough my skin
and the hauntings of the black poppies who long to be clear began,
and what was one threshold for a poet in solitude
turned into a palatial labyrinth of doors
that swung on their hinges in space like birds and tongues and bells
all the homeless whose last address will be a gravestone,
all the hapless, broken wretches
who keep trying again like losing bottle-caps,
and the women who came to the mike
to sing like an ambulance,
and the atrocities, the murders, the obscenity, the weeping,
that grabbed at my throat like severed hands
to scream of the horrors and sorrows
in the bloody braille and crippled signage of slaughtered flowers.
There was a boy. He was sixteen. And a prelude
that grained him out of a black cloud
that swirled around his feet like a snakepit
and pearled him into an eclipse
that time held up to the moon like a crow,
like a telescope silvered by the eyes of the night,
a black mirror that parted the veils of the obvious
like a woman's legs
and went looking like a silo of infinite space
that echoed like a famine
into what he was the name of.
And he discovered he was nothing but the shadow of the world,
deaf mailmen, reluctant debutantes, car thieves
with the souls of hunted deer,
hookers whose blood glowed like neon
to fill the pleading mouths of a nest of empty wallets,
and the arrogant, the boring, the vicious,
the scholastic tidal pools who conjectured
about the existence of the great sea of being
that overwhelmed them day and night,
and the arsonists who walked in the rain of their distant exile
playing with their hearts like matches,
and the bruised violets who hide their eyes
under the sodden leaf of an autumn journal
that reads like the last ocean on the moon,
and the treacherous, the bitter, the liars
whose quivers of feathered asps
broke like arrows against the stone lions of the truth,
and the assassins who waited
like the thorn of a sundial to blood their shadows
in the eyeless witnesses of the crimes of noon
and the reformers who wanted to cover the earth in leather,
put shoes on the world
and wore out like flying carpets,
and those who were born to salt the field
and those who were born to sow,
and the rootless wildflowers
that gathered on the corners of concrete cities
like fire on the wind
only to be threshed by the blades of the moon,
cut down by the scarlet scythes of harvest squad cars.
And he has lingered among the opals and sapphires
and on the stairwells of water
that coiled like rivers and women
through the hovels of fire and ash
that consumed him like the memories of a phoenix
that had gone out like a pilot light,
and drunk the stars and eaten the radioactive meat
out of his own skull
like an enlightened begging bowl,
and come undone like a bell of wine in space
like a drunk shapeshifter, a staggering compass
on the high wire of his spinal cord
when his locks were moved by one of the keys of the mystery
that attuned him to the voice of his freedom
in a vast, starless abyss
that wiped the universe off the mirror
like the last breath of the light
to prove he was irrevocably dead.
And through all of this he has been a podium, a stage,
the gaping ellipse of the clear light of the void
auditioning another dream for the talent show,
an advance scout in the night
following rumours of stardom
across the appellant deserts of the moon
like thought chains of migrating geese
trying to remember their lines
like the secret names of God
on the rosaries of their long farewells,
and the only way to be anything
when he turned the light inward
was to agree that everyone had the answer but him,
that even the darkness that dyed
the clarity of his waters with night
to detonate the fireflies like blasting caps
wasn't a robe of his own
but the nocturnal paint rag of the sky
that has been making him sit for his portrait like space
for the last forty-seven years
of writing shadows on the road like poems.
And I haven't stopped crying for him since.
poem by Patrick White

Submitted by Poetry Lover
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As If Beyond Death
As if beyond death today,
as if I lay already under the eyelid of the moon,
the echo of my heart
pumping shadows
through my perfectly preserved corpse
in a silence that's never known the wind,
a fallen wharf without arrivals or departures,
and sad enough not to care why,
blood on the dolphin in the black tide
that pours me out of the horseshoe of the bay
like a road from its boot,
wipes me like the pollen and dust of dark matter
off the windowsills of the constellations,
my unknown mass crucial
to the cosmic contractions
that might give birth to the world again,
and I'm here alone in the high field
drowning in the twilight with the wildflowers
and the sky a last exhalation of the blue-green luster
that flirts with the mystic violet
on a homing crow's head
as the shadows assemble the wings
of a total eclipse
and a new dragon is born of the pain
that shrieks like lightning in the mouth of the abyss,
a torn animal
peeled out of its own skin like an eye
to add its darkness to the furnace of the black rose
that roars in the night
to blood the hungry mirror
with the thorns and talons of clarity,
to feed the wound of its existence
its existence.
And when I walk to the end of myself
through the golden rod and waist-high asters,
the seed of the stars that sleep with the daughters of men,
some of the flowers close up like fists and kisses
and others grasp themselves like a key
to a door that the whole universe can walk through,
and there are strange birds
flying from the eyes
in the rising skull of the moon
that sing like the pyres of cremated guitars
that died like trees in their solitude
and even the gates are weeping like wild dogs.
And there's a wind, intelligent, dark
the ghost of an ancient serpent
horned without ears,
an ocean of mind that exceeds itself like a wave
that howls like a secret it can't tell itself,
like a root blind to its own flowers,
that wants to lead my voice away in chains,
that wants my tongue to try
like a leaf in the updraft of a fire storm
to scream its agony out in the night
so that even the furthest star shudders
with the horror of its final liberation
like an arrow through the throat of a caged hawk.
poem by Patrick White

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Black Fire
Evaporating in a black fire.
Don't want to drink the night from the window again.
Won't be a chain trying to escape itself
when I'm already free,
but what an affront of mirrors to be so diminished
because the lions of fire, the dragons
that flare from the eye of the black sun,
their shadows spanning the heartless abyss
of their ferocious lucidities,
pitched their wings like huge, black tents of night
at the gates of the wide-eyed gazelles of emotion
they could bed freely under the moon,
unspool in the blue grass silvered by the wind,
their eyelids waning like a glass of wine.
In the obvious light of the morning
they will run from lesser hunters
mistaking the truce of nightblood
on the horn of the moon
for a rag of surrender, a gesture of clarity
like a star in a well,
the signet of an ancient moment
when the abyss returns to itself
like the echo of a wounded voice
to heal at the foot of a throne of shadows.
Though I could have stung like a serpent,
I was the wind at your heel once, once
like the wind I would have sowed the path before you
with seeds that would have bloomed like the eyes of the stars,
I would have saturated the air with lachrymose diamonds,
and poured the oil of the only lantern of my afterlife out like rain
so you could have shone like a rainbow at night
and your roots were luminously charged
with vital urges of mystic lightning.
I would have come to you like a flashflood of silver on the moon
and run the labyrinth of dry creekbeds
that scar the lifelines on your palm.
I would have kissed the black rose awake from its dream
of being stoned for a miscreance of the light,
and held the nightsky up to its beauty
like the forbidden side of a mirror
to jewel the eclipse you wear like a face.
I would have lain down beside you
like the shore of an unmapped island beside the sea
and answered every wave of your incoming tide
with a nightbird in the mouth of a bell of blood
that ripened in a watchtower on the moon,
but every kiss was a translucent jellyfish,
the auroral rose of an ambivalent Medusa
rooted in the lethal snakepit,
the toxic electricity of her stoned hair,
the trawling storm of her decapitated tresses
when the truth struck like an unexpected fang of light.
Now you spend your time
trying to tie knots in your spinal cord
like the severed filament of the moon,
trying to wick amputated candles in the darkness
that might help you grope your way
back to your head
like the black hole that became of the star
that went looking for its lost planet
like a blind shepherd startled awake by the howling of wolves
running across the sky in a wilder freedom
above the timberline of your eyelashes,
tinkling in the glass womb of your brittle shining
like the tungsten crumbs of a burnt-out dream.
Even now you don't understand
how you can pour so much of yourself into yourself
like an ingrown hair, your love
merely an idea infatuated with itself
that your eyeshadow festers like a palette of gangrene
and like me the vision won't paint you again
in the vivid constellations and kells of braille
you insisted on reading backwards
in the troubled mirror of your own perversity.
No rose in the shadow of the black Pegasus
born from the blood that pours from the vase of your neck
like a dead bouquet of poppies, no inspiration
in the petrified skulls of your past lovers
scattered like the beads of a broken rosary at your feet
you once fingered carelessly
like the writing on the wall.
poem by Patrick White

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In You
In you I come to the end of roads,
and an alphabet of burning wings
falls from an indigo sky
like meteors trying to write
the unsayable in a slash of light,
in a language of luminous scars
the night beatifies with mystic knowledge
that wants to name you
so deeply in thresholds and stars
the charged silence
is giving birth to an indelible mouth,
a doorway of blood,
an ancient grammar of fire
the wind puts on like a robe
to scry the darkness for a voice
that could fill the goblets
of the moon's dead seas
with the wine of a radiant wound,
so much within me
already the tongue of a bell
that can taste you like blackberries.
The whole of you
in every single dropp of your eyes,
you are the black swan
of the eclipse that rares its reflection in water,
the dark orchid in the shadow of the dragon
that sways like a bell in the night,
even your absence a shape of cherishing,
a harvest of shadows beyond the light
of the lamp that burns for you.
Within the deepest abyss of myself
where the heart stands alone
like a single black pillar
in the twilight wasteland of the world,
a mysterious temple to the ultimacy
of having been here once
to suffer the passage of form and time,
everything a gesture of space
that thaws back into itself,
I have written your name
in the hourglass of my blood
like a whisper of secret ink
that once voiced the light to be
and shook the stars like wheat
out of its blind abundance
and will be remembered forever
as the first intimacy of the sea,
and there is the rumour
of a dream in the air,
the fragrance of an approach,
that out of an ocean of light
the tide will embody a woman
like the shore of an island
littered with fingertips and kisses
enmeshed like galaxies and starfish
in the exhalation of her veils
and our lips will meet like archers,
and our bodies will sing like arrows
sunk like orchards through the heart
and long after the last flame of life is shed,
the night will silence the birds
in the groves where we bled like poppies
to open the gates of the mystery
like keys and rain, or the rosary of black pearls
that chants its prayers to the night
like the slow alarm of autumn geese
in the eyes of a human face.
I try to say what can't be said,
pouring my spirit
into the wineskin of every word,
but my heart is a larger apple
than the bough of my voice can bear,
and the silence
that would erect temples everywhere like flowers
spun from the auroral silks of my soul
and perfume the air with the pollen of sacred fireflies,
every emotion a priest with a shaven head
to honour the moon
climbing the stairwell within me
of a million horizons at once
in every breathless step,
falls away behind me like the wake of a sinking ship
that lowers me into my coffin like a lifeboat
or a message in a bottle
that pleads like wine with the emptiness
for an alphabet that isn't in arrears to time
to say you to the night
in a lightning breath of life beyond
these elemental likenesses I carve
from a quarry of stars.
And I know I ask for immortal children
from a human womb,
and wide as my powers are
to exceed the sky with homing birds,
to adorn the dead branch with windows
that dazzle the roots of dawn,
I am the ashes of a black star in daylight,
a stone man with a chain for a tongue
when I try to swim like Atlantis
through the depths of your shining within
and the last word, the last life
to flash across my mind as I drown
again and again like a pulse
in the embrace of your beauty
is always the world as it is
before anything was said.
poem by Patrick White

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It's Not Enough
It's not enough to hinge a new door to your heart
when the house is built on flowerless quicksand
and the chimneys have acquired a taste for books;
poems are the birthmarks of stairwells climbing themselves,
of hawks and serpents boring into the corks of wine
to get at the heart, the passions, the dreams, the rage
of the vine that set out like a road that got carried away
and fell in love with the intimate strangers who took it home
and danced all night among the swords as if they were thresholds.
Born in the shadows of unbearable bells, early I found
they were bound to the cord of my spine, like the moon
among the kelp that oils its tides with the black sperms of creation,
and I learned to pull on their iron parachutes to ease
my harsh, hot descents into wingless, mute oblivions;
I discovered there was a voice beyond mine
that could gather and disperse, celebrate and divine
the secret weddings and deaths of the bridal ghosts that came
like castaway bouquets to the refugee altars of their torn veils.
And there's an indelible secret as old as the eyes of the wind
that can whisper sand into pyramids, that won't receive
the vows of the petty and clever who traffic in the shadows
of the great, wild dead who wore their battered crowns like fire.
Let them crib their poems on the back of another man's eyelids,
real constellations don't shine like this and the wells are mute
whose waters taste of fireflies; and there isn't a river on the moon
that knows how to plead with the sea for a widow that mourns,
that knows whose prodigy of blood unravels on autumn's horns,
or how the waterlily in the mouth of the dragon
is more dangerous than a shrine full of blind snakes.
Behind every name, behind every door with a brass threshold
is a man who was forgotten by his own violated treaties
with the indentured mirrors he consulted to cheat the lakes,
who comes up over his horizons like the solemnities of the moon,
looking for the pillar of his lost reflection in chunks of coal,
in the underfed crematoria of his sacrificial backyard fire-pits
in the lifelines of the empty hands he misread like maps of smoke.
Poetry isn't an orphanage or asylum for the disenchanted,
though there is a deranged abyss under its relentless solitude;
not a showcase Colosseum for famished lions at a petting zoo,
though mauled minds and bodies litter the unwitnessed field;
there are no paths through its unanswerable distances
strewn with petals or thorns, no bridges or waystations,
no branches of hospitable trees to perch in for the night,
no dawns that can erase what's been written on your forehead,
nothing that can blind you to what you were born to see,
no rain that can douse the squandered fire of the poppy,
though the messenger is smashed like a bottle between
the tide and the rock; the star, the candle, the nightflower
snuffed by the morning, the last breath of the deathless moon.
And you must die enough to not be there
when the world picks up a pen like an axis
to spin in the direction of its wounded inclinations,
you must not walk into the house wearing a face,
your breath on the glacial windows of the furious stars
full of secret fingerprints, love-notes, names,
you must be more conversant than a ghost on a bridge
or a rose, or an empty mailbox, or a road that followed you
to where the river turns, with shapeshifting,
with pearling a body around a syllable of sand,
with showing a galaxy its shadow in eyelids and eclipses,
with standing like a scarecrow in the cornfield
that shucked the cob of a smile to batter you with birds,
with lying beside the dead like a lantern in a morgue
as if your blood crossed the threshold for them,
with waiting in the earth a long time, a root
that conceals orchards in the furrows of its dirty hands,
a buried boat that unfurls the blossoms of its sails,
the starcharts of the blind moles that shine underground,
like a voyage in search of the rudder of your tongue
to pilot it safely out of the ports of the moon,
a flame, a breath, a feather you've cradled for years,
the small measures of belief in an oceanic grave
that enrobes the flowing in the wake of severed waves.
Be stone, or be space; the emptiness is the same,
silver ore, or the motherlode of a black hole,
let your heart pan the long rivers of the night
for what the stars value, jewels of life in the light
that can be grown like a menagerie of blood and tears,
the eyes of the blackberries, eyes of the radiant bee
on the flutes of the wind that plays for a handful of seeds.
poem by Patrick White

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I Stand Where The Listening Begins
I stand where the listening begins
as if my voice were just another one of the echoes
and my tongue were the tip of an edgy precipice
that doesn't dare make a move
over an immeasurable abyss of eyes
that nobody belongs to.
This is a seeing that's older than the stars
that were born of it
like a mirror is born of the shining.
Like a body is born of the mind
and takes on the shape of a universe
as an expressionist gesture of classical reserve.
In the great ocean of being before it turned into everyone
our eyes weren't beaded like two drops of water
strung through our nose
like a statement we were trying to make.
They were waves.
Waves of water.
Waves of light.
Waves of thought and feeling.
They were waterbirds that came and went
without leaving.
They were meteorological events
in the emotional life of the sea
when it played alone with itself like weather.
We didn't evolve hands to prove we had a grip on things.
We didn't evolve brains to prove we were intelligent.
We're not nuggets of insight
panned from the mindstream
that runs down the world mountain
in a rush of gold.
I stand where I can hear the night
breathing like a shadow in its own darkness
and whatever I am not
is as real as whatever I am.
And my sorrows dropp away
like the black fruit of ruined bells
and my joys know a freedom
no holy war ever deserved.
Here my death answers to my life
and not the other way around.
My beginnings are not justified by my ends
and my solitude is so wholly itself
it embraces everything
as if it were space
and time were its only friend.
This is a poetic state.
A dynamic mode of creative annihilation.
This is a phoenix blooming in its own fire.
This is life.
This is the universe full of bright ideas
that come to it like stars in the darkness.
This is the white mare of the full moon in the high field
with the gates open
like wings growing out of her shoulders.
This is a space that is so spontaneously immediate
that you receive the reply
long before you've even asked the question.
It doesn't take thousands of thoughtyears
for the light to get here.
A flower blooms.
A star comes out.
It's as simple as that.
You lift one veil of the mystery like an eyelid.
Nothing has a history.
The old man remembers nothing.
The old woman forgets her name.
Once they were seabeds of meaning.
Now they're just water.
And everything is ok with that.
People go grey
and turn into clouds in the mountains
just to catch the last of the light
and give their lives some colour.
And then it's night again
and the dancing chandeliers of the stars
that are burning like legends
to make a name and a myth for themselves
fall like constellations to earth
and shatter like the rainbows of youth.
Every dawn has a taste of the sunset in it.
What's the end of anything
if not the dark side of its beginnings?
I am the fool of a freedom
that lets things be whatever they want to be
deep within the heavy fruit of a compassionate heart
that ripens in its own lucidity.
There are worms.
There are birds.
There's a green star in the apple core.
My skin is the chameleon of the sun going down.
I know how to swim through stone and water.
There are fish in my treetops
and birds in my roots
and when I drown
it's the sun in the sea
and nothing ever really goes out.
Everytime I open my mouth to sing
this is where the muse
puts a finger to her lips
to teach me what I'm talking about.
I'm a star when I write.
First I let go of the light.
And then the children point fingers at me
and say in mutual recognition
of the stories they make up on the go
there you are
just as we foretold.
It's the same way with water
when it's lost in a desert of sand and stars.
Sometimes it takes a mirage to find your way home.
Death gapes like the jawbone of a mummy
and writes like a pyramid
as if it wanted to make all things last forever.
But when life picks up the pen
around the fires of the stars
to whisper into its own ear
things that only solitude
can suggest to the night
its poems are always tents on the move.
The moon sailing paper lifeboats down a river
like waterlilies
blooming in the pale flames
of their lunar immolations
as if each were a white phoenix
rising above its own ashes and smoke
like someone dreaming of swans.
poem by Patrick White

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I Am A Dragon
I am a dragon,
but I’ve got cloudy teeth.
You are a vase among jars,
a feather among scales.
Obviously you are the sea
and I am the seabed.
In the darkness you are the shining.
I come to you
like lead to an alchemist,
base metal to gold.
Already I am transformed
by your mirrors of fire.
There is a light, a glow,
invisible but more illuminating,
not of the moon, or sun, or a star,
but of the heart and mind,
the light of life itself
when it’s the only candle in the room
dancing behind its veil of shadows,
and in the least filament
of the down upon your thighs,
there are suffusions of fireflies and galaxies,
mystic lanterns
ripening like apricots
over the open doors of worlds within,
over eyes that bloom like wild asters
rooted in the earthly fields of the heart.
I have been a ghost
trying to say itself into existence;
and my bread and my blood
have been the whisper and breath of you.
Not the mountains, not
the mothering floors of the wheat seas,
not the forests or the hills or the rivers,
not the ladders or roads or miles between us,
nor the seasons of the threshing clock,
have kept us one eyelash apart;
we have been wings to each other;
we have been the secret tides of the rose
in a bay of blood to one another;
we have been the substance of a dream
that lingers like the impression in cool grass
of where the deer slept the night before.
In the flights of winter birds,
on moist winter days,
I have rehearsed endless summers to come,
when the sky whispered your eyes
in bells of sidereal fragrance
into the abyss of my longing for you
and love seemed a petal of light on the wind,
and you were that petal,
and I was that wind.
And though I have stood for eras
on this bridge of night alone
waiting for you like a letter, an afterlife,
a voice of fire in a well urgent with stars
I want to live with you,
we have always embraced, not two,
arrow and bow,
pilgrim and shrine,
release and enlightenment
reflected in these visions
the insistent palettes of the heart
paint on the impassioned waters
of the deepening lifestream.
I have been a storm of blood and stars;
I have drowned in the crypts of my own tears
and learned to breathe through a new medium,
set the crown of my fin on a rose of gills,
and bloom in a mythically enhanced
immensity of sorrows,
and the shadows under my eyes
have mourned for me
like black bells in a tower of thorns,
two horses of night chained to a heart
that dragged itself around like a hearse
looking for a lost grave.
I buried myself in women
who were torn like the satin lining
out of a coffin just
when they were about to give birth.
Their pain always tasted of an afterlife
that danced like lightning on the tip of my tongue
until my blood caught fire
like a rose with a voice of wine.
Black, apostate, madonnas
of body, heart, and mystery,
even the moon a bead of devotion
on a thread of their blood,
a dream vow under the eyelid of an eclipse.
I never knew what to say
that wasn’t a life shy
of an inadequate skeleton
trying to reflesh itself with the ashes
of its last sidereal cremation.
I was born again and again
like a sword drawn out of a stone
to hurl my humanity
like a sparrow
against the windows and eyes of the gods.
They knew I was right
to live the prophecy
written in the book of my wings by the wind,
but their tears fell like glass rice
on the stairwells of the bridal mirrors
that wept like silver serpents
at the heels of the moon
and whatever road I walked,
whatever direction I wandered in
like a drunken river
I passed through my own ribs
like an opening gate
to a sealess exile on the moon,
a lighthouse to the sail of a ghost in a desert.
Events of the spirit,
and the imported executioners
of tormented ecstasies
that made our bodies shudder with oblivion
until even our shadows glowed
like feathers of light
that glutted the abyss we pillowed like stone
to lay our heads down upon and dream,
every emotion,
keyed like a highwire
over the infinite emptiness
of a guitar in the corner of a tomb
eating the dust of a blackboard
that schooled the scrawl of the angels
into the writing on the wall.
How many lovers have perished in me
like the rings and eras of a tree,
and what enormities of childhood it takes
to sweeten a single ruby of fruit,
what tides of blood and light
collapsing like eyelids on the mystic circus
that pulled off miracles
under the sheets and skies and skin
of our lascivious tents:
now I am a dunce in a wizard’s hat,
a cone of light,
the pillar of a fallen shadow,
freeing the wings of wounded birds
from the nets and mesh of the stars.
I am a dragon
with the soul of a bridge to here and now,
a weed on the stairs of an unknown temple
to a god that sweeps me away like ashes
with the broom of my shadow,
and my face is the footprint of the wind
as flowers are the footprints of the light,
and my heart is a pebble
I keep dropping down a well
to listen for an echo from the depths,
for a whisper of fire on the water,
to deliver me like a burning dove
with a leaf of the moon in its beak,
a letter from you,
to say there is a south of the heart
that can thaw this arctic desolation
that overtakes me like an ageless night
as my thoughts fall away
like the flames of descending matches,
like angels and demons
tilted from heaven,
from the plane of their orbital hearts,
toppled like towers and lighthouses
by an urge to kiss their own reflections.
I am a dragon
chained to the nightrain
that inks the roots of the locust tree
with thorns and stars and flowers,
and my blood is a dusky mess of dawns and ancient sunsets.
My heart was scaled like the moon
by the phases of an empty cup,
my eyes were birdless skies
and nothing flew higher
than the feathered shadows of the trees
that roosted in the grass like water,
and there were no tears left
in the wineskin of the heart
withered like a lily that bloomed for a day,
the soft clarion of a bruised trumpet.
Now I think of you
so many nights and miles away,
and I walk like a bridge toward you,
and my wings are spread out
like the pages of ample skies
that have yet to be written on by the stars,
and I must blow on my longing to be with you
like a spoonful of hot diamonds
just to keep the deserts of my thought
from etherealizing the tropics of my blood,
my eyes evaporating like crucial oases
in the heat of these visions
that burn the air
with fountains of fire
in this tavern of mystic passions
where I drink alone to you,
the furnace of my blood
silked like a black poppy
when I reach out,
a tree in winter,
the afterlife of lightning,
to touch your face like the moon.
I have been a lonely crusade of one
fighting for the gravestone of a dead god
enthroned in the leaf-fire of his falling,
lost in his dream like salt in the sea of the world,
stars in the seed of the apple,
a shadow devoted to the cause of the wind.
I am an era of scars
inspired by the talons of the moon
seizing my heart like a rag of meat
in these elevated bone-bowls of birth and death.
I have been a poet among humans,
an indignant warrior of the heart
with an army of seasoned candles
reconnoitering distant fires in the night
that bloomed like the breath
of insurmountable divinities
gathering like birds
in the border hills of the darkness
that always took the form of a luminous woman
bathing naked in a sea of eyeless windows.
Crowned like an apple star
for the brilliance of my defeats,
I fall like a key of crazy sugar,
a mysterious elixir of midnight orchids,
a squall of renegade stars
into the transformative valleys and bays
of your forbidden paradise,
happier than a fireproof heretic in the flames,
singing into the abyss of an unknown god
that has robed my heart like a wounded boat,
a solitary on his island,
in these auroral tides
that play my blood like the pulse
of this keyboard of light
where I drown like a stone messiah
true to the excruciations of his faith
in these delinquent oceans of you.
All my poems, chalk-dust,
all my mystic nightbirds iron weathervanes
bent by the lightning toward earth
like the forlorn hope of a battered metal,
all my paintings a bleeding and bruising of snow,
and the sincerity of the ways I got lost
in this labyrinth of mirrors
unspooling like a thread of blood
from an immortally wounded star,
an agony of human fire
rooted in the voice of the wind like a bird
the abyss of a night without bounds
squanders on the supremacy
of the oldest silence
time ever distilled from the eyes of the dead,
the perjury of a perishing light,
if I did not love your ashes and orchards more,
the way you tear your constellations
on the thorns of the moon
and bleed like black silk
for an innocence that never found its way home.
I can taste the dark prophecies
and oracles of infernal delight
written in scars on the dangerous mushroom
of your nuclear body,
and flow like the silt of stars,
white mountain gold and night honey,
through the hives and deltas
that enshrine the ore of the rose.
I can prolong the dawn like the wishbone of a note
broken like a harp
in the throats of the singing masters of the flesh.
I can blood the night with a fever of poppies
and scoop weeping diamonds
from the black fountain
in the furnace-heart of an electric glacier.
I can wield ecstasy
like a blade of the moon bewitched by its wound.
I can untie the knots and nooses
in the spinal cord of the butterfly
pinned like a calendar of eclipses,
a quarantined blossom,
to a dead branch under a bell of glass
and wire Eden back
to the infernal nerve of the lightning
that severed the afterbirth of the moon
from the dark mother in the garden
like an angel with a slash of fire at the gate.
I know how to make love
like an embassy of shadows
to the most distant longings of a woman in exile.
I can pour the oil of winged serpents
into the lamp
and entice a ghost of snow
to dance naked in the fire.
I can lead the lost cloud
out of the mountains of the key
to the doorway of candles and stars
enshrined in the skulls of seeing.
And even when I turn my back
on the darkest flowers of fire in my roots
to rise up like rain
into the immeasurable wingspan
of these desert clarities
that bead me like a caravan
of nomadic moons,
no more than a breath of light
in a gust of stars,
I’m still only a ladder of thresholds away
from stealing you away
from the refugees and shadows
that crowd your room
like the night sky
through the astounded vowel of an open window.
poem by Patrick White

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Journey
I’m on some kind of journey
but I don’t know where it’s going;
I’m growing wings and shedding them,
and I’m true to every thought in my head.
I’ve got a heart, worn down at heels,
a used voodoo doll quilled like a native,
a meteorically battered planet
that wobbles between a kiss and a fist
in the way it keeps running itself around.
I spend too much time alone.
There are no obstructions in any direction;
and barefoot, I’m walking on stars and poppies,
talking to myself like a candle,
weaving my way among the shadows
like a fish through the supple harps
of the silver river reeds. I see
that I’m taking a bath in my own grave
to wash the soiled skies of the painted world
off my eyes, to behold
the brief career of the leaf of life
and how the light gusts out from the windows
like curtains and bird-nets. Life is short
and the new temple never gets further built
than a hole and a single cornerstone, the rest
left to the business of the earth,
all that beauty and magnificence,
unravelled among the mud weavers.
I was inoculated against death
by a splinter of the moon;
by how little time there is for love,
for the root to get drunk
on the fruits of enlightenment and compassion,
by how little I will ever know
of the road to the doorway I stepped through
to stand in awe before the moonspill
on the raven blue waters,
and to look so deeply into the eyes of a woman
who has just conceded an island in her passage,
and the fragrance of unheard music
that I am a pillar of wonder
before the unsayable
as she lets dropp her shadows and feathers of light,
and the blood-god assumes
his flowering crown of fire
to enhance the splendours of his courtly intensities.
What I have lost in the river
I will find in the river
and what I have taken from the sky
I will give back to the sky,
and there shall come a day
when the eclipse will be the brighter mirror,
and the darkness that overtakes me now
will be a gate of stars to a water palace
where the dragonflies and waterlilies
are the sceptres and crowns of a human divinity
that will endure like a whisper of radiance,
a more haunting taste of light,
the rumour of a black rose
that outshines the angels
that coax the lanterns out of the night.
I will evaporate like the flaring of fireflies
on the windy shore of a trembling lake,
like the blue hat plume of smoke
from a gallant winter chimney
into the vastness of my own mind
like a waterbird without a trace into a sweeter, wilder solitude.
And these words will come and go
like the tides of the ocean I was,
like the providential leaves
of unfurling fortune-cookies,
like an avalanche of gold
washed down from the mountain upstream.
I write them in flowing diamond,
I write them in auroras of blood,
in dawns bluer than the iris of a peacock’s eye,
in fire and water and the mystic inks of the night
in the fleeting, indelible dream
of doors and hands and moons,
in warm breath on a cold window,
in a halo of comets
smeared into light by the sun,
in the sidereal wines that bled from bitter wounds,
I have said what it was mine to say
on a page of the wind
that whistled through me like life
greening the sands of the hourglass
with visions that ripened the bell of blood in my heart
to fall like wisdom from its tower
toward a fallible paradise
that won’t leave me as I am for long.
And I will jump again
into this cauldron of joys and sorrows
to string my spinal cord
over the abyss of the guitar-shaped universe,
walking upright
to plead with my own answers
to thaw like a mirror
estranged from the world it reflects
in the self-effacing flames
of the passionate gardens that dance on the wicks.
The awakening seed
echoes these flowers of fire
in the valley of a voice in the furnace
that lies down in the cool grass
by a stream of idle stars
and arrays its vagrant heart
like a breeze of blood in the dust
to the refugees in the shadows.
They move like eyelids
through all the phases of the moon
from an unspooled well of darkness
to the slash of a razor of light
to the threshing of the full harvest
in the siloes of the nightwind
enthroned like a breath of life
in the midst of its own dispersal.
poem by Patrick White

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I'll Wear This Robe
I'll wear this robe like a desert;
and release the hinges on the gate
that is closing like a rib cage
on the heart of the nightbird
that returns to the silence
like water taken from a river.
I'll pour the moon out of its stone cup
and let this vine of eyes,
this bone of light
wander where it will
in search of a face in the darkness
sweeter than the blood-vows of wine.
These flowers aren't the rags
of the legends of radiance
and a dragon doesn't waste eclipses
on the blind.
The wind opens its hand
and I disappear like a gust of crows
in the startled night groves.
I will drag this empty robe of blood along the ground
like a wounded sky,
a desolate poppy
broken like a kite
on the power lines of its dreams.
I don't know what hurt me;
so long, so long ago I was a child,
and now I am a man, and aging
and the water snarls
and bares its fangs of frost,
and impales my heart
inflamed with grief for so much that has passed
without understanding
on the horns of the moon.
My ignorance has been
deeply authorized by life
and more and more often now
my blood coagulates into roses
and seals my mouth with wax
like a regal mandate
to succeed myself in silence
and let my throne
avalanche down the mountain
like just another rockslide,
another round of asteroids,
another fallen temple
freaked with mystic ore that never made it to the surface.
You ask me where I've been
like a road you befriended along the way,
but I'd have to know where I was going
to tell you that
and I've come to the end of myself
like starlight in a loaf of bread,
a candle that burnt like a voice in the night
to obviate the emptiness,
to warm the abyss momentarily
with the glow of our human divinity,
to say we were here once
like the flower in the field,
the star over the hill,
the face in the window
that watches as we pass
like the shadow of a bird
cast by the flames of a hidden fire,
a pulse of the moon,
the eyelid of a wave
that imagined the sea beneath it
before it broke like a vision
on this shore of flesh
where everything must be abandoned.
I want to be with you
like your eyes are
if you'll let me be.
I want to silver my breath
in the longest night
of your loneliest fountain.
And many have sworn,
and many along the way
have perished like echoes and flowers
at the insistence of a rootless word.
And there have been nights,
eras of darkness and sorrow
drawn from a stranger's well
that have bent the path I took,
and scattered my footprints
like refugees and colonists
that turned native
like an exhausted emotion
when their loneliness went wild and crazy
in a solitude even the moon couldn't fill.
And I have stared
long and deeply into the abyss of the night
and felt the stars stub themselves out
in the sandy hourglass of my ashtray heart.
How desperately
I have rummaged through
this encyclopedia of lives
to find one that wasn't a prelude to tears,
my heart a lost boot,
laced with a snapped spinal cord,
its mouth
muzzled like a junkyard dog
with an elastic band
to keep body and soul together,
only to proofread sky after sky,
page after page of stars
pricked out in braille,
fingering my name
carved in funereal kells and runes
on another boundary stone.
Nothing binds me.
No one wants my heart enough
to consult it like a map
to where I'm buried like gold
under the tongue of a dangerous angel
who wants to wake up beside you
like a spear of fire
I will fall upon like life, like a lover,
to wound my way back into paradise.
poem by Patrick White

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Were There Stars
Were there stars in your hair that night?
I cannot remember,
so taken with your face
and the mystery and the silence and the sorrow
of the tender bell in your eyes
that could summon ghosts
of yesterday's embodiments to the fire
of any passion that lost itself prophetically
at a rave of shadows among the trees.
You eased out of your wardrobe of rivers
like a snake on the moon
sloughing its skin like the eclipse
of a far more vulnerable shining,
and I couldn't tell if you were
a doe or a lynx
stepping out of the alder groves warily
to lap the moonlight
that flaked the shore
with the silver petals of an undulant rose
older and darker than night blood.
I could feel the danger within you,
the abyss of the early grave
that waited for you like a key
to come in out of the pain
that bled you like a shadow
pouring out of an open wound
that whispered to you like a secret scream
only the dead who owned you could hear.
Your hunger desperately sought salvation
from the eyes
that pleaded with you
to blow yourself out like a candle,
cancel the inevitability of your suffering
with the shudder and sigh of sex.
We lay down naked together
by the willow-stained waters
in that summer of flesh
and sought oblivion from each other
like two compatible cremations
that concealed a ravenous phoenix
ending its fast of fire.
Purified by the depth and darkness
of your intensities,
I burned in you
and felt the flames
of a dangerous angel
who had broken her afterlife like a curfew
flow over me
like dawn at a keyboard of feathers.
Your breasts still come up overnight
like supple mushrooms against my chest
and the moist heat of your mouth
throbbing with flowers like July
as you seized your joy
from the agony of the roots you tormented
to give up their dead
like bruised cherries.
I have never died as fully since
at the insistence
of any woman's appetite
nor known a night so final,
so brutal with time and beauty
as the pendulous moon swung
like an executioner's ax
over the nape of its own reflection
swanning on the waters.
We made love as if
we were both defying
the truth we didn't need to say.
I wanted to plead with you,
I wanted to call out into your emptiness
like a beseeching bird
disappearing into a dark valley,
but my voice ran ahead of its echo like light
and the things I would have asked you
not to do
had already been achieved.
Heroin, your asp,
at the funeral I stood back
beyond the baffled wreaths of flowers
and the ambivalent silence
of the modest gathering that mourned you,
maculate in the shadows
of the Japanese plum tree
we once made love under
and I kissed the rose of your blood
shedding in mine
like a wound
my love was never sword enough to heal
as they closed
and boarded you over like a well.
I spent the night like an empty vase
beside your grave
until the stars that bloomed above you like wildflowers
thawed my tears in the morning light.
I walked out of the cemetery
through the hard harps and spears
of its iron gates
and I have never been back.
The years since have been
chameleonic as a hooker
who plys her art
on the stairs of a temple
even the priests of my lust
are forbidden to enter,
but as you said I would
as you lay with me that night
like a knife beside the sea,
I have returned to you over and over again
like a witching wand
looking for water in hell,
like a cult of one to a lost island
that holds you like a secret
and wept like a candle of honey
in the dark hive of your unanswerable silence,
intoning the names
of an impossible god
on a rosary of black suns
until my heart hangs like a bell
dumb with grief
looking up at the stars
you rinsed like a tide from your hair.
And I lean on the crutch and the crook
of a shepherd's question,
looking everywhere for you
like the wind
sweeping the shadows of fireflies
like the fall of hair from your eyes
that night you tore yourself away from me
like a veil of blood and sorrows
wounded by the terrible light
of the black pearl
that ripened within you like the skull
of a full eclipse.
O my poor, broken angel,
you might have been fat and frumpy by now
if you had lived.
I could have watched your beauty
shed like the moon over the years,
and smile like an island
to remember how lost I was in your tides once,
a constellation of starfish
tumbled like dice in your dark undertow,
trying to shine, god, how
I tried to shine for you, how
I ached to embrace your planet safely
in the mandala of an empowering radiance
that could show you
I was worth living for
if nothing else.
Given the freedom
of the emptiness that engulfed us both,
we could have lived within each other,
we could have evolved our own atmospheres,
appointed our own stars,
written our own myths of origin
on the black pages of that journal of skies
where you scribbled down the events
of your pre-emptive afterlife
as if you wanted to make your ghost indelible.
As it was, the only thing I could do,
was take you in
like the last breath of a summer night
I could never let go of
without following it
like a shadow of you into death.
I haven't wished for much over the years,
and the dreams have come and gone as they will,
and my hair has gone gray
and my eyes are looped like powerlines
and the sad bells of a heavy solitude
that has yoked me to the grindstone of the turning world
to mill the stars like a tide
on the blood wheel of a worn heart.
I finally burned and broke all the weeping mirrors
I consulted like half-assed mediums
to see if I could restore you somehow
to the more intimate shining of that last night
you turned and ran back,
your shoes in your hand,
to make sure your final kiss would endure like a temple.
You pitied the agony of shapeshifting
you knew the black water ahead
was about to go through
as it smashed like goblets and crystal chandeliers
on the roaring skulls of the rocks.
You pitied me because you knew I loved you,
because you knew you were already
a future memory
and I was a prophecy from the past
that had ridden beyond itself like light
to illuminate nothing but your absence
measured in the filaments and lifelines
of eyeless oceans
like a seabird
circling a blind lighthouse on the moon.
poem by Patrick White

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Out Here Alone
Out here alone so late at night
with all these spectacular stars
burning through the clean glass
of the freezing winter air
I can almost hear them thinking
behind the myths of the cover stories
they've told for years
dark truths about life and light
it would be madness in a man to understand.
Don't try to stuff the impersonal secret
of the universe
into your sentimental heart.
How could you ever fit its likeness
into a locket
and finger it lovingly as your own?
Out here alone so late
even if you have come
like a thief in the night
to steal from the light
when nobody's home
there are no cracks no facets no gaps
no backdoors, unlocked windows
or emergency exits,
no stairwells or entrances
in these jewels of insight
that can feel your eyes falling upon them
like rain running down a mirror
that shuts you out
like someone in the bathroom crying
for reasons that are light-years beyond you.
However deep and sincere your tears are
they're still only dry wells
in that vast ocean of awareness,
black snowflakes
on the roaring furnace of the abyss
and if you reach out with affection
hoping to make things better
by embracing it all
you're still only tendering a kiss
to the gaping jaws of your own lipless skull.
There's a silence older than space
in the bottomless heart of things
that makes intelligence seem
the unlikeliest of exaggerations
a human could ever mean
holding his mind up like a lamp to the stars
as if he could find his own way back by his own light
without the dream that themes his mindstream with creation.
But as foolish and futile as it is to surmise
or try to get a leg up on the wise
I don't think the darkness
is the negative space
around the troubled face that appeared
after all the dots were connected
like rising constellations
in a child's colouring book.
And I don't think there are gods
squatting like frogs
on the lotus of the world
making us up as they go along
like wheels and roads
to the grunts and groans
of an axial mating song
anyone could mistake for a joke.
And I don't think the stars
believe the things we say about them
or even remotely feel the mystic dread
of what it is to be a human
looking up at their shining
out of deeper darknesses within
where no direction can be given to the lost like eyes
that would never find their own way home again
were it not for the stars and fireflies that mislead us
from one illumination to the next
by giving the finger to the braille of the text
that would school a gust of stardust into us
like God gave life to Adam
and Eve gave life to God
long before there were any laws to blind them
like Satanic lightning bolts
uprooting their eyes like rain from the clouds
to put those fires out.
I look up at the stars
with the eyes of an exile
through the diaspora of my breath
and I want to think them all to death
like the people and things I've left behind me
when it was time to go my own way
anywhere into the darkness inside me
to see if I could shine a light upon myself
that didn't blind me to the fact
neither in the beginning
nor in the end
was I there to witness the act
that made a certainty as good as a doubt
to the great indifference
that wasn't trying to find me
like a needle of light in the heart of a haystack.
I look up at the stars
like a scarecrow in winter
trying to put its pants on
one leg after another
like a man
with nothing but time to burn
scattering his ashes among the stars
urn after urn
skull after skull
of the heretics and mystics
that were martyred by his scar-crossed heart
in the name of nothing real.
I don't know what they feel
but I look up at the stars
like a black rose
of blood and starmud
in the last death throes
of self-immolation
and see in my own image
what I've always had
in common with creation.
poem by Patrick White

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The Women I Have Loved
The women I have loved,
the taste of old fires in my mouth,
wild orchids
that summoned me
with their fragrance in the night
to mystery, ecstasy, danger and agony,
betrayal and loss,
intensities hotter than stars
that could thaw space like glass
in the coldest, deepest abyss of their beauty.
Seizures of flesh, potions of pain,
delirium of black poppies, eclipses, cloaks,
the sweet doom of paradise
in the effulgent bells of their hips
and their skin always
a starmap back to the earth, luminous braille
only the eyes in my fingertips could read.
Each was a way of breathing
in water, in fire, in stone, on the moon,
an atmosphere that clung to me
like the smell of an autumn night in their hair,
an era of seeing
that rooted like lightning
in the starmud of my poems.
Some were the windows of a palatial awareness
that astonished my heart like a peasant
and others, the rocks that crashed through it.
I tuned all my mirrors
to the high notes
of the most beautiful stars
in each of their constellations;
and the ones I loved best
were the windows
that could see both sides of God
and you could taste it in their eyes.
No doubt I was ruinous
in ways that it's taken years
of deep solitude and suffering
to clarify, the ore
wasn't always worth the metal within,
the volcanic rage of my baffled aspirations,
the urge to express, release, affirm, excel,
the way I parted women I loved like seas
in my quest for the promised land
and the way they closed up on me like pharoah,
like a flower that doesn't want to look at the night
and lowers its lonely eye,
like coffin lids
that were once the petals of a mystic rose.
Who knows who was buried
on those sexual slopes
that overlooked the motif of the river
wandering easily
through the vistas of the valley,
or how the story truly ended
that went on writing itself
as it does today
long after we were villages,
tiny necropoli, perfectly preserved,
and wholly usurped
like utensils by the afterlife
of the erupting mountain
that put an end
to the interminable funeral orations
that unrolled us like thunder in hell.
We slashed heaven
with the bloody razor of the moon
like the vicious legates of a papal threat
to spiritually salt the holy ground
we were rooted in
like lava, blood, and lightning.
I am still a confusion
of wounded dreams,
and when I look at the moon,
the bruises, the dead seas,
I am devastated again and again
by a ghostly sorrow
that returns to my heart
like a dove to a dark bell
that once knew the morning with another.
The truth is slurred by time,
and the confessions we made to the sky,
gusts of shame and contrition,
tiny burnt-out match-heads
that once flared into big fires,
slagging their depletion
like ore in the rain,
were abysmally true to the moment,
as we felt the ground beneath our feet
sinking like a continent.
We may have drowned like Atlantis
but how many decades since
have we lain here
like a thousand other toppled shipwrecks
offering the hilts of our masts
sheathed in coral
and the bunting of weeds
to the sea that slowly accepts our surrender?
All the beauty of that seeing,
the laughter in bed,
the aloof eternity in the form of the woman
at the end of the garden,
seen through the kitchen window forever
as if I had never made love to her,
pulling weeds from among the asters,
forever true, forever
preternaturally true,
the mystery that transfixes
and devours me yet.
I have not laid my dream down
like the head of a child
on the pillow of a stony heart.
I have not looked upon the stars
that shone over us those long walks into each other
as if we were two banks of the same river
and we were still a wonder
and a temptation to each other,
two wings of the same gate
hopelessly opening.
I am still summoned against my will
to those dread nights we went out in each other
like down-turned torches,
and the bouquets of the daylilies,
those truces of fire and water
we burned beside,
turned into congested refugee camps
that plunged into civil war with their own reflections.
All along this road
where I carry my life
like the shoes in my hand
there is broken glass,
shattered goblets of the moon
we once drank from together,
shards of the suicidal chandeliers
we once danced under
like the tails of the unnamed comets
that followed us like paparazzi
as if we were the prophecy.
Vampires once cloaked like assassins
in the darkness of the light,
they still come for blood,
pleading in the shadows like beggars for alms,
and I am often aghast at my own compassion,
feeling the quick tendrils
of their tongues flickering in my heart
that my blood still feeds these candles in eclipse.
Perhaps there is more spontaneity
in the darkness
than there is in the light,
but I have not let my mouth
turn into an open wound,
or wielded the cold flame of my tongue
like a dagger of fire that could only be put out
in the blood of another.
Leeches and lilies
are born in the same pond
and I have not denounced one
at the expense of the other,
but have stood before both in silent awe,
trying to overhear any whisper
of what these things might mean
that they should still sweeten and startle
my deepening ignorance
like the shadows and stars
that leap out of their own darkness and light
to ambush and detain us with love and life
all along these lonely, vivid roads
that walk us like the wind
that moves me now to remember
the generosity of loss that is love,
and the flaring of the dust that we once were,
this frenzy of dust, this urgent dance of the dust
that will forever be
like the wind, like love,
like fire and life, like the nights
that bent down over me while I slept
and kissed me good-bye,
the journey whirling in the arms of its own destination.
poem by Patrick White

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Autumn Swings Its Bell
Autumn swings its bell like an eyelid over my heart
and in the penumbral umbrellas that bloom
in a garden of eclipses and sundials,
I discuss you with an enlightened ghost
and an ignorant shadow
that have learned to see star to star
in this echoless abyss of silence and solitude.
Within, where the winds scrawl
their spray bombs on the wall,
delighted with their literary delinquency,
I realize what's beginning to look like
the mouthless howl of an ancient agony,
the collapsed bridge
of that which was separated
from the moon's reflection,
an ache deep in the ores of the earth
before it learned to speak of trees and rivers,
before its longing invested the dead branch
with a fugue of nightbirds
trying to write themselves like a dream
into the black candle of the darkness
with a feather of fire.
My heart is hollow, and empty,
a drunk in an oildrum,
and love seems nothing more
than a harvest of eyelashes
and all my works are seeds on the moon.
A kite crash lands in the powerlines.
A phoenix rises from its dearth of ashes.
I want to go deeper into myself,
I don't want to hover like smoke
over my sidereal cremations,
or atomize the particulars
of how time bends like the arms
of my galactic alarm clocks,
or if I deserve to be this lonely,
a lighthouse that went on shining underwater
after the last flood carried me out to sea.
You make things happen in me,
thinking of you, your lapidary tides,
blue species of emotion
are born, evolve, and die
for reasons unknown
in the space between two thoughts;
and there are crazy black spiders in the wine
that tempt me to swallow them
to know how things are connected,
and always an electric dawn
to dazzle the event with black holes
and blind, astronomical photographers.
I feel the tenderness of time and distance from you,
fountains that no one drinks from,
and space all the jewels and palaces of water
that no one owns or lives in
because they are reserved for your progress alone
through these wounded labyrinths of me
following the stars I've laced
in the wake of living your way free of the maze
that will prove to be
the foundation of another kind of temple,
the cornerstone of a vastly more intimate space
than the eclipse that encloses you now
in the bleeding flames of an endangered poppy.
I wish I were wise, I wish
I were young and becoming,
I wish I could engender a planet
out of this cosmic debris
I spew like a supernova across the night,
the exhalation of my spirit from the lamp I go by,
the arraying of the world in every breath.
I wish I were good and always cooling
on a farmhouse windowsill;
I wish I was not so tormented
by the torn skies that hang from the broken window
I hurled my heart through like a stone with a message.
I wish my enlightenment
didn't knock on every door of delusion
hoping to find no one home.
I place the cool kiss of a nocturnal snail on your skin,
and I look at the words and I wonder
if you'll wake with a silver smear on your breast
like the path of the moon on water
and know it was me
or feel the tremor of a forbidden ecstasy in your sleep
I burn a church to the ground like a ram
to honour the altar of your talent,
the passion, pulse, and fire-voice of your poetry
and the midnight shadows of your blue rose
shedding its eyelids like petals, skin and sky.
My words are metal birds, rocks
wishing for wings
so that this avalanche of mountain thunder
might once take flight in the dusk
toward the valley where you wander like a stream
turning over lost echoes
like the links of a chain with a key,
zeroes looping arms with the past
to bind one moment of the infinite
to the wonder of a passion that lasts.
My eyes are heavier
for having seen the light,
saturated with everything they've witnessed,
honey, ink, and blood,
and every tear is a sea closer to the moon,
and every lyrical efflorescence of the dream
is punctured by thorns,
and even the lies of the most subtle mirrors
have grown obvious
as the beast within is saddened
by its cultivated charm,
knowing what hour it is.
Understand me well
in this rogue season of awareness;
where lightning freezes in the flower-realms
and breaks like branches of ice,
where even black is too garish for clarity,
and sometimes even the sea
loses its nerve,
gaping into its own depths,
an asylum of lightless shapeshifters
for a likeness of itself
that isn't perfectly preserved,
the locket-heart of the last fish on the moon,
a Martian meteor in Antarctica,
this gravel walk of asteroids
through the gates and the gardens
of the whole planet I am in every piece,
though I do not glow like fool's gold
in the pan of the night,
and my throne has crumbled like hard bread,
and love seems to die at the first affirmation
like a bird against a late night windowpane,
this goblet of darkness
that stains the lips with an indelible silence;
though I have been deconstructed
by the suspicious sphericity
of my most cherished symmetries,
toppled like a tower of blood and water,
a shattered river
condemned to the beginning of spring,
a continent sunk in the depths of the mirror
barring this handful of nuggets and islands,
I am still immutable diamond
that learned its flowing from the stars,
and what I write to you
is not a thread of light
that holds the kite of your heart
up to the lightning like a key
to prove that your blood is a good conductor,
not the severed fishing line necklace of eyes
scattered like beads and dice
across the usual geometries
and impoverished granaries of the floor,
not the afterbirth of a morphological wine
that left you burnt orchards
as the fruits of the fire that promised
a feast of pears and cherries,
not the disembodied jewels of a ghost
weeping in the doorway of its skull in the night,
but the threshold and theme,
though for the moment you disdain the stairwells
in the hovels and mansions of love,
embittered by the lonely rose of space and matter
that pours the shining out the backdoor
like the lees of harvest stars
in the corner of the eye of an irisless bell
waking you up mutely
from a dream of falling in a morgue,
but the threshold and theme,
the story-line, the mythogem and motif,
the oceanic pulse and spume
of sidereal ferocities and urgent follies
robed like the king of shells
in the bruised purple of symbols
I take like the pulse of a lightning-rod
rooted like blood in me
to know as constantly as space
that I draw my life from you
like a shadow in a garden of blue fire
that courses through the dried creek beds
of these hourglass deserts
like the mystic tents
of a caravan of rain on the moon.
Wells, goblets, bells, or roses,
or thorns gnawing through chains and lifelines
to let the heart drift
like an empty boat from its moorings,
whatever season you assume
like the changing wardrobes
and unassailable affinities of a life
you must improvise as you go along,
I will always be with you
like shadows and leaves
and footprints and stars,
as I am now your next breath
whatever the scarves of fire
that grace your ghost-dance
with the black ribbons of an abysmal freedom
that feels like the halls of an abandoned prison.
I will liberate the key
like a hanged man
from the noose that adorns your neck,
and raise myself like a bell to your lips
and have you drink
the light and stars and flowers again
from the urn, the crown,
the hive of the heart
that sends its eyes out into a far field like bees
on the perfume trail of a summer constellation
to sweeten the light around you
with honey that burns for an emergent queen to find it.
poem by Patrick White

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The Serpent
The serpent sits enthroned
at the top of its own stairwell,
helically reposing in its own empyrean
like an August hawk
coiling up its own thermals;
its fangs, a stargate
to an unknown afterlife, emancipation,
and the jewel of its head,
the first stone thrown,
a small planet without
the eyelid of a sky,
a nugget of mystic uranium,
looped in a turban of orbits,
a sacred arrowhead
that flys from itself like a bow
drawn back long before the wind
knew its first feather.
Lethal healer,
the sword that kills is the sword that saves.
This morning,
the drubbing of the rain on a tin roof,
the hiss of traffic
flaring like matches down the sleek asphalt,
if I were to say
I want the emotional life of space,
I don't know if I'd mean it,
but I'm so weary
of being this slow crisis of a bird
mesmerized by the swaying eyes
of the black lightning
that has caught me in the net
it weaves of my own nerves,
I want to douse my heart
in the next providential tide of tears
like a torch I put out in the night
to see better in the dark.
I asked for wings
and my spine was adorned with fire.
I asked for water
and I'm a fish on the wind.
and now this desert I hoped to remain,
a craze of sand,
has grown teeth
and is overgrazing the starfields like pyramids.
I don't think
I will ever recover
from the wound I received
like the hidden twin of the moon,
trying to love the world, myself, women, people.
Every word was a road, a pulse, an eye,
a dropp of blood
I could ride to the end of and beyond
into the implacable subtlety
of my own empty, ageless temples
where even the silence isn't ghost enough
to conjure a medium
to jar the table as a sign,
and death is buried in its own vacuity
like an embryo in a mask without eyes.
I was bound by my own boundlessness,
my nerves, wicks in the abyss
that enhanced the darkness
by cleaving me like a tree
vision after vision,
another world
with every blink of the eye
that wiped the mirror clean of me like an ax
until I understood
that even the most enlightened watersheds of wisdom
are just a smear of perception
on the least dropp of that splendor
I went looking for like a cloud
saturated with the ancient seas of the moon
that was covered by my own looking.
I lay at the bottom
of my oceanic odyssey,
trying not to sink,
but I wanted to give something back
for what I felt I had received;
not an ethic or a metaphysic,
but a spontaneous action of the blood
that remembers it was once a rose.
I wanted to return spring like a water-key to the moon;
I wanted to harvest the shadows
of my own non-existence
and break bread
with the famine of ghosts
that came like royalty to beg food from their servant,
blind doors standing on the thresholds of awareness
asking me to address myself
to the terrible openness
of their unanswerable need.
I have eaten my own ashes
in the furnace of every star
I have ever looked upon.
I have drowned in the wells
of the faceless, fathomless mirrors,
and every woman I have ever drunk from
was a grail with an enigmatic black pearl in it
lustrous as the moon in eclipse.
O promises of bliss
that tuned the webs of the spiders
like a guitarist with perfect pitch
to the frequency of my spinal cord
that I might entangle a star
in the silk of my conceiving;
that I might seize a firefly
in the fangs of my thought
and taste the honey of the lantern
that lit my dark corner
in the era of the moment.
O sweetest of lies to ripen with longing
like the eyes of a child in the darkness
far from home.
I was trying to find a road
that fit my walking like shoes on a mountain;
I was trying to walk on water with mystic crutches;
I was looking for an arrow
dipped in the blood of a serpent with wings,
set aflame by a demonic star
and feathered by spiritual fire
to restring me like a bow
severed like the branch of a sacred grove
by the oracular blade of the moon.
I was too deeply sheathed in the truth
to appreciate the arcane sagacity of my lies.
I stood like a shadow in the burning doorway of my own fire
and looked deeply into the night
to answer my own knocking
like the echo of a stranger in the darkness,
walking away from someone who didn't know
how to greet himself.
I was a tree crucified on a man,
a vandal in the shrine of the moment,
bleeding like stained-glass,
a rosary of vertebrae and skulls
reconstructed in the future museum of now
I played myself into like a funeral plan.
Now everywhere the wind is a pilgrim,
I leave my heart like a shrine
I will never return to.
And the sadness, and the solitude
and the vastness of my insignificance
is the shadow of a bird on a cloud.
The only way to perfect my defeat
was to sit at the feet of my most cherished delusion
like a rootless flower watching over a coffin,
then rise like the wind
from the rubbish of the shedding,
the loneliest pillar and sole cornerstone of the sky.
Now my apish profundities
no longer crack fleas of light like stars
I picked out of God's burning beard
with the forceps of the moon.
Now I am infested with constellations.
I no longer turn the pages of the waterlilies
like the holy books of an inspired swamp.
I no longer seep down to the river
to drink from the moon
like a serpent at the water's edge
and watch the panicked angels jumping
from the reflection of an uncrossed bridge
that collapsed like a covenant with hell.
I no longer shred my heart
like a secret document
in an abandoned embassy of swans
looking for asylum further south,
tormented by the unattainability
of a woman's beauty,
looking for sanctuary
in the ashes of a black sail
that flared like a poppy with passion
at every gust of desire
that silvered the trembling grass
with sidereal aspirations.
Why bother to laminate your lovers, your legends?
Let them go like autumn leaves and smoke,
the last breath you took
before you were interred
like a scream in the larynx of a deaf-mute,
a foreign currency you couldn't spend at home.
Naked is the only way to dress for the rain,
but it doesn't matter which
from the wardrobe of all your many lies
you wear to the fire that waits for you
like a fledgling waits for its plumage.
And this is a long river
and this is a long day and a night
and maybe only the silence is listening
to what the stars are preaching
from the pulpits of the flowers,
and this that says me now
is just the promo for the intensive care ward
of a new religion
the founders are always the first to betray;
but when I truly let go
it was my falling
that taught me to patch my shoes with the sky.
And have you come this far,
passed through this many gates
for wisdom, compassion, freedom,
wandered aimlessly until you could not tell
the stars from the sand,
the journey from the arrival,
suffered worse than all the things you cannot say
until you forgot what you were looking for
in the first place, until
you despised what you craved the most?
I don't remember how long I slept
before my dreaming woke me up
and I realized
no fool could defame my solitude
and that life
was only the story of a scar
looking for the knife that inflicted it
like a shadow
in the forsaken valleys
of the mountains of the moon.
Looking for a pearl of light
I had to plunge into a darkness
deeper than anything
my eyes had ever given birth to before.
I had to swallow the key before I could open the door.
poem by Patrick White

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So Lifetime After Lifetime
So lifetime after lifetime, sorceress of shadows and dreams
you step out of the dark wood of yourself,
a shy doe, a mournful lighthouse and a warning off the coast
of your infinite solitude, you, the singing bird
on the green bough of your flute pouring yourself
like sorrow over the eye of the sea, your tears,
the ancient wells of an eternal longing unanswered by the secret stars
that have entrusted their radiance to you, fireflies
drowning their light in your black candles,
the blind music of your lonely flowing. Is your flute, a bone, then,
and this rose I bring you, this heart, this blood
that has turned into a goblet of luminous wine,
drunk on the wonder and the missing in your phantom music,
is this rose nothing but a wound, a coffin-flower,
the unmarked grave of a mystic embryo?
Do you fear the tenderness, the meeting? Does the moon
strike at her own reflection in the mirror of her midnight waters
to wander like an orphan along her lifeless shores?
Boy and man, you murder me on the steps of your serpent shrine,
your eyes, cold glass, eclipses of crystal, your spirit
that once drew in the light like breath,
now a slow glacier, an age of ice
pushing your heart before it like a boulder,
like a temple-stone that one night flew out of the abyss
and buried itself like a meteor, a charred jewel, the demon seed
of a religion without saviours, your implacable creed
scriptures of blood in a mouthless book
that only love can open. Once there were swallows in the tree of life,
asylums of celebrants greeting the morning in their madness,
in the garden, in Eden, hurled through that first dawn
like a young girl's heart trembling like a dropp of light on a blade of grass.
Now your voice is a gypsy-crow on a dead branch,
your music, confession without atonement, your flute
without leaves, without orchards, an eyeless spring,
buried in its manger-cloth for years, nothing
but a crib-death, a broken wand, a phoenix
that has lost its faith in fire under the weight of its own ashes.
Beloved, again and again you kill me
in this dance of slayer and slain, tear out
this page of love like a like a child's tongue, like a mute heresy
you are doomed to rewrite forever
in the indelible inks of your seeing.
Do you dip your pen like a water-bird drinking
from its own image, putting out your eyes
to deepen the darkness, the scars of your sin
the lightless letters of a hidden language
pricked out on your skin, black stars and braille tattoos?
The pages and the years may turn like wings and hinges,
and a thousand deaths, all your own,
tome the field with gravestones,
breathless flutes and hollow bones, ancient futures;
and you the only mistress of those solitary realms; still,
your legend will remain moonless and sunless,
the story of a night sky, the eyelid of a black rose,
that couldn't break into light. Until
love stands beside the heartwell of another
as if it were its own sacred fountain,
one blood, one wind-mingled music
playing the waves like plectra, and raises the rim
of the single goblet to its lips and tastes,
only silence answers the terrible vastness,
only death graces the obscenity of these loveless wastes.
poem by Patrick White

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My Hands Were Once
My hands were once the afterlives of birds
that caressed the cheeks of the sky
and brushed back the wind from its eyes,
and took a finger to intercede with a tear
not to start a pilgrimage without a little laughter,
and I am of the stuff of three stars
and a fire in my loins
that inseminated space with planets
and wrought red iron into bells of blood,
and leaned on calcium for ladders of bone
and taught the four-armed shivas of carbon to grasp life
and dance for the wheat and the grapes and the poppies,
and man lying down with woman
in waters urged by the fires of thought
furiously rooted in the gardens of the stars.
I am the ancestor and offspring of everything
and even my solitude is the loneliness of the mountains
sleepwalking over their own seabeds,
and the way I love, a trigger of oxygen,
and the way I see, a whisper of time and space,
a feather of moonlight dipped in the ink of the night.
I have within me,
deep in the vaults of my wounds,
swords from the wars of the grass and the trees,
and words that sang like arrows in the sacred groves
to answer why I live and what I'm looking for
and why all my foundation stones are shoes worn out with roads,
and who is it looking back at me like a dark echo in a dream
to see if I'm coming like a shadow with a voice.
And there are mysterious robes lighter than a breath of silk,
auroras and lightstorms, waterskins of the water-walking stars
that have plied themselves like the rings in the heartwood of a tree,
journals of light and rain, to sailor my spirit in a chronicle of flesh,
and be a brief thing in a brevity of eras, to know
why the tiger dies looking into the open, its eyes
yellow lamps in the bluing of the early morning
as if its death were already achieved a breath behind it
and a man crawls toward a meaning on his knees.
All the deaths are mine, the births, the names,
and my heart is the shrine of the moonrise and the dawn,
the blue honey hive of the stars and the wildflowers in their fields,
and the wind takes down what the mute rocks repeat for my sake,
and every face is a blossom or a leaf or an apple from the bough
of the orchard that seasons my emotions to advent and passage,
to the transformative oceans that drink to the bottom of themselves
and leave their empty cups on the moon to be filled again.
I have within me a beginning and an end
that open like the wings of a single gate
I passed through long before the birth of time
like the prelude of a world I hadn't read yet
because I hadn't finished living it in tears and blood,
running my fingers over it like the tender braille of a breast,
lapping it like blood from my own skull to see what kind of drunk I was.
And there are lifelines on the palms of everyone's hands
valleys, rivers, nerves, creases, roots, deltas, lightning
that together make a map to every dream I've ever lived,
all the tragedies and joys of fugitive spirits
trying to shoot the rapids with a broken oar,
and secrets that put a finger to the lips of the dead
like the horizontal threshold of a man who stands
like an infinite pause in the doorway of waking up
and just looks at himself with nothing special in mind,
a commotion of swallows in the radiant spoons of last night's rain.
But there's you now, who is not me,
because I long for you like a tide longs for its island,
and can find nowhere within myself the likeness of your face,
and though I know the water knows you like an ancient migration
it leaves no trace of your vines on the lips of its waves,
and there are skys where you shine among the stars for hours
where I've found threads of your shadow
torn on the thorns of the constellations
like rivers unravelled from your wilderness skin,
and even once I found your footprint like a boat on a beach
but you were not in it, and the emptiness was out of reach.
And I think if I find you, if I look hard enough,
if I stare into space as still as a lizard or a telescope,
if I check every leaf the doves bring back in their beaks,
every eyelid of snow that lowers the pines into sleep,
and lace the wind with fragrant spells and tragic pleas,
if I can break the code of the rocks that ore their silver secrets
like love-letters, like poems, deep in the throat of the earth,
if I grow new eyes for the seeing from the oldest wines of my being,
and the sky has to turn black forever not to have you pale like a comet,
not to lose you like a chandelier of fireflies in a galaxy,
not to reach out and touch you like the creatrix of the creator,
I can part from this life like a gift I left in the night on the stairs.
poem by Patrick White

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Poetry
Poetry isn’t a talking fly
on a one way street in a lightning storm; isn’t the orchid
that issued from the sword in the snakepit
that penned whatever it saw in stone. What does this mean?
Forty-one years of trying to push
the singularity of the universe
through the eye of a needle as large as the reasons why
without twisting the thread of the original theme,
without shrinking the sky to an umbrella
in a glass skull freaked with insistent translucencies.
Poetry isn’t breast-fed by a doting Medusa
who will excuse your wailing with a pat on the back
as you try to configure your verbal relations; it’s not until
the lantern’s overturned and all the stars and fireflies go out
and your mouth is stitched shut like a wound
that will never heal, and the flowers latch their honey-gates
in a surprise eclipse, and even the worm is a lonely comet
in the eye of the rose that called for your annihilation,
that the wonder of having nothing to say for no reason
begins to gather like light in the wishbone of a harp
and sings to amuse the silence
with the posthumous profundities of its own retraction
like a dropp of water crying down a mirror
that didn’t know it cared. Free yourself
of what you think you have to say about anything
to hear the urgent fountain-mouths of eyeless dawns
that write with the beaks of frenzied birds
that have absorbed the night like ink. Live
on the underside of the leaves that never fall
from the unpruned tree on the moon
if you want to know the nightmare of the spider
webbed to the morning like a poem
between two blades of stargrass.
There’s a storm with a candle in it
that isn’t a leftover star, more powerful
than the black-outs of the lightning
that seizes the heart like a hawk
and slashs it open,
a love-letter to the world with a knife,
to see what’s truly phrases your blood to the moon.
Do you understand, do you truly understand;
there’s a firefly in the grave,
a soft, shy light like the glow of a distant city
pearled on a blind horizon, a black mirror
that absorbs the faces it reflects like death,
so much brighter than the white hole
of all that you’ve been saying
that even the stars are maggots of light,
commas in the wake of summer swans,
compared to the oceanic radiance of that shining.
Drown your paper lifeboats in that,
add your grief like a river to the nightsea
you’ve been walking on like a messiah with a map,
and let go of yourself like an apple from a bough.
Do you see the blossoms of the orchard
swept up in the gutters of the busy world
working hard at its own extinction; those
are the withered eyelids of poems,
the useless sails of spineless foolscap
lined with blue horizons
that asked you where you were going
and because you answered like a compass
left you breathless at the equator, junk-mail
on the doorstep. The world has been discovered,
the metal capitals starred like jewels;
the real estate offices crammed with valleys and lakes.
Sink like a continent that can’t be colonized
and show me the thresholds you’ve sloughed like skin,
the footprints of your transformations
where you jumped from the tree
that swung you like a bell
and walked away deranged
by the solitude of your dangerous humanity.
Look for a door with a broken hinge and enter.
Stop carving your name on your bones
like the prows of old shipwrecks, dismiss that harem
of painted figurines you’ve bound
to the mast of your bow like a pen
and learn what it really means
to be destroyed by a living muse,
to hear the sirens singing you to death.
There’s a ram and an altar on the world mountain
waiting for you to drag yourself up there
like an avalanche of dead meteors
and plunge the last crescent of the blood-crazed moon
through your heart like a sacrifice
in the name of nothing at all
if you want to true the wind
to the womb of your ghostly poems
with embryonic whispers of “I am. I am. I am.”
poem by Patrick White

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Long Ago
Long ago I learned to forgive
yesterday’s shadows
like the daggers of a dead assassin
I melted down into bells
without occasion to sing.
I was tenderly adamant
about the need for compassion
and hung them from the loftiest towers
like iron fruit or rain frozen in its descent.
Only the conceptualists
indulge in perfect virtues
and mine, at best,
are improvised approximations
of the dark whispers
of the blind fish
that swim in the watersheds of my heart.
And there was no other way
of pouring the infection out of the wound
except by inviting the maggots to the feast.
I reproached them all
with the wisdom of a mirror
for relishing the worst of me.
It’s hard to remember sometimes
that even flies have a dignity of their own,
if no honey,
and even the city rose
turns into an old, well-thumbed book eventually,
an index of celebrity desecrations.
I kept my eclipses and dragons
up my bounteous sleeves
and took the trembling stagefright of the stars
cowering behind their cardboard hills seriously.
Whatever the mind realm,
whatever facet of the jewel turning in the growlight,
whatever feather of the spirit
soaring overhead with a twig of fire
or groping below like a star-nosed mole,
my heart turned into a lifeboat, a well, a telescope,
and I hauled everyone up and in and out of themselves
until the moon began to look like a pulley
and there was an echo in the siloes
of my exhortative sufficiency.
Sometimes the galaxies were easier to save than the candles,
but I applied my whips and swans lovingly
I was a good oar on a seaworthy vessel
and eventually my heart turned into a rudder.
I launched every pulse in the name of the unknown
and soon found myself a stranger
in the eyes of the people who had climbed to safety
up the nets and rope-ladders
I learned to fashion from my spinal cord.
I wasn’t a rudder on a lifeboat anymore;
I was a dead shark, dorsal down,
lethal, a meat-plough.
Nobody knew me as I was.
I struggled deeply within myself
to assume the throne of my isolation,
my heart freaked by the hazard of random lightning strikes,
challenged by demons
I could not win against,
crescent moons that broke off in my throat and voice like teeth.
I became the nightwatchman
of pleading shadows laid out
like corpses in a morgue,
a lamp in the arms of its own journey,
while their bodies walked around delinquently.
And the shining was black, the light,
an eerie pollen of the night,
an indelible soot lasered like destiny
on the sheets and sails of a soul I could never wash out,
a luminosity that just didn’t open
the moths and flowers like letters
but rewrote them, a transformative mirror,
an eclipse of the sun
that rises within at midnight,
an illumination that didn’t just reflect
but imagined the things of the world into being
and went on changing them,
mutating them,
seer and seen alike
on the same side of the mirror
that suggested them into existence inconceivably,
though there was no existence
or non-existence
to exit or enter by.
My seeing grew cold and impersonal,
space, a straitjacket of glass,
my heart, an ancient ice-berg on the moon,
and with a shriek of mouthless perception
my blood was blanched into flowing diamond.
I dared to look upon suffering,
my own and the pantomime of others,
as the flaring of a brutal creative fire
that wracked the world in an unwitnessed dream
lonelier than the wind without a star or a candle.
And I knew it was saying me
behind the mask
of every hopeless word I uttered.
And I saw at the dark gate
that reason was only another peer of the realm,
and there was an infinitude of skys and windows beyond
that my eyes hadn’t grown into yet,
flying like a bird into the vision
until only the vision remained,
and there were intimate metals in every rock
that had been confided into being like a secret.
Reason was merely a prim shadow
in the cosmic fire-womb
of the original madness
to make the hidden known,
whispering the world
into its own ear like a blasting cap.
Everything exists to know the hidden
as a robe of its own blood,
the taste of stars in the sap of the sugar maples in spring,
whether the cool mushrooms of her lips
that she offers up in the night
under the evergreens
are dangerously hallucinogenic,
or tenderly toxic, white angel or fly agaric.
I found it important to learn
what doesn’t make me happy,
and then to learn
that there isn’t anything that would
as I long as I persisted
in looking for the meaning of my joy,
the replicable reason
that would let me breed it
like a butterfly or a silkworm in captivity.
Now bliss comes when it does
naked and adorned,
impoverished and squandering,
and my heart is more of an empty, open hand
than a fist clenched around
something it feared to lose.
Haven’t you noticed the sad drinkers
in the all night taverns
who age faster than the wine in their glasses
as soon as they start
to con the god into staying,
make a cage of the tree
to snare the elusive nightbird
that enhances their darkness
with a voice hinged to a doorway of light?
And the theorists trying to sweep
the ashes of stars
immolated in their own light like moths
off their thresholds with tweezers?
And those who live like pharaohs
under pyramids of quicksand
they’ve made of their hearts
anticipating afterlives
that look a lot like this one
when the bandages will come off
like the brittle eyelids
of a shedding rose
and the bull harps will seed the moon again
and the echo at the end of the dream
won’t be just the voice of another used beginning.
poem by Patrick White

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Your Eyes For Awhile
Your eyes for awhile
were the only eyes
I could see through
to catch a glimpse of god;
were windows into my own soul
that I could look through from the outside
without throwing the moon
through my reflection like a stone
in the hand of an angry boy.
And it was always as true
as the way your heart grew
that you could love strangers
easier than I do even now
after all these years of learning how
to talk to mirrors in their own language.
And you were not one woman
but all women forever
when I saw you once
bending down like the dusk
to touch the last of the flowers
as if you would never see them again.
As serene as the evening
there was no labour in your beauty
and I swear when I saw you that night
I felt as if I were the whole world watching
time put a finger to its lips
and pour its fountain
into the flow of your body
as if it were the sum of all passage.
And though I was your friend in all things
every evening since
the candle went out
in the lantern of a lost tomorrow
I have walked out into abandoned fields alone
and asked the saddest questions
of the most distant stars
knowing there is not enough light sometimes
even in the eyes of God
to be a companion of our sorrows.
And the questions grow longer
as the darkness deepens
the echo of my longing
in a well as dry as my skull
and closes its gates like scars.
And then those nights come
like a life or a day
or even just this moment
when I stop asking
why human suffering
is always indescribably true
and joyful as an irreproachable buffoon
sword-dancing alone with the moon
who writes me dangerous loveletters
as if she were the Lady of the Lake
receiving me back
like a funeral ship
into this mysterium of you,
I can almost believe that you know
even though the night mocks the crow
that pines for mercy
and turns its lightless face toward you
as if it could still feel
the warmth of the sun at midnight
in your eyes again
like the afterlife of light
playing with fireflies in the abyss
now that the summer constellations have gone down;
that somehow you must know
like a guitar
on the far side of a room
where someone is singing
as if they had their ear
to the womb
of your irrevocable absence
that binds me to you with every breath
I take for two
as if I had learned to live on death
to keep you alive in me
where you still flow through the seasons
on the nightstreams of my blood
like blossoms and leaves and stars
and the moon leaves no scars on the water;
must know. Or a demon’s a kinder face
to bestow on the darkness
than a black hole without eyes,
though it’s taken many, long, painful years
for the night to share the light with its jewels again
and as many schools as there are fools to fill them
that even just one
of those slightly compassionate smiles
you would send across the room
to cool the furnace of my heart
with the lightness of one snowflake,
one feather
gracing a change in the weather,
knew more about love
as a raindropp knows the sea
than all of us
who have been washed up
on this cold, lonely shore together
thinking we may have been saved
for something more
than this tidal longing
to brave the sea again
and even if doomed to drown
as I have learned
from this shale of pain
that has carbon-dated the eras
of my missing you
like a life that didn’t
flash before my eyes
as I went down for good with everything,
to thank-you, o, yes,
with nothing but love and light in my heart
and your face in the eye of my solitude
as I stand before the sea in gratitude
to thank-you
as you well knew one day I could
for the generosity of the wound
that has run like my life
down these eyes
these windows
this page
these empty mirrors
of autumn rain
that have wept for years without you
just to see you again
for one moment more
than the time I have left
to know that I never will.
poem by Patrick White

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Sometimes Think
Sometimes think I'm always
a life too late
to catch up to my own
walking away weary of waiting for me.
Or I'm a star too far ahead of my own shining
and that's why it's always dark.
I know the agony
in the stones of an abandoned bridge
that shoulders the world for nothing,
upholds nothing but its own mass
and waits for things to pass.
And even when I fall into the river
to flow along with my own mindstream
without consulting the leaves like maps
I still can't get the moon off my back.
Look at all these orchards
littered along my banks
from the tent of a single blossom.
And there are nights
when I can smell snake on the wind
as if everything were about to happen again
and I still haven't milked the fangs of the moon
for an antidote to the pain
or put out the third eye
of the irrational surveillance camera
that oversees the sorrows of the insane
when it's full.
I like my perfections whole enough
to include what is not
and if I am immoderately empty
it's so I can make space for the world
like the blood-sea of the rose
that flows out of nothing
into tides that shed their waves
like the eyelids, brides and petals
of a human heart.
My breath is silver.
My breath is gold
I've mined from the mystic mountain
that got in my way
whenever I tried to cross
the valley threshold.
I had to evaporate to rise to the top;
I had to get myself together like a cloud
to transform my own delusions
into a glimpse of the other side
that didn't take a scapegoat for a guide.
Now space is my only familiar
and the being behind the face
of who I was a moment ago
is just another snake in the furnace
of this star that sheds my skin like fire.
Streams of insight
that are not predicated like mirages
on deserts of thought
trying to spin themselves
into mirrors and silks of glass
like a new religion
sweeping the world like sand
advance the gardens
of the water-givers underground
who teach the flowers how to bloom
and drown like stars
in the infinite opening of their eyes.
And I've mauled the nets of the constellations
like a man in the morning
walking through a high field
radiant with spiderwebs
and if there's anything
left hanging in the wardrobe
that used to house my masks and cloaks
they're veils I've torn from the light
to better see into my darkness.
I'm still looking
but nothing has appeared yet
and no sleight of mind
that's ever mastered me
has ever taught me how
to realize the inconceivable
except in the proportions of a human
whose mere existence is utterly unbelievable
whenever I turn the light around
and discover the dispersing stars
I have followed so long and far
into the unborn darkness where I begin
shining within.
poem by Patrick White

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