Patrick White

Let Me Be Worthy

Let me be worthy of the river
and the strange ores that glow at night,
buried like teachers in the mountain;
let my blood always taste of the moon
and my heart burn like a black rose,
like the poem in the fire
that sweetened the sky with a flower of smoke,
for the wisdom of the generously unattainable,
and transcend the hell that shadows the folly
of not being foolish.
May the stars,
when they gather in gardens
water the roots of my seeing from clear fountains
and the wind bleed like ink from my pen
when I’m wounded by the beauty and the terror
of my helplessness.
When I am large, spacious, profound,
let me sit like the universe
on the throne of a seed
that lies in the dirt;
and when I am small, brief,
a trinket of light in a flash of ephemera,
robe me in the lion skin of the night sky
and ennoble me
with delusion and enlightenment
on this road of ghosts.
Whatever befall,
let me perish or prosper as a human
who insists upon the divinity of all
and burns and rises
for the heresy and truth of it.
Let anyone born be accounted a hero,
a lifeboat that hauled the world aboard
when the seas raged in the womb
to give birth to suffering;
and may I always be entrusted
with the ancient shales of dark courage it takes
to look into the dragon’s eyes
and not be horrified
by the ferocity of the freedom
that thaws space
like an hourglass in the rain.
And should love occur
to shape the blade of the moon
on the anvil of my heart,
and a cauldron of passionate visions
scald the eyes with intimate glimpses
of myriad heavens and hells,
all truer than reason,
may my bitterness pass
like the eclipse of an hour,
a left-handed blessing,
no vinegar of injured illusion
accept the sad surrender of the wine
like the death poppy of a folded flag,
no tar of judgment and denial
feather the dream with stone pillows,
no abyss under the brief era of an eyelid,
make me too petty or afraid
to dance with my skin off
engulfed like the wind
in secret sails of mystic fire.
There’s always a clown, a jester
who rides beside the hero like an anti-self,
a thoroughbred and a dray
yoked to the little red wagon of the heart
like two thieves either side
of an unwitnessed crucifixion,
two dadaphors, two torches
disposed like opposible hinges
on a door that opens like water
at the whisper of a key.
Let me be the clown-prince
of my own idiotic profundities then,
let me survive my way into the wisdom
of the inspired fools
who know that anything they ask for
from the stolen bounty of the king
is just another absurdity in disguise,
that even laughter isn’t a lifeline.
I’ve always had my heart
caught in my throat
like a bird in a chimney,
a cork in a wine-bottle,
a habitable planet in a black hole.
I have loved and befriended
almost anyone
who would let me
and seen their evanescence,
their transience, their vagrancy, their passage
through this mansion of space
with the amazing windows and chandeliers,
the sad brevity of the things they cherished.
Blind to restorative grails,
I have not sought the meaning of life,
I have not hunted the dragon with nets,
knowing reality is meaningless
because it has no fingers,
it doesn’t point to anything beyond itself,
nor bear witness in a mirror,
but I have walked in the peacock robes
of the twilight sky, all eyes,
in the gardens of the life of meaning,
past the hushed bloodtalk of the roses,
and seen for myself
that there are flowers with petals of water
and roots of fire
that drink the stars like rain.
Meaning dethrones the flowers like bottle-caps
and there’s no refund on the empties.
Night puts its hands over your eyes
and asks you to guess;
and there’s no end of the mystery,
no end of the blessing
of sitting under a tree
looking up at a star
wondering what human beings,
what you are doing on earth;
what a thought is, an emotion,
the blade of grass beside you,
everything alone together
in the silent boat of the rising moon
docking at its own reflection
as if the port were always in the voyage,
understanding
merely an expression of the intensity
of our not knowing.
The answers come and go,
governments, religions, arts, sciences, fortune-cookies,
like parking meters, like waterbirds,
like oceans on the moon.
Life is the lock that opens the key,
the skymouth of the dream that woke itself up
talking in its sleep,
trying to remember the dreamer.
Like the fleets and caravans
of the seeds on the autumn wind
we are the purest expression
of a universe
that answers us with ourselves
when we ask for a sign.
Like cherries that ripen in the silence
of the deepening night,
turning our tears to wine,
our darkness into eyes,
may my shadows always be worthy
of the light that casts them.
Fifty-seven years a human being,
fifty-seven years of suffering and doubt,
of boredom and magmatic intensities,
of mystic elation and mythic insignificance,
of anger, danger, risk, defeat and victory,
of saying and seeing,
of trying to kiss the shadow of my pain away
by deepening my ignorance
and progressing backwards
through the re-runs of old eclipses
that once gorged on the moon like dragons.
Tonight the wind howls bitterly outside
and the stars seem eras away in the cold
as if the intimacy I have felt with their shining
since I was a boy
were just another leaf torn from the tree.
It’s rare to catch a glimpse of your agony,
to see that even the brightest fountains
of your efflorescence
are rooted in a wounded watershed
that has never known the colour of your eyes.
I don’t need to be forgiven
for being born;
and I won’t be poured
like a tidal wine
into a life that isn’t mine
however many cracks appear in the cup,
however I recede and leak out of myself,
my blood isn’t anyone else’s signature,
and this walking to nowhere I call a poem,
no one’s footprints following me but my own.
How should it be otherwise
that I fall like rain
to appease this rumour of life
like a fire in my roots
and flash through the creekbeds
of my own flowing
like time returning to its hidden source
with news of nothing?
An echo of light
looking for its lost voice like a star,
I don’t need to prove myself to the night
like a theory in the heart of a passing stranger
and space is the only death mask
that is the true likeness of my face.
No more than the light and the rain
that open the seeds like love-letters,
I don’t need to know
what I will become
or what was revealed behind me in the dark,
but let me be worthy
of this wounded boat of the moment
with its cargo of eyes
enduring the burden and inspiration
of the voyage
like illegal refugees
with forged passports to Atlantis;
and if I must be accounted
one of the martyrs of absurdity,
then let me be as generous as wings
to the worms in my name
that blindly tilled the soil
of a rootless country.

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Patrick White

Let Me Be Worthy Of The River

Let me be worthy of the river
and the strange ores that glow at night,
buried like teachers in the mountain;
let my blood always taste of the moon
and my heart burn like a black rose,
like the poem in the fire
that sweetened the sky with a flower of smoke,
for the wisdom of the generously unattainable,
and transcend the hell that shadows the folly
of not being foolish.

May the stars,
when they gather in gardens
water the roots of my seeing from clear fountains
and the wind bleed like ink from my pen
when I'm wounded by the beauty and the terror
of my helplessness.

When I am large, spacious, profound,
let me sit like the universe
on the throne of a seed
that lies in the dirt;
and when I am small, brief,
a trinket of light in a flash of ephemera,
robe me in the lion skin of the night sky
and ennoble me
with delusion and enlightenment
on this road of ghosts.

Whatever befall,
let me perish or prosper as a human
who insists upon the divinity of all
and burns and rises
for the heresy and truth of it.

Let anyone born be accounted a hero,
a lifeboat that hauled the world aboard
when the seas raged in the womb
to give birth to suffering;
and may I always be entrusted
with the ancient shales of dark courage it takes
to look into the dragon's eyes
and not be horrified
by the ferocity of the freedom
that thaws space
like an hourglass in the rain.

And should love occur
to shape the blade of the moon
on the anvil of my heart,
and a cauldron of passionate visions
scald the eyes with intimate glimpses
of myriad heavens and hells,
all truer than reason,
may my bitterness pass
like the eclipse of an hour,
a left-handed blessing,
no vinegar of injured illusion
accept the sad surrender of the wine
like the death poppy of a folded flag,
no tar of judgment and denial
feather the dream with stone pillows,
no abyss under the brief era of an eyelid,
make me too petty or afraid
to dance with my skin off
engulfed like the wind
in secret sails of mystic fire.

There's always a clown, a jester
who rides beside the hero like an anti-self,
a thoroughbred and a dray
yoked to the little red wagon of the heart
like two thieves either side
of an unwitnessed crucifixion,
two dadaphors, two torches
disposed like opposable hinges
on a door that opens like water
at the whisper of a key.

Let me be the clown-prince
of my own idiotic profundities then,
let me survive my way into the wisdom
of the inspired fools
who know that anything they ask for
from the stolen bounty of the king
is just another absurdity in disguise,
that even laughter isn't a lifeline.

I've always had my heart
caught in my throat
like a bird in a chimney,
a cork in a wine-bottle,
a habitable planet in a black hole.

I have loved and befriended
almost anyone
who would let me
and seen their evanescence,
their transigence, their vagrancy, their passage
through this mansion of space
with the amazing windows and chandeliers,
the sad brevity of the things they cherished.

Blind to restorative grails,
I have not sought the meaning of life,
I have not hunted the dragon with nets,
knowing reality is meaningless
because it has no fingers,
it doesn't point to anything beyond itself,
nor bear witness in a mirror,
but I have walked in the peacock robes
of the twilight sky, all eyes,
in the gardens of the life of meaning,
past the hushed bloodtalk of the roses,
and seen for myself
that there are flowers with petals of water
and roots of fire
that drink the stars like rain.

Meaning dethrones the flowers like bottle-caps
and there's no refund on the empties.
Night puts its hands over your eyes
and asks you to guess;
and there's no end of the mystery,
no end of the blessing
of sitting under a tree
looking up at a star
wondering what human beings,
what you are doing on earth;
what a thought is, an emotion,
the blade of grass beside you,
everything alone together
in the silent boat of the rising moon
docking at its own reflection
as if the port were always in the voyage,
understanding
merely an expression of the intensity
of our not knowing.

The answers come and go,
governments, religions, arts, sciences, fortune-cookies,
like parking meters, like waterbirds,
like oceans on the moon.

Life is the lock that opens the key,
the skymouth of the dream that woke itself up
talking in its sleep,
trying to remember the dreamer.

Like the fleets and caravans
of the seeds on the autumn wind
we are the purest expression
of a universe
that answers us with ourselves
when we ask for a sign.

Like cherries that ripen in the silence
of the deepening night,
turning our tears to wine,
our darkness into eyes,
may my shadows always be worthy
of the light that casts them.

Sixty-three years a human being,
sixty-three years of suffering and doubt,
of boredom and magmatic intensities,
of mystic elation and mythic insignificance,
of anger, danger, risk, defeat and victory,
of saying and seeing,
of trying to kiss the shadow of my pain away
by deepening my ignorance
and progressing backwards
through the re-runs of old eclipses
that once gorged on the moon like dragons.

Tonight the wind howls bitterly outside
and the stars seem eras away in the cold
as if the intimacy I have felt with their shining
since I was a boy
were just another leaf torn from the tree.

It's rare to catch a glimpse of your agony,
to see that even the brightest fountains
of your efflorescence
are rooted in a wounded watershed
that has never known the colour of your eyes.

I don't need to be forgiven
for being born;
and I won't be poured
like a tidal wine
into a life that isn't mine
however many cracks appear in the cup,
however I recede and leak out of myself,
my blood isn't anyone else's signature,
and this walking to nowhere I call a poem,
no one's footprints following me but my own.

How should it be otherwise
that I fall like rain
to appease this rumour of life
like a fire in my roots
and flash through the creekbeds
of my own flowing
like time returning to its hidden source
with news of nothing?

An echo of light
looking for its lost voice like a star,
I don't need to prove myself to the night
like a theory in the heart of a passing stranger
and space is the only death mask
that is the true likeness of my face.

No more than the light and the rain
that open the seeds like love-letters,
I don't need to know
what I will become
or what was revealed behind me in the dark,
but let me be worthy
of this wounded boat of the moment
with its cargo of eyes
enduring the burden and inspiration
of the voyage
like illegal refugees
with forged passports to Atlantis;
and if I must be accounted
one of the martyrs of absurdity,
then let me be as generous as wings
to the worms in my name
that blindly tilled the soil
of a rootless country.

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Patrick White

In You

In you I come to the end of roads,
and an alphabet of burning wings
falls from an indigo sky
like meteors trying to write
the unsayable in a slash of light,
in a language of luminous scars
the night beatifies with mystic knowledge
that wants to name you
so deeply in thresholds and stars
the charged silence
is giving birth to an indelible mouth,
a doorway of blood,
an ancient grammar of fire
the wind puts on like a robe
to scry the darkness for a voice
that could fill the goblets
of the moon's dead seas
with the wine of a radiant wound,
so much within me
already the tongue of a bell
that can taste you like blackberries.
The whole of you
in every single dropp of your eyes,
you are the black swan
of the eclipse that rares its reflection in water,
the dark orchid in the shadow of the dragon
that sways like a bell in the night,
even your absence a shape of cherishing,
a harvest of shadows beyond the light
of the lamp that burns for you.
Within the deepest abyss of myself
where the heart stands alone
like a single black pillar
in the twilight wasteland of the world,
a mysterious temple to the ultimacy
of having been here once
to suffer the passage of form and time,
everything a gesture of space
that thaws back into itself,
I have written your name
in the hourglass of my blood
like a whisper of secret ink
that once voiced the light to be
and shook the stars like wheat
out of its blind abundance
and will be remembered forever
as the first intimacy of the sea,
and there is the rumour
of a dream in the air,
the fragrance of an approach,
that out of an ocean of light
the tide will embody a woman
like the shore of an island
littered with fingertips and kisses
enmeshed like galaxies and starfish
in the exhalation of her veils
and our lips will meet like archers,
and our bodies will sing like arrows
sunk like orchards through the heart
and long after the last flame of life is shed,
the night will silence the birds
in the groves where we bled like poppies
to open the gates of the mystery
like keys and rain, or the rosary of black pearls
that chants its prayers to the night
like the slow alarm of autumn geese
in the eyes of a human face.
I try to say what can't be said,
pouring my spirit
into the wineskin of every word,
but my heart is a larger apple
than the bough of my voice can bear,
and the silence
that would erect temples everywhere like flowers
spun from the auroral silks of my soul
and perfume the air with the pollen of sacred fireflies,
every emotion a priest with a shaven head
to honour the moon
climbing the stairwell within me
of a million horizons at once
in every breathless step,
falls away behind me like the wake of a sinking ship
that lowers me into my coffin like a lifeboat
or a message in a bottle
that pleads like wine with the emptiness
for an alphabet that isn't in arrears to time
to say you to the night
in a lightning breath of life beyond
these elemental likenesses I carve
from a quarry of stars.
And I know I ask for immortal children
from a human womb,
and wide as my powers are
to exceed the sky with homing birds,
to adorn the dead branch with windows
that dazzle the roots of dawn,
I am the ashes of a black star in daylight,
a stone man with a chain for a tongue
when I try to swim like Atlantis
through the depths of your shining within
and the last word, the last life
to flash across my mind as I drown
again and again like a pulse
in the embrace of your beauty
is always the world as it is
before anything was said.

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Patrick White

Something Said Softly

Something said softly in the night
like a tendril on a windowsill
tasting the moon, a whisper, a word
that walked in the light without
abandoning its shadow,
a phrase with wet wings
dreaming itself out of its chrysalis
not knowing whether it's a leaf or a dragonfly
until the whole tree wakes up beside it,
something sought but rarely said
saturated with the meaningless life of meaning
that could touch space like flesh
and make it feel the thrill of new eyes
running down its arm like tears.
And it's not that I want
to unsay the night or God
to define myself as a human,
and it's of little moment to me,
seed on the wind,
what worlds are born of my words,
what ends, what begins,
what comes of what I cannot say,
but I want to say something
with the savour of time in it
that's worth living for a little more each day
like a small tree rooted like a thought
in a crevasse of eternity,
greening the moon.
Late at night, in the darkness,
while the silence is off preserving something,
and all I can hear is your breath
off in the distance like an ocean,
I want to unpack my vagrant heart
like a patched guitar-case,
a grave-robber in a pyramid,
and attune my afterlife
to the key of this one
in such a way
I can play like a new star in Orion
to all the sad, beautiful fireflies of the moment
that hover over us like living constellations of our own
not bound to any paradigm of light
that can only be touched by a mountain of stone.
I want to paint something
that feels like the flower
that just brushed against your hand,
I want to be inspired by the mystic blue of midnight
like window glass fired in the kiln of a star
that has looked upon the suffering of humans for so long,
their atrocities and deprivations,
their terrors and wrecked joys,
compassion has turned it into an eye so clear
you can sip water from it like tears
that taste of the history of blood and wine
that danced alone like a vine at its own wedding
with a bride of rain that unveiled herself
like falling chandeliers.
Unfailingly, absurdly, obsessively human
in the shadow of thundering magnitudes
that feel like the extinctions of gods
that time has wheeled out
to the enormity of the gravepit
that limes every abyss of the heart
with the stars of a new universe,
I want to add one candle to the shining
in a folly of insight so illuminating
even the earliest galaxies
forever entering the darkness
on the threshold of their first shedding
could see it, something
so profoundly vernal and intimate
even I can believe in it.

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Patrick White

I'll Wear This Robe

I'll wear this robe like a desert;
and release the hinges on the gate
that is closing like a rib cage
on the heart of the nightbird
that returns to the silence
like water taken from a river.
I'll pour the moon out of its stone cup
and let this vine of eyes,
this bone of light
wander where it will
in search of a face in the darkness
sweeter than the blood-vows of wine.
These flowers aren't the rags
of the legends of radiance
and a dragon doesn't waste eclipses
on the blind.
The wind opens its hand
and I disappear like a gust of crows
in the startled night groves.
I will drag this empty robe of blood along the ground
like a wounded sky,
a desolate poppy
broken like a kite
on the power lines of its dreams.
I don't know what hurt me;
so long, so long ago I was a child,
and now I am a man, and aging
and the water snarls
and bares its fangs of frost,
and impales my heart
inflamed with grief for so much that has passed
without understanding
on the horns of the moon.
My ignorance has been
deeply authorized by life
and more and more often now
my blood coagulates into roses
and seals my mouth with wax
like a regal mandate
to succeed myself in silence
and let my throne
avalanche down the mountain
like just another rockslide,
another round of asteroids,
another fallen temple
freaked with mystic ore that never made it to the surface.
You ask me where I've been
like a road you befriended along the way,
but I'd have to know where I was going
to tell you that
and I've come to the end of myself
like starlight in a loaf of bread,
a candle that burnt like a voice in the night
to obviate the emptiness,
to warm the abyss momentarily
with the glow of our human divinity,
to say we were here once
like the flower in the field,
the star over the hill,
the face in the window
that watches as we pass
like the shadow of a bird
cast by the flames of a hidden fire,
a pulse of the moon,
the eyelid of a wave
that imagined the sea beneath it
before it broke like a vision
on this shore of flesh
where everything must be abandoned.
I want to be with you
like your eyes are
if you'll let me be.
I want to silver my breath
in the longest night
of your loneliest fountain.
And many have sworn,
and many along the way
have perished like echoes and flowers
at the insistence of a rootless word.
And there have been nights,
eras of darkness and sorrow
drawn from a stranger's well
that have bent the path I took,
and scattered my footprints
like refugees and colonists
that turned native
like an exhausted emotion
when their loneliness went wild and crazy
in a solitude even the moon couldn't fill.
And I have stared
long and deeply into the abyss of the night
and felt the stars stub themselves out
in the sandy hourglass of my ashtray heart.
How desperately
I have rummaged through
this encyclopedia of lives
to find one that wasn't a prelude to tears,
my heart a lost boot,
laced with a snapped spinal cord,
its mouth
muzzled like a junkyard dog
with an elastic band
to keep body and soul together,
only to proofread sky after sky,
page after page of stars
pricked out in braille,
fingering my name
carved in funereal kells and runes
on another boundary stone.
Nothing binds me.
No one wants my heart enough
to consult it like a map
to where I'm buried like gold
under the tongue of a dangerous angel
who wants to wake up beside you
like a spear of fire
I will fall upon like life, like a lover,
to wound my way back into paradise.

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Patrick White

The Practical Uses Of Poetry

Not to be practical, not
to mean, be, do,
no more than the wind
to insist upon itself, to
move like the wind,
like a disembodied intelligence
over the mindfields
practicing the twin disciplines
of light and rain,
scattering the mystic pollen
of intuitive seeds
that bloom like roseate fire
in the shadowless gardens of the abyss
arranging the cosmos like a wild bouquet
in the blood vase of the human heart.
To remind us
we're not fireflies or stars
stuck on a chromosome
of intellectual flypaper,
a buzzing that will stop,
but a passion of native iron
in the arms of alien oxygen,
urged into creative consummation
by carbon.
Free as water, free as God
the night she put the universe on
like make-up
to attend to the beginning of everything
with a cosmic efflorescence of fireworks,
to speak for the stones, the stars, the trees,
to say them into being,
to say us, to whisper us
into the enormity of her solitude,
the inconceivability of her darkness,
a secret she couldn't keep anymore.
Experience is a child playing,
not function, not a job, not a career.
What's practical about singing alone
because the mysterious nightbird
has come like a blossom of joy
to the bough of the tree in winter?
Or must dancing have a use,
music be enchained to the stone ear of utility?
Bleeding isn't very practical either
but how would you ever know
you were a rose scarred by your own thorns
if you didn't?
Sooner renounce the sweetness
of the star-flavoured summer night air
or teach the wind a compass and a map,
the sky to consult a control tower
than try to grind the stars of poetry
with a stone and an ox
into a function and a fee.
The wages of poetry are always a gift
that takes the recipient by surprise
with the beauty of its subtlety
and a coin as true as the moon.
Who asks to be paid
to dance alone with God?
And even the abyss
has provided you with a world
like a passport to anywhere you want to go.
Among the birds and the leaves
flowing along with this pilgrimage of stars
to shrines that are older than knowing,
if the sun or the moon
should open your voice like a flower
in the deep woods
to hear you singing in the light,
and you are urged into poetry
through a gate as open as the cosmos,
and you discover colours have echoes
and the notes of your song
are a palette of gardens,
and everything you paint with your picture-music
is the portrait of someone you're becoming
until you look like everyone
from the inside out,
every passion
the longing of a planet
to burn with life,
and the deepest watershed of your humanity
is itself
the fountain
where the goddess drinks from her own reflection,
and you understand
that the word in the morning
is the word at the end of the day,
and that the life that adorns your body within
is the wine of the worlds
in a cup of clay
encrusted with stars
and you are the delirium the dream seeks,
the lightning and lucidity of the dark sage
your roots consult like a storm,
would you then look upon the first crescent of the moon
and try to fix it to a plough,
would you look forever
into the wells of now
like the eyes of a lover
who combs out the tresses of the willow like the wind
as if he played the whole of the night
on the blue guitar of your heart,
would you renounce the music as impractical?
To walk through this world aware,
with a spear of moonlight through your heart
like a poet, to feel
everything a human can feel
and have the courage and the art
to sing
the joys and sorrows,
the gardens and intimate hells alike
with compassion and understanding,
even when you often don't understand
because the shadow of the world
eclipses your eyes,
or the windows are saturated with pain,
to be able to do that, to be that
is beyond assessing
because there is no intention to life
or the running of the river
or the unspooling of a poem
that conceives of its seeing as progress.
What the eye writes
on these pages of percipient sky
that bring the world to a focus in us
is not a reality in advance
of the dream that shadows it.

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Patrick White

Mad or Enlightened

Mad or enlightened the same, the universe
is an embryo of darkness born in upon itself, everywhere
its own womb breaking into the pulse of stars within stars,
and everywhere, the shining before the light, the dark mirror
showing the light its own face for the first time,
how in an eventually that is always now
it would attain flowers and eyes along the way
and become the skin of the rain as it falls to earth in April.
If I change to fire, these letters burn, blow away as ash
on the tongue of the wind; if water, then the stars put themselves out
in their own weeping like candles drowning in tears.
Every step of the journey around ourselves
is another world, another garden to plant the seed-names
we’ve shaken from autumns in other realms
and carried around like sacred jewels
we forgot in the corners of our pockets and hearts. Believe it;
when I am all stars; you are all the listening darkness
I pour myself into like a drunkard into a bottomless glass
and you raise me to your lips and drink yourself up
until you’re blinded into clarity
by all the open cages of the light.
Why lie in your own coffin, night after starless night,
if you’re not empowered by your long obedience?
Better to open your eyes on the other side
of your horizontal door, better to come knocking from the outside,
deluded vertically, than suffer this poverty of blood within
the hushed precincts of your skyless realm,
the skull-bone basilicas of your private Vaticans and law libraries.
When it wakes up in the morning
there’s no book-dust in the eyes of the light.
Before you now, in your endless beginning, the dream
you thought you had rubbed from your eyes, you
waking up like a key inside the heart of the dream.
There’s nothing you can’t unlock, even
gardens on the moon or the ancient futures of past lives
death only pruned back with shears to bloom again
in the efflorescence of your eyes, early dawns in the new arraying.
Who you are flows into who you are, all one river of seeing,
dizzy and composed in its own running, all
your own eddies and currents, swamps and white-water,
auroral maids of the mist when you fall in separate drops,
weeping’s just a waterfall, and frenzied tides of being
when you crash ashore out of your own wholeness into buddhas and bums.
In the fire, everyone’s crazy with passion and intelligence,
everyone’s smashed on the wine of an unknown guest
trying to be remembered by his friends.
What visions abound in the orchards of the blessing,
What hearts are torn out and thrown upon the fire
like planets called home by the longing of the sun? We are the white shadows
of the someone else who is walking up ahead
like the moon on the path of its own reflection.
Catch up to yourself and drown in the luminosity of your own being.
Who needs a map to the road they’re walking
or sages pointing all along the way, grey as barnboard signs,
or luminaries at night
pointing to the darkness. The pivot of the worlds points to itself.
True north is not a direction. Haven’t you guessed by now; the stars
all circle you like stormbirds drawn to a lighthouse on the coast of heaven,
too in love with your light to heed your warning about
the deep dragon grief that opens the mouth of the wound
that killed it into life, a one-edged sword of light
in the hands of a holy assassin darker than the silence
of the sun at midnight. If you listen with your eyes,
you can hear in that mournful emptiness
God calling out to God, lover and beloved,
through the echoless valley, across the waveless sea,
yours the name on the prow of the ship that breaks through the veils of the storm,
and yours the name of the storm. You are the bird
that answers the green bough; the lightning in the rigging.
You are the sigh of the silence
and the mystic pen in the hand of the saying.
Whatever worlds you dress for, fields and flowers,
or stars and hourglass elsewhere zones, you are the body of being,
and yours the gowns and robes of creation you draw from the abyss
like clothes from a private closet, dignified in your scriptures,
intimate in your jewels. And everywhere you coyly let yourself fall
like earrings of rain, scarves of fire, fragrances of light,
and watch to see who of the many lovers that are you
bends down like the sky to pick them up at your feet
and return them to you like the first crescent of the moon
rising like an eyelid out of sleep
to greet itself reflected in your face.

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Patrick White

Journey

I’m on some kind of journey
but I don’t know where it’s going;
I’m growing wings and shedding them,
and I’m true to every thought in my head.
I’ve got a heart, worn down at heels,
a used voodoo doll quilled like a native,
a meteorically battered planet
that wobbles between a kiss and a fist
in the way it keeps running itself around.
I spend too much time alone.
There are no obstructions in any direction;
and barefoot, I’m walking on stars and poppies,
talking to myself like a candle,
weaving my way among the shadows
like a fish through the supple harps
of the silver river reeds. I see
that I’m taking a bath in my own grave
to wash the soiled skies of the painted world
off my eyes, to behold
the brief career of the leaf of life
and how the light gusts out from the windows
like curtains and bird-nets. Life is short
and the new temple never gets further built
than a hole and a single cornerstone, the rest
left to the business of the earth,
all that beauty and magnificence,
unravelled among the mud weavers.
I was inoculated against death
by a splinter of the moon;
by how little time there is for love,
for the root to get drunk
on the fruits of enlightenment and compassion,
by how little I will ever know
of the road to the doorway I stepped through
to stand in awe before the moonspill
on the raven blue waters,
and to look so deeply into the eyes of a woman
who has just conceded an island in her passage,
and the fragrance of unheard music
that I am a pillar of wonder
before the unsayable
as she lets dropp her shadows and feathers of light,
and the blood-god assumes
his flowering crown of fire
to enhance the splendours of his courtly intensities.
What I have lost in the river
I will find in the river
and what I have taken from the sky
I will give back to the sky,
and there shall come a day
when the eclipse will be the brighter mirror,
and the darkness that overtakes me now
will be a gate of stars to a water palace
where the dragonflies and waterlilies
are the sceptres and crowns of a human divinity
that will endure like a whisper of radiance,
a more haunting taste of light,
the rumour of a black rose
that outshines the angels
that coax the lanterns out of the night.
I will evaporate like the flaring of fireflies
on the windy shore of a trembling lake,
like the blue hat plume of smoke
from a gallant winter chimney
into the vastness of my own mind
like a waterbird without a trace into a sweeter, wilder solitude.
And these words will come and go
like the tides of the ocean I was,
like the providential leaves
of unfurling fortune-cookies,
like an avalanche of gold
washed down from the mountain upstream.
I write them in flowing diamond,
I write them in auroras of blood,
in dawns bluer than the iris of a peacock’s eye,
in fire and water and the mystic inks of the night
in the fleeting, indelible dream
of doors and hands and moons,
in warm breath on a cold window,
in a halo of comets
smeared into light by the sun,
in the sidereal wines that bled from bitter wounds,
I have said what it was mine to say
on a page of the wind
that whistled through me like life
greening the sands of the hourglass
with visions that ripened the bell of blood in my heart
to fall like wisdom from its tower
toward a fallible paradise
that won’t leave me as I am for long.
And I will jump again
into this cauldron of joys and sorrows
to string my spinal cord
over the abyss of the guitar-shaped universe,
walking upright
to plead with my own answers
to thaw like a mirror
estranged from the world it reflects
in the self-effacing flames
of the passionate gardens that dance on the wicks.
The awakening seed
echoes these flowers of fire
in the valley of a voice in the furnace
that lies down in the cool grass
by a stream of idle stars
and arrays its vagrant heart
like a breeze of blood in the dust
to the refugees in the shadows.
They move like eyelids
through all the phases of the moon
from an unspooled well of darkness
to the slash of a razor of light
to the threshing of the full harvest
in the siloes of the nightwind
enthroned like a breath of life
in the midst of its own dispersal.

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Patrick White

I Miss You

I miss you like a burn victim misses his face, misses the sky he used to wear like skin. I think I'm dying tonight; Friday night, wandering from unfinished room to unfinished room, trying on coffins, looking at death in the shedding mirrors, wondering what my life has amounted to, a raindropp in the desert, trying to green the hourglass time raises to its lips, twin goblets, drunk on sand. I want to bleed like a bell for the unfathomable reservoirs of human pain that have yet to be endured as the original tears of life, the rocks weeping, and even the mountain eventually burying its proud face in the hands of its valley. I have heard the stars weeping, and been crippled by compassion for the wounded rose of blood, all the petals and eyelids and tongues that have tasted themselves on the thorn. If I have ever been a lantern on the road, a star you could follow home like a river, a tree that stood over you for the night, a shadow that summoned you into the light, black honey buffed with the flowers of revised constellations taking their seats in the revolutionary parliaments of the night, now I'm a kind of indecipherable braille hanging like black holes and severed chandeliers of pleading cherries beseeching wicks and filaments from astringent space. Look at what life has done to me; look at what happened to the candle. O just once more to yearn like the moon for a beginning, for an eyeless passion that hasn't seen itself out to the end like a ladder of worn thresholds ribbed like a man. I have drunk from the fountains of great teachers, great spirits, enormous suggestions of the soul that have emptied me like the echo of the world into a vastness as impersonal as the first word of creation and I have tried to be brave enough to see deeply into the night in my voice, the clarities and luminosities that have their seasons in the high fields, the wells that lament the aging of the morning brides torn like tents, the cocoons of the light abandoned like the exhalation of a last breath, I have tried to add my understanding like a planet that could thrive like a torch in a mansion of secret wines. I have tried to say whatever I was becoming without wringing the moonlight out of the tide. I have not lied about the poppies in their dream gowns of evanescent fire; or transgressed the humble shrines of the grass, or forgotten the progress of the girl robed in swans and willows in the eyes of the crone. And I have been withered too much by suffering to be flattered by the tendril of my name growing like smoke on the lips of the seeds. I assumed my throne like a pauper where the fire burned the clearest, and established the realm of my seeing in the crumb of a dream I rubbed from my eyes whenever I awoke to the illimitable domains of my nothingness. And I have counted the prophetic skulls of the demon moons as if they were a forbidden rosary that pearled the darkness, and been amazed at my affinity for the hopelessness of their vilified freedom. I sleep with an eyelash like a sword between myself and evil, one fuse unlit, one world that hasn't gone off like a rocket at Halloween. But when I consider true goodness in others, cooling like sweet bread on the summer starsills of their openness, I am always left feeling dangerously intelligent by contrast, and lacking, as if all modes of virtue were the happy sluglines of compromised yesterdays I use to start fires in an iron heart on a winter morning. Though I be condemned to the subtleties of the most intimate torments, incommunicable agonies of erosive condemnation, there is still a lie I won't tell myself to be worthy of heaven, because I will not dust the earth with my wings, I will not corrupt the integrity of the suffering of my humanity with any paradise that isn't born of its substance. I will not fail the rag of my poor flesh even on the eve of defeat, the tattered sail of blood that turns this boat of bones into the wind to come round again in a salvo of ferocious defiance. A gesture of the air, no doubt; a lethal folly, but the plank of my nature. So keep your angels away from me until I am a peer of the struggle, until I have won a parity from intensities I could never defeat. Until my humanity is an indelible word in the mouth of God, an ink, a wine, a thread of blood, that stains the lips of God with the inexplicable mystery of my contradictory existence. So much undergone, so much of becoming and transcendence embodied and dissolved in the shapes of shadow, blood and water, and love through it all, tears and laughter, the mingling of illumination and eclipse, one firefly of the spirit thawing glaciers and fierce eras of brutal evolution, one thought snuffing the stars like an eyelid. I love the heresy of vaulting the horns of the moon, the first and last crescents of the dilemmic parentheses that enclose me like an aside to an actor prompted offstage by the whisper of his own understudy dying ambiguously in the very next scene. What's a flower, what's a life, but a play on tour, directed by the cuts and takes of the wind and the light? Everyone in the audience, alive and wounded, sentenced, is on death row where every star that shines through the bars is the sprinkling syringe of a fatal injection, or the motherlode of the mystically deranged.
I miss you. I could love you so perfectly; even the errors in harmony. I could be the pillar of a temple of water; I could be sufficient for your sake, a curtain of shadows on the moon to cool the hot swan of the light that sails through a window wide as space. I could be something more in your presence, something I've never been before; the whole cosmos out to the most estranged star, hanging like a dropp of water from a heron's beak, a witching-wand that trembles with watersheds everytime it divines you. I think of gently taking the moon in my teeth, of kissing you on the neck behind your ear, of the season in your hair, the supple concession of your lips, undoing the star yokes on the beast that draws the wagon of this corpse to wander off road in the bestial freedom of its ecstatic vagrancy. I could know you like a fish knows the moon, underwater, could swim to you from here, or rise to your hooks as if they were stars, and swallow, or be a dragon heaving off its lake like a robe of water with wildflowers and the open eyes of the rain shaken from the folds of the eclipses and eras of its wings. You could empower me to risk an excruciating excellence of devotion; an eloquence and exquisitivity of perception that would compel my eye to turn the light around and look inwards like a black hole for the firefly in the casket of its telescope. However far I walked through a desert of lunar salt, excoriated by ferocious purities like a bone with the wind for marrow, no two footprints of mine would ever be the same, nor would the moon, so much like the heart, ever drink its own commingling of light and shadow from the same cup twice. I think of the things that could be; the air saturated with light trying to fall like rain; the blood efflorescent with poppies, with gypsy profligates, outraging the startled goodness of the wheat by dancing lasciviously with fire. Out of the air, out of space, out of time, living on nothing, I can almost make you happen before me like an event so intensely imagined the curtain had to open on a troupe of improv stars on tour among the constellations. The abyss of an eyelash away, I can almost touch you, taste you, feel you reach out for me like a bay of space, hear you call my name like a homing bird sliding like love-letter under the doorsill of the wind. Grief can call people like that, but it is love that is the gate-mouth of my answering, it is love that conjures you out of this galactic cauldron where I cannot pull this sword of light from the stone of my heart like a letter without bleeding like a crimson sea of candlewax to verify the seal of your enthronement in the kiss of every impression. The truth is too brief, and the lies are too long to be the suitable luggage of love. I'd need something like a seed, a cocoon, an eye, a lantern, a star to travel radiantly through this darkness as fragile as a kite held aloft by a feather of fire, my spinal cord in your hands, or strung across the musical snakepit of a lifeboat guitar like a powerline, or a clown riding the bicycle of his glasses. The seas once gone from the moon, love alone can keep the whisper of water alive.
I saw the full moon in the window through black winter branches, and I thought of you in sadness and love, and wondered if your eyes fell upon it like rain as mine did.

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Patrick White

Not Even The Light

Not even the light of the stars
shining like the keys to the ancient love-letters
bound among the secret jewels
of the queen of heaven
penetrates me as deeply as you do.

The planet wheels into the night
bearing its burden of humans
murdering each other
to enforce one state of ignorance
upon another
as the rabid bees
strafe the demented flowers
on the far side of the world
for enriching their radioactive pollen,
convinced in their madness
more honey than blood will flow from the wound.

I walk by myself
along the brittle banks of a frozen stream
among the detonations of the cattails
waiting like Napoleonic cannoneers
to stoke the charge of the next volley.

The snow in the sunset
is stained a spectral apricot
that disappears like breath on a cold window
and the sky is vast with my insignificance.
Two or three decades of life left,
if I'm lucky,
and though I have tried to use my time
to leave a gift for someone I will never meet,
long ago I realized
there is no way of assessing
what they will find
after the coffin closes like an eyelid
on this long, dark, radiant brevity
that once shone like the moon
in the ores of my blood.

Like the wandering of this rivulet
my heart has always been
a pilgrim without a shrine
and the direction of prayer has encompassed all
like a man getting up off his knees
and walking through an open door
to drink from the cup of his lover
in the shadows of the autumn willow
that sways like kite-tails
from the flights of fire
she ignites among the stars
that gather in the dark like strangers
before their own ghosts.

What the wind
has torn away from me like apple-bloom,
like poems, like smoke and leaf, like skies,
like tears and blood and faith
it has replaced
with these deeper revelations of you
that hang like a windfall of scarlet bells
from the branch of a dead tree in winter.

The wine of your life and light
has matured in the ferocious crucibles of the sun
and you have been poured out
like the passion of a sword
to cleave the stone of my heart
with these truant rivers of wounded silver
that flow through me like blood.

A young breeze
tries to hone the edge of its blade
on the rising moon
as a black ribbon of water
runs like a snake of oil
between the enclosing jaws
and cataracts of ice,
tiny wavelets scaling its skin
scintillant with the small commotions of stars overhead.
The bush wolves
have been nosing for muskrat
and you can almost taste the steam
rising from hot meat on the air.

I squeak like a pulley through the virgin snow,
following the banks of my own meandering,
owing nothing of myself to anyone,
wholly my own solitude,
as I pass through the gates
of the enclosing darkness
trying to enter the abyss and the mystery
of what I have lived so precariously
over the last sixty-three years,
what it means, if anything,
to be a human among these paper birches
on an island in the stream,
looking up at the intimate unattainability
of the stars,
knowing you are growing old,
that death is more populous with friends
than life, that love
has sloughed you so many times
like a viper's skin,
like the phases of the moon,
like a shrine of smoke and ashes,
that the phoenix hesitates
to robe itself in the full glory
of its former plumes of fire.

My mother will die soon.
I must say it,
voice it in my blood
to be able to bear it
and my children are clouds in the world
that no longer look for their reflections
in the eyes of the lake they arose from
as if they were merely breathed out.

And how in any god's name
can a man define the absence
he has grown to be,
except he standardize his own spinal cord
as the only measure of loss
he has to go by?
And even after
all the millennia of my walking,
standing up,
I'm still only six feet closer to the stars
though my mind can embody all of space
in a solitary thought.

And the deep, inner silence
in the empty throne-room of my heart
where even the most profound events of my life
are seen to be ultimately no more
than the antics of a jester
playing with shadows,
turns out after all to be
just another mode of weeping.

It takes a lifetime
for a dropp of water
to gather the courage to fall
from the tip of a blade of stargrass,
and the tongue has tears
the eyes know nothing of.
I admire the cool crimson
on the brushes of the ground willow
as they try to catch my likeness
on the ice-primed canvas of the snow,
but suggest
to portray me as I lived
they need to be loaded with blood not paint.

Like the moon
I have worn the same blossom
as a face
for years now
and I still don't know the fruit
that ripens beneath it;
whether my life has sweetened
in orchards of light,
or black dwarf of the forbidden apple
on a dead tree,
I taste like a full eclipse.

And what could it change even if I did know?
When the diaspora of my starseed
breaks bread
at a harvest of thorns;
who is the host
and who is the guest
and who asks for a menu?

And no matter how far from home
the journey takes him,
whether down a dead-end alley
or further than the stars
was there ever a man
who didn't walk to his own funeral
like a bell
looking for any beginning
that might not be lost in the end?
Or does the snake
that takes its tail in its mouth
as a gesture of eternity
eventually end up swallowing
its own head
like this stream before me
making its way to the sea?

I stepped across a star sill
through a vertical door into life
and in the leaving of it
I shall knock from the inside
on a door that's horizontal
to continue my descent toward earth
down a ladder of thresholds;
and what began so earnestly
among family and friends and lovers
will be concluded by a stranger
who will wear my name like a gravestone.

But here among the tangle
of these fallen trees, their roots
fleshed out
and washed like a corpse
by the water and the snow,
Venus peers through the fingers
of the branches above
where two crows have paired
like quotation marks
around the hearsay of the night
though I am left speechless
by the random beauty of the scene,
as if my voice had been released like a bird
into its own most intimate, inward vision
and that vision were everywhere you like the sky
it disappears into like I do
everytime my heart is opened
like one of the lockets of time
and I stare into your eyes
and the universe stares back
as you breathe out the night with all of its stars
and then I breathe you in
just as a golden feather of the moon
lands without a ripple
or unravelling wake
on the mirror of these lonely, black waters
I have followed deep into the darkness
like the urgent secret of my own lifestream,
and I know it's you. I know it's you.

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Patrick White

The Blonde Shock

The blonde shock of wild sea grass from New Brunswick.
At first I thought it was your hair.
And tiny beads of iridescent peacock seeds
as small as the myriad hopes of a poppy
she'll come again
that fell out of the envelope
into my coffee
as a muse of patchouli oil
inspired the air like an Egyptian temple
tending to the rites of Isis
when the moon's in the nymph phase
of her ancient seduction.
And a drawing of a rainbow phoenix
in the form of a flower
and a money-order for five hundred dollars
to paint violet horns
on the black inverted star
with its plinths open like legs
giving birth to helical vines and snakes.
A symbolic tattoo
that means you
that will hang like a flag from your spine
down your back
as a sign of whose country it is
should anyone ever get lost.
You're right.
You can't draw butterflies.
But your darkness intrigues.
Your light is true to its star.
Space bends around you like water.
And there's not a chained tree
in the whole of your wilderness.
The gates of your rivers are open and free
as the salmon who jump them
conjured out of the sea
by the siren who sings to them
like a journey of things to come
at the end of the long way home.
Love breathes life into death
and even on the fly
love is the prime circumstance of now.
And I feel the gold of your harvest in every seed.
And there's no scarecrow with a sword
trying to defeat the ploughshare
it was born from
like the moon as it moves
like a white horse
through a wounded valley
looking for its lost rider
somewhere out there like the wind.
I've been blinded by squalls of stars before
the sphinx blew in my face
and I have felt my eyes
evaporate in the blazing
of certain fireflies
who could read the braille of my face
like elegant fingertips of light
deciphering the writing on the wall.
And I've lived through it all like space
whether I was a celestial snakepit of passion
with a mouse for a heart
or I was blowing kisses
like the petals of bruised flowers
into the grave of an enlightened starfish
passing by in a deathcart.
And sometimes the geni gets his wish
by rubbing the lamp on the inside
and asking the night to need him
like water needs a fish
like fire needs a tree
like air needs a bird
like earth an unpoached elephant.
I'm not a species bent on martyrdom
to any cause lesser than the love
I aspire to
and I won't burn my eyes
on insincere candles at a black mass
or the votive fires of delusional crucifixions
that yearn without conviction
for a better infancy in their afterlife.
Things have been tough
but I still go to bed at night
with the door wide open
as hope to folly
to catch a thief
that might put the moon back
she stole from my window
like the coin from my mouth
I had hoped would pay for my passage.
And I've been given up
like the sea gives up its dead
like the ghosts of old cliches
to the voice of a new medium
and I've discovered
that love isn't the forensic history
of a mystery that can be cracked by the truth.
It's apocalyptic lightyears beyond both
like a prophecy
uttered in the secrecy of your solitude
that can only be overheard
with your eyes.
And there is no age in it
no youth that leaves the stage
a wiser happier skeleton
no shrines to spring
no pyres of autumn.
It isn't the beginning or end of anything
that wanders in a world of forms
like a road with all the answers
to questions it never stops to ask.
Love isn't a lost cause
looking for someone to take a risk.
And it isn't the silence
it isn't the singing
it isn't the longing
to be pulled out like the lucky straw
in a random draw among exiles
to decide who should go first.
It isn't a thumb in a plum pie.
It isn't the kiss that lifted the curse.
Or a lifeboat on the moon
that overturns like a blessing
that only makes matters worse.
And it would be unforgivably spacious of me
though I have loved long and intensely
to say what love is
when it wings its own immensity
like a nightbird of blood
that sheds its hood
to fly among the stars
like a fire feathering its own solitude.
But if I were to say anything
I would say
love might be a mighty sword
drawn from a dark ore
tempered in secret waters on the moon
enfolded like time in space
like a worldly loveletter
in a cosmic envelope
with a return address by the sea
that keeps faith with its prey
by giving its word to life
it's not the expedience of the slayer
or the obedience of the slain
not the exaltation of joy in death
or the mystic terror there is in birth
that calls the lightning down
to make the weathervane crow at midnight:
I have tasted the light on my tongue
like the tine of a new direction.
A dragon sheds it skin
like the ashes of a spent fire.
And the serpents of desire
dance to the flutes
of a lyrical resurrection
like words that take
their meaning from us
when love's the native language,
the grammar, the muse, the voice, the silence
the playfully profound way the picture-music
hides like a Rosetta stone
that doesn't want to be found
like a key to the meaning of everything
when we're what it's trying to say.

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Patrick White

Black Fire

Evaporating in a black fire.
Don't want to drink the night from the window again.
Won't be a chain trying to escape itself
when I'm already free,
but what an affront of mirrors to be so diminished
because the lions of fire, the dragons
that flare from the eye of the black sun,
their shadows spanning the heartless abyss
of their ferocious lucidities,
pitched their wings like huge, black tents of night
at the gates of the wide-eyed gazelles of emotion
they could bed freely under the moon,
unspool in the blue grass silvered by the wind,
their eyelids waning like a glass of wine.
In the obvious light of the morning
they will run from lesser hunters
mistaking the truce of nightblood
on the horn of the moon
for a rag of surrender, a gesture of clarity
like a star in a well,
the signet of an ancient moment
when the abyss returns to itself
like the echo of a wounded voice
to heal at the foot of a throne of shadows.
Though I could have stung like a serpent,
I was the wind at your heel once, once
like the wind I would have sowed the path before you
with seeds that would have bloomed like the eyes of the stars,
I would have saturated the air with lachrymose diamonds,
and poured the oil of the only lantern of my afterlife out like rain
so you could have shone like a rainbow at night
and your roots were luminously charged
with vital urges of mystic lightning.
I would have come to you like a flashflood of silver on the moon
and run the labyrinth of dry creekbeds
that scar the lifelines on your palm.
I would have kissed the black rose awake from its dream
of being stoned for a miscreance of the light,
and held the nightsky up to its beauty
like the forbidden side of a mirror
to jewel the eclipse you wear like a face.
I would have lain down beside you
like the shore of an unmapped island beside the sea
and answered every wave of your incoming tide
with a nightbird in the mouth of a bell of blood
that ripened in a watchtower on the moon,
but every kiss was a translucent jellyfish,
the auroral rose of an ambivalent Medusa
rooted in the lethal snakepit,
the toxic electricity of her stoned hair,
the trawling storm of her decapitated tresses
when the truth struck like an unexpected fang of light.
Now you spend your time
trying to tie knots in your spinal cord
like the severed filament of the moon,
trying to wick amputated candles in the darkness
that might help you grope your way
back to your head
like the black hole that became of the star
that went looking for its lost planet
like a blind shepherd startled awake by the howling of wolves
running across the sky in a wilder freedom
above the timberline of your eyelashes,
tinkling in the glass womb of your brittle shining
like the tungsten crumbs of a burnt-out dream.
Even now you don't understand
how you can pour so much of yourself into yourself
like an ingrown hair, your love
merely an idea infatuated with itself
that your eyeshadow festers like a palette of gangrene
and like me the vision won't paint you again
in the vivid constellations and kells of braille
you insisted on reading backwards
in the troubled mirror of your own perversity.
No rose in the shadow of the black Pegasus
born from the blood that pours from the vase of your neck
like a dead bouquet of poppies, no inspiration
in the petrified skulls of your past lovers
scattered like the beads of a broken rosary at your feet
you once fingered carelessly
like the writing on the wall.

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Patrick White

I Stand Where The Listening Begins

I stand where the listening begins
as if my voice were just another one of the echoes
and my tongue were the tip of an edgy precipice
that doesn't dare make a move
over an immeasurable abyss of eyes
that nobody belongs to.
This is a seeing that's older than the stars
that were born of it
like a mirror is born of the shining.
Like a body is born of the mind
and takes on the shape of a universe
as an expressionist gesture of classical reserve.
In the great ocean of being before it turned into everyone
our eyes weren't beaded like two drops of water
strung through our nose
like a statement we were trying to make.
They were waves.
Waves of water.
Waves of light.
Waves of thought and feeling.
They were waterbirds that came and went
without leaving.
They were meteorological events
in the emotional life of the sea
when it played alone with itself like weather.
We didn't evolve hands to prove we had a grip on things.
We didn't evolve brains to prove we were intelligent.
We're not nuggets of insight
panned from the mindstream
that runs down the world mountain
in a rush of gold.
I stand where I can hear the night
breathing like a shadow in its own darkness
and whatever I am not
is as real as whatever I am.
And my sorrows dropp away
like the black fruit of ruined bells
and my joys know a freedom
no holy war ever deserved.
Here my death answers to my life
and not the other way around.
My beginnings are not justified by my ends
and my solitude is so wholly itself
it embraces everything
as if it were space
and time were its only friend.
This is a poetic state.
A dynamic mode of creative annihilation.
This is a phoenix blooming in its own fire.
This is life.
This is the universe full of bright ideas
that come to it like stars in the darkness.
This is the white mare of the full moon in the high field
with the gates open
like wings growing out of her shoulders.
This is a space that is so spontaneously immediate
that you receive the reply
long before you've even asked the question.
It doesn't take thousands of thoughtyears
for the light to get here.
A flower blooms.
A star comes out.
It's as simple as that.
You lift one veil of the mystery like an eyelid.
Nothing has a history.
The old man remembers nothing.
The old woman forgets her name.
Once they were seabeds of meaning.
Now they're just water.
And everything is ok with that.
People go grey
and turn into clouds in the mountains
just to catch the last of the light
and give their lives some colour.
And then it's night again
and the dancing chandeliers of the stars
that are burning like legends
to make a name and a myth for themselves
fall like constellations to earth
and shatter like the rainbows of youth.
Every dawn has a taste of the sunset in it.
What's the end of anything
if not the dark side of its beginnings?
I am the fool of a freedom
that lets things be whatever they want to be
deep within the heavy fruit of a compassionate heart
that ripens in its own lucidity.
There are worms.
There are birds.
There's a green star in the apple core.
My skin is the chameleon of the sun going down.
I know how to swim through stone and water.
There are fish in my treetops
and birds in my roots
and when I drown
it's the sun in the sea
and nothing ever really goes out.
Everytime I open my mouth to sing
this is where the muse
puts a finger to her lips
to teach me what I'm talking about.
I'm a star when I write.
First I let go of the light.
And then the children point fingers at me
and say in mutual recognition
of the stories they make up on the go
there you are
just as we foretold.
It's the same way with water
when it's lost in a desert of sand and stars.
Sometimes it takes a mirage to find your way home.
Death gapes like the jawbone of a mummy
and writes like a pyramid
as if it wanted to make all things last forever.
But when life picks up the pen
around the fires of the stars
to whisper into its own ear
things that only solitude
can suggest to the night
its poems are always tents on the move.
The moon sailing paper lifeboats down a river
like waterlilies
blooming in the pale flames
of their lunar immolations
as if each were a white phoenix
rising above its own ashes and smoke
like someone dreaming of swans.

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Compassion Is The Sweetness That Enters

Compassion is the sweetness that enters
the wounded apple of knowledge after
you've taken your first bite out of it.
It's not an antidote to the facts of life and death.
And you should know by now if you've suffered at all,
and it's impossible not to from the moment you open your eyes,
the night is not a reward, nor the lantern of the light
that goes before you on a graveyard shift of the stars.
Compassion is the oldest instinct of the heart
and first muse of the mind that can taste only
the blowing blossoms and bitter green apples of the spring,
gripe brain, before it ripens like a sunset in your blood.

That's why the heart knows more about it than the head.
And I expect, on that basis, no one is more capable
of loving us who must doubt that we're worthy of love
to live up to the truth of it than the dead who can open
the tiny koans of the seeds at the core of things
like the lockets of fortune-cookies that break
like twisted cosmic eggs in a rush to spread their wings
like waterbirds who write the lyrics of their songs on the fly.

Words for the eye. Words for the ear. Words
for the voice of the wind like black walnut trees
and kites in a storm. And if you really know how to listen,
I mean if you can hear the wavelength of a black snake
swimming across your blood like a mantra
of terrifying, beautiful wisdom that keeps its secrets
to itself, or hear the unfathomable oceans in the black rose
whose petals and eyelids are always smashing
like white eyelashes in a squall of sunbeams
against the breakwater of a white dawn that passes
like an albino eclipse in a moonlit leper colony
of extinct black rhinos. If you even remotely
hear what I mean when I speak like this sleepwalking
through a dream grammar like a prophetic skull in a trance,
words that dance like light on the mindstream
rejoicing in the clarity of the voice that expresses
the hidden message encoded in the genes of the fireflies.

You have mouths. Speak for yourselves.
Some like lighthouses along the banks of life.
Some like thieves with searchlights for eyes on a bomber's night
when everyone is underground and the bummers are out
plundering the evacuated houses of the zodiac.
Might be the ravings of a star struck maniac talking to himself
to make sure nobody else is listening. Might be
the surrealistic lament of a Dadaist night bird
singing out loud in its sleep for things it doesn't know
it longs for, or maybe a lunatic is waxing prophetic
in a labyrinth of his own echoes trying to sound his way out
of the mountains without end he's being trying to befriend
like a cloud or an eagle silvered a moment
like the ore of a dream in the corner of the eye
of a moonrise coming on like a hurricane
with a black pearl in its teeth. The eclipse of a sacred lie
compassion concedes to an alibi without a myth of origin.

Compassion is the child of imagination that identifies
with its simulacra of suffering by applying the heart
like a bloodbank to the wounded eidolons of eyeless images
that didn't know how to bleed, or breathe, or cry or see
until compassion tempered their impression of themselves
as paradigms of rationality, by shedding real tears
in an ice age of lenses that kept their illusory distance
from the stars that came out after the rain, wet and shining,
laughter radiating through our tears, because life isn't a dry fire.
It's the hand on the rudder of a lifeboat
that keeps you from drowning from the day you were born
in the undertow of the tides of the new moon
until the night of the full when you haul everyone aboard
who's been swimming through glaciers of tears
like baby mammoths for the last twenty-five thousand years
afraid of extinction if they ever stopped to catch their breath.

Compassion is accepting everyone's death as a portion of your own.
Everyone's life as your third eye, a vital organ of your own body.
Compassion is an undisciplined action of the heart.
Compassion arises like a moonrise of inspiration
in the eyes of the older sister of the muses
who walks too much alone as if she'd devoted her solitude
to the suffering of a wounded stranger she met along the way
when she let her hair down like willows of rain
to cool the scorched earth and slake the roots of pain
until they bloomed like foxfire in the shadow of her passing.

Most poets sit around the lesser fires of their art
trying to divine the smoke of what's burning in their hearts
like autumn leaves they've heaped into books
that smoulder in tears more often than they break into flames.
But if compassion turns her eyes toward you
like a star in the darkness beyond your blazing
the Milky Way runs like a bloodstream through your veins
and you see in terrifying clarity the great mystic details
in the deep watersheds of picture music efoliating
like wildflowers and galaxies, grails, fountains,
lunar herbs, and starfish raised up off the ground
to take their place among the shining, radiant with life,
in the low valleys and high fields of an imagination that heals.

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Flowers Adrift On The Fragrance Of Their Own Foregoing

Flowers adrift on the fragrance of their own foregoing.
In the night that takes me under its wing
to shelter me from myself, arrival and passage of spring.

Fish nibble at the wafer of the moon on the tongue of the lake.
The wind bitter as a green apple with an innocent cruel side.
Saturn at dawn, Venus at dusk, things abide in their own good time

without knowing for whose sake they shine until the mind
can't keep a secret anymore and let's the heart know
what the heart has always known. Reason is colour blind.

Everything that's hidden out in the open isn't invisibly camouflaged
to look like God at a quick glance. Flowers don't dance
with their deathmasks on. Things may have changed

since I last walked here, but they haven't aged. Autumn
not an older season than spring, spring not younger than yesterday.
Water's never heard of a virgin birth that ends in a real death.

Silence of time as it appears to the spirit in a deepening sea of awareness.
Nothing disfigured. Nothing restored. Nothing scarred.
Nothing wounded in the moonlight, pleading to be healed.

Earth pungent with the expectations of urgent ghosts.
And dust in the eyes of the stars, the cries of Canada geese
with more longing in their voices than celebration

like the wailing of a train disappearing like smoke in the distance
from a sad fire in danger of going out. Exits and entrances galore
there are as many ways out of here as there is space and time to stay.

Bush wolves on a far hill agonizing over something in the night
like blues harps of blood. And in the heartwood of every leafing tree
I can hear the first violins of a symphony tuning up to the light

as if something sublime were about to begin with the first dropp of rain
pinging like a tintinnabulum beside the kettledrum of thunder at the back.
To speak now would be to conceal what I really feel in words.

Lavish with life, I reveal my voice in a rush of waterbirds
startled off the lake like a mantra of sacred syllables
that nuance the ripples they leave in their wake

with a whole new way of phrasing the light with eyes
that see things musically as they fall away from their wings
like the meaning of things when meaning isn't necessary.

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As If Beyond Death

As if beyond death today,
as if I lay already under the eyelid of the moon,
the echo of my heart
pumping shadows
through my perfectly preserved corpse
in a silence that's never known the wind,
a fallen wharf without arrivals or departures,
and sad enough not to care why,
blood on the dolphin in the black tide
that pours me out of the horseshoe of the bay
like a road from its boot,
wipes me like the pollen and dust of dark matter
off the windowsills of the constellations,
my unknown mass crucial
to the cosmic contractions
that might give birth to the world again,
and I'm here alone in the high field
drowning in the twilight with the wildflowers
and the sky a last exhalation of the blue-green luster
that flirts with the mystic violet
on a homing crow's head
as the shadows assemble the wings
of a total eclipse
and a new dragon is born of the pain
that shrieks like lightning in the mouth of the abyss,
a torn animal
peeled out of its own skin like an eye
to add its darkness to the furnace of the black rose
that roars in the night
to blood the hungry mirror
with the thorns and talons of clarity,
to feed the wound of its existence
its existence.
And when I walk to the end of myself
through the golden rod and waist-high asters,
the seed of the stars that sleep with the daughters of men,
some of the flowers close up like fists and kisses
and others grasp themselves like a key
to a door that the whole universe can walk through,
and there are strange birds
flying from the eyes
in the rising skull of the moon
that sing like the pyres of cremated guitars
that died like trees in their solitude
and even the gates are weeping like wild dogs.
And there's a wind, intelligent, dark
the ghost of an ancient serpent
horned without ears,
an ocean of mind that exceeds itself like a wave
that howls like a secret it can't tell itself,
like a root blind to its own flowers,
that wants to lead my voice away in chains,
that wants my tongue to try
like a leaf in the updraft of a fire storm
to scream its agony out in the night
so that even the furthest star shudders
with the horror of its final liberation
like an arrow through the throat of a caged hawk.

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My Lonely Island Music

My lonely island music,
already I see in your eyes, devastation in the dead zone,
skulls littering the field, autumns wandering away
weeping like windows that mistook themselves for the sky
and murdered a bird. Mystic September, vamp of this vision,
how could the moon not leap from my tongue
in praise of the world that shines through you
bathing alone in the dawn of every moment, utterly
alive, your beauty the page of a unwritten scripture
poised in the ink at the nib of every blade of grass to say
beyond the saying
what can’t be said. How unbearably sad
in this defeated hour that so few know the truth
that walks ahead of them like their own footprints
returning to the door they left by, already lost,
their houses, foundation stones of quicksand. Get it right in the seed,
get it right in the root of the eye, let the wind
take the ashes, sweep the shadows from the stairs,
and all the moons of yesterday are caravans of blossoms on the water.
Get it wrong and you’re a widow plundering corpses
for wedding rings and pocket-watches, black rain
on the open eyes of the dead. Devoid of transcendence
in the mirroring awareness, on a diet of fire,
you’ll end up combing your hair with a ladder.
Can you hear this bell of green before it rings, can you see
the painting in your blood before the brush is lifted
like a maggot of consciousness to the rose?
If you can, then check your shadow at the threshold
and walk naked into the far fields of your seeing, your feet
on the ground, your head in the stars; if you can’t,
you’re deepening your ignorance by ignoring your depths,
your light passes over itself like an eclipse or the hand
of a black magician, conjuring. Peril in the seeing.
A mask of frost over the surgical face of the heart. Understand
deeply and with authority that this dream cannot be understood,
taste this dream for yourself and look once
into the brilliant darkness that lies beyond wisdom and forsaking
and acknowledge in a crown of water
you are queen of that, your own teacherless realms.
Can’t you feel the roots of the black orchid of this space
wounding the soil with the stars of another night-sky
already opening above and below you? Rightly and brightly,
you are that opening, the sum of all the awareness of the whole of your life
expressed in the unborn no-point of a star of perception in space,
blue knowledge beyond the scope of the death-sighted.
Why study your own legends like snapped twigs on the trail
and send yourself in a straitjacket to school
when you already know by heart
the book of the breath you must live? Open your fist. Where
did it go? What’s in your hand? Do you understand? Our lives
are the shadows of birds sown like seed across the skies,
fish-maps printed on water, compasses looking for directions
that don’t exist. We are brief and we are vital, pilgrims
on a bridge of ancient zeroes, angels under every stone,
gypsies at home. Hold your life up like a match to a mirror in a dark room
to see whose face it is
then blow yourself out like an orchard
before blazing becomes a kind of blindness.
Put the world to your lips like a finger
in the black clarity of the silence. Do you see, do you see
the white songbird of the moon enter the throat of the well
to flaunt its plumage privately in an empty theater,
the roar of the ghosts of the infinite aeons for applause,
the sound of one hand clapping? Anciently, you were so
and now you are so
and tomorrow after tomorrow you shall be so, hidden
right under your own nose, calling yourself like a girl to her friend
when the game is over to come out of hiding. Most people
never understand more than a keyhole and a whisper of themselves,
trembling behind the dangerous doors of their own names
when they’re called to come out and play
with a universe that begins in every moment,
a fire-fly in a canning jar. They graze on the fodder of illusions,
domesticated by their own cupboards and cowardice,
peopling the wilderness beyond their artificial paradise
with demons that threaten to behead them in a palace coup
for the genuine liberation of an empty throne.
The blossom doesn’t know its own beginning,
nor the snowflake, its end. Can you find your true face
in this mirror of echoes,
the one you wore before the birth of silence?
I shall come looking for you like the wind
and I shall find you among trees and flowers
and among the grasses of the fields
and in the living light that breathes over the harvest
and in the water-mind of the stream that flexes the reeds
and playfully graces the ripe honey of the sun
with a sweetness unknown to the business of bees. No inside, no outside,
everywhere I step is the arrival and the walking of my blood
the whole of the way to you from whom I cannot be separated,
slipped like a letter under a door that opens, a mouth in space,
to paint the moon on an eye of scarlet water. One leaf falling,
the whole history of the world
in the way I love you by letting go; in the way
when you are closest, your heart, the thunder
of subtle intimacies in a lost well,
I drown in the vastness like a bird in the reflection of the sky,
happy refugees all along the side-roads of my nerves,
my mind, a fool of the moon, all parade and passage.
Do you understand? Not different, not the same,
we are rain on a window, faces beyond
the blindness of mirrors that use our eyes to see.
In every feather, in every leaf, in every flight of the word
ten thousand dawns, all of the earth,
this emptiness within emptiness singing to itself in the void.

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Feel Like There's A Beast

Feel like there's a beast in the darkness
eating my eyes.
I'm a moon-bull
at a crossroads of solar swords
down on it knees
hemorrhaging like a poppy.
And there are constellations
I've never heard before
playing the harp of my horns
with pensive fingertips.
How strange this rag of life
soaked in tears and blood is.
Everything dies like a snowflake on a furnace,
a rock on an autumn mountain,
no two the same.
There are nights, there are
vigils of darkness
when the mirror can no longer bear
the weight of this feather of fire,
this vision of life
that estranges the spirit
of those who love it most
like a funeral bell
that once drank to the folly of love.
I am a snakepit of lightning
knotted in a glacier of ice
and every emotion
is the undertow of the tide in a sea of eyes
on the cold skull of the moon,
every thought, a stone lifeboat
inundated by the waves
it's convinced it's saving from drowning.
Once I was the dupe
of my own ideals,
now I am the master of none.
This far into the abyss
you forget the name of the god
you died in the name of;
you have squandered your certainty
on greater and greater risks,
the enciphered lotteries of mythic necessity,
only to discover,
though you traversed eras like deserts
that made a skull of your faith,
the donkeys have eaten all the mangers,
and there is as much radiance in the eye
of the dead serpent on the road
as there is the eyelash of a star.
A tear is not a fountain of seeing,
nor a dropp of blood, a rose.
How rare the sword in its silence
among all these chatty scissors at war
trying to cut along the dotted lines
of their border highways
crammed with refugees
they once called lovers,
the horizon slashed
and bleeding like a letter.
I want to calculate the half-life of pain;
the pillar of ore it calls home;
the elemental devolution of its atomic evictions
into the leaden passion of a base metal.
I want to know what I've turned into.
I want to know what's making the stars
throw down their spears of light at my feet
though my heart's out in the open
like a voodoo doll
waiting for a donor transplant.
I want to see myself
opening a door in the mirror
to someone with absolute eyes
irrevocable as yesterday's rain.
Let the star know
the flower it engenders;
let the rose
taste its own honey.
Blind in a dream; blind,
what light roots in the darkness
that I should want to
throw off this robe of blood like a sky
to slip through the eye of the needle
that binds the seams of this world
like a bird
with the single thread of a life in its beak,
washed out of God's eye
like a firefly snuffed
in a torrential downpour of stars?
Why am I
always one heart too many
over the threshold of the truth
I had to leave home to discover?
Am I a hoax in tears
or a tear away from a gate and a rafter?
Let the wave know the sea
that packs its caravan on the moon,
let the silence of the waking abyss
write indelible preludes
with a last kiss
that goes on forever
like the white autumn wind
in a turmoil of seeds
that demonically exceed
the life they're after,
flower by flower,
death by death
like the pulse of a bell
setting the doves free
in the towers of farewell.
It's the eloquence of a tree
to say what life is
when the full moon ripens
in its leafless branches
and the heart beats
like a windfall of silver apples,
though I have tried,
but love is a bridge
on a finger of water
that not even the moon
can slip off like a ring
when the wind rises
like a gaping fish
to swallow the chimes and eyehooks
of its matriculate ripples.
And with each breath of the night
I took and returned,
I have aspired to succeed
at every failure I was ever inspired by.
I raised every sail,
crossed every wave,
every eyelid, every petal
of the sea of life
in the heart of the rose
only to dropp the first crescent of the moon
like an anchor
in the furnace of a dream.

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You Never Became A Memory

You never became a memory.
You remain as you are in my life.
A living compassionate presence.
I have forgotten more of me
than I ever could of you.
Whenever I want to see beyond the light
I see through your eyes
everything you wanted to show me
that was not petty or tragic or cruel.
I was a profound fool
but you taught me how
to add my darkness to the night
to enhance the shining.
And even now
when things aren't flowering well
I still reach out for you by deepening my roots.
As if I could touch your face again
like a muse of water
lost in her own reflection.
As if I could ignite the same fires again
that blossomed on the dead branch
of the witching wand
that inspired the stars
who thought they had seen everything
to marvel at their own perfection in you.
Inspiratrix of the blue waterstars
that burned like chandeliers
among the constellations of the lilies
pluming themselves like swans
in the feathers of the moon,
how I long to be eclipsed and enlightened again
like a chameleon reflecting the mood of your beauty
as I did before these windows came
like glass-eyed calendars between us
to prove that time isn't space. It's pain.
And change is an absolute
that doesn't like its relatives.
My angel misses you.
My demon misses you
so badly at times
I can't look into the abyss for long
without impeaching my mind
for its awareness of an emptiness
that aches like an existential absurdity
to be put out of its misery
for being born blind deaf and dumb
about whose wind on the waters is rocking
the cradles and crucibles of creation.
The Medusa holds her tits out
like snakepits and grails
and I never know which one to drink from
or if the poison and the antidote
are just the opposite fangs of the moon
as it grows through its waxing and waning
as if a physician found a way
of healing herself
by sloughing her wounds like skin.
The mindstream weaves its way at night
like a garden snake
through myriad blades of grass
like the shuttle of a loom
that doesn't know what theme of life
unspools in the flowing.
And my eyes miss you like light.
I'm a lighthouse on the shore of a dead sea
trying to walk on water like the moon
as the waves chip away at me
like shale flakes off the cold stone
that edges slowly through my heart like a thorn.
And it may make a king of me
to draw the sword out of the stone
but that doesn't close the wound
of having first to fall upon it
to vacate my throne with honour.
If life is the truth
then lying is the only way
to describe death to a god
who doesn't understand it.
What's a church without gravestones?
Aspiration without an expiry date?
And so many different kinds of death
not enough generations of humans
have been born yet to know them all.
Death tries to trivialize the relative
as if the things I miss most about you
had never been.
But your mindwaters are mingled with mine inextricably
like the shoreless starstreams of space
panning for planets in our flowing
we might live on
and have our being and our breath
unblighted by loss. Separation. Death.
And there is no more of the sadness
I used to see in your eyes
as if they were my own
that I still see everywhere in the eyes of all living things
when I know as you would have had me know
as clearly as you did
that even though the neverness
of implacable circumstances and lost last chances
may have separated us like the threads of the rope
you used to climb up to heaven before me
like one who took the short-cut
and one who took the long way home through these starfields
taking his painful time
like the unfulfilled hope of a child
he's not alone when he opens his eyes
like a dream within a dream
that looks but can't find him,
you can polish the missing into a mirror
and wait like a fox by a black hole for things to appear
that will never be the same again
or you can open your tears like windows
and let out the birds of pain
that I have kept as close to me
as the whisper of your voice
in this cold, dark chimney
telling me to let you go as I do now
to rejoice on the dead branch and the green bough
like the flower and flame
of what became of us.
We cannot be the song or the singer
for very long
as our voices dim like candles in the darkness
that have given it all away.
And as you used to say
as if it would always be today without you
and all we have given is all we could keep of each other
like water returned to the river
we raised to our lips to taste
the sad, last drops
of these eyeless elixirs of the moon
that linger like vapours
in the empty goblets of the morning glory,
and I need to believe you more than I do
in this neverness of now
that has come before me without a beyond
or a word from all that has irrevocably gone.
Yes. But the singing. That goes on.

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Patrick White

To Be Alive Here

To be alive here
is to suffer the godspear of light
that enflames your breath with life
through the heart, the night
of its knapped shale
embedded in every part
like a mystic jewel in a wound that never heals
or a hidden nightbird in the far fields
when only the stars are listening.
To be alive here is to know
your only here and now
is to be alive.
Born into the lifeboat,
who needs to be rescued?
Is the fish afraid of drowning,
does a bird implore the sky;
is there not enough room in your eyes for stars?
Images, thought, symbols, feelings, words,
we live behind billboards illuminated
by artificial daffodils of light,
and walk our own midways alone
from tent to tent of sensation,
from mutant perversity to mystic elation,
blind in the blazing: come in, come in,
to the darkness under a flap of your skin.
How much has not changed for how long
inside the cocoon that diapers your reluctance
not to hump out of yourself with wings,
not to jewel the maggot with stars,
not to let the swamp hold up its waterlily,
not in overcoming or advancement,
not a white diploma of moonlit skin,
but a symbol and a celebration of what became of you
elaborating the world generation after generation
until, not enough just to see it,
your eyes immersed in the sea like rain
that has known the roots of the flowers
and opened the golden mouths of the grain
and washed the stars out of the hair of the fool,
and rinsed the age like a bloodstain off the stage,
you can finally be it.
You are empty.
Blood unspools like a thread
drawn out like a river unravelling the oceans of you
that used to lap these flesh bound shores
and flaunt this palace of bone on loan
from an absentee owner.
There is no face under your name
that isn't looking away from itself
like light from the sun.
Utterly subjectivized, the imagination
reverses its spin
and things come undone,
and the skies that have dropped like petals from their eyes
to see without seeing the unseeable
are neither many nor one
nor the ineffable sum of the unbeable
because all things have already been achieved
and the world returned like water to the mindstream
it was taken from
like a snake that startles the stillness
before it flows away into the silence
or the light of a star that shines within
that doesn't trouble the day.
But to live here in irrefutable bliss
you mustn't confess to anyone
you were born knowing this.
To live here truly is to live
as if you had never existed,
though there are lifetimes behind you
like footprints on the road of ghosts
to say where you've been,
and every breathless glimpse is the eye
of someone you've never seen.
Here is the everywhere of is
and there is no shadow of another,
no map of blood to follow you like a pilgrim,
no sister, no father, no mother, no brother
you could possibly mean
to the photo-album of an ageing gene
that doesn't remember you
except as someone who was passing through
who didn't know what things could lead to
when the stranger in the dangerous valley
took the highroad out of the mountains like an echo.
To be alive here
is to suffer one day, and dance the next,
to pass by rooms within yourself you never open
like tiny lockets of rain you weep alone in the shadows,
among so many furious stars,
trying to seed the pain with flowers
or patch new skin, a cool herb of light
over the burnt face of the moon like waterlilies
so the black mirrors will reverse themselves in the night
and turn your eyes away
from the things you can't shatter with looking.
To be alive here
is to know you are dying,
the whole breath of the moment in every death
baling like overwhelmed boats to stop your crying.
Where do we go? Does anyone know?
Are we cinders and crows in the eyes of this shoreless sea
that watches us like a dream
no one can wake up from alive,
is this disproportionate night the jewel in the hive
that eclipses this rapture of honey
with more space than the flowers and stars can face?
Is a dead thing the king of its own skull-throne
or a toy of the ants lugging dismembered butterflies through its eyes
like sails crushed in the ice of a northwest passage
to be reassembled like moonboats on the other side?
We are islands and waves
and we close our eyes like the sea
in the imageless depths of our own inconceivability.
We are humans, worlds within worlds, and each
with a light of their own to know them by.
We are stars circling the lighthouse of our own knowing
like words off the coast of consciousness
that all mean, like birds, the same boundless sea
that slowly wound its aeons up like alarm clocks
to set us off like an insurgency of thought.
We are humans, bells and hells of blood and water that walk
upright like lightning rods wired to a brain
that the sea panned like a nugget of light
freaked with night, from the ore of a lunar vein
and everywhere we fall upon our own roots
and wash our own skulls clean of ourselves
like rain that was once alive
to raise them again like the moon to our lips, and thrive.
Long-winded brevity; brief longevity,
to be alive here is to be constantly giving
without knowing what your true gifts are,
like rain and rocks or the light of a star,
because even to share
is to set us apart divisively,
to break the plough like a wishbone.
There's silver in the voice of the rock when it speaks of change
and though the rain doesn't really know what it seeks to be
it gives itself everywhere inexhaustibly like a hinge
to the turning of everything,
and how could the night have guessed
the enlightened fury of a star
under the scars of its own elements
would lead to us in all our radiant intelligence
like something it got off its chest?
To be alive here is to know
that a single dropp of water is enough
for the moon to swim in her own seas again,
and there are tides in the windowpane she transits
flashing with life, tiny glass fish
that make a turmoil of devotion
by seeding the ocean with eyes.
To be alive here is to know the wise
know less than you on both sides of the mirror
that lies in pieces at their feet like waves
that have learned to hold their tongues.
To be alive here
is to read a book on transcendence
while you're sitting in the sun,
to ask why the moon is crying
when you've already drowned in her tears.
Is it holy? Is it joy? Is it real?
And look at the way it takes the whole of itself
from beginning without end to end without beginning
to make a single eye, all the measureless aeons of the myriads
that stand behind and before the seeing
timing the shutter-release
like someone taking their own picture,
running to get in the shot
before the flash goes off like light in the abyss
to illuminate the billions upon billions of faces
shed like apple-bloom in the orchard
from the radiant tree of its rootless being.
What is this without antecedent
I so urgently need to know
that I have poured the stars into me
and the starlessness of long, autumnal nights
and slept like the eyes of the rain in the roses of hell,
and grown black pearls out of a grain of dirt
like new moons in the mouth of a funeral bell
and hurt and hurt and hurt until
I could not tell who or what
was suffering me in and out of existence
like a dream in a fire that burnt without consuming,
my eyes in space twisted like melting windowpanes,
and darkness running down the blade of my solitude
like a night dew of black blood on the tongue of the moon
as I shook in my chains like an avalanche
imprisoned in the heart of a mountain
where I wept like a metal in the cold abyss
of a horror without eyes or a name
that is everywhere this
that keeps killing me into bliss
by striking me like fire from a rock,
like the rainbow from its lock,
like a sword from the stone of the moon.
The universe pours itself out like a fountain
into its own inexhaustible mouth
like a drunk with a jewel in a bottle in a brown paper bag
up against the writing on the wall
in a dangerously infinite back alley
where Peter pretends to love Sally.
In each and every part it gives and takes
the whole of itself like a gift, like an ocean,
like an ocean breaking into eyes,
or the squirrel in the bluebells,
or me sitting here with the trees, waiting for leaves.
And everything is so eloquently
this effusion of transformation
as if fire were a music all its own
and in every flame and face,
thread, star, thorn, leaf, flower and voice,
in every feather and wave of awareness,
in every thought, feeling, and delusion,
and in what is beyond what we think,
the whole of the tapestry, the whole of the sky, the sea, the vision,
the mystic specificity of the indefinable,
the creative urgency of the uncreate
dropping worlds like pebbles in a pond
where every ripple opens its horizons like an eye
and even the rings of the tree are a slow pulse,
and the waterbirds shed their jewels in moonlight
and beyond beyond into the immaculate darkness of the thriving night
is the way their wings beat, the heart flows,
a star reaches out to touch the skin of a grape,
or a wave greets an island in a new language,
or a god drowns in himself so again and again and again
he can review his whole life flashing before his eyes
through every one of us,
through the rose and the bloodstain,
through the doorway and the window and the dream,
through everything that seems and unseems itself
like roads of light that move like snakes in the water,
like the holy paths of the unnamed ones
who return like memories of coal converted to diamonds
dancing with fools in the translucent bliss of their clarity.
One existence. Many. None. Three waves of light.
The sea. The sun. I am manifested
by everything I've ever been
like the running of a river
without beginning or end,
not old water behind, and new ahead,
but the whole universe, my watershed,
I am drawn from the well in this bucket of a body
enflamed by this fierce urgency of stars,
inextinguishable fire on the water,
growing eyes like ambassadors
from everything I am
to the empty throne
of the infinite bloodline
that delivers me like a message to me,
worlds within worlds like the sea in a bottle
bobbing at my feet.
And everything is always teaching;
every tree runs a school, every star
is a private tutor, every flower
a sage in a brothel, this harlot of blood
the wine of an unknown church,
and every bone in my body
the rung of a descending saint.
And what do they inexhaustibly teach
if not the youness of you to you,
if not the dark abundance
of your formlessness through forms
as if the world, and all that are in it
were your native language
and you were the ancient future of everything,
and every seed, a betrothal; and every flower, a bride?
Why suffer like a refugee at the gate
of your own estate
by refusing to let yourself in
through the open doors of the trees;
With eyes that are wider than space
where can you hide from your own being,
or wash the seeing from your face?
Does ubiquity look for a place to stand,
a place to call its own, a seat at the table,
when everywhere it's the homeless host
of these world-bearing guests who bow like trees
on the branching thresholds of a boundless feast?
In the furthest fields of yourself
you are the star, and the flower, and the seeing,
and it's the namelessness of everything
that grows a mouth without saying like a word
that gathered overnight on the tongue of a leaf
that can taste you like the nascent stars of an old belief;
you have shone so long alone in the dark
to be alive here in every inseparable part.

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Patrick White

You Are Crazy

You are crazy and beautiful
and wounded and wild
and the youngest daughter
of a coven of poetic sea-witches,
and dangerous as the moon in your changes,
the fragrance of night
hovering over the blue star-honey
of your seductive hive of candles,
the skulls you drink from naked,
anointing the fire
with libations of blood and wine,
dancing to the passionate lament
of ancient serpents
unfolding their wings
like eras in the lives of stars,
constellations that have come and gone like leaves,
seasons that are only distant whispers
in the hourglass of the hills,
voices that have outlived the ears to hear them.
And we are no more contained
than is the wind, the white cloud
in our approach to lucidity,
and we have been wave and shore
many times for each other already,
and I have heard how
the night flute of your solitude
suffers like an island,
and the wizards have worked
an extra contemplative shift
to make you the gift of a gate
when my love of you
alloys my will
to the light of the urgency.
There is a wholeness to your being such that
even when the night shatters like a mirror,
all of you is reflected in every piece,
and your eye at the keyhole
unfolds me like a starchart
trying to locate a deep sky object
burning ferociously in wavelengths of black.
I am enrobed in your mystery like a waterfall
and you swim, a silver fish,
through the roots of my mind like the moon,
and the shadow of every thought
is a likeness of you
that I’ve conjured out of space like an aurora,
a feather of smoke
to limn your features mystically
in apricot-violet fires that flower like paint
and I take you away with me sometimes
where I can savour you alone like a mountain
where the silence prowls like a cougar
and you keep the wilderness to yourself
and your presence is enough of a fountain
to turn my heart into a mouth
entranced into speaking in the tongues
of the hidden grammars of blood
that pi the spirit with golden ratios
and passionate incommensurables.
You are a star caught
in the curtains of my seeing
and we are only eyelids away
from finding a flower
worthy of the sight
as you seed the darkness with light,
and I carve your face,
your transformative beauty,
out of a block of eyeless uranium
that glows invisibly like an emotion
that only blooms in exile,
a genius among elements
that gives herself away
like an orchard in a storm,
a serpent in the labyrinth,
the blessing of a weapon.
How could I know you in any other words;
how could I win the trust of your riddles
and climb the stairs of your neglected shrines
to the reluctant priestess
chanting in the shadows
of her own eclipsed altars
for a sacrifice that would answer
the impiety of a lifetime?
If I don’t touch you there,
if you don’t feel my breath upon the nape of your neck
like the wind on a lake,
if your blood
doesn’t turn into a red light district
without emergency exits
at the thought of being caressed
on the other side of your skin,
on the other side of the tapestry,
how could the hidden clarity
ripen into the crazy wisdom
of the bird that was born of a jewel
and you exceed yourself like wings?
You are all flavours of the fire
that bewitches the tongue of the snake
to divine the air for grails of water
with a branch of conscious lightning
that wants to taste you through its fingertips
like a note in a tuning fork
that will open the dark gate of your radiance
like the key to a secret release.
And I know how often
love is a dream in a graveyard
where only the rootless flowers say
what they can about severance
and the abyss of the heart that falls from its crown,
and the urgent vacancy of a throne
that governs lying down
beat like grief against the cageless door of a cold stove;
I have wept on stone,
trying to make a lie come true,
a mirage turn solid,
a ray of light linger in my bloodstream
like a locket dropped from a bridge,
I have been the timely extinction
of mystic alarms
that woke me early to grief
and what the thief left of my afterlife,
and I have been the razorblade,
the knife that bled to death,
that cut itself out like the tongue of a wound
rather than inflict a law upon love
that would tin the waterlilies
with savage indignation.
I have made one infinity of two zeroes,
and handcuffed myself
to the top of a tree
to throw the pack of chainsaws
that chased me up it like a scared messiah
off the scent of blood
that rippled through the heartwood,
and climbed down
like a quiet last judgment
when nobody was around
and stood in the doorway of my grave
like a letter delivered to the wrong address,
and cursed myself
for all the things I couldn’t save.
I have tried to knit honey
from the smoke of the fire
that spread like pollen over the fields,
but it was always tainted
by the taste of a black saint
retreating into a starless night
like the shadow of a bird
that had nothing to sing to the dawn.
And I withdrew from life
like the cult of virulent addiction
and lived like a ghost in detox
parsing planets like flaws on a rosary
and idling among the late night shadows on the walls
like a stone fish among the reeds.
And my name
was a word in a foreign language
I didn’t understand
until you said it like a wind of light
that had wandered like a road through time
to breathe me again
and pick my body up like a lost glove
lying by the lifelines in the wineskin valleys of your hand.
Until you were you
among the veils and interpretations,
black swan enthroned in a sky of fire,
the ghost of a bell
in the rain mirror
that arrayed your face like a whisper of islands,
I had never looked into my own eyes
as if they belonged to someone else.

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