Pola

istine na zemlji od čovjeka tek pola
pola života tragamo za njom
drugu polovinu bježimo od nje

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My hard work and excellent training entitled me to be a better actress than some of my competitors.

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I agree with Marjorie Rosen's good psychological analysis of my acting ability.

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I then remained in Berlin until Dec. 1938, spending my time between pictures at my villa on the Riviera.

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Yes, I was correctly quoted in saying I introduced sex into films in the 20's, but it was sex in good taste and left a great deal to one's imagination.

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Alas, in 1929 came the Stock Market crash and everything changed and became worrisome. People started practicing conservatism because of financial losses, myself included.

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The presentation of hard core pornography, brutality and shocking language, from what I hear, is leaving the public jaded and tired of this kind of film.

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In the next shot the cameras zoomed to the fiancee who noticed the lights in the Czarina's room go out and the camera then turned to the pond where two goldfish were making love.

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Stars didn't have to worry as they were on long term contracts and were able to enjoy their vacations without worrying about tomorrow. Few had financial worries due to large incomes and little taxes.

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Of course, Hollywood is still making some excellent pictures which reflect the great artistry that made Hollywood famous throughout the world, but these films are exceptions, judging from box office returns and press reviews.

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Today the salaries of stars are astronomical in comparison with the 20's, but the high cost of today's living and taxes takes a huge bite out of these salaries.

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Mit o postanku zla

I sotona rece:
'Neka bude laž! '
I bi laž.
Skrila se u kamenju
Pa sa visina sipa.

I sotona rece:
'Nek licemjerja bude! '
I bi licemjerje.
Skrilo se u rijecima
I ceka da progovori.
Pokrilo se paucinom
I pauke hrani.
Od samog sebe se skrilo.

I sotona rece:
'Nek otrova bude! '
I otrova bi.
Šejtani ga iz olujnog daha
Vitlajuc macem prosuli.
Nataložio se na zemlji
I njenim tokovima tece.
Skrio se u krvi.

I sotona rece:
'Da bude mržnja! '
I bi mržnja.
Prštala na sve strane
Kao krv koja ne može da se zgruša.
Šapama trigova hodala
Pa se i ona pod mahovinom
Na sjeveru lednom skrila.

I sotona rece:
'Neka bude covjek! '
I bi covjeka.
U laži i licemjerju se skrio
Otrovom ga mržnja ko mlijekom dojila.
Pirat se skrio u jedra umotan.
I bi covjeka
U zvijerima se skrio.

I sotona tece:
'Da misli da me nema! '
Ali tako ne bi
Bješe mu laž u pocetku rijeci.

Napisano 1989. rekonstruisano 2012-02-06.

©Miroslava Odalovic

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Svemir

za samo jedan korak ustuknuo je dan
i pred njim
prevelik da bi bio nijem nemir
i pred njim
prastara da bi ćutala tišina
i pred njom
preuzan za prostore san
i pred njim
suviše procvala za buđenje tmina
i pred njom
beskrajan svemir

1996.

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When you turn the other page of a cheek/Kad okreces drugu stranicu obraza

When you turn the other page of a cheek
A slap of morn written abyss down your neck
A glove that you lift right from the floor
To throw it into the face of the tree swallowers
That keep growing faster than the boughs
Up to the sky lid in the cauldron of each word
Does it ever come to your mind
What it is there that bursts out in a dream

Do you then think of streets those winding snakes
With their tongue dipped into the poison paths
The buses that turn questionless to a wheel
Insanity spinning both Alladin and the lamp
A sign post in the dark

Do you then think of the houses windows and doors
And heart beats facing the gate of the entrance
As if it was the first time to come into a human
Not knowing whether the host was inside

Do you then think those thoughts from the threshold of pain
Making way to earth mother dust and death
To rest all your thoughts at the end of the road
When the earth bursts out and leaves you with no breath

Kad okreceš drugu stranicu obraza
šamar jutra ispisan brazdama do vrata
rukavicu koju podižeš sa poda
i bacaš u lice gutacima drveca
što rastu brže od granja
do poklopca neba u kotlu svake rijeci
pomisliš li nekad šta puca u snu

misliš li tad na ulice krivudave zmije
s jezikom umocenim u otrov puta
autobuse pretocene u tocak bez pitanja
što bezumno okrece Aladina i lampu
putokaz u mraku

misliš li tad na kuce prozore i vrata
na lupanje srca pred kapijom na ulaz
kao da prvi put ulaziš u covjeka
a ne znaš da li je domacin unutra

misliš li misli sa praga bola
što put krce zemlji majci od praha
da na kraju puta odmoriš sve misli
kada zemlja pukne i kad ostaneš bez daha


©Miroslava Odalovic

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Pogledaj ruše se tvoji Partenoni

Sokrat ispi kukutu
Ucini kako treba
Glasnu se patuljak Natcovjeka
Ogledajuci se u obogaljenoj zemlji

'Petar porece Hrista
I ucini kako treba'
Glasnu se patuljak Natcovjeka
Ogledajuci se u silovanoj zemlji

©Miroslava Odalovic

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If you want...

If you want a human to disappear
Plant an ape into an evolution tree

Ako hocete da zatrete covjeka
Posadite majmuna u drvo evolucije

©Miroslava Odalovic

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Vatra I Sutra

u šaci strepnje istine gore
suza vremena u njoj tiho gine
s kapija uskih razum i stid zbore
u naručju tihom da se lako vine

vatra i sutra riječ i vrijeme
i umrlog konja tihi sap
mraz i jutra plameno sjeme
i promrzlog dodira kap

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Ti imaš svoja srca Marijo

Ona kucaju preko lanaca od straha
Kucaju tiho kucaju glasno
Ona kucaju preko života do praha
Kucaju neč ujno kucaju jasno

Ti imaš svoja srca Marijo
Ona se proljeć em otvaraju ko cvijet
Cvjetaju tiho preko vode polja
Ona se ruše i grade ko svijet
Što spašen reč e tvoja sam volja

Ti imaš svoja srca Marijo
Ona tiho gasnu ko svijeć e nad grobom
Sumrakom ranim na vjetru od riječ i
I tiho se bude pod skutom sa tobom
Melemom ljubavi srce da se liječ i

Ti imaš svoja srca Marijo
Kucaju nevino u kolijevci od krvi
Smrti se ne daju a humkom zidana
Da svjetlost vide kad dan im prvi
Ozari srca rukom tvojom vidana

Ti imaš svoja srca Marijo
Ona kucaju preko lanaca od straha
Kucaju tiho kucaju glasno
Ona kucaju preko života do praha
Kucaju neč ujno kucaju jasno

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Raspuce

Zaiskriš li pod tišinom
Vatrom tihom gaziš svijet
Prodišeš li ko pod tminom
Pod njom čekaš neboplet

Prosijaš li zrncem sjaja
Sjajem isti zove put
Završiš li put do kraja
Nebu tihom nađeš skut

Očešljaš li žuta klasja
Ko u miru plave kose
Tad misao put obasja
I same te oči nose

©Miroslava Odalović

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Lament

We like death
It’s a God given gift
Bestowed upon us
God given Mercy

We die like butterflies
Burn them easily on a fire in a sec
We die silently like plants
We die loudly
Like waterfall blood
We die in the rocks

Sagacity is one our side
For we know
That it’s just in a second
Playing the role of sense
On Earth everything can be shattered
And that we didn’t choose
That God takes ones in his arms
And lets the others testify

We are the verdict of the surviving tyrants
We are the masters of our masters
Though our graves are too narrow
In the box of their secrets

Shelter is on our side
For we know
There’s no shelter on Earth
Therefore we like death
It’s a God given gift
Bestowed upon us
God given Mercy
Therefore we die
And recognize our children
By death only

Mi volimo smrt
Ona nam je od Boga velika Milost
Veliko uzdarje

Mi ginemo ko leptiri
Tanke nogice za cas na vatri sprzimo
Ginemo tiho kao biljke
Uz huku krvi ko slap
U stijenama ginemo

Mudrost je na nasoj strani
Jer mi znamo
Da na zemlji samo tren
Igra ulogu smisla
Da Bog jedne
Pod svoje okrilje uzme
A ostali zive da svjedoce

Mi smo osuda prezivjelih tirana
Nasih smo gospodara gospodari
Iako u skrinjama njihovih tajni
Groblja su nam tijesna

Sigurnost je na nasoj strani
Jer mi znamo
Da na zemlji zaklona nema
Zato mi volimo smrt
Ona nam je od Boga veliko uzdraje
Velika Milost
Zato mi ginemo
I djecu svoju po smrti prepoznajemo

Written inn 1999.

(Dedicated to the victims of NATO bombing Serbia 1999.)

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A leaf of hope

Between the being and memory
A memo's hit against a human
And the crumbs of waiting

Between the foreboding and the first darkness
Like a shadow
Alone with the burden of silence

Between the morning and awakening
Star-like he carries the cross
A leaf of hope


Travka nadanja

Izmedu bica i sjecanja
O covjeka razbi se pomen
I truni cekanja

Izmedju slutnje i prve tmine
Ko sjenka
Sam s teretom tišine

Izmedu jutra i nudenja
Zvjezdano nosi svoj krst
Travka nadanja

1994.
©Miroslava Odalovic

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