Ode VI: To William Hall, Esquire: With The Works Of Chaulieu
I.
Attend to Chaulieu's wanton lyre;
While, fluent as the sky-lark sings
When first the morn allures it's wings,
The epicure his theme pursues:
And tell me if, among the choir
Whose music charms the banks of Seine,
So full, so free, so rich a strain
E'er dictated the warbling Muse?
II.
Yet, Hall, while thy judicious ear
Admires the well-dissembled art
That can such harmony impart
To the lame pace of Gallic rhymes;
While wit from affectation clear,
Bright images, and passions true,
Recall to thy assenting view
The envied bards of nobler times;
III.
Say, is not oft his doctrine wrong?
This priest of pleasure, who aspires
To lead us to her sacred fires,
Knows he the ritual of her shrine?
Say (her sweet influence to thy song
So may the goddess still afford)
Doth she consent to be ador'd
With shameless love and frantic wine?
IV.
Nor Cato, nor Chrysippus here
Need we in high indignant phrase
From their Elysian quiet raise;
But pleasure's oracle alone
Consult; attentive, not severe.
O pleasure, we blaspheme not thee;
Nor emulate the rigid knee
Which bends but at the Stoic throne.
V.
We own had fate to man assign'd
Nor sense, nor wish but what obey
Or Venus soft or Bacchus gay,
Then might our bard's voluptuous creed
Most aptly govern human kind:
Unless perchance what he hath sung
Of tortur'd joints and nerves unstrung,
Some wrangling heretic should plead.
VI.
But now with all these proud desires
For dauntless truth and and honest fame;
With that strong master of our frame,
The inexorable judge within,
What can be done? Alas, ye fires
Of love; alas, ye rosy smiles,
Ye nectar'd cups from happier soils,
—Ye have no bribe his grace to win.
poem by Mark Akenside
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In Imitation Of Anacreon
Let 'em Censure: what care I?
The Herd of Criticks I defie.
Let the Wretches know, I write
Regardless of their Grace, or Spight.
No, no: the Fair, the Gay, the Young
Govern the Numbers of my Song.
All that They approve is sweet:
And All is Sense, that They repeat.
Bid the warbling Nine retire:
Venus, String thy Servant's Lyre:
Love shall be my endless Theme:
Pleasure shall triumph over Fame:
And when these Maxims I decline,
Apollo, may Thy Fate be Mine:
May I grasp at empty Praise;
And lose the Nymph, to gain the Bays.
poem by Matthew Prior
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Joy and Pleasure
Now, joy is born of parents poor,
And pleasure of our richer kind;
Though pleasure's free, she cannot sing
As sweet a song as joy confined.
Pleasure's a Moth, that sleeps by day
And dances by false glare at night;
But Joy's a Butterfly, that loves
To spread its wings in Nature's light.
Joy's like a Bee that gently sucks
Away on blossoms its sweet hour;
But pleasure's like a greedy Wasp,
That plums and cherries would devour.
Joy's like a Lark that lives alone,
Whose ties are very strong, though few;
But Pleasure like a Cuckoo roams,
Makes much acquaintance, no friends true.
Joy from her heart doth sing at home,
With little care if others hear;
But pleasure then is cold and dumb,
And sings and laughs with strangers near.
poem by William Henry Davies
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Oh! Blame Not the Bard
Oh! blame not the bard, if he fly to the bowers
Where Pleasure lies, carelessly smiling at Fame;
He was born for much more, and in happier hours
His soul might have burn'd with a holier flame.
The string, that now languishes loose o'er the lyre,
Might have bent a proud bow to the warrior's dart;
And the lip, which now breathes but the song of desire
Might have pour'd the full tide of a patriot's heart.
But alas for his country! -- her pride is gone by,
And that spirit is broken which never would bend;
O'er the ruin her children in secret must sigh,
For 'tis treason to love her, and death to defend.
Unprized are her sons, till they've learn'd to betray;
Undistinguish'd they live, if they shame not their sires;
And the torch, that would light them through dignity's way,
Must be caught from the pile where their country expires.
Then blame not the bard, if in pleasure's soft dream
He should try to forget what he never can heal:
Oh! give but a hope -- let a vista but gleam
Through the gloom of his country, and mark how he'll feel!
That instant, his heart at her shrine would lay down
Every passion it nursed, every bliss it adored;
While the myrtle, now idly entwined with his crown,
Like the wreath of Harmodius, should cover his sword.
But though glory be gone, and though hope fade away,
Thy name, loved Erin, shall live in his songs;
Not even in the hour when his heart is most gay
Will he lose the remembrance of thee and thy wrongs.
The stranger shall hear thy lament on his plains;
The sign of thy harp shall be sent o'er the deep,
Till thy masters themselves, as they rivet thy chains,
Shall pause at the song of their captive, and weep!
poem by Thomas Moore
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To Mr. Vaughan, Silurist on His Poems
Had I ador'd the multitude, and thence
Got an antipathy to wit and sence,
And hug'd that fate, in hope the world would grant
'Twas good -- affection to be ignorant;
Yet the least ray of thy bright fancy seen
I had converted, or excuseless been:
For each birth of thy muse to after-times
Shall expatiate for all this age's crimes.
First shines the Armoret, twice crown'd by thee,
Once by they Love, next by Poetry;
Where thou the best of Unions dost dispence:
Truth cloth'd in wit, and Love in innocence.
So that the muddyest Lovers may learn here,
No fountains can be sweet that are not clear.
Then Juvenall reviv'd by thee declares
How flat man's Joys are, and how mean his cares;
And generously upbraids the world that they
Should such a value for their ruine pay.
But when thy sacred muse diverts her quill,
The Lantskip to design of Zion-Hill;32
As nothing else was worthy her or thee,
So we admire almost t'Idolatry.
What savage brest would not be rapt to find
Such Jewells insuch Cabinets enshrind'?
Thou (fill'd with joys too great to see or count)
Descend'st from thence like Moses from the Mount,
And with a candid, yet unquestioned aw,
Restorlst the Golden Age when Verse was Law.
Instructing us, thou so secur'st thy fame,
That nothing can distrub it but my name;
Nay I have hoped that standing so near thine
'Twill lose its drosse, and by degrees refine ...
"Live, till the disabused world consent
All truths of use, or strength, or ornament,
Are with such harmony by thee displaid,
As the whole world was first by number made
And from the charming rigour thy Muse brings
Learn there's no pleasure but in serious things.
poem by Katherine Philips
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An Ode, On the Death of Mr. Henry Purcell
Late Servant to his Majesty, and Organist of the Chapel Royal, and of St. Peter's Westminster
I
Mark how the Lark and Linnet Sing,
With rival Notes
They strain their warbling Throats,
To welcome in the Spring.
But in the close of Night,
When Philomel begins her Heav'nly lay,
They cease their mutual spite,
Drink in her Music with delight,
And list'ning and silent, and silent and list'ning,
And list'ning and silent obey.
II
So ceas'd the rival Crew when Purcell came,
They Sung no more, or only Sung his Fame.
Struck dumb they all admir'd the God-like Man,
The God-like Man,
Alas, too soon retir'd,
As He too late began.
We beg not Hell, our Orpheus to restore,
Had He been there,
Their Sovereign's fear
Had sent Him back before.
The pow'r of Harmony too well they know,
He long e'er this had Tun'd their jarring Sphere,
And left no Hell below.
III
The Heav'nly Choir, who heard his Notes from high,
Let down the Scale of Music from the Sky:
They handed him along,
And all the way He taught, and all the way they Sung.
Ye Brethren of the Lyre, and tuneful Voice,
Lament his Lot: but at your own rejoice.
Now live secure and linger out your days,
The Gods are pleas'd alone with Purcell's Lays,
Nor know to mend their Choice.
poem by John Dryden
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Lines On Observing A Blossom On The First Of February, 1796
Sweet flower! that peeping from thy russet stem
Unfoldest timidly, (for in strange sort
This dark, frieze-coated, hoarse, teeth-chattering month
Hath borrowed Zephyr's voice, and gazed upon thee
With blue voluptuous eye) alas poor flower!
These are but flatteries of the faithless year.
Perchance, escaped its unknown polar cave,
E'en now the keen north-east is on its way.
Flower that must perish! shall I liken thee
To some sweet girl of too, too rapid growth,
Nipped by consumption mid untimely charms?
Or to Bristowa's bard, the wond'rous boy!
As amaranth, which earth scarce seemed to own,
Till disappointment come, and pelting wrong
Beat it to earth? or with indignant grief
Shall I compare thee to poor Poland's hope,
Bright flower of hope killed in the opening bud?
Farewell, sweet blossom! better fate be thine
And mock my boding! Dim similitudes
Weaving in moral strains, I've stolen one hour
From anxious self, life's cruel taskmaster!
And the warm wooings of this sunny day
Tremble along my frame, and harmonize
The attempered organ, that even saddest thoughts
Mix with some sweet sensations, like harsh tunes
Played deftly on a soft-toned instrument.
poem by Samuel Taylor Coleridge
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To Romance
Parent of golden dreams, Romance!
Auspicious Queen of childish joys,
Who lead'st along, in airy dance,
Thy votive train of girls and boys;
At length, in spells no longer bound,
I break the fetters of my youth;
No more I tread thy mystic round,
But leave thy realms for those of Truth.
And yet 'tis hard to quit the dreams
Which haunt the unsuspicious soul,
Where every nymph a goddess seems,
Whose eyes through rays immortal roll;
While Fancy holds her boundless reign,
And all assume a varied hue;
When Virgins seem no longer vain,
And even Woman's smiles are true.
And must we own thee, but a name,
And from thy hall of clouds descend?
Nor find a Sylph in every dame,
A Pylades in every friend?
But leave, at once, thy realms of air i
To mingling bands of fairy elves;
Confess that woman's false as fair,
And friends have feeling for---themselves?
With shame, I own, I've felt thy sway;
Repentant, now thy reign is o'er;
No more thy precepts I obey,
No more on fancied pinions soar;
Fond fool! to love a sparkling eye,
And think that eye to truth was dear;
To trust a passing wanton's sigh,
And melt beneath a wanton's tear!
Romance! disgusted with deceit,
Far from thy motley court I fly,
Where Affectation holds her seat,
And sickly Sensibility;
Whose silly tears can never flow
For any pangs excepting thine;
Who turns aside from real woe,
To steep in dew thy gaudy shrine.
Now join with sable Sympathy,
With cypress crown'd, array'd in weeds,
Who heaves with thee her simple sigh,
Whose breast for every bosom bleeds;
And call thy sylvan female choir,
To mourn a Swain for ever gone,
Who once could glow with equal fire,
But bends not now before thy throne.
Ye genial Nymphs, whose ready tears
On all occasions swiftly flow;
Whose bosoms heave with fancied fears,
With fancied flames and phrenzy glow
Say, will you mourn my absent name,
Apostate from your gentle train
An infant Bard, at least, may claim
From you a sympathetic strain.
Adieu, fond race! a long adieu!
The hour of fate is hovering nigh;
E'en now the gulf appears in view,
Where unlamented you must lie:
Oblivion's blackening lake is seen,
Convuls'd by gales you cannot weather,
Where you, and eke your gentle queen,
Alas! must perish altogether.
My Gentle Harp
My gentle Harp, once more I waken
The sweetness of thy slumbering strain;
In tears our last farewell was taken,
And now in tears we meet again.
No light of joy hath o'er thee broken,
But, like those harps whose heavenly skill
Of slavery, dark as thine, hath spoken,
Thou hang'st upon the willows still.
And yet, since last thy chord resounded,
An hour of peace and triumph came,
And many an ardent bosom bounded
With hopes -- that now are turn'd to shame.
Yet even then, while Peace was singing
Her halcyon song o'er land and sea,
Though joy and hope to others bringing,
She only brought new tears to thee.
Then, who can ask for notes of pleasure,
My drooping Harp, from chords like thine?
Alas, the lark's gay morning measure
As ill would suit the swan's decline!
Or how shall I, who love, who bless thee,
Invoke thy breath for Freedom's strains,
When even the wreaths in which I dress thee
Are sadly mix'd -- half flowers, half chains?
But come -- if yet thy frame can borrow
One breath of joy, oh, breathe for me,
And show the world, in chains and sorrow,
How sweet thy music still can be;
How gaily, even 'mid gloom surrounding,
Thou yet canst wake at pleasure's thrill --
Like Memnon's broken image sounding,
'Mid desolation tunefull still!
poem by Thomas Moore
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A Friend's Song for Simoisius
The breath of dew, and twilight's grace,
Be on the lonely battle-place;
And to so young, so kind a face,
The long, protecting grasses cling!
(Alas, alas,
The one inexorable thing!)
In rocky hollows cool and deep,
The bees our boyhood hunted sleep;
The early moon from Ida's steep
Comes to the empty wrestling-ring.
(Alas, alas,
The one inexorable thing!)
Upon the widowed wind recede
No echoes of the shepherd's reed,
And children without laughter lead
The war-horse to the watering.
(Alas, alas,
The one inexorable thing!)
Thou stranger Ajax Telamon!
What to the loveliest hast thou done,
That ne'er with him a maid may run
Across the marigolds in spring?
(Alas, alas,
The one inexorable thing!)
With footstep separate and slow
The father and the mother go,
Not now upon an urn they know
To mingle tears for comforting.
(Alas, alas,
The one inexorable thing!)
The world to me has nothing dear
Beyond the namesake river here:
O Simois is wild and clear!
And to his brink my heart I bring;
(Alas, alas,
The one inexorable thing!)
My heart no more, if that might be
Would stay his waters from the sea,
To cover Troy, to cover me,
To save us from the perishing.
(Alas, alas,
The one inexorable thing!)
poem by Louise Imogen Guiney
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Astrophel And Stella-First Song
Doubt you to whom my Muse these notes intendeth,
Which now my breast o'ercharged to music lendeth?
To you, to you, all song of praise is due;
Only in you my song begins and endeth.
Who hath the eyes which marry state with pleasure?
Who keeps the key of Nature's chiefest treasure?
To you, to you, all song of praise is due;
Only for you the heaven forgat all measure.
Who hath the lips where wit in fairness reigneth?
Who womankind at once both decks and staineth?
To you, to you, all song of praise is due;
Only by you Cupid his crown maintaineth.
Who hath the feet whose step all sweetness planteth?
Who else, for whom Fame worthy trumpets wanteth?
To you, to you, all song of praise is due;
Only to you her sceptre Venus granteth.
Who hath the breast whose milk doth passions nourish?
Whose grace is such that when it chides doth cherish?
To you, to you, all song of praise is due;
Only through you the tree of life doth flourish.
Who hath the hand which without stroke subdueth?
Who long-dead beauty with increase reneweth?
To you, to you, all song of praise is due;
Only at you all envy hopeless rueth.
Who hath the hair which, loosest, fastest tieth?
Who makes a man live then glad when he dieth?
To you, to you, all song of praise is due;
Only of you the flatterer never lieth.
Who hath the voice which soul from senses sunders?
Whose force but yours the bolts of beauty thunders?
To you, to you, all song of praise is due;
Only with you not miracles are wonders.
Doubt you to whom my Muse these notes intendeth,
Which now my breast o'ercharged to music lendeth?
To you, to you, all song of praise is due;
Only in you my song begins and endeth.
poem by Philip Sidney
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The Wandering Bard
What life like that of the bard can be --
The wandering bard, who roams as free
As the mountain lark that o'er him sings,
And, like that lark a music brings,
Within him, where'er he comes or goes --
A fount that for ever flows!
The world's to him like some playground,
Where fairies dance their moonlight round; --
It dimm'd the turf where late they trod;
The elves but seek some greener sod;
So, when less bright his scene of glee,
To another away flies he!
Oh, what would have been young Beauty's doom
Without a bard to fix her bloom?
They tell us, in the moon's bright round,
Things lost in this dark world are found;
So charms, on earth long pass'd and gone,
In the poet's lay live on. --
Would you have smiles that ne'er grow dim?
You've only to give them all to him,
Who, with but a touch of Fancy's wand,
Can lend them life, this life beyond.
And fix them high, in Poesy's sky --
Young stars that never die!
Then welcome the bard where'er he comes,
For, though he hath countless airy homes,
To which his wing excursive roves,
Yet still, from time to time, he loves
To light upon earth and find such cheer
As brightens our banquet here.
No matter how far, how fleet he flies,
You've only to light up kind young eyes,
Such signal-fires as here are given--
And down he'll drop from Fancy's heaven,
The minute such call to love or mirth
Proclaim's he's wanting on the earth!
poem by Thomas Moore
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Elegy VI. To Charles Diodati, When He Was Visiting In The Country (Translated From Milton)
With no rich viands overcharg'd, I send
Health, which perchance you want, my pamper'd friend;
But wherefore should thy Muse tempt mine away
From what she loves, from darkness into day?
Art thou desirous to be told how well
I love thee, and in verse? Verse cannot tell.
For verse has bounds, and must in measure move;
But neither bounds nor measure knows my love.
How pleasant in thy lines described appear
December's harmless sports and rural cheer!
French spirits kindling with caerulean fires,
And all such gambols as the time inspires!
Think not that Wine against good verse offends;
The Muse and Bacchus have been always friends,
Nor Phoebus blushes sometimes to be found
With Ivy, rather than with Laurel, crown'd.
The Nine themselves oftimes have join'd the song
And revels of the Bacchanalian throng.
Not even Ovid could in Scythian air
Sing sweetly--why? no vine would flourish there.
What in brief numbers sang Anacreon's muse?
Wine, and the rose, that sparkling wine bedews.
Pindar with Bacchus glows--his every line
Breathes the rich fragrance of inspiring wine,
While, with loud crash o'erturn'd, the chariot lies
And brown with dust the fiery courser flies.
The Roman lyrist steep'd in wine his lays
So sweet in Glycera's, and Chloe's praise.
Now too the plenteous feast, and mantling bowl
Nourish the vigour of thy sprightly soul;
The flowing goblet makes thy numbers flow,
And casks not wine alone, but verse, bestow.
Thus Phoebus favours, and the arts attend
Whom Bacchus, and whom Ceres, both befriend.
What wonder then, thy verses are so sweet,
In which these triple powers so kindly meet.
The lute now also sounds, with gold inwrought,
And touch'd with flying Fingers nicely taught,
In tap'stried halls high-roof'd the sprightly lyre
Directs the dancers of the virgin choir.
If dull repletion fright the Muse away,
Sights, gay as these, may more invite her stay;
And, trust me, while the iv'ry keys resound,
Fair damsels sport, and perfumes steam around,
Apollo's influence, like ethereal flame
Shall animate at once thy glowing frame,
And all the Muse shall rush into thy breast,
By love and music's blended pow'rs possest.
For num'rous pow'rs light Elegy befriend,
Hear her sweet voice, and at her call attend;
Her, Bacchus, Ceres, Venus, all approve,
And with his blushing Mother, gentle Love.
Hence, to such bards we grant the copious use
Of banquets, and the vine's delicious juice.
But they who Demigods and Heroes praise
And feats perform'd in Jove's more youthful days,
Who now the counsels of high heav'n explore,
Now shades, that echo the Cerberean roar,
Simply let these, like him of Samos live,
Let herbs to them a bloodless banquet give;
In beechen goblets let their bev'rage shine,
Cool from the chrystal spring, their sober wine!
Their youth should pass, in innocence, secure
From stain licentious, and in manners pure,
Pure as the priest's, when robed in white he stands
The fresh lustration ready in his hands.
Thus Linus liv'd, and thus, as poets write,
Tiresias, wiser for his loss of sight,
Thus exil'd Chalcas, thus the bard of Thrace,
Melodious tamer of the savage race!
Thus train'd by temp'rance, Homer led, of yore,
His chief of Ithaca from shore to shore,
Through magic Circe's monster-peopled reign,
And shoals insidious with the siren train;
And through the realms, where griesly spectres dwell,
Whose tribes he fetter'd in a gory spell;
For these are sacred bards, and, from above,
Drink large infusions from the mind of Jove.
Would'st thou (perhaps 'tis hardly worth thine ear)
Would'st thou be told my occupation here?
The promised King of peace employs my pen,
Th'eternal cov'nant made for guilty men,
The new-born Deity with infant cries
Filling the sordid hovel, where he lies;
The hymning Angels, and the herald star
That led the Wise who sought him from afar,
And idols on their own unhallow'd floor
Dash'd at his birth, to be revered no more!
This theme on reeds of Albion I rehearse;
The dawn of that blest day inspired the verse;
Verse that, reserv'd in secret, shall attend
Thy candid voice, my Critic and my Friend!
poem by William Cowper
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Silence is in Our Festal Halls
Silence is in our festal halls --
Sweet son of song! thy course is o'er;
In vain on thee sad Erin calls,
Her minstrel's voice responds no more; --
All silent as the Eolian shell
Sleeps at the close of some bright day,
When the sweet breeze, that waked its swell
At sunny morn, hath died away.
Yet, at our feasts, thy spirit long,
Awaked by music's spell, shall rise;
For, name so link'd with deathless song
Partakes its charm and never dies;
And even within the holy fane,
When music wafts the soul to heaven,
One thought to him, whose earliest strain
Was echoed there, shall long be given.
But where is now the cheerful day,
The social night, when by thy side,
He who now weaves this parting lay
His skilless voice with thine allied;
And sung those songs whose every tone,
When bard and minstrel long have past,
Shall still, in sweetness all their own,
Embalm'd by fame, undying last.
Yes, Erin, shine alone the fame --
Or, if thy bard have shared the crown,
From thee the borrow'd glory came,
And at thy feet is now laid down.
Enough, if Freedom still inspire,
His latest song, and still there be,
As evening closes round his lyre,
One ray upon its chords from thee.
poem by Thomas Moore
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Ode X: To Thomas Edwards, Esquire: On The Late Edition Of Mr. Pope's Work
I.
Believe me, Edwards, to restrain
The licence of a railer's tongue
Is what but seldom men obtain
By sense or wit, by prose or song:
A task for more Herculean powers,
Nor suited to the sacred hours
Of leisure in the Muse's bowers.
II.
In bowers where laurel weds with palm,
The Muse, the blameless queen, resides:
Fair fame attends, and wisdom calm
Her eloquence harmonious guides:
While, shut for ever from her gate,
Oft trying, still repining, wait
Fierce envy and calumnious hate.
III.
Who then from her delightful bounds
Would step one moment forth to heed
What impotent and savage sounds
From their unhappy mouths proceed?
No: rather Spenser's lyre again
Prepare, and let thy pious strain
For Pope's dishonor'd shade complain.
IV.
Tell how displeas'd was every bard,
When lately in the Elysian grove
They of his Muse's guardian heard,
His delegate to fame above;
And what with one accord they said
Of wit in drooping age misled,
And Warburton's officious aid:
V.
How Virgil mourn'd the sordid fate
To that melodious lyre assign'd
Beneath a tutor who so late
With Midas and his rout combin'd
By spiteful clamor to confound
That very lyre's enchanting sound,
Though listening realms admir'd around:
VI.
How Horace own'd he thought the fire
Of his friend Pope's satiric line
Did farther fuel scarce require
From such a militant divine:
How Milton scorn'd the sophist vain
Who durst approach his hallow'd strain
With unwash'd hands and lips profane.
VII.
Then Shakespear debonnair and mild
Brought that strange comment forth to view;
Conceits more deep, he said and smil'd,
Than his own fools or madmen knew:
But thank'd a generous friend above,
Who did with free adventurous love
Such pageants from his tomb remove.
VIII.
And if to Pope, in equal need,
The same kind office thou would'st pay,
Then, Edwards, all the band decreed
That future bards with frequent lay
Should call on thy auspicious name,
From each absurd intruder's claim
To keep inviolate their fame.
poem by Mark Akenside
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Matrimony
There is an awe in mortals' joy,
A deep mysterious fear
Half of the heart will still employ,
As if we drew too near
To Eden's portal, and those fires
That bicker round in wavy spires,
Forbidding, to our frail desires,
What cost us once so dear.
We cower before th' heart-searching eye
In rapture as its pain;
E'en wedded Love, till Thou be nigh,
Dares not believe her gain:
Then in the air she fearless springs,
The breath of Heaven beneath her wings,
And leaves her woodnote wild, and sings
A tuned and measured strain.
Ill fare the lay, though soft as dew
And free as air it fall,
That, with Thine altar full in view,
Thy votaries would enthrall
To a foul dream, of heathen night,
Lifting her torch in Love's despite,
And scaring with base wild-fire light
The sacred nuptial hall.
Far other strains, far other fires,
Our marriage-offering grace;
Welcome, all chaste and kind desires,
With even matron pace
Approaching down this hallowed aisle!
Where should ye seek Love's perfect smile,
But where your prayers were learned erewhile,
In her own native place?
Where, but on His benignest brow,
Who waits to bless you here?
Living, he owned no nuptial vow,
No bower to Fancy dear:
Love's very self--for Him no need
To nurse, on earth, the heavenly seed:
Yet comfort in His eye we read
For bridal joy and fear.
'Tis He who clasps the marriage band,
And fits the spousal ring,
Then leaves ye kneeling, hand in hand,
Out of His stores to bring
His Father's dearest blessing, shed
Of old on Isaac's nuptial bed,
Now on the board before ye spread
Of our all-bounteous King.
All blessings of the breast and womb,
Of Heaven and earth beneath,
Of converse high, and sacred home,
Are yours, in life and death.
Only kneel on, nor turn away
From the pure shrine, where Christ to-day
Will store each flower, ye duteous lay,
For an eternal wreath.
poem by John Keble
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A Song for St. Cecilia's Day
FROM harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
'Arise, ye more than dead!'
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.
What passion cannot Music raise and quell?
When Jubal struck the chorded shell,
His listening brethren stood around,
And, wondering, on their faces fell
To worship that celestial sound:
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly, and so well.
What passion cannot Music raise and quell?
The trumpet's loud clangour
Excites us to arms,
With shrill notes of anger,
And mortal alarms.
The double double double beat
Of the thundering drum
Cries Hark! the foes come;
Charge, charge, 'tis too late to retreat!
The soft complaining flute,
In dying notes, discovers
The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.
Sharp violins proclaim
Their jealous pangs and desperation,
Fury, frantic indignation,
Depth of pains, and height of passion,
For the fair, disdainful dame.
But O, what art can teach,
What human voice can reach,
The sacred organ's praise?
Notes inspiring holy love,
Notes that wing their heavenly ways
To mend the choirs above.
Orpheus could lead the savage race;
And trees unrooted left their place,
Sequacious of the lyre;
But bright Cecilia rais'd the wonder higher:
When to her organ vocal breath was given,
An angel heard, and straight appear'd
Mistaking Earth for Heaven.
GRAND CHORUS.
As from the power of sacred lays
The spheres began to move,
And sung the great Creator's praise
To all the Blest above;
So when the last and dreadful hour
This crumbling pageant shall devour,
The trumpet shall be heard on high,
The dead shall live, the living die,
And Music shall untune the sky!
poem by John Dryden
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Ode X: To The Muse
I.
Queen of my songs, harmonious maid,
Ah why hast thou withdrawn thy aid?
Ah why forsaken thus my breast
With inauspicious damps oppress'd?
Where is the dread prophetic heat,
With which my bosom wont to beat?
Where all the bright mysterious dreams
Of haunted groves and tuneful streams,
That woo'd my genius to divinest themes?
II.
Say, goddess, can the festal board,
Or young Olympia's form ador'd;
Say, can the pomp of promis'd fame
Relume thy faint, thy dying flame?
Or have melodious airs the power
To give one free, poetic hour?
Or, from amid the Elysian train,
The soul of Milton shall i gain,
To win thee back with some celestial strain?
III.
O powerful strain! o sacred soul!
His numbers every sense controul:
And now again my bosom burns;
The Muse, the Muse herself returns.
Such on the banks of Tyne, confess'd,
I hail'd the fair immortal guest,
When first she seal'd me for her own,
Made all her blissful treasures known,
And bade me swear to follow Her alone.
poem by Mark Akenside
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Alas! So All Things Now Do Hold Their Peace
Alas! so all things now do hold their peace,
Heaven and earth disturbed in nothing.
The beasts, the air, the birds their song do cease,
The night{:e}s chare the stars about doth bring.
Calm is the sea, the waves work less and less:
So am not I, whom love, alas, doth wring,
Bringing before my face the great increase
Of my desires, whereat I weep and sing
In joy and woe, as in a doubtful ease.
For my sweet thoughts sometime do pleasure bring,
But by and by the cause of my disease
Gives me a pang that inwardly doth sting,
When that I think what grief it is again
To live and lack the thing should rid my pain.
poem by Henry Howard
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Corinne at the Capitol
DAUGHTER of th' Italian heaven!
Thou, to whom its fires are given,
Joyously thy car hath roll'd
Where the conqueror's pass'd of old;
And the festal sun that shone,
O'er three hundred triumphs gone,
Makes thy day of glory bright,
With a shower of golden light.
Now thou tread'st th' ascending road,
Freedom's foot so proudly trode;
While, from tombs of heroes borne,
From the dust of empire shorn,
Flowers upon thy graceful head,
Chaplets of all hues, are shed,
In a soft and rosy rain,
Touch'd with many a gem-like stain.
Thou hast gain'd the summit now!
Music hails thee from below;
Music, whose rich notes might stir
Ashes of the sepulchre;
Shaking with victorious notes
All the bright air as it floats.
Well may woman's heart beat high
Unto that proud harmony!
Now afar it rolls-it dies-
And thy voice is heard to rise
With a low and lovely tone
In its thrilling power alone;
And thy lyre's deep silvery string,
Touched as by a breeze's wing,
Murmurs tremblingly at first,
Ere the tide of rapture burst.
All the spirit of thy sky
Now hath lit thy large dark eye,
And thy cheek a flush hath caught
From the joy of kindled thought;
And the burning words of song
From thy lip flow fast and strong,
With a rushing stream's delight
In the freedom of its might.
Radiant daughter of the sun!
Now thy living wreath is won.
Crown'd of Rome!-Oh! art thou not
Happy in that glorious lot?-
Happier, happier far than thou,
With the laurel on thy brow,
She that makes the humblest hearth
Lovely but to one on earth!
poem by Felicia Dorothea Hemans
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Concerning Resolution
Happy the man whose firm resolves obtain
Assisting Grace to burst his sinfull chain
For him the Days with golden minutes glow
Tis his the Land where milk & hony flow
Justice & mercy piety & peace
Attend his workes & crown them with success
He hopes the best that is for heavn prepard
& wants no bliss while virtue can reward
That purpled hour which ushers in the light
& that which shuts its beautys up in night
Still hears him pray still sees his actions right
For him they still on easy minutes speed
& as they move for him the rest succeed
But most Alas by vain opinion lead
Ore the wild maze of erring passions tread
& now to this & now to that we go
& each desire & neither rightly know
& act irresolute in all we do
& seldom stay to search our objects through
Desire is vain & wanton free to range
Fond of a Chace & fond the Chace to Change
By turns a thousand inclinations rise
& each by turns as impotently dies
Now thought grows wild if loose Aminta's kind
Shee spreads her Charms & captivates the mind
Anon Aminta leaves the thought at ease
No more her aires & soft Allurements please
We love reclining in ye shady bowers
by running waters near sweet banks of flowrs
To surfeit nature with full bowles of wine
& with forcd appetites on bliss refine
Then buisy then fantastically wise
Then to be some thing else we streight devise
For Fancy still undreind affors supplys
tis thus if reason from the throne be gon
The madd affections bear their master on
His life proves restless & his labour vain
By hurrying after Phantomes of the brain
So the brave Falcon when its glorys fade
When its strong wings their generous forces shed
The vacant holds ignobler birds supply
With Ravens feathers impd she mounts on high
& weak or giddy strayes along the sky
In Every Change indeed resolves we make
But those resolves to settle newer break
By contradictions thus we seem to live
Nor want the colour of a cause to give
Kind heav'n forgive us when for what we do
We woud debauch our knack of reasning too
When int'rest does on thought its force dispence
When pleasure beats upon the dazzled sence
Our resolutions oft in vain are made
Kind heavn forgive the fault & lend thine aid.
If by thy law we must temptations find
If these must try the temper of the mind
We begg thee not to change thy good decree
We begg for pardon or support from thee
Our wisdome never shoud thy ways confine
but thus confess & humbly rest in thine
Tis well theres tryalls since the mans so proud
& since he's weak tis well theres Grace allowd.
poem by Thomas Parnell
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