En.Citatepedia^®.ro

In Imitation Of Anacreon

Let 'em Censure: what care I?
The Herd of Criticks I defie.
Let the Wretches know, I write
Regardless of their Grace, or Spight.
No, no: the Fair, the Gay, the Young
Govern the Numbers of my Song.
All that They approve is sweet:
And All is Sense, that They repeat.
Bid the warbling Nine retire:
Venus, String thy Servant's Lyre:
Love shall be my endless Theme:
Pleasure shall triumph over Fame:
And when these Maxims I decline,
Apollo, may Thy Fate be Mine:
May I grasp at empty Praise;
And lose the Nymph, to gain the Bays.

poem by Matthew Prior
Submitted by Poetry Lover
Vote! | Copy!

The Story of Phœbus and Daphne, Applied

Thyrsis, a youth of the inspired train,
Fair Sacharissa lov'd, but lov'd in vain;
Like Phœbus sung the no less amorous boy;
Like Daphne she, as lovely, and as coy;
With numbers he the flying nymph pursues,
With numbers such as Phœbus' self might use;
Such is the chase when Love and Fancy leads,
O'er craggy mountains, and through flow'ry meads;
Invok'd to testify the lover's care,
Or form some image of his cruel fair:
Urg'd with his fury, like a wounded deer,
O'er these he fled; and now approaching near,
Had reach'd the nymph with his harmonious lay,
Whom all his charms could not incline to stay.
Yet what he sung in his immortal strain,
Though unsuccessful, was not sung in vain;
All but the nymph that should redress his wrong,
Attend his passion, and approve his song.
Like Phœbus thus, acquiring unsought praise,
He catch'd at love, and fill'd his arm with bays.

poem by Edmund Waller
Submitted by Poetry Lover
Vote! | Copy!

Ode VI: To William Hall, Esquire: With The Works Of Chaulieu

I.
Attend to Chaulieu's wanton lyre;
While, fluent as the sky-lark sings
When first the morn allures it's wings,
The epicure his theme pursues:
And tell me if, among the choir
Whose music charms the banks of Seine,
So full, so free, so rich a strain
E'er dictated the warbling Muse?

II.
Yet, Hall, while thy judicious ear
Admires the well-dissembled art
That can such harmony impart
To the lame pace of Gallic rhymes;
While wit from affectation clear,
Bright images, and passions true,
Recall to thy assenting view
The envied bards of nobler times;

III.
Say, is not oft his doctrine wrong?
This priest of pleasure, who aspires
To lead us to her sacred fires,
Knows he the ritual of her shrine?
Say (her sweet influence to thy song
So may the goddess still afford)
Doth she consent to be ador'd
With shameless love and frantic wine?

IV.
Nor Cato, nor Chrysippus here
Need we in high indignant phrase
From their Elysian quiet raise;
But pleasure's oracle alone
Consult; attentive, not severe.
O pleasure, we blaspheme not thee;
Nor emulate the rigid knee
Which bends but at the Stoic throne.

V.
We own had fate to man assign'd
Nor sense, nor wish but what obey
Or Venus soft or Bacchus gay,
Then might our bard's voluptuous creed
Most aptly govern human kind:
Unless perchance what he hath sung
Of tortur'd joints and nerves unstrung,
Some wrangling heretic should plead.

VI.
But now with all these proud desires
For dauntless truth and and honest fame;
With that strong master of our frame,
The inexorable judge within,
What can be done? Alas, ye fires
Of love; alas, ye rosy smiles,
Ye nectar'd cups from happier soils,
—Ye have no bribe his grace to win.

poem by Mark Akenside
Submitted by Poetry Lover
Vote! | Copy!

To Edward Jenkinson, Esq

Fair Youth! who wish the Wars may cease,
We own you better form'd for Peace.
Nor Pallas you, nor Mars shou'd follow;
Your Gods are Cupid and Apollo;
Who give sweet Looks, and early Rhimes,
Bespeaking Joys, and Halcyon Times.
Your Face, which We, as yet, may praise,
Calls for the Myrtle, and the Bays.
The Martial Crowns Fatigues demand,
And laurell'd Heroes must be tann'd;
A Fate, we never can allow
Shou'd reach your pleasing, polish'd Brow.
But granting what so young you've writ,
From Nature flow'd, as well as Wit;
And that indeed you Peace pursue,
We must begin to Treat with you.

We Females, Sir, it is I mean:
Whilst I, like BRISTOL for the QUEEN,
For all the Ladies of your Age
As Plenipo' betimes engage;
And as first Article declare,
You shall be Faithful as you're Fair:
No Sighs, when you shall know their Use,
Shall be discharg'd in Love's Abuse;
Nor kindling Words shall undermine,
Till you in equal Passion join.
Nor Money be alone your Aim,
Tho' you an Over-weight may claim,
And fairly build on your Desert,
If with your Person goes your Heart.
But when this Barrier I have gain'd,
And trust it will be well maintain'd;
Who knows, but some imprudent She
Betraying what's secur'd by me,
Shall yield thro' Verse, or stronger Charms,
To Treat anew on easier Terms?

And I be negligently told–
You was too Young, and I too Old,
To have our distant Maxims hold.

poem by Anne Kingsmill Finch
Submitted by Poetry Lover
Vote! | Copy!

For love of you my lute was strung

FOR love of you my lute was strung,
When singing days were fair and young,
When life and hope and song were new,
And all were sweet for love of you.
For love of you from June to June
My heart beat to a triumph tune,
And music rose by sea and land,
In answer to a victor's hand.
For love of you from sun to sun,
I strove to sing when songs were done,
And on each failing string my tears
Burnt silence, through the empty years.
But broken now 'neath evening skies,
My lute for ever tuneless lies,
And I but mourn the songs I knew,
Which were so sweet for love of you.

poem by Dollie Radford
Submitted by Poetry Lover
Vote! | Copy!

An Ode

The merchant, to secure his treasure,
Conveys it in a borrowed name:
Euphelia serves to grace my measure;
But Cloe is my real flame.

My softest verse, my darling lyre
Upon Euphelia's toilet lay;
When Cloe noted her desire,
That I should sing, that I should play.

My lyre I tune, my voice I raise;
But with my numbers mix my sighs:
And whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.

Fair Cloe blushed: Euphelia frowned:
I sung and gazed: I played and trembled:
And Venus to the Loves around
Remarked, how ill we all dissembled.

poem by Matthew Prior
Submitted by Poetry Lover
Vote! | Copy!

The Merchant, To Secure His Treasure

The merchant, to secure his treasure,
Conveys it in a borrowed name:
Euphelia serves to grace my measure,
But Cloe is my real flame.

My softest verse, my darling lyre
Upon Euphelia's toilet lay—
When Cloe noted her desire
That I should sing, that I should play.

My lyre I tune, my voice I raise,
But with my numbers mix my sighs;
And whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.

Fair Cloe blushed; Euphelia frowned:
I sung, and gazed; I played, and trembled:
And Venus to the Loves around
Remarked how ill we all dissembled.

poem by Matthew Prior
Submitted by Poetry Lover
Vote! | Copy!

An Ode. The Merchant, To Secure

The merchant, to secure his treasure,
Conveys it in a borrow'd name:
Euphelia serves to grace my measure:
But Cloe is my real flame.

My softest verse, my darling lyre,
Upon Euphelia's toilet lay;
When Cloe noted her desire,
That I should sing, that I should play.

My lyre I tune, my voice I raise,
But with my numbers mix my sighs;
And, whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.

Fair Cloe blush'd: Euphelia frown'd:
I sung, and gazed: I play'd, and trembled:
And Venus to the Loves around
Remark'd how ill we all dissembled.

poem by Matthew Prior
Submitted by Poetry Lover
Vote! | Copy!

Sonnet 82: Nymph Of The Garden

Nymph of the garden where all beauties be,
Beauties which do in excellency pass
His who till death look'd in a wat'ry glass,
Or hers, whom naked the Trojan boy did see;

Sweet garden nymph, which keeps the cherry tree
Whose fruit doth far th'Hesperian taste surpass;
Most sweet-fair, most fair-sweet, do not alas,
From coming near those cherries banish me:

For though full of desire, empty of wit,
Admitted late by your best-graced Grace,
I caught at one of them a hungry bit,

Pardon that fault. Once more grant me the place
And I do swear e'en by the same delight,
I will but kiss, I never more will bite.

poem by Philip Sidney
Submitted by Poetry Lover
Vote! | Copy!

Cantata. Set By Mons. Galliard

Recit.
Beneath a verdant laurel's ample shade
His lyre to mournful numbers strung,
Horace, immortal bard supinely laid,
To Venus thus address'd the song;
Ten thousand little loves around,
Listening dwelt on every sound.

Ariet.
Potent Venus, bid thy son
Sound no more his dire alarms:
Youth on silent wings is flown;
Graver years come rolling on,
Spare my age unfit for arms:
Safe and humble let me rest,
From all amorous care released.
Potent Venus, bid thy son
Sound no more his dire alarms.

Recit.
Yet, Venus, why do I each morn prepare
The fragrant wreath for Cloe's hair?
Why, why do I all day lament and sigh,
Unless the beauteous maid be nigh?
And why all night pursue her in my dreams
Through flowery meads and crystal streams?

Recit.
Thus sung the bard, and thus the goddess spoke:
Submissive bow to Love's imperious yoke;
Every state and every age
Shall own my rule and fear my rage:
Compell'd by me, thy Muse shall prove
That all the world was born to love.

Ariet.
Bid thy destined lyre discover
Soft desire and gentle pain:
Often praise, and always love her;
Through her ear her heart obtain.
Verse shall please and sight shall move her,
Cupid does with Phoebus reign.

poem by Matthew Prior
Submitted by Poetry Lover
Vote! | Copy!

Song

THE merchant, to secure his treasure,
   Conveys it in a borrow'd name:
Euphelia serves to grace my measure;
   But Chloe is my real flame.

My softest verse, my darling lyre,
   Upon Euphelia's toilet lay;
When Chloe noted her desire
   That I should sing, that I should play.

My lyre I tune, my voice I raise;
   But with my numbers mix my sighs:
And while I sing Euphelia's praise,
   I fix my soul on Chloe's eyes.

Fair Chloe blush'd: Euphelia frown'd:
   I sung, and gazed: I play'd, and trembled:
And Venus to the Loves around
   Remark'd, how ill we all dissembled.

poem by Matthew Prior
Submitted by Poetry Lover
Vote! | Copy!

Apollo And The Graces

APOLLO

WHICH of the fairest three
To-day will ride with me?
My steeds are all pawing at the threshold of the morn:
Which of the fairest three
To-day will ride with me
Across the gold Autumn's whole Kingdom of corn?

THE GRACES all answer

I will, I - I - I
young Apollo let me fly
Along with thee,
I will- I, I, I,
The many wonders see
I - I - I - I
And thy lyre shall never have a slackened string:
I, I, I, I,
Thro' the golden day will sing.

poem by John Keats
Submitted by Poetry Lover
Vote! | Copy!

To Mrs. Strangeways Horner, With A Letter From My Son;

O thou, with ev'ry Virtue grac'd,
Adorn'd with Wit, and Sense, and Taste;
Who, with a Goodness unconfin'd,
Delight'st in blessing human Kind,
Whose Woes so oft thy Peace destroy;
'Tis just, thou shouldst partake their Joy:
Then in my Transport deign to share;
Behold this Letter from my Heir:
There see the Picture of a Mind,
In Duty, as in Arts, refin'd;
Who, in full Triumph, could submit
His Trophies at his Parent's Feet.
So he, in Roman Story fam'd,
Who from Corioli was nam'd,
With Joy engag'd in glorious Toils,
To glad his Mother with the Spoils:
Her Son, by Roman Arms, o'ercame;
By Roman Arts, mine soars to Fame.

Methinks, I see your Friendship rise,
And sparkle in your lovely Eyes.
Your Heir! (I hear you now repeat)
I long to know of your Estate.
Say--Is it an Hibernian Bog,
Where Phoebus seldom shines for Fog?

HORTENSIA, there he sometimes shines;
But oft'ner hides his Head, and pines,
On happier Climes to look, nor see
Such dismal Scenes of Poverty;
Nor see an Isle, by Nature bless'd,
By ill--judg'd Policy oppress'd;
Her Trade usurp'd by foreign Lands,
Whilst Albion fast ties up her Hands:
Nor see her Sons in Science skill'd,
And yet her Posts by Strangers fill'd.

But, since of my Estate you ask,
The Answer is no easy Task,
Criticks, not Lawyers, are to show,
Whether my Title's good, or no.
Ovid has long ago defin'd,
What Lands are to the Muse assign'd:
'Tis but a barren Soil, 'tis true,
Not such as Heav'n bestow'd on You;
(Yet, Miser--like, our Lands you seize,
And win, but will not wear, the Bays
A steep, a slipp'ry, dang'rous Hill,
Which we, alas! are climbing still;
Still think there's better Land up higher,
Which all would gain, but few acquire.
If low or beaten Paths we trace,
We're deem'd an abject, grov'ling Race:
And oft, when we attempt to soar,
We miss our Aim, and fall the lower:
Tho' some by magic Numbers found
The Art to gain the highest Ground;
Yet most of those, alas! we know,
Had Cause to wish they'd stay'd below;
Rather than be exalted there,
To starve in pure poetic Air;
Whilst tasteless Wights, in Valleys fed,
Despise the Wits in Want of Bread.

Yet sometimes we in Story find
An Instance of a noble Mind,
That made Apollo's Shrine its Care,
And bless'd the Tribe that worshipp'd there.
High in the deathless Lists of Fame,
Revere the godlike Sidney's Name:
There Dorset, and Southampton, view;
And there the Poets Montagu.
Eliza paid her Spencer's Toil
With Acres of Hibernian Soil:
And now illustrious Caroline
Resolves to raise the drooping Nine;
With Pleasure saw the lab'ring Hind
Studious to cultivate his Mind;
And deign'd to smile on rural Lines,
Where so much native Beauty shines.

HORTENSIA, I revere your Friend:
May Blessings on her Head descend,
Who made a Peasant's Merit known,
And plac'd the Poor before the Throne:
Thus imitates the Pow'r Divine,
And proves her Soul ally'd to thine.

poem by Mary Barber
Submitted by Poetry Lover
Vote! | Copy!

Astrophel And Stella-First Song

Doubt you to whom my Muse these notes intendeth,
Which now my breast o'ercharged to music lendeth?
To you, to you, all song of praise is due;
Only in you my song begins and endeth.

Who hath the eyes which marry state with pleasure?
Who keeps the key of Nature's chiefest treasure?
To you, to you, all song of praise is due;
Only for you the heaven forgat all measure.

Who hath the lips where wit in fairness reigneth?
Who womankind at once both decks and staineth?
To you, to you, all song of praise is due;
Only by you Cupid his crown maintaineth.

Who hath the feet whose step all sweetness planteth?
Who else, for whom Fame worthy trumpets wanteth?
To you, to you, all song of praise is due;
Only to you her sceptre Venus granteth.

Who hath the breast whose milk doth passions nourish?
Whose grace is such that when it chides doth cherish?
To you, to you, all song of praise is due;
Only through you the tree of life doth flourish.

Who hath the hand which without stroke subdueth?
Who long-dead beauty with increase reneweth?
To you, to you, all song of praise is due;
Only at you all envy hopeless rueth.

Who hath the hair which, loosest, fastest tieth?
Who makes a man live then glad when he dieth?
To you, to you, all song of praise is due;
Only of you the flatterer never lieth.

Who hath the voice which soul from senses sunders?
Whose force but yours the bolts of beauty thunders?
To you, to you, all song of praise is due;

Only with you not miracles are wonders.

Doubt you to whom my Muse these notes intendeth,
Which now my breast o'ercharged to music lendeth?
To you, to you, all song of praise is due;
Only in you my song begins and endeth.

poem by Philip Sidney
Submitted by Poetry Lover
Vote! | Copy!

Fame

As recorded by david bowie
Fame, makes a man take things over.
Fame, let's him lose, hard to swallow.
Fame, puts you there where things are hollow.
Fame.
Fame,
It's not your brain, it's just a flame,
That burns your change to keep you insane.
Fame.
Fame, what you like is in the limo.
Fame, what you get is no tomorrow.
Fame, what you need you have to borrow.
Fame.
Fame,
Now it's mine, it's just his line
To bind your time it drives you to crime.
Fame.
Is it any wonder
I reject you first?
Fame, fame, fame, fame.
Is it any wonder
You are too cool to fool?
Fame.
Fame,
Bully for you,
Chilly for me,
Got to get a raincheck on pain.
Fame.
Fame, fame, fame, fame, fame, fame, fame, fame, fame, fame,
Fame, fame, fame, fame, fame, fame, fame, fame, fame, fame,
Fame, fame, fame, - fame.
What's your name?
(fame, fame)
(fame, fame)

song performed by by Yoko Ono
Submitted by Lucian Velea
Vote! | Copy!

Fame

As recorded by david bowie
Fame, makes a man take things over.
Fame, let's him lose, hard to swallow.
Fame, puts you there where things are hollow.
Fame.
Fame,
It's not your brain, it's just a flame,
That burns your change to keep you insane.
Fame.
Fame, what you like is in the limo.
Fame, what you get is no tomorrow.
Fame, what you need you have to borrow.
Fame.
Fame,
Now it's mine, it's just his line
To bind your time it drives you to crime.
Fame.
Is it any wonder
I reject you first?
Fame, fame, fame, fame.
Is it any wonder
You are too cool to fool?
Fame.
Fame,
Bully for you,
Chilly for me,
Got to get a raincheck on pain.
Fame.
Fame, fame, fame, fame, fame, fame, fame, fame, fame, fame,
Fame, fame, fame, fame, fame, fame, fame, fame, fame, fame,
Fame, fame, fame, - fame.
What's your name?
(fame, fame)
(fame, fame)

song performed by by Yoko Ono
Submitted by Lucian Velea
Vote! | Copy!

To Mr. Addison on His Opera of Rosamond

______ Ne fortè pudori
Sit tibi Musa lyræ solers, & cantor Apollo.

The Opera first Italian masters taught,
Enrich'd with songs, but innocent of thought;
Britannia's learned theatre disdains
Melodious trifles, and enervate strains;
And blushes, on her injur'd stage to see
Nonsense well-tun'd, and sweet stupidity.
No charms are wanting to thy artful song,
Soft as Corelli, and as Virgil strong.
From Words so sweet new grace the notes receive,
And Music borrows helps, she us'd to give.

Thy style hath match'd what ancient Romans knew,
Thy flowing numbers far excel the new.
Their cadence in such easy sound convey'd,
The height of thought may seem superfluous aid;
Yet in such charms the noble thoughts abound,
That needless seem the sweets of easy sound.
Landscapes how gay the bowery grotto yields,
Which thought creates, and lavish fancy builds!
What art can trace the visionary scenes,
The flowery groves, and everlasting greens,

The babbling sounds that mimic echo plays,
The fairy shade, and its eternal maze?
Nature and Art in all their charms combin'd,
And all Elysium to one view confin'd!
No further could imagination roam,
Till Vanbrugh fram'd, and Marlborough rais'd the dome.
Ten thousand pangs my anxious bosom tear,
When drown'd in tears I see th' imploring fair;
When bards less soft the moving words supply,
A seeming justice dooms the nymph to die;

But here she begs, nor can she beg in vain
(In dirges thus expiring swans complain);
Each verse so swells expressive of her woes,
And every tear in lines so mournful flows;
We, spite of fame, her fate revers'd believe,
O'erlook her crimes, and think she ought to live.
Let joy salute fair Rosamonda's shade,
And wreaths of myrtle crown the lovely maid.
While now perhaps with Dido's ghost she roves,
And hears and tells the story of their loves,

Alike they mourn, alike they bless their fate,
Since Love, which made them wretched, makes them great.
Nor longer that relentless doom bemoan,
Which gain'd a Virgil, and an Addison.
Accept, great monarch of the British lays,
The tribute song an humble subject pays.
So tries the artless lark her early flight,
And soars, to hail the god of verse and light.
Unrivall'd, as unmatch'd, be still thy fame,
And thy own laurels shade thy envy'd name:

Thy name, the boast of all the tuneful quire,
Shall tremble on the strings of every lyre;
While the charm'd reader with thythought complies,
Feels corresponding joys or sorrows rise,
And views thy Rosamond with Henry's eyes.

poem by Thomas Tickell
Submitted by Poetry Lover
Vote! | Copy!

To His Noble Friend, Mr. Richard Lovelace, Upon His Poems

Sir,
Our times are much degenerate from those
Which your sweet muse with your fair fortune chose,
And as complexions alter with the climes,
Our wits have drawn the infection of our times.
That candid age no other way could tell
To be ingenious, but by speaking well.
Who best could praise had then the greatest praise,
'Twas more esteemed to give than bear the bays:
Modest ambition studied only then
To honour not herself but worthy men.
These virtues now are banished out of town,
Our Civil Wars have lost the civic crown.
He highest builds, who with most art destroys,
And against others' fame his own employs.
I see the envious caterpillar sit
On the fair blossom of each growing wit.

The air's already tainted with the swarms
Of insects which against you rise in arms:
Word-peckers, paper-rats, book-scorpions,
Of wit corrupted, the unfashioned sons.
The barbèd censurers begin to look
Like the grim consistory on thy book;
And on each line cast a reforming eye,
Severer than the young presbytery.
Till when in vain they have thee all perused,
You shall, for being faultless, be accused.
Some reading your Lucasta will allege
You wronged in her the House's privelege.
Some that you under sequestration are,
And one the book prohibits, because Kent
Their first petition by the author sent.

But when the beauteous ladies came to know
That their dear Lovelace was endangered so:
Lovelace that thawed the most congealèd breast --
He who loved best and them defended best,
Whose hand so rudely grasps the steely brand,
Whose hand most gently melts the lady's hand --
They all in mutiny though yet undressed
Sallied, and would in his defence contest.
And one, the loveliest that was yet e'er seen,
Thinking that I too of the rout had been,
Mine eyes invaded with a female spite,
(She knew what pain 'twould cause to lose that sight.)
`O no, mistake not,' I replied, `for I
In your defence, or in his cause, would die.'
But he, secure of glory and of time,
Above their envy, or mine aid, doth climb.
Him valiant'st men and fairest nymphs approve;
His book in them finds judgement, with you love.

poem by Andrew Marvell
Submitted by Poetry Lover
Vote! | Copy!

Sonnet 75: Of All The Kings

Of all the kings that ever here did reign,
Edward nam'd Fourth, as first in praise I name;
Not for his fair outside, nor well-lin'd brain,
Although less gifts imp feathers oft on Fame:

Nor that he could young-wise, wise-valiant frame
His sire's revenge, join'd with a kingdom's gain;
And, gain'd by Mars, could yet mad Mars so tame,
That balance weigh'd what sword did late obtain;

Nor that he made the Flow'r-de-luce so 'fraid,
Though strongly hedg'd of bloody Lion's paws,
That witty Lewis to him a tribute paid;

Nor this, nor that, nor any such small cause,
But only for this worthy knight durst prove
To lose his crown, rather than fail his love.

poem by Philip Sidney
Submitted by Poetry Lover
Vote! | Copy!

The songster

Music, music with throb and swing,
Of a plaintive note, and long;
'Tis a note no human throat could sing,
No harp with its dulcet golden string,--
Nor lute, nor lyre with liquid ring,
Is sweet as the robin's song.

He sings for love of the season
When the days grow warm and long,
For the beautiful God-sent reason
That his breast was born for song.

Calling, calling so fresh and clear,
Through the song-sweet days of May;
Warbling there, and whistling here,
He swells his voice on the drinking ear,
On the great, wide, pulsing atmosphere
Till his music drowns the day.

He sings for love of the season
When the days grow warm and long,
For the beautiful God-sent reason
That his breast was born for song.

poem by Emily Pauline Johnson
Submitted by Poetry Lover
Vote! | Copy!

A Song For St. Cecilia's Day, At Oxford

I.
Cecilia, whose exalted hymns
With joy and wonder fill the blest,
In choirs of warbling seraphims
Known and distinguish'd fom the rest;
Attend, harmonious saint, and see
Thy vocal sons of harmony;
Attend, harmonious saint, and hear our prayers;
Enliven all our earthly airs,
and, as thou sing'st thy God, teach us to sing of thee:
Tune every string and every tongue,
Be thou the Muse and subject of our song.

II.
Let all Cecilia's praise proclaim,
Enploy the echo in her name.
Hark how the flutes and trumpets raise,
At bright Cecilia's name, their lays;
The organ labours in her praise.
Cecilia's name does all our numbers grace,
From every voice the tuneful accents fly,
In soaring trebles now it rises high,
And now it sinks, and dwells upon the base.
Cecilia's name through all the notes we sing,
The work of every skilful tongue
The sound of every trembling string,
The sound and triumph of our song.

III.
For ever consecrate the day,
To music and Cecilia;
Music, the greatest good that mortals know,
And all of heaven we have below.
Music can noble hints impart,
Engender fury, kindle love;
With unsuspected eloquence can move,
And manage all the man with secret art.
When Orpheus strikes the trembling lyre
The streams stand still, the stones admire;
The listening savages advance,
The world and lamb around him trip
The bears in aukward measures leap,
And tigers mingle in the dance
The moving woods attended as he played
And Rhodope was left without a shade.

IV.
Music religious heats inspires,
It wakes the soul, and lifts it high,
And wings it with sublime desires,
And fits it to bespeak the Deity.
Th' Almighty listens to a tuneful tongue,
And seems well-pleas'd and courted with a song.
Soft moving sounds and heavenly airs
Give forece to every word, and recommend our prayers
When time itself shall be no more,
And all things in confusion hurl'd,
Music shall then exert its power,
And sound survive the ruins of the world:
Then saints and angels shall agree
In one eternal jubilee:
All heaven shall echo with their hymns divine,
And God himself with pleasure see
The whole creation in a chorus join.

C H O R U S.
Consecrate the place and day,
To music and Cecilia Let no rough winds approach, nor dare
Invade the hallow'd bounds,
Nor rudely shake the tuneful air,
Nor spoil the fleeting sounds.
Nor mournful sigh nor groan be heard,
But gladness dwell on every tongue;
Whilst all, with voice and strings prepar'd,
Keep u; the loud harmonious song.
And imitate the blest above,
In joy, and harmony, and love.

poem by Joseph Addison
Submitted by Poetry Lover
Vote! | Copy!