John Dryden

An Ode, On the Death of Mr. Henry Purcell

Late Servant to his Majesty, and Organist of the Chapel Royal, and of St. Peter's Westminster

I

Mark how the Lark and Linnet Sing,
With rival Notes
They strain their warbling Throats,
To welcome in the Spring.
But in the close of Night,
When Philomel begins her Heav'nly lay,
They cease their mutual spite,
Drink in her Music with delight,
And list'ning and silent, and silent and list'ning,
And list'ning and silent obey.

II

So ceas'd the rival Crew when Purcell came,
They Sung no more, or only Sung his Fame.
Struck dumb they all admir'd the God-like Man,
The God-like Man,
Alas, too soon retir'd,
As He too late began.
We beg not Hell, our Orpheus to restore,
Had He been there,
Their Sovereign's fear
Had sent Him back before.
The pow'r of Harmony too well they know,
He long e'er this had Tun'd their jarring Sphere,
And left no Hell below.

III

The Heav'nly Choir, who heard his Notes from high,
Let down the Scale of Music from the Sky:
They handed him along,
And all the way He taught, and all the way they Sung.
Ye Brethren of the Lyre, and tuneful Voice,
Lament his Lot: but at your own rejoice.
Now live secure and linger out your days,
The Gods are pleas'd alone with Purcell's Lays,
Nor know to mend their Choice.

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John Dryden

A Song for St. Cecilia's Day

FROM harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
'Arise, ye more than dead!'
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.

What passion cannot Music raise and quell?
When Jubal struck the chorded shell,
His listening brethren stood around,
And, wondering, on their faces fell
To worship that celestial sound:
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly, and so well.
What passion cannot Music raise and quell?

The trumpet's loud clangour
Excites us to arms,
With shrill notes of anger,
And mortal alarms.
The double double double beat
Of the thundering drum
Cries Hark! the foes come;
Charge, charge, 'tis too late to retreat!

The soft complaining flute,
In dying notes, discovers
The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.

Sharp violins proclaim
Their jealous pangs and desperation,
Fury, frantic indignation,
Depth of pains, and height of passion,
For the fair, disdainful dame.

But O, what art can teach,
What human voice can reach,
The sacred organ's praise?
Notes inspiring holy love,
Notes that wing their heavenly ways
To mend the choirs above.

Orpheus could lead the savage race;
And trees unrooted left their place,
Sequacious of the lyre;
But bright Cecilia rais'd the wonder higher:
When to her organ vocal breath was given,
An angel heard, and straight appear'd
Mistaking Earth for Heaven.

GRAND CHORUS.

As from the power of sacred lays
The spheres began to move,
And sung the great Creator's praise
To all the Blest above;
So when the last and dreadful hour
This crumbling pageant shall devour,
The trumpet shall be heard on high,
The dead shall live, the living die,
And Music shall untune the sky!

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Alexander Pope

Ode on St. Cecilia's Day

I.
Descend ye Nine! descend and sing;
The breathing instruments inspire,
Wake into voice each silent string,
And sweep the sounding lyre!
In a sadly-pleasing strain
Let the warbling lute complain:
Let the loud trumpet sound,
'Till the roofs all around
The shrill echo's rebound:
While in more lengthen'd notes and slow,
The deep, majestic, solemn organs blow.
Hark! the numbers, soft and clear,
Gently steal upon the ear;
Now louder, and yet louder rise,
And fill with spreading sounds the skies;
Exulting in triumph now swell the bold notes,
In broken air, trembling, the wild music floats;
'Till, by degrees, remote and small,
The strains decay,
And melt away,
In a dying, dying fall.

II.
By Music, minds an equal temper know,
Nor swell too high, nor sink too low.
If in the breast tumultuous joys arise,
Music her soft, assuasive voice applies;
Or when the soul is press'd with cares,
Exalts her in enlivening airs.
Warriors she fires with animated sounds;
Pours balm into the bleeding lover's wounds:
Melancholy lifts her head,
Morpheus rouzes from his bed,
Sloth unfolds her arms and wakes,
List'ning Envy drops her snakes;
Intestine war no more our Passions wage,
And giddy Factions hear away their rage.

III.
But when our Country's cause provokes to Arms,
How martial music ev'ry bosom warms!
So when the first bold vessel dar'd the seas,
High on the stern the Thracian rais'd his strain,
While Argo saw her kindred trees
Descend from Pelion to the main.
Transported demi-gods stood round,
And men grew heroes at the sound,
Enflam'd with glory's charms:
Each chief his sev'nfold shield display'd,
And half unsheath'd the shining blade:
And seas, and rocks, and skies rebound
To arms, to arms, to arms!

IV.
But when thro' all th'infernal bounds
Which flaming Phlegeton surrounds,
Love, strong as Death, the Poet led
To the pale nations of the dead,
What sounds were heard,
What scenes appear'd,
O'er all the dreary coasts!
Dreadful gleams,
Dismal screams,
Fires that glow,
Shrieks of woe,
Sullen moans,
Hollow groans,
And cries of tortur'd ghosts!
But hark! he strikes the golden lyre;
And see! the tortur'd ghosts respire,
See, shady forms advance!
Thy stone, O Sysiphus, stands still,
Ixion rests upon his wheel,
And the pale spectres dance!
The Furies sink upon their iron beds,
And snakes uncurl'd hang list'ning round their heads.

V.
By the streams that ever flow,
By the fragrant winds that blow
O'er th' Elysian flow'rs,
By those happy souls who dwell
In yellow meads of Asphodel,
Or Amaranthine bow'rs,
By the hero's armed shades,
Glitt'ring thro' the gloomy glades,
By the youths that dy'd for love,
Wand'ring in the myrtle grove,
Restore, restore Eurydice to life;
Oh take the husband, or return the wife!
He sung, and hell consented
To hear the Poet's pray'r;
Stern Proserpine relented,
And gave him back the fair.
Thus song could prevail
O'er death and o'er hell,
A conquest how hard and how glorious?
Tho' fate had fast bound her
With Styx nine times round her,
Yet music and love were victorious.

VI.
But soon, too soon, the lover turns his eyes:
Again she falls, again she dies, she dies!
How wilt thou now the fatal sisters move?
No crime was thine, if 'tis no crime to love.
Now under hanging mountains,
Beside the falls of fountains,
Or where Hebrus wanders,
Rolling in Maeanders,
All alone,
Unheard, unknown,
He makes his moan;
And calls her ghost,
For ever, ever, ever lost!
Now with Furies surrounded,
Despairing, confounded,
He trembles, he glows,
Amidst Rhodope's snows:
See, wild as the winds, o'er the desart he flies;
Hark! Haemus resounds with the Bacchanals cries -
- Ah see, he dies!
Yet ev'n in death Eurydice he sung,
Eurydice still trembled on his tongue,
Eurydice the woods,
Eurydice the floods,
Eurydice the rocks, and hollow mountains rung.

VII.
Music the fiercest grief can charm,
And fate's severest rage disarm:
Music can soften pain to ease,
And make despair and madness please:
Our joys below it can improve,
And antedate the bliss above.
This the divine Cecilia found,
And to her Maker's praise confin'd the sound.
When the full organ joins the tuneful quire,
Th'immortal pow'rs incline their ear;
Borne on the swelling notes our souls aspire,
While solemn airs improve the sacred fire;
And Angels lean from heav'n to hear.
Of Orpheus now no more let Poets tell,
To bright Cecilia greater pow'r is giv'n;
His numbers rais'd a shade from hell,
Hers lift the soul to heav'n.

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A Song For All

A dream lets out a clarion call
For a song for all - you and me.
A song for all is sometimes not to be sung.
It needs no singer nor any music.
A song for all needs no listener either.
It`s often heard from within.

A song for all is often silent
As no torrents thereof transmounts the minds.
A song for all sometimes cristalises into a mute babe.
Then it cries for our care later.
A silent wave of a song not sung
Craves for an entry into our spirit stubborn.

The notes firm for a life time
Make the song unsung a nightingale sweetly dumb.
Your breath substantiates a life`s tale.
If I miss to feel it, I miss to hear a song.
Dear mortal enlightened, have a mind
To breathe your song into my indifferences.

A song sung for ourselves for once
Will make the cuckoo nostalgic ever,
And she will come to our dwelling places
To absorb the new notes unlearnt earlier.
A song for all may be a dream,
But its mute riches have no reverses.

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Alexander Pope

Winter - The Fourth Pastoral, or Daphne

Lycidas.
Thyrsis, the music of that murm'ring spring,
Is not so mournful as the strains you sing.
Nor rivers winding thro' the vales below,
So sweetly warble, or so smoothly flow.
Now sleeping flocks on their soft fleeces lie,
The moon, serene in glory, mounts the sky,
Wile silent birds forget their tuneful lays,
Oh sing of Daphne's fate, and Daphne's praise!

Thyrsis.
Behold the groves that shine with silver frost,
Their beauty wither'd, and their verdure lost.
Here shall I try the sweet Alexis' strain,
That call'd the list'ning Dryads to the plain?
Thames heard the numbers as he flow'd along,
And bade his willows learn the moving song.

Lycidas.
So may kind rains their vital moisture yield,
And swell the future harvest of the field.
Begin; this charge the dying Daphne gave,
And said; 'Ye shepherds, sing around my grave!
Sing, while beside the shaded tomb I mourn,
And with fresh bays her rural shrine adorn.'

Thyrsis.
Ye gentle Muses, leave your crystal spring,
Let Nymphs and Sylvans cypress garlands bring;
Ye weeping Loves, the stream with myrtles hide,
And break your vows, as when Adonis died;
And with your golden darts, now useless grown,
Inscribe a verse on this relenting stone:
'Let nature change, let heav'n and earth deplore,
Fair Daphne's dead, and love is now no more!'
'Tis done, and nature's various charms decay,
See gloomy clouds obscure the cheerful day!
Now hung with pearls the dropping trees appear,
Their faded honours scatter'd on her bier.
See, where on earth the flow'ry glories lie,
With her they flourish'd, and with her they die.
Ah what avail the beauties nature wore?
Fair Daphne's dead, and beauty is no more!
For her the flocks refuse their verdant food,
Nor thirsty heifers seek the gliding flood.
The silver swans her hapless fate bemoan,
In notes more sad than when they sing their own;
In hollow caves sweet Echo silent lies,
Silent, or only to her name replies;
Her name with pleasure once she taught the shore,
Now Daphne's dead, and pleasure is no more!
No grateful dews descend from ev'ning skies,
Nor morning odours from the flow'rs arise;
No rich perfumes refresh the fruitful field,
Nor fragrant herbs their native incense yield.
The balmy Zephyrs, silent since her death,
Lament the ceasing of a sweeter breath;
Th' industrious bees neglect their golden store;
Fair Daphne's dead, and sweetness is no more!
No more the mounting larks, while Daphne sings,
Shall list'ning in mid air suspend their wings;
No more the birds shall imitate her lays,
Or hush'd with wonder, hearken from the sprays;
No more the streams their murmur shall forbear,
A sweeter music than their own to hear,
But tell the reeds, and tell the vocal shore,
Fair Daphne's dead, and music is no more!
Her fate is whisper'd by the gentle breeze,
And told in sighs to all the trembling trees;
The trembling trees, in ev'ry plain and wood,
Her fate remurmur to the silver flood;
The silver flood, so lately calm, appears
Swell'd with new passion, and o'erflows with tears;
The winds and trees and floods her death deplore,
Daphne, our grief! our glory now no more!
But see! where Daphne wond'ring mounts on high
Above the clouds, above the starry sky!
Eternal beauties grace the shining scene,
Fields ever fresh, and groves for ever green!
There while you rest in Amaranthine bow'rs,
Or from those meads select unfading flow'rs,
Behold us kindly, who your name implore,
Daphne, our Goddess, and our grief no more!

Lycidas.
How all things listen, while thy Muse complains!
Such silence waits on Philomela's strains,
In some still ev'ning, when the whisp'ring breeze
Pants on the leaves, and dies upon the trees.
To thee, bright goddess, oft a lamb shall bleed,
If teeming ewes increase my fleecy breed.
While plants their shade, or flow'rs their odours give,
Thy name, thy honour, and thy praise shall live!

Thyrsis.
But see, Orion sheds unwholesome dews,
Arise, the pines a noxious shade diffuse;
Sharp Boreas blows, and Nature feels decay,
Time conquers all, and we must Time obey.
Adieu, ye vales, ye mountains, streams and groves,
Adieu, ye shepherd's rural lays and loves;
Adieu, my flocks, farewell ye sylvan crew,
Daphne, farewell, and all the world adieu!

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The House of Socrates

FOR Socrates a House was built,
Of but inferiour Size;
Not highly Arch'd, nor Carv'd, nor Gilt;
The Man, 'tis said, was Wise.

But Mob despis'd the little Cell,
That struck them with no Fear;
Whilst Others thought, there should not dwell
So great a Person there.

How shou'd a due Recourse be made
To One, so much Admir'd?
Where shou'd the spacious Cloth be laid,
Or where the Guests retir'd?

Believe me, quoth the list'ning Sage,
'Twas not to save the Charge;
That in this over-building Age,
My House was not more large.

But this for faithful Friends, and kind,
Was only meant by me;
Who fear that what too streight you find,
Must yet contracted be.

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Self-Deceit

My neighbour's curtain, well I see,

Is moving to and fin.
No doubt she's list'ning eagerly,

If I'm at home or no.

And if the jealous grudge I bore

And openly confess'd,
Is nourish'd by me as before,

Within my inmost breast.

Alas! no fancies such as these

E'er cross'd the dear child's thoughts.
I see 'tis but the ev'ning breeze

That with the curtain sports.

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To Maecenas

MAECENAS, you, beneath the myrtle shade,
Read o'er what poets sung, and shepherds play'd.
What felt those poets but you feel the same?
Does not your soul possess the sacred flame?
Their noble strains your equal genius shares
In softer language, and diviner airs.
While Homer paints, lo! circumfus'd in air,
Celestial Gods in mortal forms appear;
Swift as they move hear each recess rebound,
Heav'n quakes, earth trembles, and the shores resound.
Great Sire of verse, before my mortal eyes,
The lightnings blaze across the vaulted skies,
And, as the thunder shakes the heav'nly plains,
A deep felt horror thrills through all my veins.
When gentler strains demand thy graceful song,
The length'ning line moves languishing along.
When great Patroclus courts Achilles' aid,
The grateful tribute of my tears is paid;
Prone on the shore he feels the pangs of love,
And stern Pelides tend'rest passions move.
Great Maro's strain in heav'nly numbers flows,
The Nine inspire, and all the bosom glows.
O could I rival thine and Virgil's page,
Or claim the Muses with the Mantuan Sage;
Soon the same beauties should my mind adorn,
And the same ardors in my soul should burn:
Then should my song in bolder notes arise,
And all my numbers pleasingly surprise;
But here I sit, and mourn a grov'ling mind,
That fain would mount, and ride upon the wind.
Not you, my friend, these plaintive strains become,
Not you, whose bosom is the Muses home;
When they from tow'ring Helicon retire,
They fan in you the bright immortal fire,
But I less happy, cannot raise the song,
The fault'ring music dies upon my tongue.
The happier Terence* all the choir inspir'd,
His soul replenish'd, and his bosom fir'd;
But say, ye Muses, why this partial grace,
To one alone of Afric's sable race;
From age to age transmitting thus his name
With the finest glory in the rolls of fame?
Thy virtues, great Maecenas! shall be sung
In praise of him, from whom those virtues sprung:
While blooming wreaths around thy temples spread,
I'll snatch a laurel from thine honour'd head,
While you indulgent smile upon the deed.

*He was an African by birth.

As long as Thames in streams majestic flows,
Or Naiads in their oozy beds repose
While Phoebus reigns above the starry train
While bright Aurora purples o'er the main,
So long, great Sir, the muse thy praise shall sing,
So long thy praise shal' make Parnassus ring:
Then grant, Maecenas, thy paternal rays,
Hear me propitious, and defend my lays.

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To His Lady

(Who asked a Song in Spring)

WHY do you bid your poet sing,
Who has no mind to song--
Who only wants to see the Spring,
Long sought and tarrying long?
The shivering, dreary winter through
My song enshrined my vow;
If then my songs were sweet to you,
Let me be silent now!


Have I not duly sung, my dear,
Your goodness and your grace?
Now that your rival, Spring, is here,
O let me see her face!
The hedge is white with buds of May,
The fields are green with Spring,
Oh, give your bard a holiday:
He does not want to sing!


He wants to listen; all alone,
He wants to steal away
To hear the ring-doves' tender tone,
And what the thrushes say.
He wants to hear what can't be heard
When you and love are near--
The sweet Spring's soft and secret word;
Oh, let him go, my dear!

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Rose-Cheeked Laura

Rose-cheek'd Laura, come,
Sing thou smoothly with thy beauty's
Silent music, either other
Sweetly gracing.

Lovely forms do flow
From concent divinely framed;
Heav'n is music, and thy beauty's
Birth is heavenly.

These dull notes we sing
Discords need for helps to grace them;
Only beauty purely loving
Knows no discord,

But still moves delight,
Like clear springs renew'd by flowing,
Ever perfect, ever in them-
Selves eternal.

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Sonnet To Mrs. Bates

Oh, thou whose melody the heart obeys,
Thou who can'st all its subject passions move,
Whose notes to heav'n the list'ning soul can raise,
Can thrill with pity, or can melt with love!
Happy! whom nature lent this native charm;
Whose melting tones can shed with magic power,
A sweeter pleasure o'er the social hour,
The breast to softness sooth, to virtue warm-But
yet more happy! that thy life as clear
From discord, as thy perfect cadence flows;
That tun'd to sympathy, thy faithful tear,
In mild accordance falls for others woes;
That all the tender, pure affections bind
In chains of harmony, thy willing mind!

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Address To Music

OH thou! whose soft, bewitching lyre,
Can lull the sting of pain to rest;
Oh thou! whose warbling notes inspire,
The pensive muse with visions blest;
Sweet music! let thy melting airs
Enhance my joys, and sooth my cares!

Is there enchantment in thy voice,
Thy dulcet harp, thy moving measure;
To bid the mournful mind rejoice,
To raise the fairy form of pleasure?
Yes, heav'nly maid! a charm is thine,
A magic art, a spell divine!

Sweet music! when thy notes we hear,
Some dear remembrance oft they bring,
Of friends belov'd, no longer near,
And days that flew on rapture's wing;
Hours of delight that long are past,
And dreams of joy, too bright to last!

And oft 'tis thine the soul to fire,
With glory's animating flame,
Bid valor's noble sons aspire
To win th' immortal wreath of fame
Thine too, the soft, expressive tones,
That pity, tender pity owns!

Oh harmony! celestial pow'r!
Thou syren of the melting soul!
In sorrow's reign, in pleasure's hour,
My heart shall own thy blest control;
And ever let thy moving airs,
Enhance my joys and sooth my cares!

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Aphra Behn

Epitaph on the Tombstone of a Child

This Little, Silent, Gloomy Monument,
Contains all that was sweet and innocent ;
The softest pratler that e'er found a Tongue,
His Voice was Musick and his Words a Song ;
Which now each List'ning Angel smiling hears,
Such pretty Harmonies compose the Spheres;
Wanton as unfledg'd Cupids, ere their Charms
Has learn'd the little arts of doing harms ;
Fair as young Cherubins, as soft and kind,
And tho translated could not be refin'd ;
The Seventh dear pledge the Nuptial Joys had given,
Toil'd here on Earth, retir'd to rest in Heaven ;
Where they the shining Host of Angels fill,
Spread their gay wings before the Throne, and smile.

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Lift Every Voice and Sing

Lift ev'ry voice and sing,
Till earth and heaven ring,
Ring with the harmonies of Liberty;
Let our rejoicing rise
High as the list'ning skies,
Let it resound loud as the rolling sea.
Sing a song full of the faith that the dark past has taught us,
Sing a song full of the hope that the present has brought us;
Facing the rising sun of our new day begun,
Let us march on till victory is won.

Stony the road we trod,
Bitter the chast'ning rod,
Felt in the days when hope unborn had died;
Yet with a steady beat,
Have not our weary feet
Come to the place for which our fathers sighed?
We have come over a way that with tears has been watered.
We have come, treading our path through the blood of the slaughtered,
Out from the gloomy past,
Till now we stand at last
Where the white gleam of our bright star is cast.

God of our weary years,
God of our silent tears,
Thou who hast brought us thus far on the way;
Thou who hast by Thy might,
Led us into the light,
Keep us forever in the path, we pray.
Lest our feet stray from the places, our God, where we met Thee,
Lest our hearts, drunk with the wine of the world, we forget Thee;
Shadowed beneath Thy hand,
May we forever stand,
True to our God,
True to our native land.

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It's Just A Song (Lyric) :

You hear the sound of the song.
It's coming on real strong.
It gives you a sense of strength.
it filters through the air.
It lifts you off the ground.
We hear from town to town.

It's just a song-sung-long.
A sing-a-long-song-sung.
It's just a song.
it's just a song.
A sing-a-long-song-sung.
It's just a song.

It takes you out in space.
Closer to second base.
It follows through so cool.
The smoothest thing for you.
A sound that sounds so clear.
A sound you'll want to hear.

It's just a song-sung-long.
A sing-a-long-song-sung.
It's just a song.
It's just a song.
It's just a-song-sung-long.
A sing-a-long-song-sung.
It's just a song.

It sends you through the air.
A sound that makes you high.
It makes you feel so good.
A sound that always should.
Just lifts you off the ground.
We hear from town to town.

It's just a-song-sung-long.
A sing-a-long-song-sung.
It's just a song.
It's just a song.
It's just a-song-sung-long.
A sing-a-long-song-sung.
It's just a song.
it's just a song..

Song-Lyric-Poetry by Kim Robin Edwards
Copyright 1989,2009..
ALL rights reserved..

See>>www.edwardspoetry.com

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Alexander Pope

Summer

See what delights in sylvan scenes appear!
Descending Gods have found Elysium here.
In woods bright Venus with Adonis stray'd,
And chaste Diana haunts the forest shade.
Come lovely nymph, and bless the silent hours,
When swains from shearing seek their nightly bow'rs;
When weary reapers quit the sultry field,
And crown'd with corn, their thanks to Ceres yield.
This harmless grove no lurking viper hides,
But in my breast the serpent Love abides.
Here bees from blossoms sip the rosy dew,
But your Alexis knows no sweets but you.
Oh deign to visit our forsaken seats,
The mossy fountains, and the green retreats!
Where-e'er you walk, cool gales shall fan the glade,
Trees, where you sit, shall crowd into a shade,
Where-e'er you tread, the blushing flow'rs shall rise,
And all things flourish where you turn your eyes.
Oh! How I long with you to pass my days,
Invoke the muses, and resound your praise;
Your praise the birds shall chant in ev'ry grove,
And winds shall waft it to the pow'rs above.
But wou'd you sing, and rival Orpheus' strain,
The wond'ring forests soon shou'd dance again,
The moving mountains hear the pow'rful call,
And headlong streams hang list'ning in their fall!
But see, the shepherds shun the noon-day heat,
The lowing herds to murm'ring brooks retreat,
To closer shades the panting flocks remove,
Ye Gods! And is there no relief for Love?
But soon the sun with milder rays descends
To the cool ocean, where his journey ends;
On me Love's fiercer flames for ever prey,
By night he scorches, as he burns by day.

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Silence is in Our Festal Halls

Silence is in our festal halls --
Sweet son of song! thy course is o'er;
In vain on thee sad Erin calls,
Her minstrel's voice responds no more; --
All silent as the Eolian shell
Sleeps at the close of some bright day,
When the sweet breeze, that waked its swell
At sunny morn, hath died away.

Yet, at our feasts, thy spirit long,
Awaked by music's spell, shall rise;
For, name so link'd with deathless song
Partakes its charm and never dies;
And even within the holy fane,
When music wafts the soul to heaven,
One thought to him, whose earliest strain
Was echoed there, shall long be given.

But where is now the cheerful day,
The social night, when by thy side,
He who now weaves this parting lay
His skilless voice with thine allied;
And sung those songs whose every tone,
When bard and minstrel long have past,
Shall still, in sweetness all their own,
Embalm'd by fame, undying last.

Yes, Erin, shine alone the fame --
Or, if thy bard have shared the crown,
From thee the borrow'd glory came,
And at thy feet is now laid down.
Enough, if Freedom still inspire,
His latest song, and still there be,
As evening closes round his lyre,
One ray upon its chords from thee.

poem by Thomas MooreReport problemRelated quotes
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The Memory Of Burns

How sweetly come the holy psalms
From saints and martyrs down,
The waving of triumphal palms
Above the thorny crown
The choral praise, the chanted prayers
From harps by angels strung,
The hunted Cameron's mountain airs,
The hymns that Luther sung!

Yet, jarring not the heavenly notes,
The sounds of earth are heard,
As through the open minster floats
The song of breeze and bird
Not less the wonder of the sky
That daisies bloom below;
The brook sings on, though loud and high
The cloudy organs blow!

And, if the tender ear be jarred
That, haply, hears by turns
The saintly harp of Olney's bard,
The pastoral pipe of Burns,
No discord mars His perfect plan
Who gave them both a tongue;
For he who sings the love of man
The love of God hath sung!

To-day be every fault forgiven
Of him in whom we joy
We take, with thanks, the gold of Heaven
And leave the earth's alloy.
Be ours his music as of spring,
His sweetness as of flowers,
The songs the bard himself might sing
In holier ears than ours.

Sweet airs of love and home, the hum
Of household melodies,
Come singing, as the robins come
To sing in door-yard trees.
And, heart to heart, two nations lean,
No rival wreaths to twine,
But blending in eternal green
The holly and the pine!

poem by John Greenleaf WhittierReport problemRelated quotes
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Isaac Watts

Psalm III: My God, How Many Are My Fears

My God, how many are my fears!
How fast my foes increase!
Conspiring my eternal death,
They break my present peace.

The lying tempter would persuade
There's no relief from heaven;
And all my swelling sins appear
Too big to be forgiven.

But thou, my glory and my strength,
Shall on the tempter tread,
Shall silence all my threat'ning guilt,
And raise my drooping head.

I cried, and from his holy hill
He bowed a list'ning ear;
I called my Father, and my God,
And He subdued my fear.

He shed soft slumbers on mine eyes,
In spite of all my foes;
I woke, and wondered at the grace
That guarded my repose.

What through the hosts of death and hell
All armed against me stood,
Terrors no more shall shake my soul;
My refuge is my God.

Arise O Lord, fulfill thy grace,
While I thy glory sing;
My God has broke the serpent's teeth,
And death has lost his sting.

Salvation to the Lord belongs;
His arm alone can save:
Blessings attend thy people here,
And reach beyond the grave.

poem by Isaac WattsReport problemRelated quotes
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Song Sung Blue

Written by: neil diamond
Song sung blue
Everybody knows one
Song sung blue
Every garden grows one
Me and you are subject to the blues now and then
But when you take the blues and make a song
You sing them out again
Sing them out again
Song sung blue
Weeping like a willow
Song sung blue
Sleeping on my pillow
Funny thing, but you can sing it with a cry in your voice
And before you know it, start to feeling good
You simply got no choice
Song sung blue
Everybody knows one
Song sung blue
Every garden grows one

song performed by by Neil DiamondReport problemRelated quotes
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I Am ... I Said

Written by: neil diamond
Song sung blue
Everybody knows one
Song sung blue
Every garden grows one
Me and you are subject to the blues now and then
But when you take the blues and make a song
You sing them out again
Sing them out again
Song sung blue
Weeping like a willow
Song sung blue
Sleeping on my pillow
Funny thing, but you can sing it with a cry in your voice
And before you know it, start to feeling good
You simply got no choice
Song sung blue
Everybody knows one
Song sung blue
Every garden grows one

song performed by by Neil DiamondReport problemRelated quotes
Submitted by Lucian Velea
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