Tz'u No. 7

To the tune of "Rinsing Silk Stream"

Let not the deep cup be filled
with rich, amber-colored wine;
My mind was eased of sorrow
even before I was drunk.
Distant bells have already echoed
in the evening breeze.

My dream is broken
as the scent of incense vanishes.
Too small, the hairpin of the gold
of warding-off-cold
loosens its hold of my tresses.

I awake to find myself blankly facing
the red flickering glow
of the candle.

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Tz'u No. 9 (Weary)

To the tune of "Rinsing Silk Stream"

Saddened by the dying spring, I am too weary
to rearrange my hair.
Plum flowers, newly fallen, drift about the courtyard
in the evening wind.
The moon looks pale and light clouds float
to and fro.

Incense lies idle in the jade duck-shaped burner.
The cherry-red bed-curtain is drawn close,
concealing its tassels.
Can Tung-Hsi's horn still ward off the cold?

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Khalil Gibran

Joy and Sorrow chapter VIII

Then a woman said, "Speak to us of Joy and Sorrow."

And he answered:

Your joy is your sorrow unmasked.

And the selfsame well from which your laughter rises was oftentimes filled with your tears.

And how else can it be?

The deeper that sorrow carves into your being, the more joy you can contain.

Is not the cup that hold your wine the very cup that was burned in the potter's oven?

And is not the lute that soothes your spirit, the very wood that was hollowed with knives?

When you are joyous, look deep into your heart and you shall find it is only that which has given you sorrow that is giving you joy.

When you are sorrowful look again in your heart, and you shall see that in truth you are weeping for that which has been your delight.

Some of you say, "Joy is greater than sorrow," and others say, "Nay, sorrow is the greater."

But I say unto you, they are inseparable.

Together they come, and when one sits alone with you at your board, remember that the other is asleep upon your bed.

Verily you are suspended like scales between your sorrow and your joy.

Only when you are empty are you at standstill and balanced.

When the treasure-keeper lifts you to weigh his gold and his silver, needs must your joy or your sorrow rise or fall.

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Tz'u No. 8

To the tune of "Rinsing Silk Stream"

My courtyard is small, windows idle,
spring is getting old.
Screens unrolled cast heavy shadows.
In my upper-story chamber, speechless,
I play on my jasper lute.

Clouds rising from distant mountains
hasten the fall of dusk.
Gentle wind and drizzling rain
cause a pervading gloom.
Pear blossoms can hardly keep from withering,
but droop.

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Tz'u No. 15

To the tune of "Rinsing Silk Stream"

Thousands of light flakes of crushed gold
for its blossoms,
Trimmed jade for its layers of leaves.
This flower has the air of scholar Yen Fu.
How brilliant!

Plum flowers are too common;
Lilacs too coarse when compared.
Yet, its penetrating fragrance
drives away my fond dreams
of far away places.
How merciless!

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Tz'u No. 4

To the tune of "Like a Dream"

Last night a sprinkling of rain,
a violent wind.

After a deep sleep, still not recovered
from the lingering effect of wine,
I inquired of the one rolling up the screen;
But the answer came: "The cherry-apple blossoms
are still the same."

"Oh, don't you know, don't you know?
The red must be getting thin,
while the green is becoming plump."

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When Someone Says: "Alexandria"

When someone says: "Alexandria,"
I see the white walls of a house,
a small garden row of gillyflowers,
an autumn evening's pale sunlight
and hear the music of distant flutes.

When someone says: "Alexandria,"
I see stars above the hushed city,
drunken sailors in dark quarters,
a dancing girl performing the "wasp,"
and hear tambourines and the noise of fights.

When someone says "Alexandria,"
I see a pale purple sunset above the green sea,
the flickering of furry stars
and the light grey eyes beneath thick brows
that I see even when
no one says: "Alexandria!"

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How Deep Is Your Love?

Superficial, or sacrificial?
Secular, or the supernatural?
How deep is your love?
Would you give up quality of life?
Or give up life itself?
To what do we let go?
To what do we hold on?
People or objects?
How far do we go,
Before we move on?
To our breaking point,
Or until we have proven it.
Hold on to resentment,
Let go of another.
Prove our point, or to prove love.
Beauty is only skin deep.
But beautiful is at the core.
The spirit lives forever.
It endures all.
Our essence, our core, is love itself.
Given by God, as He lives inside of us.
He is buried deep,
Surrounded by lies.
Lies we have bought in a cold cruel world.
A world of shallow love.
Love of self, at the cost of another.
She walked away,
He waited.
She asked, "Why when you had me you did not want me, "
"But now I am gone, and you will fight? "
"You have changed, but it is too late."
"For I have found another."
The man replied, "The answer is simple."
"Why is it, you have me now and do not want me? "
"I have proven the truth of my love."
"I have endured a thousand deaths."
"I have risen each time."
"To become love itself."
"Not for me, but for you."
"Affection is shown, but love is assumed."
"To the superficial, love is all show."
"To the sacrificial, love is the show."
"I can tell you I love you,
"But the words have no substance."
"They disappear in thin air."
"Love is patient."
"Love as a feeling, will come and go."
"Feelings are impatient."
"It is truth that never changes."
"And love, that is true, will endure all."
"As it has since the beginning of time."
"Not as defined by society."
"But as defined by the creator and sustainer."
"It is only once the feelings have broken the heart, the holder of the feelings."
"That the beholder is freed."
"To show the love that will never be broken."
"Love that is true."

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Abelard and Heloïse

["There are so many things I want to talk to you about." Abelard probably said to Heloïse, "but how can I when I can only think about kissing you?" --KATHARINE LANE in the Evening Mail.]

Said Abelard to Heloïse:
"Your tresses blowing in the breeze
Enchant my soul; your cheek allures;
I never knew such lips as yours."

Said Heloïse to Abelard:
"I know that it is cruel, hard,
To make you fold your yearning arms
And think of things besides my charms."

Said Abelard to Heloïse:
"Pray, lets discuss the Portuguese;
Their status in the League of Nations.
. . . . Come, slip me seven osculations.
"The Fourteen Points," said Heloïse,
"Are pure Woodrovian fallacies."
Said Abelard: "Ten times fourteen
The points you have, O beaucoup queen!"

"Lay off," said Heloïse, "all that stuff.
I've heard the same old thing enough."
"But," answered Abelard, "your lips
Put all my thoughts into eclipse."

"O Abelard," said Heloïse,
"Don't take so many liberties."
"I do it but to show regard."

And Heloïse told her chum that night
That Abelard was Awful Bright;
And--thus is drawn the cosmic plan--
She loved an Intellectual Man.

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I Believe

On the shreads
Of broken,
Defunct ties
Called relations
I lie.
My believe on love
A very distant cry.
My mind tells me
This is real,
And I am destined to live
"life"
A loveless,
Lonely lie.
But stupid heart
Refuses to give in
Still believes in the truth
Frilled in silent lies.
Still hopes
That there will be a
"tomorrow"
Where "you"
Stands "mine"
And a thread will bind
"us"
Ignorant of time.
That love will happen
And life will be beyond,
Broken,
Defunct ties.
And my believe on love
Would no longer be
A far distant cry.-anjali

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Tz'u No. 2 (Wine Joy)

To the tune "As in a Dream"

I have long remembered
the pavilion
on the stream
the falling sun
so deep in wine
we did not know
the way home
how pleasure spent
late returning
the skiff
thoughtless
entered
a lotus deep place
and struggling through
struggling through
we scared up
from the sand
gulls and herons.

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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Rudyard Kipling

The New Knighthood

Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"

Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."

Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."

"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"

Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."

Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."

Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."

Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."

Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."

And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!

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Rudyard Kipling

Cold Iron

Gold is for the mistress -- silver for the maid --
Copper for the craftsman cunning at his trade.
"Good!" said the Baron, sitting in his hall,
"But Iron -- Cold Iron -- is master of them all."

So he made rebellion 'gainst the King his liege,
Camped before his citadel and summoned it to siege.
"Nay!" said the cannoneer on the castle wall,
"But Iron -- Cold Iron -- shall be master of you all!"

Woe for the Baron and his knights so strong,
When the cruel cannon-balls laid 'em all along;
He was taken prisoner, he was cast in thrall,
And Iron -- Cold Iron -- was master of it all!

Yet his King spake kindly (ah, how kind a Lord!)
"What if I release thee now and give thee back thy sword?"
"Nay!" said the Baron, "mock not at my fall,
For Iron -- Cold Iron -- is master of men all."

Tears are for the craven, prayers are for the clown --
Halters for the silly neck that cannot keep a crown.
"As my loss is grievous, so my hope is small,
For Iron -- Cold Iron -- must be master of men all!"

Yet his King made answer (few such Kings there be!)
"Here is Bread and here is Wine -- sit and sup with me.
Eat and drink in Mary's Name, the whiles I do recall
How Iron -- Cold Iron -- can be master of men all!"

He took the Wine and blessed it. He blessed and brake the Bread,
With His own Hands He served Them, and presently He said:
"See! These Hands they pierced with nails, outside My city wall,
Show Iron -- Cold Iron -- to be master of men all."

"Wounds are for the desperate, blows are for the strong.
Balm and oil for weary hearts all cut and bruised with wrong.
I forgive thy treason -- I redeem thy fall --
For Iron -- Cold Iron -- must be master of men all!"

Crowns are for the valiant -- sceptres for the bold!
Thrones and powers for mighty men who dare to take and hold.
"Nay!" said the Baron, kneeling in his hall,
"But Iron -- Cold Iron -- is master of men all!
Iron out of Calvary is master of men all!"

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Tz'u No. 18

To the tune of "Intoxicated in the Shadow of Flowers"

Thin mist, dense clouds, a grief-stricken day;
auspicious incense burns in the gold animal.
Once again, it is the joyous mid-autumn festival,
but a midnight chill
touches my jade pillow and silk bed-screen.

I drink wine by the eastern fence in the yellow dusk.
Now a dark fragrance fills
my sleeves and makes me spin.
The bamboo blinds sway in the west wind.
And I am even thinner than a yellow flower.

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Tz'u No. 10 (Exile)

To the tune of "Bodhisattva Aliens"

Soft breezes, mild sunshine,
spring is still young.
The sudden change of the light
brightened my spirit.

But upon awakening from slumber,
I felt the chill air;
The plum flower withered in my hair.

Where can I call my native land?
Forget - I cannot, except in wine
when I drown my care.

Incense was lighted when I went to sleep;
Though the embers are now cold,
the warmth of wine still burns on.

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Sonnet XL: On the Low Margin

On the low margin of a murm'ring stream,
As rapt in meditation's arms I lay;
Each aching sense in slumbers stole away,
While potent fancy form'd a soothing dream;
O'er the Leucadian deep, a dazzling beam
Shed the bland light of empyrean day!
But soon transparent shadows veil'd each ray,
While mystic visions sprang athwart the gleam!
Now to the heaving gulf they seem'd to bend,
And now across the sphery regions glide;
Now in mid-air, their dulcet voices blend,
"Awake! awake!" the restless phalanx cried,
"See ocean yawns the lover's woes to end,
"Plunge the green wave, and bid thy griefs subside."

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The Cycle

"Good evening", said the cyclist,
It echoed in the evening mist,
I was baffled I never knew him,
The dark stranger tall and slim!
Before I could acknowledge
He was gone in the haze,
The unknown messenger of good wills
A roaming angel on two wheels!
"Good evening", I said on my way,
The passerby was baffled had no word to say
In the silent evening of misty haze
I was happy to turn a new page!

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Gold Clouds

As the wind goes on to its own stream
In the gold clouds of tomorrow rising
Like a summer of flowers gold sunbeam
Those from a fantasy world are actualizing

With flow in the evening rays

As the wind goes on to its own stream
And everything is in its twilight’s dream

When glow of the evening plays

With every agleam that as arisen your mind
In the flickering clouds dancing high
When those moments of days are left behind
In the night falling beyond starry sky

And the night fills with dark allays

*(lyric from 1 of my trance songs)

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Intimacy

I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.

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Three Palinodias - 01

"Incense is hut a tribute for the gods,--
To mortals 'tis but poison."

THE smoke that from thine altar blows,

Can it the gods offend?
For I observe thou hold'st thy nose--

Pray what does this portend?
Mankind deem incense to excel

Each other earthly thing,
So he that cannot bear its smell,

No incense e'er should bring.

With unmoved face by thee at least

To dolls is homage given;
If not obstructed by the priest,

The scent mounts up to heaven.

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