Khalil Gibran

Joy and Sorrow chapter VIII

Then a woman said, "Speak to us of Joy and Sorrow."

And he answered:

Your joy is your sorrow unmasked.

And the selfsame well from which your laughter rises was oftentimes filled with your tears.

And how else can it be?

The deeper that sorrow carves into your being, the more joy you can contain.

Is not the cup that hold your wine the very cup that was burned in the potter's oven?

And is not the lute that soothes your spirit, the very wood that was hollowed with knives?

When you are joyous, look deep into your heart and you shall find it is only that which has given you sorrow that is giving you joy.

When you are sorrowful look again in your heart, and you shall see that in truth you are weeping for that which has been your delight.

Some of you say, "Joy is greater than sorrow," and others say, "Nay, sorrow is the greater."

But I say unto you, they are inseparable.

Together they come, and when one sits alone with you at your board, remember that the other is asleep upon your bed.

Verily you are suspended like scales between your sorrow and your joy.

Only when you are empty are you at standstill and balanced.

When the treasure-keeper lifts you to weigh his gold and his silver, needs must your joy or your sorrow rise or fall.

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Rabindranath Tagore

The Gardener XXVII: Trust Love

"Trust love even if it brings sorrow.
Do not close up your heart."
"Ah no, my friend, your words are
dark, I cannot understand them."
"Pleasure is frail like a dewdrop,
while it laughs it dies. But sorrow is
strong and abiding. Let sorrowful
love wake in your eyes."
"Ah no, my friend, your words are
dark, I cannot understand them."
"The lotus blooms in the sight of
the sun, and loses all that it has. It
would not remain in bud in the
eternal winter mist."
"Ah no, my friend, your words are
dark, I cannot understand them."

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The Penitent

I had a little Sorrow,
Born of a little Sin,
I found a room all damp with gloom
And shut us all within;
And, "Little Sorrow, weep," said I,
"And, Little Sin, pray God to die,
And I upon the floor will lie
And think how bad I've been!"

Alas for pious planning—
It mattered not a whit!
As far as gloom went in that room,
The lamp might have been lit!
My little Sorrow would not weep,
My little Sin would go to sleep—
To save my soul I could not keep
My graceless mind on it!

So I got up in anger,
And took a book I had,
And put a ribbon on my hair
To please a passing lad,
And, "One thing there's no getting by—
I've been a wicked girl," said I:
"But if I can't be sorry, why,
I might as well be glad!"

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Sorrow Under Mist

Mist -

Giving wispy vapour to the breath,
Cool calm to autumn afternoons,
A hovering air of mysticism
Over brooding lakes -

Was different here,
Affording company, closeness -
A caring arm around her shoulders.

In the eyes, a once-clear oceanic blue
Wavered under water -
Tears telling torrid truths
She couldn't face -
Like the glowering image in the mirror
You don't see in your mind's eye
Of compensation; delusion.

We see her sitting on the concrete steps
That led down to the dew-laden garden.
She's peering up, sensing her diffuse companion,
Refreshing in its chill; giving crispness
To the stealth of dulling evening.

But the bite of air couldn't lift the sorrow
Of pale youth in love,
Shouldered by a not-in-love and scoffing eye.

Rejection hurt;
Hurts -
Wrenches deep -
Emotion that we can't deny!


Copyright © Mark R Slaughter 2011


Sorrow Rain

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Anna Comnena

In the prologue to her Alexiad,
Anna Comnena laments her widowhood.

Her soul is dizzy. "And with rivers
of tears," she tells us "I wet
my eyes... Alas for the waves" in her life,
"alas for the revolts." Pain burns her
"to the the bones and the marrow and the cleaving of the soul."

But it seems the truth is, that this ambitious woman
knew only one great sorrow;
she only had one deep longing
(though she does not admit it) this haughty Greek woman,
that she was never able, despite all her dexterity,
to acquire the Kingship; but it was taken
almost out of her hands by the insolent John.

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The Maiden's Lament

The clouds fast gather,
The forest-oaks roar--
A maiden is sitting
Beside the green shore,--
The billows are breaking with might, with might,
And she sighs aloud in the darkling night,
Her eyelid heavy with weeping.

"My heart's dead within me,
The world is a void;
To the wish it gives nothing,
Each hope is destroyed.
I have tasted the fulness of bliss below
I have lived, I have loved,--Thy child, oh take now,
Thou Holy One, into Thy keeping!"

"In vain is thy sorrow,
In vain thy tears fall,
For the dead from their slumbers
They ne'er can recall;
Yet if aught can pour comfort and balm in thy heart,
Now that love its sweet pleasures no more can impart,
Speak thy wish, and thou granted shalt find it!"

"Though in vain is my sorrow,
Though in vain my tears fall,--
Though the dead from their slumbers
They ne'er can recall,
Yet no balm is so sweet to the desolate heart,
When love its soft pleasures no more can impart,
As the torments that love leaves behind it!"

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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The Lost Friend

The people take the thing of course,
They marvel not to see
This strange, unnatural divorce
Betwixt delight and me.


I know the face of sorrow, and I know
Her voice with all its varied cadences;
Which way she turns and treads; how at her ease
Things fit her dreary largess to bestow.

Where sorrow long abides, some be that grow
To hold her dear, but I am not of these;
Joy is my friend, not sorrow; by strange seas,
In some far land we wandered, long ago.

O faith, long tried, that knows no faltering!
O vanished treasure of her hands and face!--
Beloved--to whose memory I cling,
Unmoved within my heart she holds her place.

And never shall I hail that other "friend,"
Who yet shall dog my footsteps to the end.

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Like My Own

There's no sorrow like the sorrow of a martyr'd soul,
There's no sorrow like the sorrow of one who is alone.
There's no sorrow like the sorrow of loving one who's gone,
There's never been a sorrow so much deeper than my own.

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Come, O King of the Lacedaimonians

Kratisiklia didn't deign to allow
the people to see her weeping and grieving:
she walked in dignity and in silence.
Her calm face betrayed nothing
of her sorrow and her agony.
But even so, for a moment she couldn't hold back:
before she went aboard the detestable ship for Alexandria
she took her son to Poseidon's temple,
and once they were alone
she embraced him tenderly and kissed him
(he was "in great distress," says Plutarch, "badly shaken").
But her strong character struggled through;
regaining her poise, the magnificent woman
said to Kleomenis: "Come, O King of the Lacedaimonians,
when we go outside
let no one see us weeping
or behaving in any way unworthy of Sparta.
At least this is still in our power;
what lies ahead is in the hands of the gods."

And she boarded the ship, going toward whatever lay "in the
hands of the gods."

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The Shearer's Cook

Now, shearers' cooks, as shearers know,
Are very seldom wont to blow;
But when I took to dabbing tar
And "picking-up" on Blaringar,
The cook, when "barbers" came at morn
To get a snack, would say, with scorn:
"Tea on the left,
Coffee on the right,
Brownie on the bunk, and blast yez!"

The "bunk" or slab was in the hut,
And on it "brownie" ready cut;
Two buckets o'er the fire would be -
One filled with coffee, one with tea;
And when the chaps came filing in
The cook would say, with mirthless grin:
"Tea on the left,
Coffee on the right,
Brownie on the bunk, and blast yez!"

Peculiar man, this shearers' cook,
And had a very ugly look.
To me - a new-chum rouseabout,
Said he, one day when all were out:
"There's nothing in this world, my lad,
That's worth your worry, good or bad;
Grief on the left,
Sorrow on the right,
Trouble on the bunk, but blast it!"

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Emily Dickinson

Wolfe demanded during dying

678

Wolfe demanded during dying
"Which obtain the Day"?
"General, the British"—"Easy"
Answered Wolfe "to die"

Montcalm, his opposing Spirit
Rendered with a smile
"Sweet" said he "my own Surrender
Liberty's beguile"

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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Sorrow and joy

Being in poverty is sorrow.
Leaving comfort is sorrow.
Wish withheld is sorrow.
Fear upheld is sorrow.
Contact with unpleasantness is sorrow.
Separation from pleasantness is sorrow.
If there is no shadow
There will be no ray.
Both compliments each other..

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The Woman and the Wife

I--THE EXPLANATION

"You thought we knew," she said, "but we were wrong.
This we can say, the rest we do not say;
Nor do I let you throw yourself away
Because you love me. Let us both be strong,
And we shall find in sorrow, before long,
Only the price Love ruled that we should pay:
The dark is the end of every day,
And silence is the end of every song.

"You ask me for one more proof that I speak right,
But I can answer only what I know;
You look for just one lie to make black white,
But I can tell you only what is true--
God never made me for the wife of you.
This we can say,--believe me! . . . Tell me so!"

II--THE ANNIVERSARY

"Give me the truth, whatever it may be.
You thought we knew, but now tell me what you miss:
You are the one to tell me what it is--
You are a man, and you have married me.
What is it worth to-night that you can see
More marriage in the dream of one dead kiss
Than in a thousand years of life like this?
Passion has turned the lock. Pride keeps the key.

"Whatever I have said or left unsaid,
Whatever I have done or left undone,--
Tell me. Tell me the truth . . . Are you afraid?
Do you think that Love was ever fed with lies
But hunger lived thereafter in his eyes?
Do you ask me to take moonlight for the sun?"

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Under the Pines

"LIFE is sad," says the wind in the pines
To the still soul listening,
While the pale, pale day declines
Like a white bird on the wing.
"Life is sad," says the quiet earth
5
Under the churchyard wall,
Where the spring flowers have their birth
And the autumn leaflets fall.
"Life is sad," say the daisies that blow there
And stretch out their heads to the sun;
10
"Life is sad," say the poor hearts that go there
To weep when the day's work is done.
"Life is sad," from below, from on high,
From forest and meadow and tree,
From the clouds that drift over the sky
15
And the days that die into the sea.
Then up and be brave with thy sorrow,
Like a man with his face to the blast;
Not from hope of the joys of to-morrow,
Nor rest when the warfare is past;
20

But strong that weak souls may grow strong,
That men may take heart by the way,
Till the heavens break forth with the song
That will herald eternal day.

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Rudyard Kipling

The New Knighthood

Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"

Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."

Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."

"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"

Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."

Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."

Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."

Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."

Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."

And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!

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